PL-Kj Berlin MS Mus. 40098 [Tenor] (Glogauer Liederbuch, Żagań partbooks)

Biblioteka Jagiellonska, Kraków, Poland

partbook: c. 1480

Archive Biblioteka Jagiellonska, Kraków, Poland (PL-Kj)
Shelfmark Berlin MS Mus. 40098 [Tenor] (Glogauer Liederbuch, Żagań partbooks)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 150 x 227 mm
Notations
  • black void mensural
Relationships
External Links
Provenance
Contents Contains 321 compositions, 41 from 29 composers, 280 are anonymous.
General Description

A Tenor partbook from a set of three volumes. Copied by a single scribe, except for last piece, which is later addition by a different hand. Of Silesian origin; possibly copied in Glogau (EDMR) or Sagan (Żagań - RumboldC). Once owned by cathedral library in Glogau; probably entered Preussische Staats-bibliothek in Berlin during 19th century.

Contents are a mix of Latin church music, German-texted songs, dances & quodlibets, and a number of textless chansons. The last group (most of the last 35 pieces in the manuscript) were copied from textless originals and are identified only by letters - A, B, C, ... with the second alphabetical sequence starting Alpha, Beta. Several of these are identifiable from concordances.

DIAMM, 2017
Binding

original covers of brown leather over wooden boards, with metal clasps; partly restored

DIAMM, 2017
Watermark

include crown with cross and several varieties of ox head marks (RingG; specific Briquet references not presently available)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height c. 16mm

DIAMM, 2017
Foliation

Original ink foliation on upper right rectos of each book uses capital letters to designate gatherings, lower-case Roman numerals to number folios within each gathering (e.g., Ai-Axi, Bi-Bxii, etc.); some inconsistencies. Some original foliation partly or completely obliterated by later trimming; restored or replaced by modern pencil foliation. Front flyleaves of each book also have separate system of modern pencil foliation.

DIAMM, 2017
Decoration

Gothic initials in black, red, or blue; some headings, etc. in red.

DIAMM, 2017
Index

Original indices on front flyleaves of each book group pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

i parchment + vi paper + 158 paper + i parchment

DIAMM, 2017
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Sets

Select a set to see its sources.

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Owens, Jessie Ann (editor). 1986. Krakow, Biblioteka Jagiellonska, Glogauer Liederbuch. Renaissance Music in Facsimile, vol. 6.  New York. Notes: physical description; contents list; concordances (partial); facsimile; discussion.

Brewer, Charles Everett. 1984. The Introduction of the Ars Nova into East Central Europe: A Study of Late Medieval Polish Sources. City University of New York, Unpublished Ph.D. dissertation. Pages: 356, 565. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII.  Chicago and London. Pages: 126-8,133-8,187-8,212ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Deutsches Musikgeschichtliches Archiv Kassel and Staatliches Institut für Musikforschung Preußischer Kulturbesitz Berlin (editor). 1983. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. Band 2: Handschriften. Catalogus Musicus, vol. X.  Kassel, Basel, Tours, and London. Pages: 54-76. Notes: contents list; incipits.

Rumbold, Ian. 1982. The Compilation and Ownership of the 'St Emmeram' Codex (Munich, Bayerische Staatsbibliothek, Clm 14274). Early Music History, 2: 161-235. Pages: 179. Notes: contents list (partial); mention of MS; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance, vol. 2.  New York. Pages: xxiii.xxviii-xxix, 89-92. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: I, 15 II,150-1, 243ff, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Strohm, Reinhard. 1979. Die Missa super 'Nos amis' von Johannes Tinctoris. Die Musikforschung, 32: 34-51. Pages: 34,46-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3.  American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 137,140,403ff,422,483. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae, vol. 74.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii-xviii,xxiv,xxxv,xlvii-xlviii. Notes: contents list (partial); concordances (partial).

Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 12: 195-238. Pages: 232,235. Notes: contents list (partial); incipits (partial).

Väterlein, Christian. 1974. Studien zu einer Edition der lateinischen Gesänge des Glogauer Liederbuches. University of Tübingen, Unpublished Ph.D. dissertation.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 137. Notes: mention of MS.

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 1: 263-88. Pages: 271-2. Notes: mention of MS.

Southern, Eileen. 1968. Foreign Music in German Manuscripts of the 15th Century. Journal of the American Musicological Society, 21: 258-85. Pages: 267, 274, 279ff. Notes: concordances (partial); mention of MS.

Osthoff, Helmuth. 1967. Die Niederländer und das deutsche Lied (1400-1640).  Tutzing. Pages: 42ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kenney, Sylvia W. 1964. Walter Frye and the Contenance Angloise.  New Haven and London. Pages: 66, 73. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 48. Notes: mention of MS.

Davis, Bertran Earl. 1960. The Works of Johannes Vincenet. University of North Carolina, Unpublished Ph.D. dissertation. Pages: I,10-1,13,150-1. Notes: contents list (partial); concordances (partial).

Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae, vol. 19.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: ix. Notes: concordances (partial).

Stephan, Rudolf. 1956. Drei Fragen zum Glogauer Liederbuch. Die Musikforschung, 9: . Notes: physical description; mention of MS; discussion.

Salmen, Walter. 1954. Die Schichtung der mittelalterliche Musikkultur in der ostdeutschen Grenzlage.  Kassel. Pages: 70-6. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II,1645-6 V,299-302, Tafel 13. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, xvii.lix.lxi. Notes: physical description (partial); contents list (partial); concordances (partial).

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5.  Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 105. Notes: concordances (partial).

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems.  Kassel. Pages: 99. Notes: mention of MS.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: IV VIII LXXXV/LXXXVI. Notes: physical description (partial); contents list; concordances; incipits; texts; facsimile (partial); mention of MS; discussion; additional bibliography.

Ringmann, Heribert. 1932. Das Glogauer Liederbuch (um 1480): mus. ms. 40098 Berlin (Staatsbibliothek). Zeitschrift für Musikwissenschaft, 15: 49-60. Notes: physical description (partial); contents list; concordances (partial); transcription (partial).

Freitag, D A. 1919-20. Die Herkunft des 'Berliner Liederbuches'. Archiv für Musikwissenschaft, 2: 18-21. Notes: mention of MS.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 445. Notes: mention of MS.

Eitner, Robert. 1876-80. Das deutsche Lied des XV. und XVI. Jahrhunderts.  Berlin. Pages: I,l-5 II,167-221. Notes: contents list (partial); transcription (partial).

Eitner, Robert. 1874. Ein Liederbuch des XV. Jahrhunderts. Monatshefte für Musikgeschichte, 6: 67-74. Notes: physical description (partial); contents list (partial); concordances (partial).

[No Author] None. FeuerWL. . Notes: contents list (partial); concordances (partial); mention of MS; discussion.

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Clemens Goldberg

Sunday, 7 August, 2022

Inventory incorrectly linked 'Ich sachs eins mals' (a monophonic Tenor) and 'Brider Konrad' - now separated

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Ruling Note; Surface Note