| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Motet |
| Appears in |
GB-Ob MS. Canon. Pat. Lat. 229 (Pad A) (38 [56])
F-Pnm Français 843 (Machaut M) (244v—245)
F-Pnm Français 1584 (Machaut A) (479v—480)
|
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. pp. 2:40 no.22 3:64-65.
Utan, Lloyd. 1977. Anthology for Music Theory: Problems and Practices in the Middle Ages and Renaissance: Workbook. Minneapolis: University of Minnesota Press. pp. 99-100.
Wilkins, Nigel E. 1980. Rondeau (i). The New Grove Dictionary of Music and Musicians , 16: 166-170. pp. 167, 169.
Cerquiglini-Toulet, Jacqueline (ed.) 1987. Guillaume de Machaut. Lob der Frauen. Gedichte altfranzösisch und deutsch. Mit 21 Miniaturen und einer Notenseite aus einer Handschrift des 14. Jahrhunderts. Leipzig: Reclam. pp. (MS G).
Newes, Virginia Ervin. 1990. Writing, Reading and Memorizing: The Transmission and resolution of Retrograde Canons from the 14th and Early 15th Centuries. Early Music, 18: 218-234. pp. 225-33.
Tarbé, Louis Hardouin Prosper (ed.) 1849. Les Oeuvres de Guillaume de Machaut. Collection des Poëtes Champenois Antérieurs au XVIe Siècle. Reims and Paris: Techener. pp. 173.
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:575 no. 15.
Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times. New York: W.W. Norton & Co.. pp. 351-52.
Günther, Ursula. 1962-63. Die Mensuralnotation der Ars nova in Theorie und Praxis. Archiv für Musikwissenschaft, 19-20: 1962-63. pp. 13-16.
Wilkins, Nigel E. 1979. Music in the Age of Chaucer. Chaucer Studies. Cambridge: Brewer and Totowa, N.J., Rowman and Littlefield. pp. 19.
Berthelot, Anne, and Jacqueline Cerquiglini-Toulet (eds.) 1987. Poètes du Moyen Age. Chants de guerre, d'amour et de mort. Librairie Générale Française. Paris: Livre de Poche. pp. 121.
Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 322.
Cerquiglini-Toulet, Jacqueline. 1985. "Un Engin si soutil": Guillaume de Machaut et l'écriture au XIVe siècle. Bibliothèque du XVe Siècle. Geneva: Slatkine. pp. 60.
Cerquiglini-Toulet, Jacqueline. 1988. Le rondeau. La littérature française aux XIVe et XVe siècles. Vol. 1, Partie historique, Grundriss der romanischen Literatur des Mittlealters. edited by Daniel Poirion, 45-58. Heidelberg: Winter. pp. 50-51.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:63-64.
Günther, Ursula. 1984. Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten. edited by Ursula Günther and Ludwig Finscher, 229-268. Kassel: Bärenreiter. pp. 256.
Cerquiglini-Toulet, Jacqueline. 1982. Ethique de la totalisation et esthétique de la rapture dans le Voir-Dit de Guillaume de Machaut. Guillaume de Machaut: Poète et Compositeur. Colloque-Table Ronde organisé par l'Université de Reims (19-22 avril, 1978), Actes et Colloques. 253-62. Paris: Klincksieck. pp. 257-58.
Chailley, Jaques. 1982. La composition dans la Messe de Guillaume de Machaut. Guillaume de Machaut: Poète et Compositeur. Colloque-Table Ronde organisé par l'Université de Reims (19-22 avril, 1978), Actes et Colloques. 281-288. Paris: Klincksieck. pp. 216.
Sonnemann, Günther. 1969. Die Ditdichtung des Guillaume de Machaut. PhD Dissertation, Göttingen. pp. 64.
Riemann, Hugo. 1905. Die Musik des Mittelalters (bis 1450). Handbuch der Musikgeschichte. Leipzig: Breitkopf und Härtel. pp. 340-41.
Gleason, Harold (ed.) 1945, 2nd, corrected printing. Examples of Music Before 1400. Eastman School of Music Series. New York: Appleton-Century-Crofts. pp. 81-84.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:156-57.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 131-32.
[No Author] 1964. Florilegium musicum. History of Music in 180 Examples from Antiquity to the 18th Century. 2 vols. Buenos Aires: Ricordi Americana. pp. 26-27 no.33.
[No Author] 1964. Music Scores Omnibus. Part I: Earliest Music Through the Works of Beethoven. Englewood Cliffs, N.J.: Prentice Hall. pp. 23-24.
Wilkins, Nigel E. 1987. Armes, Amours, Dames, Chevalerie: An Anthology of French Song from the Fourteenth Century. Cambridge: New Press. pp. 40-42.
[No Author] 1991. The Development of Western Music: An Anthology, vol. 1: Ancient, Medieval, Renaissance, Baroque. Dubuque, Iowa: Brown. pp. 70-71 no.47.
Earp, Lawrence M. 1983. Scribal Practice, Manuscript Production and the Transmission of Music in Late Medieval France: The Manuscripts of Guillaume de Machaut. PhD Dissertation, Princeton University. pp. 182-86.
Combarieu, Jules. 1913. Histoire de la musique des origines au début du XXe siècle, Vol. 1: Des origines à la fin du XVIe siècle. Paris: Colin. pp. 398-99.
Schneider, Màrius. 1931. Die Ars nova des XIV. Jahrhunderts in Frankreich und Italien. Potsdam: Hayn's Erben, and Wolfenbüttel and Berlin: Kallmeyer. pp. 68.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 1:165-67.
Reaney, Gilbert. 1955. The Manuscript Oxford, Bodleian Library, Canonici Misc. 213. Musica Disciplina, 9: 73-104. pp. 51-52.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. Ph.D. dissertation, University of Hamburg. pp. 102-3, 108.
Harman, Alec. 1958. Mediaeval and Early Renaissance Music (up to c. 1525). Man and His Music. Fair Lawn, N.J.: Essential Books. pp. 144.
Reaney, Gilbert (ed.) 1966. Répertoire international des sources musicales. Series B IV. Munich-Duisburg: G. Henle Verlag. pp. 710.
Reaney, Gilbert. 1984. A Consideration of the Relative Importance of Words and Music in Composition from the 13th to the 15th Century. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten. edited by Ursula Günther and Ludwig Finscher, 175-195. Kassel: Bärenreiter. pp. 189-90.
Reaney, Gilbert. 1971. Guillaume de Machaut. Oxford Studies of Composers. London: Oxford University Press. pp. 48-49.
Salop, Arnold. 1971. Studies in the History of Musical Style. Detroit: Wayne State University Press. pp. 76-77.
Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten. Munich: Katzbichler. pp. 205-6.
Leech-Wilkinson, Daniel. 1993. Le Voir Dit and La Messe de Nostre Dame: aspects of genre and style in late works of Machaut. Plainsong and Medieval Music, 2: 43-73. pp. 62.
Günther, Ursula. 1972. Un Codice Trecentesco, Bibi. Nat. Paris fonds ital. 568. Lochamer-Liederbuch / Fundamentum organisandi , Documenta Musicologica. Series II. Kassel: International Society for Musicology. pp. 60 no. 47.
Günther, Ursula. 1983. Fourteenth-Century Music with Texts Revealing Performance Practice. Studies in the performance of late mediaeval music, edited by Stanley Boorman, 253-270. Cambridge: Cambridge University Press. pp. 260-61.
Günther, Ursula. 1990. Polymetric Rondeaux from Machaut to Dufay: Some Style-Analytical Observations. Studies in Musical Sources and Styles: Essays in Honor of Jan La Rue, edited by Eugene K Wolf and Edward H. Roesner, 75-108. Ann Arbor: A-R Editions. pp. 84.
Newes, Virginia Ervin. 1987. Fuga and Related Contrapuntal Procedures in European Polyphony ca. 1350-ca. 1420. PhD Dissertation, Brandeis University. pp. 280-84, 292-307.
Hallmark, Anne. 1983. Some Evidence for French Influence in Northern Italy, c.1400. Studies in the Performance of Late Mediaeval Music, 193-225. Cambridge: Cambridge University Press. pp. 215.
Feininger, Laurence K. 1937. Die Frühgeschichte des Kanons bis Josquin des Prez (um 1500). Emsdetten: Lechte. pp. 21.