Martyrum gemma latria, tyranni / Diligenter inquiramus Quintini preconia / A Christo honoratus
Composer | |
---|---|
Genre | Motet |
Appears in
Source | Location | Voices |
---|---|---|
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) | 278v–279 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Diligenter inquiramus Quintini preconia
Voice:
[no designation]
Clef:
c4
Voice Text:
A Christo honoratus
Voice:
[no designation]
Clef:
c1
Voice Text:
Martyrum gemma latria, tyranni
|
F-Pnm Français 1584 (Machaut A) | 432v–433 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Martyrum gemma latria, tyranni
Voice:
[no designation]
Clef:
c1
Voice Text:
Diligenter inquiramus Quintini preconia
Voice:
Tenor
Clef:
c4
Voice Text:
A Christo honoratus
|
F-Pnm Français 1585 (Machaut B) | 276v–277 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Martyrum gemma latria
Voice:
[no designation]
Clef:
c1
Voice Text:
DIligenter inquiramus
Voice:
Tenor
Clef:
c4
Voice Text:
A Christo honoratus
|
F-Pnm Français 1586 (Machaut C) | 223v–224 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Martyrum gemma latria, tyranni
Voice:
[no designation]
Clef:
c1
Voice Text:
Diligenter inquiramus Quintini preconia
Voice:
Tenor
Clef:
c4
Voice Text:
A Christo honoratus
|
F-Pnm Français 9221 (Machaut E) | 144 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Martyrum gemma lattria
Voice:
[no designation]
Clef:
c1
Voice Text:
Diligenter inquiramus
Voice:
Tenor
Clef:
c4
Voice Text:
A christo honoratus . Tenor
|
F-Pnm Français 22545-22546 (Machaut F-G) | 120v–121 |
Voice:
[no designation]
Clef:
c1
Voice Text:
MArtyrum gemma latria
Voice:
[no designation]
Clef:
c1
Voice Text:
DJligenter inquiramus
Voice:
Tenor
Clef:
c4
Voice Text:
A Christo honoratus
|
F-Pnm NAF 23190 (Trémoille) | xxii–xxiv |
Voice:
[no designation]
Voice Text:
diligenter
Voice:
[no designation]
Voice Text:
[lost]
Voice:
[no designation]
Voice Text:
[lost]
|
I-IV MS CXV (115) (Ivrea Codex) | 10v–11 |
Voice:
[no designation]
Voice Text:
Martirum gemma latria, tiranny
|
Bibliography
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Fuller, Sarah. 1990. Modal Tenors and Tonal Orientation in Motets of Guillaume de Machaut. Studies in Medieval Music: Festschrift for Ernest H. Sanders, Current Musicology. edited by Sarah Fuller, 199-245. New York. pp. 231-43.
Günther, Ursula. 1984. Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten. edited by Ursula Günther, 229-268. Kassel: Bärenreiter. pp. 267.
Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 438-465. pp. 440, 444 n.13.
Utan, Lloyd. 1977. Anthology for Music Theory: Problems and Practices in the Middle Ages and Renaissance: Workbook. Minneapolis: University of Minnesota Press. pp. 106-7.
Sanders, Ernest (editor). 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 563.
Günther, Ursula. 1963. Chronologie im Stil der Kompositionen Guillaume de Machauts. Acta Musicologica, 96-114. pp. 100.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 33.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 521.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation. pp. 139-40.
Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 87.
Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. 3, 8-10.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 197-216. pp. 201.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:101-3.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:8-10.
Schneider, Màrius. 1931. Die Ars nova des XIV. Jahrhunderts in Frankreich und Italien. Potsdam: Hayn's Erben, and Wolfenbüttel and Berlin: Kallmeyer. pp. ex.3.
Ludwig, Friedrich. 1929. Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts. Handbuch der Musikgeschichte I, edited by Friedrich Ludwig, pp. 68.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 3:68-70.
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:521-23.