I-TRbc MS 1378 [91] (Trent 91)

Museo Provinciale d'Arte, Castello del Buonconsiglio, Trent (Trento), Italy

manuscript of polyphony: c. 1460-80

Archive	Museo Provinciale d'Arte, Castello del Buonconsiglio, Trent (Trento), Italy (I-TRbc)
Shelfmark	MS 1378 [91] (Trent 91)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	310 x 210 mm
Other Identifiers	RISM: TRbc 91 CCM: TrentC 91 olim (Former shelfmark): Trent 91
Copyists	Wiser, Johannes Text and Music
External Links	online images of whole manuscript
Provenance	Italy
Contents	225 pieces from 13 composers

General Description

Copied by several scribes, including Johannes Wiser, rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.

DIAMM, 2017

Binding

Original covers of tooled leather over wooden boards

DIAMM, 2017

Watermark

(1) three-peaked mountain surmounted by six-petalled flower (not in Briquet); (2) scales in circle (not in Briquet); (3) scales in circle surmounted by six-pointed star (not in Briquet); (4) generally resembles Briquet #14878; (5) generally resembles Briquet #14872; (6) generally resembles Briquet #14579.

DIAMM, 2017

Notation

not defined

DIAMM, 2017

Foliation

Modern foliation, 1-259.

DIAMM, 2017

Foliation

259 ff

DIAMM, 2017

Decoration

Inked calligraphic initials on ff. 73'-80 and ff. 215'-235; no other decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM 5

Ces 7 manuscrits, dont les 6 premiers ont été révélés par Haberl en 1885 (cf. Bibliographie), tandis que le 7e ne fut découvert qu'en 1920 (R. von Ficker, in DTÖ 61 (XXXI) VIff) consituent une véritable famille indissoluble en ce qu'ils présentent tant de caractères communs qu'il semble logique d'en donner d'abord une description d'ensemble pour préciser ensuite les particularités de chacun d'eux en même temps que le dépouillement de leur contenu.

Ils fournissent un énorme répertoire en grande partie religieux, sans pour cela que la musique profane soit complètement négligée, qui va de Loqueville à Isaac et Compère, couvrant 25OOff. avec 1870 pièces environ, qui peuvent se dater entre 1420 et 1480. En 1921, R. Wolkan (cf. Bibliographie) avait émis l'opinion que ces mss. copiés à Vienne sous l'impulsion de Johann Hinderbach (né en 1418), secrétaire à la chancellerie impériale, auraient suivi celui-ci à Trente où, en 1455, il avait été nommé prévôt à la cathédrale puis porté à l'évêché en 1465. E. Wellesz va plus loin en les déclarant copiés, à Vienne d'abord puis à Trente, sur ordre de Hinderbach pour sa bibliothèque personnelle qui devait ensuite être donnée au chapitre de la cathédrale (Grove's Dictionary, 5th ed,. 1954). Cependant, comme on ne trouve dans ces mss. aucune pièce de circonstance de la vie de l'empereur Friedrich III, alors que les allusions à des personnages tridentins, même peu célèbres, y sont évidentes et que l'un des copistes Johannes Wiser occupa diverses charges à Trente de 1459 à 1490, il est logique de penser qu'ils ont plutôt été copiés, sinon tous à Trente même, du moins dans l'Italie du nord (cf. Bibliographie, Lunelli). Il est possible aussi qu'ils aient été acquis (en tout cas les plus anciens) par l'évêque de Trente Alexander Masowien, alors en relation avec Amédée VIII de Savoie pour la chapelle duquel ils auraient été copiés (cf. WardTS, p. 144). — On peut diviser ces 7 mss. en deux groupes: d'une part 87 et 92 qui sont les plus anciens, d'autre part 88, 89, 90, 91 et 93 qui sont légèrement postérieurs, 91 étant le plus récent. Le même papier et le même scribe, qui inscrit son nom Puntschucherh au bas du f. 161 du ms 87 (mais s'agit-il d'un nom? Cf. Flotzinger, Bibliographie TRbc 87) se retrouvent pour la première partie du ms. 87 (f. 1—218) et la deuxième partie du ms. 92 (f. 144—239), la relation entre les deux mss. étant de plus soulignée par le fait qu'un Kyrie de Binchois au f. 56v du ms. 87 (n° 34) est accompagné d'une mention renvoyant pour Y Et in terra suivant au premier f. du ms. 92 (n° 2). Ces deux mss. ont certainement été copiés avant 1450 dans l'Italie du Nord, tandis que l'on peut fixer approximativement la date de compilation des cinq autres entre 1445 et 1480, le scribe Johannes Wiser en ayant copié la plus grande partie à Trente même.

Ms. 91

XVe s. 259ff. Papier (1er f. Umin. parchemin), 310X210 mm. Foliotation ancienne en eh. arabes en haut des ff. Les ff. 67, 189v, 190, 201v à 202v, 211, 213, 214v, 226, 235v, 236v, 243v, 244, 257 sont blancs. Notation mesurée blanche. Notation neumatique gothique au Sup. des n°* 147, 168, 169, 170, 171. 9 portées par p.

Le plus récent de toute la série, ce ms. comporte moins de parties séparées de messes que le précédent, tandis qu'on n'y trouve pas moins de 12 cycles de messes. Même si l'on ne peut pas toujours affirmer que toutes les sections de ces cycles soient forcément du même auteur, leur unité est en tout cas confirmée pour certains d'entre eux, soit par le Cantus firmus (n°* 1 à 5, 7 à 11, 12 à 16, 181 à 185, 201 à 205), soit par l'identité du motif initial du Sup. (nos 40 à 44, 48 à 53), soit par le procédé de l'écriture contrapuntique (Missa ad fugarti, n°' 196 à 200). Le répertoire révèle une génération de compositeurs postérieurs à ceux des autres mss. de TR, avec Busnois, Compère, Faugues, Martini, Touront et Vincenet, dont l'activité n'a commencé que vers la fin du XVe s. Le n° 25, quelquefois attribué à Martini, a été écrit en 1471 pour le mariage d'Ercole Io d'Esté avec Eleonora d'Aragon.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

TRENT. Museo Provinciale d'Arte, Castello del Buon Consiglio. MS 91

13 Masses, 8 Kyries, 4 Glorias, 1 Gloria trope, 3 Credos, 4 Sanctus, 42 Mass Proper sections, 5 Magnificats, 1 Te Deum, 21 office hymns, 1 processional hymn, 43 motets, 1 set of responses, 6 Benedicamus dominos, 1 Latin/German sacred piece, 2 French secular pieces (1 without text), 1 Italian secular piece, 1 textless piece = 158

Busnois-2, (Caront)-1, Compère-1,* (Faugues)-1, (Isaac/Martini)-1, (Martini)-1, (Touront)-1, Vincenet-2, anon-148

'Motet "Omnium bonorum plena" (ff. 33'-35) has no attribution over music, but text names Compère as composer.

259 paper folios, 310 x 210. Modern foliation, 1-259. Blank staves only on ff. 67, 189'-190, 201'-202', 211, 213, 214', 226, 235'-236, 243'-244, 257, 259'. Original covers of tooled leather over wooden boards. No index. Copied by several scribes, including Johannes Wiser, rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. Inked calligraphic initials on ff. 73'-80 and ff. 215'-235; no other decoration. Watermarks: (1) three-peaked mountain surmounted by six-petalled flower (not in Briquet); (2) scales in circle (not in Briquet); (3) scales in circle surmounted by six-pointed star (not in Briquet); (4) generally resembles Briquet #14878; (5) generally resembles Briquet #14872; (6) generally resembles Briquet #14579.

Ca. 1460-80. Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.

Vol 4

Composers: Add "(Busnois/Isaac)-1"; change "anon-148" to "anon-147."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2	Missa Cucu: Kyrie	[J.MARTINI]	Martini, Johannes (ca. 1430–1497)
Missa Cucu: Kyrie Martini, Johannes (ca. 1430–1497) Appears on: 1–2 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [J.MARTINI] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Cucu] Kyrie General Note T: Kyrie cucu cucu cucu leyson Publ. cf. MOe M. 1. 13 n" 18
2v–5	Missa Cucu: Et in terra pax [Gloria]	[J.MARTINI]	Martini, Johannes (ca. 1430–1497)
Missa Cucu: Et in terra pax [Gloria] Martini, Johannes (ca. 1430–1497) Appears on: 2v–5 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [J.MARTINI] Voice: [no designation] Languages: Latin Voice Text: [Missa Cucu. Gloria] Et in terra General Note Publ. cf. MOe M. 1. 13 n° 18
5v–8v	Missa Cucu: Patrem omnipotentem [Credo]	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Missa Cucu: Patrem omnipotentem [Credo] Martini, Johannes (ca. 1430–1497) Appears on: 5v–8v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [J. MARTINI] Voice: [no designation] Languages: Latin Voice Text: [Missa Cucu. Credo] Patrem General Note Publ. cf. MOe M. 1. 13 n° 18
9–11	Missa Cucu: Sanctus	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Missa Cucu: Sanctus Martini, Johannes (ca. 1430–1497) Appears on: 9–11 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J. MARTINI] Voice: [no designation] Languages: Latin Voice Text: [Missa Cucu] Sanctus General Note Publ. cf. MOe M. 1. 13 n' 18
11v–12	Missa Cucu: Agnus Dei	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Missa Cucu: Agnus Dei Martini, Johannes (ca. 1430–1497) Appears on: 11v–12 Genres: Agnus Dei, Mass Ordinary Source Attribution: [J. MARTINI] Voice: [no designation] Languages: Latin Voice Text: [Missa Cucu] Agnus dei General Note Publ. cf. Moe M. 1. 13 n° 18
12v	Accueilly m'a la belle (B version) = Da pacem Domine	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Accueilly m'a la belle (B version) = Da pacem Domine Caron, Firminus (ca. 1460–ca. 1475) Appears on: 12v Genres: Chanson, Contrafactum Source Attribution: [CARON] Voice: [no designation] Languages: Latin Voice Text: Da pacem domine [= Accueilly m'a la belle] General Note [= Accoeuillie m'a la belle] [= Saoulé m'a la belle]* [= A cui m'a la bella]Publ. cf. Fn 176 n° 42 Concordances F-Dm 517 **F-Pn 676
13–14	Missa La basse dance: Kyrie	[FAUGUES]	Faugues, Guillaume
Missa La basse dance: Kyrie Faugues, Guillaume Appears on: 13–14 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [FAUGUES] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa La bassedanze] Kyrie General Note T: La bassedanze kyrie leyson. Publ. cf. Rvat 51 n» 7 Item Bibliography Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften]. Pages: 7 (facs.).
14v–17	Missa La basse dance: Gloria Et in terra	[FAUGUES]	Faugues, Guillaume
Missa La basse dance: Gloria Et in terra Faugues, Guillaume Appears on: 14v–17 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [FAUGUES] Voice: [no designation] Languages: Latin Voice Text: [Missa La bassedanze.Gloria] Et in terra General Note T: La bassedanze gracias agimus tibi. Publ. cf. Rvat 51 n- 7 Item Bibliography Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften]. Pages: 7 (facs).
17v–21	Missa La basse dance: Patrem omnipotentem [Credo]	[FAUGUES]	Faugues, Guillaume
Missa La basse dance: Patrem omnipotentem [Credo] Faugues, Guillaume Appears on: 17v–21 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [FAUGUES] Voice: [no designation] Languages: Latin Voice Text: [Missa La bassedanze. Credo] Patrem General Note T: La bassedanze . . .Publ. cf. Rvat 51 n° 7 Item Bibliography Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften]. Pages: 7 (facs).
21v–23	Missa La basse dance: Sanctus	[FAUGUES]	Faugues, Guillaume
Missa La basse dance: Sanctus Faugues, Guillaume Appears on: 21v–23 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [FAUGUES] Voice: [no designation] Languages: Latin Voice Text: [Missa La bassedanze] Sanctus General Note Publ. cf. Rvat 51 n» 7; Item Bibliography Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften]. Pages: 7 (facs).
23v–24v	Missa La basse dance: Agnus Dei	[FAUGUES]	Faugues, Guillaume
Missa La basse dance: Agnus Dei Faugues, Guillaume Appears on: 23v–24v Genres: Agnus Dei, Mass Ordinary Source Attribution: [FAUGUES] Voice: [no designation] Languages: Latin Voice Text: [Missa La bassedanze] Agnus dei General Note Publ. cf. Rvat 51 n« 7 Item Bibliography Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften]. Pages: 7 (facs).
25–26	Missa Regina caeli laetare: Kyrie	-	Anonymous
Missa Regina caeli laetare: Kyrie Anonymous Appears on: 25–26 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Regina celi letare] Kyrie General Note T: Kyrie leyson./Regina celi letare alleluia.
26v–28	Missa Regina caeli laetare: Et in terra pax [Gloria]	-	Anonymous
Missa Regina caeli laetare: Et in terra pax [Gloria] Anonymous Appears on: 26v–28 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Regina celi letare. Gloria] Et in terra General Note T: Regina celi letare alleluia . . ./Gracias agimus tibi
28v–30	Missa Regina caeli laetare: Credo. Patrem	-	Anonymous
Missa Regina caeli laetare: Credo. Patrem Anonymous Appears on: 28v–30 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Regina celi letare.Credo] Patrem General Note Regina celi letare alleluia
30v–32	Missa Regina caeli laetare: Sanctus	-	Anonymous
Missa Regina caeli laetare: Sanctus Anonymous Appears on: 30v–32 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa Regina celi letare] Sanctus General Note T:Sanctus./Regina celi letare alleluia . . .
32v–33	Missa Regina caeli laetare: Agnus Dei	-	Anonymous
Missa Regina caeli laetare: Agnus Dei Anonymous Appears on: 32v–33 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Regina celi letare] Agnus Dei General Note T: Regina celi letare alleluia . . ./Agnus Dei.
33v–35	Omnium bonorum plena - 1a pars (of 2): Omnium bonorum plena virgo parens	[L. COMPERE]	Compère, Loyset (ca. 1445–1518)
Omnium bonorum plena - 1a pars (of 2): Omnium bonorum plena virgo parens Compère, Loyset (ca. 1445–1518) Appears on: 33v–35 Genres: Motet Source Attribution: [L. COMPERE] Voice: [no designation] Languages: Latin Voice Text: Omnium bonorum plena virgo parens General Note T: De tous biens pleine nullus tibi
33v–35	Omnium bonorum plena - 2a pars (of 2): Omnium bonorum plena peccatorum medicina	L. COMPERE	Compère, Loyset (ca. 1445–1518)
Omnium bonorum plena - 2a pars (of 2): Omnium bonorum plena peccatorum medicina Compère, Loyset (ca. 1445–1518) Appears on: 33v–35 Genres: Motet Source Attribution: L. COMPERE Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Omnium bonorum plena peccatorum medicina
35v–37	In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante	BUSNOYS	Busnoys, Antoine (ca. 1430–1492)
In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante Busnoys, Antoine (ca. 1430–1492) Appears on: 35v–37 Genres: Motet Source Attribution: BUSNOYS Voice: [no designation] Languages: Latin Voice Text: In hydraulis quondam Pythagora admirante Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
35v–37	In hydraulis - 2a pars (of 2): Heg ockeghem cunctis	BUSNOYS	Busnoys, Antoine (ca. 1430–1492)
In hydraulis - 2a pars (of 2): Heg ockeghem cunctis Busnoys, Antoine (ca. 1430–1492) Appears on: 35v–37 Genres: Motet Source Attribution: BUSNOYS Voice: [no designation] Languages: none Voice Text: 2a p.: without text Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
37v–39	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 37v–39 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
39v	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 39v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
39v	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 39v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
39v	Benedicamus Domino [Tr.1166]	-	Anonymous
Benedicamus Domino [Tr.1166] Anonymous Appears on: 39v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
40	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 40 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
40	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 40 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
40v–41	Perfunde caeli rore	-	Anonymous
Perfunde caeli rore Anonymous Appears on: 40v–41 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Perfunde caeli rore Item Bibliography Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: 12 (attrib. à J. Martini).
41v–42	A virgine qui natus est	-	Anonymous
A virgine qui natus est Anonymous Appears on: 41v–42 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: A virgine qui natus est
42v–43	Vous marchez du bout du pied marionette	[A. BUSNOIS]*	Isaac, Heinrich (ca. 1450–1517) (?) Busnoys, Antoine (ca. 1430–1492) (?)
Vous marchez du bout du pied marionette Isaac, Heinrich (ca. 1450–1517) (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 42v–43 Genres: Chanson Source Attribution: [A. BUSNOIS]* Voice: [no designation] Languages: French Voice Text: [Vous marchez du bout du pied marionnette]* Concordances F-Pn 57 Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.* Graz and Vienna. Pages: 14/15 (VII).
43v–45	Te Deum laudamus [K.521]	-	Anonymous
Te Deum laudamus [K.521] Anonymous Appears on: 43v–45 Genres: Litany, Liturgical work, Te Deum Voice: [no designation] Languages: Latin Voice Text: Te deum laudamus
45v–48	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 45v–48 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
48v	Veni sancte spiritus et emitte caelitus	-	Anonymous
Veni sancte spiritus et emitte caelitus Anonymous Appears on: 48v Genres: Motet, Proper, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus
49	Asperges me Domine isopo et mundabor	-	Anonymous
Asperges me Domine isopo et mundabor Anonymous Appears on: 49 Genres: Asperges me, Motet Voice: [no designation] Languages: Latin Voice Text: Asperges me Domine hysopo
49v–50	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 49v–50 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
50v–51	Missa [Tr91-1]: Kyrie	-	Anonymous
Missa [Tr91-1]: Kyrie Anonymous Appears on: 50v–51 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
51v–53	Missa [Tr91-1]: Gloria	-	Anonymous
Missa [Tr91-1]: Gloria Anonymous Appears on: 51v–53 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa.Gloria] Et in terra
53v–55	Missa [Tr91-1]: Credo	-	Anonymous
Missa [Tr91-1]: Credo Anonymous Appears on: 53v–55 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem
55v–56v	Missa [Tr91-1]: Sanctus	-	Anonymous
Missa [Tr91-1]: Sanctus Anonymous Appears on: 55v–56v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
57–58	Missa [Tr91-1]: Agnus Dei	-	Anonymous
Missa [Tr91-1]: Agnus Dei Anonymous Appears on: 57–58 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa]Agnus dei
58v–60	Magnificat secundi toni: Et exultavit [K.204]	-	Anonymous
Magnificat secundi toni: Et exultavit [K.204] Anonymous Appears on: 58v–60 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
60v	Benedicamus in laude	-	Anonymous
Benedicamus in laude Anonymous Appears on: 60v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus in laude General Note (2 versions)
61–62	Missa [Zersundert ist das junge Herze mein]: Kyrie	-	Anonymous
Missa [Zersundert ist das junge Herze mein]: Kyrie Anonymous Appears on: 61–62 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
62v–64	Missa [Zersundert ist das junge Herze mein]: Gloria	-	Anonymous
Missa [Zersundert ist das junge Herze mein]: Gloria Anonymous Appears on: 62v–64 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
64v–66v	Missa [Zersundert ist das junge Herze mein]: Credo	-	Anonymous
Missa [Zersundert ist das junge Herze mein]: Credo Anonymous Appears on: 64v–66v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem
67v–69	Missa [Zersundert ist das junge Herze mein]: Sanctus	-	Anonymous
Missa [Zersundert ist das junge Herze mein]: Sanctus Anonymous Appears on: 67v–69 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
69v–70	Missa [Zersundert ist das junge Herze mein]: Agnus Dei	-	Anonymous
Missa [Zersundert ist das junge Herze mein]: Agnus Dei Anonymous Appears on: 69v–70 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei
70v–71	Quant ce viendra = Gaude mater misericordiae	-	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492)
Quant ce viendra = Gaude mater misericordiae Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) Appears on: 70v–71 Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Gaude mater misericordiae [= Quant ce vendra]
71v–72	Ecclesiarum mores	-	Anonymous
Ecclesiarum mores Anonymous Appears on: 71v–72 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecclesiarum mores
72	Vos qui secuti estis me	-	Anonymous
Vos qui secuti estis me Anonymous Appears on: 72 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vos qui secuti estis me
72v–73	Ecclesiam vestris	-	Anonymous
Ecclesiam vestris Anonymous Appears on: 72v–73 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecclesiam vestris
73v–74	Kyrie eleison	VINCENET	Vincenet, Johannes (–ca. 1480)
Kyrie eleison Vincenet, Johannes (–ca. 1480) Appears on: 73v–74 Genres: Kyrie eleison, Mass Ordinary Source Attribution: VINCENET Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
74v–76	Et in terra pax [Gloria]	[VINCENET]	Vincenet, Johannes (–ca. 1480)
Et in terra pax [Gloria] Vincenet, Johannes (–ca. 1480) Appears on: 74v–76 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [VINCENET] Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
76v–78	Patrem omnipotentem [Credo]	[VINCENET]	Vincenet, Johannes (–ca. 1480)
Patrem omnipotentem [Credo] Vincenet, Johannes (–ca. 1480) Appears on: 76v–78 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [VINCENET] Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem
78v–80	Sanctus	[VINCENET]	Vincenet, Johannes (–ca. 1480)
Sanctus Vincenet, Johannes (–ca. 1480) Appears on: 78v–80 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [VINCENET] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
80v–82	Agnus Dei	[VINCENET]	Vincenet, Johannes (–ca. 1480)
Agnus Dei Vincenet, Johannes (–ca. 1480) Appears on: 80v–82 Genres: Agnus Dei, Mass Ordinary Source Attribution: [VINCENET] Voice: [no designation] Languages: Latin Voice Text: [Missa]Agnus dei
82v	Et cum spiritu tuo	-	Anonymous
Et cum spiritu tuo Anonymous Appears on: 82v Genres: Response Voice: [no designation] Languages: Latin Voice Text: Et cum spiritu tuo
83	Ecce virgo concipiet et pariet filium	-	Anonymous
Ecce virgo concipiet et pariet filium Anonymous Appears on: 83 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce virgo concipiet et pariet filium
83v–84	Ave regina caelorum	-	Anonymous
Ave regina caelorum Anonymous Appears on: 83v–84 Genres: BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
84	Ecce Dominus veniet et omnes sancti eius	-	Anonymous
Ecce Dominus veniet et omnes sancti eius Anonymous Appears on: 84 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce dominus veniet
84v–85	Ecce concipies et paries filium et vocabis	-	Anonymous
Ecce concipies et paries filium et vocabis Anonymous Appears on: 84v–85 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce concipies et paries filium et vocabis Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 8.
85v–87	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 85v–87 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
87v–88	Ista est speciosa inter filias Jerusalem	-	Anonymous
Ista est speciosa inter filias Jerusalem Anonymous Appears on: 87v–88 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ista est speciosa inter filias Ierusalem
88	O florens rosa mater Domini speciosa	-	Anonymous
O florens rosa mater Domini speciosa Anonymous Appears on: 88 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O florens rosa mater domini speciosa Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 8.
88v–89v	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 88v–89v Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
89v–90	Descendi in ortum nucum	-	Anonymous
Descendi in ortum nucum Anonymous Appears on: 89v–90 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Descendi in hortum nucum (?)
90v–91	Anima mea liquefacta est	-	Anonymous
Anima mea liquefacta est Anonymous Appears on: 90v–91 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est
91v–92	Alma redemptoris mater	-	Anonymous
Alma redemptoris mater Anonymous Appears on: 91v–92 Genres: Alma redemptoris mater, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater Concordances concordant with Glogauer Liederbuch f. B.11v (comp no 7915-85383) Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
92v–93	Nigra sum sed formosa	-	Anonymous
Nigra sum sed formosa Anonymous Appears on: 92v–93 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa Item Bibliography Feicht, Hieronim (editor). 1963-. Antiquitates Musicae in Polonia. Warsaw & Graz: Polish Scientific Publishers/Akademische Druck- und Verlagsanstalt. Pages: XIV.
93v–94	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 93v–94 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
94v	Alleluia. Dei filius	-	Anonymous
Alleluia. Dei filius Anonymous Appears on: 94v Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dei filius
95	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 95 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
95v–96	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 95v–96 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
96v–97	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 96v–97 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
97v–98	Haec dies quam fecit	-	Anonymous
Haec dies quam fecit Anonymous Appears on: 97v–98 Genres: Gradual, Motet Voice: [no designation] Languages: Latin Voice Text: Haec dies quam fecit dominus exultemus
98v–99	Salve festa dies toto venerabilis	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 98v–99 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
99v–101	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 99v–101 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
101v–103	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 101v–103 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
103v	Missa Dominicale: Kyrie	-	Anonymous
Missa Dominicale: Kyrie Anonymous Appears on: 103v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Dominicale. Kyrie
103v	Kyrie Dominicale - aliud [i.e. another]	-	Anonymous
Kyrie Dominicale - aliud [i.e. another] Anonymous Appears on: 103v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Aliud dominicale. Kyrie
104	Kyrie Angelicum	-	Anonymous
Kyrie Angelicum Anonymous Appears on: 104 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Angelicum. Kyrie
104v–106	Missa Dominicale: Et in terra pax [Gloria]	-	Anonymous
Missa Dominicale: Et in terra pax [Gloria] Anonymous Appears on: 104v–106 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Dominicale. [Gloria] Et in terra
106v–107	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 106v–107 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
107v–111	Dominus vobiscum	-	Anonymous
Dominus vobiscum Anonymous Appears on: 107v–111 Genres: Dominus vobiscum, Liturgical work, Motet Voice: [no designation] Languages: Latin Voice Text: Dominus vobiscum
111v–113	Patrem omnipotentem [Credo]	-	'Attamasch'
Patrem omnipotentem [Credo] 'Attamasch' Appears on: 111v–113 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
113v–114	Sanctus-Agnus: Sanctus	-	Anonymous
Sanctus-Agnus: Sanctus Anonymous Appears on: 113v–114 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
113v–114	Sanctus-Agnus: Agnus Dei	-	Anonymous
Sanctus-Agnus: Agnus Dei Anonymous Appears on: 113v–114 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus
114v–115	Sanctus Pascale	-	Gaffurius, Franchinus (1451–1522)
Sanctus Pascale Gaffurius, Franchinus (1451–1522) Appears on: 114v–115 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pascale. Sanctus
115v–117	Sanctus Angeli et archangeli	-	Anonymous
Sanctus Angeli et archangeli Anonymous Appears on: 115v–117 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note [Tr.] si placet: Angeli et archangeli su
117v–118	Veni sancte spiritus et emitte caelitus	-	Anonymous
Veni sancte spiritus et emitte caelitus Anonymous Appears on: 117v–118 Genres: Motet, Proper, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus
118v	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 118v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
119	O sapientia - 1a pars (of 2): O sapientia	-	Anonymous
O sapientia - 1a pars (of 2): O sapientia Anonymous Appears on: 119 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O sapientia
119v–120	Salve sancta parens	-	Anonymous
Salve sancta parens Anonymous Appears on: 119v–120 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
120v–121	Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: 120v–121 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
121v–123	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 121v–123 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
123v–124	Salve sancta parens	-	Anonymous
Salve sancta parens Anonymous Appears on: 123v–124 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
124v–125	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 124v–125 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
125v–126	Spiritus et alme orphanorum paraclite	-	Anonymous
Spiritus et alme orphanorum paraclite Anonymous Appears on: 125v–126 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spiritus et alme orphanorum
126v–127	Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	-	Anonymous
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous Appears on: 126v–127 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Rorate caeli desuper Voice: Tenor Languages: German Voice Text: Zu bethlehem in krippelein
127v–129	Verbum bonum et suave personemus illud ave	-	Anonymous
Verbum bonum et suave personemus illud ave Anonymous Appears on: 127v–129 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum bonum et suave
127v	Verbum bonum et suave personemus illud ave	-	Anonymous
Verbum bonum et suave personemus illud ave Anonymous Appears on: 127v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum bonum et suave
129v–130	Recordare virgo mater dum steteris	-	Anonymous
Recordare virgo mater dum steteris Anonymous Appears on: 129v–130 Genres: Offertory, Proper Voice: [no designation] Languages: Latin Voice Text: Recordare virgo mater dum steteris
130v	Missus abacae	-	Anonymous
Missus abacae Anonymous Appears on: 130v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Missus abacae
131	Ecce Maria genuit nobis salvatorem	-	Anonymous
Ecce Maria genuit nobis salvatorem Anonymous Appears on: 131 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce Maria genuit nobis salvatorem
131v–132	Jube Domine benedicere. Primo tempore alleviata	-	Anonymous
Jube Domine benedicere. Primo tempore alleviata Anonymous Appears on: 131v–132 Genres: Liturgical work Voice: [no designation] Languages: Latin Voice Text: Iube domine
132v–133	Consolamini popule meus dicit Deus	-	Anonymous
Consolamini popule meus dicit Deus Anonymous Appears on: 132v–133 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Consolamini popule meus
133v–134	Consurge et indue	-	Anonymous
Consurge et indue Anonymous Appears on: 133v–134 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Consurge et indue
134v–135	Verbum caro factum est et habitavit	-	Anonymous
Verbum caro factum est et habitavit Anonymous Appears on: 134v–135 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est et habitavit
135v–136	Verbum caro factum est et habitavit	-	Anonymous
Verbum caro factum est et habitavit Anonymous Appears on: 135v–136 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est et habitavit Concordances concordant with Glogauer Liederbuch f. B.6v (compositions 7907-85381- 85382)
136v–137	Alleluia. Dies sanctificatus illuxit nobis	-	Anonymous
Alleluia. Dies sanctificatus illuxit nobis Anonymous Appears on: 136v–137 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dies sanctificatus illuxit nobis
137v–138	Terribilis est locus iste	-	Anonymous
Terribilis est locus iste Anonymous Appears on: 137v–138 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Terribilis est locus iste
138v–139	Locus iste a deo factus est	-	Anonymous
Locus iste a deo factus est Anonymous Appears on: 138v–139 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Locus iste a deo factus est
139v	Alleluia	-	Anonymous
Alleluia Anonymous Appears on: 139v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Alleluia
140	Urbs beata Jerusalem	-	Anonymous
Urbs beata Jerusalem Anonymous Appears on: 140 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Urbs beata Jherusalem.
140v	Vox exultationis	-	Anonymous
Vox exultationis Anonymous Appears on: 140v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vox exultationis
141v–143	Domine Deus - 1a pars (of 2): Domine Deus in simplicitate	-	Anonymous
Domine Deus - 1a pars (of 2): Domine Deus in simplicitate Anonymous Appears on: 141v–143 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine deus in simplicitate
141v–143	Domine Deus - 2a pars (of 2): Deus Israel	-	Anonymous
Domine Deus - 2a pars (of 2): Deus Israel Anonymous Appears on: 141v–143 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Deus Israhel
143v	Domus mea domus orationis vocabitur	-	Anonymous
Domus mea domus orationis vocabitur Anonymous Appears on: 143v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domus mea domus orationis vocabitur
144–145	Psallat ecclesia mater	-	Anonymous
Psallat ecclesia mater Anonymous Appears on: 144–145 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Psallat ecclesia mater
144	Psallat ecclesia mater illibata	-	Anonymous
Psallat ecclesia mater illibata Anonymous Appears on: 144 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Psallat ecclesia mater illibata
l45v–146	Alle Dei filius ab hoste superbissimo	-	Nachtigal, Sebald (?)
Alle Dei filius ab hoste superbissimo Nachtigal, Sebald (?) Appears on: l45v–146 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dei filius
146v–148	Sedit angelus - 1a pars (of 2): Sedit angelus ad sepulchrum Domini	-	Anonymous
Sedit angelus - 1a pars (of 2): Sedit angelus ad sepulchrum Domini Anonymous Appears on: 146v–148 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sedit angelus ad sepulchrum domini
146v–148	Sedit angelus - 2a pars (of 2): Nolite metuere	-	Anonymous
Sedit angelus - 2a pars (of 2): Nolite metuere Anonymous Appears on: 146v–148 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Nolite metuere
148v–150	Christus resurgens - 1a pars (of 2): Christus resurgens a mortuis	-	Anonymous
Christus resurgens - 1a pars (of 2): Christus resurgens a mortuis Anonymous Appears on: 148v–150 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christus resurgens a mortuis
148v–150	Christus resurgens - 2a pars (of 2): Dicant nunc Judaei	-	Anonymous
Christus resurgens - 2a pars (of 2): Dicant nunc Judaei Anonymous Appears on: 148v–150 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [2a p.]:Dicant nunc Judei
150v–151	Alleluia. Pascha nostrum immolatus est	-	Anonymous
Alleluia. Pascha nostrum immolatus est Anonymous Appears on: 150v–151 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum immolatus est
151v–152	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 151v–152 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes
152v	Pascha nostrum immolatus est Christus	-	Anonymous
Pascha nostrum immolatus est Christus Anonymous Appears on: 152v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pascha nostrum immolatus est Christus
153	Factus est repente De caelo sonus advenientis spiritus	-	Anonymous
Factus est repente De caelo sonus advenientis spiritus Anonymous Appears on: 153 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Factus est repente
153v–154	Alleluia. Ascendens Christus	-	Anonymous
Alleluia. Ascendens Christus Anonymous Appears on: 153v–154 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Ascendens Christus
154	Christ ist erstanden / Christus surrexit	-	Anonymous
Christ ist erstanden / Christus surrexit Anonymous Appears on: 154 Genres: Cantio Voice: [no designation] Languages: Latin, German Voice Text: Christ ist erstanden/Christus surrexit General Note T et Ct: Chrutus surrexit. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
l54v–155	Cibavit eos ex adipe	-	Anonymous
Cibavit eos ex adipe Anonymous Appears on: l54v–155 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Cibavit eos ex adipe
155v	Alleluia. Caro mea vere est cibus	-	Anonymous
Alleluia. Caro mea vere est cibus Anonymous Appears on: 155v Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Caro mea vere est cibus
156	Quotiescumque manducabitis panem	-	Anonymous
Quotiescumque manducabitis panem Anonymous Appears on: 156 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quotiescumque manducabitis panem
156v–157	Alleluia. Veni sancte spiritus	-	Anonymous
Alleluia. Veni sancte spiritus Anonymous Appears on: 156v–157 Genres: Alleluia, Proper, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Alleluia. Veni sancte spiritus
157v	Benedicta sit sancta trinitas	-	Anonymous
Benedicta sit sancta trinitas Anonymous Appears on: 157v Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Benedicta sit sancta trinitas
158	Alleluia. Benedictus es Domine Deus	-	Anonymous
Alleluia. Benedictus es Domine Deus Anonymous Appears on: 158 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Benedictus es
158v	Nunc scio vere quia misit Dominus	-	Anonymous
Nunc scio vere quia misit Dominus Anonymous Appears on: 158v Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Nunc scio vere
159	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 159 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
159v–160	Alleluia. Tu es Petrus et super hanc petram	-	Anonymous
Alleluia. Tu es Petrus et super hanc petram Anonymous Appears on: 159v–160 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Tu es Petrus et super hanc petram
160	Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram	-	Anonymous
Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram Anonymous Appears on: 160 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tu es Petrus et super hanc petram
160v–164	Ave preclara maris stella	-	Anonymous
Ave preclara maris stella Anonymous Appears on: 160v–164 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave preclara maris stella
160v–164	Ave praeclara maris stella	-	Anonymous
Ave praeclara maris stella Anonymous Appears on: 160v–164 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Ave praeclara maris stella
160v–164	Ave preclara maris stella	-	Anonymous
Ave preclara maris stella Anonymous Appears on: 160v–164 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave preclara maris stella
160v–164	Ave preclara maris stella	-	Anonymous
Ave preclara maris stella Anonymous Appears on: 160v–164 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave preclara maris stella
164v–166	Lauda Sion salvatorem	-	Anonymous
Lauda Sion salvatorem Anonymous Appears on: 164v–166 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem
166v–167	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: 166v–167 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit
167v–168	Flos virginum caeli	-	Anonymous
Flos virginum caeli Anonymous Appears on: 167v–168 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Flos virginum caeli
168v–169	Jesu Christe piissime	-	Anonymous
Jesu Christe piissime Anonymous Appears on: 168v–169 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iesu Christe piissime
169v–172	Mittit ad virginem - 1a pars (of 2): Mittit ad virginem	-	Anonymous
Mittit ad virginem - 1a pars (of 2): Mittit ad virginem Anonymous Appears on: 169v–172 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mittit ad virginem
169v–172	Mittit ad virginem non quemvis angelum	-	Anonymous
Mittit ad virginem non quemvis angelum Anonymous Appears on: 169v–172 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mittit ad virginem non quemvis angelum
169v–172	Mittit ad virginem non quemvis angelum	-	Anonymous
Mittit ad virginem non quemvis angelum Anonymous Appears on: 169v–172 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mittit ad virginem non quemvis angelum
172v–174	Veni sancte spiritus et emitte caelitus	-	Anonymous
Veni sancte spiritus et emitte caelitus Anonymous Appears on: 172v–174 Genres: Motet, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus
174v–177	Sancti spiritus assit nobis gratia	-	Anonymous
Sancti spiritus assit nobis gratia Anonymous Appears on: 174v–177 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Sancti spiritus assit nobis gratia
174v–177	Sancti spiritus assit nobis gratia	-	Anonymous
Sancti spiritus assit nobis gratia Anonymous Appears on: 174v–177 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancti spiritus assit nobis gratia
174v–177	Sancti spiritus assit nobis gratia	-	Anonymous
Sancti spiritus assit nobis gratia Anonymous Appears on: 174v–177 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancti spiritus assit nobis gratia
177v–178	Vultum tuum deprecabuntur	-	Anonymous
Vultum tuum deprecabuntur Anonymous Appears on: 177v–178 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
178v	O gloriosa regina mundi succurre nobis	[J. TOURONT ou CECUS]	Touront, Johannes (ca. 1450–ca. 1475)
O gloriosa regina mundi succurre nobis Touront, Johannes (ca. 1450–ca. 1475) Appears on: 178v Genres: Motet Source Attribution: [J. TOURONT ou CECUS] Voice: [no designation] Languages: Latin Voice Text: O gloriosa regina mundi succurre nobis General Note [=0 gloriosa domina] Publ. cf. Bc 16 n° 122
179	Kyrie eleison	VINCENET	Vincenet, Johannes (–ca. 1480)
Kyrie eleison Vincenet, Johannes (–ca. 1480) Appears on: 179 Genres: Kyrie eleison, Mass Ordinary Source Attribution: VINCENET Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
179v–181	Et in terra pax [Gloria]	[VINCENET]	Vincenet, Johannes (–ca. 1480)
Et in terra pax [Gloria] Vincenet, Johannes (–ca. 1480) Appears on: 179v–181 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [VINCENET] Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
181v–183	Patrem omnipotentem [Credo]	[VINCENET]	Vincenet, Johannes (–ca. 1480)
Patrem omnipotentem [Credo] Vincenet, Johannes (–ca. 1480) Appears on: 181v–183 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [VINCENET] Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem
183v–184v	Missa Sine nomine: Sanctus	[VINCENET]	Vincenet, Johannes (–ca. 1480)
Missa Sine nomine: Sanctus Vincenet, Johannes (–ca. 1480) Appears on: 183v–184v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [VINCENET] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
184v–185	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 184v–185 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note [Sup. en notation neumatique]
185v–187	Missa Dominicale: Sanctus	-	Anonymous
Missa Dominicale: Sanctus Anonymous Appears on: 185v–187 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Dominicale. Sanctus
186	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 186 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei
186v–187	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 186v–187 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Fragment de Credo] Crucifixus etiam pro nobis General Note Unum generale.[Fragment de Credo]
187v–188v	Magnificat primi toni: Et exultavit [K.133]	-	Anonymous
Magnificat primi toni: Et exultavit [K.133] Anonymous Appears on: 187v–188v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
189	Proles.	-	Anonymous
Proles. Anonymous Appears on: 189 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Proles.
190v	Ad caenam agni providi	-	Anonymous
Ad caenam agni providi Anonymous Appears on: 190v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad cenam agni providi.
191	Exultet caelum laudibus vos saecli justi judices	-	Anonymous
Exultet caelum laudibus vos saecli justi judices Anonymous Appears on: 191 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Exultet celum laudibus] Vos secli justi judices. General Note De Apostolis.
191v	Martine confessor Dei Qui pace Christi affluens	-	Anonymous
Martine confessor Dei Qui pace Christi affluens Anonymous Appears on: 191v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Martine confessor Dei] Qui pace Christi affluens General Note De Sancto Martino. [+4ème et 6ème strophes]
192	Exorta a Bethsaida Quos arte piscatoria	-	Anonymous
Exorta a Bethsaida Quos arte piscatoria Anonymous Appears on: 192 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Exorta a Bethsaida] Quos arte piscatoria General Note De Sancto Andrea.
192v–193	De Sancto Nicolao. Plaudat laetitia praesul precipuus	-	Anonymous
De Sancto Nicolao. Plaudat laetitia praesul precipuus Anonymous Appears on: 192v–193 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: De Sancto Nicolao. [Plaudat letitia] Presul precipuus General Note [T en notation neumatique]De Sancto Nicolao.
193v	Exultet caelum laudibus vos saecli justi judices	-	Anonymous
Exultet caelum laudibus vos saecli justi judices Anonymous Appears on: 193v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Exultet celum laudibus] Vos secli justi judices
194	Exultet caelum laudibus vos saecli justi judices	-	Anonymous
Exultet caelum laudibus vos saecli justi judices Anonymous Appears on: 194 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Exultet celum laudibus] Vos secli justi judices
194v–195	Magnificat Sexti Toni: Et exultavit [K.310]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.310] Anonymous Appears on: 194v–195 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit. General Note Versets pairs.
195v–197	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 195v–197 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
197v–199	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 197v–199 Genres: Ave Maria, Marian antiphon, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
199v–200	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	-	Anonymous
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater Anonymous Appears on: 199v–200 Genres: Alma redemptoris mater, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note T: Et genitorem.
199v–200	Alma redemptoris mater - 2a pars (of 2): Virgo prius ac posterius	-	Anonymous
Alma redemptoris mater - 2a pars (of 2): Virgo prius ac posterius Anonymous Appears on: 199v–200 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Virgo prius ac posterius Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
200v–201	Gaude Dei genitrix	-	Anonymous
Gaude Dei genitrix Anonymous Appears on: 200v–201 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude dei genitrix Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 8.
203	Jesu corona virginum	-	Anonymous
Jesu corona virginum Anonymous Appears on: 203 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Jhesu corona virginum.
203v–205	Mundi renovatio nova	-	Anonymous
Mundi renovatio nova Anonymous Appears on: 203v–205 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mundi renovatio nova
203v–205	Mundi renovacio nova parit gaudia	-	Anonymous
Mundi renovacio nova parit gaudia Anonymous Appears on: 203v–205 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mundi renovacio nova parit gaudia
205v	Gaude civitas Augusta Narcissus primo plantavit / Demon clamat	-	Anonymous
Gaude civitas Augusta Narcissus primo plantavit / Demon clamat Anonymous Appears on: 205v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Gaude civitas Augusta] Narcissus primo plantavit / Demon clamat General Note De Sancta Affra.[Sup. en notation neumes gothiques]
206	Quem terra pontus ethera	-	Anonymous
Quem terra pontus ethera Anonymous Appears on: 206 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quem terra pontus ethera General Note [Sup.en notation neumes gothiques]
206v	Cuius magnifica est generatio	-	Anonymous
Cuius magnifica est generatio Anonymous Appears on: 206v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cujus magnifica est generacio General Note [Sup.en notation neumes gothiques]
207	Martiris Christi colimus triumphum Pontifex Sixtus monuit ministrum	-	Anonymous
Martiris Christi colimus triumphum Pontifex Sixtus monuit ministrum Anonymous Appears on: 207 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Martiris Christi colimus triumphum] Pontifex Sixtus monuit ministrum General Note De Sancto Laurentio.[Sup.en notation neumes gothiques]T et Ct: Martiris Christi colimustriumphum
207v	Urbs beata Jerusalem. Nova veniens e caelo / Tunsionibus pressuris	-	Anonymous
Urbs beata Jerusalem. Nova veniens e caelo / Tunsionibus pressuris Anonymous Appears on: 207v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Urbs beata Jerusalem] Nova veniens e celo / Tunsionibus pressuris General Note [Sup.en notation neumes gothiques]
208	Deus tuorum militum	-	Anonymous
Deus tuorum militum Anonymous Appears on: 208 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus tuorum militum.
208v	Pange lingua.	-	Anonymous
Pange lingua. Anonymous Appears on: 208v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
209	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 209 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
209v–210	Magnificat octavi toni: Et exultavit [K.446]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.446] Anonymous Appears on: 209v–210 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit / Esurientes General Note Versets pairs.
210v	Martiris Christi colinus triumphum Pontifex sixtus.	-	Anonymous
Martiris Christi colinus triumphum Pontifex sixtus. Anonymous Appears on: 210v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Martiris Christi colinus triumphum] Pontifex sixtus. General Note De sancto Laurencio. [
211v–212v	Magnificat secundi toni: Et exultavit [K.195]	-	Anonymous
Magnificat secundi toni: Et exultavit [K.195] Anonymous Appears on: 211v–212v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
213v–214	Vt queant laxis.	-	Anonymous
Vt queant laxis. Anonymous Appears on: 213v–214 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vt queant laxis.
215	untexted - 1a pars (of 2): [untexted]	-	-
untexted - 1a pars (of 2): [untexted] - Appears on: 215 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
215	untexted - 2a pars (of 2): [untexted]	-	-
untexted - 2a pars (of 2): [untexted] - Appears on: 215 Genres: textless Voice: [no designation] Languages: none Voice Text: 2a p.: without text
215v–216	Salve sancta parens (= Ecce advenit)	-	Anonymous
Salve sancta parens (= Ecce advenit) Anonymous Appears on: 215v–216 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
216v–217	Missa Sig sald und hail: Kyrie	-	Touront, Johannes (ca. 1450–ca. 1475) (?)
Missa Sig sald und hail: Kyrie Touront, Johannes (ca. 1450–ca. 1475) (?) Appears on: 216v–217 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Sig sald und hail] Kyrie
217v–219	Missa Sig sald und hail: Gloria Et in terra	-	Touront, Johannes (ca. 1450–ca. 1475) (?)
Missa Sig sald und hail: Gloria Et in terra Touront, Johannes (ca. 1450–ca. 1475) (?) Appears on: 217v–219 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Sig sald und hail.Gloria] Et in terra General Note T: Sig sald und hail.
219v–221	Missa Sig sald und hail: Credo. Patrem	-	Touront, Johannes (ca. 1450–ca. 1475) (?)
Missa Sig sald und hail: Credo. Patrem Touront, Johannes (ca. 1450–ca. 1475) (?) Appears on: 219v–221 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Sig sald und hail.Credo] Patrem General Note [Le thème de la chanson au Sup.]
221–223	Missa Sig sald und hail: Sanctus	-	Touront, Johannes (ca. 1450–ca. 1475) (?)
Missa Sig sald und hail: Sanctus Touront, Johannes (ca. 1450–ca. 1475) (?) Appears on: 221–223 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa Sig slid und hail] Sanctus General Note T: Dominus Deus. Sig sald und hail. Concordances 4vv; the version in Strahov (81v-82) is in 3vv
223v–225	Missa Sig sald und hail: Agnus Dei	-	Touront, Johannes (ca. 1450–ca. 1475) (?)
Missa Sig sald und hail: Agnus Dei Touront, Johannes (ca. 1450–ca. 1475) (?) Appears on: 223v–225 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Sig sald und hail] Agnus dei General Note [Le thème de la chanson au 3e Agnus]
225v	[Urbs beata Jerusalem] Nova veniens	-	Anonymous
[Urbs beata Jerusalem] Nova veniens Anonymous Appears on: 225v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: [Urbs beata Jerusalem] Nova veniens de celo General Note [+ 4ème strophe]
226v–228	Missa [Tr91-2]: Kyrie	-	Anonymous
Missa [Tr91-2]: Kyrie Anonymous Appears on: 226v–228 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
228v–230	Missa [Tr91-2]: Gloria	-	Anonymous
Missa [Tr91-2]: Gloria Anonymous Appears on: 228v–230 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
230v–232	Missa [Tr91-2]: Credo	-	Anonymous
Missa [Tr91-2]: Credo Anonymous Appears on: 230v–232 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem
232v–234	Missa [Tr91-2]: Sanctus	-	Anonymous
Missa [Tr91-2]: Sanctus Anonymous Appears on: 232v–234 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
234v–235	Missa [Tr91-2]: Agnus Dei	-	Anonymous
Missa [Tr91-2]: Agnus Dei Anonymous Appears on: 234v–235 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei
236v–237	Missa [Tr91-3]: Kyrie	-	Anonymous
Missa [Tr91-3]: Kyrie Anonymous Appears on: 236v–237 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
237v–239	Missa [Tr91-3]: Gloria	-	Anonymous
Missa [Tr91-3]: Gloria Anonymous Appears on: 237v–239 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
239v–241	Missa [Tr91-3]: Credo	-	Anonymous
Missa [Tr91-3]: Credo Anonymous Appears on: 239v–241 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem
241v–243	Missa [Tr91-3]: Sanctus	-	Anonymous
Missa [Tr91-3]: Sanctus Anonymous Appears on: 241v–243 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
244v	Missa Ad fugam: Kyrie	-	Anonymous
Missa Ad fugam: Kyrie Anonymous Appears on: 244v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa ad fugam] Kyrie General Note Publ. cf. TRbc 89 n° 23
244v–245	Missa ad fugam: Et in terra pax [Gloria]	-	Anonymous
Missa ad fugam: Et in terra pax [Gloria] Anonymous Appears on: 244v–245 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa ad fugam. Gloria] Et in terra General Note Publ. cf. TRbc 89n° 23
245v–246	Missa Ad fugam: Credo Patrem	-	Anonymous
Missa Ad fugam: Credo Patrem Anonymous Appears on: 245v–246 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa ad fugam.Credo] Patrem General Note Publ. cf. TRbc 89 n° 23
246v	Missa Ad fugam: Sanctus	-	Anonymous
Missa Ad fugam: Sanctus Anonymous Appears on: 246v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa ad fugam] Sanctus sanctus sanctus General Note Publ. cf. TRbc 89 n° 23
247	Missa Ad fugam: Agnus Dei	-	Anonymous
Missa Ad fugam: Agnus Dei Anonymous Appears on: 247 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa ad fugam] Agnus dei General Note Publ. cf. TRbc 89 n° 23
247v–248	Missa Gentil madona mia: Kyrie	-	Anonymous
Missa Gentil madona mia: Kyrie Anonymous Appears on: 247v–248 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Gentil madona mia] Kyrie
248v–250	Missa Gentil madona mia: Et in terra pax [Gloria]	-	Anonymous
Missa Gentil madona mia: Et in terra pax [Gloria] Anonymous Appears on: 248v–250 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Gentil madona mia. Gloria] Et in terra General Note T: Et in terra. Crescit in duplo Gentil madona mia.
250v–253	Missa Gentil madona mia: Patrem omnipotentem [Credo]	-	Anonymous
Missa Gentil madona mia: Patrem omnipotentem [Credo] Anonymous Appears on: 250v–253 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Gentil madona mia. Credo] Patrem General Note T: Crescit in duplo Gentil madona mia.
253v–255	Missa Gentil madona mia: Sanctus	-	Anonymous
Missa Gentil madona mia: Sanctus Anonymous Appears on: 253v–255 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa Gentil madona mia] Sanctus General Note T: Sanctus Gentil madona mia.
255v–256	Missa Gentil madona mia: Agnus Dei	-	Anonymous
Missa Gentil madona mia: Agnus Dei Anonymous Appears on: 255v–256 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Gentil madona mia] Agnus dei General Note T: Gentil madona. Agnus.
257v–258	La martinella	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
La martinella Martini, Johannes (ca. 1430–1497) Appears on: 257v–258 Genres: Italian secular Source Attribution: [J. MARTINI] Voice: [no designation] Languages: Italian Voice Text: La martinelle. General Note Publ. cf. Bc 16 n« 84
258v–259	Joie me fuit = Je me sans	[A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Joie me fuit = Je me sans Busnoys, Antoine (ca. 1430–1492) Appears on: 258v–259 Genres: Chanson Source Attribution: [A. BUSNOIS] Voice: [no designation] Languages: French Voice Text: Je me sans. General Note [= Joie me fuit] Publ. cf. Fn 176 n° 10

Composer	Compositions
'Attamasch'	Patrem omnipotentem [Credo] – 111v–113
Anonymous	A virgine qui natus est – 41v–42 Ad caenam agni providi – 190v Agnus Dei – 186 Alleluia – 139v Alleluia. Ascendens Christus – 153v–154 Alleluia. Benedictus es Domine Deus – 158 Alleluia. Caro mea vere est cibus – 155v Alleluia. Dei filius – 94v Alleluia. Dies sanctificatus illuxit nobis – 136v–137 Alleluia. Pascha nostrum immolatus est – 150v–151 Alleluia. Tu es Petrus et super hanc petram – 159v–160 Alleluia. Veni sancte spiritus – 156v–157 Alma redemptoris mater – 91v–92 Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater – 199v–200 Alma redemptoris mater - 2a pars (of 2): Virgo prius ac posterius – 199v–200 Anima mea liquefacta est – 90v–91 Asperges me Domine isopo et mundabor – 49 Ave Maria gratia plena Dominus tecum – 197v–199 Ave Maria gratia plena Dominus tecum – 124v–125 Ave maris stella – 209 Ave praeclara maris stella – 160v–164 Ave preclara maris stella – 160v–164 Ave preclara maris stella – 160v–164 Ave preclara maris stella – 160v–164 Ave regina caelorum – 83v–84 Benedicamus Domino – 40 Benedicamus Domino – 39v Benedicamus Domino – 39v Benedicamus Domino – 40 Benedicamus Domino [Tr.1166] – 39v Benedicamus in laude – 60v Benedicta sit sancta trinitas – 157v Christ ist erstanden / Christus surrexit – 154 Christus resurgens - 1a pars (of 2): Christus resurgens a mortuis – 148v–150 Christus resurgens - 2a pars (of 2): Dicant nunc Judaei – 148v–150 Cibavit eos ex adipe – l54v–155 Consolamini popule meus dicit Deus – 132v–133 Consurge et indue – 133v–134 Cuius magnifica est generatio – 206v Da pacem Domine in diebus nostris – 118v De Sancto Nicolao. Plaudat laetitia praesul precipuus – 192v–193 Descendi in ortum nucum – 89v–90 Deus tuorum militum – 208 Domine Deus - 1a pars (of 2): Domine Deus in simplicitate – 141v–143 Domine Deus - 2a pars (of 2): Deus Israel – 141v–143 Dominus vobiscum – 107v–111 Domus mea domus orationis vocabitur – 143v Ecce Dominus veniet et omnes sancti eius – 84 Ecce Maria genuit nobis salvatorem – 131 Ecce concipies et paries filium et vocabis – 84v–85 Ecce virgo concipiet et pariet filium – 83 Ecclesiam vestris – 72v–73 Ecclesiarum mores – 71v–72 Et cum spiritu tuo – 82v Et in terra pax [Gloria] – 99v–101 Et in terra pax [Gloria] – 101v–103 Et in terra pax [Gloria] – 37v–39 Exorta a Bethsaida Quos arte piscatoria – 192 Exultet caelum laudibus vos saecli justi judices – 193v Exultet caelum laudibus vos saecli justi judices – 194 Exultet caelum laudibus vos saecli justi judices – 191 Factus est repente De caelo sonus advenientis spiritus – 153 Flos virginum caeli – 167v–168 Gaude Dei genitrix – 200v–201 Gaude civitas Augusta Narcissus primo plantavit / Demon clamat – 205v Gaudeamus omnes in Domino – 120v–121 Haec dies quam fecit – 97v–98 Ista est speciosa inter filias Jerusalem – 87v–88 Jesu Christe piissime – 168v–169 Jesu corona virginum – 203 Jube Domine benedicere. Primo tempore alleviata – 131v–132 Kyrie Angelicum – 104 Kyrie Dominicale - aliud [i.e. another] – 103v Kyrie eleison – 121v–123 Kyrie eleison – 159 Kyrie eleison – 49v–50 Kyrie eleison – 184v–185 Kyrie eleison – 96v–97 Kyrie eleison – 95 Lauda Sion salvatorem – 164v–166 Locus iste a deo factus est – 138v–139 Magnificat Sexti Toni: Et exultavit [K.310] – 194v–195 Magnificat octavi toni: Et exultavit [K.446] – 209v–210 Magnificat primi toni: Et exultavit [K.133] – 187v–188v Magnificat secundi toni: Et exultavit [K.195] – 211v–212v Magnificat secundi toni: Et exultavit [K.204] – 58v–60 Martine confessor Dei Qui pace Christi affluens – 191v Martiris Christi colimus triumphum Pontifex Sixtus monuit ministrum – 207 Martiris Christi colinus triumphum Pontifex sixtus. – 210v Missa Ad fugam: Agnus Dei – 247 Missa Ad fugam: Credo Patrem – 245v–246 Missa Ad fugam: Kyrie – 244v Missa Ad fugam: Sanctus – 246v Missa Dominicale: Et in terra pax [Gloria] – 104v–106 Missa Dominicale: Kyrie – 103v Missa Dominicale: Sanctus – 185v–187 Missa Gentil madona mia: Agnus Dei – 255v–256 Missa Gentil madona mia: Et in terra pax [Gloria] – 248v–250 Missa Gentil madona mia: Kyrie – 247v–248 Missa Gentil madona mia: Patrem omnipotentem [Credo] – 250v–253 Missa Gentil madona mia: Sanctus – 253v–255 Missa Regina caeli laetare: Agnus Dei – 32v–33 Missa Regina caeli laetare: Credo. Patrem – 28v–30 Missa Regina caeli laetare: Et in terra pax [Gloria] – 26v–28 Missa Regina caeli laetare: Kyrie – 25–26 Missa Regina caeli laetare: Sanctus – 30v–32 Missa [Tr91-1]: Agnus Dei – 57–58 Missa [Tr91-1]: Credo – 53v–55 Missa [Tr91-1]: Gloria – 51v–53 Missa [Tr91-1]: Kyrie – 50v–51 Missa [Tr91-1]: Sanctus – 55v–56v Missa [Tr91-2]: Agnus Dei – 234v–235 Missa [Tr91-2]: Credo – 230v–232 Missa [Tr91-2]: Gloria – 228v–230 Missa [Tr91-2]: Kyrie – 226v–228 Missa [Tr91-2]: Sanctus – 232v–234 Missa [Tr91-3]: Credo – 239v–241 Missa [Tr91-3]: Gloria – 237v–239 Missa [Tr91-3]: Kyrie – 236v–237 Missa [Tr91-3]: Sanctus – 241v–243 Missa [Zersundert ist das junge Herze mein]: Agnus Dei – 69v–70 Missa [Zersundert ist das junge Herze mein]: Credo – 64v–66v Missa [Zersundert ist das junge Herze mein]: Gloria – 62v–64 Missa [Zersundert ist das junge Herze mein]: Kyrie – 61–62 Missa [Zersundert ist das junge Herze mein]: Sanctus – 67v–69 Missa ad fugam: Et in terra pax [Gloria] – 244v–245 Missus abacae – 130v Mittit ad virginem - 1a pars (of 2): Mittit ad virginem – 169v–172 Mittit ad virginem non quemvis angelum – 169v–172 Mittit ad virginem non quemvis angelum – 169v–172 Mundi renovacio nova parit gaudia – 203v–205 Mundi renovatio nova – 203v–205 Nigra sum sed formosa – 92v–93 Nunc scio vere quia misit Dominus – 158v O florens rosa mater Domini speciosa – 88 O sapientia - 1a pars (of 2): O sapientia – 119 Pange lingua. – 208v Pascha nostrum immolatus est Christus – 152v Patrem omnipotentem [Credo] – 186v–187 Patrem omnipotentem [Credo] – 45v–48 Perfunde caeli rore – 40v–41 Proles. – 189 Psallat ecclesia mater – 144–145 Psallat ecclesia mater illibata – 144 Quem terra pontus ethera – 206 Quotiescumque manducabitis panem – 156 Recordare virgo mater dum steteris – 129v–130 Regina caeli laetare alleluia – 95v–96 Regina caeli laetare alleluia – 93v–94 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera – 126v–127 Salve festa dies toto venerabilis – 98v–99 Salve regina mater misericordiae – 88v–89v Salve regina mater misericordiae – 195v–197 Salve regina mater misericordiae – 85v–87 Salve sancta parens – 123v–124 Salve sancta parens – 119v–120 Salve sancta parens (= Ecce advenit) – 215v–216 Sancti spiritus assit nobis gratia – 174v–177 Sancti spiritus assit nobis gratia – 174v–177 Sancti spiritus assit nobis gratia – 174v–177 Sanctus – 106v–107 Sanctus Angeli et archangeli – 115v–117 Sanctus-Agnus: Agnus Dei – 113v–114 Sanctus-Agnus: Sanctus – 113v–114 Sedit angelus - 1a pars (of 2): Sedit angelus ad sepulchrum Domini – 146v–148 Sedit angelus - 2a pars (of 2): Nolite metuere – 146v–148 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 166v–167 Spiritus et alme orphanorum paraclite – 125v–126 Te Deum laudamus [K.521] – 43v–45 Terribilis est locus iste – 137v–138 Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram – 160 Urbs beata Jerusalem – 140 Urbs beata Jerusalem. Nova veniens e caelo / Tunsionibus pressuris – 207v Veni sancte spiritus et emitte caelitus – 48v Veni sancte spiritus et emitte caelitus – 117v–118 Veni sancte spiritus et emitte caelitus – 172v–174 Verbum bonum et suave personemus illud ave – 127v–129 Verbum bonum et suave personemus illud ave – 127v Verbum caro factum est et habitavit – 134v–135 Verbum caro factum est et habitavit – 135v–136 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 151v–152 Vos qui secuti estis me – 72 Vox exultationis – 140v Vt queant laxis. – 213v–214 Vultum tuum deprecabuntur – 177v–178 [Urbs beata Jerusalem] Nova veniens – 225v untexted - 1a pars (of 2): [untexted] – 215 untexted - 2a pars (of 2): [untexted] – 215
Busnoys, Antoine (ca. 1430–1492)	In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante – 35v–37 In hydraulis - 2a pars (of 2): Heg ockeghem cunctis – 35v–37 Joie me fuit = Je me sans – 258v–259 Quant ce viendra = Gaude mater misericordiae – 70v–71 (?) Vous marchez du bout du pied marionette – 42v–43
Caron, Firminus (ca. 1460–ca. 1475)	Accueilly m'a la belle (B version) = Da pacem Domine – 12v
Compère, Loyset (ca. 1445–1518)	Omnium bonorum plena - 1a pars (of 2): Omnium bonorum plena virgo parens – 33v–35 Omnium bonorum plena - 2a pars (of 2): Omnium bonorum plena peccatorum medicina – 33v–35
Faugues, Guillaume	Missa La basse dance: Agnus Dei – 23v–24v Missa La basse dance: Gloria Et in terra – 14v–17 Missa La basse dance: Kyrie – 13–14 Missa La basse dance: Patrem omnipotentem [Credo] – 17v–21 Missa La basse dance: Sanctus – 21v–23
Gaffurius, Franchinus (1451–1522)	Sanctus Pascale – 114v–115
Isaac, Heinrich (ca. 1450–1517)	(?) Vous marchez du bout du pied marionette – 42v–43
Martini, Johannes (ca. 1430–1497)	La martinella – 257v–258 Missa Cucu: Agnus Dei – 11v–12 Missa Cucu: Et in terra pax [Gloria] – 2v–5 Missa Cucu: Kyrie – 1–2 Missa Cucu: Patrem omnipotentem [Credo] – 5v–8v Missa Cucu: Sanctus – 9–11
Nachtigal, Sebald	(?) Alle Dei filius ab hoste superbissimo – l45v–146
Ockeghem, Jean de (ca. 1410–1497)	(?) Quant ce viendra = Gaude mater misericordiae – 70v–71
Touront, Johannes (ca. 1450–ca. 1475)	(?) Missa Sig sald und hail: Agnus Dei – 223v–225 (?) Missa Sig sald und hail: Credo. Patrem – 219v–221 (?) Missa Sig sald und hail: Gloria Et in terra – 217v–219 (?) Missa Sig sald und hail: Kyrie – 216v–217 (?) Missa Sig sald und hail: Sanctus – 221–223 O gloriosa regina mundi succurre nobis – 178v
Vincenet, Johannes (–ca. 1480)	Agnus Dei – 80v–82 Et in terra pax [Gloria] – 74v–76 Et in terra pax [Gloria] – 179v–181 Kyrie eleison – 179 Kyrie eleison – 73v–74 Missa Sine nomine: Sanctus – 183v–184v Patrem omnipotentem [Credo] – 181v–183 Patrem omnipotentem [Credo] – 76v–78 Sanctus – 78v–80

Composition	Composers (? Uncertain)	Folios / Pages
[Urbs beata Jerusalem] Nova veniens	Anonymous	225v
A virgine qui natus est	Anonymous	41v–42
Accueilly m'a la belle (B version) = Da pacem Domine	Caron, Firminus (ca. 1460–ca. 1475)	12v
Ad caenam agni providi	Anonymous	190v
Agnus Dei	Vincenet, Johannes (–ca. 1480)	80v–82
Agnus Dei	Anonymous	186
Alle Dei filius ab hoste superbissimo	Nachtigal, Sebald (?)	l45v–146
Alleluia	Anonymous	139v
Alleluia. Ascendens Christus	Anonymous	153v–154
Alleluia. Benedictus es Domine Deus	Anonymous	158
Alleluia. Caro mea vere est cibus	Anonymous	155v
Alleluia. Dei filius	Anonymous	94v
Alleluia. Dies sanctificatus illuxit nobis	Anonymous	136v–137
Alleluia. Pascha nostrum immolatus est	Anonymous	150v–151
Alleluia. Tu es Petrus et super hanc petram	Anonymous	159v–160
Alleluia. Veni sancte spiritus	Anonymous	156v–157
Alma redemptoris mater	Anonymous	91v–92
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	Anonymous	199v–200
Alma redemptoris mater - 2a pars (of 2): Virgo prius ac posterius	Anonymous	199v–200
Anima mea liquefacta est	Anonymous	90v–91
Asperges me Domine isopo et mundabor	Anonymous	49
Ave Maria gratia plena Dominus tecum	Anonymous	124v–125
Ave Maria gratia plena Dominus tecum	Anonymous	197v–199
Ave maris stella	Anonymous	209
Ave praeclara maris stella	Anonymous	160v–164
Ave preclara maris stella	Anonymous	160v–164
Ave preclara maris stella	Anonymous	160v–164
Ave preclara maris stella	Anonymous	160v–164
Ave regina caelorum	Anonymous	83v–84
Benedicamus Domino	Anonymous	39v
Benedicamus Domino	Anonymous	39v
Benedicamus Domino	Anonymous	40
Benedicamus Domino	Anonymous	40
Benedicamus Domino [Tr.1166]	Anonymous	39v
Benedicamus in laude	Anonymous	60v
Benedicta sit sancta trinitas	Anonymous	157v
Christ ist erstanden / Christus surrexit	Anonymous	154
Christus resurgens - 1a pars (of 2): Christus resurgens a mortuis	Anonymous	148v–150
Christus resurgens - 2a pars (of 2): Dicant nunc Judaei	Anonymous	148v–150
Cibavit eos ex adipe	Anonymous	l54v–155
Consolamini popule meus dicit Deus	Anonymous	132v–133
Consurge et indue	Anonymous	133v–134
Cuius magnifica est generatio	Anonymous	206v
Da pacem Domine in diebus nostris	Anonymous	118v
De Sancto Nicolao. Plaudat laetitia praesul precipuus	Anonymous	192v–193
Descendi in ortum nucum	Anonymous	89v–90
Deus tuorum militum	Anonymous	208
Domine Deus - 1a pars (of 2): Domine Deus in simplicitate	Anonymous	141v–143
Domine Deus - 2a pars (of 2): Deus Israel	Anonymous	141v–143
Dominus vobiscum	Anonymous	107v–111
Domus mea domus orationis vocabitur	Anonymous	143v
Ecce concipies et paries filium et vocabis	Anonymous	84v–85
Ecce Dominus veniet et omnes sancti eius	Anonymous	84
Ecce Maria genuit nobis salvatorem	Anonymous	131
Ecce virgo concipiet et pariet filium	Anonymous	83
Ecclesiam vestris	Anonymous	72v–73
Ecclesiarum mores	Anonymous	71v–72
Et cum spiritu tuo	Anonymous	82v
Et in terra pax [Gloria]	Anonymous	37v–39
Et in terra pax [Gloria]	Vincenet, Johannes (–ca. 1480)	74v–76
Et in terra pax [Gloria]	Anonymous	99v–101
Et in terra pax [Gloria]	Anonymous	101v–103
Et in terra pax [Gloria]	Vincenet, Johannes (–ca. 1480)	179v–181
Exorta a Bethsaida Quos arte piscatoria	Anonymous	192
Exultet caelum laudibus vos saecli justi judices	Anonymous	191
Exultet caelum laudibus vos saecli justi judices	Anonymous	193v
Exultet caelum laudibus vos saecli justi judices	Anonymous	194
Factus est repente De caelo sonus advenientis spiritus	Anonymous	153
Flos virginum caeli	Anonymous	167v–168
Gaude civitas Augusta Narcissus primo plantavit / Demon clamat	Anonymous	205v
Gaude Dei genitrix	Anonymous	200v–201
Gaudeamus omnes in Domino	Anonymous	120v–121
Haec dies quam fecit	Anonymous	97v–98
In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante	Busnoys, Antoine (ca. 1430–1492)	35v–37
In hydraulis - 2a pars (of 2): Heg ockeghem cunctis	Busnoys, Antoine (ca. 1430–1492)	35v–37
Ista est speciosa inter filias Jerusalem	Anonymous	87v–88
Jesu Christe piissime	Anonymous	168v–169
Jesu corona virginum	Anonymous	203
Joie me fuit = Je me sans	Busnoys, Antoine (ca. 1430–1492)	258v–259
Jube Domine benedicere. Primo tempore alleviata	Anonymous	131v–132
Kyrie Angelicum	Anonymous	104
Kyrie Dominicale - aliud [i.e. another]	Anonymous	103v
Kyrie eleison	Anonymous	49v–50
Kyrie eleison	Vincenet, Johannes (–ca. 1480)	73v–74
Kyrie eleison	Anonymous	95
Kyrie eleison	Anonymous	96v–97
Kyrie eleison	Anonymous	121v–123
Kyrie eleison	Anonymous	159
Kyrie eleison	Vincenet, Johannes (–ca. 1480)	179
Kyrie eleison	Anonymous	184v–185
La martinella	Martini, Johannes (ca. 1430–1497)	257v–258
Lauda Sion salvatorem	Anonymous	164v–166
Locus iste a deo factus est	Anonymous	138v–139
Magnificat octavi toni: Et exultavit [K.446]	Anonymous	209v–210
Magnificat primi toni: Et exultavit [K.133]	Anonymous	187v–188v
Magnificat secundi toni: Et exultavit [K.195]	Anonymous	211v–212v
Magnificat secundi toni: Et exultavit [K.204]	Anonymous	58v–60
Magnificat Sexti Toni: Et exultavit [K.310]	Anonymous	194v–195
Martine confessor Dei Qui pace Christi affluens	Anonymous	191v
Martiris Christi colimus triumphum Pontifex Sixtus monuit ministrum	Anonymous	207
Martiris Christi colinus triumphum Pontifex sixtus.	Anonymous	210v
Missa [Tr91-1]: Agnus Dei	Anonymous	57–58
Missa [Tr91-1]: Credo	Anonymous	53v–55
Missa [Tr91-1]: Gloria	Anonymous	51v–53
Missa [Tr91-1]: Kyrie	Anonymous	50v–51
Missa [Tr91-1]: Sanctus	Anonymous	55v–56v
Missa [Tr91-2]: Agnus Dei	Anonymous	234v–235
Missa [Tr91-2]: Credo	Anonymous	230v–232
Missa [Tr91-2]: Gloria	Anonymous	228v–230
Missa [Tr91-2]: Kyrie	Anonymous	226v–228
Missa [Tr91-2]: Sanctus	Anonymous	232v–234
Missa [Tr91-3]: Credo	Anonymous	239v–241
Missa [Tr91-3]: Gloria	Anonymous	237v–239
Missa [Tr91-3]: Kyrie	Anonymous	236v–237
Missa [Tr91-3]: Sanctus	Anonymous	241v–243
Missa [Zersundert ist das junge Herze mein]: Agnus Dei	Anonymous	69v–70
Missa [Zersundert ist das junge Herze mein]: Credo	Anonymous	64v–66v
Missa [Zersundert ist das junge Herze mein]: Gloria	Anonymous	62v–64
Missa [Zersundert ist das junge Herze mein]: Kyrie	Anonymous	61–62
Missa [Zersundert ist das junge Herze mein]: Sanctus	Anonymous	67v–69
Missa Ad fugam: Agnus Dei	Anonymous	247
Missa Ad fugam: Credo Patrem	Anonymous	245v–246
Missa ad fugam: Et in terra pax [Gloria]	Anonymous	244v–245
Missa Ad fugam: Kyrie	Anonymous	244v
Missa Ad fugam: Sanctus	Anonymous	246v
Missa Cucu: Agnus Dei	Martini, Johannes (ca. 1430–1497)	11v–12
Missa Cucu: Et in terra pax [Gloria]	Martini, Johannes (ca. 1430–1497)	2v–5
Missa Cucu: Kyrie	Martini, Johannes (ca. 1430–1497)	1–2
Missa Cucu: Patrem omnipotentem [Credo]	Martini, Johannes (ca. 1430–1497)	5v–8v
Missa Cucu: Sanctus	Martini, Johannes (ca. 1430–1497)	9–11
Missa Dominicale: Et in terra pax [Gloria]	Anonymous	104v–106
Missa Dominicale: Kyrie	Anonymous	103v
Missa Dominicale: Sanctus	Anonymous	185v–187
Missa Gentil madona mia: Agnus Dei	Anonymous	255v–256
Missa Gentil madona mia: Et in terra pax [Gloria]	Anonymous	248v–250
Missa Gentil madona mia: Kyrie	Anonymous	247v–248
Missa Gentil madona mia: Patrem omnipotentem [Credo]	Anonymous	250v–253
Missa Gentil madona mia: Sanctus	Anonymous	253v–255
Missa La basse dance: Agnus Dei	Faugues, Guillaume	23v–24v
Missa La basse dance: Gloria Et in terra	Faugues, Guillaume	14v–17
Missa La basse dance: Kyrie	Faugues, Guillaume	13–14
Missa La basse dance: Patrem omnipotentem [Credo]	Faugues, Guillaume	17v–21
Missa La basse dance: Sanctus	Faugues, Guillaume	21v–23
Missa Regina caeli laetare: Agnus Dei	Anonymous	32v–33
Missa Regina caeli laetare: Credo. Patrem	Anonymous	28v–30
Missa Regina caeli laetare: Et in terra pax [Gloria]	Anonymous	26v–28
Missa Regina caeli laetare: Kyrie	Anonymous	25–26
Missa Regina caeli laetare: Sanctus	Anonymous	30v–32
Missa Sig sald und hail: Agnus Dei	Touront, Johannes (ca. 1450–ca. 1475) (?)	223v–225
Missa Sig sald und hail: Credo. Patrem	Touront, Johannes (ca. 1450–ca. 1475) (?)	219v–221
Missa Sig sald und hail: Gloria Et in terra	Touront, Johannes (ca. 1450–ca. 1475) (?)	217v–219
Missa Sig sald und hail: Kyrie	Touront, Johannes (ca. 1450–ca. 1475) (?)	216v–217
Missa Sig sald und hail: Sanctus	Touront, Johannes (ca. 1450–ca. 1475) (?)	221–223
Missa Sine nomine: Sanctus	Vincenet, Johannes (–ca. 1480)	183v–184v
Missus abacae	Anonymous	130v
Mittit ad virginem - 1a pars (of 2): Mittit ad virginem	Anonymous	169v–172
Mittit ad virginem non quemvis angelum	Anonymous	169v–172
Mittit ad virginem non quemvis angelum	Anonymous	169v–172
Mundi renovacio nova parit gaudia	Anonymous	203v–205
Mundi renovatio nova	Anonymous	203v–205
Nigra sum sed formosa	Anonymous	92v–93
Nunc scio vere quia misit Dominus	Anonymous	158v
O florens rosa mater Domini speciosa	Anonymous	88
O gloriosa regina mundi succurre nobis	Touront, Johannes (ca. 1450–ca. 1475)	178v
O sapientia - 1a pars (of 2): O sapientia	Anonymous	119
Omnium bonorum plena - 1a pars (of 2): Omnium bonorum plena virgo parens	Compère, Loyset (ca. 1445–1518)	33v–35
Omnium bonorum plena - 2a pars (of 2): Omnium bonorum plena peccatorum medicina	Compère, Loyset (ca. 1445–1518)	33v–35
Pange lingua.	Anonymous	208v
Pascha nostrum immolatus est Christus	Anonymous	152v
Patrem omnipotentem [Credo]	Anonymous	45v–48
Patrem omnipotentem [Credo]	Vincenet, Johannes (–ca. 1480)	76v–78
Patrem omnipotentem [Credo]	'Attamasch'	111v–113
Patrem omnipotentem [Credo]	Vincenet, Johannes (–ca. 1480)	181v–183
Patrem omnipotentem [Credo]	Anonymous	186v–187
Perfunde caeli rore	Anonymous	40v–41
Proles.	Anonymous	189
Psallat ecclesia mater	Anonymous	144–145
Psallat ecclesia mater illibata	Anonymous	144
Quant ce viendra = Gaude mater misericordiae	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492)	70v–71
Quem terra pontus ethera	Anonymous	206
Quotiescumque manducabitis panem	Anonymous	156
Recordare virgo mater dum steteris	Anonymous	129v–130
Regina caeli laetare alleluia	Anonymous	93v–94
Regina caeli laetare alleluia	Anonymous	95v–96
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	Anonymous	126v–127
Salve festa dies toto venerabilis	Anonymous	98v–99
Salve regina mater misericordiae	Anonymous	85v–87
Salve regina mater misericordiae	Anonymous	88v–89v
Salve regina mater misericordiae	Anonymous	195v–197
Salve sancta parens	Anonymous	119v–120
Salve sancta parens	Anonymous	123v–124
Salve sancta parens (= Ecce advenit)	Anonymous	215v–216
Sancti spiritus assit nobis gratia	Anonymous	174v–177
Sancti spiritus assit nobis gratia	Anonymous	174v–177
Sancti spiritus assit nobis gratia	Anonymous	174v–177
Sanctus	Vincenet, Johannes (–ca. 1480)	78v–80
Sanctus	Anonymous	106v–107
Sanctus Angeli et archangeli	Anonymous	115v–117
Sanctus Pascale	Gaffurius, Franchinus (1451–1522)	114v–115
Sanctus-Agnus: Agnus Dei	Anonymous	113v–114
Sanctus-Agnus: Sanctus	Anonymous	113v–114
Sedit angelus - 1a pars (of 2): Sedit angelus ad sepulchrum Domini	Anonymous	146v–148
Sedit angelus - 2a pars (of 2): Nolite metuere	Anonymous	146v–148
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	166v–167
Spiritus et alme orphanorum paraclite	Anonymous	125v–126
Te Deum laudamus [K.521]	Anonymous	43v–45
Terribilis est locus iste	Anonymous	137v–138
Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram	Anonymous	160
untexted - 1a pars (of 2): [untexted]	-	215
untexted - 2a pars (of 2): [untexted]	-	215
Urbs beata Jerusalem	Anonymous	140
Urbs beata Jerusalem. Nova veniens e caelo / Tunsionibus pressuris	Anonymous	207v
Veni sancte spiritus et emitte caelitus	Anonymous	48v
Veni sancte spiritus et emitte caelitus	Anonymous	117v–118
Veni sancte spiritus et emitte caelitus	Anonymous	172v–174
Verbum bonum et suave personemus illud ave	Anonymous	127v–129
Verbum bonum et suave personemus illud ave	Anonymous	127v
Verbum caro factum est et habitavit	Anonymous	134v–135
Verbum caro factum est et habitavit	Anonymous	135v–136
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	151v–152
Vos qui secuti estis me	Anonymous	72
Vous marchez du bout du pied marionette	Isaac, Heinrich (ca. 1450–1517) (?) Busnoys, Antoine (ca. 1430–1492) (?)	42v–43
Vox exultationis	Anonymous	140v
Vt queant laxis.	Anonymous	213v–214
Vultum tuum deprecabuntur	Anonymous	177v–178

Set: Trent Codices

Type: Linked by Origin or Contents

No images available

I-TRbc MS 1374 [87] (Trent 87)

No images available

I-TRbc MS 1375 [88] (Trent 88)

No images available

I-TRbc MS 1376 [89] (Trent 89)

No images available

I-TRbc MS 1377 [90] (Trent 90)

No images available

I-TRbc MS 1378 [91] (Trent 91)

No images available

I-TRbc MS 1379 [92] (Trent 92)

‡ denotes primary source study

Staehelin, Martin. 1986. Trienter Codices und Humanismus. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 158-69. Trent. Notes: physical description (partial); mention of MS; discussion.

Ward, Tom Robert. 1986. The Office Hymns of the Trent Manuscripts. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 112-29. Trent. Pages: 117-20,122,124,127. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 179-80,193,307. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Spilsted, Gary. 1976. Toward the Genesis of the Trent Codices: New Directions and New Findings. Studies in Music from the University of Western Ontario, 55-70. Notes: physical description; mention of MS; discussion.

Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: 138,183ff,273-5, passim. Notes: physical description; contents list; incipitsst of contents (partial); incipits (partial); transcription (partial); mention of MS; discussion.

White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. Pages: I,1,4-5. Notes: physical description; mention of MS; discussion.

Burstyn, Shai. 1972. Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. Columbia University, Unpublished Ph.D. dissertation. Pages: 227-32, 274-5, 349-59, 403-4. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Schmalz, Robert F, II. 1971. Selected Fifteenth Century Polyphonic Mass Ordinaries Based Upon Pre-existent German Material. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 84ff,209-44. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

[No Author] 1969-70. Codices Musicales Tridentini. Rome. Notes: facsimile.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 94, 111-4,158-61,217ff,567-72. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Riemann, Hugo, Wilibald Gurlitt, and Hans Heinrich Eggebrecht (editors). 1967. Musik Lexikon: Zwölfte völlig neubearbeitete. 3 vols. Mainz. Pages: Sachteil 12. Aufl. Quellen, 772.

Loyan, Richard K (editor). 1967. Canons in the Trent Codices. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: l, 183,400-13; II,171-81. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 171. Notes: contents list (partial); concordances (partial); incipits (partial).

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63 (dépouillement des Laudi).

Davis, Bertran Earl. 1960. The Works of Johannes Vincenet. University of North Carolina, Unpublished Ph.D. dissertation. Pages: I, 7,9-10,15,144,150, passim, plates D and F; II,1-106,180-236. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Ficker, Rudolf von. 1960. The transition on the Continent. New Oxford History of Music, 150ff. Pages: 150f.

Schuetze, George C, Jr (editor). 1960. Faugues. No. I of Collected Works. The Collected Works of Faugues. Brooklyn. Pages: 4,47-84. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Schuetze, George C, Jr. 1960. The Works of Guillaume Faugues. New York University, Unpublished Ph.D. dissertation. Pages: 13, passim. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Schuetze, George C, Jr. 1960. An Introduction to Faugues. Musicological Studies. Brooklyn. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften]. Pages: 7, p. 11f.

Schuetze, George C, Jr (editor). 1959. Opera Omnia Faugues. Publications of Mediaeval Musical Manuscripts. Brooklyn. Pages: ii-iii,20ff. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: 12, p. I.

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,32-8. Notes: contents list (partial); transcription (partial).

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 1-18. Pages: passim.

Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation. Pages: I, 192-202. Notes: physical description; mention of MS; discussion.

Schrade, Leo, and Milos Velimirovic (editors). 1955-68. Thirty chansons for three and four voices from Attaingnant's collection ed. by Albert Seay. Collegium musicum. Yale Univ. Dpt. of music. Pages: 158ff.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1339; VI,1022; XIII,666-73. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel. Pages: 97f.

Lunelli, Renato. 1927. La patria dei codici musicali tridentini. Note D'Archivio per la Storia Musicale, 116-28. Pages: 116ff.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 239f.

Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 3ff.

Wolkan, Rudolf. 1921. Die Heimat der Trienter Musikhandschriften. Studien zur Musikwissenschaft, 5-8. Pages: 4ff. Notes: physical description; mention of MS; discussion.

Adler, Guido. 1909. Über Textlegung in den 'Trienter Codices'. Riemann-Festschrift. Gesammelte Studien Hugo Riemann zum sechzigsten Geburtstage, 51ff. Leipzig. Pages: 51ff.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XIV/XV, XXII, LII, passim. Notes: physical description; contents list; concordances (partial); inventory; transcription (partial); facsimile (partial); mention of MS; discussion.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I, 87ff.

Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 397-530. Pages: 489-90. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description