D-Dl MS Glashütte 5 (2)

Sächsische Landesbibliothek, Dresden, Germany

partbook: First section copied between October 1583 and October 1584; additions from c. 1585-8 and c. 1600

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Glashütte 5 (2)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements c. 322 x 207 mm
Other Identifiers
  • CCM: DresSL Glashütte 5
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Saxony, Germany
Contents 266 pieces from 67 composers
General Description

An Altus partbook. Scribe 'D.C.M.' copied the first section of the manuscript. Resembles DresSL Grimma 49 and DresSL Grimma 50. The manuscript was at the Church of St. Wolfgang in Glashütte by the 17th century, but it probably originated somewhere else in Saxony, perhaps at a Latin school (SteudeMS). The manuscript was transferred from Glashütte to Dresden in 1890.

DIAMM, 2017
Extent

D - 198pp, A - 230pp

DIAMM, 2023
Physical Description

The folios have deteriorated. Both books have lost at least 1 folio at the beginning (the first piece and most or all of the Kyrie of the second piece are missing). The Altus has lost at least one folio at the end (the last piece is incomplete), while the Discantus has lost at least 8 folios at the end. Some pages in each book have been misbound.

DIAMM, 2023
Binding

No covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

'D.C.M.' copied tirst section between October 1583 and October 1584, and made additions between c. 1585-8, dating several of the pieces. The last two folios in the Altus were copied by another scribe c. 1600.

DIAMM, 2023
Foliation

Modern pencil pagination

DIAMM, 2023
Foliation

Other numberings: Original numbering of pieces, 2-114.

DIAMM, 2017
Surface

paper

DIAMM, 2023
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 6 Kyrie-Gloria pairs, 1 Gloria, 33 Mass Proper sections, 10 Magnificats, 1 Canticle, 13 psalms, 2 processional hymns, 1 German Passion, 87 motets, 7 German sacred pieces = 167

(Arcadelt)-1, (Bacchius)-1, Bel-1, Bischoff-2, (Burck)-1, (Clemens non Papa)-8, Corvinus-1, Crecquillon-3, (Dressler)-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-1 [2 voices added by Bruck], (Feys)-1, Figulus-3, Gastritz-1, (Gombert/Josquin)-1, (Hähnel)-3, Händl-2, (S. Hollander)-1, (Isaac)-2, Josquin-3, (Josquin/Lebrun/Richafort)-1, (Kerle)-1, Kleppischius-1, (La Court)-1, Lassus-16, (Lupi)-1, (Maillard)-1, Manchicourt-1, Meiland-3, Morel-1, (Phinot)-3, (Resinarius)-8, (Reusch)-1, Rore-1, Scandello-1, Schlegel-1, Senfl-5, Speiser-1, (Stoltzer)-1, (Tubal)-2, (Walter)-2, Wert-2, anon-75

2 paper partbooks (D-114 folios, A-96), ca. 322 x 207. The folios have deteriorated somewhat; the first piece is missing. Original numbering of pieces, 2-114. No covers. Scribe "D.C.M." copied the first section of the manuscript. Resembles DresSL Grimma 49 and DresSL Grimma 50.

First section copied between October 1583 and October 1584; additions from ca. 1585-8 and ca. 1600. Although the manuscript was at the Church of St. Wolfgang in Glashütte by the 17th century, it probably originated somewhere else in Saxony, perhaps at a Latin school (SteudeMS). The manuscript was transferred from Glashütte to Dresden in 1890.

Vol 4

Contents: 6 Masses, 6 Kyrie-Gloria pairs, 1 Gloria, 30 Mass Proper sections, 10 Magnificats, 4 psalms, 2 processional hymns, 103 motets, 8 German sacred pieces =170

Composers: (Arcadelt/Verdelot)-1, (Bacchius)-1, Bel-1, (Billon)-1, Bischoff-2, (Burck)-1, (Clemens non Papa)-10, (Cleve)-1, (Conseil/Lupi)-1, Crecquillon-4, (Dressler)-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-(Bruck)-1, (Feys)-1, Figulus-3, (M. Forestier/Josquin)-1, Gastritz-1, (Gombert/Josquin)-1, (Hähnel) -3, Händl-2, (C. Hollander/S. Hollander)-1, (Isaac)-3, Josquin-2, (Josquin/ Lebrun/Richafort)-1, (Josquin/Senfl)-1, (Kerle)-1, Kleppischius-1, (La Court) -1, Lassus-17, (Lassus/Wert)-1, (Maillard/Tye)-1, Manchicourt/(Clemens non Papa)-1, Meiland-3, Morel-1, (Othmayr)-1, (Pierre)-1, (Phinot)-4, Rabe [Val: Corvinus]-1, (Rein)-2, (Resinarius)-8, (Reusch)-1, Rore-1, Scandello-1, Schlegel-1, Senfl-5, Speiser-1, (Stoltzer)-2, (Tubal)-2, (Walter)-2, Wert-2, anon-63

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Missa: Et in terra pax [Gloria] - Anonymous
Appears on: 1–2
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
3 Missa: Sanctus - Anonymous

Missa: Sanctus

Anonymous
Appears on: 3
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
3–4 Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco [Bacchius]
Appears on: 3–4
Genres: Motet
Source Attribution: [Bacchius]
Voice: [no designation]
Languages: Latin
Voice Text: Factum est silentium in coelo dum draco II: Millia millium ministrabant ei
4–5 Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei -
Appears on: 4–5
Voice: [no designation]
Languages: Latin
Voice Text: Millia millium ministrabant [part 2]
5–6 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius [Stoltzer]
Appears on: 5–6
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Rorate coeli de super et nubes pluant Vs: Coeli enarrant gloriam dei et opera
6–7 Ecce Dominus veniet nolite timere 14.5 [Jonckers/Josquin/ Senfl]
Appears on: 6–7
Genres: Motet
Source Attribution: [Jonckers/Josquin/ Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet nolite timere 14.5
7 Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant [J. Louys]
Appears on: 7
Genres: Introit
Source Attribution: [J. Louys]
Voice: [no designation]
Languages: Latin
Voice Text: Rorate coeli desuper et nubes pluant II: Expectetur sicut pluvia eloquium
8 Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium -
Appears on: 8
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Expectetur sicut pluvia [part 2]
8–9 Salvatorem expectamus Dominum nostrum Anon.
Appears on: 8–9
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salvatorem expectamus dominum nostrum
10 Ecce dies veniunt - 1a pars (of 3): Ecce dies veniunt dicit Dominus et suscitabo [Resinarius]
Appears on: 10
Genres: Motet
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dies veniet dicit dominus et suscitabo II: Et hoc est nomen quod vocabunt III: Et Israel habitabit confidenter
General Note

Rhaw 1544

10–11 Ecce dies veniunt - 2a pars (of 3): Et hoc est nomen quod vocabunt -
Appears on: 10–11
Genres: Motet
11 Ecce dies veniunt - 3a pars (of 3): Et Israel habitabit confidenter -
Appears on: 11
Genres: Motet
11–12 O sacrum convivium in quo Christus sumitur (8vv) [Phinot]
Appears on: 11–12
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
Concordances

RISM 1555^11:49

12–13 Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) [Gombert/Josquin]
Appears on: 12–13
Genres: Alleluia, Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Noli flere Maria alleluia 14.7 [Pars II of Lugebat David Absalom pius pater]
General Note

2a pars only

13–14 Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te [Clemens non Papa/ Crecquillon]
Appears on: 13–14
Genres: Motet
Source Attribution: [Clemens non Papa/ Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in coelum et coram te II: Quanti mercenarii in domo patris
Concordances

RISM 1556^9:44

General Note

Steude catalogue & RISM-online suggest only the 1a pars is copied?

14 Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris [Clemens non Papa/ Crecquillon]
Appears on: 14
Genres: Motet
Source Attribution: [Clemens non Papa/ Crecquillon]
General Note

Steude catalogue & RISM-online suggest only the 1a pars is copied?

15 Sihe wie fein und lieblich ists dass brüder [Dressler]
Appears on: 15
Genres: Motet
Source Attribution: [Dressler]
Voice: [no designation]
Languages: German
Voice Text: Sihe wie fein und lieblich ists dass brüder
General Note

K. Gerlach 1580:1

15–16 Deus misereatur nostri et benedicat nobis [Bischoff]
Appears on: 15–16
Genres: Motet
Source Attribution: [Bischoff]
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
16–17 Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus [Clemens non Papa]
Appears on: 16–17
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Dum praeliaretur Michael archangelus II: Dum committeret bellum draco
17 Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco -
Appears on: 17
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dum committeret bellum [part 2]
18 In excelso throno - 1a pars (of 2): In excelso throno vidi sedere virum [Kerle/Tonsor]
Appears on: 18
Genres: Motet
Source Attribution: [Kerle/Tonsor]
Voice: [no designation]
Languages: Latin
Voice Text: In excelso throno vidi sedere virum II: Jubilate deo omnis terra servite
18–19 In excelso throno - 2a pars (of 2): Jubilate Deo omnis terra -
Appears on: 18–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate deo omnis terra [part 2]
19 Lauda Jerusalem (Ps. 147) - 1a pars (of 2): Lauda Jerusalem Dominum lauda deum Anon. Anonymous
Appears on: 19
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 147: Lauda Jerusalem dominum lauda deum
20 Lauda Jerusalem (Ps. 147) - 2a pars (of 2): Dum committeret bellum - Anonymous
Appears on: 20
Genres: Motet
20–21 Magnificat octavi toni: Et exultavit [K.405] Anon. Anonymous
Appears on: 20–21
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat VIII. Toni: Et exultavit spiritus meus
General Note

Kirsch S. 252 (Nr 405)

21–23 Magnificat Sexti Toni: Et exultavit [K.348] Anon. Anonymous
Appears on: 21–23
Genres: Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Magnif[icat] VI. Toni: Et exultavit spiritus meus
General Note

Kirsch S. 243 (Nr. 348)

23 Missa Lobet den Herren: Kyrie Val. Corvinus [= Rabe]
Appears on: 23
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Val. Corvinus [= Rabe]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Lobett den Herrenn [KG]
24–25 Missa Lobet den Herren: Gloria -
Appears on: 24–25
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa ad imitationem Cantilenae germanicae Lobet den Herren]
25 Missa Doulce memoire: Kyrie Cyprianus de Rore
Appears on: 25
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Cyprianus de Rore
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Doulce memoiri [KGS]
26–27 Missa Doulce Memoire: Gloria -
Appears on: 26–27
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Doulce Memoiri]
27 Missa Doulce Memoire: Sanctus -
Appears on: 27
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super Doulce Memoiri]
27–28 Missa Nun bitten wir den heiligen Geist: Kyrie Anon. Anonymous
Appears on: 27–28
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Nu bittenn wihr den heiligen Geist [KG]
28–30 Missa Nun bitten wir den heiligen Geist: Gloria - Anonymous
Appears on: 28–30
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Nu bitten wihr den heiligen Geist]
30–32 Magnificat primi toni: Et exultavit spiritus meus [Senfl]
Appears on: 30–32
Genres: BVM, Canticle, Magnificat
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Primi toni]: Et exultavit spiritus meus (Copied out of sequence in A book, between #21/22, not missing in this book, as stated by KirschQM)
General Note

Kirsch S. 132, 395. (This piece should have been copied at p. 23 between #21/22, where there is a note in the book that it is missing ("Deest hic Magnificat"), which is followed by KirschQM. However it is instead copied out of sequence here.

32–33 Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anon. Anonymous
Appears on: 32–33
Genres: Introit, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
33–34 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] [Isaac]
Appears on: 33–34
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
Concordances

RISM 1545^5

34 Missa: Kyrie [Tro] Magne Deus (Christe [Tro] Summi patris, Kyrie II [Tro] Cuius natus) -
Appears on: 34
Genres: Kyrie eleison, Mass Ordinary
35–36 Missa: Gloria Anon.
Appears on: 35–36
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
36–37 Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] [Isaac]
Appears on: 36–37
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dies sanctificatus illuxit nobis
37 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo [Reusch]
Appears on: 37
Genres: Motet
Source Attribution: [Reusch]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
38 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 38
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [part 2]
38–39 Das hatt er alles uns getan, sein gross - Anonymous
Appears on: 38–39
Genres: Motet
39–40 Verbum caro factum est [Crecquillon]
Appears on: 39–40
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitavit
40–41 Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras [La Court]
Appears on: 40–41
Genres: Motet
Source Attribution: [La Court]
Voice: [no designation]
Languages: Latin
Voice Text: Judaea et Hierusalem nolite timere cras II: Constantes estote et videbitis
Concordances

RISM 1568^2:5

41–42 Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium -
Appears on: 41–42
Genres: Motet
Concordances

RISM 1568^2:5

42–44 Confitebor tibi Domine in toto corde Anon. Anonymous
Appears on: 42–44
Genres: Motet, Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 110: Confitebor tibi domine in toto corde (Chant incipit for antiphon "Tecum principium" precedes psalm in D book)
44 Tecum principium in die virtutis tuae Anon. Anonymous
Appears on: 44
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tecum principium in die virtutis tuae
44–46 Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum [Resinarius]
Appears on: 44–46
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitavit II: Plenum gratia et veritate III: In principio erat verbum et verbum
General Note

Rhaw 1544

46–51 Magnificat quinti toni: Et exultavit spiritus meus [Senfl]
Appears on: 46–51
Genres: BVM, Canticle, Magnificat
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin, German
Voice Text: [Magnificat Quinti toni]: Et exultavit spiritus meus (With interpolated Latin/German Christmas songs)
General Note

Kirsch S. 132, 395

51 Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit -
Appears on: 51
Genres: Contrafactum, Motet
General Note

the last of the 6 songs interpolated into the Magnificat

51–52 Hodie Christus natus est - 1a pars (of 2): Hodie Christus natus est nobis [Conseil/Lupi]
Appears on: 51–52
Genres: Motet
Source Attribution: [Conseil/Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Christus natus est hodie salvator II: Quem vidistis pastores dicite
General Note

RISM 1559^1:25. For discussion of composer, see CMM 84, p.XIX-XXI

52–53 Hodie Christus natus est - 2a pars (of 2): Quem vidistis pastores dicite -
Appears on: 52–53
Genres: Motet
53 Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus [Senfl]
Appears on: 53
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Haec est dies quam fecit dominus II: Hodie deus homo factus III: Id quod fuit permansit IV: Hodie deus homo factus V: Et quod non erat assumpsit VI: Hodie deus homo factus VII: Ergo exordium nostrae redemptionis
53–54 Haec est dies - 2a pars (of 8): Hodie Deus homo factus est -
Appears on: 53–54
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Deus homo factus est [part 2]
54 Haec est dies - 3a pars (of 8): Id quod fuit permansit -
Appears on: 54
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Id quod fuit permansit [part 3]
54 Haec est dies - 4a pars (of 8): Hodie deus homo factus -
Appears on: 54
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hodie deus homo factus [part 4]
54–55 Haec est dies - 5a pars (of 8): Et quod non erat assumpsit -
Appears on: 54–55
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et quod non erat assumpsit [part 5]
55 Haec est dies - 6a pars (of 8): Hodie deus homo factus -
Appears on: 55
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hodie deus homo factus [part 6]
55–56 Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis -
Appears on: 55–56
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ergo exordium nostrae redemptionis [part 7]
56 Haec est dies - 8a pars (of 8): Gloria tibi Domine -
Appears on: 56
Genres: Motet
57–59 Passio Germanica: Das leidenn unsers Herrem Jesu Christi Josepho Schlegelio [= Schlegel]
Appears on: 57–59
Genres: Liturgical work, Passion
Source Attribution: Josepho Schlegelio [= Schlegel]
Voice: [no designation]
Languages: German
Voice Text: Passio Germanica: Das leidenn unsers Herrem Jesu Christi
59–60 O Jesu Christ Dein nam der ist so gewaltig Anon. Anonymous
Appears on: 59–60
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: O Jesu Christ dein nam der ist so gewaltig
60–61 Tristis est anima mea - 1a pars (of 2): Tristis est anima mea usque ad mortem [Tubal]
Appears on: 60–61
Genres: Motet
Source Attribution: [Tubal]
Voice: [no designation]
Languages: Latin
Voice Text: Tristis est anima mea usque ad mortem II: Vigilate et orate ut non intretis
General Note

RISM 1559^2:67

61 Tristis est anima mea - 2a pars (of 2): Vigilate et orate -
Appears on: 61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vigilate et orate [part 2]
General Note

RISM 1559^2:67

62 Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque [Meiland]
Appears on: 62
Genres: Motet
Source Attribution: [Meiland]
Voice: [no designation]
Languages: Latin
Voice Text: Non auferetur sceptrum de Juda neque II: Lavabit in vino stolam suam
Concordances

Neuber, Montanus Erben 1564:16

62–63 Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino -
Appears on: 62–63
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lavabit in vino [part 2]
Concordances

Neuber, Montanus Erben 1564:16

63–64 Wohl dem, der den Herren fürchtet - 1a pars (of 2): Wohl dem, der den Herren fürchtet [Reusch]
Appears on: 63–64
Genres: Psalm
Source Attribution: [Reusch]
Voice: [no designation]
Languages: German
Voice Text: Woll dem der den Herren fürchtet II: Der Herr wirdt dich segnen
64–65 Wohl dem, der den Herren fürchtet - 2a pars (of 2): Der Herr wird dich segnen -
Appears on: 64–65
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Der Herr wirdt dich segnen [part 2]
65–57 Quare fremuerunt gentes et populi Anon. Anonymous
Appears on: 65–57
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 2: Quare fremuerunt gentes et populi
67 Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitiam tuam filio regis (5vv) Anon. Anonymous
Appears on: 67
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce advenit dominator dominus et regnum Vs: (Deus iudicium tuum) Et iusticiam tuam
68 Missa O admirabile commercium: Kyrie [Figulus]
Appears on: 68
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super O admirabile [commercium] [KGS]
General Note

Bk 41:22 - 96:21

68–70 Missa O admirabile commercium: Et in terra pax [Gloria] -
Appears on: 68–70
Genres: Gloria (et in terra pax), Mass Ordinary
70–71 Missa O admirabile commercium: Sanctus -
Appears on: 70–71
Genres: Mass Ordinary, Sanctus [& Benedictus]
71–72 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus domino deo Matthias Gastrix [= Gastritz]
Appears on: 71–72
Genres: Motet
Source Attribution: Matthias Gastrix [= Gastritz]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
72 Grates nunc omnes - 2a pars (of 2): Huic oportet -
Appears on: 72
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [part 2]
72–73 O admirabile commercium creator generis [Stoltzer]
Appears on: 72–73
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium creator generis
General Note

Hoffm.-Erbr. I, Wv 48

73 Angelus ad pastores ait annuntio vobis [Lassus]
Appears on: 73
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Angelus ad pastores ait annuncio vobis
General Note

Montanus u. Neuber 1564:8

74 Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam [Clemens non Papa]
Appears on: 74
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ab oriente venerunt magi Hierosolymam II: Videntes autem stellam gavisi sunt
74–75 Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam -
Appears on: 74–75
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Videntes autem stellam part 2
75 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo [Senfl]
Appears on: 75
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
General Note

RISM 1559^1:33

75–76 Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 75–76
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [part 2]
General Note

RISM 1559^1:33

76–77 Illuminare Jerusalem (I) (R. Et gloria Domini super te orta est Vs. Et ambulabunt gentes in lumine tuo [Resinarius]
Appears on: 76–77
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Hierusalem venit lux tua II: Et gloria domino super te Hierusalem III: [Et ambulabunt gentes] Et reges in splendore
General Note

Rhaw 1544

78 Suscepimus Deus misericordiam tuam Vs: Magnus Dominus In civitate Domini Anon. Anonymous
Appears on: 78
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Suscepimus) Deus misericordiam tuam Vs: (Magnus dominus) In civitate domini
78–79 Christe salvator et redemptor gentium Anon. Anonymous
Appears on: 78–79
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christe salvator et redemptor gentium
79–80 Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat Orlando di Lasso
Appears on: 79–80
Genres: Alleluia, Motet
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Vox laeta sonat vox iubilat II: Alleluia. Prae gaudio resultant
80 Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant -
Appears on: 80
Genres: Alleluia
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. praegaudio resultant [2a pars]
80 O sidus praeclarissimum Jesu nate hodie Anon. Anonymous
Appears on: 80
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O sÿdus praeclarissimum Jesu nate hodie
81, 92 Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit -
Appears on: 81, 92
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hic est panis [part 2]
General Note

pages 81-82 are incorrectly bound, this leaf belongs between p. 92 & p.93. So this 2a pars begins on p.92 and continues on p.81

81–82 Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum Tho. Creql. [= Crecquillon]
Appears on: 81–82
Genres: Motet
Source Attribution: Tho. Creql. [= Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Cor mundum crea in me deus et spiritum II: Averte faciem tuam à peccatis meis
General Note

pages 81-82 are incorrectly bound, so that this piece beongs be between p. 92 & p.93, and the 2a pars (beginning on p.82) concludes on p.93.

82, 93 Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis -
Appears on: 82, 93
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Averte faciem tuam [part 2]
General Note

pages 81-82 are incorrectly bound, so that this piece beongs be between p. 92 & p.93, and the 2a pars (beginning on p.82) concludes on p.93.

83 Vox in Rama audita est ploratus et ululatus [Clemens non Papa]
Appears on: 83
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Vox in Rhama audita est ploratus et ululatus
83–84 Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait [Clemens non Papa]
Appears on: 83–84
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini ad pastores ait annuncio II: Parvulus filius hodie natus est
General Note

RISM 1554^10:6

84–85 Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est -
Appears on: 84–85
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Parvulus filius nobis natus est [part 2]
General Note

RISM 1554^10:6

85–86 Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna [Clemens non Papa]
Appears on: 85–86
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Venit vox de coelo cum luce superna II: Respondit miles quis es tu domine?
Concordances

RISM 1559^1:49

86–87 Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine -
Appears on: 86–87
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Respondit miles [part 2]
Concordances

RISM 1559^1:49

87–88 Postquam impleti sunt dies purgationis [Billon]
Appears on: 87–88
Genres: Motet
Source Attribution: [Billon]
Voice: [no designation]
Languages: Latin
Voice Text: Postquam impleti sunt dies pergationis
88–89 Verbum iniquum et dolosum longe fac a me Anon.
Appears on: 88–89
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Verbum iniquum et dolosum longe fac à me
General Note

(note: 'cum 3bus Tenoribus')

89–90 Tota pulchra es amica mea et macula -
Appears on: 89–90
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula
90–91 Omnes sitientes venite ad aquas Anon.
Appears on: 90–91
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Omnes sitientes venite ad aquas
91–92 Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus B. le Bel
Appears on: 91–92
Genres: Motet
Source Attribution: B. le Bel
Voice: [no designation]
Languages: Latin
Voice Text: Caro mea vere est cibus et sanguis meus II: Hic est panis qui de coelo descendit
General Note

pages 81-82 are incorrectly bound, so that the 2a pars of this piece begins on p.92 and continues on p.81

93 Ingressus angelus ad Mariam et ait Anon. Anonymous
Appears on: 93
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ingressus angelus ad Mariam et ait
93–94 Ecce concipies et paries filium (R. Et vocabitur nomen eius Jesus; Vs. Et dabit illi) [Resinarius]
Appears on: 93–94
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries filium II: Et vocabitur nomen eius Jesus III: [Hic erit magnus] Et dabit illi
General Note

Rhaw 1544

94–95 Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe [Othmayr]
Appears on: 94–95
Genres: Motet
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: Latin
Voice Text: (Gloria laus) Et honor tibi sit rex Christe II: Israel es tu rex Davidis inclÿta III: Coetus in excelsis laudat coelicus
95 Gloria laus et honor - 2a pars (of 3): Israel es tu Rex -
Appears on: 95
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Israel es tu Rex [part 2]
95–96 Gloria laus et honor - 3a pars (of 3): Coetus in excelsis -
Appears on: 95–96
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Coetus in excelsis [part 3]
96–97 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me [Hähnel]
Appears on: 96–97
Genres: Introit
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me
Concordances

RISM 1539^14

97–98 Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti Anon. Anonymous
Appears on: 97–98
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: (Domine probasti me) Tu cognovisti
98 Salve festa dies - 1a pars (of 3): (Salve festa dies) Toto venerabilis aevo Anon. Anonymous
Appears on: 98
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Salve festa dies) Toto venerabilis aevo II: Ecce renascentis testatur gratia III: Namque triumphanti post tristia
98–99 Salve festa dies - 2a pars (of 3): Ecce renascentis - Anonymous
Appears on: 98–99
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Ecce renascentis [part 2]
99 Salve festa dies - 3a pars (of 3): Namque triumphanti - Anonymous
Appears on: 99
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Namque triumphanti [part 3]
99–100 Missa Paschale: Kyrie [Hähnel]
Appears on: 99–100
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Festi Resurrectionis Christi [KG]
Concordances

RISM 1539^14

100–101 Missa Paschale: Gloria -
Appears on: 100–101
Genres: Gloria (et in terra pax)
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa festi Resurrectionis Christi]
Concordances

RISM 1539^14

101–102 Alleluia. Pascha nostrum immolatus est [Hähnel]
Appears on: 101–102
Genres: Alleluia, Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Pascha nostrum immolatus est
102 Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden [Hähnel]
Appears on: 102
Genres: Hymn
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
Concordances

RISM 1539^14

102–103 Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden -
Appears on: 102–103
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dic nobis Maria [part 2]
Concordances

RISM 1539^14

103 Victimae paschali - 3a pars (of 3): Credendum est magis -
Appears on: 103
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Credendum est magis [part 3]
Concordances

RISM 1539^14

103 In exitu Israel (M47) - 1a pars (of 11): In exitu Israel de Aegypto domus Jacob [Senfl]
Appears on: 103
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israel de Aegÿpto domus Jacob
Concordances

RISM 1539^14

103 In exitu Israel (M47) - 2a pars (of 11): Mare vidit et fugit -
Appears on: 103
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Mare vidit et fugit [part 2]
Concordances

RISM 1539^14

103–104 In exitu Israel (M47) - 3a pars (of 11): A facie Domini -
Appears on: 103–104
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A facie Domini [part 3]
Concordances

RISM 1539^14

104 In exitu Israel (M47) - 4a pars (of 11): Non nobis Domine Sed nomini tuo -
Appears on: 104
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non nobis Domine [part 4]
Concordances

RISM 1539^14

104 In exitu Israel (M47) - 5a pars (of 11): Deus autem noster -
Appears on: 104
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus autem noster [part 5]
Concordances

RISM 1539^14

104 In exitu Israel (M47) - 6a pars (of 11): Simulachra gentium -
Appears on: 104
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Simulachra gentium [part 6]
Concordances

RISM 1539^14

104–105 In exitu Israel (M47) - 7a pars (of 11): Aures habent -
Appears on: 104–105
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Aures habent [part 7]
Concordances

RISM 1539^14

105 In exitu Israel (M47) - 8a pars (of 11): Domus Israel speravit -
Appears on: 105
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domus Israel speravit [part 8]
Concordances

RISM 1539^14

105 In exitu Israel (M47) - 9a pars (of 11): Qui timent Dominum -
Appears on: 105
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui timent Dominum [part 9]
Concordances

RISM 1539^14

105 In exitu Israel (M47) - 10a pars (of 11): Sed nos qui vivimus -
Appears on: 105
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sed nos qui vivimus [part 10]
Concordances

RISM 1539^14

105 In exitu Israel (M47) - 11a pars (of 11): Sicut erat in principio -
Appears on: 105
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sicut erat in principio [part 11]
Concordances

RISM 1539^14

106–107 Dum transisset sabbatum Maria Magdalena (R. Ut venientes ungerent Jesum alleluia Vs: Et valde mane una sabbatorum [Resinarius]
Appears on: 106–107
Genres: Response
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabbathum Maria Magdalena II: Ut venientes ungerent Jesum alleluia III: Et valde mane una sabbathorum
General Note

Rhaw 1544

107 Alleluia Anon. Anonymous

Alleluia

Anonymous
Appears on: 107
Genres: Alleluia
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia
107–108 Missa Tulerunt Dominum meum: Kyrie Anon.
Appears on: 107–108
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Tulerunt [dominum meum] [KGS]
Concordances

Also in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus.

108–110 Missa Tulerunt Dominum meum: Gloria -
Appears on: 108–110
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Tulerunt]
General Note

Also in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus.

111 Missa Tulerunt Dominum meum: Sanctus -
Appears on: 111
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super Tulerunt]
General Note

Also in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus.

111 Missa Tulerunt Dominum meum: Agnus Dei -
Appears on: 111
Genres: Agnus Dei, Mass Ordinary
General Note

Also in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus.

112 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 112
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater]
General Note

1a pars only; 2a pars is copied at p.12. In the Discantus, the incipit of the alternative text "Lugebat David Absalon" is also copied, with at end "2da pars: Porro rex aperuit caput"

112–113 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant [Clemens non Papa]
Appears on: 112–113
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis suis
Concordances

RISM 1554^10:23

114–115 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 114–115
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cito euntes dicite discipulis eius [part 2]
Concordances

RISM 1554^10:23

115–116 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena [C. Hollander/S. Hollander/Lassus]
Appears on: 115–116
Genres: Motet
Source Attribution: [C. Hollander/S. Hollander/Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabathum Maria Magdalena II: Et valde mane una sabbathorum veniunt
Concordances

RISM 1554^10:26

116–117 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum -
Appears on: 116–117
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et valde mane [part 2]
Concordances

RISM 1554^10:26

117 Tulerunt Dominum meum et nescio ubi [Pierre]
Appears on: 117
Genres: Motet
Source Attribution: [Pierre]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi
118–119 In exitu Israel de Aegÿpto Anon. Anonymous
Appears on: 118–119
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 113: In exitu Israel de Aegÿpto
119–120 Magnificat octavi toni (4vv) [NR 24] Orlando di Lasso
Appears on: 119–120
Genres: BVM, Canticle, Magnificat
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat VIII. Toni: Et exultavit spiritus meus
120–122 Magnificat Sexti Toni: Et exultavit [K.349] (with interpolated Latin and German Easter songs) Anon. Anonymous
Appears on: 120–122
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, German
Voice Text: Magnificat 6. Toni: Et exultavit spiritus meus (With interpolated Latin and German Easter songs)
General Note

Kirsch S. 243 (Nr 349)

122–123 Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis [Josquin/Lebrun/Richafort]
Appears on: 122–123
Genres: Motet
Source Attribution: [Josquin/Lebrun/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes qui diligitis 26.3 II: [Tulerunt dominum meum] Et nescio
123–124 Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 123–124
Genres: Motet
124 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anon. Anonymous
Appears on: 124
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Galilaei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
Concordances

RISM 1539^14

125 Alleluia. Ascendit Deus in jubilatione Anon. Anonymous
Appears on: 125
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Ascendit deus in iubilatione
Concordances

RISM 1539^14

125–126 Ite in orbem universum et praedicate (R: Qui crediderit et baptisatus fuerit Vs. In nomine patris et filii et spiritus Anon. Anonymous
Appears on: 125–126
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et praedicate II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
126–127 Ascendo ad patrem meum et ad patrem vestrum Anon. Anonymous
Appears on: 126–127
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et ad patrem vestrum
127 Ascendo ad patrem meum et patrem vestrum Anon. Anonymous
Appears on: 127
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum
127–129 Lauda Jerusalem Dominum lauda Deum Anon. Anonymous
Appears on: 127–129
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 147: Lauda Jerusalem dominum lauda deum
129–130 Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit [Lassus]
Appears on: 129–130
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Tempus est ut revertar ad eum qui misit II: Nisi ego abiero paracletus non veniet
Concordances

Henricus 1604:340 - Grimma 50:102

130 Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet -
Appears on: 130
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nisi ego abiero [part 2]
Concordances

Henricus 1604:340 - Grimma 50:102

131 Filio dei ascendenti - 1a pars (of 2): Filio dei ascendenti ad caelos iubilemus Anon. Anonymous
Appears on: 131
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Filio dei ascendenti ad coelos iubilemus II: Assumptus est in coelum qui surrexit
132 Filio dei ascendenti - 2a pars (of 2): Assumptus est in caelum - Anonymous
Appears on: 132
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Assumptus est in coelum [part 2]
133 Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus [Clemens non Papa]
Appears on: 133
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit deus in iubilatione alleluia II: Ascendens Christus in altum captivam
Concordances

RISM 1544^10:17

133–134 Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam -
Appears on: 133–134
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendens Christus in altum [part 2]
Concordances

RISM 1544^10:17

134–135 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anon. Anonymous
Appears on: 134–135
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
136–137 Missa: Kyrie Anon. Anonymous

Missa: Kyrie

Anonymous
Appears on: 136–137
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Penthecostes [KG]
General Note

The associated Gloria is not copied in the Altus book; there is only a cross-reference, to the one on p.35

137–138 Alleluia. Veni sancte spiritus reple tuorum Anon. Anonymous
Appears on: 137–138
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus reple tuorum
138 Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anon. Anonymous
Appears on: 138
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus et emitte coelitus] Veni pater pauperum veni dator munerum
138–139 Veni sancte spiritus - 2a pars (of 4): In labore requies - Anonymous
Appears on: 138–139
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: In labore requies [part 2]
139 Veni sancte spiritus - 3a pars (of 4): Sine tuo numine - Anonymous
Appears on: 139
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Sine tuo numine [part 3]
139 Veni sancte spiritus - 4a pars (of 4): Da virtutis meritum - Anonymous
Appears on: 139
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Da virtutis meritum [part 4]
140 Veni sancte spiritus reple tuorum corda Anon. Anonymous
Appears on: 140
Genres: Antiphon, Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
140–141 Veni sancte spiritus reple tuorum corda Anon. Anonymous
Appears on: 140–141
Genres: Antiphon, Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
141 Apparuerunt apostoli dispertitae linguae - 1a pars (of 3): Apparuerunt apostoli dispertitae linguae [Walter]
Appears on: 141
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispertitae linguae II: Seditque supra singulos eorum III: Loquebantur variis linguis apostoli
General Note

Walter, GA II, S. 102

141–142 Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum -
Appears on: 141–142
Genres: Motet
142 Apparuerunt apostoli dispertitae linguae - 3a pars (of 3): Loquebantur variis linguis apostoli -
Appears on: 142
Genres: Motet
143–144 Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anon. Anonymous
Appears on: 143–144
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
144 Gloria. Gratias agimus tibi propter Anon. Anonymous
Appears on: 144
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Gratias agimus tibi propter
General Note

A note with the piece tells the singer to use the Kyrie fons bontatis (at p.34) with this Gloria

145 Alleluia. Benedictus es Domine Deus Anon. Anonymous
Appears on: 145
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Benedictus es domine deus
145–147 [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt Anon. Anonymous
Appears on: 145–147
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
147–148 Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam) [Resinarius]
Appears on: 147–148
Genres: Hymn
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Summae trinitati simplici deo una divinitas II: Qui totum subdit suis orbem III: Praestet nobis gratiam deitas beata
General Note

Rhaw 1544

148–149 Gloria tibi sancta trinitas aequalis una Deitas Anon. Anonymous
Appears on: 148–149
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi trinitas aequalis una deitas
149–150 Magnificat tertii toni (6vv): Et exultavit [NR 3] Orland. di Lasso
Appears on: 149–150
Genres: BVM, Canticle, Magnificat
Source Attribution: Orland. di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Tertii Toni: Et exultavit spiritus meus
151 Dum complerentur dies Pentecostes erant omnes [Arcadelt/Verdelot]
Appears on: 151
Genres: Motet
Source Attribution: [Arcadelt/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies pentecostes erant
Concordances

RISM 1544^10:31

152 Spiritus sanctus - 1a pars (of 2): Spiritus sanctus procedens à throno [Tubal]
Appears on: 152
Genres: Motet
Source Attribution: [Tubal]
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus sanctus procedens à throno II: Advenit ignis divinus non comburens
General Note

RISM 1544^10:39

153 Spiritus sanctus - 2a pars (of 2): Advenit ignis divinus -
Appears on: 153
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Advenit ignis divinus [part 2]
General Note

RISM 1544^10:39

154 Paraclitus autem spiritus - 1a pars (of 2): Paraclitus autem spiritus [Wert]
Appears on: 154
Genres: Motet
Source Attribution: [Wert]
Voice: [no designation]
Languages: Latin
Voice Text: Paracletus autem spiritus sanctus quem mittet II: Non turbetur cor vestrum neque
155 Paraclitus autem spiritus - 2a pars (of 2): Non turbetur cor vestrum -
Appears on: 155
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non turbetur cor vestrum [part 2]
155–156 O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli [Rein]
Appears on: 155–156
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: O trinitas et deitas alma tibi omnes II: Miserere qui passus es pro nobis
156–157 O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis -
Appears on: 156–157
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Miserere qui passus es [part 2]
157–158 Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 157–158
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam vos servos sed amicos
Concordances

RISM 1555^10:40

158–160 Magnificat Tertii Toni: Et exultavit [K.781] Wofg: Figuli Nurnbg:
Appears on: 158–160
Genres: BVM, Canticle, Magnificat
Source Attribution: Wofg: Figuli Nurnbg:
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat [Tertii toni]: Et exultavit spiritus meus
General Note

Kirsch S. 327 f. (Nr 781)

160–161 Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte [M. Forestier/Josquin]
Appears on: 160–161
Genres: Motet, Veni sancte spiritus
Source Attribution: [M. Forestier/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte coelitus 26.17 II: O lux beatissima reple cordis
General Note

Josquin, GA, Mot. 49

161–162 Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis -
Appears on: 161–162
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [part 2]
General Note

Josquin, GA, Mot. 49

162 Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum [Rivulo]
Appears on: 162
Genres: Motet
Source Attribution: [Rivulo]
Voice: [no designation]
Languages: Latin
Voice Text: Sic deus dilexit mundum ut filium suum II: Venite ad me omnes qui laboratis
163 Sic deus dilexit - 2a pars (of 2): Venite ad me omnes -
Appears on: 163
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me omnes [part 2]
163–164 De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini Anon. Anonymous
Appears on: 163–164
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: De ventre matris meae vocavit me dominus Vs: (Bonum est confiteri) Et psallere nomini
164–165 Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo) [Resinarius]
Appears on: 164–165
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior II: Qui viam domino praeparavit in heremo III: Fuit homo missus à deo cui nomen
General Note

Rhaw 1544

165–166 Descendit angelus Domini ad Zachariam dicens Anon. Anonymous
Appears on: 165–166
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Descendit angelus domini ad Zachariam
166 Missa d'amours me plains: Kyrie Thomas Creql. [= Crecquillon]
Appears on: 166
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Thomas Creql. [= Crecquillon]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Damours ma plains [KGS]
167–168 Missa D'amours me plains: Gloria -
Appears on: 167–168
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa Damours me Plains]
168 Missa D'amours me plains: Sanctus -
Appears on: 168
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa Damours me Plains]
169 Inter natos - 1a pars (of 2): Inter natos mulierum [Cleve]
Appears on: 169
Genres: Motet
Source Attribution: [Cleve]
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior II: Fuit homo missus à deo cui nomen
170 Inter natos - 2a pars (of 2): Fuit homo missus a Deo -
Appears on: 170
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Fuit homo missus [part 2]
171 Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari [Clemens non Papa]
Appears on: 171
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Innuebant patri eius quem vellet vocari II: Apertum est os Zachariae et prophetavit
Concordances

RISM 1559^1:51

171–172 Innuebant patri - 2a pars (of 2): Apertum est os Zachariae et prophetavit -
Appears on: 171–172
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Apertum est os Zachariae [part 2]
Concordances

RISM 1559^1:51

172 Missa Veni in ortum meum: Kyrie Orlando di Lassus
Appears on: 172
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Orlando di Lassus
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Veni in hortum meum [KGSA]
173–174 Missa Veni in ortum meum: Et in terra [Gloria] -
Appears on: 173–174
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Veni in hortum meum]
174 Missa Veni in ortum meum: Sanctus -
Appears on: 174
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super Veni in hortum meum]
174 Missa Veni in ortum meum: Agnus Dei -
Appears on: 174
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa super Veni in hortum meum]
General Note

Note: Steude catalogue includes the Agnus, but RISM-online does not mention it

175 O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa Jacobi Meilandi
Appears on: 175
Genres: Motet
Source Attribution: Jacobi Meilandi
Voice: [no designation]
Languages: Latin
Voice Text: O pulcherrima inter mulieres O florens rosa II: Veni in hortum meum charissima
175–176 O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum -
Appears on: 175–176
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni in hortum meum [2a pars]
176 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea Orlando di Lassus
Appears on: 176
Genres: Motet
Source Attribution: Orlando di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Surge propera amica mea et veniam II: Surge amica mea speciosa mea
176–177 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 176–177
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surge amica mea speciosa [part 2]
177 Exurgens autem Maria Vs. Benedicta tu R. Et benedicta fructus Anon. Anonymous
Appears on: 177
Genres: Responsory
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Exurgens autem Maria abiit in montana
178 Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Petrus Manchicourt/ [Clemens non Papa]
Appears on: 178
Genres: Motet
Source Attribution: Petrus Manchicourt/ [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in coelum et coram te II: Quanti mercenarii in domo patris
178–179 Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 178–179
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Quanti mercenarii [part 2]
179–180 Omnia quae fecisti nobis Domine in vero Orl. di Lasso
Appears on: 179–180
Genres: Motet
Source Attribution: Orl. di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Omnia quae fecisti nobis domine in vero
180–181 Deus misereatur nostri et benedicat nobis [Lassus]
Appears on: 180–181
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
General Note

Henricus 1604:500

181–182 Confitebor tibi Domine in toto corde (8vv, LV189) [Lassus]
Appears on: 181–182
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor tibi domine in toto corde meo
General Note

Henricus 1604:504

182 Deo nostro jucunda sit decoraque laudatio Anon. Anonymous
Appears on: 182
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Deo nostro iucunda sit decoraque laudatio
General Note

Henricus 1604:504 - Bk 28:18 - 37:109

182–183 Te sanctum Dominum (R: Te decet laus et honor, Vs. Cherubin quoque) [Resinarius]
Appears on: 182–183
Genres: Response
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Te sanctum dominum in excelsis laudant II: Te decet laus et honor domine III: Cherubin quoque et seraphin proclamant
General Note

Rhaw 1544

183–184 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea - Anonymous
Appears on: 183–184
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surge propera amica mea columba mea II: Surge amica mea speciosa mea
Concordances

Note: this is NOT Phinot's 6vv setting

184–185 Surge propera - 2a pars (of 2): Surge amica mea speciosa - Anonymous
Appears on: 184–185
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surge amica mea speciosa [part 2]
185–186 Gaudete filiae Jerusalem nam flores apparuerunt [Meiland]
Appears on: 185–186
Genres: Motet
Source Attribution: [Meiland]
Voice: [no designation]
Languages: Latin
Voice Text: Gaudete filiae Hierusalem nam flores
Concordances

Neuber 1564:17

187 Veni in ortum meum charissima mea Speiser
Appears on: 187
Genres: Motet
Source Attribution: Speiser
Voice: [no designation]
Languages: Latin
Voice Text: Veni in hortum meum charissima mea
187–188 Geh Deinen Weg auf rechtem Steg fahr Anon. Anonymous
Appears on: 187–188
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Geh deinen wegk auf rechtem steg fahr
188–189 Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum [Burck]
Appears on: 188–189
Genres: Canticle
Source Attribution: [Burck]
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum domine II: Lumen ad revelationem gentium
Concordances

Neuber, Montanus Erben 1566:13

189–190 Nunc dimittis - 2a pars (of 2): Lumen ad revelationem -
Appears on: 189–190
Genres: Canticle
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem [part 2]
Concordances

Neuber, Montanus Erben 1566:13

190–191 Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius [Crecquillon]
Appears on: 190–191
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Cum inducerent puerum Jesum parentes II: Senex puerum portabat puer autem
191–192 Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem -
Appears on: 191–192
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Senex puerum portabat [part 2]
192 Senex puerum portabat puer autem senem Anon. Anonymous
Appears on: 192
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Senex puerum portabat puer autem
192–193 Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum [Lassus/Wert]
Appears on: 192–193
Genres: Motet
Source Attribution: [Lassus/Wert]
Voice: [no designation]
Languages: Latin
Voice Text: Transeunte domino clamabat coecus ad eum II: Et ait illi Jesus quid vis ut faciam
Concordances

C. Gerlach, Montanus Erben 1583:1

193–194 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 193–194
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et ait illi Jesus [part 2]
Concordances

C. Gerlach, Montanus Erben 1583:1

194–195 Ecce cruci affixum- 1a pars (of 2): Ecce cruci affixum quo cuncta movente Anon. Anonymous
Appears on: 194–195
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce cruci affixum quo cuncta movente II: Qui dat sceptra gerit de sentibus
195–196 Ecce cruci affixum- 2a pars (of 2): Qui dat sceptra gerit de sentibus - Anonymous
Appears on: 195–196
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui dat sceptra [part 2]
196–197 Tristis est anima mea usque ad mortem Orlando di Lasso
Appears on: 196–197
Genres: Motet
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Tristis est anima mea usque ad mortem
197–198 Gabriel angelus locutus est Mariae dicens [Phinot]
Appears on: 197–198
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Gabriel angelus locutus est Mariae dicens
198–199 Gloria tibi trinitas aequalis una Deitas Anon. Anonymous
Appears on: 198–199
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi trinitas aequalis una deitas
199–200 Domine rex Deus Abraham dona nobis Anon. Anonymous
Appears on: 199–200
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine rex deus Abraham dona nobis
200–201 Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter [Feys]
Appears on: 200–201
Genres: Motet
Source Attribution: [Feys]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris
Concordances

RISM 1556^8:5

201–202 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 201–202
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus cum patribus part 2
Concordances

RISM 1556^8:5

202–203 Dixit Dominus Domino meo Sede a dextris meis (8vv) Orlando di Lasso
Appears on: 202–203
Genres: Motet
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Dixit dominus domino meo [sede à dextris]
203–204 Viri Galilaei quid aspicitis in caelum [Crecquillon]
Appears on: 203–204
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilaei quid aspicitis in coelum
204–205 Ascendo ad patrem meum et patrem vestrum [Maillard/Tye]
Appears on: 204–205
Genres: Motet
Source Attribution: [Maillard/Tye]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum
Concordances

RISM 1555^10:16

25–206 Nun bitten wir den heiligen geist (5vv) [Walter]
Appears on: 25–206
Genres: Motet, Veni sancte spiritus
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Nu bitten wihr den heiligen geist
General Note

Walter, GA I, S. 44

206–207 Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 206–207
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis
Concordances

RISM 155^11:10

207 Missa Susanna un jour: Kyrie [Lassus]
Appears on: 207
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Susanna se videns [rapi] [KG]
208–209 Missa Susanna un jour: Gloria -
Appears on: 208–209
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa ad imitationem cantilenae Susanna se videns]
209 Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu -
Appears on: 209
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Que expansis in cruce manibus [part 3]
General Note

In this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis

209–210 Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua Ludovici Senfels
Appears on: 209–210
Genres: Motet
Source Attribution: Ludovici Senfels
Voice: [no designation]
Languages: Latin
Voice Text: Vita in ligno moritur infernus ex morsu II: Qui prophetice prompsisti ero mors III: Qui expansis in cruce manibus
General Note

In this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis

210 Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus -
Appears on: 210
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui prophetiae prompsisti [part 2]
General Note

In this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis

210–211 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Josquini de Pres
Appears on: 210–211
Genres: Motet
Source Attribution: Josquini de Pres
Voice: [no designation]
Languages: Latin
Voice Text: Praeter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
211 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud -
Appears on: 211
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Virtus spiritus sancti
212 Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis Josquini
Appears on: 212
Genres: Ave Maria, Motet
Source Attribution: Josquini
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in coelis 20.9 II: Ave Maria gratia plena dominus tecum
213 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum -
Appears on: 213
Genres: Ave Maria, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena [part 2]
213–214 Sancta Trinitas unus Deus miserere nobis (6vv) [A.] Fevin/[Craen/C. Festa/Josquin/ Morales]-[Bruck]
Appears on: 213–214
Genres: Motet
Source Attribution: [A.] Fevin/[Craen/C. Festa/Josquin/ Morales]-[Bruck]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere 26.12
Concordances

Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10

214–215 Dilexi quoniam exaudiet Dominus vocem Orlando di Lasso
Appears on: 214–215
Genres: Motet
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Dilexi quoniam exaudiet dominus vocem II: Jubilate deo omnis terra servite
General Note

Attributed here to Lassus; but to Daser in sources in PL GD, PL WRu and CH Bu. In Steude catalogue, the following 'Jubilate Deo' is incorrecty identified as a 2a pars of this motet.

215–216 Jubilate Deo omnis terra servite Domino (8vv) -
Appears on: 215–216
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate Deo omnis terra [part 2]
General Note

In Steude catalogue, incorrecty identified as a 2a pars of the preceding motet.

216 Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra [Clemens non Papa]
Appears on: 216
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Concussum est mare et contremuit terra II: Factum est silentium in coelo dum draco
Concordances

RISM 1559^1:52

217 Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret -
Appears on: 217
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Factum est silentium [part 2]
Concordances

RISM 1559^1:52

217–218 Laudate Dominum in sanctis eius (8vv) Jacobi Galli [= Händl]
Appears on: 217–218
Genres: Psalm
Source Attribution: Jacobi Galli [= Händl]
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum in sanctis eius laudate eum
General Note

attributed in In RISM B/I 1607-6 to Palestrina; in Grove7 to Giovanelli

218–219 Egressus Jesus secessit in partes Tyri et Sidoni Jaches Werth
Appears on: 218–219
Genres: Motet
Source Attribution: Jaches Werth
Voice: [no designation]
Languages: Latin
Voice Text: Egressus Jesus secessit in partes Tÿri
220 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant [Händl]
Appears on: 220
Genres: Motet
Source Attribution: [Händl]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria [ibant] II: Cito euntes dicite discipulis suis
220–221 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 220–221
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cito euntes dicite discipulis eius [part 2]
221–222 Alleluia. Noli flere Maria Antonii Scandelli
Appears on: 221–222
Genres: Alleluia, Motet
Source Attribution: Antonii Scandelli
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Noli flere Maria alleluia
222 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Orlandus di Lassus
Appears on: 222
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Sÿon II: [Convertere domine] Sicut torrens
222–223 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 222–223
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Convertere Domine ... ] Sicut torrens [part 2]
224 Estote ergo misericordes sicut et pater (7vv) Orlando di Lasso
Appears on: 224
Genres: Motet
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Estote ergo misericordes sicut et pater
224–225 Herr nun lasstu deinen Diener in Frieden [Figulus]
Appears on: 224–225
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: German
Voice Text: Herr nun lestu deinen diener in friede
225–226 Laudate Dominum omnes gentes, laudate eum Melchior Bisschoff
Appears on: 225–226
Genres: Motet
Source Attribution: Melchior Bisschoff
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
226 Decantabat populus Israel alleluia (7vv) Orlando di Lasso
Appears on: 226
Genres: Motet
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Decantabat populus Israel alleluia
227, 230 Der ehliche Stand ist lobenswert Anon. Anonymous
Appears on: 227, 230
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der ehliche stand ist lobeneswerth
230 Magnificat octavi toni: Et exultavit spiritus meus Joh: Kleppischius
Appears on: 230
Genres: BVM, Canticle, Magnificat
Source Attribution: Joh: Kleppischius
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Octavi Toni: Et exultavit spiritus meus
General Note

incomplete in Altus, to 'Fecit potentiam' only, and missing in the Discantus. Kleppisch(ius) was cantor in Glashütte c.1600 (Vollhardt S.129).

Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Bacchius, Johannes de (–ca. 1557)
Besset, G.
Billon, Jhan de
Bischoff, Melchior
Bruck, Arnold von (ca. 1500–1554)
Burck, Joachim à (1546–1610)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Conseil, Jean (ca. 1498–1534)
Court, Henry de la
Crecquillon, Thomas (ca. 1505–ca. 1557)
Daser, Ludwig
Despres, Josquin (ca. 1450–1521)
Dressler, Gallus
Fevin, Antoine de (ca. 1470–ca. 1512)
Feys, Arnoldus
Figulus, Wolfgang (ca. 1525–1589)
Forestier, Mathurin
Gaillard, Gilles
Galliculus, Johannes
Gastritz, Mathias
Giovannelli, Ruggiero (ca. 1560–1625)
Gombert, Nicolas (ca. 1495–ca. 1560)
Handl (Gallus), Jacobus (1550–1591)
Hoffmann, Eucharius
Hollander, Christian
Hollander, Sebastian
Isaac, Heinrich (ca. 1450–1517)
Jonckers, Maistre Gosse
Kerle, Jacobus de
Kleppischius, Johannes
Lassus, Orlande de (ca. 1532–1594)
Le Bel, Barthelemy
Louys, Jean (ca. 1530–1563)
Lupi, Johannes (ca. 1506–1539)
Maillard, Jean (fl. c1538–1570)
Manchicourt, Pierre de
Meiland, Jacob (1542–1577)
Morel, Clement
Othmayr, Caspar
Palestrina, Giovanni Pierluigi da (1525–1594)
Phinot, Dominique
Pierre, Jean
Rab, Valentin
Rein, Conrad (ca. 1475–1522)
Resinarius, Balthasar
Reusch, Johannes
Richafort, Jean (ca. 1480–ca. 1550)
Rivulo, Franziscus de
Rore, Cipriano de (ca. 1515–1565)
Rupsch, Conrad
Scandello, Antonio
Schlegel, Joseph
Senfl, Ludwig (ca. 1486–ca. 1543)
Speiser, Johann Caspar
Stoltzer, Thomas (ca. 1480–1526)
Tonsor, Michael
Tubal, Adrian
Tye, Christopher (ca. 1505–ca. 1573)
Utendal, Alexander (ca. 1530–1581)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Wert, Giaches [Jaches] de (1535–1596)
Willaert, Adrian (ca. 1490–1562)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
[Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt Anonymous 145–147
Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam 74
Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam 74–75
Alleluia Anonymous 107
Alleluia. Ascendit Deus in jubilatione Anonymous 125
Alleluia. Benedictus es Domine Deus Anonymous 145
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] 36–37
Alleluia. Noli flere Maria 221–222
Alleluia. Pascha nostrum immolatus est 101–102
Alleluia. Veni sancte spiritus reple tuorum Anonymous 137–138
Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat 79–80
Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant 80
Angelus ad pastores ait annuntio vobis 73
Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait 83–84
Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est 84–85
Apparuerunt apostoli dispertitae linguae - 1a pars (of 3): Apparuerunt apostoli dispertitae linguae 141
Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum 141–142
Apparuerunt apostoli dispertitae linguae - 3a pars (of 3): Loquebantur variis linguis apostoli 142
Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus 133
Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam 133–134
Ascendo ad patrem meum et ad patrem vestrum Anonymous 126–127
Ascendo ad patrem meum et patrem vestrum Anonymous 127
Ascendo ad patrem meum et patrem vestrum 204–205
Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anonymous 32–33
Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anonymous 143–144
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus 91–92
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit 81, 92
Christe salvator et redemptor gentium Anonymous 78–79
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 216
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 217
Confitebor tibi Domine in toto corde Anonymous 42–44
Confitebor tibi Domine in toto corde (8vv, LV189) 181–182
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis 122–123
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 123–124
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum 81–82
Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis 82, 93
Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius 190–191
Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem 191–192
Das hatt er alles uns getan, sein gross Anonymous 38–39
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini Anonymous 163–164
Decantabat populus Israel alleluia (7vv) 226
Deo nostro jucunda sit decoraque laudatio Anonymous 182
Der ehliche Stand ist lobenswert Anonymous 227, 230
Descendit angelus Domini ad Zachariam dicens Anonymous 165–166
Deus misereatur nostri et benedicat nobis 15–16
Deus misereatur nostri et benedicat nobis 180–181
Dilexi quoniam exaudiet Dominus vocem 214–215
Dixit Dominus Domino meo Sede a dextris meis (8vv) 202–203
Domine rex Deus Abraham dona nobis Anonymous 199–200
Dum complerentur dies Pentecostes erant omnes 151
Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus 16–17
Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco 17
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 115–116
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum 116–117
Dum transisset sabbatum Maria Magdalena (R. Ut venientes ungerent Jesum alleluia Vs: Et valde mane una sabbatorum 106–107
Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitiam tuam filio regis (5vv) Anonymous 67
Ecce concipies et paries filium (R. Et vocabitur nomen eius Jesus; Vs. Et dabit illi) 93–94
Ecce cruci affixum- 1a pars (of 2): Ecce cruci affixum quo cuncta movente Anonymous 194–195
Ecce cruci affixum- 2a pars (of 2): Qui dat sceptra gerit de sentibus Anonymous 195–196
Ecce dies veniunt - 1a pars (of 3): Ecce dies veniunt dicit Dominus et suscitabo 10
Ecce dies veniunt - 2a pars (of 3): Et hoc est nomen quod vocabunt 10–11
Ecce dies veniunt - 3a pars (of 3): Et Israel habitabit confidenter 11
Ecce Dominus veniet nolite timere 14.5 6–7
Egressus Jesus secessit in partes Tyri et Sidoni 218–219
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 200–201
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 201–202
Estote ergo misericordes sicut et pater (7vv) 224
Exurgens autem Maria Vs. Benedicta tu R. Et benedicta fructus Anonymous 177
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco 3–4
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei 4–5
Filio dei ascendenti - 1a pars (of 2): Filio dei ascendenti ad caelos iubilemus Anonymous 131
Filio dei ascendenti - 2a pars (of 2): Assumptus est in caelum Anonymous 132
Gabriel angelus locutus est Mariae dicens 197–198
Gaudete filiae Jerusalem nam flores apparuerunt 185–186
Geh Deinen Weg auf rechtem Steg fahr Anonymous 187–188
Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe 94–95
Gloria laus et honor - 2a pars (of 3): Israel es tu Rex 95
Gloria laus et honor - 3a pars (of 3): Coetus in excelsis 95–96
Gloria tibi sancta trinitas aequalis una Deitas Anonymous 148–149
Gloria tibi trinitas aequalis una Deitas Anonymous 198–199
Gloria. Gratias agimus tibi propter Anonymous 144
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 75
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 75–76
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo 37
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus domino deo 71–72
Grates nunc omnes - 2a pars (of 2): Huic oportet 72
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis 38
Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus 53
Haec est dies - 2a pars (of 8): Hodie Deus homo factus est 53–54
Haec est dies - 3a pars (of 8): Id quod fuit permansit 54
Haec est dies - 4a pars (of 8): Hodie deus homo factus 54
Haec est dies - 5a pars (of 8): Et quod non erat assumpsit 54–55
Haec est dies - 6a pars (of 8): Hodie deus homo factus 55
Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis 55–56
Haec est dies - 8a pars (of 8): Gloria tibi Domine 56
Herr nun lasstu deinen Diener in Frieden 224–225
Hodie Christus natus est - 1a pars (of 2): Hodie Christus natus est nobis 51–52
Hodie Christus natus est - 2a pars (of 2): Quem vidistis pastores dicite 52–53
Illuminare Jerusalem (I) (R. Et gloria Domini super te orta est Vs. Et ambulabunt gentes in lumine tuo 76–77
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 222
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 222–223
In excelso throno - 1a pars (of 2): In excelso throno vidi sedere virum 18
In excelso throno - 2a pars (of 2): Jubilate Deo omnis terra 18–19
In exitu Israel (M47) - 10a pars (of 11): Sed nos qui vivimus 105
In exitu Israel (M47) - 11a pars (of 11): Sicut erat in principio 105
In exitu Israel (M47) - 1a pars (of 11): In exitu Israel de Aegypto domus Jacob 103
In exitu Israel (M47) - 2a pars (of 11): Mare vidit et fugit 103
In exitu Israel (M47) - 3a pars (of 11): A facie Domini 103–104
In exitu Israel (M47) - 4a pars (of 11): Non nobis Domine Sed nomini tuo 104
In exitu Israel (M47) - 5a pars (of 11): Deus autem noster 104
In exitu Israel (M47) - 6a pars (of 11): Simulachra gentium 104
In exitu Israel (M47) - 7a pars (of 11): Aures habent 104–105
In exitu Israel (M47) - 8a pars (of 11): Domus Israel speravit 105
In exitu Israel (M47) - 9a pars (of 11): Qui timent Dominum 105
In exitu Israel de Aegÿpto Anonymous 118–119
Ingressus angelus ad Mariam et ait Anonymous 93
Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari 171
Innuebant patri - 2a pars (of 2): Apertum est os Zachariae et prophetavit 171–172
Inter natos - 1a pars (of 2): Inter natos mulierum 169
Inter natos - 2a pars (of 2): Fuit homo missus a Deo 170
Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo) 164–165
Ite in orbem universum et praedicate (R: Qui crediderit et baptisatus fuerit Vs. In nomine patris et filii et spiritus Anonymous 125–126
Jam non dicam vos servos sed amicos (8vv) 157–158
Jubilate Deo omnis terra servite Domino (8vv) 215–216
Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras 40–41
Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium 41–42
Lauda Jerusalem (Ps. 147) - 1a pars (of 2): Lauda Jerusalem Dominum lauda deum Anonymous 19
Lauda Jerusalem (Ps. 147) - 2a pars (of 2): Dum committeret bellum Anonymous 20
Lauda Jerusalem Dominum lauda Deum Anonymous 127–129
Laudate Dominum in sanctis eius (8vv) 217–218
Laudate Dominum omnes gentes, laudate eum 225–226
Magnificat octavi toni (4vv) [NR 24] 119–120
Magnificat octavi toni: Et exultavit [K.405] Anonymous 20–21
Magnificat octavi toni: Et exultavit spiritus meus 230
Magnificat primi toni: Et exultavit spiritus meus 30–32
Magnificat quinti toni: Et exultavit spiritus meus 46–51
Magnificat Sexti Toni: Et exultavit [K.348] Anonymous 21–23
Magnificat Sexti Toni: Et exultavit [K.349] (with interpolated Latin and German Easter songs) Anonymous 120–122
Magnificat tertii toni (6vv): Et exultavit [NR 3] 149–150
Magnificat Tertii Toni: Et exultavit [K.781] 158–160
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 112–113
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 114–115
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 220
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 220–221
Missa D'amours me plains: Gloria 167–168
Missa d'amours me plains: Kyrie 166
Missa D'amours me plains: Sanctus 168
Missa Doulce Memoire: Gloria 26–27
Missa Doulce memoire: Kyrie 25
Missa Doulce Memoire: Sanctus 27
Missa Lobet den Herren: Gloria 24–25
Missa Lobet den Herren: Kyrie 23
Missa Nun bitten wir den heiligen Geist: Gloria Anonymous 28–30
Missa Nun bitten wir den heiligen Geist: Kyrie Anonymous 27–28
Missa O admirabile commercium: Et in terra pax [Gloria] 68–70
Missa O admirabile commercium: Kyrie 68
Missa O admirabile commercium: Sanctus 70–71
Missa Paschale: Gloria 100–101
Missa Paschale: Kyrie 99–100
Missa Susanna un jour: Gloria 208–209
Missa Susanna un jour: Kyrie 207
Missa Tulerunt Dominum meum: Agnus Dei 111
Missa Tulerunt Dominum meum: Gloria 108–110
Missa Tulerunt Dominum meum: Kyrie 107–108
Missa Tulerunt Dominum meum: Sanctus 111
Missa Veni in ortum meum: Agnus Dei 174
Missa Veni in ortum meum: Et in terra [Gloria] 173–174
Missa Veni in ortum meum: Kyrie 172
Missa Veni in ortum meum: Sanctus 174
Missa: Gloria 35–36
Missa: Kyrie [Tro] Magne Deus (Christe [Tro] Summi patris, Kyrie II [Tro] Cuius natus) 34
Missa: Et in terra pax [Gloria] Anonymous 1–2
Missa: Kyrie Anonymous 136–137
Missa: Sanctus Anonymous 3
Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque 62
Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino 62–63
Nun bitten wir den heiligen geist (5vv) 25–206
Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum 188–189
Nunc dimittis - 2a pars (of 2): Lumen ad revelationem 189–190
O admirabile commercium creator generis 72–73
O Jesu Christ Dein nam der ist so gewaltig Anonymous 59–60
O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa 175
O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum 175–176
O sacrum convivium in quo Christus sumitur (8vv) 11–12
O sidus praeclarissimum Jesu nate hodie Anonymous 80
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli 155–156
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis 156–157
Omnes sitientes venite ad aquas 90–91
Omnia quae fecisti nobis Domine in vero 179–180
Paraclitus autem spiritus - 1a pars (of 2): Paraclitus autem spiritus 154
Paraclitus autem spiritus - 2a pars (of 2): Non turbetur cor vestrum 155
Passio Germanica: Das leidenn unsers Herrem Jesu Christi 57–59
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis 212
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 213
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 178
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris 178–179
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 13–14
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris 14
Postquam impleti sunt dies purgationis 87–88
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus 210–211
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud 211
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] 33–34
Quare fremuerunt gentes et populi Anonymous 65–57
Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua 209–210
Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus 210
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu 209
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me 96–97
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti Anonymous 97–98
Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant 7
Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium 8
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius 5–6
Salvatorem expectamus Dominum nostrum 8–9
Salve festa dies - 1a pars (of 3): (Salve festa dies) Toto venerabilis aevo Anonymous 98
Salve festa dies - 2a pars (of 3): Ecce renascentis Anonymous 98–99
Salve festa dies - 3a pars (of 3): Namque triumphanti Anonymous 99
Sancta Trinitas unus Deus miserere nobis (6vv) 213–214
Sancta Trinitas unus Deus miserere nobis (8vv) 206–207
Senex puerum portabat puer autem senem Anonymous 192
Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum 162
Sic deus dilexit - 2a pars (of 2): Venite ad me omnes 163
Sihe wie fein und lieblich ists dass brüder 15
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 134–135
Spiritus sanctus - 1a pars (of 2): Spiritus sanctus procedens à throno 152
Spiritus sanctus - 2a pars (of 2): Advenit ignis divinus 153
Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam) 147–148
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 176
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea Anonymous 183–184
Surge propera - 2a pars (of 2): Surge amica mea speciosa Anonymous 184–185
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 176–177
Suscepimus Deus misericordiam tuam Vs: Magnus Dominus In civitate Domini Anonymous 78
Te sanctum Dominum (R: Te decet laus et honor, Vs. Cherubin quoque) 182–183
Tecum principium in die virtutis tuae Anonymous 44
Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit 129–130
Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet 130
Tota pulchra es amica mea et macula 89–90
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 192–193
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 193–194
Tristis est anima mea - 1a pars (of 2): Tristis est anima mea usque ad mortem 60–61
Tristis est anima mea - 2a pars (of 2): Vigilate et orate 61
Tristis est anima mea usque ad mortem 196–197
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 112
Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) 12–13
Tulerunt Dominum meum et nescio ubi 117
Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit 51
Veni in ortum meum charissima mea 187
Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anonymous 138
Veni sancte spiritus - 2a pars (of 4): In labore requies Anonymous 138–139
Veni sancte spiritus - 3a pars (of 4): Sine tuo numine Anonymous 139
Veni sancte spiritus - 4a pars (of 4): Da virtutis meritum Anonymous 139
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte 160–161
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis 161–162
Veni sancte spiritus reple tuorum corda Anonymous 140
Veni sancte spiritus reple tuorum corda Anonymous 140–141
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna 85–86
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine 86–87
Verbum caro factum est 39–40
Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum 44–46
Verbum iniquum et dolosum longe fac a me 88–89
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden 102
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden 102–103
Victimae paschali - 3a pars (of 3): Credendum est magis 103
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous 124
Viri Galilaei quid aspicitis in caelum 203–204
Vox in Rama audita est ploratus et ululatus 83
Wohl dem, der den Herren fürchtet - 1a pars (of 2): Wohl dem, der den Herren fürchtet 63–64
Wohl dem, der den Herren fürchtet - 2a pars (of 2): Der Herr wird dich segnen 64–65

Set: MS Glashütte 5 (1-2)

Type: Partbooks

No images available

D-Dl MS Glashütte 5 (1)

No images available

D-Dl MS Glashütte 5 (2)

denotes primary source study

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 350-. Notes: contents list (partial); concordances (partial); incipits (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 347,414,523,797. Notes: contents list (partial); concordances (partial).

Brown, Howard Mayer. 1976. Accidentals and Ornamentation in Sixteenth-Century Intabulations of Josquin's Motets. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971,  London, New York, and Toronto. Pages: 516. Notes: concordances (partial).

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270-l. Notes: contents list (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 53-61. Notes: physical description (partial); contents list; concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 305. Notes: mention of MS.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies.  Brooklyn. Pages: III, iii-v; IV, plate xxix. Notes: concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe.  Kassel and Basel. Pages: XII,xxvi; Xlll.xxx.xxxiii-xxxiv [Lassus Missa Veni in hortum meum is #121 in DresSL Glashütte 5, not #21]. Notes: physical description (partial); contents list (partial); concordances (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 137. Notes: physical description.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description