Stone, Anne. 2021. Made to Measure? On the Intimate Relations between Parchment and Text in MS C’s Remede de Fortune. Poetry, Art, and Music in Guillaume de Machaut’s Earliest Manuscript (BnF fr. 1586), edited by Lawrence M Earp and Jared C. Hartt, 93–131. Turnhout: Brepols.

Plumley, Yolanda, and Anne Stone (eds.) 2009. A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564).  Turnhout: Brepols.

Plumley, Yolanda, and Anne Stone (eds.) 2008. Chantilly Codex, Bibliothèque du Chateau de Chantilly, Ms. 564: Facsimile & Introduction. 2 vols. Turnhout: Brepols.

Plumley, Yolanda, and Anne Stone (eds.) 2007. The Chantilly Codex, Manuscript 564.  Turnhout.

Stone, Anne. 2005. The Manuscript Modena, Biblioteca Estense, [alpha].M.5.24: Commentary. Ars nova, n.s. 1b.  Lucca: Libreria musicale italiana.

Günther, Ursula, and Anne Stone. 2001. Antonello da Caserta. New Grove Dictionary of Music and Musicians,

Stone, Anne. 2001. A Singer at the Fountain: Homage and Irony in Ciconia’s 'Sus une fontayne'. Music and Letters, 82: 361-390.

Stone, Anne. 1994. Writing Rhythm in Late Medieval Italy: Notation and Musical Style in the Manuscript Modena, Biblioteca Estense, (.M.5.24). Ph.D, Harvard University.