D-Rp A. R. 940-941 (Q)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1557-9, with a few additions after 1566

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	A. R. 940-941 (Q)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	153 x 202 mm
Other Identifiers	CCM: RegB 940-1
Notations	black void mensural
Copyists	Küffer, Wolfgang Music
Relationships	Küffer, Wolfgang (compiler)
External Links	images images
External Authorities	RISM Online (sources/1001172974)
Provenance	Wittenberg and Regensburg, Bavaria, Germany
Contents	Contains 57 compositions, 55 from 35 composers, 2 are anonymous.

General Description

A Quintus partbook from a set of five volumes. Copied by Wolfgang Küffer (see below), with slightly later additions by five other scribes. Copied in Wittenberg and Regensburg. The compiler and original owner was Wolfgang Küffer (alias 'Saliterer'; biographical details in BrenneH).

DIAMM, 2017

Physical Description

some pages of music are lost

DIAMM, 2025

Binding

Original covers of yellow leather tooled with floral designs, voice designations, coat of arms of Saxony, date '1557,' initials 'W.K.R.' [= Wolfgang Küffer Ratisbonensi], and portraits of Huss, Luther, Melanchthon, and Erasmus.

DIAMM, 2017

Watermark

(1) generally resembles Briquet #12366; (2) resembles Briquet #12380; (3) dog (not in Briquet); (4) resembles Briquet #5940, #5942, #5944; (5) resembles Briquet #4970-1; (6) resembles Briquet #15416, #15427; (7) resembles Briquet #15442; (8) resembles Briquet #1394-5.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, 1-311 (last three pieces not numbered).

DIAMM, 2017

Foliation

Original(?) foliation, 1-90 (number '8' omitted) + new pencil foliation, 91-99 (last 30 folios not numbered). Modern pencil pagination 1-322, used for DIAMM inventory.

DIAMM, 2025

Decoration

Small plain initials in red ink; headings, some clefs, and some staves also in red ink. Ff. 43-99 of Quintus book contain Latin, Greek, and German prose and poetry dealing mostly with musical topics, four full-page coloured illustrations with musical subjects, two unidentified coats of arms (presumably related to Wolfgang Küffer's circle), and several dedicatory inscriptions to Küffer from friends and associates.

DIAMM, 2017

Index

Original index at end of Tenor book groups pieces alphabetically by first letter of text or title; under each letter, pieces grouped in following order: (1) Latin works; (2) German works; (3) French or Italian works ('Gallica'). Within each subgroup, pieces listed in order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Mass Ordinary section, 1 Mass Proper section, 1 Te Deum, 1 hymn, 117 motets, 3 Latin/German sacred pieces, 11 German sacred pieces, 61 French secular pieces (some with text incipits only, some without text, some with title "Gallicum"), 54 German secular pieces, 42 Italian secular pieces, 13 Latin secular pieces, 6 Latin/German secular pieces = 312+2 duplicates = 314

Alder-1, Appenzeller-1, Arcadelt-13, Arcadelt/(Verdelot)-1, T. Bachofen-1, (Barra/Elimon)-1, Baston-1, Berchem/(Arcadelt)-1, Borbonius(?)-1, (L. Bourgeois)-1, (Brück)-1, Brumel-1, Buechmaier [Johannes Bucherus]-5, (Buus)-2, Caballus/(H. Faber)-1, (Cadéac)-1, (Campis)-1, Canis-1, S. Cellarius-1, (Certon)-2, (Certon/Cléreau)-1, (Certon/Panurge)-1, Clemens non Papa-10, (Clemens non Papa/Janequin)-1, (Clemens non Papa/Manchicourt)-1 (Cléreau)-1, Coclico [Adrian Petit]-1, (Conseil)-1, (G. Coste)-3, Crecquillon-5, Crecquillon/(C. Hollander)-1, (Crecquillon/Sandrin/Sermisy)-1, Ducis/(Masson)-1, (Dulot/Sermisy)-1, Eckel-1, (H. Faber)-1, C. Festa-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-Bruck-1, (Finck)-1, Hermann Finck-2, G. Fogliano/ (C. Festa)-14, (Förster)-1, Gardane/(Sermisy)-1, (Gascongne/ Lafage/Lupus)-1, (Godard)-1, (Gombert/Sermisy)-1, Grefinger/ (Bauldeweyn)-1, Greitter-S, Grundler-1, Hähnel [Galliculus]-2, Hähnel/(Förster)-1, (Hailland)-1, Hellinck-1, Hellinck/(Gombert) -1, Hemmel-1, (Hemmerlen)-1, (J. Hermann)-1, (Hofhaimer)-3, S. Hollander/(C. Hollander)-1, Isaac-2, Janin-1, Jaquet of Mantua [Jachet]-2, Jaquet of Mantua/(Morales/Rore)-1, Jonckers-1, Josquin-3, (Josquin/Lebrun/Richafort)-1, (Josquin/Mouton)-1, (Josquin/Mouton/Silva)-1, Keutzenhoff-4, Lafage-1, Lassus [Orlandus]/(Wert)-1, Lhéritier-1, Lheritier/(Conseil/Willaert)-1, Lupi/(Mouton)-1, (F. de Lys)-2, (F. de Lys/Quentin)-1, M.-1, Maillard-3, Manchicourt-1, Manchicourt/(Sandrin)-1, (Morales)-1, Morel-1, (Moulu/Mouton)-1, Mouton/(Lafage)-1, (Mouton/Sermisy)-1, Mouton/(Willaert)-1, Müller-1, Othmayr-24 + 1?, (L. Padovano)-1, Paminger-2, Pathie? [Rogirus]/(Baston/Clemens non Papa/Janequin)-1, Pionnier-1, Pötzinger-1, Prenner-1, Rein -2, Richafort-1, Richafort/(Caen/Lupus)-1, Richafort/(Lupus)-1, Ruffo-4, (Sandrin)-3, (Sandrin/Sermisy)-1, (Sandrin/Villiers)-1, P. Schalreuter-1, Senfl-5, Senfl/(Aider)-1, (Sermisy)-10 +1?, Spengler-1, Stahel-2, (Susato)-2, A. Sylvanus/(J. Wenck)-1, Verdelot-3, Verdelot/(Lasson)-1, Verdelot/(Lupi)-1, Verdelot/ (Richafort)-1, Vicinus-1, (Villiers)-4, Walter-3, Walter/(Verdelot)-1, Willaert-2, Willaert/(Obrecht)-2, (Wolff)-1, Wüst-1, (Zirler)-1, anon-71

5 paper partbooks (D-226 folios, A-224, T-236, B-214, Q-iii + 128), 153 x 202. No foliation or pagination in DATB; Q, has original(?) foliation, 1-90 (number "8" omitted) + new pencil foliation, 91-99 (last 30 folios not numbered). Original ink numbering of pieces, 1-311 (last three pieces not numbered). Original covers of yellow leather tooled with floral designs, voice designations, coat of arms of Saxony, date "1557," initials "W.K.R." [= Wolfgang Küffer Ratisbonensi], and portraits of Huss, Luther, Melanchthon, and Erasmus. Original index at end of T book groups pieces alphabetically by first letter of text or title; under each letter, pieces grouped in following order: (1) Latin works; (2) German works; (3) French or Italian works ("Gallica"). Within each subgroup, pieces listed in order of appearance.

Copied by Wolfgang Küffer (see below), with slightly later additions by five other scribes. Small plain initials in red ink; headings, some clefs, and some staves also in red ink. Ff. 43-99 of Q book contain Latin, Greek, and German prose and poetry dealing mostly with musical topics, four full-page colored illustrations with musical subjects, two unidentified coats of arms (presumably related to Wolfgang Küffer's circle), and several dedicatory inscriptions to Küffer from friends and associates.

Watermarks: (1) generally resembles Briquet #12366; (2) resembles Briquet #12380; (3) dog (not in Briquet); (4) resembles Briquet #5940, #5942, #5944; (5) resembles Briquet #4970-1; (6) resembles Briquet #15416, #15427; (7) resembles Briquet #15442; (8) resembles Briquet #1394-5.

1557-9, with a few additions after 1566 (BrenneH). Copied in Wittenberg and Regensburg. The compiler and original owner was Wolfgang Küffer (alias "Saliterer"; biographical details in BrenneH).

Vol 4

Composers: Change "Bastón-1" to "Baston/(Cleve)-1"; change "Ducis/(Mas-son)-1" to "Ducis/(Maffoni)-1"; add "(Gombert/Lupus)-1," "(Josquin/Senfl) -1," and "(La Rue/Sermisy)-1"; change "(Sermisy)-10 + 1?" to "(Sermisy)-9 + 1?"; change "anon-71" to "anon-69."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
7	Hinc abiens quoniam cogor / So schwing ich mich	-	[Othmayr]	Othmayr, Caspar
Hinc abiens quoniam cogor / So schwing ich mich Othmayr, Caspar Appears on: 7 Genres: Contrafactum, Motet, Song Source Attribution: [Othmayr] Voice: Vagans Languages: German Mensuration: cut-c Clef: c3 Voice Text: So schwing ich mich
7	Graecia quae quondam virtute / Trink wein	-	Casparus Othmair	Othmayr, Caspar
Graecia quae quondam virtute / Trink wein Othmayr, Caspar Appears on: 7 Genres: Contrafactum, Motet, Song Source Attribution: Casparus Othmair Voice: Vagans Languages: German Mensuration: cut-c Clef: c3 Voice Text: Trinckh wein so beschert dir gott
8–9	Non argus largus non Magdalena Mathusalem	-	Othmarus	Othmayr, Caspar
Non argus largus non Magdalena Mathusalem Othmayr, Caspar Appears on: 8–9 Genres: Motet Source Attribution: Othmarus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Non argus largus non Magdalena Mathusalem
9–10	Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 9–10 Genres: Motet Source Attribution: Clemens non Papa Voice: Secundus Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Carole magnus eras cum solus regna tenebas General Note Marginal note: "Canatur haec vox ut secudus Discantus canitur alias"
10–12	Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 10–12 Genres: Motet Voice: Secundus Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Pars altera : Nunc omnes nato tu regis à puero
12–13	Rebus in adversis patiens terit omnia	-	[Othmayr]	Othmayr, Caspar
Rebus in adversis patiens terit omnia Othmayr, Caspar Appears on: 12–13 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Rebus in adversis patiens terit omnia
13–14	Adjuva nos Deus salutaris noster	-	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Adjuva nos Deus salutaris noster Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 13–14 Genres: Motet Source Attribution: Thomas Crequillon Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Adiuva nos Deus salutaris noster
14–15	Vincat amor recti pulcherrima quaeque	-	[Othmayr]	Othmayr, Caspar
Vincat amor recti pulcherrima quaeque Othmayr, Caspar Appears on: 14–15 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vincat amor recti pulcherrima queque
15	Scaevola tu coenas apud omnes nullus	-	[Othmayr]	Othmayr, Caspar
Scaevola tu coenas apud omnes nullus Othmayr, Caspar Appears on: 15 Genres: Motet Source Attribution: [Othmayr] Voice: Primus vagans Languages: German Mensuration: cut-c Clef: c3 Voice Text: (Bast sim?) Voice: Secundus vagans Languages: German Mensuration: cut-c Clef: c3 Voice Text: Neyn Layout 2 voice parts, each with a very short repeated motif of 1 or 2 notes
16	Vineae florentes odorem / Wir haben einen guten Wirt	-	[Othmayr?]	Othmayr, Caspar (?)
Vineae florentes odorem / Wir haben einen guten Wirt Othmayr, Caspar (?) Appears on: 16 Genres: Motet Source Attribution: [Othmayr?] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Wir haben einen gueten wirt
16–17	Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea)	-	Jachet [of Mantua]/[Morales/Rore]	Morales, Cristóbal de (ca. 1500–1553) (?) Rore, Cipriano de (ca. 1515–1565) (?) Mantua, Jacquet de (1483–1559) (?)
Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) Morales, Cristóbal de (ca. 1500–1553) (?) Rore, Cipriano de (ca. 1515–1565) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 16–17 Genres: Motet Source Attribution: Jachet [of Mantua]/[Morales/Rore] Voice: Secundus Discantus Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Orabat Jhesum mulier Cananaea ad dominum [= Clamabat autem mulier Chananaea]
17–19	Tota pulchra es amica mea et macula	-	Anon.	Anonymous
Tota pulchra es amica mea et macula Anonymous Appears on: 17–19 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: ... Amica mea tota pulcra es amica mea et macula
19–20	Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce)	-	Pionier	Pionnier, Joannes (–1573)
Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce) Pionnier, Joannes (–1573) Appears on: 19–20 Genres: Motet Source Attribution: Pionier Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Lapidabant Stephanum invocantem et dicentem II: Positus autem genibus clamavit voce [incomplete] General Note 2a pars incomplete, with loss of page(s) after p.20
21–22	Io non trovo me stesso stella del ciel	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
Io non trovo me stesso stella del ciel Ruffo, Vincenzo (ca. 1508–1587) Appears on: 21–22 Genres: Italian secular Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Io non trovo me stesso , stella del ciel [text incipit only]
22–23	A che cerchar gli specchi et fonti	-	[Ruffo]	Ruffo, Vincenzo (ca. 1508–1587)
A che cerchar gli specchi et fonti Ruffo, Vincenzo (ca. 1508–1587) Appears on: 22–23 Genres: Italian secular Source Attribution: [Ruffo] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: A che cerchar gli specchi & fonti [text incipit only]
23–25	Amor poiche non vuole la bella donna	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
Amor poiche non vuole la bella donna Ruffo, Vincenzo (ca. 1508–1587) Appears on: 23–25 Genres: Italian secular Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c4 Voice Text: Amor poiche non vole Labella Donna [text incipit only]
25–26	Sent'un pensier in me d'amor che dice	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
Sent'un pensier in me d'amor che dice Ruffo, Vincenzo (ca. 1508–1587) Appears on: 25–26 Genres: Chanson Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Sent' un pensier in med' amor che dice [text incipit only]
26–27	Tota pulchra es amica mea et macula	-	Cornelius Canis	Canis, Cornelius
Tota pulchra es amica mea et macula Canis, Cornelius Appears on: 26–27 Genres: Motet Source Attribution: Cornelius Canis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tota pulcra es amica mea & macula
27–28	Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te	-	Pe: Manchicourt	Manchicourt, Pierre de
Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te Manchicourt, Pierre de Appears on: 27–28 Genres: Motet Source Attribution: Pe: Manchicourt Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pater peccavi in coelum & coram te
29–30	Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	-	Manchicourt, Pierre de
Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris Manchicourt, Pierre de Appears on: 29–30 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Quanti mercenarii in domo patris
30–32	Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor	-	Jacobus Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 30–32 Genres: Motet Source Attribution: Jacobus Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Adesto dolori meo Deus nimium fatigor
32–33	Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 32–33 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Secunda pars : Interiora mea efferbuerunt me
33–35	In te Domine speravi non confundar	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In te Domine speravi non confundar Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 33–35 Genres: Motet, Te Deum Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In te domine speravi non confundar
35–38	Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 35–38 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Maria Magdalena & altera Maria ibant
38–40	Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 38–40 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Secunda pars : Cito euntes dicite discipulis suis
40–42	Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis	-	Crequilon/[C. Hollander]	Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557)
Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 40–42 Genres: Motet Source Attribution: Crequilon/[C. Hollander] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Congratulamini mihi omnes qui diligitis
42–44	Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	-	-	Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557)
Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 42–44 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Tulerunt dominum meum & nescio ubi
44–46	Gaudent in caelis animae sanctorum	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Gaudent in caelis animae sanctorum Arcadelt, Jacques (ca. 1507–1568) Appears on: 44–46 Genres: Motet Source Attribution: Archadelt Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaudent in coelis animae sanctorum
47	Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	-	Richafort/[Caen/Lupus]	Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 47 Genres: Motet Source Attribution: Richafort/[Caen/Lupus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hierusalem luge & exue te vestibus
48–49	Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	-	-	Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 48–49 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Deduc quasi torrentem lachrimas
49–50	Jam non dicam - 1a pars (of 2): Jam non dicam vos servos	-	Richafort/[Lupus]	Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?)
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 49–50 Genres: Motet Source Attribution: Richafort/[Lupus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Jam non dicam vos servos sed amicos
51–52	Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis	-	-	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550)
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 51–52 Genres: Motet Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Cum venerit ille spiritus veritatis
52–53	Ne recorderis peccata mea Domine cum veneris	-	[Hemmerlen]	Hemmerlen, Georgius
Ne recorderis peccata mea Domine cum veneris Hemmerlen, Georgius Appears on: 52–53 Genres: Motet Source Attribution: [Hemmerlen] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ne recorderis peccata mea domine cum veneris
53–55	Sancta Trinitas unus Deus miserere nobis (6vv)	-	[A.] Fevin/[Craen/C. Festa/Josquin/Morales]Arnoldus de Bruck	Bruck, Arnold von (ca. 1500–1554) Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (6vv) Bruck, Arnold von (ca. 1500–1554) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 53–55 Genres: Motet Source Attribution: [A.] Fevin/[Craen/C. Festa/Josquin/Morales]Arnoldus de Bruck Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sancta trinitas unus deus miserere Concordances Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10
55–56	Ach Gott wem soll ichs klagen das heimliche leiden	-	W. Grefinger/[Bauldeweyn]	Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?)
Ach Gott wem soll ichs klagen das heimliche leiden Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?) Appears on: 55–56 Genres: Song Source Attribution: W. Grefinger/[Bauldeweyn] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ach got wem soll ich klagen das heimlich leÿden
56–57	Von üppiglichen dingen so wil ichs sehen	-	Greiter	Greiter, Matthias
Von üppiglichen dingen so wil ichs sehen Greiter, Matthias Appears on: 56–57 Genres: Song Source Attribution: Greiter Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Von üppiglichen dingen so wil ichs sehen
58–60	Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud)	-	Anon.	Anonymous
Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud) Anonymous Appears on: 58–60 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Praeter rerum seriem parit Deum & hominem II: Virtus sancti spiritus opus illud
60–61	Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum	-	[Morales]	Morales, Cristóbal de (ca. 1500–1553)
Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum Morales, Cristóbal de (ca. 1500–1553) Appears on: 60–61 Genres: Motet Source Attribution: [Morales] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Verbum iniquum et dolosum longe fac
62–63	Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi	-	-	Morales, Cristóbal de (ca. 1500–1553)
Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi Morales, Cristóbal de (ca. 1500–1553) Appears on: 62–63 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Duo rogavi te ne deneges mihi
63	Quisquis requiem quaeris feminam cave	-	[Othmayr]	Othmayr, Caspar
Quisquis requiem quaeris feminam cave Othmayr, Caspar Appears on: 63 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Mulier mulier (c.f.)
63–64	Quam pulcra es amica mea oculi tui	-	Johan Stahell	Stahel, Johann
Quam pulcra es amica mea oculi tui Stahel, Johann Appears on: 63–64 Genres: Motet Source Attribution: Johan Stahell Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: amica mea (c.f.)
65–66	Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis	-	Clem: non Papa/[J. Louys]	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Louys, Jean (ca. 1530–1563) (?)
Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Louys, Jean (ca. 1530–1563) (?) Appears on: 65–66 Genres: Motet Source Attribution: Clem: non Papa/[J. Louys] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Haec est arbor dignissima in qua salutis
66–67	Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti	-	-	Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 66–67 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : O crux benedicta quae sola fuisti
67–69	Si bona suscepimus de manu Domini	-	Verdelot/[Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Si bona suscepimus de manu Domini Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 67–69 Genres: Motet Source Attribution: Verdelot/[Richafort] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Si bona suscepimus de manu domini
69–70	In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 69–70 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In honore beatissimae Annae iubilemus
70–72	In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 70–72 Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Pars altera : Coeleste beneficium introivit in Annam
72–73	Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	-	Josquin Baston/[Cleve]	Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?)
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?) Appears on: 72–73 Genres: Motet Source Attribution: Josquin Baston/[Cleve] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dum transisset sabbathum Maria Magdalena
73–75	Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt	-	-	Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?)
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?) Appears on: 73–75 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars secunda : Et valde mane una sabbathorum
75–78	Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion)	-	Thomas Bachofen	Bachofen, Thomas
Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion) Bachofen, Thomas Appears on: 75–78 Genres: Motet Source Attribution: Thomas Bachofen Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g3 Voice Text: Beati omnes qui timent Dominum qui ambulant II: Benedicat tibi dominus ex Sion
78–79	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 78–79 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ierusalem surge & sta in excelso & vide
79–81	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 79–81 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: 2da pars : Leva in circuitu oculos tuos & vide
81–83	Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt)	-	Sebastianus Hollandt/[C. Hollander/Lassus]	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 81–83 Genres: Motet Source Attribution: Sebastianus Hollandt/[C. Hollander/Lassus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dum transisset sabbathum Maria Magdalena II: Et valde mane una sabbathorum veniunt
83–85	Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus	-	La Fage	Fage, Jean de la
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus Fage, Jean de la Appears on: 83–85 Genres: Motet Source Attribution: La Fage Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Super flumina Babilonis illic sedimus
85–87	Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero	-	-	Fage, Jean de la
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero Fage, Jean de la Appears on: 85–87 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Si oblitus fuero tui Hierusalem
87–88	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	-	Constantinus Festa	Festa, Costanzo (ca. 1485–1545)
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) Festa, Costanzo (ca. 1485–1545) Appears on: 87–88 Genres: Motet Source Attribution: Constantinus Festa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Hierusalem que occidis prophetas & lapidas [= Florentia tempus est penitentie]
88	Ecce Dominus veniet nolite timere 14.5	-	[Jonckers/Josquin/Senfl]	Jonckers, Maistre Gosse (?) Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ecce Dominus veniet nolite timere 14.5 Jonckers, Maistre Gosse (?) Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 88 Genres: Motet Source Attribution: [Jonckers/Josquin/Senfl] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ecce dominus veniet nolite timere
89–201	music-related prose & poetry	-	-	-
music-related prose & poetry Appears on: 89–201
202–213	blank pages	-	-	-
blank pages Appears on: 202–213
214–215, 221, 225, 230	paintings	-	-	-
paintings Appears on: 214–215, 221, 225, 230
218–222, 231-237	poetry	-	-	-
poetry Appears on: 218–222, 231-237
241–242	Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum	-	Orlandus [de Lassus]/[Wert]	Wert, Giaches [Jaches] de (1535–1596) Lassus, Orlande de (ca. 1532–1594) (?)
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum Wert, Giaches [Jaches] de (1535–1596) Lassus, Orlande de (ca. 1532–1594) (?) Appears on: 241–242 Genres: Motet Source Attribution: Orlandus [de Lassus]/[Wert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Transeunte domino clamabat coecus ad eum
242–243	Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam	-	-	Lassus, Orlande de (ca. 1532–1594) (?) Wert, Giaches [Jaches] de (1535–1596)
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam Lassus, Orlande de (ca. 1532–1594) (?) Wert, Giaches [Jaches] de (1535–1596) Appears on: 242–243 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Et ait illi Jesus quid vis ut faciam
244–321	blank pages	-	-	-
blank pages Appears on: 244–321

Composer	Compositions
Anonymous	Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud) – 58–60 Tota pulchra es amica mea et macula – 17–19 [No description] – 218–222, 231-237 [No description] – 214–215, 221, 225, 230 [No description] – 89–201 [No description] – 202–213 [No description] – 244–321
Arcadelt, Jacques (ca. 1507-1568)	Gaudent in caelis animae sanctorum – 44–46
Bachofen, Thomas	Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion) – 75–78
Baston, Josquin (1542–63)	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 72–73 (?) Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt – 73–75
Bauldeweyn, Noel (ca. 1480-1529)	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 55–56
Bruck, Arnold von (ca. 1500-1554)	Sancta Trinitas unus Deus miserere nobis (6vv) – 53–55
Caen, Arnold	(?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 47 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 48–49
Canis, Cornelius	Tota pulchra es amica mea et macula – 26–27
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor – 30–32 Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie – 32–33 Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas – 10–12 Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas – 9–10 (?) Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis – 65–66 (?) Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti – 66–67 In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus – 69–70 In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio – 70–72 In te Domine speravi non confundar – 33–35 Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 78–79 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 79–81 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant – 35–38 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius – 38–40
Cleve, Johannes de (ca. 1528-1582)	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 72–73 (?) Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt – 73–75
Crecquillon, Thomas (ca. 1505-ca. 1557)	Adjuva nos Deus salutaris noster – 13–14 Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis – 40–42 Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 42–44
Despres, Josquin (ca. 1450-1521)	(?) Ecce Dominus veniet nolite timere 14.5 – 88
Fage, Jean de la	Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus – 83–85 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero – 85–87
Festa, Costanzo (ca. 1485-1545)	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) – 87–88
Fevin, Antoine de (ca. 1470-ca. 1512)	Sancta Trinitas unus Deus miserere nobis (6vv) – 53–55
Grefinger, Wolfgang	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 55–56
Greiter, Matthias	Von üppiglichen dingen so wil ichs sehen – 56–57
Hellinck, Lupus (ca. 1494-1541)	(?) Jam non dicam - 1a pars (of 2): Jam non dicam vos servos – 49–50 (?) Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis – 51–52 (?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 47 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 48–49
Hemmerlen, Georgius	Ne recorderis peccata mea Domine cum veneris – 52–53
Hollander, Christian	(?) Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis – 40–42 (?) Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 42–44 (?) Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) – 81–83
Hollander, Sebastian	(?) Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) – 81–83
Jonckers, Maistre Gosse	(?) Ecce Dominus veniet nolite timere 14.5 – 88
Lassus, Orlande de (ca. 1532-1594)	(?) Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum – 241–242 (?) Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam – 242–243
Louys, Jean (ca. 1530-1563)	(?) Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis – 65–66 (?) Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti – 66–67
Manchicourt, Pierre de	Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te – 27–28 Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 29–30
Mantua, Jacquet de (1483-1559)	(?) Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) – 16–17
Morales, Cristóbal de (ca. 1500-1553)	(?) Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) – 16–17 Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum – 60–61 Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi – 62–63
Othmayr, Caspar	Graecia quae quondam virtute / Trink wein – 7 Hinc abiens quoniam cogor / So schwing ich mich – 7 Non argus largus non Magdalena Mathusalem – 8–9 Quisquis requiem quaeris feminam cave – 63 Rebus in adversis patiens terit omnia – 12–13 Scaevola tu coenas apud omnes nullus – 15 Vincat amor recti pulcherrima quaeque – 14–15 (?) Vineae florentes odorem / Wir haben einen guten Wirt – 16
Pionnier, Joannes (-1573)	Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce) – 19–20
Richafort, Jean (ca. 1480-ca. 1550)	Jam non dicam - 1a pars (of 2): Jam non dicam vos servos – 49–50 Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis – 51–52 (?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 47 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 48–49 (?) Si bona suscepimus de manu Domini – 67–69
Rore, Cipriano de (ca. 1515-1565)	(?) Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) – 16–17
Ruffo, Vincenzo (ca. 1508-1587)	A che cerchar gli specchi et fonti – 22–23 Amor poiche non vuole la bella donna – 23–25 Io non trovo me stesso stella del ciel – 21–22 Sent'un pensier in me d'amor che dice – 25–26
Senfl, Ludwig (ca. 1486-ca. 1543)	(?) Ecce Dominus veniet nolite timere 14.5 – 88
Stahel, Johann	Quam pulcra es amica mea oculi tui – 63–64
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Si bona suscepimus de manu Domini – 67–69
Wert, Giaches [Jaches] de (1535-1596)	Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum – 241–242 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam – 242–243

Composition	Composers (? Uncertain)	Folios / Pages
A che cerchar gli specchi et fonti	Ruffo, Vincenzo (ca. 1508–1587)	22–23
Ach Gott wem soll ichs klagen das heimliche leiden	Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?)	55–56
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	30–32
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	32–33
Adjuva nos Deus salutaris noster	Crecquillon, Thomas (ca. 1505–ca. 1557)	13–14
Amor poiche non vuole la bella donna	Ruffo, Vincenzo (ca. 1508–1587)	23–25
Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion)	Bachofen, Thomas	75–78
Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	9–10
Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	10–12
Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis	Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557)	40–42
Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557)	42–44
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?)	72–73
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt	Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?)	73–75
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt)	Hollander, Sebastian (?) Hollander, Christian (?)	81–83
Ecce Dominus veniet nolite timere 14.5	Jonckers, Maistre Gosse (?) Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	88
Gaudent in caelis animae sanctorum	Arcadelt, Jacques (ca. 1507–1568)	44–46
Graecia quae quondam virtute / Trink wein	Othmayr, Caspar	7
Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Louys, Jean (ca. 1530–1563) (?)	65–66
Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti	Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	66–67
Hinc abiens quoniam cogor / So schwing ich mich	Othmayr, Caspar	7
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	69–70
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	70–72
In te Domine speravi non confundar	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	33–35
Io non trovo me stesso stella del ciel	Ruffo, Vincenzo (ca. 1508–1587)	21–22
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos	Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?)	49–50
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550)	51–52
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?)	47
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?)	48–49
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	Festa, Costanzo (ca. 1485–1545)	87–88
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	78–79
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	79–81
Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce)	Pionnier, Joannes (–1573)	19–20
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	35–38
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	38–40
Ne recorderis peccata mea Domine cum veneris	Hemmerlen, Georgius	52–53
Non argus largus non Magdalena Mathusalem	Othmayr, Caspar	8–9
Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea)	Morales, Cristóbal de (ca. 1500–1553) (?) Rore, Cipriano de (ca. 1515–1565) (?) Mantua, Jacquet de (1483–1559) (?)	16–17
Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te	Manchicourt, Pierre de	27–28
Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Manchicourt, Pierre de	29–30
Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud)	Anonymous	58–60
Quam pulcra es amica mea oculi tui	Stahel, Johann	63–64
Quisquis requiem quaeris feminam cave	Othmayr, Caspar	63
Rebus in adversis patiens terit omnia	Othmayr, Caspar	12–13
Sancta Trinitas unus Deus miserere nobis (6vv)	Bruck, Arnold von (ca. 1500–1554) Fevin, Antoine de (ca. 1470–ca. 1512)	53–55
Scaevola tu coenas apud omnes nullus	Othmayr, Caspar	15
Sent'un pensier in me d'amor che dice	Ruffo, Vincenzo (ca. 1508–1587)	25–26
Si bona suscepimus de manu Domini	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	67–69
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus	Fage, Jean de la	83–85
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero	Fage, Jean de la	85–87
Tota pulchra es amica mea et macula	Anonymous	17–19
Tota pulchra es amica mea et macula	Canis, Cornelius	26–27
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum	Wert, Giaches [Jaches] de (1535–1596) Lassus, Orlande de (ca. 1532–1594) (?)	241–242
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam	Lassus, Orlande de (ca. 1532–1594) (?) Wert, Giaches [Jaches] de (1535–1596)	242–243
Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum	Morales, Cristóbal de (ca. 1500–1553)	60–61
Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi	Morales, Cristóbal de (ca. 1500–1553)	62–63
Vincat amor recti pulcherrima quaeque	Othmayr, Caspar	14–15
Vineae florentes odorem / Wir haben einen guten Wirt	Othmayr, Caspar (?)	16
Von üppiglichen dingen so wil ichs sehen	Greiter, Matthias	56–57

Set: A. R. 940-941

Type: Partbooks

No images available

D-Rp A. R. 940-941 (A)

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D-Rp A. R. 940-941 (B)

No images available

D-Rp A. R. 940-941 (D)

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D-Rp A. R. 940-941 (Q)

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D-Rp A. R. 940-941 (T)

‡ denotes primary source study

Deutsches Musikgeschichtliches Archiv Kassel and Staatliches Institut für Musikforschung Preußischer Kulturbesitz Berlin (editor). 1983. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. Band 2: Handschriften. Catalogus Musicus, vol. X. Kassel, Basel, Tours, and London. Pages: 222-58. Notes: contents list; incipits.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxvi, 32-4, 73. Notes: physical description; contents list (partial); concordances (partial).

Stroux, Christoph. 1976. Die Musica Poetica des Magisters Heinrich Faber. Albert-Ludwigs-Universität (Freiburg im Breisgau), Unpublished Ph.D. dissertation. Pages: 7, 159-60, 162-5, 180-93. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I, 58-60, 163ff, 320, 324. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 17-8, 20-1, 31, 33-4, 113-4, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 146. Notes: physical description (partial); mention of MS; discussion.

Dunning, Albert. 1969. Die Staatsmotette 1480-1555. Utrecht. Pages: 200-l, 336. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xliii, liv, lxii. Notes: physical description (partial); contents list (partial); concordances (partial).

Perkins, Leeman L. 1965. The Motets of Jean Lhéritier. Yale University, Unpublished Ph.D. dissertation. Pages: I, 147, 233ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel, vol. 1. Kassel and Basel. Notes: physical description (partial); contents list; concordances; incipits (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae, vol. 4. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IX, iv, vi; XXI, xii, 95-103. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk. Kassel and Basel. Pages: 54, 57, 87, 111, 113-8, 126ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VI, 94, 98-9. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV, xiii, 142, 149; XVI, 99-100; XXVI, 134-40, 145-50, 153, 161-5; LXX, 193,208-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Rp A. R. 940-941 (Q)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1557-9, with a few additions after 1566

General Description

Physical Description

Binding

Watermark

Notation

Foliation

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

General Note

Layout

General Note

Concordances

Set: A. R. 940-941

Type: Partbooks

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017