Earp, Lawrence M. 2005. Declamatory dissonance in Machaut. Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned. Essays in Honour of Margaret Bent, Studies in Medieval and Renaissance Music. edited by Elizabeth Eva Leach and Suzannah Clark, Woodbridge, Suffolk: Boydell and Brewer.
Earp, Lawrence M. 2002. Machaut's Music in the Early Nineteenth Century: the Work of Perne, Bottée de Toulmon, and Fétis. Guillaume de Machaut: 1300–2000, edited by Jacqueline Cerquiglini-Toulet and Nigel E Wilkins, 9–40. Paris: Université de Paris IV.
Earp, Lawrence M. 1995. Guillaume de Machaut: A Guide to Research. New York and London: Garland.
Earp, Lawrence M. 1991. Genre in the Fourteenth Century French Chanson: The Virelai and the Dance Song. Musica Disciplina, 45: 123-141.
Earp, Lawrence M. 1991. Texting in 15th-Century French Chansons: A Look Ahead from the 14th Century. Early Music, 19: 194-210.
Earp, Lawrence M. 1991. Lyrics for Reading and Lrics for Singing in Late Medieval France: The Development of the Dance Lyric from Adam de la Halle to Guillaume de Machaut. The Union of words and Music in Medieval Poetry, edited by Rebecca A. Baltzer, Thomas Cable, and James I. Wimsatt, Austin: University of Texas Press.
Earp, Lawrence M. 1989. Machaut's Role in the Production of Manuscripts of His Works. Journal of the American Musicological Society, 42: 461-503.
Earp, Lawrence M. 1983. Scribal Practice, Manuscript Production and the Transmission of Music in Late Medieval France: The Manuscripts of Guillaume de Machaut. PhD Dissertation, Princeton University.