Quant en moi vint premierement Amours / Amour et beauté parfaite / Amara valde

Composer
Machaut, Guillaume de (ca. 1300–1377)
Genre Motet

Appears in

Source Location Voices
GB-AB MS 5010C 74v
Voice: [no designation]
Clef: c2
Voice Text: [Quan]t en moy
Voice: [no designation]
Clef: c2
Voice Text: [Amour et biaute]
Voice: Tenor
Clef: c4
Voice Text: [Amara valde]
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) 260v–261
Voice: [no designation]
Clef: c2
Voice Text: Quant en moy vint premierement Amours
Voice: [no designation]
Clef: c2
Voice Text: Amour et biauté parfaite
Voice: [no designation]
Clef: c4
Voice Text: Amara valde
F-Pnm Français 1584 (Machaut A) 414v–415
Voice: [no designation]
Clef: c2
Voice Text: Quant en moy vint premierement
Voice: [no designation]
Clef: c2
Voice Text: Amour et biaute' parfaite
Voice: Tenor
Clef: c4
Voice Text: Amara valde
F-Pnm Français 1585 (Machaut B) 258v–259
Voice: [no designation]
Clef: c2
Voice Text: Quant en moy vint premierement Amours
Voice: [no designation]
Clef: c2
Voice Text: Amour et bieuté parfaite
Voice: Tenor
Clef: c4
Voice Text: Amara valde.
F-Pnm Français 1586 (Machaut C) 206v–207
Voice: [no designation]
Clef: c2
Voice Text: Qvant en moy vint premierement
Voice: [no designation]
Clef: c2
Voice Text: Amour et biaute parfaite
Voice: Tenor
Clef: c4
Voice Text: Tenor amara ualde
F-Pnm Français 9221 (Machaut E) 131v
Voice: [no designation]
Clef: c2
Voice Text: Amour et biauté parfaite
Voice: [no designation]
Clef: c4
Voice Text: Amara valde
Voice: [no designation]
Clef: c2
Voice Text: Quant en moy vint premierement Amours
F-Pnm Français 22545-22546 (Machaut F-G) 102v–103
Voice: [no designation]
Clef: c2
Voice Text: Qvant en moy vint premierement
Voice: [no designation]
Clef: c2
Voice Text: Amour et biaute parfaite
Voice: Tenor
Clef: c4
Voice Text: Amara . valde .

Bibliography

Boogaart, Jaques. 1993. Love's Unstable Balance. Part II: More Balance Problems and the Order of Machaut's Motets. Muziek & Wetenschap, 24-33. pp. 28-32.

Wilson, David Fenwick. 1990. Music of the Middle Ages: An Anthology for Performance and Study.  New York: Schirmer Books. pp. 206-11.

Wilson, David Fenwick. 1990. Music of the Middle Ages: Style and Structure.  New York: Schirmer Books. pp. 294-206, 309-13.

Hughes, Andrew. 1989. Style and Symbol. Medieval Music: 800-1453. Musicological Studies.  Ottawa: Institute of Medieval Music. pp. 357-58.

Leech-Wilkinson, Daniel. 1989. Compositional Techniques in the Four-Part Isorhythmic Motets of Philippe de Vitry and his Contemporaries. 2 vols. New York: Garland. pp. 49 n.65.

Markstrom, Kurt. 1989. Machaut and the Wild Beast. Acta Musicologica, 12-39. pp. 17.

Earp, Lawrence M. 1983. Scribal Practice, Manuscript Production and the Transmission of Music in Late Medieval France: The Manuscripts of Guillaume de Machaut. Princeton University, PhD Dissertation. pp. 66-67.

Mulder, Etty Martha. 1978. Guillaume de Machaut, een grensbewoner: Samenhang von allegorie en muziek bij een laat-Middeleeuws dichter-componist. Guillaume de Machaut entre deux mondes: Les rapports d'allégorie et musique chez un poète-compositeur de la fin du Moyen Age (avec un résumé en français).  Amsterdam: Stichting Musicater. pp. 88-90.

Newes, Virginia Ervin. 1977. Imitation in the Ars Nova and Ars Subtilior. Revue Belge de Musicologie, 38-59. pp. 47-48.

Pelinski, Ramòn A. 1975. Zusammenklang und Aufbau in den Motetten Machauts. Musikforschung, 62-71. pp. 70.

Sanders, Ernest (editor). 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 558 n.257.

Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Columbia University, PhD Dissertation. pp. 212, 263, 267, 271, 292-3.

Eggebrecht, Hans Heinrich. 1961. Musik als Tonsprache. Archiv für Musikwissenschaft, 73-100. pp. .

Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 30.

Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre. pp. 75.

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 108-111.

Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 197-216. pp. 201, 203, 205-6, 209.

Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:63-68.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:108-11.

Gombosi, Otto Johannes. 1950. Machaut's Messe Notre-Dame. Musical Quarterly, 204ff. pp. 220.

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3.  Leipzig: Publikationen älterer Musik. pp. 2:58, 60a, 79; 3:2-5, 28.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. pp. 224.

Ficker, Rudolf von. 1920. Die Kolorierungstechnik der Trienter Messen. Studien zur Musikwissenschaft, 5-47. pp. 212.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. pp. 1:173, 75 2:16-18 no.13 3:28-32 no.13.

Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg.  Paris: Champion. pp. 2:483-84 no.1.