D-HRD 9822

Schloss Fürstenberg, Bibliothek, Herdringen, Germany

partbook: Mid 16th century

Archive Schloss Fürstenberg, Bibliothek, Herdringen, Germany (D-HRD)
Shelfmark 9822
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements c. 165 x 210 mm
Other Identifiers
  • CCM: HerdF 9822-3
  • olim (Former shelfmark): Paderborn, Erzbischøfliche Akademische Bibliothek
External Authorities
Provenance
  • Bavaria, Germany
Contents 101 pieces from 43 composers
General Description

A Discantus partbook from a set originally of four volumes. Copied by a single scribe. Presumably of German origin.

DIAMM, 2017
Binding

Modern covers of grey paper over cardboard

DIAMM, 2017
Watermark

(1) pot surmounted by four-petalled flower; (2) cross; (3) ball with single band. None in Briquet.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Other numberings: Original ink numbering of pieces, 1-80 ('36-37' omitted; some pieces not numbered).

DIAMM, 2017
Foliation

New pencil foliation

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

24 motets, 3 German sacred pieces, 53 French secular pieces, 13 German secular pieces, 6 Italian secular pieces, 1 Latin/Italian secular piece (appears in this source with Latin psalm text only), 1 Dutch secular piece = 101

(Appenzeller/Werrecore)-1, (Baston)-2, (Baston/Clemens non Papa/Janequin/Pathie?)-1, (Brumel)-1, (Cadéac/Lupus)-1, (Canis) -1, (Certon)-4, Clemens non Papa-8, (Clemens non Papa/Crecquillon)-1 (Clemens non Papa/Maessens)-1, (Clemens non Papa/ Manchicourt)-1, (Courtois)-1, Crecquillon-14, (Crecquillon/ Lattre)-1, (Ducis)-1, (A. Févin)-1, (Forster)-1, (Gero)-6, Gombert [Nicolaus Bombert]-1, (Gombert/Payen)-1, (Gombert/Sermisy)-1, (Hesdin/Lupi)-1, (Isaac)-1, (Izagha/Le Heurteur/Moulu/Sermisy) -1, (Josquin)-1, (La Rue/Sermisy)-1, (Maessens)-1, (Manchicourt/ Sandrin)-1, (Moulu)-1, (Mouton/Sermisy)-1, (Pathie)-1, (Payen) -1, (Phinot)-2, (Renez)-1, (Samson)-1, (Sandrin/Sermisy)-2, (Schönfelder)-1, (Senfl)-4, (Sermisy)-5, (Stappen)-1, (Stoltzer)-2, (Susato)-1, anon-20

2 paper partbooks of an original 4? (D-t + 48 folios, B-I + 49), ca. 165 x 210. New pencil foliation in each book. Original ink numbering of pieces, 1-80 ("36-37" omitted; some pieces not numbered). Modern covers of gray paper over cardboard. No index. Copied by a single scribe. No initials or decoration.

Watermarks (none in Briquet): (1) pot surmounted by four-petalled flower; (2) cross; (3) ball with single band.

Mid 16th century. Presumably of German origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Si mon travail vous peult donner plaisir [Sandrin/Sermisy]
Appears on: 1
Genres: Chanson
Source Attribution: [Sandrin/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Si mon traveulle [= Si mon travail vous peult donner plaisir]
1 Languir me fais sans t'avoir offensé [Mouton/Sermisy]
Appears on: 1
Genres: Chanson
Source Attribution: [Mouton/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Languir mi fault tavor offense [= Languir me fais sans t'avoir offensé]
1–1v Je suis desheritée puisque j'ai perdu mon amy [Cadéac/Hellinck]
Appears on: 1–1v
Genres: Chanson
Source Attribution: [Cadéac/Hellinck]
Voice: [no designation]
Languages: French
Voice Text: Je suis descheutet [= Je suis desheritée puisque j'ay perdu mon amy]
1v–2 Peccantem me quotidie et non me poenitentem (2p. Deus in nomine tuo salvum me fac) [Clemens non Papa]
Appears on: 1v–2
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Peccantem me quotidie et non poenitentem
2 On le ma dictii dague a rouelle = On le m'a dict dague a rouelle [Certon]
Appears on: 2
Genres: Chanson
Source Attribution: [Certon]
Voice: [no designation]
Languages: French
Voice Text: On le ma dictii dague a rouelle [= On le m'a dict dague a rouelle]
2–2v Doulce memoire en plaisir consommée [Manchicourt/Sandrin]
Appears on: 2–2v
Genres: Chanson
Source Attribution: [Manchicourt/Sandrin]
Voice: [no designation]
Languages: French
Voice Text: Doulce memoire en plasir [consommée]
2v Fini le bien le mal soudain commence [Certon]
Appears on: 2v
Genres: Chanson
Source Attribution: [Certon]
Voice: [no designation]
Languages: French
Voice Text: Fini le bien le mal [soudain commence]
2v–3 La la maistre Pierre la la beuvons don [Sermisy]
Appears on: 2v–3
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: La la maistre Pierre [la la beuvons don]
3 Las quon congneust mon vouloir sans le dire [Certon]
Appears on: 3
Genres: Chanson
Source Attribution: [Certon]
Voice: [no designation]
Languages: French
Voice Text: Las quon congneust mon [vouloir sans le dire]
3–3v Si Cupido a delibere de faire tousjours [Renez]
Appears on: 3–3v
Genres: Italian secular
Source Attribution: [Renez]
Voice: [no designation]
Languages: French
Voice Text: Si Cupido a delibere de faire [tousjours]
3v D'amour me plains et non de vous m'amie [Pathie]
Appears on: 3v
Genres: Chanson
Source Attribution: [Pathie]
Voice: [no designation]
Languages: French
Voice Text: Damur my pley [= D'amour me plains et non de vous m'amye]
4 Le coeur est bon et le vouloir aussi [Sermisy]
Appears on: 4
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Le cur est bon [= Le cueur est bon et le vouloir aussi]
4 Amour me feit longuement souffreteur [Certon]
Appears on: 4
Genres: Chanson
Source Attribution: [Certon]
Voice: [no designation]
Languages: French
Voice Text: Amour me feit longuement souffreteur
4v In te Domine speravi non confundar 28.18 [Josquin]
Appears on: 4v
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar 28.17 [= In te domine speravi per trovar]
4v Sicut lilium inter spinas sic anima mea [Brumel]
Appears on: 4v
Genres: Motet
Source Attribution: [Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: Sicut lilium inter spinas sic anima mea
4v–5 Qui credit in filium habet vitam aeternam (= Dulcis amica Dei rosa vernans stella) [Prioris]
Appears on: 4v–5
Genres: Motet
Source Attribution: [Prioris]
Voice: [no designation]
Languages: Latin
Voice Text: Qui credit in filium habet vitam aeternam [= Dulcis amica dei rosa vernans stella]
5 Adjuva nos Deus salutaris noster Anon. Anonymous
Appears on: 5
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Adiuva nos deus salutaris noster
5 Non lotis manibus manducare non coinquinat [Stappen]
Appears on: 5
Genres: Motet
Source Attribution: [Stappen]
Voice: [no designation]
Languages: Latin
Voice Text: Non lotis manibus manducare [non coinquinat]
5v Nach lust hab ich mich Anon. Anonymous
Appears on: 5v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Nach lust hab ich mich
5v Zart schöne Frau gedenk und schau Anon. Anonymous
Appears on: 5v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Zart schon[e fraw gedenck und schaw]
5v–6 Maria zardt von edler art ein rosv Anon. Anonymous
Appears on: 5v–6
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Maria zardt [von edler art ein rosv]
6 D'ou [dont] vient cela belle je vous supply [Sermisy]
Appears on: 6
Genres: Italian secular
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Dont vient cela [belle je vous supply]
6–6v C'est a grant tort que moi povrette endure [Sermisy]
Appears on: 6–6v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Cest agrantort [= C'est a grant tort que moy povrette endure]
6v Der Hund mir vor dem licht umgaht Anon.
Appears on: 6v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der hundt mir vor dem licht umb[gaht]
6v Dich als mich selbst herzlieb allein Anon. Anonymous
Appears on: 6v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Dich als mich selbs [herzlieb allein]
7 Es dringet daher mit sorg und gfähr [Stoltzer]
Appears on: 7
Genres: Song
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: German
Voice Text: Es dringet doher [mit sorg und gfähr]
7 Ich habs gewaget herzliebste maid [Forster]
Appears on: 7
Genres: Song
Source Attribution: [Forster]
Voice: [no designation]
Languages: German
Voice Text: Ich habs gewaget [herzliebste maid]
7v Von edler Art, auch rein und zart bist du [Schönfelder]
Appears on: 7v
Genres: Song
Source Attribution: [Schönfelder]
Voice: [no designation]
Languages: German
Voice Text: Von edler art [auch rein und zart bist du]
7v Was wird es doch des wunders noch [S329 - 4vv/7vv] [Senfl]
Appears on: 7v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Was wirdt es doch [des wunders noch]
7v–8 Mach ich ungluck nicht widerstan [Senfl]
Appears on: 7v–8
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mach ich ungeluck nicht widerstan
8 Was ist die Welt, gelt hat allein den Preis [Senfl]
Appears on: 8
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Was ist die welt [gelt hat allein preis]
8 Nun hab ich all mein tag gehört Anon. Anonymous
Appears on: 8
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Nun hab ich [all mein tag gehört]
8–8v O Herr ich ruff Dein namen an [Senfl]
Appears on: 8–8v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: O Her ich ruf dien [= O Herr ich rueff dein namen an]
8v J'ai trop d'amours et peu de récompense [Lupi]
Appears on: 8v
Genres: Chanson
Source Attribution: [Lupi]
Voice: [no designation]
Languages: French
Voice Text: Ja trop damors [= J'ay trop d'amours et peu de récompense]
9–9v Domine da nobis auxilium in tribulatione II: Tibi subiecta sit anima mea [Canis]
Appears on: 9–9v
Genres: Motet
Source Attribution: [Canis]
Voice: [no designation]
Languages: Latin
Voice Text: Domine da nobis auxilium in tribulatione II: Tibi subiecta sit anima mea
9v–10 Salve sancta suprema trinitas spes omnium [Maessens]
Appears on: 9v–10
Genres: Motet
Source Attribution: [Maessens]
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta suprema trinitas spes omnium
10–10v Rex autem David cooperto capite incedens (2p. Planxit autem David planctum huius) [Clemens non Papa]
Appears on: 10–10v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Rex autem David [cooperto capite indecens] II: Planxit autem David [super Jonathan]
11 Je prens en gre le dure mort (4vv) [Baston/Clemens non Papa/Janequin/Pathie?]
Appears on: 11
Genres: Motet
Source Attribution: [Baston/Clemens non Papa/Janequin/Pathie?]
Voice: [no designation]
Languages: French
Voice Text: Je prens en gre la dure mort
11–11v Jouissance vous donnerai, mon ami [La Rue/Sermisy]
Appears on: 11–11v
Genres: Chanson
Source Attribution: [La Rue/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Jo saucke noys [= Joyssance vous donneray mon amy]
11v Il est jour dit l'alouette allons jouer [Sermisy]
Appears on: 11v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Il est iour dit lalouelte [= Il est jour dit l'alouette allons jouer]
12 D'un petit mot en deux lettres compris [Crecquillon]
Appears on: 12
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Dung petit mot [en deux lettres compris]
12–12v Si mon travail vous peult donner plaisir [Crecquillon]
Appears on: 12–12v
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Simon travel [= Si mon travail vous peult donner plaisir]
13–14 In Domino confido quomodo dicitis animae II: Dominus in templo sancto suo [Stoltzer]
Appears on: 13–14
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: In domino confido quomodo dicitis animae II: Dominus in templo sancto suo
13–13v Tota pulchra es amica mea et macula Anon. Anonymous
Appears on: 13–13v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula
14–15 Pater a nullo est factus nec creatus [Samson]
Appears on: 14–15
Genres: Motet
Source Attribution: [Samson]
Voice: [no designation]
Languages: Latin
Voice Text: Pater a nullo est factus nec creatus
15v–16 Quae est ista quae progreditur quasi aurora Anon. Anonymous
Appears on: 15v–16
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quae est ista quae progreditur quasi aurora
16–16v Si bona suscepimus de manu Domini Anon. Anonymous
Appears on: 16–16v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
16v Aus tiefer Not schrei ich zu dir Herre Gott [Ducis]
Appears on: 16v
Genres: Song
Source Attribution: [Ducis]
Voice: [no designation]
Languages: German
Voice Text: Aus teffer not schrie ich zu dir Her Got
17 So ich bedenck anfang und end aller ding Anon. Anonymous
Appears on: 17
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: So ich bedenck anfang und end aller ding
17v Ces facheux sots qui mesdisent d'aymer Anon. Anonymous
Appears on: 17v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Ces facheur sotz qui mes [= Ces facheux sotz qui mesdisent d'aymer]
17v–18 Adieu [mes] amours, de vous suis las, trop m'avez tenu Anon. Anonymous
Appears on: 17v–18
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Adieu amours de vous suis [las trop m'avez tenu]
18 Si par souffrir on peult vaincre fortune Anon. Anonymous
Appears on: 18
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Si par souffrir on peult [vaincre fortune]
18v Die Brünnlein, die da fliessen [Isaac]
Appears on: 18v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Die brunlein die da fliessen
19 Tanta beltad evn voi e leggiadria [Gero]
Appears on: 19
Genres: Italian secular
Source Attribution: [Gero]
Voice: [no designation]
Languages: Italian
Voice Text: Tanta beltad evn voi [e leggiadria]
19v–20 Sia maledett'amore e chiunqu'in lui giamai [Gero]
Appears on: 19v–20
Genres: Italian secular
Source Attribution: [Gero]
Voice: [no designation]
Languages: Italian
Voice Text: Sia maledett'amore [e chiunqu'in lui giamai]
20 Sia benedett'amore benedette sue faci [Gero]
Appears on: 20
Genres: Italian secular
Source Attribution: [Gero]
Voice: [no designation]
Languages: Italian
Voice Text: Sia benedett'amore [benedette sue faci]
20v Ami souffrez que je vous aime [Isaac/Le Heurteur/Moulu/Sermisy]
Appears on: 20v
Genres: Chanson
Source Attribution: [Isaac/Le Heurteur/Moulu/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Amy souffre que ie vous [ayme]
20v–21 J'ai trop aime vraiment je le confesse Anon. Anonymous
Appears on: 20v–21
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Iay trop ayme vraiment [je le confesse]
21–21v S'io havesse tant'ardire ch'io potessi [Gero]
Appears on: 21–21v
Genres: Italian secular
Source Attribution: [Gero]
Voice: [no designation]
Languages: Italian
Voice Text: S'io havesse tant'ardire [ch'io potessi]
21v–22 Quando madonna gli amorosi sguardi sovente [Gero]
Appears on: 21v–22
Genres: Italian secular
Source Attribution: [Gero]
Voice: [no designation]
Languages: Italian
Voice Text: Quando madonna gli amorosi [sguardi sovente]
22–22v E dont venes vous madame Lucette [Moulu]
Appears on: 22–22v
Genres: Italian secular
Source Attribution: [Moulu]
Voice: [no designation]
Languages: French
Voice Text: E dont venes vous [madame Lucette]
22v Madonn'io v'am'e taccio vel po giurar [Gero]
Appears on: 22v
Genres: Italian secular
Source Attribution: [Gero]
Voice: [no designation]
Languages: Italian
Voice Text: Madonn'io v'am'e t[accio vel po giurar]
23 Fors seulement l'attente que je meure 27.10 [A. Févin/Josquin]
Appears on: 23
Genres: Chanson
Source Attribution: [A. Févin/Josquin]
Voice: [no designation]
Languages: French
Voice Text: Forseulement [l'attente que je meure] 27.10
23–23v Te deul Anon. Anonymous

Te deul

Anonymous
Appears on: 23–23v
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: insufficient
Voice Text: Te deul
25 Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv) [Clemens non Papa/Manchicourt]
Appears on: 25
Genres: Motet
Source Attribution: [Clemens non Papa/Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in coelum et coram te
25v–26v Vidi Jerusalem descendentem de caelo II: Et erat structuramini eius ex lapide Anon. Anonymous
Appears on: 25v–26v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Vidi Hierusalem descendentem de coelo II: Et erat structuramini eius ex lapide
26v–27 O magnum mysterium O admirabile sacramentum II: Ave Maria gratia plena Dominus tecum [Appenzeller/Werrecore]
Appears on: 26v–27
Genres: Ave Maria, Motet
Source Attribution: [Appenzeller/Werrecore]
Voice: [no designation]
Languages: Latin
Voice Text: O magnum mysterium O admirabile sacramentum II: Ave Maria gratia plena dominus tecum
27v–28 Frais et gaillard [=Frisque et gaillard] un jour entre cent mille [Clemens non Papa]
Appears on: 27v–28
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: Frais et galliard ung iour entre cent
28–28v Alix avoit aux dens la male rage [Crecquillon]
Appears on: 28–28v
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Alix auret aux deus la malerage [= Alix avoit au dens la male rage]
28v–29 Si des haulx cieulx qui a gouvernement [Crecquillon]
Appears on: 28v–29
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Si des haulx cieulx [qui a gouvernement]
29 Jouons beau jeu tout en riant si faisons [Clemens non Papa]
Appears on: 29
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: Juvons beau ieu tout en riant [si faisons]
29v A demi mort par maladie navre je suis [Clemens non Papa]
Appears on: 29v
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: A demy mort par mala[die navre je suis]
30 Un gay berger prioit une bergère [Crecquillon]
Appears on: 30
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Ung gay bergier priot une biegeri [= Ung gay berger prioit une bergère]
30v Pour un plaisir qui si peu dure [Crecquillon]
Appears on: 30v
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Pour ung plaisier si peu duci [= Pour ung plaisir qui si peu dure]
30v–31 Si tu te plains d'amours tant seulement [Susato]
Appears on: 30v–31
Genres: Chanson
Source Attribution: [Susato]
Voice: [no designation]
Languages: French
Voice Text: Si tu te plains [d'amours tant seullement]
31–31v Si mon languir t'est grand contentement [Baston]
Appears on: 31–31v
Genres: Chanson
Source Attribution: [Baston]
Voice: [no designation]
Languages: French
Voice Text: Si mon languir [t'est grand contentement]
31v O combien est malheurex le desir dont [Sandrin/Sermisy]
Appears on: 31v
Genres: Chanson
Source Attribution: [Sandrin/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: O combien est malheurex le desir dont
31v–32 Toutes les nuits que sans vous je me couche [Crecquillon]
Appears on: 31v–32
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Toutes les nuicts [que sans vous je me couche]
32–32v Qu'est il besoing chercher toutes les nuictz [Crecquillon]
Appears on: 32–32v
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Quest il besong seuchyr toutes nuitz [= Qu'est il besoing chercher toutes les nuictz]
32v Dueil double dueil renfort de desplaisir [Hesdin/Lupi]
Appears on: 32v
Genres: Chanson
Source Attribution: [Hesdin/Lupi]
Voice: [no designation]
Languages: French
Voice Text: Deul deuble deul reifort(!) de desplaisir
32v–33 Voyant souffrir celle qui me tourmente [Crecquillon]
Appears on: 32v–33
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Voyant soffrey celle qui me tormentet [= Voyant souffrir celle qui me tourmente]
33–33v Si par souffrir on peult vaincre fortune [Courtois]
Appears on: 33–33v
Genres: Chanson
Source Attribution: [Courtois]
Voice: [no designation]
Languages: Italian
Voice Text: Si par soffrey [= Si par souffrir l'on peult vaincre fortune]
33v Au monde n'est plus grand solas [Crecquillon]
Appears on: 33v
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Au monde nest plus grant solas
33v–34 Mort m'a prive par sa cruelle ennuy [Crecquillon]
Appears on: 33v–34
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Mort ma prive par truelle [= Mort m'a prive par sa cruelle ennuy]
34–34v Leckerlichen en klein bier gingen = Lecker beetgen en cleyn bier gingen [Baston]
Appears on: 34–34v
Genres: Song
Source Attribution: [Baston]
Voice: [no designation]
Languages: German
Voice Text: Leckerlichen en klein bier gingen [= Lecker beetgen en cleyn bier gingen]
34v–35 Floretz mes = Plorez mes yeulx plorez à chauldes larmes [Phinot]
Appears on: 34v–35
Genres: Chanson
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Floretz mes [= Plorez mes yeulx plorez à chauldes larmes]
35 Amour et mort ont fait leur assemblée [Phinot]
Appears on: 35
Genres: Chanson
Source Attribution: [Phinot]
Voice: [no designation]
Languages: French
Voice Text: Amour [et mort ont faict leur assemblée]
35v Le content est riche en ce monde [Gombert/Sermisy]
Appears on: 35v
Genres: Chanson
Source Attribution: [Gombert/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Le contente est riche [en ce monde]
35v–36 Ne scauroit on trouver un messaigier [Clemens non Papa]
Appears on: 35v–36
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: Ne scauroit on trouver [ung messaigier]
36 Chantres eut le tamps no further text Anon. Anonymous
Appears on: 36
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Chantres eut le tamps [no further text]
36–36v Misericorde au martyr amoureux qui en amour Clemens [non Papa]
Appears on: 36–36v
Genres: Chanson
Source Attribution: Clemens [non Papa]
Voice: [no designation]
Languages: French
Voice Text: Misericorde au martir [amoureulx qu'en amour]
36v–37 Or suis je prins en merveilleux arroy Nicolaus Bombert [= Gombert]
Appears on: 36v–37
Genres: Chanson
Source Attribution: Nicolaus Bombert [= Gombert]
Voice: [no designation]
Languages: French
Voice Text: Orsus ie prins [= Or suis je prins en merveilleux arroy]
37 Le temps qui court requiert que l'on se taise Thomas Cirquilon [= Crecquillon]
Appears on: 37
Genres: Chanson
Source Attribution: Thomas Cirquilon [= Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Le temps qui curt [= Le temps qui court requiert que l'on se taise]
37–38 Domine pater et Deus vitae meae (2p. Non veniat mihi pes superbiae) [Clemens non Papa/Crecquillon]
Appears on: 37–38
Genres: Motet
Source Attribution: [Clemens non Papa/Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Domine pater et deus vitae meae II: Non veniat mihi pes superbiae
38–39 Servus tuus ego sum da mihi intellectum II: Declaratio sermonum tuorum illuminat [Crecquillon]
Appears on: 38–39
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Servus tuus ego sum da mihi intellectum II: Declaratio sermonum tuorum illuminat
39–40 Virgo gloriosa semper evangelium Christi II: Cantantibus organis Cecilia virgo [Crecquillon]
Appears on: 39–40
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Virgo gloriosa semper evangelium Christi II: Cantantibus organis Cecilia virgo
40v–41 Justum deduxit Dominus per vias rectas II: Iste est qui ante Deum magna [Crecquillon/Lattre]
Appears on: 40v–41
Genres: Motet
Source Attribution: [Crecquillon/Lattre]
Voice: [no designation]
Languages: Latin
Voice Text: Iustum deduxit dominus per vias rectas II: Iste est qui ante deum magna
41v–42 Virgo prudentissima quae progrederis [Gombert/Payen]
Appears on: 41v–42
Genres: Motet
Source Attribution: [Gombert/Payen]
Voice: [no designation]
Languages: Latin
Voice Text: Virgo prudentissima quae progrederis
42–42v Convertimini ad me in toto corde vestro II: Derelinquat impius viam suam et vir [Payen]
Appears on: 42–42v
Genres: Motet
Source Attribution: [Payen]
Voice: [no designation]
Languages: Latin
Voice Text: Convertimini ad me in toto corde vestro II: Derelinquat impius viam suam et vir
42v–43v Angelus Domini ad pastores ait annuntio vobis (2p. Parvulus filius hodie natus est nobis) [Clemens non Papa]
Appears on: 42v–43v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini ad pastores annuntio vobis II: Parvulus filius hodie natus est nobis
43v–44 Gaudent in caelis animae sanctorum (2p. Ideo cum Christo regnabunt in aeternum) [Clemens non Papa/Maessens]
Appears on: 43v–44
Genres: Motet
Source Attribution: [Clemens non Papa/Maessens]
Voice: [no designation]
Languages: Latin
Voice Text: Gaudent in coelis animae sanctorum II: Ideo cum Christo regnabunt in aeternum
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Baston, Josquin (fl. 1542–63)
Brumel, Antoine (ca. 1460–ca. 1513)
Cadeac, P(ierre?)
Canis, Cornelius
Certon, Pierre (–ca. 1572)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Courtois, Jean (fl. 1530-1545)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ducis, Benedictus
Fevin, Antoine de (ca. 1470–ca. 1512)
Fevin, Robert de (fl. 1500-1515)
Forster, Georg (ca. 1510–1568)
Gero, Jhan
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Heurteur, Guillaume le (fl. 1530-1545)
Hofhaimer, Paul
Isaac, Heinrich (ca. 1450–1517)
Janequin, Clement (ca. 1485–ca. 1558)
Lupi, Johannes (ca. 1506–1539)
Maessens, Pieter
Manchicourt, Pierre de
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Pathie, Rogier (ca. 1510–ca. 1564)
Payen, Nicolas
Petit (de Latre), Jehan
Phinot, Dominique
Prioris, Johannes (Denis, Dionisius) (–1515)
Rener, Adam (ca. 1485–ca. 1520)
Sampson
Sandrin, Pierre (ca. 1490–ca. 1560)
Schönfelder, Jörg
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stappen, Crispin van der
Stoltzer, Thomas (ca. 1480–1526)
Susato, Tylman
Werrecore, Matthias Hermann
Composition Composers (? Uncertain) Folios / Pages
A demi mort par maladie navre je suis 29v
Adieu [mes] amours, de vous suis las, trop m'avez tenu Anonymous 17v–18
Adjuva nos Deus salutaris noster Anonymous 5
Alix avoit aux dens la male rage 28–28v
Ami souffrez que je vous aime 20v
Amour et mort ont fait leur assemblée 35
Amour me feit longuement souffreteur 4
Angelus Domini ad pastores ait annuntio vobis (2p. Parvulus filius hodie natus est nobis) 42v–43v
Au monde n'est plus grand solas 33v
Aus tiefer Not schrei ich zu dir Herre Gott 16v
C'est a grant tort que moi povrette endure 6–6v
Ces facheux sots qui mesdisent d'aymer Anonymous 17v
Chantres eut le tamps no further text Anonymous 36
Convertimini ad me in toto corde vestro II: Derelinquat impius viam suam et vir 42–42v
D'amour me plains et non de vous m'amie 3v
D'ou [dont] vient cela belle je vous supply 6
D'un petit mot en deux lettres compris 12
Der Hund mir vor dem licht umgaht 6v
Dich als mich selbst herzlieb allein Anonymous 6v
Die Brünnlein, die da fliessen 18v
Domine da nobis auxilium in tribulatione II: Tibi subiecta sit anima mea 9–9v
Domine pater et Deus vitae meae (2p. Non veniat mihi pes superbiae) 37–38
Doulce memoire en plaisir consommée 2–2v
Dueil double dueil renfort de desplaisir 32v
E dont venes vous madame Lucette 22–22v
Es dringet daher mit sorg und gfähr 7
Fini le bien le mal soudain commence 2v
Floretz mes = Plorez mes yeulx plorez à chauldes larmes 34v–35
Fors seulement l'attente que je meure 27.10 23
Frais et gaillard [=Frisque et gaillard] un jour entre cent mille 27v–28
Gaudent in caelis animae sanctorum (2p. Ideo cum Christo regnabunt in aeternum) 43v–44
Ich habs gewaget herzliebste maid 7
Il est jour dit l'alouette allons jouer 11v
In Domino confido quomodo dicitis animae II: Dominus in templo sancto suo 13–14
In te Domine speravi non confundar 28.18 4v
J'ai trop aime vraiment je le confesse Anonymous 20v–21
J'ai trop d'amours et peu de récompense 8v
Je prens en gre le dure mort (4vv) 11
Je suis desheritée puisque j'ai perdu mon amy 1–1v
Jouissance vous donnerai, mon ami 11–11v
Jouons beau jeu tout en riant si faisons 29
Justum deduxit Dominus per vias rectas II: Iste est qui ante Deum magna 40v–41
La la maistre Pierre la la beuvons don 2v–3
Languir me fais sans t'avoir offensé 1
Las quon congneust mon vouloir sans le dire 3
Le coeur est bon et le vouloir aussi 4
Le content est riche en ce monde 35v
Le temps qui court requiert que l'on se taise 37
Leckerlichen en klein bier gingen = Lecker beetgen en cleyn bier gingen 34–34v
Mach ich ungluck nicht widerstan 7v–8
Madonn'io v'am'e taccio vel po giurar 22v
Maria zardt von edler art ein rosv Anonymous 5v–6
Misericorde au martyr amoureux qui en amour 36–36v
Mort m'a prive par sa cruelle ennuy 33v–34
Nach lust hab ich mich Anonymous 5v
Ne scauroit on trouver un messaigier 35v–36
Non lotis manibus manducare non coinquinat 5
Nun hab ich all mein tag gehört Anonymous 8
O combien est malheurex le desir dont 31v
O Herr ich ruff Dein namen an 8–8v
O magnum mysterium O admirabile sacramentum II: Ave Maria gratia plena Dominus tecum 26v–27
On le ma dictii dague a rouelle = On le m'a dict dague a rouelle 2
Or suis je prins en merveilleux arroy 36v–37
Pater a nullo est factus nec creatus 14–15
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv) 25
Peccantem me quotidie et non me poenitentem (2p. Deus in nomine tuo salvum me fac) 1v–2
Pour un plaisir qui si peu dure 30v
Qu'est il besoing chercher toutes les nuictz 32–32v
Quae est ista quae progreditur quasi aurora Anonymous 15v–16
Quando madonna gli amorosi sguardi sovente 21v–22
Qui credit in filium habet vitam aeternam (= Dulcis amica Dei rosa vernans stella) 4v–5
Rex autem David cooperto capite incedens (2p. Planxit autem David planctum huius) 10–10v
S'io havesse tant'ardire ch'io potessi 21–21v
Salve sancta suprema trinitas spes omnium 9v–10
Servus tuus ego sum da mihi intellectum II: Declaratio sermonum tuorum illuminat 38–39
Si bona suscepimus de manu Domini Anonymous 16–16v
Si Cupido a delibere de faire tousjours 3–3v
Si des haulx cieulx qui a gouvernement 28v–29
Si mon languir t'est grand contentement 31–31v
Si mon travail vous peult donner plaisir 1
Si mon travail vous peult donner plaisir 12–12v
Si par souffrir on peult vaincre fortune Anonymous 18
Si par souffrir on peult vaincre fortune 33–33v
Si tu te plains d'amours tant seulement 30v–31
Sia benedett'amore benedette sue faci 20
Sia maledett'amore e chiunqu'in lui giamai 19v–20
Sicut lilium inter spinas sic anima mea 4v
So ich bedenck anfang und end aller ding Anonymous 17
Tanta beltad evn voi e leggiadria 19
Te deul Anonymous 23–23v
Tota pulchra es amica mea et macula Anonymous 13–13v
Toutes les nuits que sans vous je me couche 31v–32
Un gay berger prioit une bergère 30
Vidi Jerusalem descendentem de caelo II: Et erat structuramini eius ex lapide Anonymous 25v–26v
Virgo gloriosa semper evangelium Christi II: Cantantibus organis Cecilia virgo 39–40
Virgo prudentissima quae progrederis 41v–42
Von edler Art, auch rein und zart bist du 7v
Voyant souffrir celle qui me tourmente 32v–33
Was ist die Welt, gelt hat allein den Preis 8
Was wird es doch des wunders noch [S329 - 4vv/7vv] 7v
Zart schöne Frau gedenk und schau Anonymous 5v

Set: MSS 9822-9823

Type: Partbooks

No images available

D-HRD 9822

No images available

D-HRD 9823

denotes primary source study

Noden-Skinner, Cheryl. 1984. A Tudor Chansonnier: British Library Royal Appendix MSS 41-44. Current Musicology, 101-12. Pages: 109-10 [incorrectly said to be in Passau Staatliche Bibliothek]. Notes: contents list (partial); concordances (partial).

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 51-3. Notes: contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description