| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Motet |
| Appears in |
F-Pnm Français 1584 (Machaut A) (417v—418)
F-Pnm Français 1585 (Machaut B) (261v—262)
F-Pnm Français 9221 (Machaut E) (134v—135)
F-Pnm Français 22545-22546 (Machaut F-G) (105v—106)
|
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. pp. 2:21-23 no.15; 3:36-41 no.15.
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:489-90 no.4.
Wilson, David Fenwick. 1990. Music of the Middle Ages: Style and Structure. New York: Schirmer Books. pp. 306, 316-17.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 12: 27-58. pp. 28, 30-34.
Reaney, Gilbert. 1967. Towards a Chronology of Machaut's Musical Works. Musica disciplina, 21: 87-96. pp. 92.
Earp, Lawrence M. 1983. Scribal Practice, Manuscript Production and the Transmission of Music in Late Medieval France: The Manuscripts of Guillaume de Machaut. PhD Dissertation, Princeton University. pp. 140-42.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 13: 197-216. pp. 201, 204, 212.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. PhD Dissertation, Columbia University. pp. 262.
Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 5: 438-465. pp. 444 n.13, 448-49.
Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 536.
Poirion, Daniel. 1978. The Imaginary Universe of Guillaume de Machaut. Machaut's World: Science and Art in the Fourteenth Century, Annals of the New York Academy of Sciences. edited by Madeleine Pelner Cosman and Bruce Chandler, 199-206. New York: New York Academy of Sciences. pp. 199.
Sonnemann, Günther. 1969. Die Ditdichtung des Guillaume de Machaut. PhD Dissertation, Göttingen. pp. 63.
Brownlee, Kevin. 1991. Machaut's Motet 15 and the Roman de la Rose: The Literary Context of Amours qui a le pouoir / Faus Semblant m'a deceü / Vidi Dominum. Early Music History, 10: 1-14. pp. 13-14.
Boogaart, Jaques. 1993. Love's Unstable Balance. Part II: More Balance Problems and the Order of Machaut's Motets. Muziek & Wetenschap, 3: 24-33. pp. 32.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 2:60, 3:12-17.
Gleason, Harold (ed.) 1945, 2nd, corrected printing. Examples of Music Before 1400. Eastman School of Music Series. New York: Appleton-Century-Crofts. pp. 88-96.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:119-22.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 76-77.
Harman, Alec. 1958. Mediaeval and Early Renaissance Music (up to c. 1525). Man and His Music. Fair Lawn, N.J.: Essential Books. pp. 130-39.
Burkhart, Charles (ed.) 1979. Anthology for Musical Analysis, 3rd ed. New York: Rinehart and Winston. pp. None.
Wilson, David Fenwick. 1990. Music of the Middle Ages: An Anthology for Performance and Study. New York: Schirmer Books. pp. 212-16.
Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 14: 13-27. pp. 26.
Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 11: 3ff. pp. 211.
Apel, Willi. 1938. The Partial Signatures in the Sources up to 1450. Acta musicologica, 10: 1-13. pp. 9-10.
Gombosi, Otto Johannes. 1950. Machaut's Messe Notre-Dame. Musical Quarterly, 36: 204ff. pp. 221.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:73-75.
Dobrzanska, Zofia. 1979. Rola tenoru w ksztaltowaniu motetu izorytmicznego. [The role of the tenor in the composition of the isorhythmic motet]. Muzyka, 24/3: 45-75. pp. 64.
Fuller, Sarah. 1992. Tendencies and Resolutions: The Directed Progression in Ars Nova Music. Journal of Music Theory, 36: 229-258. pp. 234-41.
Schrade, Leo (ed.) 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 119-122.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 489.