Copied by one main scribe and three additional scribes, one of whom copied most of FlorR 2356 (RifSC). Close repertorial connections with FlorR 2356 and ParisBNF 15123. Copied in Florence.
I-Fn MS Magl. XIX.176
Biblioteca Nazionale Centrale, Florence, Italy
manuscript of polyphony: c. 1475-80
| Archive | Biblioteca Nazionale Centrale, Florence, Italy (I-Fn) |
|---|---|
| Shelfmark | MS Magl. XIX.176 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 168 x 118 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| External Links | |
| Provenance |
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| Contents | Contains 85 compositions, 45 from 27 composers, 40 are anonymous. |
General Description
Binding
Original brown tooled leather covers.
Watermark
generally resembles Briquet #3363 (JepFR)
Notation
black void mensural
Foliation
Modern pencil foliation, I-II + original ink foliation, 1-137.
Decoration
Inked initials decorated with floral/vine motifs and other tracery.
Index
Original index (incomplete) on new ff. I-I' groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.
Surface
paper
RISM Description
RISM
XVe s. 139ff. (dont les 2 premiers n. ch.). Papier, 168 x 118 mm. Foliotation ancienne chiffrant 1 le 3ef. : 1-137. Le 2ef. n. ch. et le f. 137v. sont blancs. Notation mesurée blanche. 6 portées par p. Au 1er f. n. ch., table incomplète du ms. Capitales ornées à la plume. Reliure ancienne (très restaurée) cuir brun estampé, restes de fermoirs de métal.
Ce. ms. provenant de la Bibl. Medie. Palatina a été écrit à la fin du XVe s. en Italie, si l'on en juge par l'orthographe fautive du français, probablement à Florence. L'écriture ayant de fortes ressemblances avec celle des marqueteries du studiolo de Federico de Montefeltre, on peut fixer la date de la compilation du ms. aux environs de 1480, date à laquelle on sait que les deux artistes Bacio Puntelli et Francesco di Giorgio Martini ont travaillé au palais d'Urbino (JeppesenVF). Sur les 86 compositions, on compte 68 chansons françaises, 13 italiennes, 2 espagnoles, 1 flamande et 2 pièces dont on n'a pu rétablir le texte.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
67 French secular pieces, 12 Italian secular pieces, 2 Spanish secular pieces, 1 Flemish secular piece, 4 textless pieces = 86
Bedingham [Bellingham]-2, Bedingham/(Frye)-1, (Binchois)-1, (Binchois/Dufay)-1, Busnois-5, Caron-2, (Cornago)-1, Domarto-1, Dufay-6, Dufay/(Bedingham)-1, Fedé/(Barbingant)-1, (Frye)-1, Giliardi-2, (Joye)-1, (Josquin/Lannoy)-1, Lepitet Basque-1, Michelet-1, Morton-3, (Moxica)-1, Mureau-2, Mureau/(Busnois/Compère)-1, (Obrecht)-1, Ockeghem-2, (Prioris)-2, Raoulin-3, Symonet le Breton-1, Tinctoris-2, (Wreede)-1, anon-38
iii + 139 + iii paper folios, 168 x 118. Original foliation, 1-137. Original brown tooled leather covers. Original index (incomplete). Copied by one main scribe and three additional scribes, one of whom copied most of FlorR 2356 (RifSC). Close repertorial connections with FlorR 2356 and ParisBNF 15123.
Late 1470's (AtlCM). Copied in Florence.
Vol 4
67 French secular pieces, 13 Italian secular pieces (1 without text), 2 Spanish secular pieces, 1 Dutch secular piece, 1 piece with incipit "Tisis non" only, 2 textless pieces = 86 + 1 duplicate = 87
Bedingham [Bellingan]-1, Bedingham/(Frye)-1, (Binchois)-1, (Binchois/Dufay)-1, Busnois-4, (Busnois/Ockeghem)-1, Caron-2, (Cornago)-1, Domarto-1, Dufay-6, Dufay/(Bedingham)-1, (Enrique/Wreede)-1, Fedé/(Barbingant)-1, Giliardi-2, (Josquin/ Lannoy)-1, (Joye)-1, Lepitet Basque-1, Michelet-1, Morton-3, (Moxica)-1, Mureau-2, Mureau/(Busnois/Compère)-1, Ockeghem -2, Raoulin-3, Symonet le Breton-1, Tinctoris-2, anon-43
iii + ii + 137 + iiï paper folios, 168 x 118. Modern pencil foliation, I-II + original ink foliation, 1-137. Original covers of brown tooled leather. Incom-plete original index on new ff. I-I' groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by one main scribe and three additional scribes, one of whom also copied most of FlorR 2356 (RifSC). Inked initials decorated with floral/vine motifs and other tracery. Watermark generally resembles Briquet #3363 (JepFR). Répertorial connections with FlorR 2356 and ParisBNF 15123.
Ca. 1475-80 (AtlCG). Copied in Florence.
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‡ denotes primary source study
Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 186, 217,224,229, 251, 289, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Hanen, Martha Knight. 1983. The Chansonnier El Escorial IV.a.24: Commentary and Edition. Musicological Studies, vol. XXXVI/1-3. 3 vols. Henryville, Ottawa, and Binningen. Pages: I,23-5,37,164-5,169-70. Notes: contents list (partial); concordances (partial).
Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance, vol. 2. New York. Pages: xxiii,xxvii,xxxi-xxxii,xxxvi,64-6,70-85. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Pages: 268-9,271-2,278,281,283. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 229f.
Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I,15-6; II,160-1,193ff, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 30,76,1 14,116,137,207,227,451-2, 488-9, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 127-30,456-8,474-6,544, 562ff. Notes: contents list (partial); concordances (partial); texts (partial).
Schavran, Henrietta. 1978. The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480. New York University, Unpublished Ph.D. dissertation. Pages: I, 49-50, 58-9, 85ff, 332-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Fallows, David. 1976-7. English Song Repertories of the Mid-fifteenth Century. Proceedings of the Royal Musical Association, 106: 61-79. Pages: 69. Notes: mention of MS; contents list (partial).
Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies, vol. XXVII, 1-2. Brooklyn. Pages: I,73-4,82-4,164-6,180-1,183-5,198-9,246-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 293-5,378. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 26: 305-26. Pages: 318, 321. Notes: physical description; mention of MS; discussion; facsimile (partial).
Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 481-2. Notes: concordances (partial).
D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 1: 263-88. Pages: 264, passim. Notes: transcription (partial); mention of MS.
Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation. Pages: 55-6. Notes: physical description; mention of MS; discussion.
Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 57f et 149.
Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte, vol. 12. Tutzing. Pages: 340-1. Notes: transcription (partial).
Thomson, James. 1964. An Introduction to Philippe(?) Caron. Musicological Studies, vol. 9. Brooklyn. Pages: 44. Notes: contents list (partial); concordances (partial).
Gülke, Peter. 1961. Das Volkslied in der burgundischen Polyphonie des 15. Jahrhunderts. Festschrift Heinrich Besseler zum sechzigsten Geburtstag, Leipzig. Pages: 188. Notes: transcription (partial).
Fox, Charles Warren. 1960. Barbireau and Barbingant: A Review. Journal of the American Musicological Society, 13: 79-101. Pages: 100-l. Notes: concordances (partial).
Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae, vol. 19. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: v. Notes: concordances (partial).
Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 72-5. Notes: physical description; contents list.
Pope, Isabel. 1958-61. The Secular Compositions of Johannes Cornago. Miscelânea en Homenaje a Monsenor Higinio Angles, 689-706. Barcelona. Pages: 691. Notes: concordances (partial).
Piette, Ruth Elizabeth. 1957. Florence, Biblioteca Nazionale Centrale, Magliabecchi XIX, 176: Transcription and Commentary. University of California at Berkeley, Unpublished Master's thesis. Notes: physical description; contents list; concordances; texts; texts; mention of MS; discussion.
Plamenac, Dragan. 1956. A Postscript to 'The "Second" Chansonnier of the Biblioteca Riccardiana'. Annales Musicologiques, 4: 261-5. Pages: 262-4. Notes: contents list (partial); concordances (partial).
Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 2: 105-87. Pages: 128ff. Notes: concordances (partial).
Becherini, Bianca. 1950. Autori minori nel codice fiorentino Magi. XIX, 176. Revue Belge de Musicologie, 4: 19-31. Notes: physical description; contents list; concordances (partial).
de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, lviii-lxi, lxv-lxvii, lxix, 92-4, 111-2. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Jeppesen, Knud. 1944. Venetian folksongs of the Renaissance. Papers read at the international congress of musicology held at New York September 11th to 16th, 1939, 44ff. New York. Pages: 69.
Bukofzer, Manfred F. 1942. An Unknown Chansonnier of the 15th Century (the Mellon Chansonnier). The Musical Quarterly, 28: 14-49. Pages: 24-5. Notes: mention of MS.
Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Notes: 107.
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: H. Angles, in MME X, 19.
Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Pages: lxxii. Notes: physical description.
Thibault, Geneviève. 1924. Quelques chansons de Dufay. La Revue Musicale, 8: 97ff.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: (I, 450. Notes: mention of MS.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description