D-Z Mu 1422-1440 [Bassus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Second quarter of 16th century

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	Mu 1422-1440 [Bassus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	208 x 161-3 mm
Other Identifiers	CCM: ZwiR 79/1 Other catalogues/source: VollBM [see bibliography] 8 olim (Former shelfmark): MS LXXIX,1 olim (Former shelfmark): MS 79,1 olim (Former shelfmark): 69.1.47
Notations	black void mensural
Copyists	Roth, Stephan (1492–1546) Music
Relationships	Roth, Stephan (1492–1546) (owner)
Contents	28 pieces from 2 composers

General Description

A Bassus partbook from a set of four volumes. Copied by several scribes, including Stephan Roth (VollBM). Copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

DIAMM, 2017

Extent

35 leaves

DIAMM, 2017

Binding

Original covers of brown leather or heavy parchment, inscribed with voice designations

DIAMM, 2017

Watermark

bull's head surmounted by serpent and cross (not in Briquet, but see Briquet #15417-8 for general pattern)

DIAMM, 2017

Ruling

red staves

DIAMM, 2017

Foliation

Modern stamped foliation on upper right rectos in each book.

DIAMM, 2017

Decoration

Some small inked initials

DIAMM, 2017

Index

none

DIAMM, 2017

DIAMM Note

Modern pencil numbering of pieces in AT books, 1-28 (some individual sections of various pieces counted as separate items).

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Sanctus, 1 Mass Proper section, 2 troped Magnificats, 5 motets, 3 Latin/ German sacred pieces = 12

(Compere)-1, anon-11

4 paper partbooks (DAB-35 folios each, T-108), 208 x 161-3. Modern stamped foliation on upper right rectos in each book. Modern pencil numbering of pieces in AT books, 1-28 (some individual sections of various pieces counted as separate items). Blank folios, or blank staves only—D: 1, 2-2', 7-12, 13'-19, 34-35'; A: 1, 2-2', 7-12, 13'-19'; T: 1, 2-2', 7-12, 13'-19', 34'-108'; B: 1, 2-2', 7-12, 13'-19', 34-35'. Original covers of brown leather or heavy parchment, inscribed with voice designations. No index. Copied by several scribes, including Stephan Roth (VollBM; see below). Some small inked initials; red staves. Watermark: bull's head surmounted by serpent and cross (not in Briquet, but see Briquet #15417-8 for general pattern).

Second quarter of 16th century. Copied in Zwickau. Owned by Stephan Roth (1492-1546), rector of Latin school at Zwickau 1517-20, city scribe of Zwickau 1526-46. Bequeathed by Roth to Zwickau Ratsschulbibliothek in 1546.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	[blank pages]	-	-
[blank pages] Appears on: 1
2–2v	[blank staves]	-	-
[blank staves] Appears on: 2–2v
3	Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator Compère, Loyset (ca. 1445–1518) Appears on: 3 Genres: Motet
3v	Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus Compère, Loyset (ca. 1445–1518) Appears on: 3v Genres: Motet
4	Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina Compère, Loyset (ca. 1445–1518) Appears on: 4 Genres: Motet
4	Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus Compère, Loyset (ca. 1445–1518) Appears on: 4 Genres: Motet
4v	Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum Compère, Loyset (ca. 1445–1518) Appears on: 4v Genres: Motet
5	Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est Compère, Loyset (ca. 1445–1518) Appears on: 5 Genres: Motet
5v	Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit Compère, Loyset (ca. 1445–1518) Appears on: 5v Genres: Motet
6	Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina Compère, Loyset (ca. 1445–1518) Appears on: 6 Genres: Motet
6v	Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae	-	Compère, Loyset (ca. 1445–1518)
Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae Compère, Loyset (ca. 1445–1518) Appears on: 6v Genres: Motet
7–12	[blank staves]	-	-
[blank staves] Appears on: 7–12
12v–13	Matutino tempore, Mariae nunciatur	-	Anonymous
Matutino tempore, Mariae nunciatur Anonymous Appears on: 12v–13 Genres: Motet
13v–19v	[blank staves]	-	-
[blank staves] Appears on: 13v–19v
20	Fortem genitor foeno sisti volebat	-	Anonymous
Fortem genitor foeno sisti volebat Anonymous Appears on: 20 Genres: Motet
20v–25	Magnificat Quinti Toni: Et exultavit [K.281]	-	Anonymous
Magnificat Quinti Toni: Et exultavit [K.281] Anonymous Appears on: 20v–25 Genres: BVM, Canticle, Magnificat
25v–26	Ponite Domino	-	Anonymous
Ponite Domino Anonymous Appears on: 25v–26 Genres: Motet
26–26v	Iube Domine benedicere (I)	-	Anonymous
Iube Domine benedicere (I) Anonymous Appears on: 26–26v Genres: Motet
26v	Iube Domine benedicere (II)	-	Anonymous
Iube Domine benedicere (II) Anonymous Appears on: 26v Genres: Motet
27	Tu autem Domine miserere	-	Anonymous
Tu autem Domine miserere Anonymous Appears on: 27 Genres: Motet
27–27v	Sanctus & Benedictus	-	Anonymous
Sanctus & Benedictus Anonymous Appears on: 27–27v Genres: Mass Ordinary, Sanctus [& Benedictus]
27v	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 27v Genres: Agnus Dei, Mass Ordinary
27v–28	Grates nunc omnes reddamus	-	Anonymous
Grates nunc omnes reddamus Anonymous Appears on: 27v–28 Genres: Motet
28–29	Venite et videte regem	-	Anonymous
Venite et videte regem Anonymous Appears on: 28–29 Genres: Motet
29v–31	Der Tag der ist so freudenreich -- Dies est laetitiae, in ortu regali	-	Anonymous
Der Tag der ist so freudenreich -- Dies est laetitiae, in ortu regali Anonymous Appears on: 29v–31 Genres: Motet
31v–32	Resonet in laudibus	-	Anonymous
Resonet in laudibus Anonymous Appears on: 31v–32 Genres: Motet
32–34	Magnificat: Et exultavit (with Christmas tropes) [K.328]	-	Anonymous
Magnificat: Et exultavit (with Christmas tropes) [K.328] Anonymous Appears on: 32–34 Genres: BVM, Canticle, Magnificat
34v–35v	[blank staves]	-	-
[blank staves] Appears on: 34v–35v

Composer	Compositions
Anonymous	Agnus Dei – 27v Der Tag der ist so freudenreich -- Dies est laetitiae, in ortu regali – 29v–31 Fortem genitor foeno sisti volebat – 20 Grates nunc omnes reddamus – 27v–28 Iube Domine benedicere (I) – 26–26v Iube Domine benedicere (II) – 26v Magnificat Quinti Toni: Et exultavit [K.281] – 20v–25 Magnificat: Et exultavit (with Christmas tropes) [K.328] – 32–34 Matutino tempore, Mariae nunciatur – 12v–13 Ponite Domino – 25v–26 Resonet in laudibus – 31v–32 Sanctus & Benedictus – 27–27v Tu autem Domine miserere – 27 Venite et videte regem – 28–29 [No description] – 1 [No description] – 7–12 [No description] – 2–2v [No description] – 34v–35v [No description] – 13v–19v
Compère, Loyset (ca. 1445–1518)	Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator – 3 Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus – 3v Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina – 4 Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus – 4 Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum – 4v Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est – 5 Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit – 5v Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina – 6 Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae – 6v

Composer

Compositions

Anonymous

Agnus Dei – 27v
Der Tag der ist so freudenreich -- Dies est laetitiae, in ortu regali – 29v–31
Fortem genitor foeno sisti volebat – 20
Grates nunc omnes reddamus – 27v–28
Iube Domine benedicere (I) – 26–26v
Iube Domine benedicere (II) – 26v
Magnificat Quinti Toni: Et exultavit [K.281] – 20v–25
Magnificat: Et exultavit (with Christmas tropes) [K.328] – 32–34
Matutino tempore, Mariae nunciatur – 12v–13
Ponite Domino – 25v–26
Resonet in laudibus – 31v–32
Sanctus & Benedictus – 27–27v
Tu autem Domine miserere – 27
Venite et videte regem – 28–29
[No description] – 1
[No description] – 7–12
[No description] – 2–2v
[No description] – 34v–35v
[No description] – 13v–19v

Compère, Loyset (ca. 1445–1518)

Composition	Composers (? Uncertain)	Folios / Pages
Agnus Dei	Anonymous	27v
Der Tag der ist so freudenreich -- Dies est laetitiae, in ortu regali	Anonymous	29v–31
Fortem genitor foeno sisti volebat	Anonymous	20
Grates nunc omnes reddamus	Anonymous	27v–28
Iube Domine benedicere (I)	Anonymous	26–26v
Iube Domine benedicere (II)	Anonymous	26v
Magnificat Quinti Toni: Et exultavit [K.281]	Anonymous	20v–25
Magnificat: Et exultavit (with Christmas tropes) [K.328]	Anonymous	32–34
Matutino tempore, Mariae nunciatur	Anonymous	12v–13
Officium de Cruce - 1a pars (of 9): In nomine Jesu omne genuflectator	Compère, Loyset (ca. 1445–1518)	3
Officium de Cruce - 2a pars (of 9): Adoramus te Christe et benedicimus	Compère, Loyset (ca. 1445–1518)	3v
Officium de Cruce - 3a pars (of 9): Patris sapientie veritas divina	Compère, Loyset (ca. 1445–1518)	4
Officium de Cruce - 4a pars (of 9): Hora prima ductus est Jesus	Compère, Loyset (ca. 1445–1518)	4
Officium de Cruce - 5a pars (of 9): Crucifige clamitant hora tertiarum	Compère, Loyset (ca. 1445–1518)	4v
Officium de Cruce - 6a pars (of 9): Hora sexta Dominus Jesus est	Compère, Loyset (ca. 1445–1518)	5
Officium de Cruce - 7a pars (of 9): Hora nona Dominus Jesus expiravit	Compère, Loyset (ca. 1445–1518)	5v
Officium de Cruce - 8a pars (of 9): De cruce deponitur hora vespertina	Compère, Loyset (ca. 1445–1518)	6
Officium de Cruce - 9a pars (of 9): Hora completorii datur sepulturae	Compère, Loyset (ca. 1445–1518)	6v
Ponite Domino	Anonymous	25v–26
Resonet in laudibus	Anonymous	31v–32
Sanctus & Benedictus	Anonymous	27–27v
Tu autem Domine miserere	Anonymous	27
Venite et videte regem	Anonymous	28–29

Set: MS 79,1

Type: Partbooks

No images available

D-Z Mu 1422-1440 [Altus]

No images available

D-Z Mu 1422-1440 [Bassus]

No images available

D-Z Mu 1422-1440 [Discantus]

No images available

D-Z Mu 1422-1440 [Tenor]

‡ denotes primary source study

Cook, Larry D. 1976. The German Troped Polyphonic Magnificat. University of Iowa, Unpublished Ph.D. dissertation. Pages: 13, 15, 50-7,145-52. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 175. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 33, 45. Notes: mention of MS; contents list (partial); concordances (partial).

Albrecht, Hans. 1961. Ein quodlibetartiges Magnificat aus der Zwickauer Ratsschulbibliothek. Festschrift Heinrich Besseler zum sechzigsten Geburtstag, Leipzig. Notes: physical description (partial); mention of MS; discussion.

Kirsch, Winfried. 1961. Die Verbindung von Magnificat und Weihnachtsliedern im 16. Jahrhundert. Festschrift Helmuth Osthoff zum 65. Geburtstage, 61-74. Tutzing. Pages: 63ff. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: LXXXV, vii, 19-28. Notes: contents list (partial); transcription (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 16. Notes: physical description (partial).

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