I-Fr Ms. 2356

Biblioteca Riccardiana, Firenze (Florence), Italy

manuscript of polyphony: c. 1480-5

Archive	Biblioteca Riccardiana, Firenze (Florence), Italy (I-Fr)
Shelfmark	Ms. 2356
Image Availability	DIAMM does not have images of this source.
Surface	Parchment
Numbering System	Foliation
Measurements	230 x 172 mm
Other Identifiers	RISM: I-Fr 2356 CCM: FlorR 2356
Copyists	scribal concordance [58] Text and Music
Relationships	Sardelli, Andrea (owner)
Provenance	Italy
Contents	77 pieces from 25 composers

General Description

The main scribe was probably Italian; scribal concordance with last two pieces in FlorBN Magi. 176 (RifSC). Texts mostly limited to incipits. Copied in Florence (AtlCM). In the mid-16th century, the manuscript belonged to a Florentine, Andrea Sardelli (PlamSC).

DIAMM, 2017

Physical Description

Ten folios of the original manuscript are missing.

DIAMM, 2017

Binding

Modern parchment covers

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Modern stamped foliation and two systems of old foliation.

DIAMM, 2017

Decoration

No initials, miniatures, or decoration of any kind; red ink is sometimes used in voice designations, foliation, and, occasionally, entire pieces.

DIAMM, 2017

Index

Original index on ff. l'-2'

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM [note: this text has been scanned to OCR from RISM volumes, and has not yet been proof-corrected]

XVe s. 100ff. Parchemin, 230 x 172 mm. Deux foliotations anciennes défectueuses: en eh. arabes en haut des ff. et en ch. romains jusqu'à 73 dans la marge supérieure. Foliotation moderne imprimée au bas droit des ff. (1a seule employée ici). 10ff. mq. entre les ff. 14 et 15 (XI à XX de la fol. ancienne). Les ff. 12v, 13, 27v, 28, 32v, 33, 35v, 36, 37v, 38, 40v, 41, 42v à 44, 58v à 60, 62v, 63, 84v, 85, 88v, 89 sont blancs. Aux ff. 92v à 99, paroles sans suite, musique raturée, noms . . . &c. Au f. 97, distiques de fantaisie: Ego dormio cor meum vigilat e chi non ha danari/ La fa male . . . Au f. 100v, poème italien: Tu say ben che in pene amare . . . Notation mesurée blanche. 7 portées par p. Aux ff. lv-2v, table alphabétique du ms. renvoyant à la foliotation en ch. romains et mentionnant aussi les pièces qui mq. entre les ff. 14 et 15.

Ce ms. figure déjà dans l'Inventario ms. de la Biblioteca Riccardiana établi en 1810 (p. 48). Dès 1550, il était en la possession du florentin Andrea Sardelli qui le 19 juin, le fait figurer dans l'inventaire de sa bibliothèque au f. 4v: «Un chanzoniere di carta pechoara francese coperto d'asse.» D'autre part, une note au f. 94 (peut-être de la main de l'aïeul Zanobi Sardelli dont on signale la mort le 5 septembre 1547 au f. 3v.) où figure une très courte pièce à 4vx. Habemus ad dominum, précise que «sir Ieronimo di Monopoli me fecit 1541 in Burgo Sancti Laurencii e sor Andrea Sardelli la scricto in quisto libro.» Quoiqu'il en soit, le répertoire se situe dans la 2e moitié du XVe. s. avec préférence donnée à Caron (7), Morton (6), Dufay (5), Hayne (4) et Ockeghem (2), Agricola (2) représen-tant la «jeune» génération. Bien que la majorité des chansons soient françaises (53), leur graphie inexacte révèle un copiste, peut-être italien, qui, ignorant de la langue française, s'en tient le plus souvent au seul incipit des paroles.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 motets, 55 French secular pieces, 4 Italian secular pieces, 3 Spanish secular pieces, 3 textless pieces = 72 (8 additional pieces listed in the index are now missing from the manuscript)

(A. Agricola)-3, (Bedingham)-1, (Bedingham/Dufay)-1, (Binchois/Dufay)-1, (Binchois/Frye)-1, (Busnois/Compère/Mureau)-1, (Caron)-5, (Caron/Morton)-1, (Dufay)-2, (Fresneau/Hayne van Ghizeghem)-1, (Hayne van Ghizeghem)-3, (Josquin)-1, (Molinet)-1,(Morton)-4, (Moxica)-1, (Ockeghem)-2, (Rubinus)-1, (Touront)-1, (Wreede)-1, anon-41.

Of the eight pieces listed in the index which are now missing from the manuscript, PlamSC identifies the following composers: (Barbingant/Fedé)-1, (Busnois)-1, (Dufay)-1, (Giliardi [Arnolfo])-1, (Symonet le Breton)-1, anon-3. The "F. Cornelius . . . ianus(?)" on f. 44' is probably not a composer attribution (PlamSC).

100 parchment folios, 230 x 172. Ten folios of the original manuscript are missing. Modern stamped foliation and two systems of old foliation. Modern parchment covers. Original index on ff. l'-2'. The scribe was probably Italian; scribal concordance with last two pieces in FlorBN Magi. 176 (RifSC). No initials, miniatures, or decoration of any kind; red ink is sometimes used in voice designations, foliation, and, occasionally, entire pieces. Texts mostly limited to incipits.

Ca. 1480-5 (AtlCM); late 15th century, with some additions from the 1540's (PlamSC). Copied in Florence (AtlCM). In the mid-16th century, the manuscript belonged to a Florentine, Andrea Sardelli (PlamSC).

Vol 4

Contents: 7 motets, 53 French secular pieces, 4 Italian secular pieces, 2 Spanish secular pieces, 1 macaronic secular piece, 1 piece with incipit "Tysis deple," 3 textless pieces =71 + 1 duplicate = 72*

*Eight additional pieces listed in index now missing due to lost folios.

Composers: Change "(A.Agricola)-3" to "(A.Agricola)-2, (A. Agricola/ Ghiselin)-1"; add "(Busnois/ Ockeghem)-1"; change "(Morton)-4" to "(Morton)-5"; change "(Ockeghem)-2" to "(Ockeghem)-1"; add "(Plummer?)-1"; delete "(Rubinus)-1"; change "(Wreede)-1" to "(Enrique/Wreede)-1"; "anon-41" to "anon-38."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
5v–6	untexted	-	-
untexted Appears on: 5v–6 Voice: [no designation] Languages: none Voice Text: without text
6v–7	Je ne fais plus je ne dis ne escris = Au joli mois de may	[A. BUSNOIS ou L. COMPÈRE* ou G.MUREAU]	Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?)
Je ne fais plus je ne dis ne escris = Au joli mois de may Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 6v–7 Genres: Chanson Source Attribution: [A. BUSNOIS ou L. COMPÈRE* ou G.MUREAU] Voice: [no designation] Languages: French Voice Text: Je ne phai [plus je ne dis]. [= Au joly moys de may] General Note Publ. cf. Bc 17 n" 33 Concordances *E-SE
7v–8	Questa fenice	-	Anonymous
Questa fenice Anonymous Appears on: 7v–8 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [Questa finice]
8v–9	Mon souvenir mi fait morir pour les regrets	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Mon souvenir mi fait morir pour les regrets Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 8v–9 Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: Mon solvenir [me fait mourir]. General Note Publ. cf. Bc 17 n° 28
9v–10	Cousine trop vous abusés	[R. MORTON]	Morton, Robert
Cousine trop vous abusés Morton, Robert Appears on: 9v–10 Genres: Chanson Source Attribution: [R. MORTON] Voice: [no designation] Languages: French Voice Text: Cousine trop vous abusés. General Note Publ. cf. Fn 176 n° 64
10v–11	Ne doy je biem celui amer.	-	Anonymous
Ne doy je biem celui amer. Anonymous Appears on: 10v–11 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ne doy je biem celui amer.
11v–12	Non posso più tenere in tal tormento	-	Anonymous
Non posso più tenere in tal tormento Anonymous Appears on: 11v–12 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Non posso più tenere in tal tormento . . . General Note [= Chargé de deul]
13v–14	Cui diem [Cuidies] vous (A version) = Fuggir non posso	[CARON]*	Caron, Firminus (ca. 1460–ca. 1475)
Cui diem [Cuidies] vous (A version) = Fuggir non posso Caron, Firminus (ca. 1460–ca. 1475) Appears on: 13v–14 Genres: Chanson, Contrafactum Source Attribution: [CARON]* Voice: [no designation] Languages: French Voice Text: Qui diem vous [sic pour Cuidés vous] General Note Publ. cf. Bc 16 n" 111 Concordances *F-Pn 15123
14v	Tant belle mi son pensade	-	Isaac, Heinrich (ca. 1450–1517)
Tant belle mi son pensade Isaac, Heinrich (ca. 1450–1517) Appears on: 14v Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Tam biem mison pensato. General Note Publ. cf. Bc 17 n° 67Sup et T seul1 Attrib. à Ghiselin par Pitoni (cf. AtlasTC) Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn.
15	Que pourroit plus faire	[R. MORTON]	Morton, Robert
Que pourroit plus faire Morton, Robert Appears on: 15 Genres: Chanson, Contrafactum Source Attribution: [R. MORTON] Voice: [no designation] Languages: French Voice Text: Çue pouroit plus fare [une dame] General Note Ct seul' et fin du T
15v–16	Vive ma dame par amours = Ehnt et scolorito	[R. MORTON]	Morton, Robert
Vive ma dame par amours = Ehnt et scolorito Morton, Robert Appears on: 15v–16 Genres: Chanson, Contrafactum, Secular Source Attribution: [R. MORTON] Voice: [no designation] Languages: French Voice Text: Ehnt [et scolorito]. [= Vive ma dame par amours] General Note Publ. cf. Bc 16 n° 102 Concordances F-Pn 15123 **D-brd-Mbs 3232
16v–17	Adoramus te Domine	-	Anonymous
Adoramus te Domine Anonymous Appears on: 16v–17 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Adoramus te domine
17v–18	Creature la plus belle que jamais	-	Anonymous
Creature la plus belle que jamais Anonymous Appears on: 17v–18 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Creature la plus belle que jamays. Concordances I-Rvat 577 Item Bibliography Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques,* 105-87.
18v–19	Tysis deple	-	Anonymous
Tysis deple Anonymous Appears on: 18v–19 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tysis deple Item Bibliography Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: facs.
19v–20	Entre Peron et Saint Quentin	[RUBINET ?]	Robinet, F
Entre Peron et Saint Quentin Robinet, F Appears on: 19v–20 Genres: Chanson Source Attribution: [RUBINET ?] Voice: [no designation] Languages: French Voice Text: Entre Peron et Sam Quaintin … General Note Publ. cf. Bc 16 n» 43 Concordances *D-ddr-Bds 40098
20v–21	Je ne me congnois	-	Anonymous
Je ne me congnois Anonymous Appears on: 20v–21 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je ne micoiser. Item Bibliography Droz, Eugénie, and Arthur Piaget. 1925. Le jardin de Plaisance et fleur de Rhéthorique. Paris, 1501. Paris.
21v–22	Se ye fusse mourt.	-	Anonymous
Se ye fusse mourt. Anonymous Appears on: 21v–22 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Se ye fusse mourt.
22v–23	Morir me fault se n'ai secours de ma princesse	[CARON]*	Caron, Firminus (ca. 1460–ca. 1475)
Morir me fault se n'ai secours de ma princesse Caron, Firminus (ca. 1460–ca. 1475) Appears on: 22v–23 Genres: Chanson Source Attribution: [CARON]* Voice: [no designation] Languages: French Voice Text: Morir me fault [se n'ay secours de ma princesse* Concordances F-Pn 15123 Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr.* Collected works. Gesamtausgaben. New York. Pages: V I / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
23v–24	O gloriosa regina mundi succurre nobis	[J. TOURONT ou CECUS]	Touront, Johannes (ca. 1450–ca. 1475)
O gloriosa regina mundi succurre nobis Touront, Johannes (ca. 1450–ca. 1475) Appears on: 23v–24 Genres: Motet Source Attribution: [J. TOURONT ou CECUS] Voice: [no designation] Languages: Latin Voice Text: O gloriosa regina mundi succurre nobis General Note Publ. cf. Bc 16 n° 122
24v–25	Nunca fue pena mayor / Numquam fuit pena magior	[J. URREDE ou ENRIQUE*]	Enrique (?) Urrede (Wrede), Juan de (fl. 1451-c1482) (?)
Nunca fue pena mayor / Numquam fuit pena magior Enrique (?) Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Appears on: 24v–25 Genres: Motet Source Attribution: [J. URREDE ou ENRIQUE] Voice:* [no designation] Languages: Latin Voice Text: Nunquam fue pena maior … General Note Publ. cf. Bc 16 n° 116 Concordances *E-Sc 28
25v–26	Non querendo soys guerida	[MOXICA]*	Moxica
Non querendo soys guerida Moxica Appears on: 25v–26 Genres: Chanson Source Attribution: [MOXICA]* Voice: [no designation] Languages: Italian Voice Text: Non querendo soys guerida … General Note Publ. cf. Fn 176 n» 59 Concordances *E-Mp 1335
26v–27	De tous biens plaine est ma maîtresse	[HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 26v–27 Genres: Chanson Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: De tout bien plaine. General Note Publ. cf. Bc 16 n° 115 Concordances *SA-Csa 12
28v–29	Ma bouche rit et ma pensée pleure	[J. OCKEGHEM]	Ockeghem, Jean de (ca. 1410–1497)
Ma bouche rit et ma pensée pleure Ockeghem, Jean de (ca. 1410–1497) Appears on: 28v–29 Genres: Chanson Source Attribution: [J. OCKEGHEM] Voice: [no designation] Languages: French Voice Text: Ma bouche rit et ma pensée pleur … General Note Publ. cf. Fn 176 n« 24
29v–30	Grant temps ay eu	[J. BEDINGHAM]	Bedingham, John (–ca. 1460)
Grant temps ay eu Bedingham, John (–ca. 1460) Appears on: 29v–30 Genres: Chanson Source Attribution: [J. BEDINGHAM] Voice: [no designation] Languages: French Voice Text: Grant temps ai eu et désir. General Note Publ. cf. Fn 176 n" 44 Concordances *US-NHy
30v–31	Sayuyenes set conuer vous mon ami	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Sayuyenes set conuer vous mon ami Agricola, Alexander (ca. 1445–1506) Appears on: 30v–31 Genres: Chanson Source Attribution: [A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: Sayuyenes set conuer vous mon ami … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
31v–32	O fons indeficiens dulcis et reficiens	-	Anonymous
O fons indeficiens dulcis et reficiens Anonymous Appears on: 31v–32 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O fons indeficiens dulcis et reficiens
33v–34	O pulcherrima mulierum	-	Lantins, Hugo de (fl. 1420-30) (?)
O pulcherrima mulierum Lantins, Hugo de (fl. 1420-30) (?) Appears on: 33v–34 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O pulcherrima mulierum surge propera
34v–35	Cousine trop vous abusés	[R. MORTON]	Morton, Robert
Cousine trop vous abusés Morton, Robert Appears on: 34v–35 Genres: Chanson Source Attribution: [R. MORTON] Voice: [no designation] Languages: French Voice Text: Cousine [trop vous abusés]. General Note Publ. cf. Fn 176 n° 64
36v–37	Ay je rien fait contre vous = J'ay vyenes	J'ay vyenes	Agricola, Alexander (ca. 1445–1506)
Ay je rien fait contre vous = J'ay vyenes Agricola, Alexander (ca. 1445–1506) Appears on: 36v–37 Genres: Chanson Source Attribution: J'ay vyenes Voice: [no designation] Languages: French Voice Text: Fortuna tort et tresforme contraire . . . Item Bibliography Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford.
38v–39	Va tost mon amoureux desir	-	Binchois, Gilles (ca. 1400–1460)
Va tost mon amoureux desir Binchois, Gilles (ca. 1400–1460) Appears on: 38v–39 Genres: Rondeau Voice: [no designation] Languages: French Voice Text: Va tost mon amoreux désir … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II. Droz, Eugénie, and Geneviève Thibault. 1924. Poètes et musiciens du XVe siècle. Documents artistiques du XVe siècle. Paris.
39v–40	Pon fin ornai al mio greve dolore = Pon fin fortuna	-	Anonymous
Pon fin ornai al mio greve dolore = Pon fin fortuna Anonymous Appears on: 39v–40 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Pon fin fortuna.
41v–42	Le bionde treçe d'oro	-	Anonymous
Le bionde treçe d'oro Anonymous Appears on: 41v–42 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Le bionde treçe d'oro … General Note Publ. cf. Fn 176 n° 70 Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II facs.
44v–45	untexted	F. CORNELIUS ORGIANUS	Buscop, Cornelius
untexted Buscop, Cornelius Appears on: 44v–45 Genres: textless Source Attribution: F. CORNELIUS ORGIANUS Voice: [no designation] Languages: none Voice Text: without text General Note [Sup. et A sur le thème de l'Homme armé]
45v–46	Comment est la manière = Et congit en m'amour	-	Anonymous
Comment est la manière = Et congit en m'amour Anonymous Appears on: 45v–46 Genres: Motet Voice: [no designation] Languages: French Voice Text: Comment est la mainiere.
46v–47	Renoncier veul aux biens d'amours	-	Anonymous
Renoncier veul aux biens d'amours Anonymous Appears on: 46v–47 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Renoncier veul aux biens d'amours.
47v–48	Le souvenir de vous me tue	-	Anonymous
Le souvenir de vous me tue Anonymous Appears on: 47v–48 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Le sovenir [de vous me tue] General Note Publ. cf. Bc 16 n" 118
48v–49	Mon seul plaisir, ma douce joie	[J. BEDINGHAM* ou G. DUFAY]	Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?)
Mon seul plaisir, ma douce joie Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?) Appears on: 48v–49 Genres: Chanson Source Attribution: [J. BEDINGHAM* ou G. DUFAY] Voice: [no designation] Languages: French Voice Text: Mon sol plasir [ma doulce joie]. General Note Publ. cf. Fn 176 n» 41 Concordances ^P-Pm 714
49v–50	Accueillie ma la belle (A version) = Saoulé m'a la belle	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Accueillie ma la belle (A version) = Saoulé m'a la belle Caron, Firminus (ca. 1460–ca. 1475) Appears on: 49v–50 Genres: Chanson Source Attribution: [CARON] Voice: [no designation] Languages: French Voice Text: Acoeullie [m'a la belle]. General Note Publ. cf. Fn 176 n° 42 Concordances F-Pn 676 *F-Dm 517
50v–51	Sancta Barbara. - 1a pars (of 2): Sancta Barbara	-	Anonymous
Sancta Barbara. - 1a pars (of 2): Sancta Barbara Anonymous Appears on: 50v–51 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancta Barbara. Item Bibliography Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 105-87. Pages: avec facs.).
50v–51	Sancta Barbara. - 2a pars (of 2): Si fault	-	Anonymous
Sancta Barbara. - 2a pars (of 2): Si fault Anonymous Appears on: 50v–51 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [2a p.]: Sy fault. Item Bibliography Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 105-87. Pages: (avec facs.)+.
51v–52	Puisque je vis le regard gratieux	-	Anonymous
Puisque je vis le regard gratieux Anonymous Appears on: 51v–52 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Pius que je vis le regard gratieux … General Note Publ. cf. Fn 176 n° 40
52v–53	Mon sol bien	-	Anonymous
Mon sol bien Anonymous Appears on: 52v–53 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon sol biem.
53v–54	Le souvenir de vous me tue mon seul bien	-	Morton, Robert
Le souvenir de vous me tue mon seul bien Morton, Robert Appears on: 53v–54 Genres: Chanson
53v–54	Se doulx penser	CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Se doulx penser Caron, Firminus (ca. 1460–ca. 1475) Appears on: 53v–54 Genres: Chanson Source Attribution: CARON] Voice: [no designation] Languages: French Voice Text: Se deu penser, [sic pour Se doulx penser] General Note Publ. cf. Bc 16 n° 39
54v–55	Cedet vous, sie pour Se de vous je n'ai recouvrance	-	Anonymous
Cedet vous, sie pour Se de vous je n'ai recouvrance Anonymous Appears on: 54v–55 Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Cedet vous, [sie pour Se de vous je n'ay recouvrance]
55v–56	Galans et bons compagnons	-	Anonymous
Galans et bons compagnons Anonymous Appears on: 55v–56 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Galans et bon comfpagnon].
56v–57	La donna che molto mira	-	Anonymous
La donna che molto mira Anonymous Appears on: 56v–57 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La donna che molto mira …
57v–58	N'aray je jamais mieux que j'ai	[R. MORTON]	Morton, Robert
N'aray je jamais mieux que j'ai Morton, Robert Appears on: 57v–58 Genres: Chanson Source Attribution: [R. MORTON] Voice: [no designation] Languages: French Voice Text: N'aray je jamais. General Note Publ. cf. Fn 176 n° 37
60v–62	Se ne mai fat - 1a pars (of 2): Se ne mai fat	-	Anonymous
Se ne mai fat - 1a pars (of 2): Se ne mai fat Anonymous Appears on: 60v–62 Genres: textless Voice: [no designation] Languages: Italian Voice Text: Se ne mai fat.
60v–62	Se ne mai fat - 2a pars (of 2): (untexted)	-	Anonymous
Se ne mai fat - 2a pars (of 2): (untexted) Anonymous Appears on: 60v–62 Genres: Motet, textless Voice: [no designation] Languages: none Voice Text: [2a p.]: without text
63v–64	Tout a par moi	[G. BINCHOIS* ou W. FRYE**]	Frye, Walter (–ca. 1475) (?) Binchois, Gilles (ca. 1400–1460) (?)
Tout a par moi Frye, Walter (–ca. 1475) (?) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 63v–64 Genres: Chanson Source Attribution: [G. BINCHOIS* ou W. FRYE] Voice: [no designation] Languages: French Voice Text:** Tout apar moy afin. Concordances F-Pn 57 US-NHy Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Plamenac, Dragan. 1951-1952. A Reconstruction of the French Chansonnier in the Biblioteca Colombina, Seville. The Musical Quarterly, (37) 501-542, (38) 85-117, 245-77. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 19.
64v–65	Benedicite Dominus nos et ea quaesumus (= La plus dolente)	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Benedicite Dominus nos et ea quaesumus (= La plus dolente) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 64v–65 Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicite dominus nos et ea quaesumus [= La plus dolente] General Note Pubi, cf. Bc 16 n° 128 Concordances *SA-Csa 12
65v–66	La plus dolente	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
La plus dolente Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 65v–66 Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: Benedicite dominus nos et ea quaesumus [= La plus dolente]
66v–67	Pour regard d'oeul somble.	[CARON*]	Caron, Firminus (ca. 1460–ca. 1475)
Pour regard d'oeul somble. Caron, Firminus (ca. 1460–ca. 1475) Appears on: 66v–67 Genres: Chanson Source Attribution: [CARON] Voice:* [no designation] Languages: French Voice Text: Pour regard [d'oeul somble]. Concordances F-Pn 15123 Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: VI / 2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
67v–68	Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie Du Fay, Guillaume (1397–1474) Appears on: 67v–68 Genres: Chanson Source Attribution: [G. DUFAY] Voice: [no designation] Languages: French Voice Text: [Je vous prie mon tres doux ami] General Note Publ. cf. Fn 107 bis n° 16
68v–69	Seigneur Leon - Benedictus qui venit	-	Du Fay, Guillaume (1397–1474)
Seigneur Leon - Benedictus qui venit Du Fay, Guillaume (1397–1474) Appears on: 68v–69 Genres: Chanson, Contrafactum, Motet Voice: [no designation] Languages: French Voice Text: Signeur Léon vuous soyés bengnut . . . Item Bibliography Plamenac, Dragan. 1954. An Unknown Composition by Dufay? The Musical Quarterly, 190-200. Pages: (attrib. à G. Dufay). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI (attrib. à G. Dufay);.
69v–70	Du tout m'estoye abandonné.	[G. DUFAY*]	Du Fay, Guillaume (1397–1474)
Du tout m'estoye abandonné. Du Fay, Guillaume (1397–1474) Appears on: 69v–70 Genres: Chanson, Rondeau Source Attribution: [G. DUFAY] Voice:* [no designation] Languages: French Voice Text: Du tout m'estoye habandonné … General Note Publ. cf. Fn 176 n° 7 Concordances *F-Pn 15123
70v–71	Ma dame qui tant est en mon coeur	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Ma dame qui tant est en mon coeur Caron, Firminus (ca. 1460–ca. 1475) Appears on: 70v–71 Genres: Chanson Source Attribution: [CARON] Voice: [no designation] Languages: French Voice Text: Madame qui tant est [en mon coeur]. General Note Publ. cf. Bc 17 n° 25 Concordances *SA-Csa 12
71v–72	Ce seroit un trop grant domage	-	Anonymous
Ce seroit un trop grant domage Anonymous Appears on: 71v–72 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ce seroit ung trop grant domage …
71v–72	Ave sidus clarissimum / Der Seidenschwanz	-	Caron, Firminus (ca. 1460–ca. 1475)
Ave sidus clarissimum / Der Seidenschwanz Caron, Firminus (ca. 1460–ca. 1475) Appears on: 71v–72 Genres: Contrafactum, Motet Voice: [no designation] Languages: French Voice Text: Ave sidus clarissimum/Der Seidenschwanz
72v–73	Je ne vis oncques la pareille de vous	[G. BINCHOIS* ou G. DUFAY]	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)
Je ne vis oncques la pareille de vous Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 72v–73 Genres: Chanson Source Attribution: [G. BINCHOIS* ou G. DUFAY] Voice: [no designation] Languages: French Voice Text: Je no vis onqueste [sic pour: Je ne vis onques la pareille] General Note Publ. cf. Fn 176 n° 34 Concordances *F-Pn 57
73v–74	D'un aultre aimer mon coeur s'abesseroit	[J. OCKEGHEM ou A. BUSNOIS*]	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?)
D'un aultre aimer mon coeur s'abesseroit Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 73v–74 Genres: Chanson Source Attribution: [J. OCKEGHEM ou A. BUSNOIS] Voice:* [no designation] Languages: French Voice Text: D'ung aultre amer. General Note Publ. cf. Bc 17 n° 36 Concordances *F-Pn 15123
74v–75	Genta decora bella	-	Anonymous
Genta decora bella Anonymous Appears on: 74v–75 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Genta decora bella …
75v–76	Tart ara mon coeur sa plaisance	[J. MOLINET]	Molinet, Jehan
Tart ara mon coeur sa plaisance Molinet, Jehan Appears on: 75v–76 Genres: Chanson Source Attribution: [J. MOLINET] Voice: [no designation] Languages: French Voice Text: Tartara mon cor [sa plaisance]. General Note Publ. cf. Fn 178 n" 46
76v–77	Si dedero somnum oculis meis	[A. AGRICOLA ou VERBONNET*]	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 76v–77 Genres: Motet Source Attribution: [A. AGRICOLA ou VERBONNET] Voice:* [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis General Note Publ. cf. Bc 16 n° 117 Concordances ^H-SGs 463
77v–78	Si dedero somnum oculis meis	-	Anonymous
Si dedero somnum oculis meis Anonymous Appears on: 77v–78 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis
78v–79	J'ai biem cause de mesoir.	-	Anonymous
J'ai biem cause de mesoir. Anonymous Appears on: 78v–79 Genres: Chanson Voice: [no designation] Languages: French Voice Text: J'ai biem cause de mesoir.
79v–80	De mes douleurs	-	Anonymous
De mes douleurs Anonymous Appears on: 79v–80 Genres: Chanson Voice: [no designation] Languages: French Voice Text: De mes [dolors]. Item Bibliography Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871.
80v–82	Helas madame 27.13	JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Helas madame 27.13 Despres, Josquin (ca. 1450–1521) Appears on: 80v–82 Genres: Chanson Source Attribution: JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Helas madame. General Note Publ. cf. Fn 178 n» 39
82v–83	C'est temps perdu	[CARON ou R. MORTON]	Caron, Firminus (ca. 1460–ca. 1475) (?) Morton, Robert (?)
C'est temps perdu Caron, Firminus (ca. 1460–ca. 1475) (?) Morton, Robert (?) Appears on: 82v–83 Genres: Chanson Source Attribution: [CARON ou R. MORTON] Voice: [no designation] Languages: French Voice Text: C'est temps perdu. General Note . Publ. cf. Fn 229 n" 90
83v–84	Pour advenir a mon atainte.	-	Anonymous
Pour advenir a mon atainte. Anonymous Appears on: 83v–84 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Pour advenir [a mon atainte]. Concordances F-Pn 57
85v–86	De vous servir m'est prins envie	HAYNE VAN GHIZEGHEM ou J. FRESNEAU]	Fresneau, Jehan (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
De vous servir m'est prins envie Fresneau, Jehan (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 85v–86 Genres: Chanson Source Attribution: HAYNE VAN GHIZEGHEM ou J. FRESNEAU] Voice: [no designation] Languages: French Voice Text: De vos servir [m'est prins envye]. General Note Publ. cf. Bc 17 n» 29
86v–87	Vergine sola al mundo - 1a pars (of 2): Vergine sola al mundo senza exempio	-	Anonymous
Vergine sola al mundo - 1a pars (of 2): Vergine sola al mundo senza exempio Anonymous Appears on: 86v–87 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Vergine sola al mondo … Item Bibliography Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 105-87.
86v–87	Vergine sola al mondo - 2a pars (of 2): Per te pò la mia vita	-	Anonymous
Vergine sola al mondo - 2a pars (of 2): Per te pò la mia vita Anonymous Appears on: 86v–87 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [2a p.]: Per te pò ia mia vita … Item Bibliography Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 105-87.
89v–91	L'heure est venue de me plaindre	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
L'heure est venue de me plaindre Agricola, Alexander (ca. 1445–1506) Appears on: 89v–91 Genres: Chanson Source Attribution: [A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: Lore venus [sic for L'heure est venue de me plaindre] General Note Publ. cf. Bc 17 n' 39
91v–92	Allez regrets vuides de ma présence	[HAYNE VAN GHIZEGHEM]	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
Allez regrets vuides de ma présence Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 91v–92 Genres: Chanson, Rondeau Source Attribution: [HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: Latin Voice Text: Allés regretés vuidês de ma présence . . General Note Publ. cf. Bc 17 n° 26
99v–100	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 99v–100 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Allez regrets vuides de ma présence – 91v–92 Ay je rien fait contre vous = J'ay vyenes – 36v–37 L'heure est venue de me plaindre – 89v–91 Sayuyenes set conuer vous mon ami – 30v–31 Si dedero somnum oculis meis – 76v–77
Anonymous	Adoramus te Domine – 16v–17 Ce seroit un trop grant domage – 71v–72 Cedet vous, sie pour Se de vous je n'ai recouvrance – 54v–55 Comment est la manière = Et congit en m'amour – 45v–46 Creature la plus belle que jamais – 17v–18 De mes douleurs – 79v–80 Galans et bons compagnons – 55v–56 Genta decora bella – 74v–75 J'ai biem cause de mesoir. – 78v–79 Je ne me congnois – 20v–21 La donna che molto mira – 56v–57 Le bionde treçe d'oro – 41v–42 Le souvenir de vous me tue – 47v–48 Mon sol bien – 52v–53 Ne doy je biem celui amer. – 10v–11 Non posso più tenere in tal tormento – 11v–12 O fons indeficiens dulcis et reficiens – 31v–32 Pon fin ornai al mio greve dolore = Pon fin fortuna – 39v–40 Pour advenir a mon atainte. – 83v–84 Puisque je vis le regard gratieux – 51v–52 Questa fenice – 7v–8 Renoncier veul aux biens d'amours – 46v–47 Sancta Barbara. - 1a pars (of 2): Sancta Barbara – 50v–51 Sancta Barbara. - 2a pars (of 2): Si fault – 50v–51 Se ne mai fat - 1a pars (of 2): Se ne mai fat – 60v–62 Se ne mai fat - 2a pars (of 2): (untexted) – 60v–62 Se ye fusse mourt. – 21v–22 Si dedero somnum oculis meis – 77v–78 Tysis deple – 18v–19 Verbum caro factum est de virgine Maria – 99v–100 Vergine sola al mondo - 2a pars (of 2): Per te pò la mia vita – 86v–87 Vergine sola al mundo - 1a pars (of 2): Vergine sola al mundo senza exempio – 86v–87 [No description] – 5v–6
Bedingham, John (–ca. 1460)	Grant temps ay eu – 29v–30 Mon seul plaisir, ma douce joie – 48v–49
Binchois, Gilles (ca. 1400–1460)	(?) Je ne vis oncques la pareille de vous – 72v–73 (?) Tout a par moi – 63v–64 Va tost mon amoureux desir – 38v–39
Buscop, Cornelius	untexted – 44v–45
Busnoys, Antoine (ca. 1430–1492)	(?) D'un aultre aimer mon coeur s'abesseroit – 73v–74 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 6v–7
Caron, Firminus (ca. 1460–ca. 1475)	Accueillie ma la belle (A version) = Saoulé m'a la belle – 49v–50 Ave sidus clarissimum / Der Seidenschwanz – 71v–72 (?) C'est temps perdu – 82v–83 Cui diem [Cuidies] vous (A version) = Fuggir non posso – 13v–14 Ma dame qui tant est en mon coeur – 70v–71 Morir me fault se n'ai secours de ma princesse – 22v–23 Pour regard d'oeul somble. – 66v–67 Se doulx penser – 53v–54
Compère, Loyset (ca. 1445–1518)	(?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 6v–7
Despres, Josquin (ca. 1450–1521)	Helas madame 27.13 – 80v–82
Du Fay, Guillaume (1397–1474)	Du tout m'estoye abandonné. – 69v–70 (?) Je ne vis oncques la pareille de vous – 72v–73 Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie – 67v–68 (?) Mon seul plaisir, ma douce joie – 48v–49 Seigneur Leon - Benedictus qui venit – 68v–69
Enrique	(?) Nunca fue pena mayor / Numquam fuit pena magior – 24v–25
Fresneau, Jehan	(?) De vous servir m'est prins envie – 85v–86
Frye, Walter (–ca. 1475)	(?) Tout a par moi – 63v–64
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	(?) Benedicite Dominus nos et ea quaesumus (= La plus dolente) – 64v–65 (?) La plus dolente – 65v–66
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	(?) Allez regrets vuides de ma présence – 91v–92 De tous biens plaine est ma maîtresse – 26v–27 (?) De vous servir m'est prins envie – 85v–86 Mon souvenir mi fait morir pour les regrets – 8v–9
Isaac, Heinrich (ca. 1450–1517)	Tant belle mi son pensade – 14v
Lantins, Hugo de (fl. 1420-30)	(?) O pulcherrima mulierum – 33v–34
Molinet, Jehan	Tart ara mon coeur sa plaisance – 75v–76
Morton, Robert	(?) C'est temps perdu – 82v–83 Cousine trop vous abusés – 34v–35 Cousine trop vous abusés – 9v–10 Le souvenir de vous me tue mon seul bien – 53v–54 N'aray je jamais mieux que j'ai – 57v–58 Que pourroit plus faire – 15 Vive ma dame par amours = Ehnt et scolorito – 15v–16
Moxica	Non querendo soys guerida – 25v–26
Mureau, Gilles	(?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 6v–7
Ockeghem, Jean de (ca. 1410–1497)	(?) D'un aultre aimer mon coeur s'abesseroit – 73v–74 Ma bouche rit et ma pensée pleure – 28v–29
Robinet, F	Entre Peron et Saint Quentin – 19v–20
Touront, Johannes (ca. 1450–ca. 1475)	O gloriosa regina mundi succurre nobis – 23v–24
Urrede (Wrede), Juan de (fl. 1451-c1482)	(?) Nunca fue pena mayor / Numquam fuit pena magior – 24v–25

Composition	Composers (? Uncertain)	Folios / Pages
Accueillie ma la belle (A version) = Saoulé m'a la belle	Caron, Firminus (ca. 1460–ca. 1475)	49v–50
Adoramus te Domine	Anonymous	16v–17
Allez regrets vuides de ma présence	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	91v–92
Ave sidus clarissimum / Der Seidenschwanz	Caron, Firminus (ca. 1460–ca. 1475)	71v–72
Ay je rien fait contre vous = J'ay vyenes	Agricola, Alexander (ca. 1445–1506)	36v–37
Benedicite Dominus nos et ea quaesumus (= La plus dolente)	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	64v–65
C'est temps perdu	Caron, Firminus (ca. 1460–ca. 1475) (?) Morton, Robert (?)	82v–83
Ce seroit un trop grant domage	Anonymous	71v–72
Cedet vous, sie pour Se de vous je n'ai recouvrance	Anonymous	54v–55
Comment est la manière = Et congit en m'amour	Anonymous	45v–46
Cousine trop vous abusés	Morton, Robert	9v–10
Cousine trop vous abusés	Morton, Robert	34v–35
Creature la plus belle que jamais	Anonymous	17v–18
Cui diem [Cuidies] vous (A version) = Fuggir non posso	Caron, Firminus (ca. 1460–ca. 1475)	13v–14
D'un aultre aimer mon coeur s'abesseroit	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?)	73v–74
De mes douleurs	Anonymous	79v–80
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	26v–27
De vous servir m'est prins envie	Fresneau, Jehan (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	85v–86
Du tout m'estoye abandonné.	Du Fay, Guillaume (1397–1474)	69v–70
Entre Peron et Saint Quentin	Robinet, F	19v–20
Galans et bons compagnons	Anonymous	55v–56
Genta decora bella	Anonymous	74v–75
Grant temps ay eu	Bedingham, John (–ca. 1460)	29v–30
Helas madame 27.13	Despres, Josquin (ca. 1450–1521)	80v–82
J'ai biem cause de mesoir.	Anonymous	78v–79
Je ne fais plus je ne dis ne escris = Au joli mois de may	Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?)	6v–7
Je ne me congnois	Anonymous	20v–21
Je ne vis oncques la pareille de vous	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)	72v–73
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie	Du Fay, Guillaume (1397–1474)	67v–68
L'heure est venue de me plaindre	Agricola, Alexander (ca. 1445–1506)	89v–91
La donna che molto mira	Anonymous	56v–57
La plus dolente	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	65v–66
Le bionde treçe d'oro	Anonymous	41v–42
Le souvenir de vous me tue	Anonymous	47v–48
Le souvenir de vous me tue mon seul bien	Morton, Robert	53v–54
Ma bouche rit et ma pensée pleure	Ockeghem, Jean de (ca. 1410–1497)	28v–29
Ma dame qui tant est en mon coeur	Caron, Firminus (ca. 1460–ca. 1475)	70v–71
Mon seul plaisir, ma douce joie	Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?)	48v–49
Mon sol bien	Anonymous	52v–53
Mon souvenir mi fait morir pour les regrets	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	8v–9
Morir me fault se n'ai secours de ma princesse	Caron, Firminus (ca. 1460–ca. 1475)	22v–23
N'aray je jamais mieux que j'ai	Morton, Robert	57v–58
Ne doy je biem celui amer.	Anonymous	10v–11
Non posso più tenere in tal tormento	Anonymous	11v–12
Non querendo soys guerida	Moxica	25v–26
Nunca fue pena mayor / Numquam fuit pena magior	Enrique (?) Urrede (Wrede), Juan de (fl. 1451-c1482) (?)	24v–25
O fons indeficiens dulcis et reficiens	Anonymous	31v–32
O gloriosa regina mundi succurre nobis	Touront, Johannes (ca. 1450–ca. 1475)	23v–24
O pulcherrima mulierum	Lantins, Hugo de (fl. 1420-30) (?)	33v–34
Pon fin ornai al mio greve dolore = Pon fin fortuna	Anonymous	39v–40
Pour advenir a mon atainte.	Anonymous	83v–84
Pour regard d'oeul somble.	Caron, Firminus (ca. 1460–ca. 1475)	66v–67
Puisque je vis le regard gratieux	Anonymous	51v–52
Que pourroit plus faire	Morton, Robert	15
Questa fenice	Anonymous	7v–8
Renoncier veul aux biens d'amours	Anonymous	46v–47
Sancta Barbara. - 1a pars (of 2): Sancta Barbara	Anonymous	50v–51
Sancta Barbara. - 2a pars (of 2): Si fault	Anonymous	50v–51
Sayuyenes set conuer vous mon ami	Agricola, Alexander (ca. 1445–1506)	30v–31
Se doulx penser	Caron, Firminus (ca. 1460–ca. 1475)	53v–54
Se ne mai fat - 1a pars (of 2): Se ne mai fat	Anonymous	60v–62
Se ne mai fat - 2a pars (of 2): (untexted)	Anonymous	60v–62
Se ye fusse mourt.	Anonymous	21v–22
Seigneur Leon - Benedictus qui venit	Du Fay, Guillaume (1397–1474)	68v–69
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	76v–77
Si dedero somnum oculis meis	Anonymous	77v–78
Tant belle mi son pensade	Isaac, Heinrich (ca. 1450–1517)	14v
Tart ara mon coeur sa plaisance	Molinet, Jehan	75v–76
Tout a par moi	Frye, Walter (–ca. 1475) (?) Binchois, Gilles (ca. 1400–1460) (?)	63v–64
Tysis deple	Anonymous	18v–19
untexted	Buscop, Cornelius	44v–45
Va tost mon amoureux desir	Binchois, Gilles (ca. 1400–1460)	38v–39
Verbum caro factum est de virgine Maria	Anonymous	99v–100
Vergine sola al mondo - 2a pars (of 2): Per te pò la mia vita	Anonymous	86v–87
Vergine sola al mundo - 1a pars (of 2): Vergine sola al mundo senza exempio	Anonymous	86v–87
Vive ma dame par amours = Ehnt et scolorito	Morton, Robert	15v–16

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Gutiérrez-Denhoff, Martella. 1985. Der Wolfenbütteler Chansonnier Wolfenbüttel, Herzog August Bibliothek Codex Guelf. 287 Extrav.: Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises. Wolfenbütteler Forschungen. Wiesbaden. Pages: 55, 302-3,309-10,312-5, 317,322. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance. New York. Pages: xxiii,xxvii,xxix,xxxii,xxxvi,5-6,62-6,70-85, 89-92,95-101. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 244-245.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I,15; II, 161-2,193ff, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 57-8,431-4,448-9,476,511. Notes: contents list (partial); concordances (partial); incipits (partial).

Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 30,76,112-6, 137,411,421,458,489, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 378-80,474-6,486-8,544,590ff. Notes: contents list (partial); concordances (partial); texts (partial).

Schavran, Henrietta. 1978. The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480. New York University, Unpublished Ph.D. dissertation. Pages: I, 50, 58-9, 85ff, 100ff, 332-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii,xxiv,xxxiv,xxxvii-xxxviii,xlii,xlv. Notes: mention of MS; contents list (partial); concordances (partial).

Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: 256.

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: 313, 318,320. Notes: physical description; mention of MS; discussion; facsimile (partial).

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 500-2. Notes: physical description; mention of MS; discussion; concordances (partial).

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 263-88. Pages: 268. Notes: mention of MS.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: ll,54-7,148, Plates XXXIX-XL. Notes: physical description; mention of MS; discussion; contents list (partial); concordances (partial); facsimile (partial).

Southern, Eileen. 1968. Foreign Music in German Manuscripts of the 15th Century. Journal of the American Musicological Society, 258-85. Pages: 279-85. Notes: concordances (partial).

Thomson, James. 1964. An Introduction to Philippe(?) Caron. Musicological Studies. Brooklyn. Pages: 44. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xliv. Notes: concordances (partial).

Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: concordances (partial); transcription (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 358. Notes: concordances (partial).

Plamenac, Dragan. 1956. A Postscript to 'The "Second" Chansonnier of the Biblioteca Riccardiana'. Annales Musicologiques, 261-5. Notes: concordances (partial); facsimile (partial).

Plamenac, Dragan. 1954. Une Composition Inconnue de Dufay? Revue Belge de Musicologie, 75-83. Pages: 76ff; 81, 83. Notes: concordances (partial); mention of MS; discussion.

Plamenac, Dragan. 1954. An Unknown Composition by Dufay? The Musical Quarterly, 190-200. Notes: concordances (partial); facsimile (partial).

Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 105-87. Notes: physical description; contents list; concordances; incipits; transcription (partial); facsimile (partial); additional bibliography.

Plamenac, Dragan. 1951-1952. A Reconstruction of the French Chansonnier in the Biblioteca Colombina, Seville. The Musical Quarterly, (37) 501-542, (38) 85-117, 245-77. Pages: 190ff.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Fr Ms. 2356

Biblioteca Riccardiana, Firenze (Florence), Italy

manuscript of polyphony: c. 1480-5

General Description

Physical Description

Binding

Notation

Foliation

Decoration

Index

Surface

RISM Description

Census Catalogue of Music Description

General Note

Concordances

General Note

General Note

General Note

General Note

Concordances

General Note

Item Bibliography

General Note

General Note

Concordances

Concordances

Item Bibliography

Item Bibliography

General Note

Concordances

Item Bibliography

Concordances

Item Bibliography

General Note

General Note

Concordances

General Note

Concordances

General Note

Concordances

General Note

General Note

Concordances

Item Bibliography

General Note

Item Bibliography

Item Bibliography

General Note

Item Bibliography

General Note

General Note

General Note

Concordances

General Note

Concordances

Item Bibliography

Item Bibliography

General Note