Albritton, Benjamin. 2011. Translation and Parody: Responses to Machaut's 'Lay de confort'. Citation, Intertextuality and Memory in the Middle Ages and Renaissance. Volume 1: Text, Music and Image from Machaut to Ariosto, Exeter Studies in Medieval Europe: History, Society and the Arts. edited by Yolanda Plumley, Giuliano Di Bacco,  and Stefano Jossa, 1-14. Exeter: University of Exeter Press.

Plumley, Yolanda, and Anne Stone (eds.) 2009. A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564).  Turnhout: Brepols.

Plumley, Yolanda, and Anne Stone (eds.) 2008. Chantilly Codex, Bibliothèque du Chateau de Chantilly, Ms. 564: Facsimile & Introduction. 2 vols. Turnhout: Brepols.

Plumley, Yolanda, and Anne Stone (eds.) 2007. The Chantilly Codex, Manuscript 564.  Turnhout.

Plumley, Yolanda. 2003. Ciconia's Sus un' fontayne and the Legacy of Philipoctus de Caserta. Johannes Ciconia: musicien de la transition, edited by Philippe Vendrix, 131–68. Turnhout: Brepols.

Plumley, Yolanda. 1999. Citation and Allusion in the Late Ars Nova: the Case of 'Esperance' and the 'En attendant' songs. Early Music History, 18: 287-363.