Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1 | Missa: Kyrie (fragmentary) | Anon. | Anonymous |
Missa: Kyrie (fragmentary)Anonymous
Appears on:
1
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
[Missa] [KGS, Kyrie fragmentary]
General NoteThe Kyrie is fragmentary, only the end surviving in this book (it is lost altogether in the Altus) |
|||
1–3 | Missa: Et in terra pax [Gloria] | - | Anonymous |
Missa: Et in terra pax [Gloria]Anonymous
Appears on:
1–3
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria [Missa]
|
|||
3 | Missa: Sanctus | - | Anonymous |
Missa: SanctusAnonymous
Appears on:
3
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sanctus [Missa]
|
|||
3–4 | Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco | [Bacchius] | |
Appears on:
3–4
Genres:
Motet
Source Attribution:
[Bacchius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Factum est silentium in coelo dum draco II: Millia millium ministrabant ei
|
|||
4 | Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei | [Bacchius] | |
Appears on:
4
Source Attribution:
[Bacchius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Millia millium ministrabant ei [2a pars]
|
|||
5 | Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Et opera eius | [Stoltzer] | |
Appears on:
5
Genres:
Motet
Source Attribution:
[Stoltzer]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Rorate coeli de super et nubes pluant Vs: Coeli enarrant gloriam dei et opera
|
|||
5–6 | Ecce Dominus veniet nolite timere 14.5 | [Jonckers/Josquin/ Senfl] | |
Appears on:
5–6
Genres:
Motet
Source Attribution:
[Jonckers/Josquin/ Senfl]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ecce dominus veniet nolite timere 14.5
|
|||
6–7 | Rorate caeli - 1a pars (of 2): Rorate caeli desuper et nubes pluant | [J. Louys] | |
Appears on:
6–7
Genres:
Introit
Source Attribution:
[J. Louys]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Rorate coeli desuper et nubes pluant II: Expectetur sicut pluvia eloquium
|
|||
7–8 | Rorate caeli - 2a pars (of 2): Expectetur sicut pluvia eloquium | - | |
Appears on:
7–8
Genres:
Introit
Voice:
[no designation]
Languages:
Latin
Voice Text:
Expectetur sicut pluvia [2a pars]
|
|||
8–9 | Salvatorem expectamus Dominum nostrum | Anon. | |
Appears on:
8–9
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salvatorem expectamus dominum nostrum
|
|||
9–10 | Ecce dies veniunt - 1a pars (of 3): Ecce dies veniunt dicit Dominus et suscitabo | [Resinarius] | |
Appears on:
9–10
Genres:
Motet
Source Attribution:
[Resinarius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ecce dies veniet dicit dominus et suscitabo II: Et hoc est nomen quod vocabunt III: Et Israel habitabit confidenter
General NoteRhaw 1544 |
|||
10 | Ecce dies veniunt - 2a pars (of 3): Et hoc est nomen quod vocabunt | [Resinarius] | |
Appears on:
10
Genres:
Motet
Source Attribution:
[Resinarius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et hoc est nomen quod vocabunt [2a pars]
General NoteRhaw 1544 |
|||
10–11 | Ecce dies veniunt - 3a pars (of 3): Et Israel habitabit confidenter | [Resinarius] | |
Appears on:
10–11
Genres:
Motet
Source Attribution:
[Resinarius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et Israel habitabit confidenter [3a pars]
General NoteRhaw 1544 |
|||
11 | O sacrum convivium in quo Christus sumitur (8vv) | [Phinot] | |
Appears on:
11
Genres:
Motet
Source Attribution:
[Phinot]
Voice:
[no designation]
Languages:
Latin
Voice Text:
O sacrum convivium in quo Christus sumitur
ConcordancesRISM 1555^11:49 |
|||
11–12 | Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) | [Gombert/Josquin] | |
Appears on:
11–12
Genres:
Alleluia, Motet
Source Attribution:
[Gombert/Josquin]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Noli flere Maria alleluia 14.7 [Pars II of Lugebat David Absalom pius pater]
General Note(2a pars only) |
|||
12–13 | Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te | [Clemens non Papa/ Crecquillon] | |
Appears on:
12–13
Genres:
Motet
Source Attribution:
[Clemens non Papa/ Crecquillon]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater peccavi in coelum et coram te II: Quanti mercenarii in domo patris
ConcordancesRISM 1556^9:44. General NoteSteude catalogue & RISM-online suggest only the first part is copied? |
|||
13–14 | Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
Appears on:
13–14
Genres:
Motet
General NoteSteude catalogue & RISM-online suggest only the first part is copied? |
|||
14 | Sihe wie fein und lieblich ists dass brüder | [Dressler] | |
Appears on:
14
Genres:
Motet
Source Attribution:
[Dressler]
Voice:
[no designation]
Languages:
German
Voice Text:
Sihe wie fein und lieblich ists dass brüder
General NoteK. Gerlach 1580:1 |
|||
15 | Deus misereatur nostri et benedicat nobis | [Bischoff] | |
Appears on:
15
Genres:
Motet
Source Attribution:
[Bischoff]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Deus misereatur nostri et benedicat nobis
|
|||
16 | Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus | [Clemens non Papa] | |
Appears on:
16
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dum praeliaretur Michael archangelus II: Dum committeret bellum draco
|
|||
16–17 | Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco | [Clemens non Papa] | |
Appears on:
16–17
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dum committeret bellum draco [2a pars]
|
|||
17–18 | In excelso throno - 1a pars (of 2): In excelso throno vidi sedere virum | [Kerle/Tonsor] |
Tonsor, Michael
(?)
|
Appears on:
17–18
Genres:
Motet
Source Attribution:
[Kerle/Tonsor]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In excelso throno vidi sedere virum II: Jubilate deo omnis terra servite
|
|||
18 | In excelso throno - 2a pars (of 2): Jubilate Deo omnis terra | - |
Tonsor, Michael
(?)
|
Appears on:
18
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Jubilate deo omnis terra [2a pars]
|
|||
18–19 | Lauda Jerusalem (Ps. 147) - 1a pars (of 2): Lauda Jerusalem Dominum lauda deum | Anon. | Anonymous |
Appears on:
18–19
Genres:
Psalm
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ps. 147: Lauda Jerusalem dominum lauda deum
|
|||
19–20 | Lauda Jerusalem (Ps. 147) - 2a pars (of 2): Dum committeret bellum | - | Anonymous |
Appears on:
19–20
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dum committeret bellum [2a pars]
|
|||
20–21 | Magnificat octavi toni: Et exultavit [K.405] | Anon. | Anonymous |
Appears on:
20–21
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Magnificat VIII. Toni: Et exultavit spiritus meus
General NoteKirsch S. 252 (Nr 405) |
|||
21–22 | Magnificat Sexti Toni: Et exultavit [K.348] | Anon. | Anonymous |
Appears on:
21–22
Genres:
Magnificat
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Magnif[icat] VI. Toni: Et exultavit spiritus meus
General NoteKirsch S. 243 (Nr. 348) |
|||
22–25 | Magnificat primi toni: Et exultavit spiritus meus | [Senfl] | |
Appears on:
22–25
Genres:
BVM, Canticle, Magnificat
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Magnificat Primi toni]: Et exultavit spiritus meus (Copied out of sequence in A book, between #21/22, not missing in this book, as stated by KirschQM)
General NoteKirsch S. 132, 395 |
|||
25 | Missa Lobet den Herren: Kyrie | Val. Corvinus [= Rabe] | |
Appears on:
25
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Val. Corvinus [= Rabe]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa Lobett den Herrenn [KG]
|
|||
25–26 | Missa Lobet den Herren: Gloria | - | |
Appears on:
25–26
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria [Missa ad imitationem Cantilenae germanicae Lobet den Herren]
|
|||
26–27 | Missa Doulce memoire: Kyrie | Cyprianus de Rore | |
Appears on:
26–27
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Cyprianus de Rore
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa super Doulce memoiri [KGS]
|
|||
27–29 | Missa Doulce Memoire: Gloria | - | |
Appears on:
27–29
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria [Missa super Doulce Memoiri]
|
|||
29 | Missa Doulce Memoire: Sanctus | - | |
Appears on:
29
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sanctus [Missa super Doulce Memoiri]
|
|||
29–30 | Missa Nun bitten wir den heiligen Geist: Kyrie | Anon. | Anonymous |
Appears on:
29–30
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa super Nu bittenn wihr den heiligen Geist [KG]
|
|||
30–31 | Missa Nun bitten wir den heiligen Geist: Gloria | - | Anonymous |
Appears on:
30–31
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria [Missa super Nu bitten wihr den heiligen Geist]
|
|||
32 | Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu | Anon. | Anonymous |
Appears on:
32
Genres:
Introit, Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
(Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
|
|||
32–33 | Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] | [Isaac] | |
Appears on:
32–33
Genres:
Introit
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
Latin
Voice Text:
(Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
ConcordancesRISM 1545^5 |
|||
33 | Missa: Kyrie [Tro] Magne Deus (Christe [Tro] Summi patris, Kyrie II [Tro] Cuius natus) | - | |
Appears on:
33
Genres:
Kyrie eleison, Mass Ordinary
|
|||
34–35 | Missa: Gloria | Anon. | |
Appears on:
34–35
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
[Missa] [KG]
|
|||
35–36 | Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] | [Isaac] | |
Appears on:
35–36
Genres:
Alleluia, Motet
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Dies sanctificatus illuxit nobis
|
|||
36 | Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo | [Reusch] | |
Appears on:
36
Genres:
Motet
Source Attribution:
[Reusch]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
|
|||
37 | Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis | - | |
Appears on:
37
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Huic oportet [2a pars]
|
|||
37 | Das hatt er alles uns getan, sein gross | Anon. | Anonymous |
Das hatt er alles uns getan, sein grossAnonymous
Appears on:
37
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Das hatt er alles uns gethan sein gross
|
|||
37–38 | Verbum caro factum est | [Crecquillon] | |
Appears on:
37–38
Genres:
Motet
Source Attribution:
[Crecquillon]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Verbum caro factum est et habitavit
|
|||
38–39 | Judaea et Jerusalem - 1a pars (of 2): Judaea et Jerusalem nolite timere cras | [La Court] | |
Appears on:
38–39
Genres:
Motet
Source Attribution:
[La Court]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Judaea et Hierusalem nolite timere cras II: Constantes estote et videbitis
ConcordancesRISM 1568^2:5 |
|||
39–40 | Judaea et Jerusalem - 2a pars (of 2): Constantes estote videbitis auxilium | - | |
Appears on:
39–40
Genres:
Motet
ConcordancesRISM 1568^2:5 |
|||
40–42 | Confitebor tibi Domine in toto corde | Anon. | Anonymous |
Confitebor tibi Domine in toto cordeAnonymous
Appears on:
40–42
Genres:
Motet, Psalm
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ps. 110: Confitebor tibi domine in toto corde (Chant incipit for antiphon "Tecum principium" precedes psalm in D book)
General Note(Chant incipit for antiphon "Tecum principium" precedes this psalm in D book) |
|||
42 | Tecum principium in die virtutis tuae | Anon. | Anonymous |
Tecum principium in die virtutis tuaeAnonymous
Appears on:
42
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tecum principium in die virtutis tuae
|
|||
42–44 | Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum | [Resinarius] | |
Appears on:
42–44
Genres:
Responsory
Source Attribution:
[Resinarius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Verbum caro factum est et habitavit II: Plenum gratia et veritate III: In principio erat verbum et verbum
General NoteRhaw 1544 |
|||
44–48 | Magnificat quinti toni: Et exultavit spiritus meus | [Senfl] | |
Appears on:
44–48
Genres:
BVM, Canticle, Magnificat
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin, German
Voice Text:
[Magnificat Quinti toni]: Et exultavit spiritus meus (With interpolated Latin/German Christmas songs)
General NoteKirsch S. 132, 395 |
|||
48 | Uns ist geborn - 2a pars (of 2): Virga Jesse floruit Emanuel noster apparuit | - | |
Appears on:
48
Genres:
Contrafactum, Motet
General Notethe last of the 6 songs interpolated into the Magnificat |
|||
48–49 | Hodie Christus natus est - 1a pars (of 2): Hodie Christus natus est nobis | [Conseil/Lupi] | |
Appears on:
48–49
Genres:
Motet
Source Attribution:
[Conseil/Lupi]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hodie Christus natus est hodie salvator II: Quem vidistis pastores dicite
General NoteRISM 1559^1:25. For discussion of composer, see CMM 84, p.XIX-XXI |
|||
49–50 | Hodie Christus natus est - 2a pars (of 2): Quem vidistis pastores dicite | - | |
Appears on:
49–50
Genres:
Motet
|
|||
50 | Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus | [Senfl] | |
Appears on:
50
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Haec est dies quam fecit dominus II: Hodie deus homo factus III: Id quod fuit permansit IV: Hodie deus homo factus V: Et quod non erat assumpsit VI: Hodie deus homo factus VII: Ergo exordium nostrae redemptionis
|
|||
50 | Haec est dies - 2a pars (of 8): Hodie Deus homo factus est | - | |
Appears on:
50
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hodie Deus homo factus est [2a pars]
|
|||
50–51 | Haec est dies - 3a pars (of 8): Id quod fuit permansit | [Senfl] | |
Appears on:
50–51
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Id quod fuit permansit [3a pars]
|
|||
51 | Haec est dies - 5a pars (of 8): Et quod non erat assumpsit | [Senfl] | |
Appears on:
51
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et quod non erat assumpsit [5a pars]
|
|||
51 | Haec est dies - 6a pars (of 8): Hodie deus homo factus | [Senfl] | |
Appears on:
51
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hodie deus homo factus [6a pars]
|
|||
51 | Haec est dies - 4a pars (of 8): Hodie deus homo factus | [Senfl] | |
Appears on:
51
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hodie deus homo factus [4a pars]
|
|||
51–52 | Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis | [Senfl] | |
Appears on:
51–52
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ergo exordium nostrae redemptionis [7a pars]
|
|||
52 | Haec est dies - 8a pars (of 8): Gloria tibi Domine | - | |
Appears on:
52
Genres:
Motet
|
|||
52–54 | Passio Germanica: Das leidenn unsers Herrem Jesu Christi | Josepho Schlegelio [= Schlegel] | |
Appears on:
52–54
Genres:
Liturgical work, Passion
Source Attribution:
Josepho Schlegelio [= Schlegel]
Voice:
[no designation]
Languages:
German
Voice Text:
Passio Germanica: Das leidenn unsers Herrem Jesu Christi
|
|||
54–55 | O Jesu Christ Dein nam der ist so gewaltig | Anon. | Anonymous |
Appears on:
54–55
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
O Jesu Christ dein nam der ist so gewaltig
|
|||
55 | Tristis est anima mea - 1a pars (of 2): Tristis est anima mea usque ad mortem | [Tubal] | |
Appears on:
55
Genres:
Motet
Source Attribution:
[Tubal]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tristis est anima mea usque ad mortem II: Vigilate et orate ut non intretis
General NoteRISM 1559^2:67 |
|||
55–56 | Tristis est anima mea - 2a pars (of 2): Vigilate et orate | - | |
Appears on:
55–56
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vigilate et orate [2a pars]
General NoteRISM 1559^2:67 |
|||
56–57 | Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque | [Meiland] | |
Appears on:
56–57
Genres:
Motet
Source Attribution:
[Meiland]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Non auferetur sceptrum de Juda neque II: Lavabit in vino stolam suam
ConcordancesNeuber, Montanus Erben 1564:16 |
|||
57–58 | Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino | - | |
Appears on:
57–58
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Lavabit in vino [2a pars]
ConcordancesNeuber, Montanus Erben 1564:16 |
|||
58 | Wohl dem, der den Herren fürchtet - 1a pars (of 2): Wohl dem, der den Herren fürchtet | [Reusch] | |
Appears on:
58
Genres:
Psalm
Source Attribution:
[Reusch]
Voice:
[no designation]
Languages:
German
Voice Text:
Woll dem der den Herren fürchtet II: Der Herr wirdt dich segnen
|
|||
59 | Wohl dem, der den Herren fürchtet - 2a pars (of 2): Der Herr wird dich segnen | - | |
Appears on:
59
Genres:
Psalm
Voice:
[no designation]
Languages:
German
Voice Text:
Der Herr wirdt dich segnen [2a pars]
|
|||
59–61 | Quare fremuerunt gentes et populi | Anon. | Anonymous |
Quare fremuerunt gentes et populiAnonymous
Appears on:
59–61
Genres:
Psalm
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ps. 2: Quare fremuerunt gentes et populi
|
|||
61 | Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitiam tuam filio regis (5vv) | Anon. | Anonymous |
Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitiam tuam filio regis (5vv)Anonymous
Appears on:
61
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ecce advenit dominator dominus et regnum Vs: (Deus iudicium tuum) Et iusticiam tuam
|
|||
61–62 | Missa O admirabile commercium: Kyrie | [Figulus] | |
Appears on:
61–62
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
[Figulus]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa super O admirabile [commercium] [KGS]
General NoteBk 41:22 - 96:21 |
|||
62–64 | Missa O admirabile commercium: Et in terra pax [Gloria] | - | |
Appears on:
62–64
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
64 | Missa O admirabile commercium: Sanctus | - | |
Appears on:
64
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
64 | Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus domino deo | Matthias Gastrix [= Gastritz] | |
Appears on:
64
Genres:
Motet
Source Attribution:
Matthias Gastrix [= Gastritz]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
|
|||
64–65 | Grates nunc omnes - 2a pars (of 2): Huic oportet | - | |
Appears on:
64–65
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Huic oportet [2a pars]
|
|||
65 | O admirabile commercium creator generis | [Stoltzer] | |
Appears on:
65
Genres:
Motet
Source Attribution:
[Stoltzer]
Voice:
[no designation]
Languages:
Latin
Voice Text:
O admirabile commertium creator generis
General NoteHoffm.-Erbr. I, Wv 48 |
|||
65–66 | Angelus ad pastores ait annuntio vobis | [Lassus] | |
Appears on:
65–66
Genres:
Motet
Source Attribution:
[Lassus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Angelus ad pastores ait annuncio vobis
General NoteMontanus u. Neuber 1564:8 |
|||
66–67 | Ab oriente venerunt - 1a pars (of 2): Ab oriente venerunt magi Jerosolimam | [Clemens non Papa] | |
Appears on:
66–67
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ab oriente venerunt magi Hierosolymam II: Videntes autem stellam gavisi sunt
|
|||
67–68 | Ab oriente venerunt - 2a pars (of 2): Videntes autem stellam | - | |
Appears on:
67–68
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Videntes autem stellam [2a pars]
|
|||
68 | Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo | [Senfl] | |
Appears on:
68
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
General NoteRISM 1559^1:33 |
|||
69 | Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis | - | |
Appears on:
69
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Huic oportet [2a pars]
General NoteRISM 1559^1:33 |
|||
69–70 | Illuminare Jerusalem (I) (R. Et gloria Domini super te orta est Vs. Et ambulabunt gentes in lumine tuo | [Resinarius] | |
Appears on:
69–70
Genres:
Responsory
Source Attribution:
[Resinarius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Illuminare Hierusalem venit lux tua II: Et gloria domino super te Hierusalem III: [Et ambulabunt gentes] Et reges in splendore
General NoteRhaw 1544 |
|||
70–71 | Suscepimus Deus misericordiam tuam Vs: Magnus Dominus In civitate Domini | Anon. | Anonymous |
Appears on:
70–71
Genres:
Introit
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
(Suscepimus) Deus misericordiam tuam Vs: (Magnus dominus) In civitate domini
|
|||
71 | Christe salvator et redemptor gentium | Anon. | Anonymous |
Christe salvator et redemptor gentiumAnonymous
Appears on:
71
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Christe salvator et redemptor gentium
|
|||
71–72 | Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat | Orlando di Lasso | |
Appears on:
71–72
Genres:
Alleluia, Motet
Source Attribution:
Orlando di Lasso
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Vox laeta sonat vox iubilat II: Alleluia. Prae gaudio resultant
|
|||
72 | Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant | - | |
Appears on:
72
Genres:
Alleluia
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. praegaudio resultant [2a pars]
|
|||
72–73 | O sidus praeclarissimum Jesu nate hodie | Anon. | Anonymous |
O sidus praeclarissimum Jesu nate hodieAnonymous
Appears on:
72–73
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
O sÿdus praeclarissimum Jesu nate hodie
|
|||
73–74 | Vox in Rama audita est ploratus et ululatus | [Clemens non Papa] | |
Appears on:
73–74
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vox in Rhama audita est ploratus et ululatus
|
|||
74–75 | Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait | [Clemens non Papa] | |
Appears on:
74–75
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Angelus domini ad pastores ait annuncio II: Parvulus filius hodie natus est
General NoteRISM 1554^10:6 |
|||
75 | Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est | - | |
Appears on:
75
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Parvulus filius nobis natus est [2a pars]
General NoteRISM 1554^10:6 |
|||
76 | Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna | [Clemens non Papa] | |
Appears on:
76
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Venit vox de coelo cum luce superna II: Respondit miles quis es tu domine?
ConcordancesRISM 1559^1:49 |
|||
76–77 | Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine | - | |
Appears on:
76–77
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Respondit miles[2a pars]
ConcordancesRISM 1559^1:49 |
|||
77–78 | Postquam impleti sunt dies purgationis | [Billon] | |
Appears on:
77–78
Genres:
Motet
Source Attribution:
[Billon]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Postquam impleti sunt dies pergationis
|
|||
79 | Verbum iniquum et dolosum longe fac a me | Anon. | |
Appears on:
79
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Verbum iniquum et dolosum longe fac à me
General Note(note: 'cum 3bus Tenoribus') |
|||
80 | Tota pulchra es amica mea et macula | - | |
Appears on:
80
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tota pulchra es amica mea et macula
|
|||
80–81 | Omnes sitientes venite ad aquas | Anon. | |
Appears on:
80–81
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Omnes sitientes venite ad aquas
|
|||
81–82 | Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus | Berthe: le Bel | |
Appears on:
81–82
Genres:
Motet
Source Attribution:
Berthe: le Bel
Voice:
[no designation]
Languages:
Latin
Voice Text:
Caro mea vere est cibus et sanguis meus II: Hic est panis qui de coelo descendit
|
|||
82–83 | Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit | - | |
Appears on:
82–83
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hic est panis [2a pars]
|
|||
83–84 | Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum | Tho. Creql. [= Crecquillon] | |
Appears on:
83–84
Genres:
Motet
Source Attribution:
Tho. Creql. [= Crecquillon]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Cor mundum crea in me deus et spiritum II: Averte faciem tuam à peccatis meis
|
|||
84 | Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis | - | |
Appears on:
84
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Averte faciem tuam [2a pars]
|
|||
85–86 | Ingressus angelus ad Mariam et ait | Anon. | Anonymous |
Ingressus angelus ad Mariam et aitAnonymous
Appears on:
85–86
Genres:
Antiphon
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ingressus angelus ad Mariam et ait
|
|||
85 | Ecce concipies et paries filium (R. Et vocabitur nomen eius Jesus; Vs. Et dabit illi) | [Resinarius] | |
Appears on:
85
Genres:
Responsory
Source Attribution:
[Resinarius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ecce concipies et paries filium II: Et vocabitur nomen eius Jesus III: [Hic erit magnus] Et dabit illi
General NoteRhaw 1544 |
|||
86 | Gloria laus et honor - 1a pars (of 3): Gloria laus Et honor tibi sit rex Christe | [Othmayr] | |
Appears on:
86
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Voice Text:
(Gloria laus) Et honor tibi sit rex Christe II: Israel es tu rex Davidis inclÿta III: Coetus in excelsis laudat coelicus
|
|||
86–87 | Gloria laus et honor - 2a pars (of 3): Israel es tu Rex | - | |
Appears on:
86–87
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Israel es tu Rex [2a pars]
|
|||
87 | Gloria laus et honor - 3a pars (of 3): Coetus in excelsis | - | |
Appears on:
87
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Coetus in excelsis [3a pars]
|
|||
87–88 | Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me | [Hähnel] | |
Appears on:
87–88
Genres:
Introit
Source Attribution:
[Hähnel]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me
ConcordancesRISM 1539^14 |
|||
88–89 | Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti | Anon. | Anonymous |
Appears on:
88–89
Genres:
Introit
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Resurrexi et adhuc tecum sum alleluia Vs: (Domine probasti me) Tu cognovisti
|
|||
90 | Salve festa dies - 1a pars (of 3): (Salve festa dies) Toto venerabilis aevo | Anon. | Anonymous |
Appears on:
90
Genres:
Introit
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
(Salve festa dies) Toto venerabilis aevo II: Ecce renascentis testatur gratia III: Namque triumphanti post tristia
|
|||
90 | Salve festa dies - 2a pars (of 3): Ecce renascentis | - | Anonymous |
Appears on:
90
Genres:
Introit
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ecce renascentis [2a pars]
|
|||
90 | Salve festa dies - 3a pars (of 3): Namque triumphanti | - | Anonymous |
Appears on:
90
Genres:
Introit
Voice:
[no designation]
Languages:
Latin
Voice Text:
Namque triumphanti [3a pars]
|
|||
90–91 | Missa Paschale: Kyrie | [Hähnel] | |
Appears on:
90–91
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
[Hähnel]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa Festi Resurrectionis Christi [KG]
ConcordancesRISM 1539^14 |
|||
91–92 | Missa Paschale: Gloria | - | |
Appears on:
91–92
Genres:
Gloria (et in terra pax)
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria [Missa festi Resurrectionis Christi]
ConcordancesRISM 1539^14 |
|||
92–93 | Alleluia. Pascha nostrum immolatus est | [Hähnel] | |
Appears on:
92–93
Genres:
Alleluia, Motet
Source Attribution:
[Hähnel]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Pascha nostrum immolatus est
General NoteRISM 1539^14 - Bk 9:12 - 15:24 - 46:20-21 |
|||
93 | Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden | [Hähnel] | |
Appears on:
93
Genres:
Hymn
Source Attribution:
[Hähnel]
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
ConcordancesRISM 1539^14 |
|||
92–93 | Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden | - | |
Appears on:
92–93
Genres:
Hymn
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dic nobis Maria [2a pars]
ConcordancesRISM 1539^14 |
|||
93 | Victimae paschali - 3a pars (of 3): Credendum est magis | - | |
Appears on:
93
Genres:
Hymn
Voice:
[no designation]
Languages:
Latin
Voice Text:
Credendum est magis [3a pars]
ConcordancesRISM 1539^14 |
|||
93 | Alleluia | Anon. | Anonymous |
AlleluiaAnonymous
Appears on:
93
Genres:
Alleluia
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia
|
|||
94–95 | Dum transisset sabbatum Maria Magdalena (R. Ut venientes ungerent Jesum alleluia Vs: Et valde mane una sabbatorum | [Resinarius] | |
Appears on:
94–95
Genres:
Response
Source Attribution:
[Resinarius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dum transisset sabbathum Maria Magdalena II: Ut venientes ungerent Jesum alleluia III: Et valde mane una sabbathorum
General NoteRhaw 1544 |
|||
95 | In exitu Israel (M47) - 1a pars (of 11): In exitu Israel de Aegypto domus Jacob | [Senfl] | |
Appears on:
95
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Voice Text:
In exitu Israel de Aegÿpto domus Jacob
ConcordancesRISM 1539^14 |
|||
95 | In exitu Israel (M47) - 2a pars (of 11): Mare vidit et fugit | - | |
Appears on:
95
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Mare vidit et fugit [2a pars]
ConcordancesRISM 1539^14 |
|||
95–96 | In exitu Israel (M47) - 3a pars (of 11): A facie Domini | - | |
Appears on:
95–96
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
A facie Domini [3a pars]
ConcordancesRISM 1539^14 |
|||
96 | In exitu Israel (M47) - 4a pars (of 11): Non nobis Domine Sed nomini tuo | - | |
Appears on:
96
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Non nobis Domine [4a pars]
ConcordancesRISM 1539^14 |
|||
96 | In exitu Israel (M47) - 5a pars (of 11): Deus autem noster | - | |
Appears on:
96
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Deus autem noster [5a pars]
ConcordancesRISM 1539^14 |
|||
96 | In exitu Israel (M47) - 6a pars (of 11): Simulachra gentium | - | |
Appears on:
96
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Simulachra gentium [6a pars]
ConcordancesRISM 1539^14 |
|||
96 | In exitu Israel (M47) - 7a pars (of 11): Aures habent | - | |
Appears on:
96
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Aures habent [7a pars]
ConcordancesRISM 1539^14 |
|||
96–97 | In exitu Israel (M47) - 8a pars (of 11): Domus Israel speravit | - | |
Appears on:
96–97
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domus Israel speravit [8a pars]
ConcordancesRISM 1539^14 |
|||
97 | In exitu Israel (M47) - 9a pars (of 11): Qui timent Dominum | - | |
Appears on:
97
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Qui timent Dominum [9a pars]
ConcordancesRISM 1539^14 |
|||
97 | In exitu Israel (M47) - 10a pars (of 11): Sed nos qui vivimus | - | |
Appears on:
97
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sed nos qui vivimus [10a pars]
ConcordancesRISM 1539^14 |
|||
97 | In exitu Israel (M47) - 11a pars (of 11): Sicut erat in principio | - | |
Appears on:
97
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sicut erat in principio [11a pars]
ConcordancesRISM 1539^14 |
|||
97–98 | Missa Tulerunt Dominum meum: Kyrie | Anon. | |
Appears on:
97–98
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa super Tulerunt [dominum meum] [KGS]
ConcordancesAlso in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus. |
|||
98–101 | Missa Tulerunt Dominum meum: Gloria | - | |
Appears on:
98–101
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria [Missa super Tulerunt]
General NoteAlso in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus. |
|||
101 | Missa Tulerunt Dominum meum: Sanctus | - | |
Appears on:
101
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sanctus [Missa super Tulerunt]
General NoteAlso in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus. |
|||
101 | Missa Tulerunt Dominum meum: Agnus Dei | - | |
Appears on:
101
Genres:
Agnus Dei, Mass Ordinary
General NoteAlso in D-Z 69.2.41 (with attr. to Hoffmann), with a Credo but without the Benedictus or Agnus. These 2 sections are untexted in D; A lacks the 'Dona nobis' section of the Agnus. |
|||
102 | Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) | [Gombert/Josquin] | |
Appears on:
102
Genres:
Motet
Source Attribution:
[Gombert/Josquin]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tulerunt dominum meum et nescio ubi 14.7 [= Lugebat David Absalom pius pater]
General Note1a pars only; 2a pars is copied at p.12. In the Discantus, the incipit of the alternative text "Lugebat David Absalon" is also copied, with at end "2da pars: Porro rex aperuit caput" |
|||
102–103 | Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant | [Clemens non Papa] | |
Appears on:
102–103
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis suis
ConcordancesRISM 1554^10:23 |
|||
104–105 | Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius | - | |
Appears on:
104–105
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Cito euntes dicite discipulis eius [2a pars]
ConcordancesRISM 1554^10:23 |
|||
105–106 | Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena | [C. Hollander/S. Hollander/Lassus] | |
Appears on:
105–106
Genres:
Motet
Source Attribution:
[C. Hollander/S. Hollander/Lassus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dum transisset sabathum Maria Magdalena II: Et valde mane una sabbathorum veniunt
ConcordancesRISM 1554^10:26 |
|||
106 | Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum | - | |
Appears on:
106
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et valde mane [2a pars]
ConcordancesRISM 1554^10:26 |
|||
107 | Tulerunt Dominum meum et nescio ubi | [Pierre] | |
Appears on:
107
Genres:
Motet
Source Attribution:
[Pierre]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tulerunt dominum meum et nescio ubi
|
|||
107–109 | In exitu Israel de Aegÿpto | Anon. | Anonymous |
In exitu Israel de AegÿptoAnonymous
Appears on:
107–109
Genres:
Psalm
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ps. 113: In exitu Israel de Aegÿpto
|
|||
109 | Magnificat octavi toni (4vv) [NR 24] | Orlando di Lasso | |
Appears on:
109
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Orlando di Lasso
Voice:
[no designation]
Languages:
Latin
Voice Text:
Magnificat VIII. Toni: Et exultavit spiritus meus
|
|||
110–111 | Magnificat Sexti Toni: Et exultavit [K.349] (with interpolated Latin and German Easter songs) | Anon. | Anonymous |
Magnificat Sexti Toni: Et exultavit [K.349] (with interpolated Latin and German Easter songs)Anonymous
Appears on:
110–111
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, German
Voice Text:
Magnificat 6. Toni: Et exultavit spiritus meus (With interpolated Latin and German Easter songs)
General NoteKirsch S. 243 (Nr 349) |
|||
111–112 | Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis | [Josquin/Lebrun/Richafort] | |
Appears on:
111–112
Genres:
Motet
Source Attribution:
[Josquin/Lebrun/Richafort]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Congratulamini mihi omnes qui diligitis 26.3 II: [Tulerunt dominum meum] Et nescio
|
|||
112–113 | Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi | - | |
Appears on:
112–113
Genres:
Motet
|
|||
113 | Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo | Anon. | Anonymous |
Appears on:
113
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
(Viri Galilaei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
ConcordancesRISM 1539^14 |
|||
114 | Alleluia. Ascendit Deus in jubilatione | Anon. | Anonymous |
Alleluia. Ascendit Deus in jubilationeAnonymous
Appears on:
114
Genres:
Alleluia, Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Ascendit deus in iubilatione
ConcordancesRISM 1539^14 |
|||
114–115 | Ite in orbem universum et praedicate (R: Qui crediderit et baptisatus fuerit Vs. In nomine patris et filii et spiritus | Anon. | Anonymous |
Appears on:
114–115
Genres:
Response
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ite in orbem universum et praedicate II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
|
|||
115 | Ascendo ad patrem meum et ad patrem vestrum | Anon. | Anonymous |
Appears on:
115
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ascendo ad patrem meum et ad patrem vestrum
|
|||
115–116 | Ascendo ad patrem meum et patrem vestrum | Anon. | Anonymous |
Ascendo ad patrem meum et patrem vestrumAnonymous
Appears on:
115–116
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ascendo ad patrem meum et patrem vestrum
|
|||
116–117 | Lauda Jerusalem Dominum lauda Deum | Anon. | Anonymous |
Lauda Jerusalem Dominum lauda DeumAnonymous
Appears on:
116–117
Genres:
Psalm
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ps. 147: Lauda Jerusalem dominum lauda deum
|
|||
118 | Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit | [Lassus] | |
Appears on:
118
Genres:
Motet
Source Attribution:
[Lassus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tempus est ut revertar ad eum qui misit II: Nisi ego abiero paracletus non veniet
ConcordancesHenricus 1604:340 - Grimma 50:102 |
|||
118–119 | Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet | - | |
Appears on:
118–119
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nisi ego abiero [2a pars]
ConcordancesHenricus 1604:340 - Grimma 50:102 |
|||
119–120 | Filio dei ascendenti - 1a pars (of 2): Filio dei ascendenti ad caelos iubilemus | Anon. | Anonymous |
Appears on:
119–120
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Filio dei ascendenti ad coelos iubilemus II: Assumptus est in coelum qui surrexit
|
|||
120–121 | Filio dei ascendenti - 2a pars (of 2): Assumptus est in caelum | - | Anonymous |
Appears on:
120–121
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Assumptus est in coelum [2a pars]
|
|||
121 | Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus | [Clemens non Papa] | |
Appears on:
121
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ascendit deus in iubilatione alleluia II: Ascendens Christus in altum captivam
ConcordancesRISM 1544^10:17 |
|||
122 | Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam | - | |
Appears on:
122
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ascendens Christus in altum [2a pars]
ConcordancesRISM 1544^10:17 |
|||
122–123 | Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto | Anon. | Anonymous |
Appears on:
122–123
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
(Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
|
|||
123 | Missa: Kyrie | Anon. | Anonymous |
Missa: KyrieAnonymous
Appears on:
123
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa Penthecostes [KG]
|
|||
124–125 | Missa: Gloria | - | |
Appears on:
124–125
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria [Missa Pentecostes]
ConcordancesIn Altus, a note tells the singer to use the Gloria at f.33 here; in Discantus the Gloria is written out (identical to that at f.32) |
|||
125–126 | Alleluia. Veni sancte spiritus reple tuorum | Anon. | Anonymous |
Appears on:
125–126
Genres:
Alleluia, Motet, Veni sancte spiritus
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Veni sancte spiritus reple tuorum
|
|||
126 | Veni sancte spiritus - 1a pars (of 4): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum | Anon. | Anonymous |
Appears on:
126
Genres:
Motet, Veni sancte spiritus
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Veni sancte spiritus et emitte coelitus] Veni pater pauperum veni dator munerum
|
|||
126 | Veni sancte spiritus - 2a pars (of 4): In labore requies | - | Anonymous |
Appears on:
126
Genres:
Motet, Veni sancte spiritus
Voice:
[no designation]
Languages:
Latin
Voice Text:
In labore requies [2a pars]
|
|||
126–127 | Veni sancte spiritus - 3a pars (of 4): Sine tuo numine | - | Anonymous |
Appears on:
126–127
Genres:
Motet, Veni sancte spiritus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sine tuo numine [3a pars]
|
|||
127 | Veni sancte spiritus - 4a pars (of 4): Da virtutis meritum | - | Anonymous |
Appears on:
127
Genres:
Motet, Veni sancte spiritus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Da virtutis meritum [4a pars]
|
|||
127–128 | Veni sancte spiritus reple tuorum corda | Anon. | Anonymous |
Veni sancte spiritus reple tuorum cordaAnonymous
Appears on:
127–128
Genres:
Antiphon, Motet, Veni sancte spiritus
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Veni sancte spiritus reple tuorum corda
|
|||
128–129 | Veni sancte spiritus reple tuorum corda | Anon. | Anonymous |
Veni sancte spiritus reple tuorum cordaAnonymous
Appears on:
128–129
Genres:
Antiphon, Motet, Veni sancte spiritus
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Veni sancte spiritus reple tuorum corda
|
|||
129 | Apparuerunt apostoli dispertitae linguae - 1a pars (of 3): Apparuerunt apostoli dispertitae linguae | [Walter] | |
Appears on:
129
Genres:
Motet
Source Attribution:
[Walter]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Apparuerunt apostolis dispertitae linguae II: Seditque supra singulos eorum III: Loquebantur variis linguis apostoli
General NoteWalter, GA II, S. 102 |
|||
129 | Apparuerunt apostoli dispertitae linguae - 2a pars (of 3): Seditque supra singulos eorum | - | |
Appears on:
129
Genres:
Motet
|
|||
129 | Apparuerunt apostoli dispertitae linguae - 3a pars (of 3): Loquebantur variis linguis apostoli | - | |
Appears on:
129
Genres:
Motet
|
|||
130 | Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto | Anon. | Anonymous |
Appears on:
130
Genres:
Introit
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Spiritus domini replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
General NoteThe Altus part for this piece is not copied into the Altus book |
|||
131–132 | Gloria. Gratias agimus tibi propter | Anon. | Anonymous |
Gloria. Gratias agimus tibi propterAnonymous
Appears on:
131–132
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria] Gratias agimus tibi propter
General NoteA note with the piece tells the singer to use the Kyrie fons bontatis (at p.33) with this Gloria |
|||
132 | Alleluia. Benedictus es Domine Deus | Anon. | Anonymous |
Alleluia. Benedictus es Domine DeusAnonymous
Appears on:
132
Genres:
Alleluia, Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Benedictus es domine deus
|
|||
132–133 | [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt | Anon. | Anonymous |
Appears on:
132–133
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
|
|||
133–134 | Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu | Anon. | Anonymous |
Appears on:
133–134
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
(Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
|
|||
134 | Gloria tibi sancta trinitas aequalis una Deitas | Anon. | Anonymous |
Appears on:
134
Genres:
Antiphon
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria tibi trinitas aequalis una deitas
|
|||
134–136 | Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam) | [Resinarius] | |
Appears on:
134–136
Genres:
Hymn
Source Attribution:
[Resinarius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Summae trinitati simplici deo una divinitas II: Qui totum subdit suis orbem III: Praestet nobis gratiam deitas beata
General NoteRhaw 1544 |
|||
136–138 | Magnificat tertii toni (6vv): Et exultavit [NR 3] | Orland. di Lasso | |
Appears on:
136–138
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Orland. di Lasso
Voice:
[no designation]
Languages:
Latin
Voice Text:
Magnificat Tertii Toni: Et exultavit spiritus meus
|
|||
138–139 | Dum complerentur dies Pentecostes erant omnes | [Arcadelt/Verdelot] | |
Appears on:
138–139
Genres:
Motet
Source Attribution:
[Arcadelt/Verdelot]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dum complerentur dies pentecostes erant
ConcordancesRISM 1544^10:31 |
|||
139–140 | Spiritus sanctus - 1a pars (of 2): Spiritus sanctus procedens à throno | [Tubal] | |
Appears on:
139–140
Genres:
Motet
Source Attribution:
[Tubal]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Spiritus sanctus procedens à throno II: Advenit ignis divinus non comburens
General NoteRISM 1544^10:39 |
|||
140–141 | Spiritus sanctus - 2a pars (of 2): Advenit ignis divinus | - | |
Appears on:
140–141
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Advenit ignis divinus [2a pars]
General NoteRISM 1544^10:39 |
|||
141 | Paraclitus autem spiritus - 1a pars (of 2): Paraclitus autem spiritus | [Wert] | |
Appears on:
141
Genres:
Motet
Source Attribution:
[Wert]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Paracletus autem spiritus sanctus quem mittet II: Non turbetur cor vestrum neque
|
|||
142 | Paraclitus autem spiritus - 2a pars (of 2): Non turbetur cor vestrum | - | |
Appears on:
142
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Non turbetur cor vestrum [2a pars]
|
|||
142–143 | O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli | [Rein] | |
Appears on:
142–143
Genres:
Motet
Source Attribution:
[Rein]
Voice:
[no designation]
Languages:
Latin
Voice Text:
O trinitas et deitas alma tibi omnes II: Miserere qui passus es pro nobis
|
|||
143–144 | O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis | - | |
Appears on:
143–144
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Miserere qui passus es pro nobis [2a pars]
|
|||
144–145 | Jam non dicam vos servos sed amicos (8vv) | [Phinot] | |
Appears on:
144–145
Genres:
Motet
Source Attribution:
[Phinot]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Jam non dicam vos servos sed amicos
ConcordancesRISM 1555^10:40 |
|||
145–147 | Magnificat Tertii Toni: Et exultavit [K.781] | Wofg: Figuli Nurnbg: | |
Appears on:
145–147
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Wofg: Figuli Nurnbg:
Voice:
[no designation]
Languages:
Latin
Voice Text:
Magnificat [Tertii toni]: Et exultavit spiritus meus
General NoteKirsch S. 327 f. (Nr 781) |
|||
147 | Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte | [M. Forestier/Josquin] | |
Appears on:
147
Genres:
Motet, Veni sancte spiritus
Source Attribution:
[M. Forestier/Josquin]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Veni sancte spiritus et emitte coelitus 26.17 II: O lux beatissima reple cordis
General NoteJosquin, GA, Mot. 49 |
|||
148 | Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis | - | |
Appears on:
148
Voice:
[no designation]
Languages:
Latin
Voice Text:
O lux beatissima [2a pars]
General NoteJosquin, GA, Mot. 49 |
|||
148–149 | Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum | [Rivulo] | |
Appears on:
148–149
Genres:
Motet
Source Attribution:
[Rivulo]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sic deus dilexit mundum ut filium suum II: Venite ad me omnes qui laboratis
|
|||
149–150 | Sic deus dilexit - 2a pars (of 2): Venite ad me omnes | - | |
Appears on:
149–150
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Venite ad me omnes [2a pars]
|
|||
150–151 | De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini | Anon. | Anonymous |
Appears on:
150–151
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
De ventre matris meae vocavit me dominus Vs: (Bonum est confiteri) Et psallere nomini
|
|||
151–152 | Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo) | [Resinarius] | |
Appears on:
151–152
Genres:
Responsory
Source Attribution:
[Resinarius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Inter natos mulierum non surrexit maior II: Qui viam domino praeparavit in heremo III: Fuit homo missus à deo cui nomen
General NoteRhaw 1544 |
|||
152–153 | Descendit angelus Domini ad Zachariam dicens | Anon. | Anonymous |
Appears on:
152–153
Genres:
Antiphon
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Descendit angelus domini ad Zachariam
|
|||
153 | Missa d'amours me plains: Kyrie | Thomas Creql. [= Crecquillon] | |
Appears on:
153
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Thomas Creql. [= Crecquillon]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa Damours ma plains [KGS]
|
|||
154–155 | Missa D'amours me plains: Gloria | - | |
Appears on:
154–155
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria [Missa Damours me Plains]
|
|||
155 | Missa D'amours me plains: Sanctus | - | |
Appears on:
155
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sanctus [Missa Damours me Plains]
|
|||
155–156 | Inter natos - 1a pars (of 2): Inter natos mulierum | [Cleve] | |
Appears on:
155–156
Genres:
Motet
Source Attribution:
[Cleve]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Inter natos mulierum non surrexit maior II: Fuit homo missus à deo cui nomen
|
|||
156–157 | Inter natos - 2a pars (of 2): Fuit homo missus a Deo | - | |
Appears on:
156–157
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Fuit homo missus [2a pars]
|
|||
158 | Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari | [Clemens non Papa] | |
Appears on:
158
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Innuebant patri eius quem vellet vocari II: Apertum est os Zachariae et prophetavit
ConcordancesRISM 1559^1:51 |
|||
158–159 | Innuebant patri - 2a pars (of 2): Apertum est os Zachariae et prophetavit | - | |
Appears on:
158–159
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Apertum est os Zachariae et prophetavit [2a pars]
ConcordancesRISM 1559^1:51 |
|||
159 | Missa Veni in ortum meum: Kyrie | Orlando di Lassus | |
Appears on:
159
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Orlando di Lassus
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa super Veni in hortum meum [KGSA]
|
|||
159–160 | Missa Veni in ortum meum: Et in terra [Gloria] | - | |
Appears on:
159–160
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria [Missa super Veni in hortum meum]
|
|||
160–161 | Missa Veni in ortum meum: Sanctus | - | |
Appears on:
160–161
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sanctus [Missa super Veni in hortum meum]
|
|||
161 | Missa Veni in ortum meum: Agnus Dei | - | |
Appears on:
161
Genres:
Agnus Dei, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Agnus dei [Missa super Veni in hortum meum]
General NoteNote: Agnus recorded by Steude, but not mentioned in RISM-online |
|||
161 | O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa | Jacobi Meilandi | |
Appears on:
161
Genres:
Motet
Source Attribution:
Jacobi Meilandi
Voice:
[no designation]
Languages:
Latin
Voice Text:
O pulcherrima inter mulieres O florens rosa II: Veni in hortum meum charissima
|
|||
162 | O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum | - | |
Appears on:
162
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Veni in hortum meum [2a pars]
|
|||
162–163 | Surge propera - 1a pars (of 2): Surge propera amica mea columba mea | Orlando di Lassus | |
Appears on:
162–163
Genres:
Motet
Source Attribution:
Orlando di Lassus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Surge propera amica mea et veniam II: Surge amica mea speciosa mea
|
|||
163 | Surge propera - 2a pars (of 2): Surge amica mea speciosa mea | - | |
Appears on:
163
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Surge amica mea speciosa [2a pars]
|
|||
164 | Exurgens autem Maria Vs. Benedicta tu R. Et benedicta fructus | Anon. | Anonymous |
Appears on:
164
Genres:
Responsory
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Exurgens autem Maria abiit in montana
|
|||
164–165 | Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te | Petrus Manchicourt/ [Clemens non Papa] | |
Appears on:
164–165
Genres:
Motet
Source Attribution:
Petrus Manchicourt/ [Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater peccavi in coelum et coram te II: Quanti mercenarii in domo patris
|
|||
165 | Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
Appears on:
165
Genres:
Motet
Voice:
[no designation]
Languages:
Italian
Voice Text:
Quanti mercenarii [2a pars]
|
|||
165–166 | Omnia quae fecisti nobis Domine in vero | Orl. di Lasso | |
Appears on:
165–166
Genres:
Motet
Source Attribution:
Orl. di Lasso
Voice:
[no designation]
Languages:
Latin
Voice Text:
Omnia quae fecisti nobis domine in vero
|
|||
166–167 | Deus misereatur nostri et benedicat nobis | [Lassus] | |
Appears on:
166–167
Genres:
Motet
Source Attribution:
[Lassus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Deus misereatur nostri et benedicat nobis
General NoteHenricus 1604:500 |
|||
167–168 | Confitebor tibi Domine in toto corde (8vv, LV189) | [Lassus] | |
Appears on:
167–168
Genres:
Motet
Source Attribution:
[Lassus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Confitebor tibi domine in toto corde meo
General NoteHenricus 1604:504 |
|||
168 | Deo nostro jucunda sit decoraque laudatio | Anon. | Anonymous |
Appears on:
168
Genres:
Antiphon
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Deo nostro iucunda sit decoraque laudatio
General NoteHenricus 1604:504 - Bk 28:18 - 37:109 |
|||
168, 173 | Te sanctum Dominum (R: Te decet laus et honor, Vs. Cherubin quoque) | [Resinarius] | |
Appears on:
168, 173
Genres:
Response
Source Attribution:
[Resinarius]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Te sanctum dominum in excelsis laudant II: Te decet laus et honor domine III: Cherubin quoque et seraphin proclamant
General NoteRhaw 1544 General NotePages 169-170, 171-172 are misbound (& their order reversed) in this book; the correct order is ...168, 173-184, 171-172, 169-170, 185... |
|||
169 | Gabriel angelus locutus est Mariae dicens | [Phinot] | |
Appears on:
169
Genres:
Motet
Source Attribution:
[Phinot]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gabriel angelus locutus est Mariae dicens
General NotePages 169-170, 171-172 are misbound (& their order reversed) in this book; the correct order is ...168, 173-184, 171-172, 169-170, 185... |
|||
170 | Gloria tibi trinitas aequalis una Deitas | Anon. | Anonymous |
Gloria tibi trinitas aequalis una DeitasAnonymous
Appears on:
170
Genres:
Antiphon
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria tibi trinitas aequalis una deitas
General NotePages 169-170, 171-172 are misbound (& their order reversed) in this book; the correct order is ...168, 173-184, 171-172, 169-170, 185... |
|||
171, 184 | Ecce cruci affixum- 1a pars (of 2): Ecce cruci affixum quo cuncta movente | Anon. | Anonymous |
Appears on:
171, 184
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ecce cruci affixum quo cuncta movente II: Qui dat sceptra gerit de sentibus
General NotePages 169-170, 171-172 are misbound (& their order reversed) in this book, so that this piece starts on p.184 and continues on p.171. The correct page order is ...168, 173-184, 171-172, 169-170, 185... |
|||
171–172 | Ecce cruci affixum- 2a pars (of 2): Qui dat sceptra gerit de sentibus | - | Anonymous |
Appears on:
171–172
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Qui dat sceptra [2a pars]
General NotePages 169-170, 171-172 are misbound (& their order reversed) in this book; the correct order is ...168, 173-184, 171-172, 169-170, 185... |
|||
172 | Tristis est anima mea usque ad mortem | Orlando di Lasso | |
Appears on:
172
Genres:
Motet
Source Attribution:
Orlando di Lasso
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tristis est anima mea usque ad mortem
General NotePages 169-170, 171-172 are misbound (& their order reversed) in this book; the correct order is ...168, 173-184, 171-172, 169-170, 185... |
|||
174 | Surge propera - 1a pars (of 2): Surge propera amica mea columba mea | - | Anonymous |
Appears on:
174
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Surge propera amica mea columba mea II: Surge amica mea speciosa mea
ConcordancesNote: this is NOT Phinot's 6vv setting |
|||
174–175 | Surge propera - 2a pars (of 2): Surge amica mea speciosa | - | Anonymous |
Appears on:
174–175
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Surge amica mea speciosa [2a pars]
|
|||
175–176 | Gaudete filiae Jerusalem nam flores apparuerunt | [Meiland] | |
Appears on:
175–176
Genres:
Motet
Source Attribution:
[Meiland]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gaudete filiae Hierusalem nam flores
ConcordancesNeuber 1564:17 |
|||
176–177 | Veni in ortum meum charissima mea | Speiser | |
Appears on:
176–177
Genres:
Motet
Source Attribution:
Speiser
Voice:
[no designation]
Languages:
Latin
Voice Text:
Veni in hortum meum charissima mea
|
|||
177–178 | Geh Deinen Weg auf rechtem Steg fahr | Anon. | Anonymous |
Geh Deinen Weg auf rechtem Steg fahrAnonymous
Appears on:
177–178
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Voice Text:
Geh deinen wegk auf rechtem steg fahr
|
|||
178–179 | Nunc dimittis - 1a pars (of 2): Nunc dimittis servum tuum | [Burck] | |
Appears on:
178–179
Genres:
Canticle
Source Attribution:
[Burck]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nunc dimittis servum tuum domine II: Lumen ad revelationem gentium
ConcordancesNeuber, Montanus Erben 1566:13 |
|||
179–180 | Nunc dimittis - 2a pars (of 2): Lumen ad revelationem | - | |
Appears on:
179–180
Genres:
Canticle
Voice:
[no designation]
Languages:
Latin
Voice Text:
Lumen ad revelationem [2a pars]
ConcordancesNeuber, Montanus Erben 1566:13 |
|||
180–181 | Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius | [Crecquillon] | |
Appears on:
180–181
Genres:
Motet
Source Attribution:
[Crecquillon]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Cum inducerent puerum Jesum parentes II: Senex puerum portabat puer autem
|
|||
181 | Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem | - | |
Appears on:
181
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Senex puerum portabat [2a pars]
|
|||
182 | Senex puerum portabat puer autem senem | Anon. | Anonymous |
Senex puerum portabat puer autem senemAnonymous
Appears on:
182
Genres:
Antiphon
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Senex puerum portabat puer autem
|
|||
182–183 | Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum | [Lassus/Wert] | |
Appears on:
182–183
Genres:
Motet
Source Attribution:
[Lassus/Wert]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Transeunte domino clamabat coecus ad eum II: Et ait illi Jesus quid vis ut faciam
ConcordancesC. Gerlach, Montanus Erben 1583:1 |
|||
183–184 | Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam | - | |
Appears on:
183–184
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et ait illi Jesus [2a pars]
ConcordancesC. Gerlach, Montanus Erben 1583:1 |
|||
185 | Domine rex Deus Abraham dona nobis | Anon. | Anonymous |
Domine rex Deus Abraham dona nobisAnonymous
Appears on:
185
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine rex deus Abraham dona nobis
|
|||
185–186 | Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter | [Feys] | |
Appears on:
185–186
Genres:
Motet
Source Attribution:
[Feys]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Emendemus in melius quae ignoranter II: Peccavimus cum patribus nostris
ConcordancesRISM 1556^8:5 |
|||
186 | Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus | - | |
Appears on:
186
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Peccavimus cum patribus [2a pars]
ConcordancesRISM 1556^8:5 |
|||
187 | Dixit Dominus Domino meo Sede a dextris meis (8vv) | Orlando di Lasso | |
Appears on:
187
Genres:
Motet
Source Attribution:
Orlando di Lasso
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dixit dominus domino meo [sede à dextris]
|
|||
188 | Viri Galilaei quid aspicitis in caelum | [Crecquillon] | |
Appears on:
188
Genres:
Motet
Source Attribution:
[Crecquillon]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Viri Galilaei quid aspicitis in coelum
|
|||
188–189 | Ascendo ad patrem meum et patrem vestrum | [Maillard/Tye] | |
Appears on:
188–189
Genres:
Motet
Source Attribution:
[Maillard/Tye]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ascendo ad patrem meum et patrem vestrum
ConcordancesRISM 1555^10:16 |
|||
190 | Nun bitten wir den heiligen geist (5vv) | [Walter] |
Rupsch, Conrad
(?)
|
Appears on:
190
Genres:
Motet, Veni sancte spiritus
Source Attribution:
[Walter]
Voice:
[no designation]
Languages:
German
Voice Text:
Nu bitten wihr den heiligen geist
General NoteWalter, GA I, S. 44 |
|||
190–191 | Sancta Trinitas unus Deus miserere nobis (8vv) | [Phinot] | |
Appears on:
190–191
Genres:
Motet
Source Attribution:
[Phinot]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sancta trinitas unus deus miserere nobis
ConcordancesRISM 155^11:10 |
|||
191 | Missa Susanna un jour: Kyrie | [Lassus] | |
Appears on:
191
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
[Lassus]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa Susanna se videns [rapi] [KG]
|
|||
192–193 | Missa Susanna un jour: Gloria | - | |
Appears on:
192–193
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria [Missa ad imitationem cantilenae Susanna se videns]
|
|||
193–194 | Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu | - | |
Appears on:
193–194
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Que expansis in cruce manibus [3a pars]
General NoteIn this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis |
|||
194 | Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua | Ludovici Senfels | |
Appears on:
194
Genres:
Motet
Source Attribution:
Ludovici Senfels
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vita in ligno moritur infernus ex morsu II: Qui prophetice prompsisti ero mors III: Qui expansis in cruce manibus
General NoteIn this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis |
|||
195 | Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus | - | |
Appears on:
195
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Qui prophetiae prompsisti [2a pars]
General NoteIn this copy the parts are in the order Vita in ligno - Qui prophetice - Qui expansis |
|||
195–196 | Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus | - | |
Appears on:
195–196
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
2a p.: Virtus spiritus sancti
|
|||
196 | Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud | - | |
Appears on:
196
Genres:
Motet
|
|||
196–197 | Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis | Josquini | |
Appears on:
196–197
Genres:
Ave Maria, Motet
Source Attribution:
Josquini
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater noster qui es in coelis 20.9 II: Ave Maria gratia plena dominus tecum
|
|||
197–198 | Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum | - | |
Appears on:
197–198
Genres:
Ave Maria, Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave Maria gratia plena [2a pars]
|
|||
198 | Sancta Trinitas unus Deus miserere nobis (6vv) | [A.] Fevin/[Craen/ C. Festa/Josquin/ Morales]-[Bruck] | |
Appears on:
198
Genres:
Motet
Source Attribution:
[A.] Fevin/[Craen/ C. Festa/Josquin/ Morales]-[Bruck]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sancta trinitas unus deus miserere 26.12
General NoteAnother 14 pieces follow this in the Altus book; the corresponding pages in this book have been lost. ConcordancesPubl. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10 General NoteAnother 14 pieces follow this in the Altus book; the corresponding pages in this book have been lost. |