Dame de qui toute ma joie / n’assés loer si comme il appartient
| Composer | |
|---|---|
| Genre | Ballade |
Appears in
| Source | Location | Voices |
|---|---|---|
| US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) | 111v–112 |
Voice:
Triplum
Clef:
c2
Voice:
[no designation]
Clef:
c3
Voice Text:
Dame de qui toute ma joie | n'assés loer si com il apartient
Voice:
Tenor
Clef:
f3
Voice:
Contratenor
Clef:
f3
|
| GB-Cmc MS 1594 (Pepys) | 25v |
Voice:
Cantus
Clef:
c3
Voice Text:
Dame de cui toute ma joie | n'assés loer si com il apartient
Voice:
Tenor
Clef:
f3
|
| US-NYpm M. 396 | 65v |
Voice:
[no designation]
Voice Text:
[D]amde de qui toute ma joie / n’assés loer si com il apartient
|
| CH-BEb Cod. 218 | 60v |
Voice:
Triplum
Clef:
c2
Voice:
Cantus
Clef:
c3
Voice Text:
[D]amde de qui toute ma joie | n’assés loer si com il apartient
Voice:
Tenor
Clef:
f3
Voice:
Contratenor
Clef:
f3
|
| F-Pa 5203 | 67v–68 |
Voice:
[no designation]
Voice Text:
[D]amde de qui toute ma joie / n’assés loer si com il apartient
|
| F-Pnm Français 843 (Machaut M) | 68v–69 |
Voice:
[no designation]
Voice Text:
[D]amde de qui toute ma joie / n’assés loer si com il apartient
|
| F-Pnm Français 1584 (Machaut A) | 70v–71 |
Voice:
Triplum
Clef:
c2
Voice:
[no designation]
Clef:
c3
Voice Text:
Dame de qui toute ma joie
Voice:
Tenor
Clef:
f3
Voice:
Contratenor
Clef:
f3
|
| F-Pnm Français 1585 (Machaut B) | 128v–129 |
Voice:
Triplum
Clef:
c2
Voice:
[no designation]
Clef:
c3
Voice Text:
Dame de qui toute ma joie | n’assés loer si com il apartient
Voice:
Tenor
Clef:
f3
Voice:
Contratenor
Clef:
f3
|
| F-Pnm Français 1586 (Machaut C) | 47v |
Voice:
Cantus
Clef:
c3
Voice Text:
Dame de qui toute ma joie | n'assés loer si com il apartient
Voice:
Tenor
Clef:
f3
|
| F-Pnm Français 9221 (Machaut E) | 32 |
Voice:
Triplum
Clef:
c2
Voice:
[no designation]
Clef:
c3
Voice Text:
Dame de qui toute ma joie | n'assés loer si com il apartient
Voice:
Tenor
Clef:
f3
Voice:
Contratenor
Clef:
f3
|
| F-Pnm Français 22545-22546 (Machaut F-G) | F:56v |
Voice:
Triplum
Clef:
c2
Voice:
[no designation]
Clef:
c3
Voice Text:
Dame de qui toute ma joie | n'assés loer si com il apartient
Voice:
Tenor
Clef:
f3
Voice:
Contratenor
Clef:
f3
|
| F-Pnm NAF 6771 (Codex Reina) | 68v |
Voice:
[no designation]
Clef:
c3
Voice Text:
Dame de qui toute ma ioie vient ...
Voice:
Triplum
Clef:
c2
Voice Text:
Dame de qui toute.
Voice:
Tenor
Clef:
f3c5
Voice Text:
Dame de qui toute.
Voice:
Contratenor
Clef:
f3c5
Voice Text:
Dame de qui toute.
|
| F-Pnm NAF 23190 (Trémoille) | xxvii |
Voice:
[no designation]
Voice Text:
dame de qui
|
| GB-Ldehamel de Hamel 777 (Machaut fragment) | Br |
Bibliography
Bouton, Maureen Barry McCann. 1993. The Song in the Story: Lyric Insertions in French Narrative Fiction, 1200-1400. Philadelphia: University of Pensylvania Press. pp. 191.
Switten, Margaret. 1988 rev. The Medieval Lyric: A Project Supported by the National Endowment for the Humanities and Mount Holyoke College. Anthology I: Monastic Song, Troubadour Song, German Song, Trouvère Song. South Hadley, Mass. pp. .
Wimsatt, James I, William W. Kibler, and Rebecca A. Baltzer (editors). 1988. Guillaume de Machaut. Le Jugement du Roy de Behaigne and Remede de Fortune, music ed. Rebecca A. Baltzer. The Chaucer Library. Athens, GA: University of Georgia Press. pp. 336-39, 428-29, critical notes 442-44.
Huot, Sylvia. 1987. From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry. Ithaca: Cornell University Press. pp. 256.
Wilkins, Nigel E. 1987. Armes, Amours, Dames, Chevalerie: An Anthology of French Song from the Fourteenth Century. Cambridge: New Press. pp. 32-35 no.7.
Hirshberg, Jehoash. 1980. Hexachordal and Modal Structure in Machaut's Polyphonic Chansons. Studies in Musicology in Honor of Otto E. Albrecht: A Collection of Essays by His Colleagues and Former Students at the University of Pennsylvania, edited by Jehoash Hirshberg, 19-42. Kassel: Bärenreiter. pp. 38.
Reaney, Gilbert. 1980. Machaut [Machau, Machaud, Machault], Guillaume de [Guillelmus de Machaudio]. The New Grove Dictionary of Music and Musicians, 428-436. pp. 430, .
Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 383.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation. pp. 117-18.
Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 123.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:140-41.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:99-101.
Vérard, Antoine, Eugénie Droz, and Arthur Piaget (editors). 1910 & 1925. Le Jardin de Plaisance et Fleur de Rhétorique publiée par Antoine Vérard vers 1501. Société des Anciens Textes Français. Paris: Champion. pp. vol 1, fols 68.
Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. pp. 2:110-11.
Ludwig, Friedrich. 1908-1921. La musique des intermèdes lyriques dans le Remede de Fortune. Oeuvres de Guillaume de Machaut, edited by Friedrich Ludwig, 3 vols.405-413. pp. 15-19.
Marquis de Queux de Saint-Hillaire, Auguste Henry Edouard, and Gaston Raynaud (editors). 1878-1903. Oeuvres complètes d'Eustache Deschamps. Société des Anciens Textes Français. 11 vols. Paris: Firmin-Didot. pp. 10:lxvii-lxviii no.61.