D-Usch 237 (c)

Münster Bibliothek, Ulm, Germany

partbook: c. 1530-40

Archive Münster Bibliothek, Ulm, Germany (D-Usch)
Shelfmark 237 (c)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 98 x 142 mm
Other Identifiers
  • CCM: UlmS 237
Relationships
External Links
Provenance
  • Bavaria, Germany
Contents 129 pieces from 50 composers
General Description

A Tenor partbook from a set of four volumes. Copied by nine scribes. Some pieces have text incipits only. Not all pieces are in all books; in particular there are several 3vv pieces (in D, T, B books only) and 2vv pieces (in D, B books only).

Of central German origin. Early (original?) owner may have been Hainrichus Lobereich, named on first folio of D book. Partbooks given to Marco Albano Lucio (or Rucio) by Albertus Calerus Troianus of Schweinfurt in 1551 (inscriptions at beginning of each partbook; see also StaeMI I, 73). Owned in late 16th and first half of 17th century by Egenolf and Anton von Schermar of Ulm; von Schermar collection later deposited in Münster Bibliothek, Ulm.

DIAMM, 2017
Binding

Original parchment covers

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original ink foliation in each book, with some errors; section of blank folios at end of each book not included by foliation

DIAMM, 2017
Decoration

Some inked calligraphic initials.

DIAMM, 2017
Index

Incomplete original index on ff. [ii-iii'] of T book lists motets only, in order of appearance (some motets not listed)

DIAMM, 2019
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Agnus, 3 Mass Ordinary sections, 2 hymns, 52 motets, 25 French secular pieces (2 without text), 17 Dutch secular pieces, 3 German secular pieces, 3 Italian secular pieces, 1 Latin secular piece, 2 textless pieces = 109

(Appenzeller/Josquin/Vinders)-1, (Arcadelt)-2, (Barbireau/Isaac/ Obrecht)-1, (Brumel)-1 + 1?, (Caen/Lupus/Richafort)-1, (Conseil)-1, (Courtois/Jacotin/Morales)-1, (C. Festa/Gombert)-1, (A. Févin)-1, (Ghiselin)-1, (Gombert)-8, (Gombert/Haugk/Mahu) -1, (Gombert/Mouton/Verdelot)-1, (Gombert/Sermisy)-1, (Hayne van Ghizeghem)-1, (Hellinck/Senfl/Verdelot)-1, (Hesdin/Roquellay)-1, (Isaac)-2, (Jacotin/Sermisy)-1, (Janequin/Ninot 1e Petit/ Willaert)-1, (Jaquet of Mantua)-2, (Jhan of Ferrara)-1, (Josquin) -13, (Josquin/La Rue)-1, (Josquin-anon)-1, (La Rue/Obrecht)-1, (Lafage)-1, (L'Archier)-1, (Lasson/Verdelot)-1, (Le Cocq)-1, (Lupi)-1, (Magdelain)-1, (Moulu)-1, (Piéton)-1, (Pipelare)-2, (Roellrin)-1, Samson-3, (Sermisy)-1, (Verdelot)-1, anon-44

4 paper partbooks (D-124 folios, A-130, T-124, B-125), 98 x 142. Original ink foliation in each book, with some errors; section of blank folios at end of each book not included by foliation. Original parchment covers. Incomplete original index on ff. [ii-iii'] of T book lists motets only, in order of appearance (some motets not listed). Copied by nine scribes. Some inked calligraphic initials. Some pieces have text incipits only.

Ca. 1530-40. Of central German origin. Early (original?) owner may have been Hainrichus Lobereich, named on first folio of D book. Partbooks given to Marco Albano Lucio (or Rucio) by Albertus Calerus Troianus of Schweinfurt in 1551 (inscriptions at beginning of each partbook; see also StaeMI I, 73). Owned in late 16th and first half of 17th century by Egenolf and Anton von Schermar of Ulm; von Schermar collection later deposited in Münster Bibliothek, Ulm.

Vol 4

Composers: Change "(Brumel)-l + 1? " to "(Brumel)-2."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
iii–iv v index - -

index

Appears on: iii–iv v
v–ix v [blank pages] - -

[blank pages]

Appears on: v–ix v
x Ut Phoebi radiis 25.10 - 1a pars (of 2): Ut Phoebi radiis soror obvia sidera [Josquin]
Appears on: x
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Ut Phoebi radiis soror obvia sidera] 25.10 II: Latius [in numerum canit id quoque]
x v Ut Phoebi radiis 25.10 - 2a pars (of 2): Latius in numerum canit id quoque -
Appears on: x v
Genres: Motet
1 Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena [Josquin]
Appears on: 1
Genres: Ave Maria, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum 23.6
1v Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas -
Appears on: 1v
Genres: Ave Maria, Motet
1v Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est ut dilectus [Ghiselin]
Appears on: 1v
Genres: Motet
Source Attribution: [Ghiselin]
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est ut dilectus
2 Anima mea liquefacta est - 2a pars (of 2): Tulerunt pallium meum -
Appears on: 2
Genres: Motet
2v Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est [Isaac]
Appears on: 2v
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea [liquefacta est ut dilectus] II: Invenerunt [me custodes civitatis] III: [Filie Hierusalem nunciate dilecto]
3 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis -
Appears on: 3
Genres: Motet
3v Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto -
Appears on: 3v
Genres: Motet
4 Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum [Josquin]
Appears on: 4
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater/Ave regina celorum 23.2 II: [Tu que genuisti]/Gaude [virgo] gloriosa
4v Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa -
Appears on: 4v
Genres: Alma redemptoris mater, BVM, Motet
4v–5v [untexted] Anon. Anonymous

[untexted]

Anonymous
Appears on: 4v–5v
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
6 Vultum tuum 25.14 - 2a pars (of 7): Sancta Dei genitrix virgo semper Maria [Josquin]
Appears on: 6
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta dei genitrix virgo semper Maria 25.13 [Pars II of Vultum tuum deprecabuntur omnes]
6–6v Gaude virgo mater Christi quae per fidem 24.2 [Josquin]
Appears on: 6–6v
Genres: Sequence
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [G]aude virgo mater Christi que per fidem 24.2
General Note

Copied in Tenor book only

6v–7 Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem [Josquin]
Appears on: 6v–7
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: O intemerata virgo que redemptorem 25.14 II: O Maria nullam tam gravam possimus Partes III-IV of Vultum tuum deprecabuntur omnes
7–7v Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus [Josquin]
Appears on: 7–7v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [O] Maria nullam tam gravem possimus 25.14 [Pars IV of Vultum tuum deprecabuntur omnes]
8–8v Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut [Josquin]
Appears on: 8–8v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [M]ente tota tibi supplicamus ut sicut 25.14 [Pars V of Vultum tuum deprecabuntur omnes]
8v–9 Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino [Josquin]
Appears on: 8v–9
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [O]ra pro nobis [virgo] sine termino 25.14 [Pars VI of Vultum tuum deprecabuntur omnes]
9–9v Missus est Gabriel angelus ad Mariam 20.6 [Josquin]
Appears on: 9–9v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [M]issus est Gabriel angelus ad Mariam 20.6
9v–10 Ecce tu pulchra es amica mea 14.6 [Josquin]
Appears on: 9v–10
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce tu pulchra es amica mea 14.6
10v Le content est riche en ce monde [Gombert/Sermisy]
Appears on: 10v
Genres: Chanson
Source Attribution: [Gombert/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Le content [est riche en ce monde]
11–11v Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio [Sermisy]
Appears on: 11–11v
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir qui non abiit [in consilio] II: Non sic impii non sic [sed tanquam]
11v–12 Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam -
Appears on: 11v–12
Genres: Motet
12v Mijn herz altijt heeft verlanghen [La Rue/Obrecht]
Appears on: 12v
Genres: Italian secular
Source Attribution: [La Rue/Obrecht]
Voice: [no designation]
Languages: German
Voice Text: Myn hertz [heeft altijt verlanghen]
14 Ein frölich wesen hab ich erlesen [Barbireau/Isaac/Obrecht]
Appears on: 14
Genres: Song
Source Attribution: [Barbireau/Isaac/Obrecht]
Voice: [no designation]
Languages: German
Voice Text: Eyn vroelich wesen [myn oogskins saghen] [= Ein frölich wesen hab ich erlesen, Quen dites vous feres vous rien, Se une fois]
14–14v Myn herz ys alle zyt verlangen Anon. Anonymous
Appears on: 14–14v
Genres: Doxology
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Myn hertz ys alle zyt verlangen
14v–15 Adieu mes amours on m'atent Anon. Anonymous
Appears on: 14v–15
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [Adieu mes amours on m'atent]
15 De tous biens plaine est ma maîtresse [Hayne van Ghizeghem]
Appears on: 15
Genres: Chanson
Source Attribution: [Hayne van Ghizeghem]
Voice: [no designation]
Languages: French
Voice Text: De tous biens plaine est ma maistresse
15–15v V.... Anon. Anonymous

V....

Anonymous
Appears on: 15–15v
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: insufficient
Voice Text: V.
15v Vrucht en moet is gar dahin [Roellrin]
Appears on: 15v
Genres: Song
Source Attribution: [Roellrin]
Voice: [no designation]
Languages: German
Voice Text: [V]reud und moitt [= Vrucht en moet is gar dahin]
16 En ..... Anon. Anonymous

En .....

Anonymous
Appears on: 16
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: insufficient
Voice Text: En
16–16v Ich hadd so schoene vrouwe Sampson [= Samson]
Appears on: 16–16v
Genres: Song
Source Attribution: Sampson [= Samson]
Voice: [no designation]
Languages: German
Voice Text: [I]ck hadd so schoene vrudwe
16v–17 Myn synn synt myr entzuegen von einer junckfrawen [i] Anon. Anonymous
Appears on: 16v–17
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Myn synn synt myr entzoegen van eyner junckfrawen
17–17v Helas Anon. Anonymous

Helas

Anonymous
Appears on: 17–17v
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [H]ellas
17v En non sachant ce qu'il lui fault Anon. Anonymous
Appears on: 17v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [E]n non sachant [ce qu'il luy fault]
18 Tant ravi suis Anon. Anonymous

Tant ravi suis

Anonymous
Appears on: 18
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Tant ravi suis
18 Je ris et si ay larme a l'oeil 28.18 [Josquin]
Appears on: 18
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: [J]e ris et sy ay la larme [= Je ris et si ay larme a loeil] 28.18
18v Amour si fort Anon. Anonymous

Amour si fort

Anonymous
Appears on: 18v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Amour sy fort
19–19v C'est donc par moy que je suis fortune [Janequin/Ninot le Petit/Willaert]
Appears on: 19–19v
Genres: Chanson
Source Attribution: [Janequin/Ninot le Petit/Willaert]
Voice: [no designation]
Languages: French
Voice Text: Cest don par moy [= c'est donc par moy que je suis fortune]
19v–20 Pensen en truren duchten en hopen Anon. Anonymous
Appears on: 19v–20
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: [P]ensen ende truren [duchten en hopen]
20–20v Missa Quant j'ai au coeur: Benedictus [Isaac]
Appears on: 20–20v
Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus [from Missa Quant j'ay au cueur]
20v–21 Du bon du coeur ma chère dame Anon. Anonymous
Appears on: 20v–21
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Du bon de cueur [ma chère dame?]
21 On [Tu] a mal dit de mon amy [A. Févin]
Appears on: 21
Genres: Chanson
Source Attribution: [A. Févin]
Voice: [no designation]
Languages: French
Voice Text: On a mal dit de mon amy
21v Myn liefkins bruyn ooghen ende haren [Pipelare]
Appears on: 21v
Genres: Song
Source Attribution: [Pipelare]
Voice: [no designation]
Languages: German
Voice Text: Myn liefgyns bruyn oughen [ende haren]
21v–22 Ick loop ick draue Anon. Anonymous

Ick loop ick draue

Anonymous
Appears on: 21v–22
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ick loop ick draue
22–22v Noch wyll van aventuyren Anon. Anonymous
Appears on: 22–22v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Noch wyll van aventuyren
22v Myn synn synt myr entzuegen von einer junckfrawen [ii] Anon. Anonymous
Appears on: 22v
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Myn synn synt myr entzuegen [von einer junckfrawen]
23 Vrai dieu d'amours confortez moi vous m'avez mis [Brumel]
Appears on: 23
Genres: Chanson
Source Attribution: [Brumel]
Voice: [no designation]
Languages: French
Voice Text: Vra dieu damours [= Vray dieu d'amours confortez moy]
23v Als der Winter van hinnen scheid so kumpt Anon. Anonymous
Appears on: 23v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Als der wynter van hynnen scheyd so kumpt
23v Het quam eyn schaferken uyt Saphoyen Anon. Anonymous
Appears on: 23v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: [H]et quam eyn schaferken uyt Saphoyen
24, 24v Ich seck adieu wy twe wy moeten scheiden Anon. Anonymous
Appears on: 24, 24v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ich seck adieu [wy twe wy moeten scheiden]
Layout

Beginning of song on f.24r, followed on f. 24r by the other setting; this setting then completes on f. 24v

Item Bibliography

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus.  Kassel, Basel, and London. Pages: 230:15.

24 Ich seck adieu wy twe wy moeten scheiden Anon. Anonymous
Appears on: 24
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ich seck adieu [wy twe wy moeten scheiden]

Item Bibliography

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus.  Kassel, Basel, and London. Pages: 230:14.

24v–25 Der Mai bringt uns die Blumen Anon. Anonymous
Appears on: 24v–25
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der may brenckt uns de blomen
25 Rich Gott wem sall ich clagen Anon. Anonymous
Appears on: 25
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Rich Got wem sall ich clagen
25–25v Nu noch nummer me sal ick van ju scheyden [Pipelare]
Appears on: 25–25v
Genres: Song
Source Attribution: [Pipelare]
Voice: [no designation]
Languages: German
Voice Text: Nu noch nummer me sal ick van ju scheyden [= Ave castissima]
26 Faulte dargent c'est douleur non pareille Anon. Anonymous
Appears on: 26
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Faulte dargent [c'est douleur non pareille]
26v–27v Pater a nullo est factus nec creatus [Samson]
Appears on: 26v–27v
Genres: Motet
Source Attribution: [Samson]
Voice: [no designation]
Languages: Latin
Voice Text: Pater a nullo est factus nec creatus
27v–28 Noch lust Anon. Anonymous

Noch lust

Anonymous
Appears on: 27v–28
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Noch lust
28 Undas thespiadum qui gustavere beati floribus Anon. Anonymous
Appears on: 28
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Undas thespiadum qui gustavere beati floribus
28v–29 Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius [Appenzeller/Josquin/Vinders]
Appears on: 28v–29
Genres: Motet
Source Attribution: [Appenzeller/Josquin/Vinders]
Voice: [no designation]
Languages: Latin
Voice Text: Domini est terra et plenitudo eius 16.12 II: Haec est generatio querentium
29v–30 Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium -
Appears on: 29v–30
Genres: Motet
30v–31v Quae est ista que processit sicut sol [Lafage]
Appears on: 30v–31v
Genres: Motet
Source Attribution: [Lafage]
Voice: [no designation]
Languages: Latin
Voice Text: [Q]ue est ista que processit sicut sol
31v–32 Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) [Josquin/La Rue]
Appears on: 31v–32
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Josquin/La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: [C]um sancto spiritu [from Missa De beata Virgine] 3.3
General Note

"Cum sancto spirito" only

32 Pange lingua gloriosi corporis mysterium 5 Tantum ergo sacramentum veneremur Sampson
Sampson (?)
Appears on: 32
Genres: Motet
Source Attribution: Sampson
Voice: [no designation]
Languages: Latin
Voice Text: [Pange lingua gloriosi corporis mysterium] 5 Tantum ergo sacramentum [veneremur]
General Note

copied in Tenor book only

32v–33 Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anon. Anonymous
Appears on: 32v–33
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [H]omo quidam fecit cenam magnam et misit II: Ite ergo ad exitus viarum
33v–34 Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum - Anonymous
Appears on: 33v–34
Genres: Motet
34–34v Cesse mon oeil de plus la regarder [Pathie]
Appears on: 34–34v
Genres: Chanson
Source Attribution: [Pathie]
Voice: [no designation]
Languages: French
Voice Text: Cesse mon [oeil de plus la regarder]
34v–35 Venerantes Anon. Anonymous

Venerantes

Anonymous
Appears on: 34v–35
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Venerantes
35v–36 Pater noster qui es in caelis Anon. Anonymous
Appears on: 35v–36
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [P]ater noster qui es in celis
36–36v Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar [Courtois/Jacotin/Morales]
Appears on: 36–36v
Genres: Motet
Source Attribution: [Courtois/Jacotin/Morales]
Voice: [no designation]
Languages: Latin
Voice Text: Deduc me domine [in via tua et ingrediar] [Pars II of Inclina domine aurem tuam]
37 Sans liberte qu'un bon esprit [Magdelain]
Appears on: 37
Genres: Chanson
Source Attribution: [Magdelain]
Voice: [no designation]
Languages: French
Voice Text: Sans liberte [qu'un bon esprit]
37–37v Fleur de beaulte chef d'oeuvre de nature [Conseil]
Appears on: 37–37v
Genres: Chanson
Source Attribution: [Conseil]
Voice: [no designation]
Languages: French
Voice Text: Fleur de beaulte [chef d'oeuvre de nature]
38–38v Au fort quand dieu plaira jaray bonne adventure Anon. Anonymous
Appears on: 38–38v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Au fort quant dieu plaira
38v–39 Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae [Jhan of Ferrara]
Appears on: 38v–39
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Ambulans Jhesus iuxta mare Galilee vidit II: At illi continuo relictis retibus
39–39v Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus -
Appears on: 39–39v
Genres: Motet
39v–40 Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis [Caen/Lupus/Richafort]
Appears on: 39v–40
Genres: Motet
Source Attribution: [Caen/Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Jerusalem luge et exue te vestibus II: Deduc quasi torrentem lachrimas
40v–41 Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas -
Appears on: 40v–41
Genres: Motet
41–41v Dulcis amica Dei rosa vernans atque decora [Gombert]
Appears on: 41–41v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [D]ulcis amica dei rosa vernans atque decora
41v–43 Qui confidunt in Domino sicut mons Sion II: Benefac Domine bonis et rectis corde Anon. Anonymous
Appears on: 41v–43
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Q]ui confidunt in domino sicut mons Syon II: Benefac domine bonis et rectis corde
43–43v Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium [Lasson/Verdelot]
Appears on: 43–43v
Genres: Motet
Source Attribution: [Lasson/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: [V]irtute magna reddebant apostoli II: Repleti quidem spiritu sancto
43v–44 Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto -
Appears on: 43v–44
Genres: Motet
44v–45 Operarius ebrosius non locum pletabitur Anon. Anonymous
Appears on: 44v–45
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [O]perarius ebrosius non locum pletabitur
45–46 Spem in alium nunquam habui praeter in te [Jaquet of Mantua]
Appears on: 45–46
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [S]pem in alium nunquam habui preter in te
46–46v Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino [Gombert]
Appears on: 46–46v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [J]ubilate deo omnis terra servite domino II: Populus eius et oves pascue eius
47–47v Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius -
Appears on: 47–47v
Genres: Motet
47v–48 Fac tibi mortales - 1a pars (of 2): Fac tibi mortales pareant Davidica radix [Gombert]
Appears on: 47v–48
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [F]ac tibi mortales [pareant Davidica radix] II: O clemens geniti [faveas per secula]
48v–49 Fac tibi mortales - 2a pars (of 2): O clemens geniti faveas per saecula -
Appears on: 48v–49
Genres: Motet
49–49v Cur quisquam corradat opes jam resque [Gombert/Haugk/Mahu]
Appears on: 49–49v
Genres: Motet
Source Attribution: [Gombert/Haugk/Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: [C]ur quisquam corradat [opes jam resque]
50 Unum cole Deum - 1a pars (of 2): Unum cole Deum nec jures vana per ipsum [Jaquet of Mantua]
Appears on: 50
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [U]num cole deum nec iures vana per ipsum II: Non sis occisor fur moechus [testis]
50v Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis -
Appears on: 50v
Genres: Motet
51–51v Qui seminant in lachrimis - 1a pars (of 2): Qui seminant in lachrimis in exsultatione [Gombert]
Appears on: 51–51v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [Q]ui seminant in lachrimis [in exsultatione] II: [Qui parce seminant et parce metent]
51v–52 Qui seminant in lachrimis - 2a pars (of 2): Qui parce seminant et parce metent -
Appears on: 51v–52
Genres: Motet
52 Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa [Moulu]
Appears on: 52
Genres: Motet
Source Attribution: [Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: [V]ulnerasti cor meum soror mea/Dulcis amica dei II: Et vox tua dulcis/Dulcis amica dei
52v Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis -
Appears on: 52v
Genres: Motet
52v–53v A solis occasum usque ad exortum est II: Huic caelum obsequi est paratum Anon. Anonymous
Appears on: 52v–53v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [A] solis occasum usque ad exortum est II: [H]uic celum obsequi est paratum
54–55 Precursor Domini venit de quo ipse testatur II: Hic est cuius propheta et plusquam Anon. Anonymous
Appears on: 54–55
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [P]recursor domini venit de quo ipse testatur II: [H]ic est cuius propheta et plusquam
55–55v Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem [Lupi]
Appears on: 55–55v
Genres: Motet
Source Attribution: [Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: [V]idi speciosam sicut columbam ascendentem II: Que est ista que processit quasi aurora
56–56v Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut -
Appears on: 56–56v
Genres: Motet
56v–58 Vidi speciosam sicut columbam ascendentem II: Que est ista que ascendit per desertum Anon. Anonymous
Appears on: 56v–58
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [V]idi speciosam sicut columbam ascendentem II: [Q]ue est ista que ascendit per desertum
58–58v In te Domine speravi - 1a pars (of 2): In te Domine speravi [Hellinck/Senfl/Verdelot]
Appears on: 58–58v
Genres: Motet, Te Deum
Source Attribution: [Hellinck/Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
59–59v In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 59–59v
Genres: Motet
59v–60 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Gombert/Mouton/Verdelot]
Appears on: 59v–60
Genres: Motet
Source Attribution: [Gombert/Mouton/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: [S]urge Petre et indue te vestimentis tuis II: [A]ngelus domini astitit et lumen
60–60v Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit -
Appears on: 60–60v
Genres: Motet
61–61v Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata [C. Festa/Gombert]
Appears on: 61–61v
Genres: Motet
Source Attribution: [C. Festa/Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine quia facta est desolata II: Muro tuo inexpugnabili circumcinge
61v–62 Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge -
Appears on: 61v–62
Genres: Motet
62v–63v Angelus Domini descendit de caelo [Le Cocq]
Appears on: 62v–63v
Genres: Motet
Source Attribution: [Le Cocq]
Voice: [no designation]
Languages: Latin
Voice Text: [A]ngelus domini descendit de celo
63v–64 Elegi abiectus esse in domo Dei mei Anon. Anonymous
Appears on: 63v–64
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [E]legi abiectus esse in domo dei mei
64v–65 Domine pater et Deus vitae meae [Gombert]
Appears on: 64v–65
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [D]omine pater et deus vite meae
65–65v Laudem dicite deo nostro omnes sancti [Piéton]
Appears on: 65–65v
Genres: Motet
Source Attribution: [Piéton]
Voice: [no designation]
Languages: Latin
Voice Text: [L]audem dicite deo nostro omnes sancti
65v–66v Ecce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos Anon. Anonymous
Appears on: 65v–66v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [E]cce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos
67–67v Beata mater et innupta - 1a pars (of 4): Beata mater et innupta virgo gloriosa [Gombert]
Appears on: 67–67v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [B]eata mater et innupta virgo gloriosa II: [I]n prole mater in partum virgo III: [S]ub tuum presidium confugimus sancta IV: [S]ub tuam protectionem confugimus ubi
67v–68 Beata mater et innupta - 2a pars (of 4): In prole mater in partum virgo -
Appears on: 67v–68
Genres: Motet
68–68v Beata mater et innupta - 3a pars (of 4): Sub tuum presidium confugimus sancta -
Appears on: 68–68v
Genres: Motet
68v–69 Beata mater et innupta - 4a pars (of 4): Sub tuam protectionem confugimus ubi -
Appears on: 68v–69
Genres: Motet
69–69v Hortus conclusus es Dei genitrix fons [Gombert]
Appears on: 69–69v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [H]ortus conclusus es dei genitrix fons
70–71v Salve regina ... Vita dulcedo Anon.
Appears on: 70–71v
Genres: Motet, Salve Regina
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordie] [V]ita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jhesum benedictum fructum ventris IV: O clemens O pia
71v–72 Surgens Jesus Dominus noster stans in medio II: Surrexit Dominus de sepulchro Anon. Anonymous
Appears on: 71v–72
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [S]urgens Jhesus dominus noster stans in medio II: [S]urrexit dominus de sepulchro
72v–73 Mon petit coeur helas qui nuit et jour [Gombert]
Appears on: 72v–73
Genres: Chanson
Source Attribution: [Gombert]
Voice: [no designation]
Languages: French
Voice Text: Mon petit coeur helas qui nuit et jour
73v–75 D'amour me plains et non de vous m'amie [LvArchier]
Appears on: 73v–75
Genres: Chanson
Source Attribution: [LvArchier]
Voice: [no designation]
Languages: French
Voice Text: [D]amor me playn et non de vous mamie
General Note

Text here: "D'amors my plait"

74v–76 Vous.... [?Nous....] Anon. Anonymous
Appears on: 74v–76
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [V?]ous
76v–77 Grace et vertu bonté beaulté noblesse [Hesdin/Roquellay]
Roquellay (?)
Appears on: 76v–77
Genres: Chanson
Source Attribution: [Hesdin/Roquellay]
Voice: [no designation]
Languages: French
Voice Text: Grace et vertu [bonté beaulté noblesse]
77–77v Acoutrons nous Anon. Anonymous

Acoutrons nous

Anonymous
Appears on: 77–77v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Acoutronnons
78–98v [blank staves] - -

[blank staves]

Appears on: 78–98v
99–99v Si liet'e grata morte da gli occhi [Verdelot]
Appears on: 99–99v
Genres: Italian secular
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Italian
Voice Text: Si liet'e grata morte [da gli occhi]
99v–100 Ragion' e ben ch' alcuna volta io canti [Arcadelt]
Appears on: 99v–100
Genres: Madrigal (Italian)
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: German
Voice Text: Ragion e ben ch'alcuna volta io canti
100v Non ch'io non voglio mai altro pensiero [Arcadelt]
Appears on: 100v
Genres: Madrigal (Italian)
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Italian
Voice Text: Non ch'io non voglio mai altro pensiero
101–117v [blank staves] - -

[blank staves]

Appears on: 101–117v
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Barbireau, Jacobus (1455–1491)
Berchem, Jacques (ca. 1505–1567)
Brumel, Antoine (ca. 1460–ca. 1513)
Caen, Arnold
Conseil, Jean (ca. 1498–1534)
Courtois, Jean (fl. 1530-1545)
Despres, Josquin (ca. 1450–1521)
Fage, Jean de la
Ferrara, Maistre Jhan of (ca. 1485–1538)
Festa, Costanzo (ca. 1485–1545)
Fevin, Antoine de (ca. 1470–ca. 1512)
Gallus, Joannes
Ghiselin (Verbonnet), Johannes
Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Gombert, Nicolas (ca. 1495–ca. 1560)
Haugk, Virgilius (ca. 1490–1555)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Isaac, Heinrich (ca. 1450–1517)
Jacotin, Jacques (1445–1529)
Janequin, Clement (ca. 1485–ca. 1558)
Larchier, Jean
Lasson, Mathieu
Le Cocq, Gerard
Lupi, Johannes (ca. 1506–1539)
Magdelain
Mahu, Stephan
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Pathie, Rogier (ca. 1510–ca. 1564)
Petit, Nino le (fl. c1500)
Pieton, Loyset
Pipelare, Mattheus (ca. 1450–ca. 1515)
Raulin / Roelkin (1443–1485)
Richafort, Jean (ca. 1480–ca. 1550)
Roquellay
Rue, Pierre de la (ca. 1452–1518)
Sampson
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[untexted] Anonymous 4v–5v
A solis occasum usque ad exortum est II: Huic caelum obsequi est paratum Anonymous 52v–53v
Acoutrons nous Anonymous 77–77v
Adieu mes amours on m'atent Anonymous 14v–15
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum 4
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa 4v
Als der Winter van hinnen scheid so kumpt Anonymous 23v
Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae 38v–39
Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus 39–39v
Amour si fort Anonymous 18v
Angelus Domini descendit de caelo 62v–63v
Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est ut dilectus 1v
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est 2v
Anima mea liquefacta est - 2a pars (of 2): Tulerunt pallium meum 2
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis 3
Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto 3v
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata 61–61v
Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge 61v–62
Au fort quand dieu plaira jaray bonne adventure Anonymous 38–38v
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena 1
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas 1v
Beata mater et innupta - 1a pars (of 4): Beata mater et innupta virgo gloriosa 67–67v
Beata mater et innupta - 2a pars (of 4): In prole mater in partum virgo 67v–68
Beata mater et innupta - 3a pars (of 4): Sub tuum presidium confugimus sancta 68–68v
Beata mater et innupta - 4a pars (of 4): Sub tuam protectionem confugimus ubi 68v–69
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio 11–11v
Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam 11v–12
C'est donc par moy que je suis fortune 19–19v
Cesse mon oeil de plus la regarder 34–34v
Cur quisquam corradat opes jam resque 49–49v
D'amour me plains et non de vous m'amie 73v–75
De tous biens plaine est ma maîtresse 15
Der Mai bringt uns die Blumen Anonymous 24v–25
Domine pater et Deus vitae meae 64v–65
Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius 28v–29
Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium 29v–30
Du bon du coeur ma chère dame Anonymous 20v–21
Dulcis amica Dei rosa vernans atque decora 41–41v
Ecce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos Anonymous 65v–66v
Ecce tu pulchra es amica mea 14.6 9v–10
Ein frölich wesen hab ich erlesen 14
Elegi abiectus esse in domo Dei mei Anonymous 63v–64
En ..... Anonymous 16
En non sachant ce qu'il lui fault Anonymous 17v
Fac tibi mortales - 1a pars (of 2): Fac tibi mortales pareant Davidica radix 47v–48
Fac tibi mortales - 2a pars (of 2): O clemens geniti faveas per saecula 48v–49
Faulte dargent c'est douleur non pareille Anonymous 26
Fleur de beaulte chef d'oeuvre de nature 37–37v
Gaude virgo mater Christi quae per fidem 24.2 6–6v
Grace et vertu bonté beaulté noblesse
Roquellay (?)
76v–77
Helas Anonymous 17–17v
Het quam eyn schaferken uyt Saphoyen Anonymous 23v
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anonymous 32v–33
Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum Anonymous 33v–34
Hortus conclusus es Dei genitrix fons 69–69v
Ich hadd so schoene vrouwe 16–16v
Ich seck adieu wy twe wy moeten scheiden Anonymous 24, 24v
Ich seck adieu wy twe wy moeten scheiden Anonymous 24
Ick loop ick draue Anonymous 21v–22
In te Domine speravi - 1a pars (of 2): In te Domine speravi 58–58v
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 59–59v
Inclina Domine - 2a pars (of 3): Deduc me Domine in via tua et ingrediar 36–36v
Je ris et si ay larme a l'oeil 28.18 18
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis 39v–40
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas 40v–41
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 46–46v
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius 47–47v
Laudem dicite deo nostro omnes sancti 65–65v
Le content est riche en ce monde 10v
Mijn herz altijt heeft verlanghen 12v
Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) 31v–32
Missa Quant j'ai au coeur: Benedictus 20–20v
Missus est Gabriel angelus ad Mariam 20.6 9–9v
Mon petit coeur helas qui nuit et jour 72v–73
Myn herz ys alle zyt verlangen Anonymous 14–14v
Myn liefkins bruyn ooghen ende haren 21v
Myn synn synt myr entzuegen von einer junckfrawen [i] Anonymous 16v–17
Myn synn synt myr entzuegen von einer junckfrawen [ii] Anonymous 22v
Noch lust Anonymous 27v–28
Noch wyll van aventuyren Anonymous 22–22v
Non ch'io non voglio mai altro pensiero 100v
Nu noch nummer me sal ick van ju scheyden 25–25v
On [Tu] a mal dit de mon amy 21
Operarius ebrosius non locum pletabitur Anonymous 44v–45
Pange lingua gloriosi corporis mysterium 5 Tantum ergo sacramentum veneremur
Sampson (?)
32
Pater a nullo est factus nec creatus 26v–27v
Pater noster qui es in caelis Anonymous 35v–36
Pensen en truren duchten en hopen Anonymous 19v–20
Precursor Domini venit de quo ipse testatur II: Hic est cuius propheta et plusquam Anonymous 54–55
Quae est ista que processit sicut sol 30v–31v
Qui confidunt in Domino sicut mons Sion II: Benefac Domine bonis et rectis corde Anonymous 41v–43
Qui seminant in lachrimis - 1a pars (of 2): Qui seminant in lachrimis in exsultatione 51–51v
Qui seminant in lachrimis - 2a pars (of 2): Qui parce seminant et parce metent 51v–52
Ragion' e ben ch' alcuna volta io canti 99v–100
Rich Gott wem sall ich clagen Anonymous 25
Salve regina ... Vita dulcedo 70–71v
Sans liberte qu'un bon esprit 37
Si liet'e grata morte da gli occhi 99–99v
Spem in alium nunquam habui praeter in te 45–46
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 59v–60
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit 60–60v
Surgens Jesus Dominus noster stans in medio II: Surrexit Dominus de sepulchro Anonymous 71v–72
Tant ravi suis Anonymous 18
Undas thespiadum qui gustavere beati floribus Anonymous 28
Unum cole Deum - 1a pars (of 2): Unum cole Deum nec jures vana per ipsum 50
Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis 50v
Ut Phoebi radiis 25.10 - 1a pars (of 2): Ut Phoebi radiis soror obvia sidera x
Ut Phoebi radiis 25.10 - 2a pars (of 2): Latius in numerum canit id quoque x v
V.... Anonymous 15–15v
Venerantes Anonymous 34v–35
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem 55–55v
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut 56–56v
Vidi speciosam sicut columbam ascendentem II: Que est ista que ascendit per desertum Anonymous 56v–58
Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium 43–43v
Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto 43v–44
Vous.... [?Nous....] Anonymous 74v–76
Vrai dieu d'amours confortez moi vous m'avez mis 23
Vrucht en moet is gar dahin 15v
Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa 52
Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis 52v
Vultum tuum 25.14 - 2a pars (of 7): Sancta Dei genitrix virgo semper Maria 6
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem 6v–7
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus 7–7v
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut 8–8v
Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino 8v–9

Set: 236 (a-d)

Type: Partbooks

No images available

D-Usch 237 (a)

No images available

D-Usch 237 (b)

No images available

D-Usch 237 (c)

No images available

D-Usch 237 (d)

denotes primary source study

Gottwald, Clytus. 1993. Katalog der Musikalien in der Schermar-Bibliothek Ulm. Veröffentlichungen der Stadtbibliothek Ulm.  Wiesbaden: Harrassowitz Verlag.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen.  Wiesbaden. Pages: 77,89-90, 107-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II, 12,76-90. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: II, 181,321-2. Notes: physical description; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xli,32-4,73 III,78. Notes: contents list (partial); concordances (partial); incipits (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I,65ff, passim. Notes: contents list (partial); concordances (partial); discussion of the MS.

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I,65-7,96,150-1,211,273,319-24. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement.  Amsterdam. Pages: xvii. Notes: contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,372. Notes: physical description; contents list (partial); concordances (partial).

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig.  Copenhagen and Leipzig. Pages: lxxiii, lxxxi-lxxxii. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: XVI.xlv-lx. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: I,xi, xiii III,x,xiii IV,viii,x VI,vi-viii. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken.  Amsterdam. Pages: I,xv. Notes: contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I,463. Notes: physical description (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XV/XVI,viii. Notes: physical description (partial); contents list (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description