| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Rondeau |
| Appears in |
US-NYpm M. 396 (72)
F-Pa 5203 (75)
|
Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. pp. 2:151.
Baltzer, Rebecca A, William W. Kibler, and James I. Wimsatt (eds.) 1988. Guillaume de Machaut. Le Jugement du Roy de Behaigne and Remede de Fortune, music ed. Rebecca A. Baltzer. The Chaucer Library. Athens, GA: University of Georgia Press. pp. 398-401, 431-33.
Switten, Margaret. 1988 rev. The Medieval Lyric: A Project Supported by the National Endowment for the Humanities and Mount Holyoke College. Anthology I: Monastic Song, Troubadour Song, German Song, Trouvère Song. South Hadley, Mass.. pp. 67, 75.
Calin, William. 1994. The French Tradiiton and the Literature of Medieval England. Toronto, Buffalo, and London: University of Toronto Press. pp. 203.
Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 318.
Huot, Sylvia. 1987. From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry. Ithaca: Cornell University Press. pp. 257-58.
Cerquiglini-Toulet, Jacqueline. 1988. Le rondeau. La littérature française aux XIVe et XVe siècles. Vol. 1, Partie historique, Grundriss der romanischen Literatur des Mittlealters. edited by Daniel Poirion, 45-58. Heidelberg: Winter. pp. 53.
Ludwig, Friedrich. 1908-1921. La musique des intermèdes lyriques dans le Remede de Fortune. Oeuvres de Guillaume de Machaut, edited by Ernest Hoepffner, 3 vols.405-413. pp. 21-23.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:103.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:166.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 135.
Baltzer, Rebecca A, William W. Kibler, and James I. Wimsatt (eds.) 1988. Guillaume de Machaut. Le Jugement du roy de Behaigne and Remede de Fortune, Music edited by Rebecca A. Baltzer. The Chaucer Library. Athens GA. and London: The University of Georgia Press. pp. 445-47.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 1:151-53.
Apel, Willi. 1957. Imitation in the Thirteenth and Fourteenth Centuries. Essays on Music in Honor of Archibald Thompson Davison by his Associates, 25-38. Cambridge, Mass.: Harvard University Department of Music. pp. None.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. Ph.D. dissertation, University of Hamburg. pp. 118-19.
Newes, Virginia Ervin. 1977. Imitation in the Ars Nova and Ars Subtilior. Revue Belge de Musicologie, 31: 38-59. pp. 42-43.
Ziino, Agostino. 1982. Guillaume de Machaut fondateur d'école? Guillaume de Machaut: Poète et Compositeur. Colloque-Table Ronde organisé par l'Université de Reims (19-22 avril, 1978), Actes et Colloques. 329-335. Paris: Klincksieck. pp. 330.
Malizia, Uberto. 1984. Guillaume de Machaut: Le sette chansons del Remede de Fortune. Quaderni di filologia e lingue romanze, 6: 11-48. pp. 40-42.
Page, Christopher. 1990. Polyphony before 1400. Performance Practice: Music before 1600, Norton/Grove Handbooks in Music. edited by Howard Mayer Brown, 79-104. New York and London: Norton. pp. 104 n.65.