Copied by one main scribe; f. 67' copied by second scribe; later additions by third scribe on ff. 59, 60, and [68]. Copied in Verona (KanTV).
| Archive | Biblioteca Capitolare di Verona, Verona, Italy (I-VEc) |
|---|---|
| Shelfmark | MS DCCLVII |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 217 x 325 mm |
| Other Identifiers |
|
| Provenance |
|
| Contents | Contains 66 compositions, 43 from 19 composers, 23 are anonymous. |
General Description
Binding
Original covers of brown leather over cardboard.
Watermark
resembles Briquet #12143 (KanTV).
Notation
not indicated
Ruling
Staff height 11
Foliation
New pencil foliation, 1-67.
Foliation
67 ff
Decoration
No initials or decoration.
Surface
paper
RISM Description
RISM
XVe/XVIe s. 67ff. Papier 220X330 mm. Foliotation moderne en haut des ff. Notation mesurée blanche. 8 portées par p. Au bas du f. 59: «Scala de le mutatami de t] quadro» et au dernier f. collé au plat de la reliure: «Scala de le mutatione [sic] del b molle.» Reliure ancienne très fatiguée, cuir estampé.
Ce ms.
mss. conservés à
italien, probablement compilé à Vérone même comme la plupart des iii^. conservés à la Capitolare, contient une grande majorité de pièces profanes. Qu'elles soient copiées sans paroles ne peut être le fait du hasard et il s'agit peut-être d'un répertoire destiné aux instrumentistes de la Scuola degli Accoliti qui fournit au XVIe s. plusieurs membres à la cour de Francois 1er. Le filigrane de l'oie vient confirmer l'origine véronaise du recueil.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
3 Mass Ordinary sections (without text), 5 motets (without text), 31 French secular pieces (28 without text*), 4 Italian secular pieces (all without text**), 1 Spanish secular piece (without text), 21 textless pieces (1 incomplete; many of these are probably unidentified French secular pieces or Latin motets) = 65
*One of these appears in some sources with Italian secular text.
**Two of these appear in some sources with French secular text.
(A. Agricola)-5, A. Agricola/(Compère)-1, (A. Agricola/Ghiselin) -1, (Brumel)-1, (Busnois)-1, (Busnois/Caron)-1, (Caron)-3, (Caron/Morton)-1, (Compère)-2, (Congiet/Japart)-1, (Enrique/ Wreede)-1, (Frye)-1, (Hayne van Ghizeghem)-1, (Hayne van Ghizeghem-anon)-1, (Isaac)-6, (Japart)-1, (Josquin)-2, Martini-6, Obrecht-2, (Pipelare-anon)-1, (Tinctoris)-1, (Touront)-1, (Vincenet)-1, anon-23
67 + i paper folios, 217 x 325. New pencil foliation, 1-67. Original covers of brown leather over cardboard. No index. Copied by one main scribe; f. 67' copied by second scribe; later additions by third scribe on ff. 59, 60, and [68]. Staff height 11. No initials or decoration. Watermark resembles Briquet #12143 (KanTV).
Ca. 1500. Copied in Verona (KanTV).
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‡ denotes primary source study
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Weiss, Susan Forscher. 1985. The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento. University of Maryland, Unpublished Ph.D. dissertation. Pages: 101, 122-3, 125-6, 317ff, passim.
Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 144-8,196,208ff).
Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 1: 275-326. Pages: 312-6.
Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance, vol. 2. New York. Pages: xxiii,xxx,62-4.
Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Pages: 261-2,283.
Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 58-9,293-4,365-8,431-2,448-9,462,466,478,521.
Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 317,439-40,458,497-8.
Boorman, Stanley. 1977. The 'First' Edition of the Odhecaton A. Journal of the American Musicological Society, 30: 183-207. Pages: 199-200,206.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xlii,29,32-4,48,62,88; III,38.
Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies, vol. 27. Brooklyn. Pages: I, 78ff, 257, passim.
Kanazawa, Masakata. 1975. Two Vesper Repertories from Verona, ca. 1500. Revista Italiana di Musicologia, 10: 155-73. Pages: 158-9.
Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25/1: 1-37. Pages: 9f.
Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: ll,95,204-5, passim.
Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae, vol. 34. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xv-xvi, 19-20.
Karp, Theodore. 1966. The Secular Works of Johannes Martini. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, 455-73. New York. Pages: 456 et n' 8.
Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: II,27-8,38-9,49,lll-2.
Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae, vol. 19. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: ix,10-2.
Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 1, 373.
Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: xlii-xliii.
Turrini, Giuseppe. 1953. II Patrimonio Musicale della Biblioteca Capitolare di Verona dal Sec. XV al XIX. Atti e Memorie della Accademia di Agricoltura Scienze e Lettere di Verona, 127: 95-176. Pages: 5 à 10 et 12 a 16, 99-109.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1338; XIII,1512.
Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 14: 165-81. Pages: 178-9 (identifications très incompl. et quelquefois inexactes).
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Clemens Goldberg
Tuesday, 29 July, 2025
Corrected claim that the piece on fols 63v-64r is 'Vray dieu damours' by Pipelare. It is instead a unique, textless piece.
Clemens Goldberg
Wednesday, 30 March, 2022
Identified that the piece on fols 43v-44r is a fantasia on the tenor of 'De tous biens plaine'
Clemens Goldberg
Sunday, 16 January, 2022
concordance with Cop 1848 identified: "Vostre amour est seure"
Clemens Goldberg
Monday, 10 January, 2022
Inventory corrected, both parts of Allez regrets (29v-29) are copied in the ms.
Clemens Goldberg
Saturday, 8 January, 2022
presentation amended so that all untexted works appear in inventory
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description