I-CT MS 96

Biblioteca Comunale e dell'Accademia Etrusca, Cortona, Italy

partbook: 16th century

Archive	Biblioteca Comunale e dell'Accademia Etrusca, Cortona, Italy (I-CT)
Shelfmark	MS 96
Image Availability	DIAMM does not have images of this source.
Surface	Parchment
Numbering System	Foliation
Measurements	123 x 175 mm
Other Identifiers	RISM: I-CT 95-96 CCM: CorBC 95-6
Copyists	Boccardi, Giovanni Illuminator
Relationships	? de' Medici, Giuliano di Lorenzo (1479–1516) (owner) Medici family (patron)
Provenance	Firenze (Florence), Italy
Contents	79 pieces from 16 composers

General Description

A Discantus partbook from a set originally of four volumes. One main scribe; the last two pieces are in a different hand. Copied in Florence; probably owned by Giuliano de' Medici (RedmS).

DIAMM, 2017

Binding

Original covers, in good state of preservation

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

1-150 x 2

DIAMM, 2017

Foliation

Modern foliation; also remnants of original foliation.

DIAMM, 2017

Decoration

Painted initials decorated with floral designs are the work of Giovanni Boccardi (SlimGM); folios have gilded edges. Coat of arms of the Medici family is found on f. 38 in each book, as part of the illuminated initials for Isaac's 'Palle, palle.'

DIAMM, 2017

Index

Original index on ff. ii-iii' of each book, listing the first 42 pieces only, in alphabetical order by title

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM B/IV 5 [the description covers all three books]

XVIes. Parchemin, 122 x 175 mm. 3 livres; Sup. (CT96), 2ff. n.ch. portant la table incompl. du ms. + 87ff. dont les 13 derniers sont blancs. Foliotation ancienne: 1-50 puis moderne: 51-75, les derniers ff. sans numérotation; Ct. (CT95), 2ff. n.ch. portant la table incomplète + 88 ff. dont les 13 derniers sont blancs. Foliotation ancienne: 1-51 puis moderne: 51-88 avec quelques lacunes; T. (Pnl817), 2ff. n.ch. portant la table incomplète + 84ff. Foliotation ancienne avec lacunes, souvent rognée, et foliotation moderne: 1-84 d'après laquelle les ff. 3r-v, 32, 78v à 84v sont blancs. Notation mesurée blanche. 4 portées par p. Initiales ornées en coul. Reliures anciennes veau estampé, fers dorés, dos refaits au Sup. et Ct. Mq. le livre du Bassus.

Les livres du Sup. et du Ct. ont été acquis en 1879 pour le compte de la Biblioteca de Cortona par Girolamo Mancini qui y était alors bibliothécaire, tandis que le livre du T. a été acheté par la Bibliothèque nationale de Paris en 1866 à la vente de l'archéologue Yemenis. Le livre du B. n'a pas été jusqu'à présent retrouvé. On distingue dans chaque recueil 2 sections copiées par des scribes différents, le changement d'écriture se marquant au no 43, la table qui s'arrête au no 42 ne concernant donc que la 1ère partie. Les deux campagnes se sont vraisemblablement succédées sans interruption notable comme semble le prouver la dimension des marges et des portées exactement semblables et aussi les initiales de la main d'un même enlumineur pour les volumes entiers. Il est certain que ces volumes ont été compilés pour un membre de la famille Médicis, car au livre du T., l'initiale du no 37 est ornée des armes des Médicis surmontées d'un chapeau de cardinal. Si l'on admet qu'il s'agit de Giovanni, la 1ère partie du ms. aurait été copiée avant 1513, date où ce cardinal est devenu le pape Léon X. D'autre part, les deux médaillons portant l'inscription GLOVIS, devise adoptée par Giuliano de Médicis en 1515, on a le plus souvent attribué à celui-ci la possession du ms., bien qu'il n'ait jamais été cardinal (Gröber). Les nos 40 et 42 ayant un lien direct avec Laurent de Médicis (le no 42 a été composé pour sa mort en 1492), on pourrait penser (avec Pannella) que la 1ère partie du ms. aurait été copiée dès 1492-1494, si le répertoire n'était trop moderne pour justifier cette datation. Quant à la 2e section, le no 51 pour la mort d'Anne de Bretagne en 1514, et la mort de Giuliano survenue en 1516, en situent la copie entre ces deux dates.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

20 motets, 30 French secular pieces, 4 Italian secular pieces, 1 macaronic secular piece = 55

(A. Agricola)-1, (Compère)-6, (Compère/Josquin/Ninot le Petit)-1, (Compère/Pipelare/Weerbecke)-1, (Danglon/Pesenti)-1, (A. Févin)-1, (Isaac)-9 (Josquin)-10, (Josquin/Pesenti)-1, (Mouton)-4, (Ninot 1e Petit)-3, (Ninot 1e Petit [Jo. le Petit]/Obrecht)-1, anon-16

2 parchment partbooks of an original 4 (D-iii + 88 folios, A-iii + 90), 123 x 175. ParisBNN 1817 is the tenor of this set; the bassus is missing. Modern foliation; also remnants of original foliation. Ff. 75-88' in the D and ff. 77'-90' in the A have blank staves only. Original covers, in good state of preservation. Original index on ff. ii-iii' of each book, listing the first 42 pieces only, in alphabetical order by title. One main scribe; the last two pieces are in a different hand. Painted initials decorated with floral designs are the work of Giovanni Boccardi (SlimGM); folios have gilded edges. Coat of arms of the Medici family is found on f. 38 in each book, as part of the illuminated initials for Isaac's "Palle, palle."

1515-6 (GröbL, RedmS); first layer copied ca. 1492-4 (PanneCP, but this is refuted by AtlCM). Copied in Florence; probably owned by Giuliano de' Medici (RedmS)

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	[A. AGRICOLA]	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne Agricola, Alexander (ca. 1445–1506) Appears on: 1–2 Genres: Chanson Source Attribution: [A. AGRICOLA] Voice: [no designation] Languages: French Voice Text: Je nay deuil que de vous ne viegne . . . General Note Publ. cf. Bc 17 n° 64 Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: I.
1–2	Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	-	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire Agricola, Alexander (ca. 1445–1506) Appears on: 1–2 Genres: Chanson
2–2v	Baises moi ma doulce amie par amour je vous am prie 28.4	[JOSQUIN DES PRES*]	Despres, Josquin (ca. 1450–1521)
Baises moi ma doulce amie par amour je vous am prie 28.4 Despres, Josquin (ca. 1450–1521) Appears on: 2–2v Genres: Chanson Source Attribution: [JOSQUIN DES PRES] Voice:* [no designation] Languages: French Voice Text: Basé moy [ma doulx amie] pour amor je vous am prie . . . Concordances 15022 Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502.* Monuments of Renaissance Music. Chicago. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: I.
2v–3v	Une playsant filette au matin se leva	[L. COMPERE]	Compère, Loyset (ca. 1445–1518)
Une playsant filette au matin se leva Compère, Loyset (ca. 1445–1518) Appears on: 2v–3v Genres: Chanson Source Attribution: [L. COMPERE] Voice: [no designation] Languages: French Voice Text: Une playsant figlette au mattin se leva... Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V(avec facs. f. 2v-3 CT 95).
3v–4v	Joulis mariner passe moi sena	-	Anonymous
Joulis mariner passe moi sena Anonymous Appears on: 3v–4v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Jouli mariner passe moy sena-
4v–5v	Veci la danse barbari - L'autre jour	-	Compère, Loyset (ca. 1445–1518) (?)
Veci la danse barbari - L'autre jour Compère, Loyset (ca. 1445–1518) (?) Appears on: 4v–5v Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Veci la danse barbari . . .
5v–6	Lourdault Lourdault garde que tu feras 28.23	[NINOT LE PETIT ou L. COMPÈRE* ou JOSQUIN**]	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) Compère, Loyset (ca. 1445–1518) (?)
Lourdault Lourdault garde que tu feras 28.23 Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) Compère, Loyset (ca. 1445–1518) (?) Appears on: 5v–6 Genres: Chanson Source Attribution: [NINOT LE PETIT ou L. COMPÈRE* ou JOSQUIN] Voice: [no designation] Languages: French Voice Text:** Lordault lordault garde que tu feras … * General Note Publ. cf. Bc 17 n° 55 Concordances *15022 »»CH-Bu F.X. l - 4
6–7	Vostre bargeronette mamiette	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Vostre bargeronette mamiette Compère, Loyset (ca. 1445–1518) Appears on: 6–7 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Vostre bargeronette marmette … General Note Publ. cf. Bc 17 n° 60
7–8	Et levé vous o Guigliermette	NINOT LE PETIT]	Petit, Nino le (fl. c1500)
Et levé vous o Guigliermette Petit, Nino le (fl. c1500) Appears on: 7–8 Genres: Italian secular Source Attribution: NINOT LE PETIT] Voice: [no designation] Languages: French Voice Text: Et levé vous o Guigliermette . . . Item Bibliography Haar, James (editor). 1964. Chanson and Madrigal, 1480-1530... a Conference at Isham Memorial Library, September 13-14 1961. Cambridge, Mass. Honegger, M, and G Dottin. 1963-. Chansons françaises. Chansons polyphoniques du XVIème siècle. Paris. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
8–9	Je suis amie du forrier	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Je suis amie du forrier Compère, Loyset (ca. 1445–1518) Appears on: 8–9 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Je suis amie du forrier Item Bibliography Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
9–9v	Gentil galans de France chi alla guerra ales	-	Anonymous
Gentil galans de France chi alla guerra ales Anonymous Appears on: 9–9v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Gentil galans de France
10–11	Alons fere nus barbes	[L. COMPERE]*	Compère, Loyset (ca. 1445–1518)
Alons fere nus barbes Compère, Loyset (ca. 1445–1518) Appears on: 10–11 Genres: Chanson Source Attribution: [L. COMPERE]* Voice: [no designation] Languages: French Voice Text: Alan fere nous barbes … Concordances 1501 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America.
11–11v	Tant belle mi son pensade	???Ghiselin???	Isaac, Heinrich (ca. 1450–1517)
Tant belle mi son pensade Isaac, Heinrich (ca. 1450–1517) Appears on: 11–11v Genres: Chanson Source Attribution: ???Ghiselin??? Voice: [no designation] Languages: Italian Voice Text: Tambien mi son pensada . . . General Note Publ. cf. Bc 17 n° 67Attrib. à Ghisehn par Pitoni (cf. Bibliographie AtlasTC) Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn.
11v–12v	Tambur tambur tambor tamburelaridon	-	Anonymous
Tambur tambur tambor tamburelaridon Anonymous Appears on: 11v–12v Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Tambur tambur tambor tamburelaridon . . .
12v–13v	Volez ouir une sanson de chyons	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Volez ouir une sanson de chyons Compère, Loyset (ca. 1445–1518) Appears on: 12v–13v Genres: Secular Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Volés oir une chanson de chons … [ = Veles mongetes] Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
16v–17	Si je fet un chop apres	[J. JAPART]*	Japart, Jean
Si je fet un chop apres Japart, Jean Appears on: 16v–17 Genres: Chanson Source Attribution: [J. JAPART]* Voice: [no designation] Languages: French Voice Text: Si je vo [Ct et T: Si je fet] un chop apres … [= Tambien mi son pensade] General Note Publ. cf. Bc 17 n° 71 Concordances 1501
14–15	Si je vous avoye pointe hellas	-	Anonymous
Si je vous avoye pointe hellas Anonymous Appears on: 14–15 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Si je vous avoye pointe hellas . . .
15–16	Ciascun me crie marie toi Marie	-	Anonymous
Ciascun me crie marie toi Marie Anonymous Appears on: 15–16 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Ciascun me crie marie toy Marie
16v–17	Fille vous have mal guarde / Ave sanctissima Maria	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Fille vous have mal guarde / Ave sanctissima Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 16v–17 Genres: Contrafactum, Marian antiphon, Song Source Attribution: [H. ISAAC] Voice: [no designation] Languages: French Voice Text: Fille vous avés mal gardé le pan d'avant … General Note Publ. cf. Bc 17 no 59
17v–18	Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti	-	Anonymous
Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti Anonymous Appears on: 17v–18 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fortuna disperata . . . General Note Ct: Vidi la forosetta in un boschetto . . .T: Vo m'avete svergogne niente . . . Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
18v–19	Donna di dentro dalla tua casa	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Donna di dentro dalla tua casa Isaac, Heinrich (ca. 1450–1517) Appears on: 18v–19 Genres: Italian secular Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Italian Voice Text: Donna di dentro dalla tua chasa . . . General Note Ct: Dammene un poco di quella mazacrocha . . .T: Fortuna d'un gran tempo . . . Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Feilerer, Karl Gustav (editor). 1962-65. Altklassische Polyphonie. Das Musikwerk. Eine Beispielsammlung zur Musikgeschichte. Köln. Pages: 22. Pannella, Liliana. 1958. L'incatenatura "Donna di dentro dalla tua casa" di H. Ysaac. Lares: Journal of the International Folk Music Council, 10ff. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: VI. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 43. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV). Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
19v–20	Entre je suis en grand pensée 28.13	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Entre je suis en grand pensée 28.13 Despres, Josquin (ca. 1450–1521) Appears on: 19v–20 Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Entré ye suis en gran penser. [ = Par vousje suis] [= In mijnen sinn] Concordances 1535" Item Bibliography Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II.
20–21	Fors seulement l'attente que je meure = Frayres y dexedes me	-	Ockeghem, Jean de (ca. 1410–1497)
Fors seulement l'attente que je meure = Frayres y dexedes me Ockeghem, Jean de (ca. 1410–1497) Appears on: 20–21 Genres: Chanson Voice: [no designation] Languages: French Voice Text: For sellement l'atante que je more . . .
21–21v	Il etait un bon homme qui venoit de Lyons	-	Anonymous
Il etait un bon homme qui venoit de Lyons Anonymous Appears on: 21–21v Genres: Chanson Voice: [no designation] Languages: French Voice Text: II estoit ung bon home qui venoet da Lion . . . Item Bibliography Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation.
22–22v	L'amour de moi si est enclosé	-	Anonymous
L'amour de moi si est enclosé Anonymous Appears on: 22–22v Genres: Chanson Voice: [no designation] Languages: French Voice Text: L'amor de moi il est enclose . . .
22v–23	Tant ravi suis	-	Anonymous
Tant ravi suis Anonymous Appears on: 22v–23 Genres: Chanson Voice: [no designation] Languages: French Voice Text: (Tant ravis suis)
23–24v	Maire de Dieu tant caude soy	-	Anonymous
Maire de Dieu tant caude soy Anonymous Appears on: 23–24v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Maire de die tant caude soy . . .
24–24v	L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o.	-	Anonymous
L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o. Anonymous Appears on: 24–24v Genres: Motet Voice: [no designation] Languages: French Voice Text: L'aultre jor je cievalcioie General Note [Ct: Cavaucoie; T: Cevaucoye]
25–28	Che fa la ramanzina	-	Compère, Loyset (ca. 1445–1518)
Che fa la ramanzina Compère, Loyset (ca. 1445–1518) Appears on: 25–28 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Che fa la ramanzina … General Note … Publ. cf. Bc 17 n° 57
25v–26	Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse)	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) Isaac, Heinrich (ca. 1450–1517) Appears on: 25v–26 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Substinuimus pacem Domine . . . Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
26v–27	O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 Despres, Josquin (ca. 1450–1521) Appears on: 26v–27 Genres: Ave Maria, BVM, Motet, Pater noster Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: O bone et dulcis domine Yhesu . . . General Note T: Pater noster . . . Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
27v–29	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Despres, Josquin (ca. 1450–1521) Appears on: 27v–29 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note Ct et T: Ave regina celorum Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
27v–29	Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	-	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Despres, Josquin (ca. 1450–1521) Appears on: 27v–29 Genres: Alma redemptoris mater, BVM, Motet
29v–30	E logeron nous seans hostesse	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
E logeron nous seans hostesse Isaac, Heinrich (ca. 1450–1517) Appears on: 29v–30 Genres: Chanson Source Attribution: [H. ISAAC] Voice: [no designation] Languages: French Voice Text: E logeron nous seans hostesse. General Note Paroles complètes au T Publ. cf. Bc 17 n° 56
30–30v	Une mosche de Bischaye 28.35	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Une mosche de Bischaye 28.35 Despres, Josquin (ca. 1450–1521) Appears on: 30–30v Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Une(mosa) [de Biscaye] General Note Publ. cf. Bc 17 n° 69
30v–31	Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe	[L. COMPÈRE* ou GASPAR VAN WEERBECKE ou M. PIPELARE**]	Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?)
Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 30v–31 Genres: Chanson, Contrafactum, Motet Source Attribution: [L. COMPÈRE* ou GASPAR VAN WEERBECKE ou M. PIPELARE] Voice: [no designation] Languages: French Voice Text:** Vray dieu que pene m'esse . . .* General Note Publ. cf. Bc 17 n° 65 Concordances *15043 ^CH-SGs 530
31v–34	Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	NINOT LE PETIT ou J. OBRECHT*]	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?) Appears on: 31v–34 Genres: Motet Source Attribution: NINOT LE PETIT ou J. OBRECHT] Voice:* [no designation] Languages: Latin Voice Text: Si oblitus fuero . . . Concordances D-ddr-ABG 2 Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Pages: (attrib. à Mouton). [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
31v–34	Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes	-	Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 31v–34 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Decantabat populus
35–37v	In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum Petit, Nino le (fl. c1500) Appears on: 35–37v Genres: Motet Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: Latin Voice Text: In illio tempore assumpsit Yhesus … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
35–37v	In illo tempore - 2a pars (of 3): Adhuc eo loquente	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
In illo tempore - 2a pars (of 3): Adhuc eo loquente Petit, Nino le (fl. c1500) Appears on: 35–37v Genres: Motet Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: Latin Voice Text: Domine bonum est nos … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
35–37v	In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis Petit, Nino le (fl. c1500) Appears on: 35–37v Genres: Motet Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: Latin Voice Text: … Adhuc eo loquente … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
38–39	Palle palle palle	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Palle palle palle Isaac, Heinrich (ca. 1450–1517) Appears on: 38–39 Genres: Italian secular Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Italian Voice Text: Palle palle. Item Bibliography Disertori, Benvenuto. 1964. Le Frottole per canto e liuto intabulate da Franciscus Bossinensis. Istituzioni e Monumenti dell'arte musicale italiana. Nuova serie. Milano. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
39–42v	Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi Despres, Josquin (ca. 1450–1521) Appears on: 39–42v Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Liber generationis Yhesu Cristi Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
39–42v	Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam	-	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam Despres, Josquin (ca. 1450–1521) Appears on: 39–42v Genres: Motet
39–42v	Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis	-	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis Despres, Josquin (ca. 1450–1521) Appears on: 39–42v Genres: Motet
42v–44	Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi	43-44v [M. PESENTI]	Pesenti, Benedetto
Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi Pesenti, Benedetto Appears on: 42v–44 Genres: Motet Source Attribution: 43-44v [M. PESENTI] Voice: [no designation] Languages: Latin Voice Text: Reposita est hec spes mea … Concordances 15192 Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona,* Instituta et monumenta, Serie I. 9ff.
42v–44	Tulerunt Dominum - 2a pars (of 2): Reposita est haec spes mea	-	Pesenti, Benedetto
Tulerunt Dominum - 2a pars (of 2): Reposita est haec spes mea Pesenti, Benedetto Appears on: 42v–44 Genres: Motet
44v–46	Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti Isaac, Heinrich (ca. 1450–1517) Appears on: 44v–46 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Quis dabit pacem populo General Note Publ. cf. Bc 20 no 24
44v–46	Quis dabit pacem - 2a pars (of 2): Quam tuas laudes	-	Isaac, Heinrich (ca. 1450–1517)
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes Isaac, Heinrich (ca. 1450–1517) Appears on: 44v–46 Genres: Motet
46v–48	Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Isaac, Heinrich (ca. 1450–1517) Appears on: 46v–48 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Tota pulcra es amica mea … Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 100.
46v–48	Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes	-	Isaac, Heinrich (ca. 1450–1517)
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes Isaac, Heinrich (ca. 1450–1517) Appears on: 46v–48 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Flores apparuerunt …
48v–50	Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam Isaac, Heinrich (ca. 1450–1517) Appears on: 48v–50 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Quis dabit capiti meo aquam … [Quis oculis = Missa salva nos. Osanna II] Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VIII (Missa Salva nos.
48v–50	Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet	-	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet Isaac, Heinrich (ca. 1450–1517) Appears on: 48v–50 Genres: Motet
48v–50	Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis	-	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis Isaac, Heinrich (ca. 1450–1517) Appears on: 48v–50 Genres: Motet
48v–50	Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma	-	Isaac, Heinrich (ca. 1450–1517)
Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma Isaac, Heinrich (ca. 1450–1517) Appears on: 48v–50 Genres: Kyrie eleison, Mass Ordinary, Motet
50v–51	Je mi levay l'autre nuytée	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
Je mi levay l'autre nuytée Petit, Nino le (fl. c1500) Appears on: 50v–51 Genres: Chanson Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: French Voice Text: Je me leves l'aultre nuyt. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87.
51v–52v	Pardonnez moi se je foloye verdin goie	[A. FEVIN]	Fevin, Antoine de (ca. 1470–ca. 1512)
Pardonnez moi se je foloye verdin goie Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 51v–52v Genres: Song Source Attribution: [A. FEVIN] Voice: [no designation] Languages: French Voice Text: Pardonnés moy se je soloye … Item Bibliography Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben. New York. Pages: XI.
52v–54	Vele ci vele la ma mere	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Vele ci vele la ma mere Mouton, Jean (ca. 1459–1522) Appears on: 52v–54 Genres: Italian secular Source Attribution: [J. MOUTON] Voice: [no designation] Languages: French Voice Text: Vele ci vele la ma mere . . .
54–55	Se j'ai perdu mon amy	-	Anonymous
Se j'ai perdu mon amy Anonymous Appears on: 54–55 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Se j'ay perdu mon amy . . .
55–55v	Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam	[JOSQUIN DES PRÉS]*	Despres, Josquin (ca. 1450–1521)
Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam Despres, Josquin (ca. 1450–1521) Appears on: 55–55v Genres: Psalm motet Source Attribution: [JOSQUIN DES PRÉS]* Voice: [no designation] Languages: Latin Voice Text: Paratum cor meum . . . Concordances 15399 Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.* Leipzig/ Amsterdam. Pages: IV.
55–55v	Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua	-	Despres, Josquin (ca. 1450–1521)
Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua Despres, Josquin (ca. 1450–1521) Appears on: 55–55v Genres: Motet
55–55v	Paratum cor meum - 3a pars (of 3): In idumeam extendam	-	Despres, Josquin (ca. 1450–1521)
Paratum cor meum - 3a pars (of 3): In idumeam extendam Despres, Josquin (ca. 1450–1521) Appears on: 55–55v Genres: Motet
58v–60	Ecce tu pulchra es amica mea 14.6	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Ecce tu pulchra es amica mea 14.6 Despres, Josquin (ca. 1450–1521) Appears on: 58v–60 Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Ecce tu pulcra es arnica mea . . . General Note Publ. cf. Bc 19 n° 63
60–62v	Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps Isaac, Heinrich (ca. 1450–1517) Appears on: 60–62v Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Prophetarum maxime . . .
60–62v	Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum	-	Isaac, Heinrich (ca. 1450–1517)
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum Isaac, Heinrich (ca. 1450–1517) Appears on: 60–62v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Concede nobis tuas digne . . .
63–65v	Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo	JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo Despres, Josquin (ca. 1450–1521) Appears on: 63–65v Genres: Motet Source Attribution: JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Misericórdias domini in eternum cantabo . . . Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
63–65v	Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est	-	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est Despres, Josquin (ca. 1450–1521) Appears on: 63–65v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quoniam dominus suavis est . . .
63–65v	Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus	-	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus Despres, Josquin (ca. 1450–1521) Appears on: 63–65v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quam bonus dominus . . .
63–65v	Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine	-	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine Despres, Josquin (ca. 1450–1521) Appears on: 63–65v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Miserere nostri domine . . .
63–65v	Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua	-	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua Despres, Josquin (ca. 1450–1521) Appears on: 63–65v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Fiat misericordia tua . . .
66–68	Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum Mouton, Jean (ca. 1459–1522) Appears on: 66–68 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Quis dabit oculis nostris fontem lachrymarum Item Bibliography Expert, Henry. 1966-. Maîtres anciens de la musique française. Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Casimiri, Raffaele (editor). 1930-1958. Vol. II: Constantius Festa, Sacrae cantiones. ed. Eduardo Dagnino. (1936) & Vol. III: Constantius Festa. Hymni per totum annum... transcr. Glen Haydon. (1958). Monumenta Polyphoniae Italicae. Rome. Pages: II.
66–68	Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar	-	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar Mouton, Jean (ca. 1459–1522) Appears on: 66–68 Genres: Motet
66–68	Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes	-	Mouton, Jean (ca. 1459–1522)
Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes Mouton, Jean (ca. 1459–1522) Appears on: 66–68 Genres: Motet
68–70v	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	[J.MOUTON]	Mouton, Jean (ca. 1459–1522)
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret Mouton, Jean (ca. 1459–1522) Appears on: 68–70v Genres: Motet Source Attribution: [J.MOUTON] Voice: [no designation] Languages: Latin Voice Text: Factum est silentium in celo . . . Missus est Gabriel angelus . . . General Note Publ. cf. Bc 142 n° 8 Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation.
68–70v	Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes	-	Mouton, Jean (ca. 1459–1522)
Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes Mouton, Jean (ca. 1459–1522) Appears on: 68–70v Genres: Motet
70v–72v	Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	[J. MOUTON	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens Mouton, Jean (ca. 1459–1522) Appears on: 70v–72v Genres: Motet Source Attribution: [J. MOUTON Voice: [no designation] Languages: Latin Voice Text: Gaude Barbara beata . . General Note Publ cf. CFm 59 n- 25
70v–72v	Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	-	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare Mouton, Jean (ca. 1459–1522) Appears on: 70v–72v Genres: Motet
73–73v	Missus est Gabriel angelus ad Mariam 20.6	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 73–73v Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel angelus . General Note Publ. cf. Bc 142 n° 8
73v–74v	Manus Domini fecerunt me	[A- DANGLON ou M. PESENTI*]	Danglon, A. (?) Pesenti, Martino (?)
Manus Domini fecerunt me Danglon, A. (?) Pesenti, Martino (?) Appears on: 73v–74v Genres: Motet Source Attribution: [A- DANGLON ou M. PESENTI] Voice:* [no designation] Languages: Latin Voice Text: Manus tue fecerunt me . . . General Note Publ. cf- CMac D(F) °° 20 Concordances .*15216

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne – 1–2 Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire – 1–2
Anonymous	Ciascun me crie marie toi Marie – 15–16 Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti – 17v–18 Gentil galans de France chi alla guerra ales – 9–9v Il etait un bon homme qui venoit de Lyons – 21–21v Joulis mariner passe moi sena – 3v–4v L'amour de moi si est enclosé – 22–22v L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o. – 24–24v Maire de Dieu tant caude soy – 23–24v Se j'ai perdu mon amy – 54–55 Si je vous avoye pointe hellas – 14–15 Tambur tambur tambor tamburelaridon – 11v–12v Tant ravi suis – 22v–23
Compère, Loyset (ca. 1445–1518)	Alons fere nus barbes – 10–11 Che fa la ramanzina – 25–28 Je suis amie du forrier – 8–9 (?) Lourdault Lourdault garde que tu feras 28.23 – 5v–6 Une playsant filette au matin se leva – 2v–3v (?) Veci la danse barbari - L'autre jour – 4v–5v Volez ouir une sanson de chyons – 12v–13v Vostre bargeronette mamiette – 6–7 (?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 30v–31
Danglon, A.	(?) Manus Domini fecerunt me – 73v–74v
Despres, Josquin (ca. 1450–1521)	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum – 27v–29 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa – 27v–29 Baises moi ma doulce amie par amour je vous am prie 28.4 – 2–2v Ecce tu pulchra es amica mea 14.6 – 58v–60 Entre je suis en grand pensée 28.13 – 19v–20 Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi – 39–42v Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam – 39–42v Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis – 39–42v (?) Lourdault Lourdault garde que tu feras 28.23 – 5v–6 Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo – 63–65v Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est – 63–65v Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus – 63–65v Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine – 63–65v Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua – 63–65v Missus est Gabriel angelus ad Mariam 20.6 – 73–73v O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 – 26v–27 Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam – 55–55v Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua – 55–55v Paratum cor meum - 3a pars (of 3): In idumeam extendam – 55–55v Une mosche de Bischaye 28.35 – 30–30v
Fevin, Antoine de (ca. 1470–ca. 1512)	Pardonnez moi se je foloye verdin goie – 51v–52v
Isaac, Heinrich (ca. 1450–1517)	Donna di dentro dalla tua casa – 18v–19 E logeron nous seans hostesse – 29v–30 Fille vous have mal guarde / Ave sanctissima Maria – 16v–17 Palle palle palle – 38–39 Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps – 60–62v Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum – 60–62v Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam – 48v–50 Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet – 48v–50 Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis – 48v–50 Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma – 48v–50 Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti – 44v–46 Quis dabit pacem - 2a pars (of 2): Quam tuas laudes – 44v–46 Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) – 25v–26 Tant belle mi son pensade – 11–11v Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula – 46v–48 Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes – 46v–48
Japart, Jean	Si je fet un chop apres – 16v–17
Mouton, Jean (ca. 1459–1522)	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret – 68–70v Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes – 68–70v Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens – 70v–72v Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare – 70v–72v Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum – 66–68 Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar – 66–68 Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes – 66–68 Vele ci vele la ma mere – 52v–54
Obrecht, Jacobus (ca. 1457–1505)	(?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 31v–34 (?) Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes – 31v–34
Ockeghem, Jean de (ca. 1410–1497)	Fors seulement l'attente que je meure = Frayres y dexedes me – 20–21
Pesenti, Benedetto	Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi – 42v–44 Tulerunt Dominum - 2a pars (of 2): Reposita est haec spes mea – 42v–44
Pesenti, Martino	(?) Manus Domini fecerunt me – 73v–74v
Petit, Nino le (fl. c1500)	Et levé vous o Guigliermette – 7–8 In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum – 35–37v In illo tempore - 2a pars (of 3): Adhuc eo loquente – 35–37v In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis – 35–37v Je mi levay l'autre nuytée – 50v–51 Lourdault Lourdault garde que tu feras 28.23 – 5v–6 (?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 31v–34 (?) Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes – 31v–34
Pipelare, Mattheus (ca. 1450–ca. 1515)	(?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 30v–31
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	(?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 30v–31

Composition	Composers (? Uncertain)	Folios / Pages
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	Despres, Josquin (ca. 1450–1521)	27v–29
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	Despres, Josquin (ca. 1450–1521)	27v–29
Alons fere nus barbes	Compère, Loyset (ca. 1445–1518)	10–11
Baises moi ma doulce amie par amour je vous am prie 28.4	Despres, Josquin (ca. 1450–1521)	2–2v
Che fa la ramanzina	Compère, Loyset (ca. 1445–1518)	25–28
Ciascun me crie marie toi Marie	Anonymous	15–16
Donna di dentro dalla tua casa	Isaac, Heinrich (ca. 1450–1517)	18v–19
E logeron nous seans hostesse	Isaac, Heinrich (ca. 1450–1517)	29v–30
Ecce tu pulchra es amica mea 14.6	Despres, Josquin (ca. 1450–1521)	58v–60
Entre je suis en grand pensée 28.13	Despres, Josquin (ca. 1450–1521)	19v–20
Et levé vous o Guigliermette	Petit, Nino le (fl. c1500)	7–8
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	Mouton, Jean (ca. 1459–1522)	68–70v
Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes	Mouton, Jean (ca. 1459–1522)	68–70v
Fille vous have mal guarde / Ave sanctissima Maria	Isaac, Heinrich (ca. 1450–1517)	16v–17
Fors seulement l'attente que je meure = Frayres y dexedes me	Ockeghem, Jean de (ca. 1410–1497)	20–21
Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti	Anonymous	17v–18
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	Mouton, Jean (ca. 1459–1522)	70v–72v
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	Mouton, Jean (ca. 1459–1522)	70v–72v
Gentil galans de France chi alla guerra ales	Anonymous	9–9v
Il etait un bon homme qui venoit de Lyons	Anonymous	21–21v
In illo tempore - 1a pars (of 3): In illo tempore assumpsit Jesus Petrum	Petit, Nino le (fl. c1500)	35–37v
In illo tempore - 2a pars (of 3): Adhuc eo loquente	Petit, Nino le (fl. c1500)	35–37v
In illo tempore - 3a pars (of 3): Et tetigit eos divitiis eis	Petit, Nino le (fl. c1500)	35–37v
Je mi levay l'autre nuytée	Petit, Nino le (fl. c1500)	50v–51
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	Agricola, Alexander (ca. 1445–1506)	1–2
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	Agricola, Alexander (ca. 1445–1506)	1–2
Je suis amie du forrier	Compère, Loyset (ca. 1445–1518)	8–9
Joulis mariner passe moi sena	Anonymous	3v–4v
L'amour de moi si est enclosé	Anonymous	22–22v
L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o.	Anonymous	24–24v
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi	Despres, Josquin (ca. 1450–1521)	39–42v
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam	Despres, Josquin (ca. 1450–1521)	39–42v
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis	Despres, Josquin (ca. 1450–1521)	39–42v
Lourdault Lourdault garde que tu feras 28.23	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) Compère, Loyset (ca. 1445–1518) (?)	5v–6
Maire de Dieu tant caude soy	Anonymous	23–24v
Manus Domini fecerunt me	Danglon, A. (?) Pesenti, Martino (?)	73v–74v
Misericordias Domini 18.4 - 1a pars (of 5): Misericordias Domini in aeternum cantabo	Despres, Josquin (ca. 1450–1521)	63–65v
Misericordias Domini 18.4 - 2a pars (of 5): Quoniam Dominus suavis est	Despres, Josquin (ca. 1450–1521)	63–65v
Misericordias Domini 18.4 - 3a pars (of 5): Quam bonus Dominus	Despres, Josquin (ca. 1450–1521)	63–65v
Misericordias Domini 18.4 - 4a pars (of 5): Miserere nostri Domine	Despres, Josquin (ca. 1450–1521)	63–65v
Misericordias Domini 18.4 - 5a pars (of 5): Fiat misericordia tua	Despres, Josquin (ca. 1450–1521)	63–65v
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	73–73v
O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8	Despres, Josquin (ca. 1450–1521)	26v–27
Palle palle palle	Isaac, Heinrich (ca. 1450–1517)	38–39
Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam	Despres, Josquin (ca. 1450–1521)	55–55v
Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua	Despres, Josquin (ca. 1450–1521)	55–55v
Paratum cor meum - 3a pars (of 3): In idumeam extendam	Despres, Josquin (ca. 1450–1521)	55–55v
Pardonnez moi se je foloye verdin goie	Fevin, Antoine de (ca. 1470–ca. 1512)	51v–52v
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps	Isaac, Heinrich (ca. 1450–1517)	60–62v
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum	Isaac, Heinrich (ca. 1450–1517)	60–62v
Quis dabit capiti - 1a pars (of 4): Quis dabit capiti meo aquam	Isaac, Heinrich (ca. 1450–1517)	48v–50
Quis dabit capiti - 2a pars (of 4): Sic turtur viduus solet	Isaac, Heinrich (ca. 1450–1517)	48v–50
Quis dabit capiti - 3a pars (of 4): Laurus impetu fulminis	Isaac, Heinrich (ca. 1450–1517)	48v–50
Quis dabit capiti - 4a pars (of 4): Sub cuius patula coma	Isaac, Heinrich (ca. 1450–1517)	48v–50
Quis dabit oculis - 1a pars (of 3): Quis dabit oculis nostris fontem lachrimarum	Mouton, Jean (ca. 1459–1522)	66–68
Quis dabit oculis - 2a pars (of 3): Heu nobis Domine defecit Cesar	Mouton, Jean (ca. 1459–1522)	66–68
Quis dabit oculis - 3a pars (of 3): Ergo ululate pueri plorate sacerdotes	Mouton, Jean (ca. 1459–1522)	66–68
Quis dabit pacem - 1a pars (of 2): Quis dabit pacem populo timenti	Isaac, Heinrich (ca. 1450–1517)	44v–46
Quis dabit pacem - 2a pars (of 2): Quam tuas laudes	Isaac, Heinrich (ca. 1450–1517)	44v–46
Se j'ai perdu mon amy	Anonymous	54–55
Si je fet un chop apres	Japart, Jean	16v–17
Si je vous avoye pointe hellas	Anonymous	14–15
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)	31v–34
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes	Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	31v–34
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse)	Isaac, Heinrich (ca. 1450–1517)	25v–26
Tambur tambur tambor tamburelaridon	Anonymous	11v–12v
Tant belle mi son pensade	Isaac, Heinrich (ca. 1450–1517)	11–11v
Tant ravi suis	Anonymous	22v–23
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	Isaac, Heinrich (ca. 1450–1517)	46v–48
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes	Isaac, Heinrich (ca. 1450–1517)	46v–48
Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi	Pesenti, Benedetto	42v–44
Tulerunt Dominum - 2a pars (of 2): Reposita est haec spes mea	Pesenti, Benedetto	42v–44
Une mosche de Bischaye 28.35	Despres, Josquin (ca. 1450–1521)	30–30v
Une playsant filette au matin se leva	Compère, Loyset (ca. 1445–1518)	2v–3v
Veci la danse barbari - L'autre jour	Compère, Loyset (ca. 1445–1518) (?)	4v–5v
Vele ci vele la ma mere	Mouton, Jean (ca. 1459–1522)	52v–54
Volez ouir une sanson de chyons	Compère, Loyset (ca. 1445–1518)	12v–13v
Vostre bargeronette mamiette	Compère, Loyset (ca. 1445–1518)	6–7
Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe	Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?)	30v–31

Set: Medici partbooks

Type: Partbooks

No images available

F-Pnm NAF 1817

No images available

I-CT MS 95

No images available

I-CT MS 96

‡ denotes primary source study

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 267-332. Pages: 274,280-92,309ff. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 275-326. Pages: 284-5,296-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Noblitt, Thomas L. 1982. Obrecht's Missa Sine nomine and its Recently Discovered Model. The Musical Quarterly, 102-27. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Brown, Howard Mayer. 1981. Words and Music in Early loth-Century Chansons: Text Underlay in Florence, Biblioteca del Conservatorio, Ms Basevi 2442. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 7-141. Munich. Pages: 104ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Winn, Mary Beth. 1979. Some Texts for Chansons by Loyset Compere. Musica Disciplina, 43-54. Pages: 50-4. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xxi-xxii,26,61-2; II,37-8. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: 240ff.

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 167-9. Notes: physical description; mention of MS; discussion.

Slim, H Colin. 1972. A Gift of Madrigals and Motets. Chicago and London. Pages: I, 36-7. Notes: mention of MS.

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 469-73. Notes: physical description; mention of MS; discussion; concordances (partial).

Redmond, Mary. 1970. A Set of Part-Books for Giuliano de' Medici: Cortona, Biblioteca Comunale, Mss. 95, 96 and Paris, Bibliothèque Nationale, Nouvelle Acquisition 1817. University of Illinois, Unpublished Master's thesis. Notes: physical description; contents list; concordances; texts; facsimile (partial); texts.

Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: I,171. Notes: mention of MS.

Benthem, Jaap van. 1968-70. Die Chanson Entré je suis à 4 von Josquin des Prez und ihre Überlieferung. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 203-10. Notes: mention of MS.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II,18. Notes: contents list (partial); concordances (partial).

Pannella, Liliana. 1968. Le composizioni profane di una raccolta fiorentina del cinquecento. Revista Italiana di Musicologia, 3-47. Pages: 6. Notes: physical description; mention of MS; discussion.

Hewitt, Helen Margaret (editor). 1967. Ottaviano Petrucci: Canti B Numero Cinquanta Venice, 1502. Monuments of Renaissance Music. Chicago and London. Pages: 11. Notes: mention of MS; concordances (partial).

Cross, Ronald. 1963. The Life and Works of Matthaeus Pipelare. Musica Disciplina, 97-114. Pages: 113. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,x-xi. Notes: concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 351-2. Notes: mention of MS; concordances (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, [xi]. Notes: facsimile (partial).

Pannella, Liliana. 1958. L'incatenatura "Donna di dentro dalla tua casa" di H. Ysaac. Lares: Journal of the International Folk Music Council, 10ff.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII,144. Notes: physical description.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 106. Notes: mention of MS; concordances (partial).

[No Author] 1937. Mostra bibliografica di musica italiana dalle origini alla fine del secolo XVIII. Firenze: R. Biblioteca nazionale centrale Firenze. Pages: 19, no 18.

Gastoué, Amédée. 1934. La Musique française du moyen âge à la Révolution. Paris. Pages: 53. Notes: mention of MS.

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: II, v. Notes: physical description.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,448. Notes: mention of MS.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII,170; XXXII,238. Notes: physical description.

Mazzatinti, Giuseppe. 1890. Opera fondata dal Prof. Giuseppe Mazzatinti. Mazzatinti - Sorbelli, Inventari dei manoscritti delle biblioteche d'Italia. Pages: XVIII,47.

Gröber, Gustav. 1887. Zu den Liederbüchern von Cortona. Zeitschrift für Romanische Philologie, 371-404. Pages: 381-95. Notes: physical description; contents list; texts.

Renier, Rodolfo. 1886. Un Mazzetto di Poesie Musicali Francesi. Miscellanea di Filologia e Linguistica in Memoria di Napoleone Caix e Ugo Angelo Canello, 271-9. Florence. Pages: 271-88. Notes: physical description; contents list; texts.

Mancini, Girolamo. 1884. I Manoscritti della Libreria del Comune e dell'Accademia etnisca di Cortona. Cortona. Pages: 53-4. Notes: physical description.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-CT MS 96

Biblioteca Comunale e dell'Accademia Etrusca, Cortona, Italy

partbook: 16th century

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