Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum
Composer | |
---|---|
Genre | Motet |
Cycles |
|
Appears in
Source | Location | Voices |
---|---|---|
D-Z Mu 1422-1440 [Discantus] | 4v | |
D-Z Mu 1422-1440 [Altus] | 5 | |
D-Z Mu 1422-1440 [Tenor] | 4v | |
D-Z Mu 1422-1440 [Bassus] | 4v | |
I-Fn MS II.I.232 | 141v–142 |
Voice:
[no designation]
Voice Text:
In nomine Iesu omne genuflectatur
|
D-GRu BW 640 | 34v–35 | |
D-GRu BW 641 | 37–37v | |
PL-Kj Berlin MS Mus. 40013 | 277v–286 | |
D-Ngm 83795 [Tenor] | 140v–147 | |
D-Ngm 83795 [Bassus] | 98v–103v |
Bibliography
Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. pp. 239-257.
Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. (4), 14-24;.
Rhau, Georg. 1955-1999. Musikdrucke aus den Jahren 1538-1545. 12 vols. Kassel etc. pp. 108-130.
Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. pp. (5), 4-7.