D-Dl MS Mus. 1/D/3 [Bassus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Mus. 1/D/3 [Bassus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 200 x 157 mm
Other Identifiers
  • CCM: DresSL 1/D/3
  • olim (Former shelfmark): B. 1270
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Wittenberg, Bavaria, Germany
Contents 118 pieces from 34 composers
General Description

A Bassus partbook from a set of six volumes. Scribal concordance with DresSL 1/D/4, DresSL 1/D/506, BudOS 22, BudOS 23, ZwiR 81/2, ZwiR 100/4, and ZwiR 106/5 (SteudeU). Final piece copied by a second scribe.

Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2017
Extent

D 110ff, A 116ff, T 97ff, B 100ff, Q 99ff, S 50ff.

DIAMM, 2023
Binding

Modern green cardboard covers on DATBQ; S has fragments of original covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: pieces numbered I-XXXV, 36-63.

DIAMM, 2017
Foliation

New foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 18 psalms, 29 motets, 12 German sacred pieces = 60

Berchem-1, Bergkholtz-1, Braetel-1, Breitengraser-2, Burckstaller-2, (Canis)-1, Clemens non Papa-2, Crecquillon-3, Gombert-1, Heugel-1, Jhan of Ferrara [M. Jam]-2, Jonckers-2, Josquin-3, Josquin/Senfl-1, (D. Köler)-1, Kropstein-2, Mitnerus-1, Rabe-2, Ruffo-1, Scandello-3, Schöckler-1, Senfl-4, Sermisy [Claudin]-1, Stoltzer-7, Stoltzer/(Bauldeweyn)-1, Verdelot-1, Verdelot/(Lupus)-1, (Walter)-1, Willaert-2, (Wircker)-1, anon-8

6 paper partbooks (D-110 folios, A-125, T-97, B-100, Q-96, S-48), 200 x 157. New foliation; pieces numbered I-XXXV, 36-63. Modern green cardboard covers on DATBQ; S has fragments of original covers. Scribal concordance with DresSL 1/D/4, BudOS 22, BudOS 23, ZwiR 81/2, and ZwiR 106/5 (SteudeU).

Ca. 1550-60 (SteudeMS); dates ranging from 1547 to 1551 in manuscript. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Vol. 4

Composers: Change "Gombert-1" to "Gombert-2"; change "anon-8" to "anon-7."

Physical: Add DresSL l/D/506 and ZwiR 100/4 to list of scribal concordances.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 1–1v
Genres: Motet
1v–2 In convertendo Dominus - 2a pars (of 2): Qui seminant -
Appears on: 1v–2
Genres: Motet
2v–3 In te Domine speravi - 1a pars (of 2): In te Domine speravi Philip: Verdeloth
Appears on: 2v–3
Genres: Motet, Te Deum
Source Attribution: Philip: Verdeloth
3–3v In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 3–3v
Genres: Motet
3v–4v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum Thomas Stolzer
Appears on: 3v–4v
Genres: Motet
Source Attribution: Thomas Stolzer
4v–5 Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis -
Appears on: 4v–5
Genres: Motet
5–6 De profundis clamavi 15.13 (5vv) Josquin
Appears on: 5–6
Genres: Motet
Source Attribution: Josquin
General Note

in Q attributed to "H Josquin", and in D "[…]ricus Josquin" (page damaged)

6–6v Laudate Dominum omnes gentes, laudate eum Claudin
Appears on: 6–6v
Genres: Motet
Source Attribution: Claudin
6v–7 Laudate Dominum omnes gentes, laudate eum -
Appears on: 6v–7
Genres: Motet
7v–8 Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen Thomas Stolzer
Appears on: 7v–8
Genres: Motet
Source Attribution: Thomas Stolzer
8–8v Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil -
Appears on: 8–8v
Genres: Motet
8v Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet -
Appears on: 8v
Genres: Motet
General Note

tacet in thi part

8v–10 Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage -
Appears on: 8v–10
Genres: Motet
10–10v Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen -
Appears on: 10–10v
Genres: Motet
11–11v Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht -
Appears on: 11–11v
Genres: Motet
12–12v Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit -
Appears on: 12–12v
Genres: Motet
13–13v Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Thomas Stolzer
Appears on: 13–13v
Genres: Motet
Source Attribution: Thomas Stolzer
13v–15 Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden -
Appears on: 13v–15
Genres: Motet
15–16 Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich Thomas Stoltzer
Appears on: 15–16
Genres: Motet
Source Attribution: Thomas Stoltzer
16–16v Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich -
Appears on: 16–16v
Genres: Motet
16v–18 Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott -
Appears on: 16v–18
Genres: Motet
18–18v Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Thomas Stoltzer
Appears on: 18–18v
Genres: Motet
Source Attribution: Thomas Stoltzer
18v–19 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich -
Appears on: 18v–19
Genres: Motet
19–19v Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte -
Appears on: 19–19v
Genres: Motet
19v–20 Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet Joannes Burckstaller
Appears on: 19v–20
Genres: Motet
Source Attribution: Joannes Burckstaller
20–21 Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein -
Appears on: 20–21
Genres: Motet
21–22 Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate Ludovicus Senfel
Appears on: 21–22
Genres: Motet
Source Attribution: Ludovicus Senfel
22–23v Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 22–23v
Genres: Motet
23v–24v Qui confidunt in Domino sicut mons Sion Huldericus Brätel
Appears on: 23v–24v
Genres: Motet
Source Attribution: Huldericus Brätel
25–25v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra LS (=Senfl)
Appears on: 25–25v
Source Attribution: LS (=Senfl)
25v–26 Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum -
Appears on: 25v–26
26–27 De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine Lu: Senfel/Josquin
Appears on: 26–27
Genres: Motet
Source Attribution: Lu: Senfel/Josquin
General Note

In D & Q, attributed to Josquin; in T & B attributed (correctly) to Senfl

27–28 De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Appears on: 27–28
Genres: Motet
28–28v Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate TS (=Stoltzer)
Appears on: 28–28v
Genres: Motet
Source Attribution: TS (=Stoltzer)
29–29v Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 29–29v
Genres: Motet
29v–30v Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam Josquin
Appears on: 29v–30v
Genres: Miserere mei Deus, Motet
Source Attribution: Josquin
30v–31v Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium -
Appears on: 30v–31v
Genres: Miserere mei Deus, Motet
31v–32v Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os -
Appears on: 31v–32v
Genres: Miserere mei Deus, Motet
32v–33 Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel Joan: Burgstaller
Appears on: 32v–33
Genres: Motet
Source Attribution: Joan: Burgstaller
33–34 Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute -
Appears on: 33–34
Genres: Motet
34–35v Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden -
Appears on: 34–35v
Genres: Psalm
35v–36 Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne -
Appears on: 35v–36
Genres: Psalm
36–37v Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke -
Appears on: 36–37v
Genres: Psalm
37v–38 Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem - Anonymous
Appears on: 37v–38
Genres: Motet
38–39 Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam - Anonymous
Appears on: 38–39
Genres: Motet
39v–40 Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn VR (=Rab)
Appears on: 39v–40
Genres: Psalm
Source Attribution: VR (=Rab)
40–41 Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele -
Appears on: 40–41
Genres: Psalm
41–41v Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter -
Appears on: 41–41v
Genres: Psalm
41v–42v Nun bitten wir den heilgen geist - Anonymous
Appears on: 41v–42v
Genres: Motet
General Note

incipit only, untexted

42v–43 Nun bitten wir den heiligen geist (5vv) -
Appears on: 42v–43
Genres: Motet, Veni sancte spiritus
General Note

untexted

43–44 So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr NK (=Kropstein)
Appears on: 43–44
Genres: Motet
Source Attribution: NK (=Kropstein)
44–45 So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) -
Appears on: 44–45
Genres: Motet
General Note

Marginal note: "Aufer a nobis"

45–46v So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) -
Appears on: 45–46v
Genres: Motet
General Note

Marginal note: "Miserere"

46v–47v So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) -
Appears on: 46v–47v
Genres: Motet
47v–49 Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam Georgius Schöckler
Appears on: 47v–49
Genres: Motet
Source Attribution: Georgius Schöckler
49–50v Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster -
Appears on: 49–50v
Genres: Motet
51–51v Ecce Dominus veniet et omnes sancti eius Nicolaus Kropstein
Appears on: 51–51v
Genres: Motet
Source Attribution: Nicolaus Kropstein
52–52v Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen Joan: Heugel
Appears on: 52–52v
Genres: Motet
Source Attribution: Joan: Heugel
53–53v Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster -
Appears on: 53–53v
Genres: Motet
53v–55 Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper TS (=Stoltzer)
Appears on: 53v–55
Genres: Motet
Source Attribution: TS (=Stoltzer)
55–55v Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini -
Appears on: 55–55v
Genres: Motet
55v Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures -
Appears on: 55v
Genres: Motet
General Note

tacet ("desideratur") in this part

55v–56v Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit -
Appears on: 55v–56v
Genres: Motet
56v–57 Qui regis Israel intende qui sedes 18.9 Josquin
Appears on: 56v–57
Genres: Motet
Source Attribution: Josquin
57v–58 Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei "Capelnmeister"
Appears on: 57v–58
Genres: Motet
Source Attribution: "Capelnmeister"
General Note

Note: Maessens became Hofkapellmeister to Ferdinand in 1546; but the piece is by Clemens.

58–58v Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit -
Appears on: 58–58v
Genres: Motet
58v–59 Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet -
Appears on: 58v–59
Genres: Motet
59–59v Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine -
Appears on: 59–59v
Genres: Motet
59v–60 Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt -
Appears on: 59v–60
Genres: Motet
60–60v Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei Guil. Breittengrasser
Appears on: 60–60v
Genres: Motet
Source Attribution: Guil. Breittengrasser
60v–61v Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus -
Appears on: 60v–61v
Genres: Motet
61v–62 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Tho: Crequillon
Appears on: 61v–62
Genres: Motet
Source Attribution: Tho: Crequillon
General Note

for discussion of attribution to Lassus/Crequillon see CMM 63 vol.5, p.LIX-LXI, 66-79 , Grove 7 vol.6, p.655

62–63 Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 62–63
Genres: Motet
63–64 Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam G.B. (=Brettengrasser)
Appears on: 63–64
Genres: Motet
Source Attribution: G.B. (=Brettengrasser)
64–64v Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum -
Appears on: 64–64v
Genres: Motet
64v–65 Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Tho: Kre:
Appears on: 64v–65
Genres: Motet
Source Attribution: Tho: Kre:
65–65v Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 65–65v
Genres: Motet
66–66v Salve crux sancta super omnia ligna Clemens non papa
Appears on: 66–66v
Genres: Motet
Source Attribution: Clemens non papa
66v–67v Si bona suscepimus de manu Domini - Anonymous
Appears on: 66v–67v
Genres: Motet
67v–68v Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis N. Gombert
Appears on: 67v–68v
Genres: Motet
Source Attribution: N. Gombert
68v–69 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait -
Appears on: 68v–69
Genres: Motet
69–69v O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum M. Jam [= Maistre Jhan of Ferrara]
Appears on: 69–69v
Genres: Motet
Source Attribution: M. Jam [= Maistre Jhan of Ferrara]
70 O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium -
Appears on: 70
Genres: Motet
70v O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Jachetin de barche [= Berchem]
Appears on: 70v
Genres: Motet
Source Attribution: Jachetin de barche [= Berchem]
70v–71 O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem -
Appears on: 70v–71
Genres: Motet
71–72 Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis M. Jan
Appears on: 71–72
Genres: Motet, Pater noster
Source Attribution: M. Jan
General Note

Marginal note: "G. in a. vel in b. ad placitu[m]"

72–72v Ave Maria gratia plena Dominus tecum Verdeloth
Appears on: 72–72v
Genres: Ave Maria, Motet
Source Attribution: Verdeloth
72v–73v O beatum pontificem qui totis visceribus diligebat [De sancto Martino] Adrianus Wilhart
Appears on: 72v–73v
Genres: Motet
Source Attribution: Adrianus Wilhart
73v–75 Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum Gosse Jungkers
Appears on: 73v–75
Genres: Motet
Source Attribution: Gosse Jungkers
75–76 Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum -
Appears on: 75–76
Genres: Motet
[-] Unicus O digito monstras sotera Johannes (= Si me tenes tant) -
Appears on: [-]
Genres: Motet
General Note

Marginal note: "Si me tenez tant de rigueur"

77–77v Ecce Dominus veniet et omnes sancti eius Lucas Bergkholtz
Appears on: 77–77v
Genres: Motet
Source Attribution: Lucas Bergkholtz
77v–78v Hodie Christus natus est hodie salvator Anthonius Scandellus
Appears on: 77v–78v
Genres: Motet
Source Attribution: Anthonius Scandellus
78v–79v Puer natus est nobis et filius datus est Vincentius Ruffo da Verona
Appears on: 78v–79v
Genres: Motet
Source Attribution: Vincentius Ruffo da Verona
80–80v Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion -
Appears on: 80–80v
Genres: Motet
80v–81v Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam -
Appears on: 80v–81v
Genres: Motet
81v–82v Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera -
Appears on: 81v–82v
Genres: Motet
82v–83 Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel -
Appears on: 82v–83
Genres: Motet
83v–84 O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam Gossen Jongkers
Appears on: 83v–84
Genres: Motet
Source Attribution: Gossen Jongkers
84–84v O vos omnes - 2a pars (of 2): Attendite universi populi et videte -
Appears on: 84–84v
Genres: Motet
84v–85v Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Adrianus Wilhart
Appears on: 84v–85v
Genres: Motet
Source Attribution: Adrianus Wilhart
85v–86v Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes -
Appears on: 85v–86v
Genres: Motet
86v–87 Querite Dominum dum inveniri potest Joannes Mitnerus
Appears on: 86v–87
Genres: Motet
Source Attribution: Joannes Mitnerus
87–91v Te Deum laudamus -
Appears on: 87–91v
Genres: Liturgical work, Te Deum
91v–92 Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda - Anonymous
Appears on: 91v–92
Genres: Motet, Veni sancte spiritus
92–92v Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum - Anonymous
Appears on: 92–92v
Genres: Motet
92v–93 Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich -
Appears on: 92v–93
Genres: Motet
93 Danket dem Herren - 2a pars (of 3): Der herre hat nit lust -
Appears on: 93
Genres: Motet
93–93v Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn -
Appears on: 93–93v
Genres: Motet
93v–94 Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse Antho: Scan:
Appears on: 93v–94
Genres: Motet
Source Attribution: Antho: Scan:
94v–95 Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me -
Appears on: 94v–95
Genres: Motet
95v–96 Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum -
Appears on: 95v–96
Genres: Motet
96–97 Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient -
Appears on: 96–97
Genres: Motet
97–97v Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus LS (=Senfl)
Appears on: 97–97v
Genres: Motet
Source Attribution: LS (=Senfl)
97v–98 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis -
Appears on: 97v–98
Genres: Motet
98–98v Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto -
Appears on: 98–98v
Genres: Motet
98v–99v Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam C: non Papa
Appears on: 98v–99v
Genres: Motet
Source Attribution: C: non Papa
99v–100v Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam -
Appears on: 99v–100v
Genres: Motet
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Berchem, Jacques (ca. 1505–1567)
Bergholtz, Lucas
Bratel, Ulrich
Breittengrasser, Gulielmus (Wilhelm)
Burckstaller, Joannes
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Heugel, Johannes
Jonckers, Maistre Gosse
Kropstein, Nikolaus
Köler, David (ca. 1532–1565)
Lassus, Orlande de (ca. 1532–1594)
Manchicourt, Pierre de
Mitnerus, Joannes
Rab, Valentin
Reitveltus, Bartholomaeus
Ruffo, Vincenzo (ca. 1508–1587)
Rupsch, Conrad
Scandello, Antonio
Schöckler, Georgius
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Wircker, Johann (ca. 1548–ca. 1572)
Composition Composers (? Uncertain) Folios / Pages
Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam 98v–99v
Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam 99v–100v
Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei 57v–58
Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit 58–58v
Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet 58v–59
Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn 39v–40
Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele 40–41
Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter 41–41v
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus 97–97v
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis 97v–98
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto 98–98v
Ave Maria gratia plena Dominus tecum 72–72v
Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum 73v–75
Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum 75–76
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper 53v–55
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini 55–55v
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures 55v
Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit 55v–56v
Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera 81v–82v
Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel 82v–83
Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse 93v–94
Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me 94v–95
Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich 92v–93
Danket dem Herren - 2a pars (of 3): Der herre hat nit lust 93
Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn 93–93v
De profundis clamavi 15.13 (5vv) 5–6
De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine 26–27
De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem 27–28
Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam 47v–49
Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster 49–50v
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem Anonymous 37v–38
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Anonymous 38–39
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 64v–65
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 65–65v
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 61v–62
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 62–63
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime 84v–85v
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes 85v–86v
Ecce Dominus veniet et omnes sancti eius 51–51v
Ecce Dominus veniet et omnes sancti eius 77–77v
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 7v–8
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil 8–8v
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet 8v
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage 8v–10
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 10–10v
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht 11–11v
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit 12–12v
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich 15–16
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich 16–16v
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott 16v–18
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 18–18v
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 18v–19
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 19–19v
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen 13–13v
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden 13v–15
Hodie Christus natus est hodie salvator 77v–78v
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 95v–96
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient 96–97
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 1–1v
In convertendo Dominus - 2a pars (of 2): Qui seminant 1v–2
In te Domine speravi - 1a pars (of 2): In te Domine speravi 2v–3
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 3–3v
Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet 19v–20
Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein 20–21
Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam 63–64
Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum 64–64v
Laudate Dominum omnes gentes, laudate eum 6–6v
Laudate Dominum omnes gentes, laudate eum 6v–7
Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen 52–52v
Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster 53–53v
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam 29v–30v
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium 30v–31v
Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os 31v–32v
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra 25–25v
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum 3v–4v
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis 4v–5
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum 25v–26
Nun bitten wir den heilgen geist Anonymous 41v–42v
Nun bitten wir den heiligen geist (5vv) 42v–43
O beatum pontificem qui totis visceribus diligebat [De sancto Martino] 72v–73v
O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum 69–69v
O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium 70
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 70v
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem 70v–71
O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam 83v–84
O vos omnes - 2a pars (of 2): Attendite universi populi et videte 84–84v
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 59–59v
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 59v–60
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 21–22
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 22–23v
Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 28–28v
Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 29–29v
Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis 71–72
Puer natus est nobis et filius datus est 78v–79v
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis 67v–68v
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait 68v–69
Querite Dominum dum inveniri potest 86v–87
Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion 80–80v
Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam 80v–81v
Qui confidunt in Domino sicut mons Sion 23v–24v
Qui regis Israel intende qui sedes 18.9 56v–57
Salve crux sancta super omnia ligna 66–66v
Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden 34–35v
Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne 35v–36
Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke 36–37v
Si bona suscepimus de manu Domini Anonymous 66v–67v
So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr 43–44
So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) 44–45
So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) 45–46v
So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) 46v–47v
Te Deum laudamus 87–91v
Unicus O digito monstras sotera Johannes (= Si me tenes tant) [-]
Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei 60–60v
Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus 60v–61v
Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel 32v–33
Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute 33–34
Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda Anonymous 91v–92
Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum Anonymous 92–92v

Set: MS Mus. 1/D/3

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/3 [Altus]

No images available

D-Dl MS Mus. 1/D/3 [Bassus]

No images available

D-Dl MS Mus. 1/D/3 [Discantus]

No images available

D-Dl MS Mus. 1/D/3 [Quintus]

No images available

D-Dl MS Mus. 1/D/3 [Sextus]

No images available

D-Dl MS Mus. 1/D/3 [Tenor]

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 343,349-50,388-90,797. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 9-11, passim; Abb. 1-3. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93.  London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 18-36. Pages: 27-8. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 20-3. Notes: physical description (partial); contents list; concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 140. Notes: concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 107-8, passim. Notes: physical description; mention of MS; discussion; facsimile (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 148-56, 303. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 194. Notes: concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 270, 296. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 51. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XII, 1399-1400. Notes: facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 115; LXVI, 173, x. Notes: physical description; facsimile (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII, v. Notes: physical description.

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 57-62. Notes: physical description; contents list.

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Monday, 23 January, 2017

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