| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Motet |
| Appears in |
GB-AB MS 5010C (74v)
F-Pnm Français 1584 (Machaut A) (414v—415)
F-Pnm Français 1585 (Machaut B) (258v—259)
F-Pnm Français 1586 (Machaut C) (206v—207)
F-Pnm Français 22545-22546 (Machaut F-G) (102v—103)
|
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. pp. 1:173, 75 2:16-18 no.13 3:28-32 no.13.
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:483-84 no.1.
Wilson, David Fenwick. 1990. Music of the Middle Ages: An Anthology for Performance and Study. New York: Schirmer Books. pp. 206-11.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. pp. 224.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 13: 197-216. pp. 201, 203, 205-6, 209.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:63-68.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 12: 27-58. pp. 30.
Sanders, Ernest (ed.) 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 558 n.257.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. PhD Dissertation, Columbia University. pp. 212, 263, 267, 271, 292-3.
Leech-Wilkinson, Daniel. 1989. Compositional Techniques in the Four-Part Isorhythmic Motets of Philippe de Vitry and his Contemporaries. 2 vols. New York: Garland. pp. 49 n.65.
Wilson, David Fenwick. 1990. Music of the Middle Ages: Style and Structure. New York: Schirmer Books. pp. 294-206, 309-13.
Earp, Lawrence M. 1983. Scribal Practice, Manuscript Production and the Transmission of Music in Late Medieval France: The Manuscripts of Guillaume de Machaut. PhD Dissertation, Princeton University. pp. 66-67.
Markstrom, Kurt. 1989. Machaut and the Wild Beast. Acta Musicologica, 61: 12-39. pp. 17.
Boogaart, Jaques. 1993. Love's Unstable Balance. Part II: More Balance Problems and the Order of Machaut's Motets. Muziek & Wetenschap, 3: 24-33. pp. 28-32.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 2:58, 60a, 79; 3:2-5, 28.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:108-11.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 75.
Ficker, Rudolf von. 1920. Die Kolorierungstechnik der Trienter Messen. Studien zur Musikwissenschaft, 7: 5-47. pp. 212.
Gombosi, Otto Johannes. 1950. Machaut's Messe Notre-Dame. Musical Quarterly, 36: 204ff. pp. 220.
Eggebrecht, Hans Heinrich. 1961. Musik als Tonsprache. Archiv für Musikwissenschaft, 18: 73-100. pp. None.
Pelinski, Ramòn A. 1975. Zusammenklang und Aufbau in den Motetten Machauts. Musikforschung, 28: 62-71. pp. 70.
Newes, Virginia Ervin. 1977. Imitation in the Ars Nova and Ars Subtilior. Revue Belge de Musicologie, 31: 38-59. pp. 47-48.
Mulder, Etty Martha. 1978. Guillaume de Machaut, een grensbewoner: Samenhang von allegorie en muziek bij een laat-Middeleeuws dichter-componist. Guillaume de Machaut entre deux mondes: Les rapports d'allégorie et musique chez un poète-compositeur de la fin du Moyen Age (avec un résumé en français). Amsterdam: Stichting Musicater. pp. 88-90.
Hughes, Andrew. 1989. Style and Symbol. Medieval Music: 800-1453. Musicological Studies. Ottawa: Institute of Medieval Music. pp. 357-58.
Schrade, Leo (ed.) 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 108-111.