PL-Kj Berlin MS Mus. 40098 [Tenor] (Glogauer Liederbuch, Żagań partbooks)

Biblioteka Jagiellonska, Kraków, Poland

partbook: c. 1480

Archive Biblioteka Jagiellonska, Kraków, Poland (PL-Kj)
Shelfmark Berlin MS Mus. 40098 [Tenor] (Glogauer Liederbuch, Żagań partbooks)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 150 x 227 mm
Notations
  • black void mensural
Relationships
External Links
Provenance
Contents 325 pieces from 29 composers
General Description

A Tenor partbook from a set of three volumes. Copied by a single scribe, except for last piece, which is later addition by a different hand. Of Silesian origin; possibly copied in Glogau (EDMR) or Sagan (Żagań - RumboldC). Once owned by cathedral library in Glogau; probably entered Preussische Staats-bibliothek in Berlin during 19th century.

Contents are a mix of Latin church music, German-texted songs, dances & quodlibets, and a number of textless chansons. The last group (most of the last 35 pieces in the manuscript) were copied from textless originals and are identified only by letters - A, B, C, ... with the second alphabetical sequence starting Alpha, Beta. Several of these are identifiable from concordances.

DIAMM, 2017
Binding

original covers of brown leather over wooden boards, with metal clasps; partly restored

DIAMM, 2017
Watermark

include crown with cross and several varieties of ox head marks (RingG; specific Briquet references not presently available)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height c. 16mm

DIAMM, 2017
Foliation

Original ink foliation on upper right rectos of each book uses capital letters to designate gatherings, lower-case Roman numerals to number folios within each gathering (e.g., Ai-Axi, Bi-Bxii, etc.); some inconsistencies. Some original foliation partly or completely obliterated by later trimming; restored or replaced by modern pencil foliation. Front flyleaves of each book also have separate system of modern pencil foliation.

DIAMM, 2017
Decoration

Gothic initials in black, red, or blue; some headings, etc. in red.

DIAMM, 2017
Index

Original indices on front flyleaves of each book group pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

i parchment + vi paper + 158 paper + i parchment

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(2)–(2v) index (1) - -

index (1)

Appears on: (2)–(2v)
(4)–(7) index (2) - -

index (2)

Appears on: (4)–(7)
A.1r Ave salutis hostia - Anonymous

Ave salutis hostia

Anonymous
Appears on: A.1r
Genres: Motet
A.1v Beata Dei genitrix Maria - Anonymous
Appears on: A.1v
Genres: Marian antiphon
A.2r Maria mater gratiae - Anonymous
Appears on: A.2r
Genres: Hymn
A.2r Da nobis pie domine - Anonymous
Appears on: A.2r
Genres: Cantio
A.2v Virgo sancta Barbara - Anonymous
Appears on: A.2v
Genres: Motet
A.3r Ave rosa rubicunda (=Mon seul et cele souvenir) -
Appears on: A.3r
Genres: Contrafactum, Motet
A.3r Aufer a nobis domine - Anonymous
Appears on: A.3r
Genres: Motet
A.3v Ave sidus clarissimum / Der Seidenschwanz -
Appears on: A.3v
Genres: Contrafactum, Motet
A.4r Vatum vaticina - Anonymous

Vatum vaticina

Anonymous
Appears on: A.4r
Genres: Motet
A.4v Regina regnantium (= Au pauvre par necessité) -
Appears on: A.4v
Genres: Contrafactum, Motet
A.5r Beatorum omnium Maria - Anonymous
Appears on: A.5r
Genres: Cantio
A.5v Salve lux fidelium lucens in aurora - Anonymous
Appears on: A.5v
Genres: Cantio
A.6r Die katzen pfothe - Anonymous

Die katzen pfothe

Anonymous
Appears on: A.6r
Genres: Dance
A.6r Es sulde eyn man keyn mole farn - Anonymous
Appears on: A.6r
Genres: Lied
A.6v Laudem demus parvulo (= Ci dit on benedicite) -
Appears on: A.6v
Genres: Contrafactum, Monophonic hymn, Motet
A.7r Advocata libera -
Appears on: A.7r
A.7v Accessit ad pedes - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier - Anonymous
Appears on: A.7v
Genres: Responsory
A.7v–A.8r Accessit ad pedes - 2a pars (of 4): Et osculata est et lauit lacrimis et tersit - Anonymous
Appears on: A.7v–A.8r
Genres: Motet
A.8r Accessit ad pedes - 3a pars (of 4): Dimissa sunt ei peccata multa quoniam dilexit multum - Anonymous
Appears on: A.8r
Genres: Motet
A.8r Accessit ad pedes - 4a pars (of 4): Gloria patri et fi et filio et spiritui sancto - Anonymous
Appears on: A.8r
Genres: Doxology
A.8v–A.9v Laus tibi Christe - Anonymous

Laus tibi Christe

Anonymous
Appears on: A.8v–A.9v
Genres: Sequence
A.9v–A.10r Rex in cena -
Appears on: A.9v–A.10r
Genres: Motet
A.10v Barbara virgo Dei - 1a pars (of 3): Barbara virgo Dei - Anonymous
Appears on: A.10v
Genres: Responsory
A.10v–A.11r Barbara virgo Dei - 2a pars (of 3): Obtineas genti - Anonymous
Appears on: A.10v–A.11r
Genres: Motet
A.11r Barbara virgo Dei - 3a pars (of 3): Que oculos non vidit - Anonymous
Appears on: A.11r
Genres: Motet
A.11v Recordare virgo mater - 1a pars (of 2): Recordare virgo mater dum steteris -
Appears on: A.11v
Genres: Offertory
A.11v–B.1r Recordare virgo mater - 2a pars (of 2): Ab hac familia -
Appears on: A.11v–B.1r
Genres: Offertory
B.1r Pfawn schwantz -
Appears on: B.1r
Genres: Dance
B.1r Pfawn schwantz (II) -
Appears on: B.1r
Genres: Dance
B1v 'Carmen' (=song) -
Appears on: B1v
Genres: Lied
B.2r O lux luminis (= Der Fochsschwanz) - Anonymous
Appears on: B.2r
Genres: Contrafactum, Motet
B.2r Laetare Germania - Anonymous

Laetare Germania

Anonymous
Appears on: B.2r
Genres: Motet
B.2v–B.3r Der notter schwantz - Anonymous
Appears on: B.2v–B.3r
Genres: Dance
B.3r O sapientia - 1a pars (of 2): O sapientia - Anonymous
Appears on: B.3r
Genres: Motet
B.3r O sapientia - 2a pars (of 2): Veni ad docendum - Anonymous
Appears on: B.3r
Genres: Motet
B.3v O sacrum mysterium - Anonymous

O sacrum mysterium

Anonymous
Appears on: B.3v
Genres: Motet
B.4r Ecce concipies et paries filium et vocabis - Anonymous
Appears on: B.4r
Genres: Motet
B.4v Regnum mundi - 1a pars (of 3): Regnum mundi et omnem ornatum saeculi - Anonymous
Appears on: B.4v
Genres: Responsory
B.4v Regnum mundi - 2a pars (of 3): Quem vidi quem amavi in quem credidi - Anonymous
Appears on: B.4v
Genres: Motet
B.4v–B.5r Regnum mundi - 3a pars (of 3): Eructavit cor meum verbum bonum - Anonymous
Appears on: B.4v–B.5r
Genres: Motet
B.5r Gratuletur ecclesia - Anonymous
Appears on: B.5r
Genres: Hymn
B.5v Verbum caro - 1a pars (of 3): Verbum caro factum est et habitavit - Anonymous
Appears on: B.5v
Genres: Responsory
B.5v–B.6r Verbum caro - 2a pars (of 3): Plenum gratia gratia et veritatis - Anonymous
Appears on: B.5v–B.6r
Genres: Motet
B.6r Verbum caro - 3a pars (of 3): In principio erat verbum - Anonymous
Appears on: B.6r
Genres: Motet
B.6v–B.7r Gaude Dei genitrix - Anonymous

Gaude Dei genitrix

Anonymous
Appears on: B.6v–B.7r
Genres: Motet
B.7r Cuius magnifica est generatio = Gaude visceribus - Anonymous
Appears on: B.7r
Genres: Hymn
B.8v Nesciens mater virgo virum - Anonymous
Appears on: B.8v
Genres: Marian antiphon
B.7v–B.8r Laetabundus exultet - Anonymous
Appears on: B.7v–B.8r
Genres: Sequence
B.9r Veni sancte spiritus et emitte caelitus - Anonymous
Appears on: B.9r
Genres: Motet, Proper, Veni sancte spiritus
B.9v–B.10r O decus Trebniciae - Anonymous

O decus Trebniciae

Anonymous
Appears on: B.9v–B.10r
Genres: Motet
B.10r Nobilissimus siquidem natalibus - Anonymous
Appears on: B.10r
Genres: Motet
B.10v–B.11r Nigra sum sed formosa - Anonymous
Appears on: B.10v–B.11r
Genres: Motet
B.11v Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater - Anonymous
Appears on: B.11v
Genres: Alma redemptoris mater, Motet
B.11v–B.12r Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura - Anonymous
Appears on: B.11v–B.12r
Genres: Motet
B.12v–C.1r O beata infantia - 1a pars (of 2): O beata infantia - Anonymous
Appears on: B.12v–C.1r
Genres: Motet
C.1r O beata infantia - 2a pars (of 2): O felices panni quibus peccatorum - Anonymous
Appears on: C.1r
Genres: Motet
C.1v Salve nobilis virga - 1a pars (of 3): Salve nobilis virga - Anonymous
Appears on: C.1v
Genres: Responsory
C.1v Salve nobilis virga - 2a pars (of 3): Ex te ortum est - Anonymous
Appears on: C.1v
Genres: Motet
C.1v–C.2r Salve nobilis virga - 3a pars (of 3): Odor tuus super cuncta - Anonymous
Appears on: C.1v–C.2r
Genres: Motet
C.2r Bruder Konrad - Anonymous

Bruder Konrad

Anonymous
Appears on: C.2r
Genres: Lied
C.2v O pastor aeterne - Anonymous

O pastor aeterne

Anonymous
Appears on: C.2v
Genres: Motet
C.3r O admirabile commercium creator generis - Anonymous
Appears on: C.3r
Genres: Motet
C.3v Vere felicem praesulem - 1a pars (of 3): Vere felicem praesulem - Anonymous
Appears on: C.3v
Genres: Responsory
C.3v–C.4r Vere felicem praesulem - 2a pars (of 3): Ad firmandam plebis fidem - Anonymous
Appears on: C.3v–C.4r
Genres: Motet
C.4r Vere felicem praesulem - 3a pars (of 3): A Domino factum est - Anonymous
Appears on: C.4r
Genres: Motet
C.4r Sancte Nicolae confessor - Anonymous
Appears on: C.4r
Genres: Motet
C.4v Haec est dies - 1a pars (of 4): Haec est dies quam fecit Dominus - Anonymous
Appears on: C.4v
Genres: Motet
C.5r Haec est dies - 2a pars (of 4): Hodie Deus homo factus - Anonymous
Appears on: C.5r
Genres: Motet
C.5r Haec est dies - 3a pars (of 4): Id quod fuit permansit - Anonymous
Appears on: C.5r
Genres: Motet
C.5r Haec est dies - 4a pars (of 4): Gloria tibi domine - Anonymous
Appears on: C.5r
Genres: Motet
C.5v Apparuerunt Apostolis - 1a pars (of 3): Apparuerunt Apostolis - Anonymous
Appears on: C.5v
Genres: Responsory
C.5v Apparuerunt Apostolis - 2a pars (of 3): Seditque super singulos - Anonymous
Appears on: C.5v
Genres: Motet
C.6r Apparuerunt Apostolis - 3a pars (of 3): Loquebantur variis linguis - Anonymous
Appears on: C.6r
Genres: Motet
C.6r O Margaretha caelorum - Anonymous
Appears on: C.6r
Genres: Motet
C.6v Fuerunt sine querela - 1a pars (of 3): Fuerunt sine querela - Anonymous
Appears on: C.6v
Genres: Motet
C.6v–C.7r Fuerunt sine querela - 2a pars (of 3): Tradiderunt corpora sua ... Calicem - Anonymous
Appears on: C.6v–C.7r
Genres: Motet
C.7r Fuerunt sine querela - 3a pars (of 3): Gloria patri - Anonymous
Appears on: C.7r
Genres: Motet
C.7v–C.8r Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi -
Appears on: C.7v–C.8r
Genres: Motet
C.8r Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia -
Appears on: C.8r
Genres: Motet
C.8v Dum transisset sabbatum - 1a pars (of 3): Dum transisset sabbatum Maria Magdalena - Anonymous
Appears on: C.8v
Genres: Responsory
C.8v–C.9r Dum transisset sabbatum - 2a pars (of 3): Ut venientes ungerent - Anonymous
Appears on: C.8v–C.9r
Genres: Motet
C.9r Dum transisset sabbatum - 3a pars (of 3): Et valde mane una sabbatorum - Anonymous
Appears on: C.9r
Genres: Responsory
C.9v Ecce tu pulchra es amica mea - Anonymous
Appears on: C.9v
Genres: Motet
C.9v Sicut lilium inter spinas sic amica - Anonymous
Appears on: C.9v
Genres: Motet
C.9v–C.10r Favus distillans labia tua sponsa mel -
Appears on: C.9v–C.10r
Genres: Motet
C.10r Emissiones tuae - Anonymous

Emissiones tuae

Anonymous
Appears on: C.10r
Genres: Motet
C.10r Fons hortorum - Anonymous

Fons hortorum

Anonymous
Appears on: C.10r
Genres: Motet
C.10v Tota pulchra es amica mea et macula - Anonymous
Appears on: C.10v
Genres: Motet
C.11r Valde honorandus est beatus Johannes - Anonymous
Appears on: C.11r
Genres: Motet
C.11v–C.12r Ibo mihi ad montem - Anonymous

Ibo mihi ad montem

Anonymous
Appears on: C.11v–C.12r
Genres: Motet
C.12v–D.1r Gaude mater luminis -
Appears on: C.12v–D.1r
Genres: Sequence
D.1r Grates nunc omnes - 1a pars (of 2): Grates nunc omnes - Anonymous
Appears on: D.1r
Genres: Sequence
D.1r Grates nunc omnes - 2a pars (of 2): Huic oportet - Anonymous
Appears on: D.1r
Genres: Motet
D.1v Dies est laetitiae in ortu regali - Anonymous
Appears on: D.1v
Genres: Cantio
D.1v–D.2r [Quem terra pontus aethera] Cui luna, sol et omnia - Anonymous
Appears on: D.1v–D.2r
Genres: Hymn
D.2r Es leyt eyn schloss yn östirreich - Anonymous
Appears on: D.2r
Genres: Lied
D.2v–D.3r Beati eritis cum vos oderint homines - Anonymous
Appears on: D.2v–D.3r
Genres: Motet
D.3r Ecce ego mitto vos sicut oves in medio - Anonymous
Appears on: D.3r
Genres: Motet
D.3r–D.4r Festa Christi omnis Christianitas celebrat - Que miris sunt - Anonymous
Appears on: D.3r–D.4r
Genres: Sequence
D.4r Veni creator spiritus mentes tuorum - Anonymous
Appears on: D.4r
Genres: Hymn
D.4v O praeclara stella - 1a pars (of 4): O praeclara stella mater virgo mater - Anonymous
Appears on: D.4v
Genres: Motet
D.4v–D.5r O praeclara stella - 2a pars (of 4): Te precamur in hoc festo - Anonymous
Appears on: D.4v–D.5r
Genres: Motet
D.5r O praeclara stella - 3a pars (of 4): Ad te clamant omnes rei - Anonymous
Appears on: D.5r
Genres: Motet
D.5v O praeclara stella - 4a pars (of 4): Gloria patri et filio - Anonymous
Appears on: D.5v
Genres: Doxology
D.5v Hortus conclusus est Dei genetrix fons signatus - Anonymous
Appears on: D.5v
Genres: Motet
D.6r Scio cui credidi - Anonymous

Scio cui credidi

Anonymous
Appears on: D.6r
Genres: Introit, Proper
D.6v Solem justitiae - 1a pars (of 3): Solem justitiae regem paritura supremum - Anonymous
Appears on: D.6v
Genres: Responsory
D.6v–D.7r Solem justitiae - 2a pars (of 3): Stella lucida pericula cuncta mitigans - Anonymous
Appears on: D.6v–D.7r
Genres: Motet
D.7r Solem justitiae - 3a pars (of 3): Cernere divinum lumen - Anonymous
Appears on: D.7r
Genres: Motet
D.7v Der pawir schwantz -
Appears on: D.7v
Genres: Dance
D.7v–D.9v Lauda Sion salvatorem - Anonymous
Appears on: D.7v–D.9v
Genres: Sequence
D.10r–D.10v Congaudent angelorum chori - Que sine virili commixtione - Anonymous
Appears on: D.10r–D.10v
Genres: Sequence
D.10v Vita sanctorum - Anonymous

Vita sanctorum

Anonymous
Appears on: D.10v
Genres: Motet
D.11r Assunt festa jubilea - Anonymous
Appears on: D.11r
Genres: Motet
D.11v Festum nunc celebre - Anonymous
Appears on: D.11v
Genres: Hymn
D.11v–D.12r Pange lingua gloriosi corporis misterium - Anonymous
Appears on: D.11v–D.12r
Genres: Hymn
D.12r Fit porta Christi pervia -
Appears on: D.12r
Genres: Motet
D.12v Urbs beata Jerusalem - Anonymous
Appears on: D.12v
Genres: Hymn
D.12v–E.1r [Victimae paschali] Agnus redemit oves - Anonymous
Appears on: D.12v–E.1r
Genres: Hymn
E.1r Czaenner greyner wy gefeld dir das - Anonymous
Appears on: E.1r
Genres: Dance
E.1v–E.2r Regina caeli laetare alleluia - Anonymous
Appears on: E.1v–E.2r
Genres: Marian antiphon, Motet, Regina caeli laetare
E.2r Dy krebis schaere - Celum calcatur dum terra per astra levatur - Anonymous
Appears on: E.2r
Genres: Sacred Song
E.2v [Victimae paschali laudes] Agnus redemit oves Christus innocens - Anonymous
Appears on: E.2v
Genres: Sequence
E.3a(r)–E.3a(v) Der lentcz - 1a pars (of 2): Du lentcze gut - Anonymous
Appears on: E.3a(r)–E.3a(v)
Genres: Lied
E,3b(r) Christ ist erstanden - Anonymous
Appears on: E,3b(r)
Genres: Sacred Song
E.3b(r) Der lentcz - 2a pars (of 2): Dy sonne - Anonymous
Appears on: E.3b(r)
Genres: Lied
E.3b(v) Vidi aquam - 1a pars (of 3): Vidi aquam egredientem de templo - Anonymous
Appears on: E.3b(v)
Genres: Antiphon, Vidi aquam
E.4r Vidi aquam - 2a pars (of 3): Confitemini Domino - Anonymous
Appears on: E.4r
Genres: Antiphon, Vidi aquam
E.4r Vidi aquam - 3a pars (of 3): Gloria Patri - Anonymous
Appears on: E.4r
Genres: Doxology
E.4v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: E.4v
Genres: Motet
E.5r Ave stella matutina mundi princeps - Anonymous
Appears on: E.5r
Genres: Marian antiphon
E.5r Nicolai solemnia sua familia - Anonymous
Appears on: E.5r
Genres: Cantio
E.5v–E.6r Veni sancte spiritus et emitte caelitus - Anonymous
Appears on: E.5v–E.6r
Genres: Sequence, Veni sancte spiritus
E.6r Else el se el se mundo - Anonymous
Appears on: E.6r
Genres: Lied
E.6v–E.7r O rosa bella - Alazami - Anonymous
Appears on: E.6v–E.7r
Genres: Quodlibet
General Note

untitled & untexted - but presumably 'O rosa bella' which is otherwise not present

E.7v Entrepris suis = Congratulamini mihi omnes -
Appears on: E.7v
Genres: Contrafactum
E.8r Descendi in ortum meum - Anonymous
Appears on: E.8r
Genres: Motet
E.8v–E.9r Pax aeterna ab aeterno - Anonymous
Appears on: E.8v–E.9r
Genres: Motet
E.9r Quod chorus vatum - Anonymous

Quod chorus vatum

Anonymous
Appears on: E.9r
Genres: Hymn
E.9v–E.10r Recordare virgo mater dum steteris - Anonymous
Appears on: E.9v–E.10r
Genres: Offertory, Proper
E.10v O florens rosa mater Domini speciosa - Anonymous
Appears on: E.10v
Genres: Motet
E.11r–E.12r Salve regina mater misericordiae - Anonymous
Appears on: E.11r–E.12r
Genres: Marian antiphon, Motet, Salve Regina
E.12r Virgo prudentissima quo progrederis - Anonymous
Appears on: E.12r
Genres: Marian antiphon
E.12v–F.1r Stirpe Maria regia - Anonymous

Stirpe Maria regia

Anonymous
Appears on: E.12v–F.1r
Genres: Sequence
F.1v–F.2r Probitate eminentem triumphali / Ploditando exarare -
Appears on: F.1v–F.2r
Genres: Motet
F.2v–F.3r O gloriosum lumen omnium ecclesiarum II. Illuc supplices tuos - Anonymous
Appears on: F.2v–F.3r
Genres: Responsory
F.3v–F.4r Carmen - Der rattenschwanz (3 partes) - Anonymous
Appears on: F.3v–F.4r
Genres: Dance
F.4r Zo zo meyn lipste zcart - Anonymous
Appears on: F.4r
Genres: Dance
F.4v–F.5r Anima mea liquefacta est - Anonymous
Appears on: F.4v–F.5r
Genres: Motet
F.5r Es suftzt eyne fraw zo zere - Anonymous
Appears on: F.5r
Genres: Lied
F.5v Hostu mir dy laute brocht - Anonymous
Appears on: F.5v
Genres: Lied
F.5v–F.6r Wie traut gesell hoch lob - Anonymous
Appears on: F.5v–F.6r
Genres: Lied
F.6v–F.7r Wie du sorget - Anonymous

Wie du sorget

Anonymous
Appears on: F.6v–F.7r
Genres: Lied
F.7v–F.8r In fewirsz hitz - Anonymous

In fewirsz hitz

Anonymous
Appears on: F.7v–F.8r
Genres: Quodlibet
F.8v–F.9r Ista est speciosa inter filias Jerusalem - Anonymous
Appears on: F.8v–F.9r
Genres: Motet
F.9r Annue Christe seculorum Domine - Anonymous
Appears on: F.9r
Genres: Motet
F.9v Christi virgo dilectissima - 1a pars (of 3): Christi virgo dilectissima - Anonymous
Appears on: F.9v
Genres: Motet
F.10r Christi virgo dilectissima - 2a pars (of 3): Quoniam peccatorum molle premimur - Anonymous
Appears on: F.10r
Genres: Motet
F.10r Christi virgo dilectissima - 3a pars (of 3): Gloria Patri - Anonymous
Appears on: F.10r
Genres: Motet
F,10v Coda di volpe (Der fochs schwantcz) - Anonymous
Appears on: F,10v
Genres: Italian secular
F.11r Nu bitt wir den heiligen geist - Anonymous
Appears on: F.11r
Genres: Sacred Song
F.11v Crist der ist erstanden - Anonymous
Appears on: F.11v
Genres: Sacred Song
F.11v Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit - Anonymous
Appears on: F.11v
Genres: Sacred Song
F.11v Christus surrexit - 2a pars (of 2): Surrexit Christus hodie - Anonymous
Appears on: F.11v
Genres: Sacred Song
F.12r Christ ist erstanden - Anonymous
Appears on: F.12r
Genres: Sacred Song
F.12r Christus surrexit mala nostra texit - Anonymous
Appears on: F.12r
Genres: Cantio
F.12v–G.1r Admirans Christi gratiam Josias poscit veniam II: Clamans O sancte Jacobe fac me Cristum III: Fundens preces cum lachrimis ad pedes - Anonymous
Appears on: F.12v–G.1r
Genres: Motet
G,1r Numine Jesu (= Que pourroit plus faire) -
Appears on: G,1r
Genres: Chanson
G.1v–G.2r Homo quidam fecit caenam magnam et misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum et bibite - Anonymous
Appears on: G.1v–G.2r
Genres: Responsory
G.2r Elende - Anonymous

Elende

Anonymous
Appears on: G.2r
Genres: Lied
G.2v–G.3r Beata Dei genitrix Maria - Anonymous
Appears on: G.2v–G.3r
Genres: Marian antiphon
G.3r Das yeger horn - Anonymous

Das yeger horn

Anonymous
Appears on: G.3r
Genres: Dance
G.3v–G.5r [Gloria] Et in terra pax - Anonymous
Appears on: G.3v–G.5r
Genres: Gloria (et in terra pax), Mass Ordinary
G,5r Der kranch schnabil - Anonymous
Appears on: G,5r
Genres: Dance
G.5v–G.6r Martinus Abrahae sinu laetus excipitur - Anonymous
Appears on: G.5v–G.6r
Genres: Responsory
G.6v–G.7r Sempiterna Deitas -
Appears on: G.6v–G.7r
Genres: Cantio
G.7r O moertlicher mord - Anonymous

O moertlicher mord

Anonymous
Appears on: G.7r
Genres: Dance
G.7v–G.8r Alga jacet humilis - Anonymous

Alga jacet humilis

Anonymous
Appears on: G.7v–G.8r
Genres: Cantio
General Note

text written syllabically as notes on the stave

G.8v–G.9r Viminibus cinge tristantem - Anonymous
Appears on: G.8v–G.9r
Genres: Cantio
General Note

text written syllabically as notes on the stave

G.9r Salve virgo deo grata - Anonymous
Appears on: G.9r
Genres: Cantio
G.9v Ave regina caelorum I -
Appears on: G.9v
Genres: BVM
G.10r Virga Jesse floruit - Anonymous
Appears on: G.10r
Genres: Ballade
G.10v Oculi omnium in te sperant domine - Anonymous
Appears on: G.10v
Genres: Gradual
G.11r Dy ezels krone - Anonymous

Dy ezels krone

Anonymous
Appears on: G.11r
Genres: Dance
G.11v–G.12r Illuminare Jerusalem Vs. Et gloria Domini (& Gloria Patri) - Anonymous
Appears on: G.11v–G.12r
Genres: Responsory
G.12v Alleluia. Levita Laurentius bonum opus operatus est - Anonymous
Appears on: G.12v
Genres: Alleluia, Proper
H.1r–H.1v Induit hodie Dominus - Anonymous
Appears on: H.1r–H.1v
Genres: Sequence
H.2r Eia sponsa Salomonis - Anonymous
Appears on: H.2r
Genres: Motet
H.2v–H.4r Patrem omnipotentem [Credo] -
Appears on: H.2v–H.4r
Genres: Credo (patrem omnipotentem), Mass Ordinary
H.4v–H.5r Super salutem et omnem pulchritudinem - Anonymous
Appears on: H.4v–H.5r
Genres: Responsory
H.5v–H.6v O beata beatorum martyrum - Anonymous
Appears on: H.5v–H.6v
Genres: Sequence
H.7r–H.7v Immolabit hedum multitudo filiorum Israel - Anonymous
Appears on: H.7r–H.7v
Genres: Motet
H.8r Salve festa dies toto venerabilis - Anonymous
Appears on: H.8r
Genres: Hymn
H.8v–H.9r Ave regina caelorum - Anonymous
Appears on: H.8v–H.9r
Genres: Marian antiphon
H.9r Maria virgo assumpta est -
Appears on: H.9r
Genres: Motet
H.9v–H.10r (H.11v-H.12r) Ave gemma claritas - Anonymous

Ave gemma claritas

Anonymous
Appears on: H.9v–H.10r (H.11v-H.12r)
Genres: Chanson, Contrafactum, Motet, Rondeau
General Note

copied again, but crossed out, at H.11v-H.12r

H.10r Aperitur porta caeli - Anonymous
Appears on: H.10r
Genres: Cantio
H.10v–H.11r Eia, not fru und spoth - Anonymous
Appears on: H.10v–H.11r
Genres: Lied
H.11r O keysserynne meyn leyt vortreib - Anonymous
Appears on: H.11r
Genres: Lied
H.11r Al vol alle vol - Anonymous

Al vol alle vol

Anonymous
Appears on: H.11r
Genres: Lied
H.12r Wo lip mit liebe - Anonymous

Wo lip mit liebe

Anonymous
Appears on: H.12r
Genres: Lied
H.12r Surrexit Christus hodie - Anonymous
Appears on: H.12r
Genres: Cantio
H.12v–J.1r Ave virgo gloriosa - Anonymous

Ave virgo gloriosa

Anonymous
Appears on: H.12v–J.1r
Genres: Hymn
J.1r Inventor rutili dux bone - Anonymous
Appears on: J.1r
Genres: Hymn
J.1v–J,2r Discubuit Jesus - Anonymous

Discubuit Jesus

Anonymous
Appears on: J.1v–J,2r
Genres: Responsory
J.2v–J.3r Virga Jesse floruit - Anonymous
Appears on: J.2v–J.3r
Genres: Motet
J.3v–J.4r Surge virgo et nostras sponso preces - Anonymous
Appears on: J.3v–J.4r
Genres: Responsory
J.4r Deus tuorum militum - Anonymous
Appears on: J.4r
Genres: Hymn
J.4v–J.5r Judaea et Jerusalem nolite timere 2 Cras egrediemini 4 Constantes estote 6 Gloria patri - Anonymous
Appears on: J.4v–J.5r
Genres: Responsory
J.5r Iste confessor Domini / Iste confessor Domini / Iste confessor Domini - Anonymous
Appears on: J.5r
Genres: Hymn
J.5r Eia felix virgula - Anonymous

Eia felix virgula

Anonymous
Appears on: J.5r
Genres: Cantio
J.5v Inter natos mulierum - Anonymous
Appears on: J.5v
Genres: Responsory
J.6r Veni redemptor gentium ostende partum - Anonymous
Appears on: J.6r
Genres: Hymn
J.6r Regina caeli laetare alleluia - Anonymous
Appears on: J.6r
Genres: Marian antiphon, Motet, Regina caeli laetare
J.6v Alle Dei filius ab hoste superbissimo -
Appears on: J.6v
Genres: Motet
J.7r Christe sanctorum - Anonymous

Christe sanctorum

Anonymous
Appears on: J.7r
Genres: Hymn
J.7r Fulgent fulgent nunc natalia - Anonymous
Appears on: J.7r
Genres: Cantio
J.7v Ut queant laxis resonare fibris - Anonymous
Appears on: J.7v
Genres: Hymn
J.8r Trag frischen muth (= Dieu, gard la bone sans reprise) -
Appears on: J.8r
Genres: Contrafactum, Lied
J.8v–J.9r Vox tonitrui tui Deus in rota Johannes - Anonymous
Appears on: J.8v–J.9r
Genres: Responsory
J.9v–J.10r Isti sunt sancti - Anonymous

Isti sunt sancti

Anonymous
Appears on: J.9v–J.10r
Genres: Responsory
J.10v Gaudent in caelis animae sanctorum - Anonymous
Appears on: J.10v
Genres: Motet
J.11r–J.12r Jube Domine benedicere - Primo tempore - Anonymous
Appears on: J.11r–J.12r
Genres: Motet
J.12v–K.1v Jube Domine benedicere - Consolamini - Anonymous
Appears on: J.12v–K.1v
Genres: Motet
K.2r–K.3r Jube Domine benedicere - Consurge - Anonymous
Appears on: K.2r–K.3r
Genres: Motet
K.3v–K.8r [textless quodlibet] - Anonymous
Appears on: K.3v–K.8r
Genres: Quodlibet
K.8r O maertlicher mord - Anonymous

O maertlicher mord

Anonymous
Appears on: K.8r
Genres: Dance
K.8v Frutlich begyr senet sich noch dyr - Anonymous
Appears on: K.8v
Genres: Lied
K.8v Maechte wonsch mit sienen eyne sich - Anonymous
Appears on: K.8v
Genres: Lied
K.9r Ich bins irfreut - Anonymous

Ich bins irfreut

Anonymous
Appears on: K.9r
Genres: Lied
K.9r Der pfauwin schwantz - Anonymous
Appears on: K.9r
Genres: Dance
K.9v O plasmator summe Deus = Seit ich dich herzlieb - Anonymous
Appears on: K.9v
Genres: Contrafactum
K.9v Ave Dei genitrix / Der Mai ist hin - Anonymous
Appears on: K.9v
Genres: Cantio
K.10r Adest finis mestitiae / Zu aller Zeit - Anonymous
Appears on: K.10r
Genres: Cantio
K.10r Gratulemur concinantes - Anonymous
Appears on: K.10r
Genres: Contrafactum
K.10v In libes flamme - Anonymous

In libes flamme

Anonymous
Appears on: K.10v
Genres: Lied
K.10v Koemt uns der mey mit seyner lust - Anonymous
Appears on: K.10v
Genres: Lied
K.11r Bonum vinum cum sapore - Anonymous
Appears on: K.11r
Genres: Cantio
K.11r Mein schonstes lip auf erden - Anonymous
Appears on: K.11r
Genres: Lied
K.11v Der vogeleyn arth - Anonymous

Der vogeleyn arth

Anonymous
Appears on: K.11v
Genres: Lied
K.11v Kaende ich meyn lip irweychen - Anonymous
Appears on: K.11v
Genres: Lied
K.12r Gentil madona de no me habandonare -
Appears on: K.12r
Genres: Italian secular
K.12r Senen macht mir vil denken - Anonymous
Appears on: K.12r
Genres: Lied
K.12v Taerste ich mit libe kossin - Anonymous
Appears on: K.12v
Genres: Lied
K.12v Mole gravati criminum (= In Feuers hitz) - Anonymous
Appears on: K.12v
Genres: Contrafactum, Motet
L.1r Ich frew mich zer der wedirfard - Anonymous
Appears on: L.1r
Genres: Lied
L.1r Meyn gemüth das wüth - Anonymous
Appears on: L.1r
Genres: Lied
L.1v Czu allir tczeyt - Anonymous

Czu allir tczeyt

Anonymous
Appears on: L.1v
Genres: Lied
L.1v Meyn hochss gemuth - Anonymous

Meyn hochss gemuth

Anonymous
Appears on: L.1v
Genres: Lied
L.2r Nicht loss mich leib = Nicht loss mich orth entgelden - Anonymous
Appears on: L.2r
Genres: Lied
L.2r Dy libe ist schon - Anonymous

Dy libe ist schon

Anonymous
Appears on: L.2r
Genres: Lied
L.2v O libes lip bedencke meyne noth - Anonymous
Appears on: L.2v
Genres: Lied
L.2v O ssenes crafft - Anonymous

O ssenes crafft

Anonymous
Appears on: L.2v
Genres: Lied
L.3r Ey wess sal ich nü trösten mich - Anonymous
Appears on: L.3r
Genres: Lied
L.3r Mag libe nyrne behalden mich - Anonymous
Appears on: L.3r
Genres: Lied
L.3v In frewden ffro - Anonymous

In frewden ffro

Anonymous
Appears on: L.3v
Genres: Lied
L.3v Czu sundert ist das junge hertcze meyn - Anonymous
Appears on: L.3v
Genres: Lied
L.4r Eyle und betracht - Anonymous

Eyle und betracht

Anonymous
Appears on: L.4r
Genres: Lied
L.4r Seh hyn meyn hertz - Anonymous

Seh hyn meyn hertz

Anonymous
Appears on: L.4r
Genres: Lied
L.4v Meyden brengit leyden - Anonymous
Appears on: L.4v
Genres: Lied
L.4v O wie gern und doch (= O preclare Barbarae) - Anonymous
Appears on: L.4v
Genres: Song
L.5r Mancher frewt sich der liben zgeyt - Anonymous
Appears on: L.5r
Genres: Lied
L.5r Der ssonnen glancz - Anonymous

Der ssonnen glancz

Anonymous
Appears on: L.5r
Genres: Lied
L.5v Svateo Martina - Anonymous

Svateo Martina

Anonymous
Appears on: L.5v
Genres: Sacred Song
L.5v Ey schaffe ich nichts - Anonymous
Appears on: L.5v
Genres: Lied
L.6r Gedencke an mich - Anonymous

Gedencke an mich

Anonymous
Appears on: L.6r
Genres: Lied
L.6r Ach reyne zcarth - Anonymous

Ach reyne zcarth

Anonymous
Appears on: L.6r
Genres: Lied
L.6v Ich habe mir aussirkoren - Anonymous
Appears on: L.6v
Genres: Lied
L.6v Mir tromte ynniglich ssussse - Anonymous
Appears on: L.6v
Genres: Lied
L.7r Hostu mich obirwunden - Anonymous
Appears on: L.7r
Genres: Lied
L.7r Kom edler trost - Anonymous

Kom edler trost

Anonymous
Appears on: L.7r
Genres: Lied
L.7v Der wechter an den czynnen - Anonymous
Appears on: L.7v
Genres: Lied
L.7v Eyns tages mir gross heil geschach - Anonymous
Appears on: L.7v
Genres: Lied
L.7v–L.8r Ich sachs eyn mols - Anonymous

Ich sachs eyn mols

Anonymous
Appears on: L.7v–L.8r
Genres: Lied
L.8r Dy nacht dy vil vorbergen sich - Anonymous
Appears on: L.8r
Genres: Lied
L.8r Elzeleyn lipstis elzeleyn (Elslein liebstes Elselein) - Anonymous
Appears on: L.8r
Genres: Lied
L.8v Der morgen stern der ist uns offgedrungen - Anonymous
Appears on: L.8v
Genres: Lied
L.8v Sälde ich alle morgen zcu meynen bulen gan - Anonymous
Appears on: L.8v
Genres: Lied
L.9r Mich zwingen senliche gedancken - Anonymous
Appears on: L.9r
Genres: Lied
L.9r Dy werlt dy hot eynen thummen syn - Anonymous
Appears on: L.9r
Genres: Lied
L.9v Der newe pawer schwancz - Anonymous
Appears on: L.9v
Genres: Dance
L.10r [blank staves] - -

[blank staves]

Appears on: L.10r
L.10v O stella maris - 1a pars (of 2): O stella maris (= J'ay bien choisi) -
Appears on: L.10v
L.10v–L.11r O stella maris- 2a pars (of 2): Virgo pudicitiae (= Je suis venu) -
Appears on: L.10v–L.11r
Genres: Contrafactum, Motet
L.11v A... - Anonymous

A...

Anonymous
Appears on: L.11v
Genres: Chanson
L.12r Virgo Dei throno digna -
Appears on: L.12r
Genres: Motet
L.12v Amours amours trop me fiers de tes dars -
Appears on: L.12v
Genres: Chanson
M.1r C... - Anonymous

C...

Anonymous
Appears on: M.1r
Genres: Chanson
M.1v Se une fois puis recouvrir joie -
Appears on: M.1v
Genres: Chanson
M.2r E... - Anonymous

E...

Anonymous
Appears on: M.2r
Genres: Chanson
M.2v F... - Anonymous

F...

Anonymous
Appears on: M.2v
Genres: Chanson
M.3r G... - Anonymous

G...

Anonymous
Appears on: M.3r
Genres: Chanson
M.3v Ma bouche rit et ma pensée pleure -
Appears on: M.3v
Genres: Chanson
M.4r La martinella -
Appears on: M.4r
Genres: Italian secular
M.4v Helas le bon temps que j'avoie (= Helas Abraham) -
Appears on: M.4v
Genres: Chanson
M.5r Se mon service vous plaisoit - Anonymous
Appears on: M.5r
Genres: Chanson
M.5v M... - Anonymous

M...

Anonymous
Appears on: M.5v
Genres: Chanson
M.6r N... - Anonymous

N...

Anonymous
Appears on: M.6r
Genres: Chanson
M.6v Vostre bruit et vostre grant fame -
Appears on: M.6v
Genres: Chanson, Rondeau
M.7r Cent mille escus quand je voldroie -
Appears on: M.7r
Genres: Chanson
M.7v Fortune par ta cruaulte -
Appears on: M.7v
Genres: Chanson, Contrafactum, Motet
M.8r R... - Anonymous

R...

Anonymous
Appears on: M.8r
Genres: Chanson
M.8v Gross senen I = J'ay pris amours - Anonymous
Appears on: M.8v
Genres: Chanson
M.9r Gross senen II = J'ay pris amours - Anonymous
Appears on: M.9r
Genres: Chanson
M.9v Gross senen III = J'ay pris amours - Anonymous
Appears on: M.9v
Genres: Chanson
M.10r T... - Anonymous

T...

Anonymous
Appears on: M.10r
Genres: Lied
M.10v U... - Anonymous

U...

Anonymous
Appears on: M.10v
Genres: Lied
M.11r X... - Anonymous

X...

Anonymous
Appears on: M.11r
Genres: Lied
M.11v O pulcherrima mulierum - Anonymous
Appears on: M.11v
Genres: Responsory
M.12r Aleph - Anonymous

Aleph

Anonymous
Appears on: M.12r
Genres: Lied
M.12r Beth - Anonymous

Beth

Anonymous
Appears on: M.12r
Genres: Lied
M.12v Gross ssenen - Anonymous

Gross ssenen

Anonymous
Appears on: M.12v
Genres: Lied
N.1r D... - Anonymous

D...

Anonymous
Appears on: N.1r
Genres: Lied
N.1r E... - Anonymous

E...

Anonymous
Appears on: N.1r
Genres: Lied
N.1v F... - Anonymous

F...

Anonymous
Appears on: N.1v
Genres: Lied
N.1v G... - Anonymous

G...

Anonymous
Appears on: N.1v
Genres: Lied
N.2r H... - Anonymous

H...

Anonymous
Appears on: N.2r
Genres: Lied
N.2v [textless] - Anonymous

[textless]

Anonymous
Appears on: N.2v
Genres: Dance
N.3r–N.4r Ave praeclara maris stella -
Appears on: N.3r–N.4r
Genres: Ave maris stella, BVM, Sequence
N.4v–N.6v Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim) -
Appears on: N.4v–N.6v
Genres: Motet
General Note

voice parts for Tenor (N.4v-5r) and Altus (N.5v-6v)

N.7r–N.11v [blank staves] - -

[blank staves]

Appears on: N.7r–N.11v
N.13r Auf riff eynhubsches frewelyn - Anonymous
Appears on: N.13r
Genres: Lied
General Note

The folio is in a poor condition, and has been laid down and re-bound into the book here at the back.As such, any music on the reverse is no longer visible.

[N.13v?] Ach got wy ssere dringt mich dy not - Anonymous
Appears on: [N.13v?]
Genres: Lied
General Note

Probably on the verso of the folio containing the previous piece. But the folio is in a poor condition, and has been laid down and re-bound into the book here at the back. As such, if this piece is on the reverse it is no longer visible.

Composer Compositions
'Attamasch'
Anonymous
Bebrelyn (fl. c1480)
Bedingham, John (–ca. 1460)
Brollo, Bartolomeo
Busnoys, Antoine (ca. 1430–1492)
Caron, Firminus (ca. 1460–ca. 1475)
Compère, Loyset (ca. 1445–1518)
Despres, Josquin (ca. 1450–1521)
Du Fay, Guillaume (1397–1474)
Finck, Heinrich
Frye, Walter (–ca. 1475)
Gaffurius, Franchinus (1451–1522)
Ghiselin (Verbonnet), Johannes
Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Kerle, Jacobus de
Martini, Johannes (ca. 1430–1497)
Morton, Robert
Nachtigal, Sebald
Ockeghem, Jean de (ca. 1410–1497)
Petit, Nino le (fl. c1500)
Rener, Adam (ca. 1485–ca. 1520)
Robinet, F
Roda, Paulus de
Tinctoris, Johannes (ca. 1435–1511)
Touront, Johannes (ca. 1450–ca. 1475)
Vincenet, Johannes (–ca. 1480)
Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Composition Composers (? Uncertain) Folios / Pages
'Carmen' (=song) B1v
[Gloria] Et in terra pax Anonymous G.3v–G.5r
[Quem terra pontus aethera] Cui luna, sol et omnia Anonymous D.1v–D.2r
[textless quodlibet] Anonymous K.3v–K.8r
[textless] Anonymous N.2v
[Victimae paschali laudes] Agnus redemit oves Christus innocens Anonymous E.2v
[Victimae paschali] Agnus redemit oves Anonymous D.12v–E.1r
A... Anonymous L.11v
Accessit ad pedes - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier Anonymous A.7v
Accessit ad pedes - 2a pars (of 4): Et osculata est et lauit lacrimis et tersit Anonymous A.7v–A.8r
Accessit ad pedes - 3a pars (of 4): Dimissa sunt ei peccata multa quoniam dilexit multum Anonymous A.8r
Accessit ad pedes - 4a pars (of 4): Gloria patri et fi et filio et spiritui sancto Anonymous A.8r
Ach got wy ssere dringt mich dy not Anonymous [N.13v?]
Ach reyne zcarth Anonymous L.6r
Adest finis mestitiae / Zu aller Zeit Anonymous K.10r
Admirans Christi gratiam Josias poscit veniam II: Clamans O sancte Jacobe fac me Cristum III: Fundens preces cum lachrimis ad pedes Anonymous F.12v–G.1r
Advocata libera A.7r
Al vol alle vol Anonymous H.11r
Aleph Anonymous M.12r
Alga jacet humilis Anonymous G.7v–G.8r
Alle Dei filius ab hoste superbissimo J.6v
Alleluia. Levita Laurentius bonum opus operatus est Anonymous G.12v
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater Anonymous B.11v
Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura Anonymous B.11v–B.12r
Amours amours trop me fiers de tes dars L.12v
Anima mea liquefacta est Anonymous F.4v–F.5r
Annue Christe seculorum Domine Anonymous F.9r
Aperitur porta caeli Anonymous H.10r
Apparuerunt Apostolis - 1a pars (of 3): Apparuerunt Apostolis Anonymous C.5v
Apparuerunt Apostolis - 2a pars (of 3): Seditque super singulos Anonymous C.5v
Apparuerunt Apostolis - 3a pars (of 3): Loquebantur variis linguis Anonymous C.6r
Assunt festa jubilea Anonymous D.11r
Auf riff eynhubsches frewelyn Anonymous N.13r
Aufer a nobis domine Anonymous A.3r
Ave Dei genitrix / Der Mai ist hin Anonymous K.9v
Ave gemma claritas Anonymous H.9v–H.10r (H.11v-H.12r)
Ave praeclara maris stella N.3r–N.4r
Ave regina caelorum Anonymous H.8v–H.9r
Ave regina caelorum I G.9v
Ave rosa rubicunda (=Mon seul et cele souvenir) A.3r
Ave salutis hostia Anonymous A.1r
Ave sidus clarissimum / Der Seidenschwanz A.3v
Ave stella matutina mundi princeps Anonymous E.5r
Ave virgo gloriosa Anonymous H.12v–J.1r
Barbara virgo Dei - 1a pars (of 3): Barbara virgo Dei Anonymous A.10v
Barbara virgo Dei - 2a pars (of 3): Obtineas genti Anonymous A.10v–A.11r
Barbara virgo Dei - 3a pars (of 3): Que oculos non vidit Anonymous A.11r
Beata Dei genitrix Maria Anonymous A.1v
Beata Dei genitrix Maria Anonymous G.2v–G.3r
Beati eritis cum vos oderint homines Anonymous D.2v–D.3r
Beatorum omnium Maria Anonymous A.5r
Beth Anonymous M.12r
Bonum vinum cum sapore Anonymous K.11r
Bruder Konrad Anonymous C.2r
C... Anonymous M.1r
Carmen - Der rattenschwanz (3 partes) Anonymous F.3v–F.4r
Cent mille escus quand je voldroie M.7r
Christ ist erstanden Anonymous E,3b(r)
Christ ist erstanden Anonymous F.12r
Christe sanctorum Anonymous J.7r
Christi virgo dilectissima - 1a pars (of 3): Christi virgo dilectissima Anonymous F.9v
Christi virgo dilectissima - 2a pars (of 3): Quoniam peccatorum molle premimur Anonymous F.10r
Christi virgo dilectissima - 3a pars (of 3): Gloria Patri Anonymous F.10r
Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit Anonymous F.11v
Christus surrexit - 2a pars (of 2): Surrexit Christus hodie Anonymous F.11v
Christus surrexit mala nostra texit Anonymous F.12r
Coda di volpe (Der fochs schwantcz) Anonymous F,10v
Congaudent angelorum chori - Que sine virili commixtione Anonymous D.10r–D.10v
Crist der ist erstanden Anonymous F.11v
Cuius magnifica est generatio = Gaude visceribus Anonymous B.7r
Czaenner greyner wy gefeld dir das Anonymous E.1r
Czu allir tczeyt Anonymous L.1v
Czu sundert ist das junge hertcze meyn Anonymous L.3v
D... Anonymous N.1r
Da nobis pie domine Anonymous A.2r
Das yeger horn Anonymous G.3r
Der kranch schnabil Anonymous G,5r
Der lentcz - 1a pars (of 2): Du lentcze gut Anonymous E.3a(r)–E.3a(v)
Der lentcz - 2a pars (of 2): Dy sonne Anonymous E.3b(r)
Der morgen stern der ist uns offgedrungen Anonymous L.8v
Der newe pawer schwancz Anonymous L.9v
Der notter schwantz Anonymous B.2v–B.3r
Der pawir schwantz D.7v
Der pfauwin schwantz Anonymous K.9r
Der ssonnen glancz Anonymous L.5r
Der vogeleyn arth Anonymous K.11v
Der wechter an den czynnen Anonymous L.7v
Descendi in ortum meum Anonymous E.8r
Deus tuorum militum Anonymous J.4r
Die katzen pfothe Anonymous A.6r
Dies est laetitiae in ortu regali Anonymous D.1v
Discubuit Jesus Anonymous J.1v–J,2r
Dum transisset sabbatum - 1a pars (of 3): Dum transisset sabbatum Maria Magdalena Anonymous C.8v
Dum transisset sabbatum - 2a pars (of 3): Ut venientes ungerent Anonymous C.8v–C.9r
Dum transisset sabbatum - 3a pars (of 3): Et valde mane una sabbatorum Anonymous C.9r
Dy ezels krone Anonymous G.11r
Dy krebis schaere - Celum calcatur dum terra per astra levatur Anonymous E.2r
Dy libe ist schon Anonymous L.2r
Dy nacht dy vil vorbergen sich Anonymous L.8r
Dy werlt dy hot eynen thummen syn Anonymous L.9r
E... Anonymous M.2r
E... Anonymous N.1r
Ecce concipies et paries filium et vocabis Anonymous B.4r
Ecce ego mitto vos sicut oves in medio Anonymous D.3r
Ecce tu pulchra es amica mea Anonymous C.9v
Eia felix virgula Anonymous J.5r
Eia sponsa Salomonis Anonymous H.2r
Eia, not fru und spoth Anonymous H.10v–H.11r
Elende Anonymous G.2r
Else el se el se mundo Anonymous E.6r
Elzeleyn lipstis elzeleyn (Elslein liebstes Elselein) Anonymous L.8r
Emissiones tuae Anonymous C.10r
Entrepris suis = Congratulamini mihi omnes E.7v
Es leyt eyn schloss yn östirreich Anonymous D.2r
Es suftzt eyne fraw zo zere Anonymous F.5r
Es sulde eyn man keyn mole farn Anonymous A.6r
Ey schaffe ich nichts Anonymous L.5v
Ey wess sal ich nü trösten mich Anonymous L.3r
Eyle und betracht Anonymous L.4r
Eyns tages mir gross heil geschach Anonymous L.7v
F... Anonymous M.2v
F... Anonymous N.1v
Favus distillans labia tua sponsa mel C.9v–C.10r
Festa Christi omnis Christianitas celebrat - Que miris sunt Anonymous D.3r–D.4r
Festum nunc celebre Anonymous D.11v
Fit porta Christi pervia D.12r
Fons hortorum Anonymous C.10r
Fortune par ta cruaulte M.7v
Frutlich begyr senet sich noch dyr Anonymous K.8v
Fuerunt sine querela - 1a pars (of 3): Fuerunt sine querela Anonymous C.6v
Fuerunt sine querela - 2a pars (of 3): Tradiderunt corpora sua ... Calicem Anonymous C.6v–C.7r
Fuerunt sine querela - 3a pars (of 3): Gloria patri Anonymous C.7r
Fulgent fulgent nunc natalia Anonymous J.7r
G... Anonymous M.3r
G... Anonymous N.1v
Gaude Dei genitrix Anonymous B.6v–B.7r
Gaude mater luminis C.12v–D.1r
Gaudent in caelis animae sanctorum Anonymous J.10v
Gedencke an mich Anonymous L.6r
Gentil madona de no me habandonare K.12r
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes Anonymous D.1r
Grates nunc omnes - 2a pars (of 2): Huic oportet Anonymous D.1r
Gratulemur concinantes Anonymous K.10r
Gratuletur ecclesia Anonymous B.5r
Gross senen I = J'ay pris amours Anonymous M.8v
Gross senen II = J'ay pris amours Anonymous M.9r
Gross senen III = J'ay pris amours Anonymous M.9v
Gross ssenen Anonymous M.12v
H... Anonymous N.2r
Haec est dies - 1a pars (of 4): Haec est dies quam fecit Dominus Anonymous C.4v
Haec est dies - 2a pars (of 4): Hodie Deus homo factus Anonymous C.5r
Haec est dies - 3a pars (of 4): Id quod fuit permansit Anonymous C.5r
Haec est dies - 4a pars (of 4): Gloria tibi domine Anonymous C.5r
Helas le bon temps que j'avoie (= Helas Abraham) M.4v
Homo quidam fecit caenam magnam et misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum et bibite Anonymous G.1v–G.2r
Hortus conclusus est Dei genetrix fons signatus Anonymous D.5v
Hostu mich obirwunden Anonymous L.7r
Hostu mir dy laute brocht Anonymous F.5v
Ibo mihi ad montem Anonymous C.11v–C.12r
Ich bins irfreut Anonymous K.9r
Ich frew mich zer der wedirfard Anonymous L.1r
Ich habe mir aussirkoren Anonymous L.6v
Ich sachs eyn mols Anonymous L.7v–L.8r
Illuminare Jerusalem Vs. Et gloria Domini (& Gloria Patri) Anonymous G.11v–G.12r
Immolabit hedum multitudo filiorum Israel Anonymous H.7r–H.7v
In fewirsz hitz Anonymous F.7v–F.8r
In frewden ffro Anonymous L.3v
In libes flamme Anonymous K.10v
Induit hodie Dominus Anonymous H.1r–H.1v
Inter natos mulierum Anonymous J.5v
Inventor rutili dux bone Anonymous J.1r
Ista est speciosa inter filias Jerusalem Anonymous F.8v–F.9r
Iste confessor Domini / Iste confessor Domini / Iste confessor Domini Anonymous J.5r
Isti sunt sancti Anonymous J.9v–J.10r
Jube Domine benedicere - Consolamini Anonymous J.12v–K.1v
Jube Domine benedicere - Consurge Anonymous K.2r–K.3r
Jube Domine benedicere - Primo tempore Anonymous J.11r–J.12r
Judaea et Jerusalem nolite timere 2 Cras egrediemini 4 Constantes estote 6 Gloria patri Anonymous J.4v–J.5r
Kaende ich meyn lip irweychen Anonymous K.11v
Koemt uns der mey mit seyner lust Anonymous K.10v
Kom edler trost Anonymous L.7r
La martinella M.4r
Laetabundus exultet Anonymous B.7v–B.8r
Laetare Germania Anonymous B.2r
Lauda Sion salvatorem Anonymous D.7v–D.9v
Laudem demus parvulo (= Ci dit on benedicite) A.6v
Laus tibi Christe Anonymous A.8v–A.9v
M... Anonymous M.5v
Ma bouche rit et ma pensée pleure M.3v
Maechte wonsch mit sienen eyne sich Anonymous K.8v
Mag libe nyrne behalden mich Anonymous L.3r
Mancher frewt sich der liben zgeyt Anonymous L.5r
Maria mater gratiae Anonymous A.2r
Maria virgo assumpta est H.9r
Martinus Abrahae sinu laetus excipitur Anonymous G.5v–G.6r
Mein schonstes lip auf erden Anonymous K.11r
Meyden brengit leyden Anonymous L.4v
Meyn gemüth das wüth Anonymous L.1r
Meyn hochss gemuth Anonymous L.1v
Mich zwingen senliche gedancken Anonymous L.9r
Mir tromte ynniglich ssussse Anonymous L.6v
Mole gravati criminum (= In Feuers hitz) Anonymous K.12v
N... Anonymous M.6r
Nesciens mater virgo virum Anonymous B.8v
Nicht loss mich leib = Nicht loss mich orth entgelden Anonymous L.2r
Nicolai solemnia sua familia Anonymous E.5r
Nigra sum sed formosa Anonymous B.10v–B.11r
Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim) N.4v–N.6v
Nobilissimus siquidem natalibus Anonymous B.10r
Nu bitt wir den heiligen geist Anonymous F.11r
Numine Jesu (= Que pourroit plus faire) G,1r
O admirabile commercium creator generis Anonymous C.3r
O beata beatorum martyrum Anonymous H.5v–H.6v
O beata infantia - 1a pars (of 2): O beata infantia Anonymous B.12v–C.1r
O beata infantia - 2a pars (of 2): O felices panni quibus peccatorum Anonymous C.1r
O decus Trebniciae Anonymous B.9v–B.10r
O florens rosa mater Domini speciosa Anonymous E.10v
O gloriosum lumen omnium ecclesiarum II. Illuc supplices tuos Anonymous F.2v–F.3r
O keysserynne meyn leyt vortreib Anonymous H.11r
O libes lip bedencke meyne noth Anonymous L.2v
O lux luminis (= Der Fochsschwanz) Anonymous B.2r
O maertlicher mord Anonymous K.8r
O Margaretha caelorum Anonymous C.6r
O moertlicher mord Anonymous G.7r
O pastor aeterne Anonymous C.2v
O plasmator summe Deus = Seit ich dich herzlieb Anonymous K.9v
O praeclara stella - 1a pars (of 4): O praeclara stella mater virgo mater Anonymous D.4v
O praeclara stella - 2a pars (of 4): Te precamur in hoc festo Anonymous D.4v–D.5r
O praeclara stella - 3a pars (of 4): Ad te clamant omnes rei Anonymous D.5r
O praeclara stella - 4a pars (of 4): Gloria patri et filio Anonymous D.5v
O pulcherrima mulierum Anonymous M.11v
O rosa bella - Alazami Anonymous E.6v–E.7r
O sacrum mysterium Anonymous B.3v
O sapientia - 1a pars (of 2): O sapientia Anonymous B.3r
O sapientia - 2a pars (of 2): Veni ad docendum Anonymous B.3r
O ssenes crafft Anonymous L.2v
O stella maris - 1a pars (of 2): O stella maris (= J'ay bien choisi) L.10v
O stella maris- 2a pars (of 2): Virgo pudicitiae (= Je suis venu) L.10v–L.11r
O wie gern und doch (= O preclare Barbarae) Anonymous L.4v
Oculi omnium in te sperant domine Anonymous G.10v
Pange lingua gloriosi corporis misterium Anonymous D.11v–D.12r
Patrem omnipotentem [Credo] H.2v–H.4r
Pax aeterna ab aeterno Anonymous E.8v–E.9r
Pfawn schwantz B.1r
Pfawn schwantz (II) B.1r
Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi C.7v–C.8r
Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia C.8r
Probitate eminentem triumphali / Ploditando exarare F.1v–F.2r
Quod chorus vatum Anonymous E.9r
R... Anonymous M.8r
Recordare virgo mater - 1a pars (of 2): Recordare virgo mater dum steteris A.11v
Recordare virgo mater - 2a pars (of 2): Ab hac familia A.11v–B.1r
Recordare virgo mater dum steteris Anonymous E.9v–E.10r
Regina caeli laetare alleluia Anonymous E.1v–E.2r
Regina caeli laetare alleluia Anonymous J.6r
Regina regnantium (= Au pauvre par necessité) A.4v
Regnum mundi - 1a pars (of 3): Regnum mundi et omnem ornatum saeculi Anonymous B.4v
Regnum mundi - 2a pars (of 3): Quem vidi quem amavi in quem credidi Anonymous B.4v
Regnum mundi - 3a pars (of 3): Eructavit cor meum verbum bonum Anonymous B.4v–B.5r
Rex in cena A.9v–A.10r
Salve festa dies toto venerabilis Anonymous H.8r
Salve lux fidelium lucens in aurora Anonymous A.5v
Salve nobilis virga - 1a pars (of 3): Salve nobilis virga Anonymous C.1v
Salve nobilis virga - 2a pars (of 3): Ex te ortum est Anonymous C.1v
Salve nobilis virga - 3a pars (of 3): Odor tuus super cuncta Anonymous C.1v–C.2r
Salve regina mater misericordiae Anonymous E.11r–E.12r
Salve virgo deo grata Anonymous G.9r
Sancte Nicolae confessor Anonymous C.4r
Scio cui credidi Anonymous D.6r
Se mon service vous plaisoit Anonymous M.5r
Se une fois puis recouvrir joie M.1v
Seh hyn meyn hertz Anonymous L.4r
Sempiterna Deitas G.6v–G.7r
Senen macht mir vil denken Anonymous K.12r
Sicut lilium inter spinas sic amica Anonymous C.9v
Solem justitiae - 1a pars (of 3): Solem justitiae regem paritura supremum Anonymous D.6v
Solem justitiae - 2a pars (of 3): Stella lucida pericula cuncta mitigans Anonymous D.6v–D.7r
Solem justitiae - 3a pars (of 3): Cernere divinum lumen Anonymous D.7r
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous E.4v
Stirpe Maria regia Anonymous E.12v–F.1r
Super salutem et omnem pulchritudinem Anonymous H.4v–H.5r
Surge virgo et nostras sponso preces Anonymous J.3v–J.4r
Surrexit Christus hodie Anonymous H.12r
Svateo Martina Anonymous L.5v
Sälde ich alle morgen zcu meynen bulen gan Anonymous L.8v
T... Anonymous M.10r
Taerste ich mit libe kossin Anonymous K.12v
Tota pulchra es amica mea et macula Anonymous C.10v
Trag frischen muth (= Dieu, gard la bone sans reprise) J.8r
U... Anonymous M.10v
Urbs beata Jerusalem Anonymous D.12v
Ut queant laxis resonare fibris Anonymous J.7v
Valde honorandus est beatus Johannes Anonymous C.11r
Vatum vaticina Anonymous A.4r
Veni creator spiritus mentes tuorum Anonymous D.4r
Veni redemptor gentium ostende partum Anonymous J.6r
Veni sancte spiritus et emitte caelitus Anonymous B.9r
Veni sancte spiritus et emitte caelitus Anonymous E.5v–E.6r
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitavit Anonymous B.5v
Verbum caro - 2a pars (of 3): Plenum gratia gratia et veritatis Anonymous B.5v–B.6r
Verbum caro - 3a pars (of 3): In principio erat verbum Anonymous B.6r
Vere felicem praesulem - 1a pars (of 3): Vere felicem praesulem Anonymous C.3v
Vere felicem praesulem - 2a pars (of 3): Ad firmandam plebis fidem Anonymous C.3v–C.4r
Vere felicem praesulem - 3a pars (of 3): A Domino factum est Anonymous C.4r
Vidi aquam - 1a pars (of 3): Vidi aquam egredientem de templo Anonymous E.3b(v)
Vidi aquam - 2a pars (of 3): Confitemini Domino Anonymous E.4r
Vidi aquam - 3a pars (of 3): Gloria Patri Anonymous E.4r
Viminibus cinge tristantem Anonymous G.8v–G.9r
Virga Jesse floruit Anonymous G.10r
Virga Jesse floruit Anonymous J.2v–J.3r
Virgo Dei throno digna L.12r
Virgo prudentissima quo progrederis Anonymous E.12r
Virgo sancta Barbara Anonymous A.2v
Vita sanctorum Anonymous D.10v
Vostre bruit et vostre grant fame M.6v
Vox tonitrui tui Deus in rota Johannes Anonymous J.8v–J.9r
Wie du sorget Anonymous F.6v–F.7r
Wie traut gesell hoch lob Anonymous F.5v–F.6r
Wo lip mit liebe Anonymous H.12r
X... Anonymous M.11r
Zo zo meyn lipste zcart Anonymous F.4r

denotes primary source study

[No Author] None. FeuerWL. . Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Owens, Jessie Ann (editor). 1986. Krakow, Biblioteka Jagiellonska, Glogauer Liederbuch. Renaissance Music in Facsimile.  New York. Notes: physical description; contents list; concordances (partial); facsimile; discussion.

Brewer, Charles Everett. 1984. The Introduction of the Ars Nova into East Central Europe: A Study of Late Medieval Polish Sources. City University of New York, Unpublished Ph.D. dissertation. Pages: 356, 565. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music.  Chicago and London. Pages: 126-8,133-8,187-8,212ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus.  Kassel, Basel, and London. Pages: 54-76. Notes: contents list; incipits.

Rumbold, Ian. 1982. The Compilation and Ownership of the 'St Emmeram' Codex (Munich, Bayerische Staatsbibliothek, Clm 14274). Early Music History, 161-235. Pages: 179. Notes: contents list (partial); mention of MS; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance.  New York. Pages: xxiii.xxviii-xxix, 89-92. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: I, 15 II,150-1, 243ff, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Strohm, Reinhard. 1979. Die Missa super 'Nos amis' von Johannes Tinctoris. Die Musikforschung, 34-51. Pages: 34,46-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS.  American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 137,140,403ff,422,483. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii-xviii,xxiv,xxxv,xlvii-xlviii. Notes: contents list (partial); concordances (partial).

Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 195-238. Pages: 232,235. Notes: contents list (partial); incipits (partial).

Väterlein, Christian. 1974. Studien zu einer Edition der lateinischen Gesänge des Glogauer Liederbuches. University of Tübingen, Unpublished Ph.D. dissertation.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 137. Notes: mention of MS.

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 263-88. Pages: 271-2. Notes: mention of MS.

Southern, Eileen. 1968. Foreign Music in German Manuscripts of the 15th Century. Journal of the American Musicological Society, 258-85. Pages: 267, 274, 279ff. Notes: concordances (partial); mention of MS.

Osthoff, Helmuth. 1967. Die Niederländer und das deutsche Lied (1400-1640).  Tutzing. Pages: 42ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kenney, Sylvia W. 1964. Walter Frye and the Contenance Angloise.  New Haven and London. Pages: 66, 73. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 48. Notes: mention of MS.

Davis, Bertran Earl. 1960. The Works of Johannes Vincenet. University of North Carolina, Unpublished Ph.D. dissertation. Pages: I,10-1,13,150-1. Notes: contents list (partial); concordances (partial).

Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: ix. Notes: concordances (partial).

Stephan, Rudolf. 1956. Drei Fragen zum Glogauer Liederbuch. Die Musikforschung, . Notes: physical description; mention of MS; discussion.

Salmen, Walter. 1954. Die Schichtung der mittelalterliche Musikkultur in der ostdeutschen Grenzlage.  Kassel. Pages: 70-6. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II,1645-6 V,299-302, Tafel 13. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, xvii.lix.lxi. Notes: physical description (partial); contents list (partial); concordances (partial).

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents.  Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 105. Notes: concordances (partial).

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems.  Kassel. Pages: 99. Notes: mention of MS.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: IV VIII LXXXV/LXXXVI. Notes: physical description (partial); contents list; concordances; incipits; texts; facsimile (partial); mention of MS; discussion; additional bibliography.

Ringmann, Heribert. 1932. Das Glogauer Liederbuch (um 1480): mus. ms. 40098 Berlin (Staatsbibliothek). Zeitschrift für Musikwissenschaft, 49-60. Notes: physical description (partial); contents list; concordances (partial); transcription (partial).

Freitag, D A. 1919-20. Die Herkunft des 'Berliner Liederbuches'. Archiv für Musikwissenschaft, 18-21. Notes: mention of MS.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 445. Notes: mention of MS.

Eitner, Robert. 1876-80. Das deutsche Lied des XV. und XVI. Jahrhunderts.  Berlin. Pages: I,l-5 II,167-221. Notes: contents list (partial); transcription (partial).

Eitner, Robert. 1874. Ein Liederbuch des XV. Jahrhunderts. Monatshefte für Musikgeschichte, 67-74. Notes: physical description (partial); contents list (partial); concordances (partial).

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Clemens Goldberg

Sunday, 7 August, 2022

Inventory incorrectly linked 'Ich sachs eins mals' (a monophonic Tenor) and 'Brider Konrad' - now separated

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Ruling Note; Surface Note