D-Mbs Mus. MS 1501 [Discantus]

Bayerische Staatsbibliothek, München (Munich), Germany

partbook: c. 1570

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 1501 [Discantus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 145 x 210 mm
Other Identifiers
  • CCM: MunBS 1501
  • olim (Former shelfmark): MaiM 207
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
  • Augsburg, Bavaria, Germany
Contents 66 pieces from 42 composers
General Description

A Discantus partbook from a set of four volumes. # l[a]-52 in all books and # 53-54 in D and A books copied by a single scribe, who also wrote #8 of MunBS 1503b (Rifkin); a second scribe copied #1 and #55-64 in all books and #53-54 in T and B books; a third scribe copied #65. A few pieces have text underlaid, but most have text incipits only. Probably copied in Augsburg. Owned by Johann Heinrich Herwart (1520-83) of Augsburg. Herwart collection purchased by Wilhelm V, Duke of Bavaria, in 1585; placed in court library at Munich, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017
Extent

i + 58 + i leaves.

DIAMM, 2017
Binding

Original covers of dark red parchment, inscribed with voice designations.

DIAMM, 2017
Watermark

Watermark resembles Briquet #1242.

DIAMM, 2017
Liminary Note

Each book has later title page: 'Teutsche, Französische, und Lateinische Lieder von 3 und 4 Stimmen, verschiedener Authorn.' (= 'German, French and Latin songs for 3 and 4 parts, by different authors').

Matthias Range, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Decoration

Original piece numbers and text incipits in red ink; no other decoration.

DIAMM, 2017
Index

No index. Original numbering of pieces, 1-64 (excludes first and last pieces; first piece numbered '1' by J. J. Maier, who then renumbered second piece as '1a'; last piece numbered '65' by modern hand).

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 motets, 1 German/Latin sacred piece, 4 German sacred pieces, 39 French secular pieces, 17 German secular pieces, 2 Italian secular pieces = 66

(Appenzeller)-1, (Arcadelt)-1, (Baston/Clemens non Papa/Janequin/Pathie?)-1, (Certon)-1, (Clemens non Papa)-2, (Courtois)-1, (Crecquillon)-2, (Crecquillon/Sandrin/Sermisy)-1, (Ducis)-1, (Forster)-1, (Godard/Lortin)-1, (Gombert)-1, (Gombert/Sermisy)-1, (Grefinger)-1, (Grefinger/Senfl)-1, (Hesdin/Lupi)-1, (Hofhaimer) -3, (Jacotin/Sermisy)-1, (Josquin)-1, Lassus-5, (Didier Lupi Second)-1, (Manchicourt/Sandrin)-1, Meiland-2, (Mouton/Sermisy)-1, Novo Portu-1, (Pathie)-1, Prasch-1, (Richafort)-1, S. Rorif-1, Scandello-2, (Schönfelder)-1, (Senfl)-1, (Sermisy)-10 + 1?, (Stoltzer)-1, Vaet-1, A. Viola-1, (Walter)-1, (Willaert)-1, (Wolff)-1, (Zirler)-1, anon-6

4 paper partbooks (D-i + 58 + i folios, A-59 + i, T-70 + i, B-58 + i), ca. 145 x 210. New pencil foliation in each book; original numbering of pieces, 1-64 (excludes first and last pieces; first piece numbered "1" by J. J. Maier, who then renumbered second piece as "1a"; last piece numbered "65" by modern hand). Original covers of dark red parchment, inscribed with voice designations. No index. # l[a]-52 in all books and # 53-54 in D and A books copied by a single scribe, who also wrote #8 of MunBS 1503b (Rifkin); a second scribe copied #1 and #55-64 in all books and #53-54 in T and B books; a third scribe copied #65. Each book has modern title page: "Teutsche, Französische, und Lateinische Lieder von 3 und 4 Stimmen, verschiedener Authorn." Original piece numbers and text incipits in red ink; no other decoration. Watermark resembles Briquet #1242. A few pieces have text underlaid, but most have text incipits only.

Ca. 1570. Probably copied in Augsburg. Owned by Johann Heinrich Herwart (1520-83) of Augsburg. Herwart collection purchased by Wilhelm V, Duke of Bavaria, in 1585; placed in court library at Munich, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Vol 4

Composers: Add "(Fine)-1"; add "(La Rue/Sermisy)-1 "; change "(Sermisy) -10 + 1?" to "(Sermisy)-9 + 1?"; change "anon-6" to "anon-5."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v Es ist nun spat und abents zeytt Abel Prasch
Appears on: 1v
Genres: Song
Source Attribution: Abel Prasch
Voice: [no designation]
Languages: German
Voice Text: Es ist nun spat und abents zeytt
2 Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant [Sermisy]
Appears on: 2
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Tant que vivrai [en aage florissant]
2v Languir me fais sans t'avoir offensé [Mouton/Sermisy]
Appears on: 2v
Genres: Chanson
Source Attribution: [Mouton/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Languir me fais [sans t'avoir offensé]
3 Par ton regard tu me fais espérer [Sermisy]
Appears on: 3
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Par ton regard [tu me fais espérer]
3v Il est jour dit l'alouette allons jouer [Sermisy]
Appears on: 3v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Ill est iour [dit l'alouette allons jouer]
4 Le content est riche en ce monde [Gombert/Sermisy]
Appears on: 4
Genres: Chanson
Source Attribution: [Gombert/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Le content [est riche en ce monde]
4v Jouissance vous donnerai, mon ami [La Rue/Sermisy]
Appears on: 4v
Genres: Chanson
Source Attribution: [La Rue/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Joyssance vous [donneray mon amy]
5 Ce mois de may sur la rousée jouer irons [Godard/Lortin]
Lortin (?)
Appears on: 5
Genres: Chanson
Source Attribution: [Godard/Lortin]
Voice: [no designation]
Languages: French
Voice Text: Ce moys de may [sur la rousée jouer irons]
5v Se dire je l'osoie d'ou me vient le souffrir [Appenzeller]
Appears on: 5v
Genres: Italian secular
Source Attribution: [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Se dire ie losoye [dvoù me vient le souffrir]
6 Hors envieulx retirez vous d'ici [Gombert]
Appears on: 6
Genres: Chanson
Source Attribution: [Gombert]
Voice: [no designation]
Languages: French
Voice Text: Hors envieux [retirez vous d'ici]
6v Bewahr mich Herr und sei nicht fern [Zirler]
Appears on: 6v
Genres: Sacred Song
Source Attribution: [Zirler]
Voice: [no designation]
Languages: German
Voice Text: Bewar mich Herr und sei von mir
7 Un doulx nenni avec un doulx soubrire [Lassus]
Appears on: 7
Genres: Chanson
Source Attribution: [Lassus]
Voice: [no designation]
Languages: French
Voice Text: Ung doulx nenni [avec un doux sourire]
7v D'amour me plains et non de vous m'amie [Pathie]
Appears on: 7v
Genres: Chanson
Source Attribution: [Pathie]
Voice: [no designation]
Languages: French
Voice Text: Damour me planis [= D'amour me plains et non de vous]
8 Je prens en gre le dure mort (4vv) [Baston/Clemens non Papa/Janequin/Pathie?]
Appears on: 8
Genres: Motet
Source Attribution: [Baston/Clemens non Papa/Janequin/Pathie?]
Voice: [no designation]
Languages: French
Voice Text: Je prens en gre [la dure mort]
8v Morir me fault c'est chose clere [Clemens non Papa]
Appears on: 8v
Genres: Chanson
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: French
Voice Text: Morir my fault [c'est chose clere]
9 Toutes les nuits que sans vous je me couche [Crecquillon]
Appears on: 9
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Toutes les nuictz [que sans vous je me couche]
9v Si par souffrir on peult vaincre fortune [Courtois]
Appears on: 9v
Genres: Chanson
Source Attribution: [Courtois]
Voice: [no designation]
Languages: French
Voice Text: Si par souffrir [ivon peult vaincre fortune]
10 Sur tous regrets les miens plus piteulz [Richafort]
Appears on: 10
Genres: Chanson
Source Attribution: [Richafort]
Voice: [no designation]
Languages: French
Voice Text: Sur tous regretz [les miens plus piteulz]
10v Mein einigs A. ich Dein beleib und mich [Hofhaimer]
Appears on: 10v
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Mein einigs A. [ich dein beleib]
11 Von edler Art, auch rein und zart bist du [Schönfelder]
Appears on: 11
Genres: Song
Source Attribution: [Schönfelder]
Voice: [no designation]
Languages: German
Voice Text: Vonn edler art [auch rein und zart]
11v Vergangen ist mir glück und heill [Forster]
Appears on: 11v
Genres: Song
Source Attribution: [Forster]
Voice: [no designation]
Languages: German
Voice Text: Vergangen ist mir glück und heill
12 Nach Willen Dein mich dir allein in treuen [Hofhaimer]
Appears on: 12
Genres: Sacred Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Nach willwn dein [mich dir allein]
12v Tröstlicher lieb stets ich mich üb' [Hofhaimer]
Appears on: 12v
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Tröstlicher lieb [stets ich mich ieb]
13 Dich als mich selbst herzlieb allein Anon. Anonymous
Appears on: 13
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Dich als mich selbst [herzlieb allein]
13v Doulce memoire en plaisir consommée [Manchicourt/Sandrin]
Appears on: 13v
Genres: Chanson
Source Attribution: [Manchicourt/Sandrin]
Voice: [no designation]
Languages: French
Voice Text: Doulce memorie [= Doulce memorie en plaisir consommée]
14 Fini le bien le mal soudain commence [Certon]
Appears on: 14
Genres: Chanson
Source Attribution: [Certon]
Voice: [no designation]
Languages: French
Voice Text: Fini le bien [le mal soudain commence]
14v Dessus le marche d'Arras myrely myrela [Willaert]
Appears on: 14v
Genres: Chanson
Source Attribution: [Willaert]
Voice: [no designation]
Languages: French
Voice Text: Dessus le marche d'Arras [myrely myrela]
15 Ach Maidlein rein ich hab allein [Grefinger/Senfl]
Appears on: 15
Genres: Song
Source Attribution: [Grefinger/Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ach meidlein rein [ich hab allein eigen]
15v Entlaubet ist uns der Wald gen diesen Winter [Stoltzer]
Appears on: 15v
Genres: Song
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: German
Voice Text: Entlaubt ist uns der walde
16 Elend bringt Pein dem Herzen mein [Ducis]
Appears on: 16
Genres: Song
Source Attribution: [Ducis]
Voice: [no designation]
Languages: German
Voice Text: Elenndt bringt pein [dem herzen mein]
16v Ey wie so gar freundtlich lieblich Anon. Anonymous
Appears on: 16v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ey wie so gar freundtlich [lieblich]
17 Patientiam muss ich han [S263] [Senfl]
Appears on: 17
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Pacientiam muss ich hann [wohl kann]
17v Schwer langweilig ist mir mein zeit [Grefinger]
Appears on: 17v
Genres: Song
Source Attribution: [Grefinger]
Voice: [no designation]
Languages: German
Voice Text: Schwer lanngweilig ist mir [mein zeyt]
18 So wünsch ich irn! ein gute nacht [Wolff]
Appears on: 18
Genres: Song
Source Attribution: [Wolff]
Voice: [no designation]
Languages: German
Voice Text: So wünsch ich ir ein güthe nacht
18v Tous mes amis venez ma plainte ouyr [Sermisy]
Appears on: 18v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Tous mes amys [venez ma plaincte ouyr]
18v C'est a grant tort que moi povrette endure [Sermisy]
Appears on: 18v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Cest a grand tort [que moy povrette endure]
19 Au pres de vous secretement demeure [Jacotin/Sermisy]
Appears on: 19
Genres: Chanson
Source Attribution: [Jacotin/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Aupres de vous [secretement demeure]
19v Secourez moi ma dame par amours ou autrement [Sermisy]
Appears on: 19v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Secoures moy [ma dame par amours]
19v Vous perdez temps de me dire mal d'elle [Crecquillon/Sandrin/Sermisy]
Appears on: 19v
Genres: Chanson
Source Attribution: [Crecquillon/Sandrin/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Vous perdes temps [de me dire mal d'elle]
20 Dueil double dueil renfort de desplaisir [Hesdin/Lupi]
Appears on: 20
Genres: Chanson
Source Attribution: [Hesdin/Lupi]
Voice: [no designation]
Languages: French
Voice Text: Douel doble [= Doeul double doeul renfort de desplaisir]
20v Mille regrets de vous abandonner 28.24 [Josquin]
Appears on: 20v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Mille regretz [de vous abandonner] 28.24
20v Le coeur est bon et le vouloir aussi [Sermisy?]
Appears on: 20v
Genres: Chanson
Source Attribution: [Sermisy?]
Voice: [no designation]
Languages: French
Voice Text: Le couer est bon [et le vouloir aussi?]
21 Quand' io pens' al martire amor che tu [Arcadelt]
Appears on: 21
Genres: Madrigal (Italian)
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Italian
Voice Text: Quand io pens'al [matire amor che tu]
21v D'ou [dont] vient cela belle je vous supply [Sermisy]
Appears on: 21v
Genres: Italian secular
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Dont vient cela [belle je vous supply]
22 Ne pouldroit on par bon moien [Crecquillon]
Appears on: 22
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Nexel droit [= Ne pouldroit on par bon moien]
22v Si j'ai pour vous mon avoir despendu [Sermisy]
Appears on: 22v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Se iay pour vous [mon avoir despendu]
22v J'attens secours de ma seule pensée [Sermisy]
Appears on: 22v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Jatens secours [de ma seule pensée]
23 Le departir de cil que tant j'aimoy Anon. Anonymous
Appears on: 23
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Le departir [de cil que tant j'aymoy]
23v Le triste coeur Puisqu'avec vous demeure Anon. Anonymous
Appears on: 23v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Le triste cueur [puis qu'avec vous demeure]
23v Susanne un jour d'amour solicitée par deux viellards [Didier Lupi Second]
Appears on: 23v
Genres: Chanson
Source Attribution: [Didier Lupi Second]
Voice: [no designation]
Languages: French
Voice Text: Susanne ung iour [d'amour solicitée]
24 Entre vous filles de quinze ans ne venes [Clemens no Papa]
Appears on: 24
Genres: Chanson
Source Attribution: [Clemens no Papa]
Voice: [no designation]
Languages: French
Voice Text: Entre vous filles [de quinze ans]
24v Pis ne me peult venir que j'ai jusques ici [Crecquillon]
Appears on: 24v
Genres: Chanson
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Pis ne me peult [venir que j'ay jusques icy]
25 Susanne un jour d'amour solicitée par deux viellards [Lassus]
Appears on: 25
Genres: Chanson
Source Attribution: [Lassus]
Voice: [no designation]
Languages: French
Voice Text: Susanne ung iour [d'amour solicitée]
25v Sur tous regrets le mien plus piteux [Lassus]
Appears on: 25v
Genres: Chanson
Source Attribution: [Lassus]
Voice: [no designation]
Languages: French
Voice Text: Sur tous regretz [le mien plus piteux]
26 Mon coeur se recommande a vous [Lassus]
Appears on: 26
Genres: Chanson
Source Attribution: [Lassus]
Voice: [no designation]
Languages: French
Voice Text: Mon coeur [se recommande à vous]
26v Herr Gott himlischer Vater gesegne uns Jacobus Mailandus
Appears on: 26v
Genres: Sacred Song
Source Attribution: Jacobus Mailandus
Voice: [no designation]
Languages: German
Voice Text: Herr Gott himlischer vatter gesegne uns
27 Wir danken dir, Herr Gott Himmlischer Vater [Meiland]
Appears on: 27
Genres: Chorale, Sacred Song
Source Attribution: [Meiland]
Voice: [no designation]
Languages: German
Voice Text: Wir dancken dir Herr Gott himlischer vatter
27v–28 Tu in nobis es Domine et nomen Franciscus de Novo Portu
Appears on: 27v–28
Genres: Motet
Source Attribution: Franciscus de Novo Portu
Voice: [no designation]
Languages: Latin
Voice Text: Tu in nobis es domine et nomen
28v–29 Alma beat'e bella ch'a le quiete piume Alfonso dalla Viola
Appears on: 28v–29
Genres: Motet
Source Attribution: Alfonso dalla Viola
Voice: [no designation]
Languages: Italian
Voice Text: Alma beat'e bella ch'a le quiete piume
29v–32v Beatus vir qui timet Dominum in mandatis (4vv) Orlando [di Lassus]
Appears on: 29v–32v
Genres: Motet
Source Attribution: Orlando [di Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir qui timet dominum in mandatis
33v–34 Pastores quidnam vidistis annunciate vobis Jacobus Vaet
Appears on: 33v–34
Genres: Motet
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: Pastores quindam vidistis annunciate vobis
34v–35 Der Tag, der ist so freudenreich Servatius Roriff
Appears on: 34v–35
Genres: Chorale, Sacred Song
Source Attribution: Servatius Roriff
Voice: [no designation]
Languages: German
Voice Text: Der tag der ist so frewdenreich
35v–36 Ich weiss mir ein festes gebautes haus Antonius Scandellus
Appears on: 35v–36
Genres: Song
Source Attribution: Antonius Scandellus
Voice: [no designation]
Languages: German
Voice Text: Ich wais mir ein festes gabutes haus
36v–37 Ach Gott wem soll ichs klagen das heimliche leiden Antonius Scandellus
Appears on: 36v–37
Genres: Sacred Song
Source Attribution: Antonius Scandellus
Voice: [no designation]
Languages: German
Voice Text: Ach Gott wem soll ichs klagen das heimlich
37v–38 Joseph, lieber Joseph mein - Eia virgo Deum genuit [Walter]
Appears on: 37v–38
Genres: Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Joseph lieber Ioseph mein hilf mir wiegen
39–39v Das alte Jahr vergangen ist, wir danken dir [Fine]
Appears on: 39–39v
Genres: Motet, Sacred Song
Source Attribution: [Fine]
Voice: [no designation]
Languages: German
Voice Text: Das alte Jar vergangen ist [wir dancken dir]
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Baston, Josquin (fl. 1542–63)
Certon, Pierre (–ca. 1572)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Courtois, Jean (fl. 1530-1545)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ducis, Benedictus
Fine, Arnoldus de
Forster, Georg (ca. 1510–1568)
Godard, Robert
Gombert, Nicolas (ca. 1495–ca. 1560)
Grefinger, Wolfgang
Heintz, Wolff
Hesdin, Nicolle des Celliers de (–1538)
Hofhaimer, Paul
Janequin, Clement (ca. 1485–ca. 1558)
Lassus, Orlande de (ca. 1532–1594)
Lortin
Lupi (II), Didier
Lupi, Johannes (ca. 1506–1539)
Manchicourt, Pierre de
Meiland, Jacob (1542–1577)
Mergot, Franciscus
Mouton, Jean (ca. 1459–1522)
Pathie, Rogier (ca. 1510–ca. 1564)
Prasch, Abel
Richafort, Jean (ca. 1480–ca. 1550)
Rorif, Servatius
Sandrin, Pierre (ca. 1490–ca. 1560)
Scandello, Antonio
Schönfelder, Jörg
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Vaet, Jacobus (ca. 1529–ca. 1567)
Viola, Alfonso dalla
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Zirler, Stephan (ca. 1518–1568)
Composition Composers (? Uncertain) Folios / Pages
Ach Gott wem soll ichs klagen das heimliche leiden 36v–37
Ach Maidlein rein ich hab allein 15
Alma beat'e bella ch'a le quiete piume 28v–29
Au pres de vous secretement demeure 19
Beatus vir qui timet Dominum in mandatis (4vv) 29v–32v
Bewahr mich Herr und sei nicht fern 6v
C'est a grant tort que moi povrette endure 18v
Ce mois de may sur la rousée jouer irons
Lortin (?)
5
D'amour me plains et non de vous m'amie 7v
D'ou [dont] vient cela belle je vous supply 21v
Das alte Jahr vergangen ist, wir danken dir 39–39v
Der Tag, der ist so freudenreich 34v–35
Dessus le marche d'Arras myrely myrela 14v
Dich als mich selbst herzlieb allein Anonymous 13
Doulce memoire en plaisir consommée 13v
Dueil double dueil renfort de desplaisir 20
Elend bringt Pein dem Herzen mein 16
Entlaubet ist uns der Wald gen diesen Winter 15v
Entre vous filles de quinze ans ne venes 24
Es ist nun spat und abents zeytt 1v
Ey wie so gar freundtlich lieblich Anonymous 16v
Fini le bien le mal soudain commence 14
Herr Gott himlischer Vater gesegne uns 26v
Hors envieulx retirez vous d'ici 6
Ich weiss mir ein festes gebautes haus 35v–36
Il est jour dit l'alouette allons jouer 3v
J'attens secours de ma seule pensée 22v
Je prens en gre le dure mort (4vv) 8
Joseph, lieber Joseph mein - Eia virgo Deum genuit 37v–38
Jouissance vous donnerai, mon ami 4v
Languir me fais sans t'avoir offensé 2v
Le coeur est bon et le vouloir aussi 20v
Le content est riche en ce monde 4
Le departir de cil que tant j'aimoy Anonymous 23
Le triste coeur Puisqu'avec vous demeure Anonymous 23v
Mein einigs A. ich Dein beleib und mich 10v
Mille regrets de vous abandonner 28.24 20v
Mon coeur se recommande a vous 26
Morir me fault c'est chose clere 8v
Nach Willen Dein mich dir allein in treuen 12
Ne pouldroit on par bon moien 22
Par ton regard tu me fais espérer 3
Pastores quidnam vidistis annunciate vobis 33v–34
Patientiam muss ich han [S263] 17
Pis ne me peult venir que j'ai jusques ici 24v
Quand' io pens' al martire amor che tu 21
Schwer langweilig ist mir mein zeit 17v
Se dire je l'osoie d'ou me vient le souffrir 5v
Secourez moi ma dame par amours ou autrement 19v
Si j'ai pour vous mon avoir despendu 22v
Si par souffrir on peult vaincre fortune 9v
So wünsch ich irn! ein gute nacht 18
Sur tous regrets le mien plus piteux 25v
Sur tous regrets les miens plus piteulz 10
Susanne un jour d'amour solicitée par deux viellards 23v
Susanne un jour d'amour solicitée par deux viellards 25
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant 2
Tous mes amis venez ma plainte ouyr 18v
Toutes les nuits que sans vous je me couche 9
Tröstlicher lieb stets ich mich üb' 12v
Tu in nobis es Domine et nomen 27v–28
Un doulx nenni avec un doulx soubrire 7
Vergangen ist mir glück und heill 11v
Von edler Art, auch rein und zart bist du 11
Vous perdez temps de me dire mal d'elle 19v
Wir danken dir, Herr Gott Himmlischer Vater 27

Set: Mus. MS 1501

Type: Partbooks

No images available

D-Mbs Mus. MS 1501 [Altus]

No images available

D-Mbs Mus. MS 1501 [Bassus]

No images available

D-Mbs Mus. MS 1501 [Discantus]

No images available

D-Mbs Mus. MS 1501 [Tenor]

denotes primary source study

Göllner, Marie Louise. 1979. Bayerische Staatsbibliothek: Katalog der Musikhandschriften. 2: Tabulaturen und Stimmbücher bis zur Mitte des 17. Jahrhunderts. Kataloge Bayerischer Musiksammlungen.  Munich. Pages: 51-5. Notes: physical description; contents list; concordances (partial); incipits (partial).

Dobbins, Frank. 1974. Jacques Moderne's 'Parangon des Chansons': A Bibliography of Music and Poetry at Lyon 1538-1543. Royal Musical Association Research Chronicle, 1-90. Pages: 20ff. Notes: contents list (partial); concordances (partial).

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I, 50-8, 163, 181ff, 320-l. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1969. Cantus Firmus in the French Chanson for Two and Three Voices, 1500-1550. New York University, Unpublished Ph.D. dissertation. Pages: 66-7, 352ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1969. The Cantus-Firmus Chansons of Tylman Susato. Journal of the American Musicological Society, 197-240. Pages: 202-16. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 168, 184. Notes: physical description (partial); contents list (partial); concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 831. Notes: mention of MS.

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Pages: 61. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 109; VI, 94. Notes: physical description (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 124; XV, 142ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken.  Amsterdam. Pages: III, ix, xi. Notes: physical description (partial); contents list (partial); concordances (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 121-4. Notes: physical description (partial); contents list; concordances.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description