D-Dl MS Mus. 1/D/3 [Quintus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Mus. 1/D/3 [Quintus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 200 x 157 mm
Other Identifiers
  • CCM: DresSL 1/D/3
  • olim (Former shelfmark): B. 1270
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Wittenberg, Bavaria, Germany
Contents Contains 118 compositions, 112 from 33 composers, 6 are anonymous.
General Description

A Quintus partbook from a set of six volumes. Scribal concordance with DresSL 1/D/4, DresSL 1/D/506, BudOS 22, BudOS 23, ZwiR 81/2, ZwiR 100/4, and ZwiR 106/5 (SteudeU). Final piece copied by a second scribe.

Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2017
Extent

D 110ff, A 116ff, T 97ff, B 100ff, Q 99ff, S 50ff.

DIAMM, 2023
Physical Description

Many pages at beginning of book damaged with loss to music and text

DIAMM, 2023
Binding

Modern green cardboard covers on DATBQ; S has fragments of original covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: pieces numbered I-XXXV, 36-63.

DIAMM, 2017
Foliation

New foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 18 psalms, 29 motets, 12 German sacred pieces = 60

Berchem-1, Bergkholtz-1, Braetel-1, Breitengraser-2, Burckstaller-2, (Canis)-1, Clemens non Papa-2, Crecquillon-3, Gombert-1, Heugel-1, Jhan of Ferrara [M. Jam]-2, Jonckers-2, Josquin-3, Josquin/Senfl-1, (D. Köler)-1, Kropstein-2, Mitnerus-1, Rabe-2, Ruffo-1, Scandello-3, Schöckler-1, Senfl-4, Sermisy [Claudin]-1, Stoltzer-7, Stoltzer/(Bauldeweyn)-1, Verdelot-1, Verdelot/(Lupus)-1, (Walter)-1, Willaert-2, (Wircker)-1, anon-8

6 paper partbooks (D-110 folios, A-125, T-97, B-100, Q-96, S-48), 200 x 157. New foliation; pieces numbered I-XXXV, 36-63. Modern green cardboard covers on DATBQ; S has fragments of original covers. Scribal concordance with DresSL 1/D/4, BudOS 22, BudOS 23, ZwiR 81/2, and ZwiR 106/5 (SteudeU).

Ca. 1550-60 (SteudeMS); dates ranging from 1547 to 1551 in manuscript. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Vol. 4

Composers: Change "Gombert-1" to "Gombert-2"; change "anon-8" to "anon-7."

Physical: Add DresSL l/D/506 and ZwiR 100/4 to list of scribal concordances.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 1–1v
Genres: Motet
Number of voices: 6
1v–2v In convertendo Dominus - 2a pars (of 2): Qui seminant -
Appears on: 1v–2v
Genres: Motet
Number of voices: 6
2v–3 In te Domine speravi - 1a pars (of 2): In te Domine speravi Philip: Verdeloth
Appears on: 2v–3
Genres: Motet, Te Deum
Source Attribution: Philip: Verdeloth
Number of voices: 5
3–4 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 3–4
Genres: Motet
Number of voices: 5
4–4v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum Thomas Stolzer
Appears on: 4–4v
Genres: Motet
Source Attribution: Thomas Stolzer
Number of voices: 5
5 Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis -
Appears on: 5
Genres: Motet
Number of voices: 5
5v–6v De profundis clamavi 15.13 (5vv) H. Josquin
Appears on: 5v–6v
Genres: Motet
Source Attribution: H. Josquin
Number of voices: 5
General Note

in Q attributed to "H Josquin", and in D "[…]ricus Josquin" (page damaged)

6v Laudate Dominum omnes gentes, laudate eum Claudin
Appears on: 6v
Genres: Motet
Source Attribution: Claudin
Number of voices: 6
General Note

Q not written out, canon only: "Ex Tenore in subdiatesseron post duo tempora"

6v–7 Laudate Dominum omnes gentes, laudate eum -
Appears on: 6v–7
Genres: Motet
Number of voices: 5
7v–8 Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen Tho: Stoltzer
Appears on: 7v–8
Genres: Motet
Source Attribution: Tho: Stoltzer
Number of voices: 6
8–8v Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil -
Appears on: 8–8v
Genres: Motet
Number of voices: 6
8v–9v Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet -
Appears on: 8v–9v
Genres: Motet
Number of voices: 3
9v Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage -
Appears on: 9v
Genres: Motet
Number of voices: 3
General Note

tacet in this part

9v–10v Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen -
Appears on: 9v–10v
Genres: Motet
Number of voices: 6
10v–11v Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht -
Appears on: 10v–11v
Genres: Motet
Number of voices: 6
11v–12v Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit -
Appears on: 11v–12v
Genres: Motet
Number of voices: 6
12v–13v Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Thomas Stoltzer
Appears on: 12v–13v
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 6
13v–14v Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden -
Appears on: 13v–14v
Genres: Motet
Number of voices: 6
14v–15v Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich Thomas Stoltzer
Appears on: 14v–15v
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 6
15v–17 Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich -
Appears on: 15v–17
Genres: Motet
Number of voices: 6
17–18 Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott -
Appears on: 17–18
Genres: Motet
Number of voices: 6
18v Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Thomas Stoltzer
Appears on: 18v
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 5
19 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich -
Appears on: 19
Genres: Motet
Number of voices: 5
19v Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte -
Appears on: 19v
Genres: Motet
Number of voices: 5
20–20v Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet Joan: Burck:
Appears on: 20–20v
Genres: Motet
Source Attribution: Joan: Burck:
Number of voices: 5
20v–21 Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein -
Appears on: 20v–21
Genres: Motet
Number of voices: 5
21v Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate Ludovicus Senfel
Appears on: 21v
Genres: Motet
Source Attribution: Ludovicus Senfel
Number of voices: 5
General Note

c.f. in long notes

21v–22 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 21v–22
Genres: Motet
Number of voices: 5
General Note

c.f. in long notes

22v–23v Qui confidunt in Domino sicut mons Sion Huldericus Brätel
Appears on: 22v–23v
Genres: Motet
Source Attribution: Huldericus Brätel
Number of voices: 5
24–24v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra LS (=Senfl)
Appears on: 24–24v
Source Attribution: LS (=Senfl)
Number of voices: 5
24v–25v Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum -
Appears on: 24v–25v
Number of voices: 5
25v–26v De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine Lu: Senfel/Josquin
Appears on: 25v–26v
Genres: Motet
Source Attribution: Lu: Senfel/Josquin
Number of voices: 5
General Note

In D & Q, attributed to Josquin; in T & B attributed (correctly) to Senfl

26v–27 De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Appears on: 26v–27
Genres: Motet
Number of voices: 5
27v–28v Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate TS (=Stoltzer)
Appears on: 27v–28v
Genres: Motet
Source Attribution: TS (=Stoltzer)
Number of voices: 5
28v–29v Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 28v–29v
Genres: Motet
Number of voices: 5
29v Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam Josquin
Appears on: 29v
Genres: Miserere mei Deus, Motet
Source Attribution: Josquin
Number of voices: 5
30 Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium -
Appears on: 30
Genres: Miserere mei Deus, Motet
Number of voices: 5
30–30v Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os -
Appears on: 30–30v
Genres: Miserere mei Deus, Motet
Number of voices: 5
30v–31 Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel Joan: Burgstaller
Appears on: 30v–31
Genres: Motet
Source Attribution: Joan: Burgstaller
Number of voices: 5
31–31v Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute -
Appears on: 31–31v
Genres: Motet
Number of voices: 5
31v–33 Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden Va: Rab
Appears on: 31v–33
Genres: Psalm
Source Attribution: Va: Rab
Number of voices: 5
33–34 Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne -
Appears on: 33–34
Genres: Psalm
Number of voices: 5
34–35v Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke -
Appears on: 34–35v
Genres: Psalm
Number of voices: 5
35v–36v Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem - Anonymous
Appears on: 35v–36v
Genres: Motet
Number of voices: 6
37–38 Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam - Anonymous
Appears on: 37–38
Genres: Motet
Number of voices: 6
38–39 Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn VR (=Rab)
Appears on: 38–39
Genres: Psalm
Source Attribution: VR (=Rab)
Number of voices: 5
39–40 Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele -
Appears on: 39–40
Genres: Psalm
Number of voices: 5
40–40v Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter -
Appears on: 40–40v
Genres: Psalm
Number of voices: 5
41–42 Nun bitten wir den heilgen geist - Anonymous
Appears on: 41–42
Genres: Motet
Number of voices: 6
General Note

untexted

42–42v Nun bitten wir den heiligen geist (5vv) -
Appears on: 42–42v
Genres: Motet, Veni sancte spiritus
Number of voices: 5
42v–43v So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr Nicolaus Kropstein
Appears on: 42v–43v
Genres: Motet
Source Attribution: Nicolaus Kropstein
Number of voices: 5
43v–44 So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) -
Appears on: 43v–44
Genres: Motet
Number of voices: 5
General Note

Marginal note: "Aufer a nobis"

44–45 So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) -
Appears on: 44–45
Genres: Motet
Number of voices: 5
General Note

Marginal note: "Miserere"

45–47 So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) NK (=Kropstein)
Appears on: 45–47
Genres: Motet
Source Attribution: NK (=Kropstein)
Number of voices: 5
47 Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam Georgius Schöckler
Appears on: 47
Genres: Motet
Source Attribution: Georgius Schöckler
Number of voices: 5
General Note

c.f. in long notes - same music for both parts

47 Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster -
Appears on: 47
Genres: Motet
Number of voices: 5
47v–48 Ecce Dominus veniet et omnes sancti eius Nicolaus Kropstein
Appears on: 47v–48
Genres: Motet
Source Attribution: Nicolaus Kropstein
Number of voices: 5
48–49 Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen Joan: Heugel
Appears on: 48–49
Genres: Motet
Source Attribution: Joan: Heugel
Number of voices: 5
49–50 Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster -
Appears on: 49–50
Genres: Motet
Number of voices: 5
50v–51v Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper TS (=Stoltzer)
Appears on: 50v–51v
Genres: Motet
Source Attribution: TS (=Stoltzer)
Number of voices: 5
51v Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini -
Appears on: 51v
Genres: Motet
Number of voices: 3
General Note

tacet in this part

51v–52 Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures -
Appears on: 51v–52
Genres: Motet
Number of voices: 2
52–53 Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit -
Appears on: 52–53
Genres: Motet
Number of voices: 5
53v–54 Qui regis Israel intende qui sedes 18.9 Josquin
Appears on: 53v–54
Genres: Motet
Source Attribution: Josquin
Number of voices: 5
54–55 Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei "Capelnmeister"
Appears on: 54–55
Genres: Motet
Source Attribution: "Capelnmeister"
Number of voices: 5
General Note

Note: Maessens became Hofkapellmeister to Ferdinand in 1546; but the piece is by Clemens.

55 Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit -
Appears on: 55
Genres: Motet
Number of voices: 3
General Note

tacet in this part

55–55v Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet -
Appears on: 55–55v
Genres: Motet
Number of voices: 5
56–56v Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine -
Appears on: 56–56v
Genres: Motet
Number of voices: 6
56v–57 Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt -
Appears on: 56v–57
Genres: Motet
Number of voices: 6
57–57v Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei Guil. Breitengraser
Appears on: 57–57v
Genres: Motet
Source Attribution: Guil. Breitengraser
Number of voices: 5
57v–58v Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus -
Appears on: 57v–58v
Genres: Motet
Number of voices: 5
58v–59 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Tho: Crequillon
Appears on: 58v–59
Genres: Motet
Source Attribution: Tho: Crequillon
Number of voices: 6
59v–61 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 59v–61
Genres: Motet
Number of voices: 6
General Note

for discussion of attribution to Lassus/Crequillon see CMM 63 vol.5, p.LIX-LXI, 66-79 , Grove 7 vol.6, p.655

61v–62v Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam Guil. Breitengraser
Appears on: 61v–62v
Genres: Motet
Source Attribution: Guil. Breitengraser
Number of voices: 5
62v–63 Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum -
Appears on: 62v–63
Genres: Motet
Number of voices: 5
63v–64 Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Tho: Krequilon
Appears on: 63v–64
Genres: Motet
Source Attribution: Tho: Krequilon
Number of voices: 6
64–64v Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 64–64v
Genres: Motet
Number of voices: 6
64–65 Salve crux sancta super omnia ligna Clemens non papa
Appears on: 64–65
Genres: Motet
Source Attribution: Clemens non papa
Number of voices: 6
65v–66v Si bona suscepimus de manu Domini - Anonymous
Appears on: 65v–66v
Genres: Motet
Number of voices: 6
66v–67v Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis N. Gombert
Appears on: 66v–67v
Genres: Motet
Source Attribution: N. Gombert
Number of voices: 6
67v–68v Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait -
Appears on: 67v–68v
Genres: Motet
Number of voices: 6
68v–69 O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum M. Jam [= Maistre Jhan of Ferrara]
Appears on: 68v–69
Genres: Motet
Source Attribution: M. Jam [= Maistre Jhan of Ferrara]
Number of voices: 6
69–69v O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium -
Appears on: 69–69v
Genres: Motet
Number of voices: 6
69v–70 O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Jachetin de barche
Appears on: 69v–70
Genres: Motet
Source Attribution: Jachetin de barche
Number of voices: 6
70–70v O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem -
Appears on: 70–70v
Genres: Motet
Number of voices: 6
70v–71 Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis M. Jan
Appears on: 70v–71
Genres: Motet, Pater noster
Source Attribution: M. Jan
Number of voices: 6
71v–72 Ave Maria gratia plena Dominus tecum Verdeloth
Appears on: 71v–72
Genres: Ave Maria, Motet
Source Attribution: Verdeloth
Number of voices: 6
72–73 O beatum pontificem qui totis visceribus diligebat [De sancto Martino] Adrianus Wilhart
Appears on: 72–73
Genres: Motet
Source Attribution: Adrianus Wilhart
Number of voices: 6
73v–74 Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum Gosse Jungkers
Appears on: 73v–74
Genres: Motet
Source Attribution: Gosse Jungkers
Number of voices: 5
74–74v Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum -
Appears on: 74–74v
Genres: Motet
Number of voices: 5
74v–75v Unicus O digito monstras sotera Johannes (= Si me tenes tant) TC (=Crecquillon)
Appears on: 74v–75v
Genres: Motet
Source Attribution: TC (=Crecquillon)
Number of voices: 6
75v–76 Ecce Dominus veniet et omnes sancti eius Lu: Bergkholtz
Appears on: 75v–76
Genres: Motet
Source Attribution: Lu: Bergkholtz
Number of voices: 6
General Note

Note in T - composed for his friend Michael Tauber (professor at Wittenberg U) 22 Oct 1551

76–77 Hodie Christus natus est hodie salvator Anthonius Scandellus
Appears on: 76–77
Genres: Motet
Source Attribution: Anthonius Scandellus
Number of voices: 6
77v–78 Puer natus est nobis et filius datus est Vincentius Ruffo da Verona
Appears on: 77v–78
Genres: Motet
Source Attribution: Vincentius Ruffo da Verona
Number of voices: 6
78v–79 Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion -
Appears on: 78v–79
Genres: Motet
Number of voices: 5
79–80 Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam -
Appears on: 79–80
Genres: Motet
Number of voices: 5
80–81 Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera -
Appears on: 80–81
Genres: Motet
Number of voices: 6
81–81v Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel -
Appears on: 81–81v
Genres: Motet
Number of voices: 6
81v–82 O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam Gosse Jungkers
Appears on: 81v–82
Genres: Motet
Source Attribution: Gosse Jungkers
Number of voices: 6
82v–83 O vos omnes - 2a pars (of 2): Attendite universi populi et videte -
Appears on: 82v–83
Genres: Motet
Number of voices: 6
83–84 Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Adrianus Wilhart
Appears on: 83–84
Genres: Motet
Source Attribution: Adrianus Wilhart
Number of voices: 6
84–85 Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes -
Appears on: 84–85
Genres: Motet
Number of voices: 6
85–85v Querite Dominum dum inveniri potest Joannes Mitner
Appears on: 85–85v
Genres: Motet
Source Attribution: Joannes Mitner
Number of voices: 6
86–89v Te Deum laudamus -
Appears on: 86–89v
Genres: Liturgical work, Te Deum
Number of voices: 6
89v–90v Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 89v–90v
Genres: Motet, Veni sancte spiritus
Number of voices: 6
90v–91v Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum - Anonymous
Appears on: 90v–91v
Genres: Motet
Number of voices: 6
91v–92 Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich -
Appears on: 91v–92
Genres: Motet
Number of voices: 5
92–92v Danket dem Herren - 2a pars (of 3): Der herre hat nit lust -
Appears on: 92–92v
Genres: Motet
Number of voices: 5
92v–93 Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn -
Appears on: 92v–93
Genres: Motet
Number of voices: 5
93–93v Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse Anth: Scandellus
Appears on: 93–93v
Genres: Motet
Source Attribution: Anth: Scandellus
Number of voices: 6
93v–94v Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me -
Appears on: 93v–94v
Genres: Motet
Number of voices: 6
94v–95v Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum -
Appears on: 94v–95v
Genres: Motet
Number of voices: 6
95v–96 Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient -
Appears on: 95v–96
Genres: Motet
Number of voices: 6
96v–97 Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus LS (=Senfl)
Appears on: 96v–97
Genres: Motet
Source Attribution: LS (=Senfl)
Number of voices: 6
97–97v Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis -
Appears on: 97–97v
Genres: Motet
Number of voices: 6
97v Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto -
Appears on: 97v
Genres: Motet
Number of voices: 6
98–99 Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam C. non Papa
Appears on: 98–99
Genres: Motet
Source Attribution: C. non Papa
Number of voices: 5
99–99v Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam -
Appears on: 99–99v
Genres: Motet
Number of voices: 5
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480-1529)
Berchem, Jacques (ca. 1505-1567)
Bergholtz, Lucas
Bratel, Ulrich
Breittengrasser, Gulielmus (Wilhelm)
Burckstaller, Joannes
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510-ca. 1556)
Crecquillon, Thomas (ca. 1505-ca. 1557)
Despres, Josquin (ca. 1450-1521)
Ferrara, Maistre Jhan of (ca. 1485-1538)
Gombert, Nicolas (ca. 1495-ca. 1560)
Hellinck, Lupus (ca. 1494-1541)
Heugel, Johannes
Jonckers, Maistre Gosse
Kropstein, Nikolaus
Köler, David (ca. 1532-1565)
Lassus, Orlande de (ca. 1532-1594)
Manchicourt, Pierre de
Mitnerus, Joannes
Rab, Valentin
Reitveltus, Bartholomaeus
Ruffo, Vincenzo (ca. 1508-1587)
Rupsch, Conrad
Scandello, Antonio
Schöckler, Georgius
Senfl, Ludwig (ca. 1486-ca. 1543)
Sermisy, Claudin de (ca. 1490-1562)
Stoltzer, Thomas (ca. 1480-1526)
Verdelot, Philippe (ca. 1480-ca. 1532)
Walter, Johann (1496-1570)
Willaert, Adrian (ca. 1490-1562)
Wircker, Johann (ca. 1548-ca. 1572)
Composition Composers (? Uncertain) Folios / Pages
Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam 98–99
Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam 99–99v
Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei 54–55
Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit 55
Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet 55–55v
Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn 38–39
Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele 39–40
Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter 40–40v
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus 96v–97
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis 97–97v
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto 97v
Ave Maria gratia plena Dominus tecum 71v–72
Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum 73v–74
Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum 74–74v
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper 50v–51v
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini 51v
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures 51v–52
Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit 52–53
Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera 80–81
Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel 81–81v
Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse 93–93v
Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me 93v–94v
Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich 91v–92
Danket dem Herren - 2a pars (of 3): Der herre hat nit lust 92–92v
Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn 92v–93
De profundis clamavi 15.13 (5vv) 5v–6v
De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine 25v–26v
De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem 26v–27
Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam 47
Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster 47
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem Anonymous 35v–36v
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Anonymous 37–38
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 63v–64
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 64–64v
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 58v–59
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 59v–61
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime 83–84
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes 84–85
Ecce Dominus veniet et omnes sancti eius 47v–48
Ecce Dominus veniet et omnes sancti eius 75v–76
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 7v–8
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil 8–8v
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet 8v–9v
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage 9v
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 9v–10v
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht 10v–11v
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit 11v–12v
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich 14v–15v
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich 15v–17
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott 17–18
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 18v
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 19
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 19v
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen 12v–13v
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden 13v–14v
Hodie Christus natus est hodie salvator 76–77
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 94v–95v
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient 95v–96
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 1–1v
In convertendo Dominus - 2a pars (of 2): Qui seminant 1v–2v
In te Domine speravi - 1a pars (of 2): In te Domine speravi 2v–3
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 3–4
Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet 20–20v
Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein 20v–21
Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam 61v–62v
Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum 62v–63
Laudate Dominum omnes gentes, laudate eum 6v
Laudate Dominum omnes gentes, laudate eum 6v–7
Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen 48–49
Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster 49–50
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam 29v
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium 30
Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os 30–30v
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra 24–24v
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum 4–4v
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis 5
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum 24v–25v
Nun bitten wir den heilgen geist Anonymous 41–42
Nun bitten wir den heiligen geist (5vv) 42–42v
O beatum pontificem qui totis visceribus diligebat [De sancto Martino] 72–73
O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum 68v–69
O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium 69–69v
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 69v–70
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem 70–70v
O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam 81v–82
O vos omnes - 2a pars (of 2): Attendite universi populi et videte 82v–83
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 56–56v
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 56v–57
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 21v
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 21v–22
Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 27v–28v
Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 28v–29v
Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis 70v–71
Puer natus est nobis et filius datus est 77v–78
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis 66v–67v
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait 67v–68v
Querite Dominum dum inveniri potest 85–85v
Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion 78v–79
Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam 79–80
Qui confidunt in Domino sicut mons Sion 22v–23v
Qui regis Israel intende qui sedes 18.9 53v–54
Salve crux sancta super omnia ligna 64–65
Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden 31v–33
Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne 33–34
Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke 34–35v
Si bona suscepimus de manu Domini Anonymous 65v–66v
So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr 42v–43v
So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) 43v–44
So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) 44–45
So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) 45–47
Te Deum laudamus 86–89v
Unicus O digito monstras sotera Johannes (= Si me tenes tant) 74v–75v
Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei 57–57v
Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus 57v–58v
Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel 30v–31
Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute 31–31v
Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda Anonymous 89v–90v
Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum Anonymous 90v–91v

Set: MS Mus. 1/D/3

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/3 [Altus]

No images available

D-Dl MS Mus. 1/D/3 [Bassus]

No images available

D-Dl MS Mus. 1/D/3 [Discantus]

No images available

D-Dl MS Mus. 1/D/3 [Quintus]

No images available

D-Dl MS Mus. 1/D/3 [Sextus]

No images available

D-Dl MS Mus. 1/D/3 [Tenor]

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 343,349-50,388-90,797. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 9-11, passim; Abb. 1-3. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93.  London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 27-8. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte, vol. 6.  Wilhelmshaven. Pages: 20-3. Notes: physical description (partial); contents list; concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 140. Notes: concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 107-8, passim. Notes: physical description; mention of MS; discussion; facsimile (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen, vol. 6.  Wiesbaden. Pages: 148-56, 303. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V.  Chicago. Pages: III, 194. Notes: concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 270, 296. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 51. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XII, 1399-1400. Notes: facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 115; LXVI, 173, x. Notes: physical description; facsimile (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII, v. Notes: physical description.

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, 22: . Pages: 57-62. Notes: physical description; contents list.

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Monday, 23 January, 2017

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