I-Fn MS Magl. XIX.176

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

manuscript of polyphony: c. 1475-80

Archive	Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark	MS Magl. XIX.176
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	168 x 118 mm
Other Identifiers	RISM: I-Fn 176 CCM: FlorBN Magl. 176
Notations	black void mensural
Copyists	scribal concordance [58] Text and Music
External Links	images
Provenance	Firenze (Florence), Italy
Contents	88 pieces from 28 composers

General Description

Copied by one main scribe and three additional scribes, one of whom copied most of FlorR 2356 (RifSC). Close repertorial connections with FlorR 2356 and ParisBNF 15123. Copied in Florence.

DIAMM, 2017

Binding

Original brown tooled leather covers.

DIAMM, 2017

Watermark

generally resembles Briquet #3363 (JepFR)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern pencil foliation, I-II + original ink foliation, 1-137.

DIAMM, 2017

Decoration

Inked initials decorated with floral/vine motifs and other tracery.

DIAMM, 2017

Index

Original index (incomplete) on new ff. I-I' groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVe s. 139ff. (dont les 2 premiers n. ch.). Papier, 168 x 118 mm. Foliotation ancienne chiffrant 1 le 3ef. : 1-137. Le 2ef. n. ch. et le f. 137v. sont blancs. Notation mesurée blanche. 6 portées par p. Au 1er f. n. ch., table incomplète du ms. Capitales ornées à la plume. Reliure ancienne (très restaurée) cuir brun estampé, restes de fermoirs de métal.

Ce. ms. provenant de la Bibl. Medie. Palatina a été écrit à la fin du XVe s. en Italie, si l'on en juge par l'orthographe fautive du français, probablement à Florence. L'écriture ayant de fortes ressemblances avec celle des marqueteries du studiolo de Federico de Montefeltre, on peut fixer la date de la compilation du ms. aux environs de 1480, date à laquelle on sait que les deux artistes Bacio Puntelli et Francesco di Giorgio Martini ont travaillé au palais d'Urbino (JeppesenVF). Sur les 86 compositions, on compte 68 chansons françaises, 13 italiennes, 2 espagnoles, 1 flamande et 2 pièces dont on n'a pu rétablir le texte.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

67 French secular pieces, 12 Italian secular pieces, 2 Spanish secular pieces, 1 Flemish secular piece, 4 textless pieces = 86

Bedingham [Bellingham]-2, Bedingham/(Frye)-1, (Binchois)-1, (Binchois/Dufay)-1, Busnois-5, Caron-2, (Cornago)-1, Domarto-1, Dufay-6, Dufay/(Bedingham)-1, Fedé/(Barbingant)-1, (Frye)-1, Giliardi-2, (Joye)-1, (Josquin/Lannoy)-1, Lepitet Basque-1, Michelet-1, Morton-3, (Moxica)-1, Mureau-2, Mureau/(Busnois/Compère)-1, (Obrecht)-1, Ockeghem-2, (Prioris)-2, Raoulin-3, Symonet le Breton-1, Tinctoris-2, (Wreede)-1, anon-38

iii + 139 + iii paper folios, 168 x 118. Original foliation, 1-137. Original brown tooled leather covers. Original index (incomplete). Copied by one main scribe and three additional scribes, one of whom copied most of FlorR 2356 (RifSC). Close repertorial connections with FlorR 2356 and ParisBNF 15123.

Late 1470's (AtlCM). Copied in Florence.

Vol 4

67 French secular pieces, 13 Italian secular pieces (1 without text), 2 Spanish secular pieces, 1 Dutch secular piece, 1 piece with incipit "Tisis non" only, 2 textless pieces = 86 + 1 duplicate = 87

Bedingham [Bellingan]-1, Bedingham/(Frye)-1, (Binchois)-1, (Binchois/Dufay)-1, Busnois-4, (Busnois/Ockeghem)-1, Caron-2, (Cornago)-1, Domarto-1, Dufay-6, Dufay/(Bedingham)-1, (Enrique/Wreede)-1, Fedé/(Barbingant)-1, Giliardi-2, (Josquin/ Lannoy)-1, (Joye)-1, Lepitet Basque-1, Michelet-1, Morton-3, (Moxica)-1, Mureau-2, Mureau/(Busnois/Compère)-1, Ockeghem -2, Raoulin-3, Symonet le Breton-1, Tinctoris-2, anon-43

iii + ii + 137 + iiï paper folios, 168 x 118. Modern pencil foliation, I-II + original ink foliation, 1-137. Original covers of brown tooled leather. Incom-plete original index on new ff. I-I' groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by one main scribe and three additional scribes, one of whom also copied most of FlorR 2356 (RifSC). Inked initials decorated with floral/vine motifs and other tracery. Watermark generally resembles Briquet #3363 (JepFR). Répertorial connections with FlorR 2356 and ParisBNF 15123.

Ca. 1475-80 (AtlCG). Copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
v_1	Cela sans plus et plus hola	[COLINET DE LANNOY]	Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de
Cela sans plus et plus hola Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de Appears on: v_1 Genres: Chanson Source Attribution: [COLINET DE LANNOY] Voice: [no designation] Languages: French Voice Text: Cela sant plus et puis ola … General Note Publ. cf. Bc 16 n° 42
1v–3	Prochain de deul, longain de joye	-	Anonymous
Prochain de deul, longain de joye Anonymous Appears on: 1v–3 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Prochain de deul.
3v–4	Vostre regard si treffort m'a feru	[J. TINCTORIS]*	Tinctoris, Johannes (ca. 1435–1511)
Vostre regard si treffort m'a feru Tinctoris, Johannes (ca. 1435–1511) Appears on: 3v–4 Genres: Chanson Source Attribution: [J. TINCTORIS]* Voice: [no designation] Languages: French Voice Text: Vostre regard. Concordances F-Dm 517, US-Wc 25 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 18. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris.
4v–6	Se je garde bien vostre honneur	-	Anonymous
Se je garde bien vostre honneur Anonymous Appears on: 4v–6 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Se ge guarde bien vostre honeus … Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris.
6v–8	A une dame j'ai fait veu	[A. BUSNOIS]*	Busnoys, Antoine (ca. 1430–1492)
A une dame j'ai fait veu Busnoys, Antoine (ca. 1430–1492) Appears on: 6v–8 Genres: Chanson Source Attribution: [A. BUSNOIS]* Voice: [no designation] Languages: French Voice Text: A ma dame [sic pour A une dame]. General Note Publ. cf. Bc 16 n° 22 Concordances *F-Dm 517, US-Wc 25
8v–9	Mercy mon deuil	[J. JOYE]*	Joye, Gilles
Mercy mon deuil Joye, Gilles Appears on: 8v–9 Genres: Chanson Source Attribution: [J. JOYE]* Voice: [no designation] Languages: French Voice Text: Merchi mon duol. Concordances US-NH Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven.
9v–11	Du tout m'estoye abandonné.	[G. DUFAY]*	Du Fay, Guillaume (1397–1474)
Du tout m'estoye abandonné. Du Fay, Guillaume (1397–1474) Appears on: 9v–11 Genres: Chanson, Rondeau Source Attribution: [G. DUFAY]* Voice: [no designation] Languages: French Voice Text: Du tout m'estoye [abandonné]. Concordances F-Pn 15123 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig.
11v–12	Le mois de may fort me contraint	-	Anonymous
Le mois de may fort me contraint Anonymous Appears on: 11v–12 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Le mois de may [fort me contraint]. Item Bibliography Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris.
12v–13	J'ai pris un poul en ma chemise.	-	Anonymous
J'ai pris un poul en ma chemise. Anonymous Appears on: 12v–13 Genres: Chanson Voice: [no designation] Languages: French Voice Text: J'ay pris ung poul en ma chemise. Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
13v–15	Joie me fuit = Je me sans	[A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Joie me fuit = Je me sans Busnoys, Antoine (ca. 1430–1492) Appears on: 13v–15 Genres: Chanson Source Attribution: [A. BUSNOIS] Voice: [no designation] Languages: French Voice Text: Joye me fait [sic pour fuit] [= Je me sans] Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
15v–17	O Fortune, trop tu es dure	BUSNOIS	Busnoys, Antoine (ca. 1430–1492)
O Fortune, trop tu es dure Busnoys, Antoine (ca. 1430–1492) Appears on: 15v–17 Genres: Chanson Source Attribution: BUSNOIS Voice: [no designation] Languages: French Voice Text: Fortune trop tu es dure. [=0 fortune tu es trop dure] Concordances US-NHy Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
17v–19	Mon seul et celé souvenir = Ave rosa rubiconda	-	Anonymous
Mon seul et celé souvenir = Ave rosa rubiconda Anonymous Appears on: 17v–19 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon seul et celé souvenir … [ = Ave rosa rubiconda] Concordances D-ddr-Bds 40098 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
19v–21	Moro perche non dai fede	[J. CORNAGO]	Cornago, Juan de
Moro perche non dai fede Cornago, Juan de Appears on: 19v–21 Genres: Italian secular Source Attribution: [J. CORNAGO] Voice: [no designation] Languages: Italian Voice Text: Moro perche non dai fede. Item Bibliography Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: ms 871. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
21v–22	Comment est la manière = Et congit en m'amour	-	Anonymous
Comment est la manière = Et congit en m'amour Anonymous Appears on: 21v–22 Genres: Motet Voice: [no designation] Languages: French Voice Text: Et congit en mamour. [ = Comment est la manière]
22v–23	Ma vit me convient.	-	Anonymous
Ma vit me convient. Anonymous Appears on: 22v–23 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ma vit me convient.
23v–24	Celui qui est tant plain de duel	P. DE DOMARTO	Domarto, Petrus de
Celui qui est tant plain de duel Domarto, Petrus de Appears on: 23v–24 Genres: Chanson Source Attribution: P. DE DOMARTO Voice: [no designation] Languages: French Voice Text: Cheluy qui est tant plain de duel Item Bibliography Becherini, Bianca. 1950. Autori minori nel codice fiorentino Magi. XIX, 176. Revue Belge de Musicologie, 19-31.
24v–26	Dieu, gard la bone sans reprise	DUFFAY	Du Fay, Guillaume (1397–1474)
Dieu, gard la bone sans reprise Du Fay, Guillaume (1397–1474) Appears on: 24v–26 Genres: Chanson, Rondeau Source Attribution: DUFFAY Voice: [no designation] Languages: French Voice Text: Dieu gard la bone sans reprise … [= Trag frischen muth] Concordances D-ddr-Bds 40098 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4. Thibault, Geneviève. 1924. Quelques chansons de Dufay. La Revue Musicale, 97ff.
26v–27	D'un tout ainsy que vous plair a	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
D'un tout ainsy que vous plair a Caron, Firminus (ca. 1460–ca. 1475) Appears on: 26v–27 Genres: Chanson Source Attribution: [CARON] Voice: [no designation] Languages: French Voice Text: D'un tout ainsy que vous plair [a] Concordances F-Pn 15123 Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr.* Collected works. Gesamtausgaben. New York. Pages: VI / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
27v–28	Seullettesuis sans ami tant qu'ami las emi.	-	Anonymous
Seullettesuis sans ami tant qu'ami las emi. Anonymous Appears on: 27v–28 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Seullettesuis sans ami tant qu'ami las emi. Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
28v–29	Las madame	-	Anonymous
Las madame Anonymous Appears on: 28v–29 Genres: Secular Voice: [no designation] Languages: French Voice Text: Las madame Voice: [no designation] Languages: French Voice Text: Las madame Voice: [no designation] Languages: French Voice Text: Las madame
29v–30	Ne je ne dors ne je ne veille	Duffay	Du Fay, Guillaume (1397–1474)
Ne je ne dors ne je ne veille Du Fay, Guillaume (1397–1474) Appears on: 29v–30 Genres: Chanson, Rondeau Source Attribution: Duffay Voice: [no designation] Languages: French Voice Text: Ne je ne dors ne je ne veille. Voice: [no designation] Languages: French Voice Text: Ne je ne dors ne je ne veille. Voice: [no designation] Languages: French Voice Text: Ne je ne dors ne je ne veille. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Thibault, Geneviève. 1924. Quelques chansons de Dufay. La Revue Musicale, 97ff.
30v–31	Vie sach oit bider dach	Simonet	Breton, Simon le
Vie sach oit bider dach Breton, Simon le Appears on: 30v–31 Genres: Song Source Attribution: Simonet Voice: [no designation] Languages: Flemish Voice Text: Vie sach oit bider dach. Voice: [no designation] Languages: Flemish Voice Text: Vie sach oit bider dach. Voice: [no designation] Languages: Flemish Voice Text: Vie sach oit bider dach. Item Bibliography Lenaerts, René Bernard. 1933. Het Nederlands polifonies Lied in de lòde eeuw. Mechelen-Amsterdam.
31v–32	Il me doibt	-	Anonymous
Il me doibt Anonymous Appears on: 31v–32 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Il me doibt. Voice: [no designation] Languages: French Voice Text: Il me doibt. Voice: [no designation] Languages: French Voice Text: Il me doibt.
32v–34	Ma bouche rit et ma pensée pleure	Ockeghem	Ockeghem, Jean de (ca. 1410–1497)
Ma bouche rit et ma pensée pleure Ockeghem, Jean de (ca. 1410–1497) Appears on: 32v–34 Genres: Chanson Source Attribution: Ockeghem Voice: [no designation] Languages: French Voice Text: Ma bouche rit. Voice: [no designation] Languages: French Voice Text: Ma bouche rit. Voice: [no designation] Languages: French Voice Text: Ma bouche rit. Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Davison, Archibald Thompson, and Willi Apel (editors). 1966. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music. Cambridge, Massachusetts. Kottick, Edward Leon. 1962. The music of the Chansonnier Cordiforme: Paris, Bibliothèque nationale, Rothschild 2973. University of North Carolina, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XII. Wolf, Johannes. 1944. Historia de la mùsica. Barcelona. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4. Wolf, Johannes. 1931); American reprint: 'Music of earlier times. Vocal and instrumental examples; 13th century to Bach'. (New York, 1946. Sing-und Spielmusik aus älterer Zeit. Leipzig. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig.
34v–36	Vidies deors car vous estes trop choit	-	Anonymous
Vidies deors car vous estes trop choit Anonymous Appears on: 34v–36 Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Vidies deors car vous estes trop choit . . . Voice: [no designation] Languages: Latin Voice Text: Vidies deors car vous estes trop choit . . . Voice: [no designation] Languages: Latin Voice Text: Vidies deors car vous estes trop choit . . .
36v–38	Vostre bruit et vostre grant fame	Duffay	Du Fay, Guillaume (1397–1474)
Vostre bruit et vostre grant fame Du Fay, Guillaume (1397–1474) Appears on: 36v–38 Genres: Chanson, Rondeau Source Attribution: Duffay Voice: [no designation] Languages: French Voice Text: Vostre bruit vostre gran fame … Voice: [no designation] Languages: French Voice Text: Vostre bruit vostre gran fame … Voice: [no designation] Languages: French Voice Text: Vostre bruit vostre gran fame … Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Kottick, Edward Leon. 1962. The music of the Chansonnier Cordiforme: Paris, Bibliothèque nationale, Rothschild 2973. University of North Carolina, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 4. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 14. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
38v–40	Belle veuilliés moi retenir	Duffay	Du Fay, Guillaume (1397–1474)
Belle veuilliés moi retenir Du Fay, Guillaume (1397–1474) Appears on: 38v–40 Genres: Chanson, Rondeau Source Attribution: Duffay Voice: [no designation] Languages: French Voice Text: Belle vueilles [moy vangier]. Item Bibliography Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: Ms 871. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Thibault, Geneviève. 1924. Quelques chansons de Dufay. La Revue Musicale, 97ff.
40v–42	O invida fortuna	Arnolfo	Giliardi, Arnolfo
O invida fortuna Giliardi, Arnolfo Appears on: 40v–42 Genres: Motet Source Attribution: Arnolfo Voice: [no designation] Languages: Latin Voice Text: O invida fortuna Concordances cf. n° 82 Item Bibliography Jeppesen, Knud. 1968-70. La Frottola.* Acta Jutlandica. 3 vols. Copenhagen. Pages: II (facs.).
42v–44	Bonté ay tout ma plaisante	-	Anonymous
Bonté ay tout ma plaisante Anonymous Appears on: 42v–44 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Bonté ay tout ma plaisante. Voice: [no designation] Languages: French Voice Text: Bonté ay tout ma plaisante. Voice: [no designation] Languages: French Voice Text: Bonté ay tout ma plaisante.
44v–46	untexted	-	-
untexted Appears on: 44v–46 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none
46v–48	Grace actendant ou la mort	G. Mueran	Mureau, Gilles
Grace actendant ou la mort Mureau, Gilles Appears on: 46v–48 Genres: Chanson Source Attribution: G. Mueran Voice: [no designation] Languages: French Voice Text: Grace actendant ou la mort … Voice: [no designation] Languages: French Voice Text: Grace actendant ou la mort … Voice: [no designation] Languages: French Voice Text: Grace actendant ou la mort … Voice: [no designation] Languages: French Voice Text: Grace actendant ou la mort … General Note [= MUREAU] Item Bibliography Droz, Eugénie, and Geneviève Thibault. 1924. Poètes et musiciens du XVe siècle. Documents artistiques du XVe siècle. Paris.
48v–49	Mon coeur a demi se depart	-	Anonymous
Mon coeur a demi se depart Anonymous Appears on: 48v–49 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon euer a demi se [depart]. Voice: [no designation] Languages: French Voice Text: Mon euer a demi se [depart]. Voice: [no designation] Languages: French Voice Text: Mon euer a demi se [depart]. Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: (Op. dub. J. Prioris). Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris.
49v–50	N'est ce pas bien pour départir	-	Anonymous
N'est ce pas bien pour départir Anonymous Appears on: 49v–50 Genres: Chanson, Rondeau Voice: [no designation] Languages: French Voice Text: Ne le e pas bien Voice: [no designation] Languages: French Voice Text: Ne le e pas bien Voice: [no designation] Languages: French Voice Text: Ne le e pas bien General Note sic pour N'est ce pas bien pour départir •F-Dm 517 Concordances •F-Dm 517 Item Bibliography Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II (N'est-ce pas bien euer partir).
50v–51	Je ne vis oncques la pareille de vous	[G. BINCHOIS* ou G. DUFAY]	Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?)
Je ne vis oncques la pareille de vous Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 50v–51 Genres: Chanson Source Attribution: [G. BINCHOIS* ou G. DUFAY] Voice: [no designation] Languages: French Voice Text: Je ne vis onques [la pareille] Voice: [no designation] Languages: French Voice Text: Je ne vis onques [la pareille] Voice: [no designation] Languages: French Voice Text: Je ne vis onques [la pareille] Concordances . F-Pn 57 Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical,* 123-53. Pages: Ms 871. Kottick, Edward Leon. 1962. The music of the Chansonnier Cordiforme: Paris, Bibliothèque nationale, Rothschild 2973. University of North Carolina, Ph.D. Dissertation. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 19. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
51v–52	Mon seul bien	-	Anonymous
Mon seul bien Anonymous Appears on: 51v–52 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon seul bien Voice: [no designation] Languages: French Voice Text: Mon seul bien Voice: [no designation] Languages: French Voice Text: Mon seul bien
52v–53	Le souvenir de vous me tue mon seul bien	Morton	Morton, Robert
Le souvenir de vous me tue mon seul bien Morton, Robert Appears on: 52v–53 Genres: Chanson Source Attribution: Morton Voice: [no designation] Languages: French Voice Text: Le sovenir [de vous me tue] Voice: [no designation] Languages: French Voice Text: Le sovenir [de vous me tue] Voice: [no designation] Languages: French Voice Text: Le sovenir [de vous me tue] General Note Publ. cf. Bc 16 n" 118
53v–54	N'aray je jamais mieux que j'ai	Morton	Morton, Robert
N'aray je jamais mieux que j'ai Morton, Robert Appears on: 53v–54 Genres: Chanson Source Attribution: Morton Voice: [no designation] Languages: French Voice Text: N'aray jamais mielx que j'ay … Voice: [no designation] Languages: French Voice Text: N'aray jamais mielx que j'ay … Voice: [no designation] Languages: French Voice Text: N'aray jamais mielx que j'ay … Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II. Jeppesen, Knud (editor). 1927. Der Kopenhagener Chansonnier, das Manuskript Thott 2918 der Königlichen Bibliothek Kopenhagen. Kopenhagen/Leipzig. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: III.
54v–55	L'homme banny de sa plaisance	FEDE [ou J. BARBINGANT*]	Barbingant, Pierre (fl. c1445-60) (?) Fede, Johannes (?)
L'homme banny de sa plaisance Barbingant, Pierre (fl. c1445-60) (?) Fede, Johannes (?) Appears on: 54v–55 Genres: Chanson Source Attribution: FEDE [ou J. BARBINGANT] Voice:* [no designation] Languages: French Voice Text: Lome bani [de sa plaisance] Voice: [no designation] Languages: French Voice Text: Lome bani [de sa plaisance] Voice: [no designation] Languages: French Voice Text: Lome bani [de sa plaisance] Concordances US-NHy Item Bibliography Schavran, Henrietta. 1978. The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480. New York University, Unpublished Ph.D. dissertation. Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Kottick, Edward Leon. 1962. The music of the Chansonnier Cordiforme: Paris, Bibliothèque nationale, Rothschild 2973. University of North Carolina, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 7,11 (Barbireau).
55v–57	Que poit plus faire une maistresse	-	Anonymous
Que poit plus faire une maistresse Anonymous Appears on: 55v–57 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Que poit plus faire une maistresse … Voice: [no designation] Languages: French Voice Text: Que poit plus faire une maistresse … Voice: [no designation] Languages: French Voice Text: Que poit plus faire une maistresse …
57v–58	Puisque je vis le regard gratieux	-	Anonymous
Puisque je vis le regard gratieux Anonymous Appears on: 57v–58 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Puis que je vis [le regard gratieux] Voice: [no designation] Languages: French Voice Text: Puis que je vis [le regard gratieux] Voice: [no designation] Languages: French Voice Text: Puis que je vis [le regard gratieux] Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II.
58v–59	Mon seul plaisir, ma douce joie	Duffay [ou J. BEDINGHAM	Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?)
Mon seul plaisir, ma douce joie Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?) Appears on: 58v–59 Genres: Chanson Source Attribution: Duffay [ou J. BEDINGHAM Voice: [no designation] Languages: French Voice Text: Mon seul plaisir e ma doulce joie … Concordances P-Pm 714 Item Bibliography Schavran, Henrietta. 1978. The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480. New York University, Unpublished Ph.D. dissertation. Brown, Howard Mayer (editor). 1973-. Early Music Series.* London. Pages: no 28(Mi verry joye). Kottick, Edward Leon. 1962. The music of the Chansonnier Cordiforme: Paris, Bibliothèque nationale, Rothschild 2973. University of North Carolina, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.
59v–60	Accueillie ma la belle (A version) = Saoulé m'a la belle	Carom	Caron, Firminus (ca. 1460–ca. 1475)
Accueillie ma la belle (A version) = Saoulé m'a la belle Caron, Firminus (ca. 1460–ca. 1475) Appears on: 59v–60 Genres: Chanson Source Attribution: Carom Voice: [no designation] Languages: French Voice Text: Aculie [m'a la belle]. Voice: [no designation] Languages: French Voice Text: Aculie [m'a la belle]. Voice: [no designation] Languages: French Voice Text: Aculie [m'a la belle]. Concordances *F-Dm 517 Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Cartier, Anita. 1962. Philippe Caron, Da Pacem transcription. Paris. Pages: (Da pacem). Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: VI / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Disertori, Benvenuto. 1946. II manoscritto 1947-4 di Trento e la canzone 'i'ay prins amours. Rivista Musicale Italiana, 1-29. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
60v–62	Pour une suis desconforté [= So ys emprentid]	BELLINGAN [ou W.FRYE**]	Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?)
Pour une suis desconforté [= So ys emprentid] Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?) Appears on: 60v–62 Genres: Chanson, Contrafactum Source Attribution: BELLINGAN [ou W.FRYE] Voice: [no designation] Languages: French Voice Text: Pour une suis [desconforté]. Voice: [no designation] Languages: French Voice Text: Pour une suis [desconforté]. Voice: [no designation] Languages: French Voice Text:** Pour une suis [desconforté]. Concordances US-Wc 25 US-NHy General Note [= So ys emprentid in my remembrance] [= Sancta Maria succurre miseris] Item Bibliography Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century.* Oxford. Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Pages: AE. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II. Kenney, Sylvia W. 1955. Contrafacta in the works of Walter Frye. Journal of the American Musicological Society, 182ff. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 19 (W. Frye).
62v–64	Grant temps ay eu	BELLINGAN	Bedingham, John (–ca. 1460)
Grant temps ay eu Bedingham, John (–ca. 1460) Appears on: 62v–64 Genres: Chanson Source Attribution: BELLINGAN Voice: [no designation] Languages: French Voice Text: Gran temps [ai eu et désiré] General Note [= Mijnhertis lust] [= Beata es virgo Maria]US-NHy Concordances US-NHy Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 19. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
64v–66	Dedens le mer	-	Anonymous
Dedens le mer Anonymous Appears on: 64v–66 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Dede[n\s le mer. Voice: [no designation] Languages: French Voice Text: Dede[n\s le mer. Voice: [no designation] Languages: French Voice Text: Dede[n\s le mer. Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871.
60v–69	L'aflicto cor	Lepitet Basque	Lepitet Basque
L'aflicto cor Lepitet Basque Appears on: 60v–69 Genres: Italian secular Source Attribution: Lepitet Basque Voice: [no designation] Languages: Italian Voice Text: L'aflicto cor … Voice: [no designation] Languages: Italian Voice Text: L'aflicto cor … Voice: [no designation] Languages: Italian Voice Text: L'aflicto cor …
69v–71	Quant ce viendra = Gaude mater misericordiae	[A. BUSNOIS* ou J. OCKEGHEM**]	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492)
Quant ce viendra = Gaude mater misericordiae Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) Appears on: 69v–71 Genres: Chanson Source Attribution: [A. BUSNOIS* ou J. OCKEGHEM] Voice: [no designation] Languages: French Voice Text:** Quant ce vendra [au droit d'estraindre]. Voice:* [no designation] Languages: French Voice Text: Quant ce vendra [au droit d'estraindre]. Voice:* [no designation] Languages: French Voice Text: Quant ce vendra [au droit d'estraindre]. Concordances F-Dm 517, US-Wc 25 E-E IV a 24 Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris.
71v–73	Tant fort me tarde ta venu	G. Mueram [= MUREAU]	Mureau, Gilles
Tant fort me tarde ta venu Mureau, Gilles Appears on: 71v–73 Genres: Chanson Source Attribution: G. Mueram [= MUREAU] Voice: [no designation] Languages: French Voice Text: Tant fort me tarde ta venue. Voice: [no designation] Languages: French Voice Text: Tant fort me tarde ta venue. Voice: [no designation] Languages: French Voice Text: Tant fort me tarde ta venue. General Note [= MUREAU] Concordances There is a setting of same text in F-Pn nouvelles acquisitions françaises 4379 - may be Mureau's also, concordance not checked
73v–75	Je ne fais plus je ne dis ne escris = Au joli mois de may	G. MUREAM [= MUREAU ou L. COMPÈRE* ou A. BUSNOIS]	Compère, Loyset (ca. 1445–1518) (?) Mureau, Gilles (?) Busnoys, Antoine (ca. 1430–1492) (?)
Je ne fais plus je ne dis ne escris = Au joli mois de may Compère, Loyset (ca. 1445–1518) (?) Mureau, Gilles (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 73v–75 Genres: Chanson Source Attribution: G. MUREAM [= MUREAU ou L. COMPÈRE* ou A. BUSNOIS] Voice: [no designation] Languages: French Voice Text: Je ne fais plus je ne dis. Voice: [no designation] Languages: French Voice Text: Je ne fais plus je ne dis. Voice: [no designation] Languages: French Voice Text: Je ne fais plus je ne dis. General Note Publ. cf. Bc 17 n° 33 Concordances *E-SE
75v–77	Que feray las	-	Anonymous
Que feray las Anonymous Appears on: 75v–77 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Que feray las. General Note Publ. cf. Bc 16 n° 89
77v–79	Je te veulx désavouer oeil	-	Anonymous
Je te veulx désavouer oeil Anonymous Appears on: 77v–79 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je te veulx desadvoyer. Voice: [no designation] Languages: French Voice Text: Je te veulx desadvoyer. Voice: [no designation] Languages: French Voice Text: Je te veulx desadvoyer. Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
79v–81	Quem affaire sic pour Qu'en a a faire Male bouche	-	Anonymous
Quem affaire sic pour Qu'en a a faire Male bouche Anonymous Appears on: 79v–81 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Quem affaire Voice: [no designation] Languages: French Voice Text: Quem affaire Voice: [no designation] Languages: French Voice Text: Quem affaire Concordances *Jardin
81v–83	Tout bien de vos me peut venir	-	Anonymous
Tout bien de vos me peut venir Anonymous Appears on: 81v–83 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tout bien de vos Voice: [no designation] Languages: French Voice Text: Tout bien de vos Voice: [no designation] Languages: French Voice Text: Tout bien de vos Concordances *Jardin
83v–85	La despourvue et la bannie	[J. OCKEGHEM]*	Ockeghem, Jean de (ca. 1410–1497)
La despourvue et la bannie Ockeghem, Jean de (ca. 1410–1497) Appears on: 83v–85 Genres: Chanson Source Attribution: [J. OCKEGHEM]* Voice: [no designation] Languages: French Voice Text: La despourvueue et la bennye … Voice: [no designation] Languages: French Voice Text: La despourvueue et la bennye … Voice: [no designation] Languages: French Voice Text: La despourvueue et la bennye … Concordances *F-Pn 15123 Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
85v–86	S'il advient que mon deul me tue	MIchelet	Michelet
S'il advient que mon deul me tue Michelet Appears on: 85v–86 Genres: Chanson Source Attribution: MIchelet Voice: [no designation] Languages: French Voice Text: S'il advient que mon deul me tue. Voice: [no designation] Languages: French Voice Text: S'il advient que mon deul me tue. Voice: [no designation] Languages: French Voice Text: S'il advient que mon deul me tue. Item Bibliography Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris. Jeppesen, Knud (editor). 1927. Der Kopenhagener Chansonnier, das Manuskript Thott 2918 der Königlichen Bibliothek Kopenhagen. Kopenhagen/Leipzig.
86v–87	O invida fortuna	Jo. Tinctoris	Tinctoris, Johannes (ca. 1435–1511)
O invida fortuna Tinctoris, Johannes (ca. 1435–1511) Appears on: 86v–87 Genres: Motet Source Attribution: Jo. Tinctoris Voice: [no designation] Languages: Latin Voice Text: 0 invida fortuna . Voice: [no designation] Languages: Latin Voice Text: 0 invida fortuna . Voice: [no designation] Languages: Latin Voice Text: 0 invida fortuna . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 18.
87v–88	Te ne moi	-	Anonymous
Te ne moi Anonymous Appears on: 87v–88 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Te ne moy Voice: [no designation] Languages: French Voice Text: Te ne moy Voice: [no designation] Languages: French Voice Text: Te ne moy
88v–89	Renoncier veul aux biens d'amours	-	Anonymous
Renoncier veul aux biens d'amours Anonymous Appears on: 88v–89 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Renochier voeul aux [biens] d'amour . . . Voice: [no designation] Languages: French Voice Text: Renochier voeul aux [biens] d'amour . . . Voice: [no designation] Languages: French Voice Text: Renochier voeul aux [biens] d'amour . . .
89v–91	Non querendo soys guerida	[MOXICA]*	Moxica
Non querendo soys guerida Moxica Appears on: 89v–91 Genres: Chanson Source Attribution: [MOXICA]* Voice: [no designation] Languages: Italian Voice Text: Non querendo soys guerida … Voice: [no designation] Languages: Italian Voice Text: Non querendo soys guerida … Voice: [no designation] Languages: Italian Voice Text: Non querendo soys guerida … Concordances E-Mp 1335 Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften.* Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 4vx. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: V.
91v–92	Nunca fue pena mayor / Numquam fuit pena magior	[J. URREDE ou ENRIQUE]	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)
Nunca fue pena mayor / Numquam fuit pena magior Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?) Appears on: 91v–92 Genres: Motet Source Attribution: [J. URREDE ou ENRIQUE] Voice: [no designation] Languages: Latin Voice Text: Nunquam [fu pena mayor] Voice: [no designation] Languages: Latin Voice Text: Nunquam [fu pena mayor] Voice: [no designation] Languages: Latin Voice Text: Nunquam [fu pena mayor] General Note Publ. cf. Bc 16 n» 116
92v–93	Renoncier veul aux biens d'amours	-	Anonymous
Renoncier veul aux biens d'amours Anonymous Appears on: 92v–93 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [Renochier voeul aux biens d'amour] Voice: [no designation] Languages: French Voice Text: [Renochier voeul aux biens d'amour] Voice: [no designation] Languages: French Voice Text: [Renochier voeul aux biens d'amour]
93v–94	Entre Peron et Saint Quentin	[RUBINET]*	Robinet, F
Entre Peron et Saint Quentin Robinet, F Appears on: 93v–94 Genres: Chanson Source Attribution: [RUBINET]* Voice: [no designation] Languages: French Voice Text: Entr en Paris [et St Quentin]. General Note Publ. cf. Bc 16 n» 43 Concordances *D-ddr-Bds 40098
94v–95	Galans et bons compagnons	-	Anonymous
Galans et bons compagnons Anonymous Appears on: 94v–95 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Galans [et bons compagnons]. Voice: [no designation] Languages: French Voice Text: Galans [et bons compagnons]. Voice: [no designation] Languages: French Voice Text: Galans [et bons compagnons]. Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
95v–96	Cousine trop vous abusés	Mortom	Morton, Robert
Cousine trop vous abusés Morton, Robert Appears on: 95v–96 Genres: Chanson Source Attribution: Mortom Voice: [no designation] Languages: French Voice Text: Cousine [trop vous abusés]. Voice: [no designation] Languages: French Voice Text: Cousine [trop vous abusés]. Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 105-87.
96v–97	Je pris merveilleux desplaisir	-	Anonymous
Je pris merveilleux desplaisir Anonymous Appears on: 96v–97 Genres: Chanson, Rondeau Voice: [no designation] Languages: French Voice Text: Je pris maravelois [desplaisir]. Voice: [no designation] Languages: French Voice Text: Je pris maravelois [desplaisir]. Voice: [no designation] Languages: French Voice Text: Je pris maravelois [desplaisir]. Item Bibliography Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II.
97v–99	Pon fin ornai al mio greve dolore = Pon fin fortuna	-	Anonymous
Pon fin ornai al mio greve dolore = Pon fin fortuna Anonymous Appears on: 97v–99 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: [P]on fin ornai al mio greve dolore . . Voice: [no designation] Languages: Italian Voice Text: [P]on fin ornai al mio greve dolore . . Voice: [no designation] Languages: Italian Voice Text: [P]on fin ornai al mio greve dolore . .
99v–100	untexted	-	-
untexted Appears on: 99v–100 Voice: [no designation] Languages: none
100v–103	Mai di lagrime	-	Anonymous
Mai di lagrime Anonymous Appears on: 100v–103 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Mai di lagrime Voice: [no designation] Languages: Italian Voice Text: Mai di lagrime Voice: [no designation] Languages: Italian Voice Text: Mai di lagrime
103v–104	Questa fenice	-	Anonymous
Questa fenice Anonymous Appears on: 103v–104 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Qesta feniice. Voice: [no designation] Languages: Italian Voice Text: Qesta feniice. Voice: [no designation] Languages: Italian Voice Text: Qesta feniice.
104v–106	Le bionde treçe d'oro	-	Anonymous
Le bionde treçe d'oro Anonymous Appears on: 104v–106 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [Le bionde treçe d'oro] Voice: [no designation] Languages: Italian Voice Text: [Le bionde treçe d'oro] Voice: [no designation] Languages: Italian Voice Text: [Le bionde treçe d'oro] Item Bibliography Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 105-87.
106v–108	Questa fenice	-	Anonymous
Questa fenice Anonymous Appears on: 106v–108 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Questa fìnice. Voice: [no designation] Languages: Italian Voice Text: Questa fìnice. Voice: [no designation] Languages: Italian Voice Text: Questa fìnice. Voice: [no designation] Languages: Italian Voice Text: Questa fìnice.
108v–111	Croi c'est sous ma pese - 1a pars (of 2): Croi c'est sous ma pese	RAULIN	Raulin / Roelkin (1443–1485)
Croi c'est sous ma pese - 1a pars (of 2): Croi c'est sous ma pese Raulin / Roelkin (1443–1485) Appears on: 108v–111 Genres: Chanson Source Attribution: RAULIN Voice: [no designation] Languages: French Voice Text: N.L. CROI c'est sous ma pese …
108v–111	Croi c'est sous ma pese - 2a pars (of 2): De son voulleir m'a donné la puisance	RAULIN	Raulin / Roelkin (1443–1485)
Croi c'est sous ma pese - 2a pars (of 2): De son voulleir m'a donné la puisance Raulin / Roelkin (1443–1485) Appears on: 108v–111 Genres: Chanson Source Attribution: RAULIN Voice: [no designation] Languages: French Voice Text: 2a p.: De son voulleir m'a donné la puisance .
111v–113	Je suis trop jeunette	Raulin	Raulin / Roelkin (1443–1485)
Je suis trop jeunette Raulin / Roelkin (1443–1485) Appears on: 111v–113 Genres: Chanson Source Attribution: Raulin Voice: [no designation] Languages: French Voice Text: Se suis trop jeunette. Voice: [no designation] Languages: French Voice Text: Se suis trop jeunette. Voice: [no designation] Languages: French Voice Text: Se suis trop jeunette. Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago.
113v–115	Veu que tant de vous	Raulin	Raulin / Roelkin (1443–1485)
Veu que tant de vous Raulin / Roelkin (1443–1485) Appears on: 113v–115 Genres: Chanson Source Attribution: Raulin Voice: [no designation] Languages: French Voice Text: Veu que tant de vous. Voice: [no designation] Languages: French Voice Text: Veu que tant de vous. Voice: [no designation] Languages: French Voice Text: Veu que tant de vous. Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
115v–116	Sans deshonneur	-	Anonymous
Sans deshonneur Anonymous Appears on: 115v–116 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Sans deshonneur. Voice: [no designation] Languages: French Voice Text: Sans deshonneur. Voice: [no designation] Languages: French Voice Text: Sans deshonneur.
110v–118	Je ne me puis voir	-	Anonymous
Je ne me puis voir Anonymous Appears on: 110v–118 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je ne me puis veoir. Voice: [no designation] Languages: French Voice Text: Je ne me puis veoir. Voice: [no designation] Languages: French Voice Text: Je ne me puis veoir.
118v–120	Combien que faille	-	Anonymous
Combien que faille Anonymous Appears on: 118v–120 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Conbien que faille. Voice: [no designation] Languages: French Voice Text: Conbien que faille. Voice: [no designation] Languages: French Voice Text: Conbien que faille.
120v–121	Las ay je tort	-	Anonymous
Las ay je tort Anonymous Appears on: 120v–121 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Las ay le tort. Voice: [no designation] Languages: French Voice Text: Las ay le tort. Voice: [no designation] Languages: French Voice Text: Las ay le tort.
121v–123	Adieu vous di la lerme.	-	Anonymous
Adieu vous di la lerme. Anonymous Appears on: 121v–123 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Adieu vous di la lerme. Voice: [no designation] Languages: French Voice Text: Adieu vous di la lerme. Voice: [no designation] Languages: French Voice Text: Adieu vous di la lerme.
123v–125	Comme femme desconfortée	[G. BINCHOIS]*	Binchois, Gilles (ca. 1400–1460)
Comme femme desconfortée Binchois, Gilles (ca. 1400–1460) Appears on: 123v–125 Genres: Chanson Source Attribution: [G. BINCHOIS]* Voice: [no designation] Languages: French Voice Text: Comme femme desconfortée. Voice: [no designation] Languages: French Voice Text: Comme femme desconfortée. Voice: [no designation] Languages: French Voice Text: Comme femme desconfortée. General Note Concordances US-NHy Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Kottick, Edward Leon. 1962. The music of the Chansonnier Cordiforme: Paris, Bibliothèque nationale, Rothschild 2973. University of North Carolina, Ph.D. Dissertation. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris.
125v–127	Non posso più tenere = Chargé de deul	-	Anonymous
Non posso più tenere = Chargé de deul Anonymous Appears on: 125v–127 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Chargé de deul. Voice: [no designation] Languages: French Voice Text: Chargé de deul. Voice: [no designation] Languages: French Voice Text: Chargé de deul. General Note [= Non posso più tenere] Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
127v–129	Piagneran gli occhi mey	ARNOLFO SCHARD	Giliardi, Arnolfo
Piagneran gli occhi mey Giliardi, Arnolfo Appears on: 127v–129 Genres: Italian secular Source Attribution: ARNOLFO SCHARD Voice: [no designation] Languages: Italian Voice Text: Piagneran gli occhi mey …
129v–130	O pellegrina o luce chiera stella	-	Anonymous
O pellegrina o luce chiera stella Anonymous Appears on: 129v–130 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: O pellegrina luce … Concordances Pavia MS Aldini 362 version is concordant with Chansonnier cordiforme no.2; but not with I-MC 871 (= Chansonnier cordiforme no.1) The following three are concordant with one or the other of these (to be determined): I-TRbc MS 1375 [88] I-Fn MS Magl. XIX.176 F-Pn Coll. Roths, MS 2973
130v–132	Tisis non	DUFAY	Du Fay, Guillaume (1397–1474)
Tisis non Du Fay, Guillaume (1397–1474) Appears on: 130v–132 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Italian Voice Text: Tisis non Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI(Op. dub.).
132v–134	Se mai giovan partita	-	Anonymous
Se mai giovan partita Anonymous Appears on: 132v–134 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Se mai giovan partita …
134v–136	Tisis non	-	Anonymous
Tisis non Anonymous Appears on: 134v–136 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Tisis non
130v–137	Mon coeur a demi se depart	-	Anonymous
Mon coeur a demi se depart Anonymous Appears on: 130v–137 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon cuer a demi. General Note [= Mon cuer de dueil] [= Mon cuer de doleur] Concordances F-Pn 15123 Item Bibliography Schavran, Henrietta. 1978. The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480. New York University, Unpublished Ph.D. dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.

Composer	Compositions
Anonymous	Adieu vous di la lerme. – 121v–123 Bonté ay tout ma plaisante – 42v–44 Combien que faille – 118v–120 Comment est la manière = Et congit en m'amour – 21v–22 Dedens le mer – 64v–66 Galans et bons compagnons – 94v–95 Il me doibt – 31v–32 J'ai pris un poul en ma chemise. – 12v–13 Je ne me puis voir – 110v–118 Je pris merveilleux desplaisir – 96v–97 Je te veulx désavouer oeil – 77v–79 Las ay je tort – 120v–121 Las madame – 28v–29 Le bionde treçe d'oro – 104v–106 Le mois de may fort me contraint – 11v–12 Ma vit me convient. – 22v–23 Mai di lagrime – 100v–103 Mon coeur a demi se depart – 48v–49 Mon coeur a demi se depart – 130v–137 Mon seul bien – 51v–52 Mon seul et celé souvenir = Ave rosa rubiconda – 17v–19 N'est ce pas bien pour départir – 49v–50 Non posso più tenere = Chargé de deul – 125v–127 O pellegrina o luce chiera stella – 129v–130 Pon fin ornai al mio greve dolore = Pon fin fortuna – 97v–99 Prochain de deul, longain de joye – 1v–3 Puisque je vis le regard gratieux – 57v–58 Que feray las – 75v–77 Que poit plus faire une maistresse – 55v–57 Quem affaire sic pour Qu'en a a faire Male bouche – 79v–81 Questa fenice – 106v–108 Questa fenice – 103v–104 Renoncier veul aux biens d'amours – 92v–93 Renoncier veul aux biens d'amours – 88v–89 Sans deshonneur – 115v–116 Se je garde bien vostre honneur – 4v–6 Se mai giovan partita – 132v–134 Seullettesuis sans ami tant qu'ami las emi. – 27v–28 Te ne moi – 87v–88 Tisis non – 134v–136 Tout bien de vos me peut venir – 81v–83 Vidies deors car vous estes trop choit – 34v–36 [No description] – 99v–100 [No description] – 44v–46
Barbingant, Pierre (fl. c1445-60)	(?) L'homme banny de sa plaisance – 54v–55
Bedingham, John (–ca. 1460)	Grant temps ay eu – 62v–64 Mon seul plaisir, ma douce joie – 58v–59 (?) Pour une suis desconforté [= So ys emprentid] – 60v–62
Binchois, Gilles (ca. 1400–1460)	Comme femme desconfortée – 123v–125 (?) Je ne vis oncques la pareille de vous – 50v–51
Breton, Simon le	Vie sach oit bider dach – 30v–31
Busnoys, Antoine (ca. 1430–1492)	A une dame j'ai fait veu – 6v–8 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 73v–75 Joie me fuit = Je me sans – 13v–15 O Fortune, trop tu es dure – 15v–17 Quant ce viendra = Gaude mater misericordiae – 69v–71
Caron, Firminus (ca. 1460–ca. 1475)	Accueillie ma la belle (A version) = Saoulé m'a la belle – 59v–60 D'un tout ainsy que vous plair a – 26v–27
Compère, Loyset (ca. 1445–1518)	(?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 73v–75
Cornago, Juan de	Moro perche non dai fede – 19v–21
Despres, Josquin (ca. 1450–1521)	(?) Cela sans plus et plus hola – v_1
Domarto, Petrus de	Celui qui est tant plain de duel – 23v–24
Du Fay, Guillaume (1397–1474)	Belle veuilliés moi retenir – 38v–40 Dieu, gard la bone sans reprise – 24v–26 Du tout m'estoye abandonné. – 9v–11 (?) Je ne vis oncques la pareille de vous – 50v–51 (?) Mon seul plaisir, ma douce joie – 58v–59 Ne je ne dors ne je ne veille – 29v–30 Tisis non – 130v–132 Vostre bruit et vostre grant fame – 36v–38
Enrique	(?) Nunca fue pena mayor / Numquam fuit pena magior – 91v–92
Fede, Johannes	(?) L'homme banny de sa plaisance – 54v–55
Frye, Walter (–ca. 1475)	(?) Pour une suis desconforté [= So ys emprentid] – 60v–62
Giliardi, Arnolfo	O invida fortuna – 40v–42 Piagneran gli occhi mey – 127v–129
Joye, Gilles	Mercy mon deuil – 8v–9
Lannoy, Colinet de	Cela sans plus et plus hola – v_1
Lepitet Basque	L'aflicto cor – 60v–69
Michelet	S'il advient que mon deul me tue – 85v–86
Morton, Robert	Cousine trop vous abusés – 95v–96 Le souvenir de vous me tue mon seul bien – 52v–53 N'aray je jamais mieux que j'ai – 53v–54
Moxica	Non querendo soys guerida – 89v–91
Mureau, Gilles	Grace actendant ou la mort – 46v–48 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 73v–75 Tant fort me tarde ta venu – 71v–73
Ockeghem, Jean de (ca. 1410–1497)	La despourvue et la bannie – 83v–85 Ma bouche rit et ma pensée pleure – 32v–34 (?) Quant ce viendra = Gaude mater misericordiae – 69v–71
Raulin / Roelkin (1443–1485)	Croi c'est sous ma pese - 1a pars (of 2): Croi c'est sous ma pese – 108v–111 Croi c'est sous ma pese - 2a pars (of 2): De son voulleir m'a donné la puisance – 108v–111 Je suis trop jeunette – 111v–113 Veu que tant de vous – 113v–115
Robinet, F	Entre Peron et Saint Quentin – 93v–94
Tinctoris, Johannes (ca. 1435–1511)	O invida fortuna – 86v–87 Vostre regard si treffort m'a feru – 3v–4
Urrede (Wrede), Juan de (fl. 1451-c1482)	(?) Nunca fue pena mayor / Numquam fuit pena magior – 91v–92

Composition	Composers (? Uncertain)	Folios / Pages
A une dame j'ai fait veu	Busnoys, Antoine (ca. 1430–1492)	6v–8
Accueillie ma la belle (A version) = Saoulé m'a la belle	Caron, Firminus (ca. 1460–ca. 1475)	59v–60
Adieu vous di la lerme.	Anonymous	121v–123
Belle veuilliés moi retenir	Du Fay, Guillaume (1397–1474)	38v–40
Bonté ay tout ma plaisante	Anonymous	42v–44
Cela sans plus et plus hola	Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de	v_1
Celui qui est tant plain de duel	Domarto, Petrus de	23v–24
Combien que faille	Anonymous	118v–120
Comme femme desconfortée	Binchois, Gilles (ca. 1400–1460)	123v–125
Comment est la manière = Et congit en m'amour	Anonymous	21v–22
Cousine trop vous abusés	Morton, Robert	95v–96
Croi c'est sous ma pese - 1a pars (of 2): Croi c'est sous ma pese	Raulin / Roelkin (1443–1485)	108v–111
Croi c'est sous ma pese - 2a pars (of 2): De son voulleir m'a donné la puisance	Raulin / Roelkin (1443–1485)	108v–111
D'un tout ainsy que vous plair a	Caron, Firminus (ca. 1460–ca. 1475)	26v–27
Dedens le mer	Anonymous	64v–66
Dieu, gard la bone sans reprise	Du Fay, Guillaume (1397–1474)	24v–26
Du tout m'estoye abandonné.	Du Fay, Guillaume (1397–1474)	9v–11
Entre Peron et Saint Quentin	Robinet, F	93v–94
Galans et bons compagnons	Anonymous	94v–95
Grace actendant ou la mort	Mureau, Gilles	46v–48
Grant temps ay eu	Bedingham, John (–ca. 1460)	62v–64
Il me doibt	Anonymous	31v–32
J'ai pris un poul en ma chemise.	Anonymous	12v–13
Je ne fais plus je ne dis ne escris = Au joli mois de may	Compère, Loyset (ca. 1445–1518) (?) Mureau, Gilles (?) Busnoys, Antoine (ca. 1430–1492) (?)	73v–75
Je ne me puis voir	Anonymous	110v–118
Je ne vis oncques la pareille de vous	Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?)	50v–51
Je pris merveilleux desplaisir	Anonymous	96v–97
Je suis trop jeunette	Raulin / Roelkin (1443–1485)	111v–113
Je te veulx désavouer oeil	Anonymous	77v–79
Joie me fuit = Je me sans	Busnoys, Antoine (ca. 1430–1492)	13v–15
L'aflicto cor	Lepitet Basque	60v–69
L'homme banny de sa plaisance	Barbingant, Pierre (fl. c1445-60) (?) Fede, Johannes (?)	54v–55
La despourvue et la bannie	Ockeghem, Jean de (ca. 1410–1497)	83v–85
Las ay je tort	Anonymous	120v–121
Las madame	Anonymous	28v–29
Le bionde treçe d'oro	Anonymous	104v–106
Le mois de may fort me contraint	Anonymous	11v–12
Le souvenir de vous me tue mon seul bien	Morton, Robert	52v–53
Ma bouche rit et ma pensée pleure	Ockeghem, Jean de (ca. 1410–1497)	32v–34
Ma vit me convient.	Anonymous	22v–23
Mai di lagrime	Anonymous	100v–103
Mercy mon deuil	Joye, Gilles	8v–9
Mon coeur a demi se depart	Anonymous	48v–49
Mon coeur a demi se depart	Anonymous	130v–137
Mon seul bien	Anonymous	51v–52
Mon seul et celé souvenir = Ave rosa rubiconda	Anonymous	17v–19
Mon seul plaisir, ma douce joie	Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?)	58v–59
Moro perche non dai fede	Cornago, Juan de	19v–21
N'aray je jamais mieux que j'ai	Morton, Robert	53v–54
N'est ce pas bien pour départir	Anonymous	49v–50
Ne je ne dors ne je ne veille	Du Fay, Guillaume (1397–1474)	29v–30
Non posso più tenere = Chargé de deul	Anonymous	125v–127
Non querendo soys guerida	Moxica	89v–91
Nunca fue pena mayor / Numquam fuit pena magior	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)	91v–92
O Fortune, trop tu es dure	Busnoys, Antoine (ca. 1430–1492)	15v–17
O invida fortuna	Giliardi, Arnolfo	40v–42
O invida fortuna	Tinctoris, Johannes (ca. 1435–1511)	86v–87
O pellegrina o luce chiera stella	Anonymous	129v–130
Piagneran gli occhi mey	Giliardi, Arnolfo	127v–129
Pon fin ornai al mio greve dolore = Pon fin fortuna	Anonymous	97v–99
Pour une suis desconforté [= So ys emprentid]	Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?)	60v–62
Prochain de deul, longain de joye	Anonymous	1v–3
Puisque je vis le regard gratieux	Anonymous	57v–58
Quant ce viendra = Gaude mater misericordiae	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492)	69v–71
Que feray las	Anonymous	75v–77
Que poit plus faire une maistresse	Anonymous	55v–57
Quem affaire sic pour Qu'en a a faire Male bouche	Anonymous	79v–81
Questa fenice	Anonymous	103v–104
Questa fenice	Anonymous	106v–108
Renoncier veul aux biens d'amours	Anonymous	88v–89
Renoncier veul aux biens d'amours	Anonymous	92v–93
S'il advient que mon deul me tue	Michelet	85v–86
Sans deshonneur	Anonymous	115v–116
Se je garde bien vostre honneur	Anonymous	4v–6
Se mai giovan partita	Anonymous	132v–134
Seullettesuis sans ami tant qu'ami las emi.	Anonymous	27v–28
Tant fort me tarde ta venu	Mureau, Gilles	71v–73
Te ne moi	Anonymous	87v–88
Tisis non	Du Fay, Guillaume (1397–1474)	130v–132
Tisis non	Anonymous	134v–136
Tout bien de vos me peut venir	Anonymous	81v–83
Veu que tant de vous	Raulin / Roelkin (1443–1485)	113v–115
Vidies deors car vous estes trop choit	Anonymous	34v–36
Vie sach oit bider dach	Breton, Simon le	30v–31
Vostre bruit et vostre grant fame	Du Fay, Guillaume (1397–1474)	36v–38
Vostre regard si treffort m'a feru	Tinctoris, Johannes (ca. 1435–1511)	3v–4

‡ denotes primary source study

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 186, 217,224,229, 251, 289, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hanen, Martha Knight. 1983. The Chansonnier El Escorial IV.a.24: Commentary and Edition. Musicological Studies. 3 vols. Henryville, Ottawa, and Binningen. Pages: I,23-5,37,164-5,169-70. Notes: contents list (partial); concordances (partial).

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Pages: 268-9,271-2,278,281,283. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance. New York. Pages: xxiii,xxvii,xxxi-xxxii,xxxvi,64-6,70-85. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 229f.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I,15-6; II,160-1,193ff, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 30,76,1 14,116,137,207,227,451-2, 488-9, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 127-30,456-8,474-6,544, 562ff. Notes: contents list (partial); concordances (partial); texts (partial).

Schavran, Henrietta. 1978. The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480. New York University, Unpublished Ph.D. dissertation. Pages: I, 49-50, 58-9, 85ff, 332-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fallows, David. 1976-7. English Song Repertories of the Mid-fifteenth Century. Proceedings of the Royal Musical Association, 61-79. Pages: 69. Notes: mention of MS; contents list (partial).

Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: I,73-4,82-4,164-6,180-1,183-5,198-9,246-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 293-5,378. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: 318, 321. Notes: physical description; mention of MS; discussion; facsimile (partial).

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 481-2. Notes: concordances (partial).

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 263-88. Pages: 264, passim. Notes: transcription (partial); mention of MS.

Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation. Pages: 55-6. Notes: physical description; mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 57f et 149.

Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 340-1. Notes: transcription (partial).

Thomson, James. 1964. An Introduction to Philippe(?) Caron. Musicological Studies. Brooklyn. Pages: 44. Notes: contents list (partial); concordances (partial).

Gülke, Peter. 1961. Das Volkslied in der burgundischen Polyphonie des 15. Jahrhunderts. Festschrift Heinrich Besseler zum sechzigsten Geburtstag, Leipzig. Pages: 188. Notes: transcription (partial).

Fox, Charles Warren. 1960. Barbireau and Barbingant: A Review. Journal of the American Musicological Society, 79-101. Pages: 100-l. Notes: concordances (partial).

Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: v. Notes: concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 72-5. Notes: physical description; contents list.

Pope, Isabel. 1958-61. The Secular Compositions of Johannes Cornago. Miscelânea en Homenaje a Monsenor Higinio Angles, 689-706. Barcelona. Pages: 691. Notes: concordances (partial).

Piette, Ruth Elizabeth. 1957. Florence, Biblioteca Nazionale Centrale, Magliabecchi XIX, 176: Transcription and Commentary. University of California at Berkeley, Unpublished Master's thesis. Notes: physical description; contents list; concordances; texts; texts; mention of MS; discussion.

Plamenac, Dragan. 1956. A Postscript to 'The "Second" Chansonnier of the Biblioteca Riccardiana'. Annales Musicologiques, 261-5. Pages: 262-4. Notes: contents list (partial); concordances (partial).

Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 105-87. Pages: 128ff. Notes: concordances (partial).

Becherini, Bianca. 1950. Autori minori nel codice fiorentino Magi. XIX, 176. Revue Belge de Musicologie, 19-31. Notes: physical description; contents list; concordances (partial).

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, lviii-lxi, lxv-lxvii, lxix, 92-4, 111-2. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud. 1944. Venetian folksongs of the Renaissance. Papers read at the international congress of musicology held at New York September 11th to 16th, 1939, 44ff. New York. Pages: 69.

Bukofzer, Manfred F. 1942. An Unknown Chansonnier of the 15th Century (the Mellon Chansonnier). The Musical Quarterly, 14-49. Pages: 24-5. Notes: mention of MS.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Notes: 107.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: H. Angles, in MME X, 19.

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Pages: lxxii. Notes: physical description.

Thibault, Geneviève. 1924. Quelques chansons de Dufay. La Revue Musicale, 97ff.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: (I, 450. Notes: mention of MS.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description