D-Dl MS Glashütte 5 (1)

Sächsische Landesbibliothek, Dresden, Germany

partbook: First section copied between October 1583 and October 1584; additions from c. 1585-8 and c. 1600

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Glashütte 5 (1)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements c. 322 x 207 mm
Other Identifiers
  • CCM: DresSL Glashütte 5
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
  • Saxony, Germany
Contents 252 pieces from 60 composers
General Description

A Discantus partbook. Scribe 'D.C.M.' copied the first section of the manuscript. Resembles DresSL Grimma 49 and DresSL Grimma 50. The manuscript was at the Church of St. Wolfgang in Glashütte by the 17th century, but it probably originated somewhere else in Saxony, perhaps at a Latin school (SteudeMS). The manuscript was transferred from Glashütte to Dresden in 1890.

DIAMM, 2017
Extent

D - 198pp, A - 230pp

DIAMM, 2023
Physical Description

The folios have deteriorated. Both books have lost at least 1 folio at the beginning (the first piece and most or all of the Kyrie of the second piece are missing). The Altus has lost at least one folio at the end (the last piece is incomplete), while the Discantus has lost at least 8 folios at the end. Some pages in each book have been misbound.

DIAMM, 2023
Binding

No covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

'D.C.M.' copied tirst section between October 1583 and October 1584, and made additions between c. 1585-8, dating several of the pieces. The last two folios in the Altus were copied by another scribe c. 1600.

DIAMM, 2023
Foliation

Other numberings: Original numbering of pieces, 2-114.

DIAMM, 2017
Foliation

Modern pencil pagination

DIAMM, 2023
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 6 Kyrie-Gloria pairs, 1 Gloria, 33 Mass Proper sections, 10 Magnificats, 1 Canticle, 13 psalms, 2 processional hymns, 1 German Passion, 87 motets, 7 German sacred pieces = 167

(Arcadelt)-1, (Bacchius)-1, Bel-1, Bischoff-2, (Burck)-1, (Clemens non Papa)-8, Corvinus-1, Crecquillon-3, (Dressler)-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-1 [2 voices added by Bruck], (Feys)-1, Figulus-3, Gastritz-1, (Gombert/Josquin)-1, (Hähnel)-3, Händl-2, (S. Hollander)-1, (Isaac)-2, Josquin-3, (Josquin/Lebrun/Richafort)-1, (Kerle)-1, Kleppischius-1, (La Court)-1, Lassus-16, (Lupi)-1, (Maillard)-1, Manchicourt-1, Meiland-3, Morel-1, (Phinot)-3, (Resinarius)-8, (Reusch)-1, Rore-1, Scandello-1, Schlegel-1, Senfl-5, Speiser-1, (Stoltzer)-1, (Tubal)-2, (Walter)-2, Wert-2, anon-75

2 paper partbooks (D-114 folios, A-96), ca. 322 x 207. The folios have deteriorated somewhat; the first piece is missing. Original numbering of pieces, 2-114. No covers. Scribe "D.C.M." copied the first section of the manuscript. Resembles DresSL Grimma 49 and DresSL Grimma 50.

First section copied between October 1583 and October 1584; additions from ca. 1585-8 and ca. 1600. Although the manuscript was at the Church of St. Wolfgang in Glashütte by the 17th century, it probably originated somewhere else in Saxony, perhaps at a Latin school (SteudeMS). The manuscript was transferred from Glashütte to Dresden in 1890.

Vol 4

Contents: 6 Masses, 6 Kyrie-Gloria pairs, 1 Gloria, 30 Mass Proper sections, 10 Magnificats, 4 psalms, 2 processional hymns, 103 motets, 8 German sacred pieces =170

Composers: (Arcadelt/Verdelot)-1, (Bacchius)-1, Bel-1, (Billon)-1, Bischoff-2, (Burck)-1, (Clemens non Papa)-10, (Cleve)-1, (Conseil/Lupi)-1, Crecquillon-4, (Dressler)-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-(Bruck)-1, (Feys)-1, Figulus-3, (M. Forestier/Josquin)-1, Gastritz-1, (Gombert/Josquin)-1, (Hähnel) -3, Händl-2, (C. Hollander/S. Hollander)-1, (Isaac)-3, Josquin-2, (Josquin/ Lebrun/Richafort)-1, (Josquin/Senfl)-1, (Kerle)-1, Kleppischius-1, (La Court) -1, Lassus-17, (Lassus/Wert)-1, (Maillard/Tye)-1, Manchicourt/(Clemens non Papa)-1, Meiland-3, Morel-1, (Othmayr)-1, (Pierre)-1, (Phinot)-4, Rabe [Val: Corvinus]-1, (Rein)-2, (Resinarius)-8, (Reusch)-1, Rore-1, Scandello-1, Schlegel-1, Senfl-5, Speiser-1, (Stoltzer)-2, (Tubal)-2, (Walter)-2, Wert-2, anon-63

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Missa: Kyrie (fragmentary) Anon. Anonymous
Appears on: 1
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KGS, Kyrie fragmentary]
General Note

The Kyrie is fragmentary, only the end surviving in this book (it is lost altogether in the Altus)

1–3 Missa: Et in terra pax [Gloria] - Anonymous
Appears on: 1–3
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
3 Missa: Sanctus - Anonymous

Missa: Sanctus

Anonymous
Appears on: 3
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
3–4 Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco [Bacchius]
Appears on: 3–4
Genres: Motet
Source Attribution: [Bacchius]
Voice: [no designation]
Languages: Latin
Voice Text: Factum est silentium in coelo dum draco II: Millia millium ministrabant ei
4 Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei [Bacchius]
Appears on: 4
Source Attribution: [Bacchius]
Voice: [no designation]
Languages: Latin
Voice Text: Millia millium ministrabant ei [2a pars]
5 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius [Stoltzer]
Appears on: 5
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Rorate coeli de super et nubes pluant Vs: Coeli enarrant gloriam dei et opera
5–6 Ecce Dominus veniet nolite timere 14.5 [Jonckers/Josquin/ Senfl]
Appears on: 5–6
Genres: Motet
Source Attribution: [Jonckers/Josquin/ Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet nolite timere 14.5
6–7 Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant [J. Louys]
Appears on: 6–7
Genres: Introit
Source Attribution: [J. Louys]
Voice: [no designation]
Languages: Latin
Voice Text: Rorate coeli desuper et nubes pluant II: Expectetur sicut pluvia eloquium
7–8 Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium -
Appears on: 7–8
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Expectetur sicut pluvia [2a pars]
8–9 Salvatorem expectamus Dominum nostrum Anon.
Appears on: 8–9
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salvatorem expectamus dominum nostrum
9–10 Ecce dies veniunt - 1a pars (of 3): Ecce dies veniunt dicit Dominus et suscitabo [Resinarius]
Appears on: 9–10
Genres: Motet
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dies veniet dicit dominus et suscitabo II: Et hoc est nomen quod vocabunt III: Et Israel habitabit confidenter
General Note

Rhaw 1544

10 Ecce dies veniunt - 2a pars (of 3): Et hoc est nomen quod vocabunt [Resinarius]
Appears on: 10
Genres: Motet
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Et hoc est nomen quod vocabunt [2a pars]
General Note

Rhaw 1544

10–11 Ecce dies veniunt - 3a pars (of 3): Et Israel habitabit confidenter [Resinarius]
Appears on: 10–11
Genres: Motet
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Et Israel habitabit confidenter [3a pars]
General Note

Rhaw 1544

11 O sacrum convivium in quo Christus sumitur (8vv) [Phinot]
Appears on: 11
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
Concordances

RISM 1555^11:49

11–12 Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) [Gombert/Josquin]
Appears on: 11–12
Genres: Alleluia, Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Noli flere Maria alleluia 14.7 [Pars II of Lugebat David Absalom pius pater]
General Note

(2a pars only)

12–13 Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te [Clemens non Papa/ Crecquillon]
Appears on: 12–13
Genres: Motet
Source Attribution: [Clemens non Papa/ Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in coelum et coram te II: Quanti mercenarii in domo patris
Concordances

RISM 1556^9:44.

General Note

Steude catalogue & RISM-online suggest only the first part is copied?

13–14 Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 13–14
Genres: Motet
General Note

Steude catalogue & RISM-online suggest only the first part is copied?

14 Sihe wie fein und lieblich ists dass brüder [Dressler]
Appears on: 14
Genres: Motet
Source Attribution: [Dressler]
Voice: [no designation]
Languages: German
Voice Text: Sihe wie fein und lieblich ists dass brüder
General Note

K. Gerlach 1580:1

15 Deus misereatur nostri et benedicat nobis [Bischoff]
Appears on: 15
Genres: Motet
Source Attribution: [Bischoff]
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
16 Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus [Clemens non Papa]
Appears on: 16
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Dum praeliaretur Michael archangelus II: Dum committeret bellum draco
16–17 Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco [Clemens non Papa]
Appears on: 16–17
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Dum committeret bellum draco [2a pars]
17–18 In excelso throno - 1a pars (of 2): In excelso throno vidi sedere virum [Kerle/Tonsor]
Appears on: 17–18
Genres: Motet
Source Attribution: [Kerle/Tonsor]
Voice: [no designation]
Languages: Latin
Voice Text: In excelso throno vidi sedere virum II: Jubilate deo omnis terra servite
18 In excelso throno - 2a pars (of 2): Jubilate Deo omnis terra -
Appears on: 18
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate deo omnis terra [2a pars]
18–19 Lauda Jerusalem (Ps. 147) - 1a pars (of 2): Lauda Jerusalem Dominum lauda deum Anon. Anonymous
Appears on: 18–19
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 147: Lauda Jerusalem dominum lauda deum
19–20 Lauda Jerusalem (Ps. 147) - 2a pars (of 2): Dum committeret bellum - Anonymous
Appears on: 19–20
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dum committeret bellum [2a pars]
20–21 Magnificat octavi toni: Et exultavit [K.405] Anon. Anonymous
Appears on: 20–21
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat VIII. Toni: Et exultavit spiritus meus
General Note

Kirsch S. 252 (Nr 405)

21–22 Magnificat Sexti Toni: Et exultavit [K.348] Anon. Anonymous
Appears on: 21–22
Genres: Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Magnif[icat] VI. Toni: Et exultavit spiritus meus
General Note

Kirsch S. 243 (Nr. 348)

22–25 Magnificat primi toni: Et exultavit spiritus meus [Senfl]
Appears on: 22–25
Genres: BVM, Canticle, Magnificat
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Primi toni]: Et exultavit spiritus meus (Copied out of sequence in A book, between #21/22, not missing in this book, as stated by KirschQM)
General Note

Kirsch S. 132, 395

25 Missa Lobet den Herren: Kyrie Val. Corvinus [= Rabe]
Appears on: 25
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Val. Corvinus [= Rabe]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Lobett den Herrenn [KG]
25–26 Missa Lobet den Herren: Gloria -
Appears on: 25–26
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa ad imitationem Cantilenae germanicae Lobet den Herren]
26–27 Missa Doulce memoire: Kyrie Cyprianus de Rore
Appears on: 26–27
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Cyprianus de Rore
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Doulce memoiri [KGS]
27–29 Missa Doulce Memoire: Gloria -
Appears on: 27–29
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Doulce Memoiri]
29 Missa Doulce Memoire: Sanctus -
Appears on: 29
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super Doulce Memoiri]
29–30 Missa Nun bitten wir den heiligen Geist: Kyrie Anon. Anonymous
Appears on: 29–30
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Nu bittenn wihr den heiligen Geist [KG]
30–31 Missa Nun bitten wir den heiligen Geist: Gloria - Anonymous
Appears on: 30–31
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Nu bitten wihr den heiligen Geist]
32 Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anon. Anonymous
Appears on: 32
Genres: Introit, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
32–33 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] [Isaac]
Appears on: 32–33
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
Concordances

RISM 1545^5

33 Missa: Kyrie [Tro] Magne Deus (Christe [Tro] Summi patris, Kyrie II [Tro] Cuius natus) -
Appears on: 33
Genres: Kyrie eleison, Mass Ordinary
34–35 Missa: Gloria Anon.
Appears on: 34–35
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
35–36 Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] [Isaac]
Appears on: 35–36
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dies sanctificatus illuxit nobis
36 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo [Reusch]
Appears on: 36
Genres: Motet
Source Attribution: [Reusch]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
37 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 37
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [2a pars]
37 Das hatt er alles uns getan, sein gross Anon. Anonymous
Appears on: 37
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Das hatt er alles uns gethan sein gross
37–38 Verbum caro factum est [Crecquillon]
Appears on: 37–38
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitavit
38–39 Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras [La Court]
Appears on: 38–39
Genres: Motet
Source Attribution: [La Court]
Voice: [no designation]
Languages: Latin
Voice Text: Judaea et Hierusalem nolite timere cras II: Constantes estote et videbitis
Concordances

RISM 1568^2:5

39–40 Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium -
Appears on: 39–40
Genres: Motet
Concordances

RISM 1568^2:5

40–42 Confitebor tibi Domine in toto corde Anon. Anonymous
Appears on: 40–42
Genres: Motet, Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 110: Confitebor tibi domine in toto corde (Chant incipit for antiphon "Tecum principium" precedes psalm in D book)
General Note

(Chant incipit for antiphon "Tecum principium" precedes this psalm in D book)

42 Tecum principium in die virtutis tuae Anon. Anonymous
Appears on: 42
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tecum principium in die virtutis tuae
42–44 Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum [Resinarius]
Appears on: 42–44
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitavit II: Plenum gratia et veritate III: In principio erat verbum et verbum
General Note

Rhaw 1544

44–48 Magnificat quinti toni: Et exultavit spiritus meus [Senfl]
Appears on: 44–48
Genres: BVM, Canticle, Magnificat
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin, German
Voice Text: [Magnificat Quinti toni]: Et exultavit spiritus meus (With interpolated Latin/German Christmas songs)
General Note

Kirsch S. 132, 395

48 Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit -
Appears on: 48
Genres: Contrafactum, Motet
General Note

the last of the 6 songs interpolated into the Magnificat

48–49 Hodie Christus natus est - 1a pars (of 2): Hodie Christus natus est nobis [Conseil/Lupi]
Appears on: 48–49
Genres: Motet
Source Attribution: [Conseil/Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Christus natus est hodie salvator II: Quem vidistis pastores dicite
General Note

RISM 1559^1:25. For discussion of composer, see CMM 84, p.XIX-XXI

49–50 Hodie Christus natus est - 2a pars (of 2): Quem vidistis pastores dicite -
Appears on: 49–50
Genres: Motet
50 Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus [Senfl]
Appears on: 50
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Haec est dies quam fecit dominus II: Hodie deus homo factus III: Id quod fuit permansit IV: Hodie deus homo factus V: Et quod non erat assumpsit VI: Hodie deus homo factus VII: Ergo exordium nostrae redemptionis
50 Haec est dies - 2a pars (of 8): Hodie Deus homo factus est -
Appears on: 50
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Deus homo factus est [2a pars]
50–51 Haec est dies - 3a pars (of 8): Id quod fuit permansit [Senfl]
Appears on: 50–51
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Id quod fuit permansit [3a pars]
51 Haec est dies - 5a pars (of 8): Et quod non erat assumpsit [Senfl]
Appears on: 51
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Et quod non erat assumpsit [5a pars]
51 Haec est dies - 6a pars (of 8): Hodie deus homo factus [Senfl]
Appears on: 51
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Hodie deus homo factus [6a pars]
51 Haec est dies - 4a pars (of 8): Hodie deus homo factus [Senfl]
Appears on: 51
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Hodie deus homo factus [4a pars]
51–52 Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis [Senfl]
Appears on: 51–52
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ergo exordium nostrae redemptionis [7a pars]
52 Haec est dies - 8a pars (of 8): Gloria tibi Domine -
Appears on: 52
Genres: Motet
52–54 Passio Germanica: Das leidenn unsers Herrem Jesu Christi Josepho Schlegelio [= Schlegel]
Appears on: 52–54
Genres: Liturgical work, Passion
Source Attribution: Josepho Schlegelio [= Schlegel]
Voice: [no designation]
Languages: German
Voice Text: Passio Germanica: Das leidenn unsers Herrem Jesu Christi
54–55 O Jesu Christ Dein nam der ist so gewaltig Anon. Anonymous
Appears on: 54–55
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: O Jesu Christ dein nam der ist so gewaltig
55 Tristis est anima mea - 1a pars (of 2): Tristis est anima mea usque ad mortem [Tubal]
Appears on: 55
Genres: Motet
Source Attribution: [Tubal]
Voice: [no designation]
Languages: Latin
Voice Text: Tristis est anima mea usque ad mortem II: Vigilate et orate ut non intretis
General Note

RISM 1559^2:67

55–56 Tristis est anima mea - 2a pars (of 2): Vigilate et orate -
Appears on: 55–56
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vigilate et orate [2a pars]
General Note

RISM 1559^2:67

56–57 Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque [Meiland]
Appears on: 56–57
Genres: Motet
Source Attribution: [Meiland]
Voice: [no designation]
Languages: Latin
Voice Text: Non auferetur sceptrum de Juda neque II: Lavabit in vino stolam suam
Concordances

Neuber, Montanus Erben 1564:16

57–58 Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino -
Appears on: 57–58
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lavabit in vino [2a pars]
Concordances

Neuber, Montanus Erben 1564:16

58 Wohl dem, der den Herren fürchtet - 1a pars (of 2): Wohl dem, der den Herren fürchtet [Reusch]
Appears on: 58
Genres: Psalm
Source Attribution: [Reusch]
Voice: [no designation]
Languages: German
Voice Text: Woll dem der den Herren fürchtet II: Der Herr wirdt dich segnen
59 Wohl dem, der den Herren fürchtet - 2a pars (of 2): Der Herr wird dich segnen -
Appears on: 59
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Der Herr wirdt dich segnen [2a pars]
59–61 Quare fremuerunt gentes et populi Anon. Anonymous
Appears on: 59–61
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 2: Quare fremuerunt gentes et populi
61 Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitiam tuam filio regis (5vv) Anon. Anonymous
Appears on: 61
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce advenit dominator dominus et regnum Vs: (Deus iudicium tuum) Et iusticiam tuam
61–62 Missa O admirabile commercium: Kyrie [Figulus]
Appears on: 61–62
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super O admirabile [commercium] [KGS]
General Note

Bk 41:22 - 96:21

62–64 Missa O admirabile commercium: Et in terra pax [Gloria] -
Appears on: 62–64
Genres: Gloria (et in terra pax), Mass Ordinary
64 Missa O admirabile commercium: Sanctus -
Appears on: 64
Genres: Mass Ordinary, Sanctus [& Benedictus]
64 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus domino deo Matthias Gastrix [= Gastritz]
Appears on: 64
Genres: Motet
Source Attribution: Matthias Gastrix [= Gastritz]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
64–65 Grates nunc omnes - 2a pars (of 2): Huic oportet -
Appears on: 64–65
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [2a pars]
65 O admirabile commercium creator generis [Stoltzer]
Appears on: 65
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium creator generis
General Note

Hoffm.-Erbr. I, Wv 48

65–66 Angelus ad pastores ait annuntio vobis [Lassus]
Appears on: 65–66
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Angelus ad pastores ait annuncio vobis
General Note

Montanus u. Neuber 1564:8

66–67 Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam [Clemens non Papa]
Appears on: 66–67
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ab oriente venerunt magi Hierosolymam II: Videntes autem stellam gavisi sunt
67–68 Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam -
Appears on: 67–68
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Videntes autem stellam [2a pars]
68 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo [Senfl]
Appears on: 68
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
General Note

RISM 1559^1:33

69 Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 69
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Huic oportet [2a pars]
General Note

RISM 1559^1:33

69–70 Illuminare Jerusalem (I) (R. Et gloria Domini super te orta est Vs. Et ambulabunt gentes in lumine tuo [Resinarius]
Appears on: 69–70
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Hierusalem venit lux tua II: Et gloria domino super te Hierusalem III: [Et ambulabunt gentes] Et reges in splendore
General Note

Rhaw 1544

70–71 Suscepimus Deus misericordiam tuam Vs: Magnus Dominus In civitate Domini Anon. Anonymous
Appears on: 70–71
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Suscepimus) Deus misericordiam tuam Vs: (Magnus dominus) In civitate domini
71 Christe salvator et redemptor gentium Anon. Anonymous
Appears on: 71
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christe salvator et redemptor gentium
71–72 Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat Orlando di Lasso
Appears on: 71–72
Genres: Alleluia, Motet
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Vox laeta sonat vox iubilat II: Alleluia. Prae gaudio resultant
72 Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant -
Appears on: 72
Genres: Alleluia
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. praegaudio resultant [2a pars]
72–73 O sidus praeclarissimum Jesu nate hodie Anon. Anonymous
Appears on: 72–73
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O sÿdus praeclarissimum Jesu nate hodie
73–74 Vox in Rama audita est ploratus et ululatus [Clemens non Papa]
Appears on: 73–74
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Vox in Rhama audita est ploratus et ululatus
74–75 Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait [Clemens non Papa]
Appears on: 74–75
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini ad pastores ait annuncio II: Parvulus filius hodie natus est
General Note

RISM 1554^10:6

75 Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est -
Appears on: 75
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Parvulus filius nobis natus est [2a pars]
General Note

RISM 1554^10:6

76 Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna [Clemens non Papa]
Appears on: 76
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Venit vox de coelo cum luce superna II: Respondit miles quis es tu domine?
Concordances

RISM 1559^1:49

76–77 Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine -
Appears on: 76–77
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Respondit miles[2a pars]
Concordances

RISM 1559^1:49

77–78 Postquam impleti sunt dies purgationis [Billon]
Appears on: 77–78
Genres: Motet
Source Attribution: [Billon]
Voice: [no designation]
Languages: Latin
Voice Text: Postquam impleti sunt dies pergationis
79 Verbum iniquum et dolosum longe fac a me Anon.
Appears on: 79
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Verbum iniquum et dolosum longe fac à me
General Note

(note: 'cum 3bus Tenoribus')

80 Tota pulchra es amica mea et macula -
Appears on: 80
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula
80–81 Omnes sitientes venite ad aquas Anon.
Appears on: 80–81
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Omnes sitientes venite ad aquas
81–82 Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus Berthe: le Bel
Appears on: 81–82
Genres: Motet
Source Attribution: Berthe: le Bel
Voice: [no designation]
Languages: Latin
Voice Text: Caro mea vere est cibus et sanguis meus II: Hic est panis qui de coelo descendit
82–83 Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit -
Appears on: 82–83
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hic est panis [2a pars]
83–84 Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum Tho. Creql. [= Crecquillon]
Appears on: 83–84
Genres: Motet
Source Attribution: Tho. Creql. [= Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Cor mundum crea in me deus et spiritum II: Averte faciem tuam à peccatis meis
84 Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis -
Appears on: 84
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Averte faciem tuam [2a pars]
85–86 Ingressus angelus ad Mariam et ait Anon. Anonymous
Appears on: 85–86
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ingressus angelus ad Mariam et ait
85 Ecce concipies et paries filium (R. Et vocabitur nomen eius Jesus; Vs. Et dabit illi) [Resinarius]
Appears on: 85
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries filium II: Et vocabitur nomen eius Jesus III: [Hic erit magnus] Et dabit illi
General Note

Rhaw 1544

86 Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe [Othmayr]
Appears on: 86
Genres: Motet
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: Latin
Voice Text: (Gloria laus) Et honor tibi sit rex Christe II: Israel es tu rex Davidis inclÿta III: Coetus in excelsis laudat coelicus
86–87 Gloria laus et honor - 2a pars (of 3): Israel es tu Rex -
Appears on: 86–87
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Israel es tu Rex [2a pars]
87 Gloria laus et honor - 3a pars (of 3): Coetus in excelsis -
Appears on: 87
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Coetus in excelsis [3a pars]
87–88 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me [Hähnel]
Appears on: 87–88
Genres: Introit
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me
Concordances

RISM 1539^14

88–89 Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti Anon. Anonymous
Appears on: 88–89
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: (Domine probasti me) Tu cognovisti
90 Salve festa dies - 1a pars (of 3): (Salve festa dies) Toto venerabilis aevo Anon. Anonymous
Appears on: 90
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Salve festa dies) Toto venerabilis aevo II: Ecce renascentis testatur gratia III: Namque triumphanti post tristia
90 Salve festa dies - 2a pars (of 3): Ecce renascentis - Anonymous
Appears on: 90
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Ecce renascentis [2a pars]
90 Salve festa dies - 3a pars (of 3): Namque triumphanti - Anonymous
Appears on: 90
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Namque triumphanti [3a pars]
90–91 Missa Paschale: Kyrie [Hähnel]
Appears on: 90–91
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Festi Resurrectionis Christi [KG]
Concordances

RISM 1539^14

91–92 Missa Paschale: Gloria -
Appears on: 91–92
Genres: Gloria (et in terra pax)
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa festi Resurrectionis Christi]
Concordances

RISM 1539^14

92–93 Alleluia. Pascha nostrum immolatus est [Hähnel]
Appears on: 92–93
Genres: Alleluia, Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Pascha nostrum immolatus est
General Note

RISM 1539^14 - Bk 9:12 - 15:24 - 46:20-21

93 Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden [Hähnel]
Appears on: 93
Genres: Hymn
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
Concordances

RISM 1539^14

92–93 Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden -
Appears on: 92–93
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dic nobis Maria [2a pars]
Concordances

RISM 1539^14

93 Victimae paschali - 3a pars (of 3): Credendum est magis -
Appears on: 93
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Credendum est magis [3a pars]
Concordances

RISM 1539^14

93 Alleluia Anon. Anonymous

Alleluia

Anonymous
Appears on: 93
Genres: Alleluia
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia
94–95 Dum transisset sabbatum Maria Magdalena (R. Ut venientes ungerent Jesum alleluia Vs: Et valde mane una sabbatorum [Resinarius]
Appears on: 94–95
Genres: Response
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabbathum Maria Magdalena II: Ut venientes ungerent Jesum alleluia III: Et valde mane una sabbathorum
General Note

Rhaw 1544

95 In exitu Israel (M47) - 1a pars (of 11): In exitu Israel de Aegypto domus Jacob [Senfl]
Appears on: 95
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israel de Aegÿpto domus Jacob
Concordances

RISM 1539^14

95 In exitu Israel (M47) - 2a pars (of 11): Mare vidit et fugit -
Appears on: 95
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Mare vidit et fugit [2a pars]
Concordances

RISM 1539^14

95–96 In exitu Israel (M47) - 3a pars (of 11): A facie Domini -
Appears on: 95–96
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A facie Domini [3a pars]
Concordances

RISM 1539^14

96 In exitu Israel (M47) - 4a pars (of 11): Non nobis Domine Sed nomini tuo -
Appears on: 96
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non nobis Domine [4a pars]
Concordances

RISM 1539^14

96 In exitu Israel (M47) - 5a pars (of 11): Deus autem noster -
Appears on: 96
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus autem noster [5a pars]
Concordances

RISM 1539^14

96 In exitu Israel (M47) - 6a pars (of 11): Simulachra gentium -
Appears on: 96
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Simulachra gentium [6a pars]
Concordances

RISM 1539^14

96 In exitu Israel (M47) - 7a pars (of 11): Aures habent -
Appears on: 96
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Aures habent [7a pars]
Concordances

RISM 1539^14

96–97 In exitu Israel (M47) - 8a pars (of 11): Domus Israel speravit -
Appears on: 96–97
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domus Israel speravit [8a pars]
Concordances

RISM 1539^14

97 In exitu Israel (M47) - 9a pars (of 11): Qui timent Dominum -
Appears on: 97
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui timent Dominum [9a pars]
Concordances

RISM 1539^14

97 In exitu Israel (M47) - 10a pars (of 11): Sed nos qui vivimus -
Appears on: 97
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sed nos qui vivimus [10a pars]
Concordances

RISM 1539^14

97 In exitu Israel (M47) - 11a pars (of 11): Sicut erat in principio -
Appears on: 97
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sicut erat in principio [11a pars]
Concordances

RISM 1539^14

97–98 Missa Tulerunt Dominum meum: Kyrie Anon.
Appears on: 97–98
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Tulerunt [dominum meum] [KGS]
Concordances

Also in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus.

98–101 Missa Tulerunt Dominum meum: Gloria -
Appears on: 98–101
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Tulerunt]
General Note

Also in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus.

101 Missa Tulerunt Dominum meum: Sanctus -
Appears on: 101
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super Tulerunt]
General Note

Also in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus.

101 Missa Tulerunt Dominum meum: Agnus Dei -
Appears on: 101
Genres: Agnus Dei, Mass Ordinary
General Note

Also in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus.

102 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 102
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater]
General Note

1a pars only; 2a pars is copied at p.12. In the Discantus, the incipit of the alternative text "Lugebat David Absalon" is also copied, with at end "2da pars: Porro rex aperuit caput"

102–103 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant [Clemens non Papa]
Appears on: 102–103
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis suis
Concordances

RISM 1554^10:23

104–105 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 104–105
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cito euntes dicite discipulis eius [2a pars]
Concordances

RISM 1554^10:23

105–106 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena [C. Hollander/S. Hollander/Lassus]
Appears on: 105–106
Genres: Motet
Source Attribution: [C. Hollander/S. Hollander/Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabathum Maria Magdalena II: Et valde mane una sabbathorum veniunt
Concordances

RISM 1554^10:26

106 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum -
Appears on: 106
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et valde mane [2a pars]
Concordances

RISM 1554^10:26

107 Tulerunt Dominum meum et nescio ubi [Pierre]
Appears on: 107
Genres: Motet
Source Attribution: [Pierre]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi
107–109 In exitu Israel de Aegÿpto Anon. Anonymous
Appears on: 107–109
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 113: In exitu Israel de Aegÿpto
109 Magnificat octavi toni (4vv) [NR 24] Orlando di Lasso
Appears on: 109
Genres: BVM, Canticle, Magnificat
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat VIII. Toni: Et exultavit spiritus meus
110–111 Magnificat Sexti Toni: Et exultavit [K.349] (with interpolated Latin and German Easter songs) Anon. Anonymous
Appears on: 110–111
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, German
Voice Text: Magnificat 6. Toni: Et exultavit spiritus meus (With interpolated Latin and German Easter songs)
General Note

Kirsch S. 243 (Nr 349)

111–112 Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis [Josquin/Lebrun/Richafort]
Appears on: 111–112
Genres: Motet
Source Attribution: [Josquin/Lebrun/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes qui diligitis 26.3 II: [Tulerunt dominum meum] Et nescio
112–113 Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 112–113
Genres: Motet
113 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anon. Anonymous
Appears on: 113
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Galilaei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
Concordances

RISM 1539^14

114 Alleluia. Ascendit Deus in jubilatione Anon. Anonymous
Appears on: 114
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Ascendit deus in iubilatione
Concordances

RISM 1539^14

114–115 Ite in orbem universum et praedicate (R: Qui crediderit et baptisatus fuerit Vs. In nomine patris et filii et spiritus Anon. Anonymous
Appears on: 114–115
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et praedicate II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
115 Ascendo ad patrem meum et ad patrem vestrum Anon. Anonymous
Appears on: 115
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et ad patrem vestrum
115–116 Ascendo ad patrem meum et patrem vestrum Anon. Anonymous
Appears on: 115–116
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum
116–117 Lauda Jerusalem Dominum lauda Deum Anon. Anonymous
Appears on: 116–117
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 147: Lauda Jerusalem dominum lauda deum
118 Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit [Lassus]
Appears on: 118
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Tempus est ut revertar ad eum qui misit II: Nisi ego abiero paracletus non veniet
Concordances

Henricus 1604:340 - Grimma 50:102

118–119 Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet -
Appears on: 118–119
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nisi ego abiero [2a pars]
Concordances

Henricus 1604:340 - Grimma 50:102

119–120 Filio dei ascendenti - 1a pars (of 2): Filio dei ascendenti ad caelos iubilemus Anon. Anonymous
Appears on: 119–120
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Filio dei ascendenti ad coelos iubilemus II: Assumptus est in coelum qui surrexit
120–121 Filio dei ascendenti - 2a pars (of 2): Assumptus est in caelum - Anonymous
Appears on: 120–121
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Assumptus est in coelum [2a pars]
121 Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus [Clemens non Papa]
Appears on: 121
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit deus in iubilatione alleluia II: Ascendens Christus in altum captivam
Concordances

RISM 1544^10:17

122 Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam -
Appears on: 122
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendens Christus in altum [2a pars]
Concordances

RISM 1544^10:17

122–123 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anon. Anonymous
Appears on: 122–123
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
123 Missa: Kyrie Anon. Anonymous

Missa: Kyrie

Anonymous
Appears on: 123
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Penthecostes [KG]
124–125 Missa: Gloria -
Appears on: 124–125
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa Pentecostes]
Concordances

In Altus, a note tells the singer to use the Gloria at f.33 here; in Discantus the Gloria is written out (identical to that at f.32)

125–126 Alleluia. Veni sancte spiritus reple tuorum Anon. Anonymous
Appears on: 125–126
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus reple tuorum
126 Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anon. Anonymous
Appears on: 126
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus et emitte coelitus] Veni pater pauperum veni dator munerum
126 Veni sancte spiritus - 2a pars (of 4): In labore requies - Anonymous
Appears on: 126
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: In labore requies [2a pars]
126–127 Veni sancte spiritus - 3a pars (of 4): Sine tuo numine - Anonymous
Appears on: 126–127
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Sine tuo numine [3a pars]
127 Veni sancte spiritus - 4a pars (of 4): Da virtutis meritum - Anonymous
Appears on: 127
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Da virtutis meritum [4a pars]
127–128 Veni sancte spiritus reple tuorum corda Anon. Anonymous
Appears on: 127–128
Genres: Antiphon, Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
128–129 Veni sancte spiritus reple tuorum corda Anon. Anonymous
Appears on: 128–129
Genres: Antiphon, Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
129 Apparuerunt apostoli dispertitae linguae - 1a pars (of 3): Apparuerunt apostoli dispertitae linguae [Walter]
Appears on: 129
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostolis dispertitae linguae II: Seditque supra singulos eorum III: Loquebantur variis linguis apostoli
General Note

Walter, GA II, S. 102

129 Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum -
Appears on: 129
Genres: Motet
129 Apparuerunt apostoli dispertitae linguae - 3a pars (of 3): Loquebantur variis linguis apostoli -
Appears on: 129
Genres: Motet
130 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anon. Anonymous
Appears on: 130
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
General Note

The Altus part for this piece is not copied into the Altus book

131–132 Gloria. Gratias agimus tibi propter Anon. Anonymous
Appears on: 131–132
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Gratias agimus tibi propter
General Note

A note with the piece tells the singer to use the Kyrie fons bontatis (at p.33) with this Gloria

132 Alleluia. Benedictus es Domine Deus Anon. Anonymous
Appears on: 132
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Benedictus es domine deus
132–133 [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt Anon. Anonymous
Appears on: 132–133
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
133–134 Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anon. Anonymous
Appears on: 133–134
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
134 Gloria tibi sancta trinitas aequalis una Deitas Anon. Anonymous
Appears on: 134
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi trinitas aequalis una deitas
134–136 Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam) [Resinarius]
Appears on: 134–136
Genres: Hymn
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Summae trinitati simplici deo una divinitas II: Qui totum subdit suis orbem III: Praestet nobis gratiam deitas beata
General Note

Rhaw 1544

136–138 Magnificat tertii toni (6vv): Et exultavit [NR 3] Orland. di Lasso
Appears on: 136–138
Genres: BVM, Canticle, Magnificat
Source Attribution: Orland. di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Tertii Toni: Et exultavit spiritus meus
138–139 Dum complerentur dies Pentecostes erant omnes [Arcadelt/Verdelot]
Appears on: 138–139
Genres: Motet
Source Attribution: [Arcadelt/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies pentecostes erant
Concordances

RISM 1544^10:31

139–140 Spiritus sanctus - 1a pars (of 2): Spiritus sanctus procedens à throno [Tubal]
Appears on: 139–140
Genres: Motet
Source Attribution: [Tubal]
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus sanctus procedens à throno II: Advenit ignis divinus non comburens
General Note

RISM 1544^10:39

140–141 Spiritus sanctus - 2a pars (of 2): Advenit ignis divinus -
Appears on: 140–141
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Advenit ignis divinus [2a pars]
General Note

RISM 1544^10:39

141 Paraclitus autem spiritus - 1a pars (of 2): Paraclitus autem spiritus [Wert]
Appears on: 141
Genres: Motet
Source Attribution: [Wert]
Voice: [no designation]
Languages: Latin
Voice Text: Paracletus autem spiritus sanctus quem mittet II: Non turbetur cor vestrum neque
142 Paraclitus autem spiritus - 2a pars (of 2): Non turbetur cor vestrum -
Appears on: 142
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non turbetur cor vestrum [2a pars]
142–143 O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli [Rein]
Appears on: 142–143
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: O trinitas et deitas alma tibi omnes II: Miserere qui passus es pro nobis
143–144 O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis -
Appears on: 143–144
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Miserere qui passus es pro nobis [2a pars]
144–145 Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 144–145
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicam vos servos sed amicos
Concordances

RISM 1555^10:40

145–147 Magnificat Tertii Toni: Et exultavit [K.781] Wofg: Figuli Nurnbg:
Appears on: 145–147
Genres: BVM, Canticle, Magnificat
Source Attribution: Wofg: Figuli Nurnbg:
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat [Tertii toni]: Et exultavit spiritus meus
General Note

Kirsch S. 327 f. (Nr 781)

147 Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte [M. Forestier/Josquin]
Appears on: 147
Genres: Motet, Veni sancte spiritus
Source Attribution: [M. Forestier/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte coelitus 26.17 II: O lux beatissima reple cordis
General Note

Josquin, GA, Mot. 49

148 Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis -
Appears on: 148
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [2a pars]
General Note

Josquin, GA, Mot. 49

148–149 Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum [Rivulo]
Appears on: 148–149
Genres: Motet
Source Attribution: [Rivulo]
Voice: [no designation]
Languages: Latin
Voice Text: Sic deus dilexit mundum ut filium suum II: Venite ad me omnes qui laboratis
149–150 Sic deus dilexit - 2a pars (of 2): Venite ad me omnes -
Appears on: 149–150
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me omnes [2a pars]
150–151 De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini Anon. Anonymous
Appears on: 150–151
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: De ventre matris meae vocavit me dominus Vs: (Bonum est confiteri) Et psallere nomini
151–152 Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo) [Resinarius]
Appears on: 151–152
Genres: Responsory
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior II: Qui viam domino praeparavit in heremo III: Fuit homo missus à deo cui nomen
General Note

Rhaw 1544

152–153 Descendit angelus Domini ad Zachariam dicens Anon. Anonymous
Appears on: 152–153
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Descendit angelus domini ad Zachariam
153 Missa d'amours me plains: Kyrie Thomas Creql. [= Crecquillon]
Appears on: 153
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Thomas Creql. [= Crecquillon]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Damours ma plains [KGS]
154–155 Missa D'amours me plains: Gloria -
Appears on: 154–155
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa Damours me Plains]
155 Missa D'amours me plains: Sanctus -
Appears on: 155
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa Damours me Plains]
155–156 Inter natos - 1a pars (of 2): Inter natos mulierum [Cleve]
Appears on: 155–156
Genres: Motet
Source Attribution: [Cleve]
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior II: Fuit homo missus à deo cui nomen
156–157 Inter natos - 2a pars (of 2): Fuit homo missus a Deo -
Appears on: 156–157
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Fuit homo missus [2a pars]
158 Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari [Clemens non Papa]
Appears on: 158
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Innuebant patri eius quem vellet vocari II: Apertum est os Zachariae et prophetavit
Concordances

RISM 1559^1:51

158–159 Innuebant patri - 2a pars (of 2): Apertum est os Zachariae et prophetavit -
Appears on: 158–159
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Apertum est os Zachariae et prophetavit [2a pars]
Concordances

RISM 1559^1:51

159 Missa Veni in ortum meum: Kyrie Orlando di Lassus
Appears on: 159
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Orlando di Lassus
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Veni in hortum meum [KGSA]
159–160 Missa Veni in ortum meum: Et in terra [Gloria] -
Appears on: 159–160
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Veni in hortum meum]
160–161 Missa Veni in ortum meum: Sanctus -
Appears on: 160–161
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super Veni in hortum meum]
161 Missa Veni in ortum meum: Agnus Dei -
Appears on: 161
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa super Veni in hortum meum]
General Note

Note: Agnus recorded by Steude, but not mentioned in RISM-online

161 O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa Jacobi Meilandi
Appears on: 161
Genres: Motet
Source Attribution: Jacobi Meilandi
Voice: [no designation]
Languages: Latin
Voice Text: O pulcherrima inter mulieres O florens rosa II: Veni in hortum meum charissima
162 O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum -
Appears on: 162
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni in hortum meum [2a pars]
162–163 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea Orlando di Lassus
Appears on: 162–163
Genres: Motet
Source Attribution: Orlando di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Surge propera amica mea et veniam II: Surge amica mea speciosa mea
163 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 163
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surge amica mea speciosa [2a pars]
164 Exurgens autem Maria Vs. Benedicta tu R. Et benedicta fructus Anon. Anonymous
Appears on: 164
Genres: Responsory
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Exurgens autem Maria abiit in montana
164–165 Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Petrus Manchicourt/ [Clemens non Papa]
Appears on: 164–165
Genres: Motet
Source Attribution: Petrus Manchicourt/ [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in coelum et coram te II: Quanti mercenarii in domo patris
165 Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 165
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Quanti mercenarii [2a pars]
165–166 Omnia quae fecisti nobis Domine in vero Orl. di Lasso
Appears on: 165–166
Genres: Motet
Source Attribution: Orl. di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Omnia quae fecisti nobis domine in vero
166–167 Deus misereatur nostri et benedicat nobis [Lassus]
Appears on: 166–167
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
General Note

Henricus 1604:500

167–168 Confitebor tibi Domine in toto corde (8vv, LV189) [Lassus]
Appears on: 167–168
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor tibi domine in toto corde meo
General Note

Henricus 1604:504

168 Deo nostro jucunda sit decoraque laudatio Anon. Anonymous
Appears on: 168
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Deo nostro iucunda sit decoraque laudatio
General Note

Henricus 1604:504 - Bk 28:18 - 37:109

168, 173 Te sanctum Dominum (R: Te decet laus et honor, Vs. Cherubin quoque) [Resinarius]
Appears on: 168, 173
Genres: Response
Source Attribution: [Resinarius]
Voice: [no designation]
Languages: Latin
Voice Text: Te sanctum dominum in excelsis laudant II: Te decet laus et honor domine III: Cherubin quoque et seraphin proclamant
General Note

Rhaw 1544

General Note

Pages 169-170, 171-172 are misbound (& their order reversed) in this book; the correct order is ...168, 173-184, 171-172, 169-170, 185...

169 Gabriel angelus locutus est Mariae dicens [Phinot]
Appears on: 169
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Gabriel angelus locutus est Mariae dicens
General Note

Pages 169-170, 171-172 are misbound (& their order reversed) in this book; the correct order is ...168, 173-184, 171-172, 169-170, 185...

170 Gloria tibi trinitas aequalis una Deitas Anon. Anonymous
Appears on: 170
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi trinitas aequalis una deitas
General Note

Pages 169-170, 171-172 are misbound (& their order reversed) in this book; the correct order is ...168, 173-184, 171-172, 169-170, 185...

171, 184 Ecce cruci affixum- 1a pars (of 2): Ecce cruci affixum quo cuncta movente Anon. Anonymous
Appears on: 171, 184
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce cruci affixum quo cuncta movente II: Qui dat sceptra gerit de sentibus
General Note

Pages 169-170, 171-172 are misbound (& their order reversed) in this book, so that this piece starts on p.184 and continues on p.171. The correct page order is ...168, 173-184, 171-172, 169-170, 185...

171–172 Ecce cruci affixum- 2a pars (of 2): Qui dat sceptra gerit de sentibus - Anonymous
Appears on: 171–172
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui dat sceptra [2a pars]
General Note

Pages 169-170, 171-172 are misbound (& their order reversed) in this book; the correct order is ...168, 173-184, 171-172, 169-170, 185...

172 Tristis est anima mea usque ad mortem Orlando di Lasso
Appears on: 172
Genres: Motet
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Tristis est anima mea usque ad mortem
General Note

Pages 169-170, 171-172 are misbound (& their order reversed) in this book; the correct order is ...168, 173-184, 171-172, 169-170, 185...

174 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea - Anonymous
Appears on: 174
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surge propera amica mea columba mea II: Surge amica mea speciosa mea
Concordances

Note: this is NOT Phinot's 6vv setting

174–175 Surge propera - 2a pars (of 2): Surge amica mea speciosa - Anonymous
Appears on: 174–175
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surge amica mea speciosa [2a pars]
175–176 Gaudete filiae Jerusalem nam flores apparuerunt [Meiland]
Appears on: 175–176
Genres: Motet
Source Attribution: [Meiland]
Voice: [no designation]
Languages: Latin
Voice Text: Gaudete filiae Hierusalem nam flores
Concordances

Neuber 1564:17

176–177 Veni in ortum meum charissima mea Speiser
Appears on: 176–177
Genres: Motet
Source Attribution: Speiser
Voice: [no designation]
Languages: Latin
Voice Text: Veni in hortum meum charissima mea
177–178 Geh Deinen Weg auf rechtem Steg fahr Anon. Anonymous
Appears on: 177–178
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Geh deinen wegk auf rechtem steg fahr
178–179 Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum [Burck]
Appears on: 178–179
Genres: Canticle
Source Attribution: [Burck]
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum domine II: Lumen ad revelationem gentium
Concordances

Neuber, Montanus Erben 1566:13

179–180 Nunc dimittis - 2a pars (of 2): Lumen ad revelationem -
Appears on: 179–180
Genres: Canticle
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem [2a pars]
Concordances

Neuber, Montanus Erben 1566:13

180–181 Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius [Crecquillon]
Appears on: 180–181
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Cum inducerent puerum Jesum parentes II: Senex puerum portabat puer autem
181 Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem -
Appears on: 181
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Senex puerum portabat [2a pars]
182 Senex puerum portabat puer autem senem Anon. Anonymous
Appears on: 182
Genres: Antiphon
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Senex puerum portabat puer autem
182–183 Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum [Lassus/Wert]
Appears on: 182–183
Genres: Motet
Source Attribution: [Lassus/Wert]
Voice: [no designation]
Languages: Latin
Voice Text: Transeunte domino clamabat coecus ad eum II: Et ait illi Jesus quid vis ut faciam
Concordances

C. Gerlach, Montanus Erben 1583:1

183–184 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 183–184
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et ait illi Jesus [2a pars]
Concordances

C. Gerlach, Montanus Erben 1583:1

185 Domine rex Deus Abraham dona nobis Anon. Anonymous
Appears on: 185
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine rex deus Abraham dona nobis
185–186 Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter [Feys]
Appears on: 185–186
Genres: Motet
Source Attribution: [Feys]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris
Concordances

RISM 1556^8:5

186 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 186
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus cum patribus [2a pars]
Concordances

RISM 1556^8:5

187 Dixit Dominus Domino meo Sede a dextris meis (8vv) Orlando di Lasso
Appears on: 187
Genres: Motet
Source Attribution: Orlando di Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Dixit dominus domino meo [sede à dextris]
188 Viri Galilaei quid aspicitis in caelum [Crecquillon]
Appears on: 188
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilaei quid aspicitis in coelum
188–189 Ascendo ad patrem meum et patrem vestrum [Maillard/Tye]
Appears on: 188–189
Genres: Motet
Source Attribution: [Maillard/Tye]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum
Concordances

RISM 1555^10:16

190 Nun bitten wir den heiligen geist (5vv) [Walter]
Appears on: 190
Genres: Motet, Veni sancte spiritus
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Nu bitten wihr den heiligen geist
General Note

Walter, GA I, S. 44

190–191 Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 190–191
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis
Concordances

RISM 155^11:10

191 Missa Susanna un jour: Kyrie [Lassus]
Appears on: 191
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Susanna se videns [rapi] [KG]
192–193 Missa Susanna un jour: Gloria -
Appears on: 192–193
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa ad imitationem cantilenae Susanna se videns]
193–194 Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu -
Appears on: 193–194
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Que expansis in cruce manibus [3a pars]
General Note

In this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis

194 Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua Ludovici Senfels
Appears on: 194
Genres: Motet
Source Attribution: Ludovici Senfels
Voice: [no designation]
Languages: Latin
Voice Text: Vita in ligno moritur infernus ex morsu II: Qui prophetice prompsisti ero mors III: Qui expansis in cruce manibus
General Note

In this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis

195 Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus -
Appears on: 195
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui prophetiae prompsisti [2a pars]
General Note

In this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis

195–196 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus -
Appears on: 195–196
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Virtus spiritus sancti
196 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud -
Appears on: 196
Genres: Motet
196–197 Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis Josquini
Appears on: 196–197
Genres: Ave Maria, Motet
Source Attribution: Josquini
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in coelis 20.9 II: Ave Maria gratia plena dominus tecum
197–198 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum -
Appears on: 197–198
Genres: Ave Maria, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena [2a pars]
198 Sancta Trinitas unus Deus miserere nobis (6vv) [A.] Fevin/[Craen/ C. Festa/Josquin/ Morales]-[Bruck]
Appears on: 198
Genres: Motet
Source Attribution: [A.] Fevin/[Craen/ C. Festa/Josquin/ Morales]-[Bruck]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere 26.12
General Note

Another 14 pieces follow this in the Altus book; the corresponding pages in this book have been lost.

Concordances

Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10

General Note

Another 14 pieces follow this in the Altus book; the corresponding pages in this book have been lost.

Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Bacchius, Johannes de (–ca. 1557)
Besset, G.
Billon, Jhan de
Bischoff, Melchior
Bruck, Arnold von (ca. 1500–1554)
Burck, Joachim à (1546–1610)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Conseil, Jean (ca. 1498–1534)
Court, Henry de la
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Dressler, Gallus
Fevin, Antoine de (ca. 1470–ca. 1512)
Feys, Arnoldus
Figulus, Wolfgang (ca. 1525–1589)
Forestier, Mathurin
Gaillard, Gilles
Galliculus, Johannes
Gastritz, Mathias
Gombert, Nicolas (ca. 1495–ca. 1560)
Hoffmann, Eucharius
Hollander, Christian
Hollander, Sebastian
Isaac, Heinrich (ca. 1450–1517)
Jonckers, Maistre Gosse
Kerle, Jacobus de
Lassus, Orlande de (ca. 1532–1594)
Le Bel, Barthelemy
Louys, Jean (ca. 1530–1563)
Lupi, Johannes (ca. 1506–1539)
Maillard, Jean (fl. c1538–1570)
Manchicourt, Pierre de
Meiland, Jacob (1542–1577)
Morel, Clement
Othmayr, Caspar
Phinot, Dominique
Pierre, Jean
Rab, Valentin
Rein, Conrad (ca. 1475–1522)
Resinarius, Balthasar
Reusch, Johannes
Richafort, Jean (ca. 1480–ca. 1550)
Rivulo, Franziscus de
Rore, Cipriano de (ca. 1515–1565)
Rupsch, Conrad
Schlegel, Joseph
Senfl, Ludwig (ca. 1486–ca. 1543)
Speiser, Johann Caspar
Stoltzer, Thomas (ca. 1480–1526)
Tonsor, Michael
Tubal, Adrian
Tye, Christopher (ca. 1505–ca. 1573)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Wert, Giaches [Jaches] de (1535–1596)
Willaert, Adrian (ca. 1490–1562)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
[Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt Anonymous 132–133
Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam 66–67
Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam 67–68
Alleluia Anonymous 93
Alleluia. Ascendit Deus in jubilatione Anonymous 114
Alleluia. Benedictus es Domine Deus Anonymous 132
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] 35–36
Alleluia. Pascha nostrum immolatus est 92–93
Alleluia. Veni sancte spiritus reple tuorum Anonymous 125–126
Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat 71–72
Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant 72
Angelus ad pastores ait annuntio vobis 65–66
Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait 74–75
Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est 75
Apparuerunt apostoli dispertitae linguae - 1a pars (of 3): Apparuerunt apostoli dispertitae linguae 129
Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum 129
Apparuerunt apostoli dispertitae linguae - 3a pars (of 3): Loquebantur variis linguis apostoli 129
Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus 121
Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam 122
Ascendo ad patrem meum et ad patrem vestrum Anonymous 115
Ascendo ad patrem meum et patrem vestrum Anonymous 115–116
Ascendo ad patrem meum et patrem vestrum 188–189
Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anonymous 32
Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anonymous 133–134
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus 81–82
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit 82–83
Christe salvator et redemptor gentium Anonymous 71
Confitebor tibi Domine in toto corde Anonymous 40–42
Confitebor tibi Domine in toto corde (8vv, LV189) 167–168
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis 111–112
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 112–113
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum 83–84
Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis 84
Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius 180–181
Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem 181
Das hatt er alles uns getan, sein gross Anonymous 37
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini Anonymous 150–151
Deo nostro jucunda sit decoraque laudatio Anonymous 168
Descendit angelus Domini ad Zachariam dicens Anonymous 152–153
Deus misereatur nostri et benedicat nobis 15
Deus misereatur nostri et benedicat nobis 166–167
Dixit Dominus Domino meo Sede a dextris meis (8vv) 187
Domine rex Deus Abraham dona nobis Anonymous 185
Dum complerentur dies Pentecostes erant omnes 138–139
Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus 16
Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco 16–17
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 105–106
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum 106
Dum transisset sabbatum Maria Magdalena (R. Ut venientes ungerent Jesum alleluia Vs: Et valde mane una sabbatorum 94–95
Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitiam tuam filio regis (5vv) Anonymous 61
Ecce concipies et paries filium (R. Et vocabitur nomen eius Jesus; Vs. Et dabit illi) 85
Ecce cruci affixum- 1a pars (of 2): Ecce cruci affixum quo cuncta movente Anonymous 171, 184
Ecce cruci affixum- 2a pars (of 2): Qui dat sceptra gerit de sentibus Anonymous 171–172
Ecce dies veniunt - 1a pars (of 3): Ecce dies veniunt dicit Dominus et suscitabo 9–10
Ecce dies veniunt - 2a pars (of 3): Et hoc est nomen quod vocabunt 10
Ecce dies veniunt - 3a pars (of 3): Et Israel habitabit confidenter 10–11
Ecce Dominus veniet nolite timere 14.5 5–6
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 185–186
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 186
Exurgens autem Maria Vs. Benedicta tu R. Et benedicta fructus Anonymous 164
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco 3–4
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei 4
Filio dei ascendenti - 1a pars (of 2): Filio dei ascendenti ad caelos iubilemus Anonymous 119–120
Filio dei ascendenti - 2a pars (of 2): Assumptus est in caelum Anonymous 120–121
Gabriel angelus locutus est Mariae dicens 169
Gaudete filiae Jerusalem nam flores apparuerunt 175–176
Geh Deinen Weg auf rechtem Steg fahr Anonymous 177–178
Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe 86
Gloria laus et honor - 2a pars (of 3): Israel es tu Rex 86–87
Gloria laus et honor - 3a pars (of 3): Coetus in excelsis 87
Gloria tibi sancta trinitas aequalis una Deitas Anonymous 134
Gloria tibi trinitas aequalis una Deitas Anonymous 170
Gloria. Gratias agimus tibi propter Anonymous 131–132
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 68
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 69
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo 36
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus domino deo 64
Grates nunc omnes - 2a pars (of 2): Huic oportet 64–65
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis 37
Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus 50
Haec est dies - 2a pars (of 8): Hodie Deus homo factus est 50
Haec est dies - 3a pars (of 8): Id quod fuit permansit 50–51
Haec est dies - 4a pars (of 8): Hodie deus homo factus 51
Haec est dies - 5a pars (of 8): Et quod non erat assumpsit 51
Haec est dies - 6a pars (of 8): Hodie deus homo factus 51
Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis 51–52
Haec est dies - 8a pars (of 8): Gloria tibi Domine 52
Hodie Christus natus est - 1a pars (of 2): Hodie Christus natus est nobis 48–49
Hodie Christus natus est - 2a pars (of 2): Quem vidistis pastores dicite 49–50
Illuminare Jerusalem (I) (R. Et gloria Domini super te orta est Vs. Et ambulabunt gentes in lumine tuo 69–70
In excelso throno - 1a pars (of 2): In excelso throno vidi sedere virum 17–18
In excelso throno - 2a pars (of 2): Jubilate Deo omnis terra 18
In exitu Israel (M47) - 10a pars (of 11): Sed nos qui vivimus 97
In exitu Israel (M47) - 11a pars (of 11): Sicut erat in principio 97
In exitu Israel (M47) - 1a pars (of 11): In exitu Israel de Aegypto domus Jacob 95
In exitu Israel (M47) - 2a pars (of 11): Mare vidit et fugit 95
In exitu Israel (M47) - 3a pars (of 11): A facie Domini 95–96
In exitu Israel (M47) - 4a pars (of 11): Non nobis Domine Sed nomini tuo 96
In exitu Israel (M47) - 5a pars (of 11): Deus autem noster 96
In exitu Israel (M47) - 6a pars (of 11): Simulachra gentium 96
In exitu Israel (M47) - 7a pars (of 11): Aures habent 96
In exitu Israel (M47) - 8a pars (of 11): Domus Israel speravit 96–97
In exitu Israel (M47) - 9a pars (of 11): Qui timent Dominum 97
In exitu Israel de Aegÿpto Anonymous 107–109
Ingressus angelus ad Mariam et ait Anonymous 85–86
Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari 158
Innuebant patri - 2a pars (of 2): Apertum est os Zachariae et prophetavit 158–159
Inter natos - 1a pars (of 2): Inter natos mulierum 155–156
Inter natos - 2a pars (of 2): Fuit homo missus a Deo 156–157
Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo) 151–152
Ite in orbem universum et praedicate (R: Qui crediderit et baptisatus fuerit Vs. In nomine patris et filii et spiritus Anonymous 114–115
Jam non dicam vos servos sed amicos (8vv) 144–145
Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras 38–39
Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium 39–40
Lauda Jerusalem (Ps. 147) - 1a pars (of 2): Lauda Jerusalem Dominum lauda deum Anonymous 18–19
Lauda Jerusalem (Ps. 147) - 2a pars (of 2): Dum committeret bellum Anonymous 19–20
Lauda Jerusalem Dominum lauda Deum Anonymous 116–117
Magnificat octavi toni (4vv) [NR 24] 109
Magnificat octavi toni: Et exultavit [K.405] Anonymous 20–21
Magnificat primi toni: Et exultavit spiritus meus 22–25
Magnificat quinti toni: Et exultavit spiritus meus 44–48
Magnificat Sexti Toni: Et exultavit [K.348] Anonymous 21–22
Magnificat Sexti Toni: Et exultavit [K.349] (with interpolated Latin and German Easter songs) Anonymous 110–111
Magnificat tertii toni (6vv): Et exultavit [NR 3] 136–138
Magnificat Tertii Toni: Et exultavit [K.781] 145–147
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 102–103
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 104–105
Missa D'amours me plains: Gloria 154–155
Missa d'amours me plains: Kyrie 153
Missa D'amours me plains: Sanctus 155
Missa Doulce Memoire: Gloria 27–29
Missa Doulce memoire: Kyrie 26–27
Missa Doulce Memoire: Sanctus 29
Missa Lobet den Herren: Gloria 25–26
Missa Lobet den Herren: Kyrie 25
Missa Nun bitten wir den heiligen Geist: Gloria Anonymous 30–31
Missa Nun bitten wir den heiligen Geist: Kyrie Anonymous 29–30
Missa O admirabile commercium: Et in terra pax [Gloria] 62–64
Missa O admirabile commercium: Kyrie 61–62
Missa O admirabile commercium: Sanctus 64
Missa Paschale: Gloria 91–92
Missa Paschale: Kyrie 90–91
Missa Susanna un jour: Gloria 192–193
Missa Susanna un jour: Kyrie 191
Missa Tulerunt Dominum meum: Agnus Dei 101
Missa Tulerunt Dominum meum: Gloria 98–101
Missa Tulerunt Dominum meum: Kyrie 97–98
Missa Tulerunt Dominum meum: Sanctus 101
Missa Veni in ortum meum: Agnus Dei 161
Missa Veni in ortum meum: Et in terra [Gloria] 159–160
Missa Veni in ortum meum: Kyrie 159
Missa Veni in ortum meum: Sanctus 160–161
Missa: Gloria 34–35
Missa: Gloria 124–125
Missa: Kyrie [Tro] Magne Deus (Christe [Tro] Summi patris, Kyrie II [Tro] Cuius natus) 33
Missa: Et in terra pax [Gloria] Anonymous 1–3
Missa: Kyrie Anonymous 123
Missa: Kyrie (fragmentary) Anonymous 1
Missa: Sanctus Anonymous 3
Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque 56–57
Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino 57–58
Nun bitten wir den heiligen geist (5vv) 190
Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum 178–179
Nunc dimittis - 2a pars (of 2): Lumen ad revelationem 179–180
O admirabile commercium creator generis 65
O Jesu Christ Dein nam der ist so gewaltig Anonymous 54–55
O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa 161
O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum 162
O sacrum convivium in quo Christus sumitur (8vv) 11
O sidus praeclarissimum Jesu nate hodie Anonymous 72–73
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli 142–143
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis 143–144
Omnes sitientes venite ad aquas 80–81
Omnia quae fecisti nobis Domine in vero 165–166
Paraclitus autem spiritus - 1a pars (of 2): Paraclitus autem spiritus 141
Paraclitus autem spiritus - 2a pars (of 2): Non turbetur cor vestrum 142
Passio Germanica: Das leidenn unsers Herrem Jesu Christi 52–54
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis 196–197
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 197–198
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 164–165
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris 165
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 12–13
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris 13–14
Postquam impleti sunt dies purgationis 77–78
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus 195–196
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud 196
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] 32–33
Quare fremuerunt gentes et populi Anonymous 59–61
Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua 194
Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus 195
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu 193–194
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me 87–88
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti Anonymous 88–89
Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant 6–7
Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium 7–8
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius 5
Salvatorem expectamus Dominum nostrum 8–9
Salve festa dies - 1a pars (of 3): (Salve festa dies) Toto venerabilis aevo Anonymous 90
Salve festa dies - 2a pars (of 3): Ecce renascentis Anonymous 90
Salve festa dies - 3a pars (of 3): Namque triumphanti Anonymous 90
Sancta Trinitas unus Deus miserere nobis (6vv) 198
Sancta Trinitas unus Deus miserere nobis (8vv) 190–191
Senex puerum portabat puer autem senem Anonymous 182
Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum 148–149
Sic deus dilexit - 2a pars (of 2): Venite ad me omnes 149–150
Sihe wie fein und lieblich ists dass brüder 14
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 122–123
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 130
Spiritus sanctus - 1a pars (of 2): Spiritus sanctus procedens à throno 139–140
Spiritus sanctus - 2a pars (of 2): Advenit ignis divinus 140–141
Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam) 134–136
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 162–163
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea Anonymous 174
Surge propera - 2a pars (of 2): Surge amica mea speciosa Anonymous 174–175
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 163
Suscepimus Deus misericordiam tuam Vs: Magnus Dominus In civitate Domini Anonymous 70–71
Te sanctum Dominum (R: Te decet laus et honor, Vs. Cherubin quoque) 168, 173
Tecum principium in die virtutis tuae Anonymous 42
Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit 118
Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet 118–119
Tota pulchra es amica mea et macula 80
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 182–183
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 183–184
Tristis est anima mea - 1a pars (of 2): Tristis est anima mea usque ad mortem 55
Tristis est anima mea - 2a pars (of 2): Vigilate et orate 55–56
Tristis est anima mea usque ad mortem 172
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 102
Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) 11–12
Tulerunt Dominum meum et nescio ubi 107
Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit 48
Veni in ortum meum charissima mea 176–177
Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anonymous 126
Veni sancte spiritus - 2a pars (of 4): In labore requies Anonymous 126
Veni sancte spiritus - 3a pars (of 4): Sine tuo numine Anonymous 126–127
Veni sancte spiritus - 4a pars (of 4): Da virtutis meritum Anonymous 127
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte 147
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis 148
Veni sancte spiritus reple tuorum corda Anonymous 127–128
Veni sancte spiritus reple tuorum corda Anonymous 128–129
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna 76
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine 76–77
Verbum caro factum est 37–38
Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum 42–44
Verbum iniquum et dolosum longe fac a me 79
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden 93
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden 92–93
Victimae paschali - 3a pars (of 3): Credendum est magis 93
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous 113
Viri Galilaei quid aspicitis in caelum 188
Vox in Rama audita est ploratus et ululatus 73–74
Wohl dem, der den Herren fürchtet - 1a pars (of 2): Wohl dem, der den Herren fürchtet 58
Wohl dem, der den Herren fürchtet - 2a pars (of 2): Der Herr wird dich segnen 59

Set: MS Glashütte 5 (1-2)

Type: Partbooks

No images available

D-Dl MS Glashütte 5 (1)

No images available

D-Dl MS Glashütte 5 (2)

denotes primary source study

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 350-l. Notes: contents list (partial); concordances (partial); incipits (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 347,414,523,797. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 599ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial).

Brown, Howard Mayer. 1976. Accidentals and Ornamentation in Sixteenth-Century Intabulations of Josquin's Motets. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971,  London, New York, and Toronto. Pages: 516. Notes: concordances (partial).

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270-l. Notes: contents list (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 53-61. Notes: physical description (partial); contents list; concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 305. Notes: mention of MS.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies.  Brooklyn. Pages: III, iii-v; IV, plate xxix. Notes: concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe.  Kassel and Basel. Pages: XII,xxvi; Xlll.xxx.xxxiii-xxxiv [Lassus Missa Veni in hortum meum is #121 in DresSL Glashütte 5, not #21]. Notes: physical description (partial); contents list (partial); concordances (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 137. Notes: physical description.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description