D-Dl MS Mus. 1/D/3 [Discantus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Mus. 1/D/3 [Discantus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 200 x 157 mm
Other Identifiers
  • CCM: DresSL 1/D/3
  • olim (Former shelfmark): B. 1270
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Wittenberg, Bavaria, Germany
Contents 118 pieces from 34 composers
General Description

A Discantus partbook from a set of six volumes. Scribal concordance with DresSL 1/D/4, DresSL 1/D/506, BudOS 22, BudOS 23, ZwiR 81/2, ZwiR 100/4, and ZwiR 106/5 (SteudeU). Final piece copied by a second scribe.

Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2017
Extent

D 110ff, A 116ff, T 97ff, B 100ff, Q 99ff, S 50ff.

DIAMM, 2023
Binding

Modern green cardboard covers on DATBQ; S has fragments of original covers

DIAMM, 2017
Watermark

cf. Briquet #1076, 1078, 1193, 2332, 2335, 4996, 5030

DIAMM, 2023
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: pieces numbered I-XXXV, 36-63.

DIAMM, 2017
Foliation

New foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 18 psalms, 29 motets, 12 German sacred pieces = 60

Berchem-1, Bergkholtz-1, Braetel-1, Breitengraser-2, Burckstaller-2, (Canis)-1, Clemens non Papa-2, Crecquillon-3, Gombert-1, Heugel-1, Jhan of Ferrara [M. Jam]-2, Jonckers-2, Josquin-3, Josquin/Senfl-1, (D. Köler)-1, Kropstein-2, Mitnerus-1, Rabe-2, Ruffo-1, Scandello-3, Schöckler-1, Senfl-4, Sermisy [Claudin]-1, Stoltzer-7, Stoltzer/(Bauldeweyn)-1, Verdelot-1, Verdelot/(Lupus)-1, (Walter)-1, Willaert-2, (Wircker)-1, anon-8

6 paper partbooks (D-110 folios, A-125, T-97, B-100, Q-96, S-48), 200 x 157. New foliation; pieces numbered I-XXXV, 36-63. Modern green cardboard covers on DATBQ; S has fragments of original covers. Scribal concordance with DresSL 1/D/4, BudOS 22, BudOS 23, ZwiR 81/2, and ZwiR 106/5 (SteudeU).

Ca. 1550-60 (SteudeMS); dates ranging from 1547 to 1551 in manuscript. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Vol. 4

Composers: Change "Gombert-1" to "Gombert-2"; change "anon-8" to "anon-7."

Physical: Add DresSL l/D/506 and ZwiR 100/4 to list of scribal concordances.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion [Stoltzer]
Appears on: 1–1v
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Sÿon II: Qui seminant in lachrimis
General Note

Hoffm.-Erbr. I, Wv 110; dort irrtüml. 5 v.

2–2v In convertendo Dominus - 2a pars (of 2): Qui seminant -
Appears on: 2–2v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui seminant [part 2]
General Note

Hoffm.-Erbr. I, Wv 110; dort irrtüml. 5 v.

3–3v In te Domine speravi - 1a pars (of 2): In te Domine speravi Philip: Verdeloth/ [Hellinck/Senfl]
Appears on: 3–3v
Genres: Motet, Te Deum
Source Attribution: Philip: Verdeloth/ [Hellinck/Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
3v–4 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 3v–4
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam fortitudo [part 2]
4–5 Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum Thomas Stoltzer
Appears on: 4–5
Genres: Motet
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: Nisi dominus aedificaverit domum in vanum II: Cum dederit dilectis suis somnum
5–5v Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis -
Appears on: 5–5v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cum dederit [part 2]
5v–7 De profundis clamavi 15.13 (5vv) Josquin
Appears on: 5v–7
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.3
General Note

in Q attributed to "H Josquin", and in D "[…]ricus Josquin" (page damaged)

7–7v Laudate Dominum omnes gentes, laudate eum Claudin [de Sermisy]
Appears on: 7–7v
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
7v–8 Laudate Dominum omnes gentes, laudate eum [Braetel]
Appears on: 7v–8
Genres: Motet
Source Attribution: [Braetel]
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
8–8v Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen Thomas Stolzer
Appears on: 8–8v
Genres: Motet
Source Attribution: Thomas Stolzer
Voice: [no designation]
Languages: German
Voice Text: Erzürne dich nicht uber die bösen II: Halt dem Hern stÿll und lass ihn III: Der gotlose draüet dem gerechtenn IV: Der Her kendt die tage der fromen V: Ich bÿn iung gewesen und hab noch VI: Der gotlose sicht auf den gerechten VII: Bewahre die frömigkeit und schaw
9–9v Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil -
Appears on: 9–9v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Halt dem hern styll [part 2]
9v–10v Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet -
Appears on: 9v–10v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Der gotlosse dräuet [part 3]
10v Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage -
Appears on: 10v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Der her kennt die Tage [part 4]
General Note

tacet in this part

10v–11v Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen -
Appears on: 10v–11v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Ich byn iung gewesen [part 5]
11v–12v Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht -
Appears on: 11v–12v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Der gottlose sieht [part 6]
12v–13v Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit -
Appears on: 12v–13v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Bewhare die frömigkeit [part 7]
13v–14v Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Thomas Stolzer
Appears on: 13v–14v
Genres: Motet
Source Attribution: Thomas Stolzer
Voice: [no designation]
Languages: German
Voice Text: Hilff Herr die heÿlligen haben abgenhommen II: Weÿll dan die ellenden vorstörret
15–16 Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden -
Appears on: 15–16
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Wyell dan die ellenden [part 2]
16–17 Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich Thomas Stoltzer
Appears on: 16–17
Genres: Motet
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: German
Voice Text: Her neige deine ohren und erhöre mich II: Her ess ist dir keÿn gleich III: Ich dangke dir Her mein Got
17–18 Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich -
Appears on: 17–18
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Her eß ist dir keyn gleich [part 2]
18v–19v Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott -
Appears on: 18v–19v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Ich dancke dir her meyn got [part 3]
20–20v Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Thomas Stoltzer
Appears on: 20–20v
Genres: Motet
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: German
Voice Text: Her wie lang wiltw meÿn sogar vorgessen II: Schaw doch und erhör mich Herr III: Ich hoff aber auf deine gütthe
20v–21 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich -
Appears on: 20v–21
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Schaw doch und und erhör mich [part 2]
21–21v Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte -
Appears on: 21–21v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Ich hoff aber auf deine gütthe [part 3]
21v–22v Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet Ioannes Burckstaller
Appears on: 21v–22v
Genres: Motet
Source Attribution: Ioannes Burckstaller
Voice: [no designation]
Languages: German
Voice Text: Jauchzet dem Herren alle welt dienet II: Geht zw seÿnen thoren eÿn
22v–23 Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein -
Appears on: 22v–23
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Geht zw seinen thoren ein [part 2]
23–24v Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate Ludovicus Senfel
Appears on: 23–24v
Genres: Motet
Source Attribution: Ludovicus Senfel
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus iubilate II: Ascendit deus in iubilo et dominus
24v–26 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 24v–26
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit Deus in Jubilo [2a pars]
26–27v Qui confidunt in Domino sicut mons Sion Huldericus Brätel
Appears on: 26–27v
Genres: Motet
Source Attribution: Huldericus Brätel
Voice: [no designation]
Languages: Latin
Voice Text: Qui confidunt in domino sicut mons Sÿon
27v–28 Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra L.S. [= Senfl]
Appears on: 27v–28
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Nisi dominus aedificaverit domum in vanum II: Cum dederit dilectis suis somnum
28–28v Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum -
Appears on: 28–28v
Voice: [no designation]
Languages: Latin
Voice Text: Cum dederit [part 2]
29–29v De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine Lu: Senfel/Josquin
Appears on: 29–29v
Genres: Motet
Source Attribution: Lu: Senfel/Josquin
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.14 II: A custodia matutina usque ad noctem
General Note

In D & Q, attributed to Josquin; in T & B attributed (correctly) to Senfl

30–30v De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Appears on: 30–30v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A custodia matutina [part 2]
30v–31 Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate TS [= Stoltzer]
Appears on: 30v–31
Genres: Motet
Source Attribution: TS [= Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus iubilate II: Ascendit deus in iubilo et dominus
31–32 Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 31–32
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit Deus in Jubilo [2a pars]
32–33v Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam Josquin
Appears on: 32–33v
Genres: Miserere mei Deus, Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus secundum magnam 18.3 II: Audi auditui meo dabis gaudium III: Domine labia mea aperies et os
33v–34v Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium -
Appears on: 33v–34v
Genres: Miserere mei Deus, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Audi auditui meo dabis gaudium
34v–35v Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os -
Appears on: 34v–35v
Genres: Miserere mei Deus, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domine labia mea
35v–36 Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel Ioannes Burgstaller
Appears on: 35v–36
Genres: Motet
Source Attribution: Ioannes Burgstaller
Voice: [no designation]
Languages: German
Voice Text: Vater unser der dw bist ÿm hÿmmell II: Unser teglich brodt gÿb uns heutte
36v–37 Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute -
Appears on: 36v–37
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Unser teglich brodt [part 2]
37v–39 Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden Va: Rab: [= Rabe]
Appears on: 37v–39
Genres: Psalm
Source Attribution: Va: Rab: [= Rabe]
Voice: [no designation]
Languages: German
Voice Text: Seidt ihr den stum das ir nit reden II: Gott zerbricht ÿhre zehne in ÿhrem III: Sie vorgehen wÿ eÿn schnegke
39–39v Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne -
Appears on: 39–39v
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Gott zubricht yhre zehne [part 2]
40–41 Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke -
Appears on: 40–41
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Sie vorgehen wy eyn schnegke [3a pars]
41–42 Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem Anon. Anonymous
Appears on: 41–42
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Dilexi quoniam exaudivit dominus vocem II: O domine libera animam meam
42–43v Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam - Anonymous
Appears on: 42–43v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O domine libera animam [part 2]
43v–44v Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn Valentinus Rab:
Appears on: 43v–44v
Genres: Psalm
Source Attribution: Valentinus Rab:
Voice: [no designation]
Languages: German
Voice Text: Ach Her straff mich nicht in deinem zorn II: Hilff mir umb deiner gütte willenn III: Weichet von mir alle ubelthett
44v–46 Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele -
Appears on: 44v–46
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Hilff mir umb deiner gütte [part 2]
46–46v Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter -
Appears on: 46–46v
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Weichet von mir [part 3]
46v–47v Nun bitten wir den heilgen geist Anon. Anonymous
Appears on: 46v–47v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Nhun biethen wir den heilgen geist
General Note

Texted only in Tenor & Sextus

47v–48 Nun bitten wir den heiligen geist (5vv) [Walter]
Appears on: 47v–48
Genres: Motet, Veni sancte spiritus
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Nhun bitten wir den heilligen geÿst
General Note

Walter, GA I, S. 44

48v–49v So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr N K (=Kropstein_
Appears on: 48v–49v
Genres: Motet
Source Attribution: N K (=Kropstein_
Voice: [no designation]
Languages: German
Voice Text: So wahr als ich lebe spricht der Her II: Herr nÿm von uns all unser sündt III: Erbarme dich deines volkes IV: Erhörre Herre unser bietthe
49v–50v So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) -
Appears on: 49v–50v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Herr nym von uns [part 2]
50v–51v So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) -
Appears on: 50v–51v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Erbarme dich deines volckes [part 3]
General Note

Marginal note: "Miserere"

51v–52v So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) -
Appears on: 51v–52v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Erhörre herre unser bietthe [part 4]
General Note

Marginal note: "Exaudi"

52v–54 Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam Georgius Schöckler
Appears on: 52v–54
Genres: Motet
Source Attribution: Georgius Schöckler
Voice: [no designation]
Languages: Latin
Voice Text: Deus venerunt gentes in hereditatem tuam II: Adiuva nos deus salutaris noster
54–55v Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster -
Appears on: 54–55v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Adiuva nos deus [part 2]
55v–57 Ecce Dominus veniet et omnes sancti eius Nicolaus Kropstein
Appears on: 55v–57
Genres: Motet
Source Attribution: Nicolaus Kropstein
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet et omnes sancti eius
57–58 Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen Joan: Heugel
Appears on: 57–58
Genres: Motet
Source Attribution: Joan: Heugel
Voice: [no designation]
Languages: Latin
Voice Text: Laudate pueri dominum laudate nomen II: Quis sicut dominus deus noster
58–59 Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster -
Appears on: 58–59
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quis sicut dominus [part 2]
59–60v Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper TS [= Stoltzer]/ [Bauldeweyn]
Appears on: 59–60v
Genres: Motet
Source Attribution: TS [= Stoltzer]/ [Bauldeweyn]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicam dominum in omni tempore semper II: Venite filii audite me timorem III: Oculi domini super iustos et aures IV: Clamaverunt iusti et dominus exaudivit
60v Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini -
Appears on: 60v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veniti filii [part 2]
General Note

tacet ("quiescit") in this part

60v–61 Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures -
Appears on: 60v–61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Oculi domini [part 3]
61–62 Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit -
Appears on: 61–62
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Clamaverunt iusti [part 4]
62–63 Qui regis Israel intende qui sedes 18.9 Josquin
Appears on: 62–63
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Qui regis Israel intende qui sedes 18.9
General Note

Josquin, GA Mot. 63

63–63v Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei "Capelnmeister"
Appears on: 63–63v
Genres: Motet
Source Attribution: "Capelnmeister"
Voice: [no designation]
Languages: Latin
Voice Text: Accesserunt ad Iesum Pharisei tentantes II: Non legistis quia qui fecit hominem III: Propter hoc dimittet homo patrem
General Note

Note: Maessens became Hofkapellmeister to Ferdinand in 1546; but the piece is by Clemens.

63v Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit -
Appears on: 63v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non legistis quia qui fecit [part 2]
General Note

tacet in this part

64–64v Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet -
Appears on: 64–64v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Propter hoc dimittet [part 3]
64v–65 Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine [Gombert]
Appears on: 64v–65
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Oculi omnium in te sperant domine II: Qui edunt me adhuc esurient
65–65v Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt -
Appears on: 65–65v
Genres: Motet
66 Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei Guil. Breitengraser
Appears on: 66
Genres: Motet
Source Attribution: Guil. Breitengraser
Voice: [no designation]
Languages: Latin
Voice Text: Usquequo domine oblivisceris mei II: Respice responde mihi deus meus
66v–67 Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus -
Appears on: 66v–67
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Respice, responde mihi [part 2]
67–68 Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti Thomas Krequillon
Appears on: 67–68
Genres: Motet
Source Attribution: Thomas Krequillon
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus omnipotens tu non posuisti II: Confiteor tibi me pecasse super
General Note

for discussion of attribution to Lassus/Crequillon see CMM 63 vol.5, p.LIX-LXI, 66-79 , Grove 7 vol.6, p.655

68–68v Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse -
Appears on: 68–68v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor tibi me peccasse [part 2]
69–70 Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam Guil. Breittengraser
Appears on: 69–70
Genres: Motet
Source Attribution: Guil. Breittengraser
Voice: [no designation]
Languages: Latin
Voice Text: Iudica me deus et contende contentionem II: Et ingrediar ad altare dei
70–70v Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum -
Appears on: 70–70v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ingrediar ad altare [part 2]
71–71v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Tho. Krequilon
Appears on: 71–71v
Genres: Motet
Source Attribution: Tho. Krequilon
Voice: [no designation]
Languages: Latin
Voice Text: Domine da nobis auxilium in tribulatione II: Tibi subiecta sit anima mea
71v–72v Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 71v–72v
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Tibi subiecta [part 2]
72v–73 Salve crux sancta super omnia ligna Clemens non papa
Appears on: 72v–73
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Voice Text: Salve crux sancta super omnia ligna
73–74 Si bona suscepimus de manu Domini Anon. Anonymous
Appears on: 73–74
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
74–75 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis N Gombert
Appears on: 74–75
Genres: Motet
Source Attribution: N Gombert
Voice: [no designation]
Languages: Latin
Voice Text: Quem dicunt homines esse filium hominis II: Petre diligis me qui respondens ait
75–76 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait -
Appears on: 75–76
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Petre diligis me [part 2]
76–76v O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum M. Jam [= Maistre Jhan of Ferrara]
Appears on: 76–76v
Genres: Motet
Source Attribution: M. Jam [= Maistre Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: O Iesu Christe mundi custos et hominum II: Rogamus te ergo princeps celestium
76v–77 O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium -
Appears on: 76v–77
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Rogamus te ergo [part 2]
77–77v O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Jachetin de barche [= Berchem]
Appears on: 77–77v
Genres: Motet
Source Attribution: Jachetin de barche [= Berchem]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur II: Mens impletur gratia et futurem
77v–78 O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem -
Appears on: 77v–78
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Mens impletur [part 2]
78v–79 Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis M. Jan
Appears on: 78v–79
Genres: Motet, Pater noster
Source Attribution: M. Jan
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in celis
General Note

'Pater noster' (=1a pars) only. In T attributed to Verdelot ('borrowed' from the next piece?)

Item Bibliography

Jas, Eric. 2002. A Sixteenth-Century Ferrarese Partbook from a Private Collection. Tijdschrift Van De Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis, 35-65. Notes: Shows concordance in a privately-owned manuscript.

79–80 Ave Maria gratia plena Dominus tecum Verdeloth
Appears on: 79–80
Genres: Ave Maria, Motet
Source Attribution: Verdeloth
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum
80–81 O beatum pontificem qui totis visceribus diligebat [De sancto Martino] Adrianus Wilhart
Appears on: 80–81
Genres: Motet
Source Attribution: Adrianus Wilhart
Voice: [no designation]
Languages: Latin
Voice Text: O beatum pontificem qui totis visceribus
81–82v Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum Josse Jungkers
Appears on: 81–82v
Genres: Motet
Source Attribution: Josse Jungkers
Voice: [no designation]
Languages: Latin
Voice Text: Beatus qui intelligit super egenum II: Verbum iniquum constituerunt adversum
82v–84 Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum -
Appears on: 82v–84
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Verbum iniquum [part 2]
84–84v Unicus O digito monstras sotera Johannes (= Si me tenes tant) Tho. Krequilon
Appears on: 84–84v
Genres: Motet
Source Attribution: Tho. Krequilon
Voice: [no designation]
Languages: Latin
Voice Text: Unicus O digito monstras sotera Ioannes
84v–85 Ecce Dominus veniet et omnes sancti eius Lu: Pergkholtz [= Bergkholtz]
Appears on: 84v–85
Genres: Motet
Source Attribution: Lu: Pergkholtz [= Bergkholtz]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet et omnes sancti eius
General Note

Note in T - composed for his friend Michael Tauber (professor at Wittenberg U) 22 Oct 1551

General Note

Note in T - composed for his friend Michael Tauber (professor at Wittenberg U) 22 Oct 1551

85v–86v Hodie Christus natus est hodie salvator Anthonius Scandellus
Appears on: 85v–86v
Genres: Motet
Source Attribution: Anthonius Scandellus
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Christus natus est hodie salvator
86v–87v Puer natus est nobis et filius datus est Vincentius Ruffo da Verona
Appears on: 86v–87v
Genres: Motet
Source Attribution: Vincentius Ruffo da Verona
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis et filius datus est
87v–88v Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion [Hellinck]
Appears on: 87v–88v
Genres: Motet
Source Attribution: [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Qui confidunt in domino sicut mons Sÿon II: Quia non relinquet dominus virgam
88v–89v Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam -
Appears on: 88v–89v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quia non relinquet [part 2]
89v–90v Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera [Canis]
Appears on: 89v–90v
Genres: Motet
Source Attribution: [Canis]
Voice: [no designation]
Languages: Latin
Voice Text: Caste parentis viscera celestis intrat II: Enixa est puerpera quem Gabriel
90v–91v Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel -
Appears on: 90v–91v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Enixa est puerpera fulget dies quem Gabriel [2a pars]
91v–92 O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam Gosken Jongkers
Appears on: 91v–92
Genres: Motet
Source Attribution: Gosken Jongkers
Voice: [no designation]
Languages: Latin
Voice Text: O vos omnes qui transitis per viam II: Attendite universi populi et videte
92–92v O vos omnes - 2a pars (of 2): Attendite universi populi et videte -
Appears on: 92–92v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Attendite universi populi [part 2]
93–94 Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Adrianus Wilhart
Appears on: 93–94
Genres: Motet
Source Attribution: Adrianus Wilhart
Voice: [no designation]
Languages: Latin
Voice Text: Domine Jesu Christe a matre benignissime II: O bone Iesu et dulcis spes anime [= Domine Jesu Christe amator benignissime]
94–95 Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes -
Appears on: 94–95
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O bone Jesu et dulcis spes [part 2]
95–96 Querite Dominum dum inveniri potest Joannes Mitner
Appears on: 95–96
Genres: Motet
Source Attribution: Joannes Mitner
Voice: [no designation]
Languages: Latin
Voice Text: Querite dominum dum inveniri potest
96–99v Te Deum laudamus [Wircker]
Appears on: 96–99v
Genres: Liturgical work, Te Deum
Source Attribution: [Wircker]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
General Note

Kirsch S. 132, 416

99v–100v Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda Anon. Anonymous
Appears on: 99v–100v
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda II: Qui per diversitatem linguarum
100v–102 Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum - Anonymous
Appears on: 100v–102
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui per diversitatem [part 2]
102–102v Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich [D. Köler]
Appears on: 102–102v
Genres: Motet
Source Attribution: [D. Köler]
Voice: [no designation]
Languages: German
Voice Text: Dangket dem Herren denn ehr ist freundtlich
General Note

Ambros V, S. XLI f.

102v–103 Danket dem Herren - 2a pars (of 3): Der herre hat nit lust -
Appears on: 102v–103
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Der herre hat nit lust [part 2]
General Note

Ambros V, S. XLI f.

103–103v Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn -
Appears on: 103–103v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Der herre hat gefallenn [part 3]
General Note

Ambros V, S. XLI f.

103v–104 Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse Anthonius Scandellus
Appears on: 103v–104
Genres: Motet
Source Attribution: Anthonius Scandellus
Voice: [no designation]
Languages: Latin
Voice Text: Christus dicit ad Thomam noli esse II: Dicit ei Iesus quia vidisti me
104–105 Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me -
Appears on: 104–105
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dicit ei Jesus [part 2]
105–106 Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum [Manchicourt]
Appears on: 105–106
Genres: Motet
Source Attribution: [Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Hierusalem quia venit lumen II: Filii tui de longe venient et filiae
106–107 Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient -
Appears on: 106–107
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Filii tui de longe venient [part 2]
107–108 Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus LS [= Senfl]
Appears on: 107–108
Genres: Motet
Source Attribution: LS [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est ut dilectus II: Invenerunt me custodes civitatis III: Filiae Iherusalem nunctiate dilecto
108–108v Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis -
Appears on: 108–108v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Invenerunt me custodes [part 2]
108v–109 Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto -
Appears on: 108v–109
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Filiae Hierusalem [part 3]
109–110 Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam C: non Papa
Appears on: 109–110
Genres: Motet
Source Attribution: C: non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Ab oriente venerunt magi Jerosolymam II: Videntes autem stellam gavisi sunt
110–110v Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam -
Appears on: 110–110v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Videntes autem stellam [part 2]
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Berchem, Jacques (ca. 1505–1567)
Bergholtz, Lucas
Bratel, Ulrich
Breittengrasser, Gulielmus (Wilhelm)
Burckstaller, Joannes
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Heugel, Johannes
Jonckers, Maistre Gosse
Kropstein, Nikolaus
Köler, David (ca. 1532–1565)
Lassus, Orlande de (ca. 1532–1594)
Manchicourt, Pierre de
Mitnerus, Joannes
Rab, Valentin
Reitveltus, Bartholomaeus
Ruffo, Vincenzo (ca. 1508–1587)
Rupsch, Conrad
Scandello, Antonio
Schöckler, Georgius
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Wircker, Johann (ca. 1548–ca. 1572)
Composition Composers (? Uncertain) Folios / Pages
Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam 109–110
Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam 110–110v
Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei 63–63v
Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit 63v
Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet 64–64v
Ach Herr straf mich nicht - 1a pars (of 3): Ach Herr straf mich nicht in Deinem Zorn 43v–44v
Ach Herr straf mich nicht - 2a pars (of 3): Wende dich Herr und errette meine Seele 44v–46
Ach Herr straf mich nicht - 3a pars (of 3): Weichet von mir alle Übeltäter 46–46v
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus 107–108
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis 108–108v
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto 108v–109
Ave Maria gratia plena Dominus tecum 79–80
Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum 81–82v
Beatus qui intelligit - 2a pars (of 2): Verbum iniquum constituerunt adversum 82v–84
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper 59–60v
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini 60v
Benedicam Dominum - 3a pars (of 4): Oculi Domini super iustos et aures 60v–61
Benedicam Dominum - 4a pars (of 4): Clamaverunt justi et Dominus exaudivit 61–62
Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera 89v–90v
Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel 90v–91v
Christus dicit ad Thomam - 1a pars (of 2): Christus dicit ad Thomam noli esse 103v–104
Christus dicit ad Thomam - 2a pars (of 2): Dicit ei Jesus quia vidisti me 104–105
Danket dem Herren - 1a pars (of 3): Danket dem Herren, denn er ist freundlich 102–102v
Danket dem Herren - 2a pars (of 3): Der herre hat nit lust 102v–103
Danket dem Herren - 3a pars (of 3): Der herre hat gefallenn 103–103v
De profundis clamavi 15.13 (5vv) 5v–7
De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine 29–29v
De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem 30–30v
Deus venerunt gentes - 1a pars (of 2): Deus venerunt gentes in hereditatem tuam 52v–54
Deus venerunt gentes - 2a pars (of 2): Adjuva nos Deus salutaris noster 54–55v
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit Dominus vocem Anonymous 41–42
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Anonymous 42–43v
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 71–71v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 71v–72v
Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti 67–68
Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse 68–68v
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime 93–94
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes 94–95
Ecce Dominus veniet et omnes sancti eius 55v–57
Ecce Dominus veniet et omnes sancti eius 84v–85
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 8–8v
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil 9–9v
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet 9v–10v
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage 10v
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 10v–11v
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht 11v–12v
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit 12v–13v
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich 16–17
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich 17–18
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott 18v–19v
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 20–20v
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 20v–21
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 21–21v
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen 13v–14v
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden 15–16
Hodie Christus natus est hodie salvator 85v–86v
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 105–106
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient 106–107
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 1–1v
In convertendo Dominus - 2a pars (of 2): Qui seminant 2–2v
In te Domine speravi - 1a pars (of 2): In te Domine speravi 3–3v
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 3v–4
Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet 21v–22v
Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein 22v–23
Judica me Deus - 1a pars (of 2): Judica me Deus et contende contentionem meam 69–70
Judica me Deus - 2a pars (of 2): Et ingrediar ad altare Dei ad Deum 70–70v
Laudate Dominum omnes gentes, laudate eum 7–7v
Laudate Dominum omnes gentes, laudate eum 7v–8
Laudate pueri Dominum - 1a pars (of 2): Laudate pueri Dominum laudate nomen 57–58
Laudate pueri Dominum - 2a pars (of 2): Quis sicut Dominus Deus noster 58–59
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam 32–33v
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium 33v–34v
Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os 34v–35v
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum frustra 27v–28
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum 4–5
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis 5–5v
Nisi Dominus - 2a pars (of 2): Cum dederit dilectis suis somnum 28–28v
Nun bitten wir den heilgen geist Anonymous 46v–47v
Nun bitten wir den heiligen geist (5vv) 47v–48
O beatum pontificem qui totis visceribus diligebat [De sancto Martino] 80–81
O Jesu Christe - 1a pars (of 2): O Jesu Christe mundi custos et hominum 76–76v
O Jesu Christe - 2a pars (of 2): Rogamus te ergo princeps caelestium 76v–77
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 77–77v
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et futurem 77v–78
O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam 91v–92
O vos omnes - 2a pars (of 2): Attendite universi populi et videte 92–92v
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 64v–65
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 65–65v
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 23–24v
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 24v–26
Omnes gentes plaudite - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 30v–31
Omnes gentes plaudite - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 31–32
Pater noster/Ave Maria (6vv) - 1a pars (of 2): Pater noster qui es in caelis 78v–79
Puer natus est nobis et filius datus est 86v–87v
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines esse filium hominis 74–75
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondens ait 75–76
Querite Dominum dum inveniri potest 95–96
Qui confidunt in Domino - 1a pars (of 2): Qui confidunt in Domino sicut mons Sion 87v–88v
Qui confidunt in Domino - 2a pars (of 2): Quia non relinquet Dominus virgam 88v–89v
Qui confidunt in Domino sicut mons Sion 26–27v
Qui regis Israel intende qui sedes 18.9 62–63
Salve crux sancta super omnia ligna 72v–73
Seid ihr denn stumm - 1a pars (of 3): Seid ihr denn stumm, dass ihr nit reden 37v–39
Seid ihr denn stumm - 2a pars (of 3): Gott zerbricht ihre Zähne 39–39v
Seid ihr denn stumm - 3a pars (of 3): Sie vergehen wie ein schnecke 40–41
Si bona suscepimus de manu Domini Anonymous 73–74
So wahr als ich lebe - 1a pars (of 4): So wahr als ich lebe spricht der Herr 48v–49v
So wahr als ich lebe - 2a pars (of 4): Herr nimm von uns all unser Sünd' (Aufer a nobis) 49v–50v
So wahr als ich lebe - 3a pars (of 4): Erbarme dich deines Volkes (Miserere) 50v–51v
So wahr als ich lebe - 4a pars (of 4): Erhöre Herre unser bitte (Exaudi nos) 51v–52v
Te Deum laudamus 96–99v
Unicus O digito monstras sotera Johannes (= Si me tenes tant) 84–84v
Usquequo Domine - 1a pars (of 2): Usquequo Domine oblivisceris mei 66
Usquequo Domine - 2a pars (of 2): Respice responde mihi Deus meus 66v–67
Vater unser - 1a pars (of 2): Vater unser, der du bist im Himmel 35v–36
Vater unser - 2a pars (of 2): Unser täglich Brot gib uns heute 36v–37
Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus reple tuorum corda Anonymous 99v–100v
Veni sancte spiritus - 2a pars (of 2): Qui per diversitatem linguarum Anonymous 100v–102

Set: MS Mus. 1/D/3

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/3 [Altus]

No images available

D-Dl MS Mus. 1/D/3 [Bassus]

No images available

D-Dl MS Mus. 1/D/3 [Discantus]

No images available

D-Dl MS Mus. 1/D/3 [Quintus]

No images available

D-Dl MS Mus. 1/D/3 [Sextus]

No images available

D-Dl MS Mus. 1/D/3 [Tenor]

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 343,349-50,388-90,797. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 9-11, passim; Abb. 1-3. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93.  London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 18-36. Pages: 27-8. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 20-3. Notes: physical description (partial); contents list; concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 140. Notes: concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 107-8, passim. Notes: physical description; mention of MS; discussion; facsimile (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 148-56, 303. Notes: contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 194. Notes: concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 270, 296. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 51. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XII, 1399-1400. Notes: facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 115; LXVI, 173, x. Notes: physical description; facsimile (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII, v. Notes: physical description.

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 57-62. Notes: physical description; contents list.

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Daniel TROCME-LATTER

Wednesday, 14 July, 2021

Notification of identity of the 6vv Pater noster by Ferrara on fols 69v–70 (as well as pointing to the concordance presented in the article by Eric Jas).

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description