| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Motet |
| Appears in |
F-Pnm Français 1584 (Machaut A) (435v—436)
F-Pnm Français 1585 (Machaut B) (279v—280)
F-Pnm Français 22545-22546 (Machaut F-G) (123v—124)
|
Lebeuf, Jean. 1743. Dissertations sur l'histoire ecclésiastique et civile de Paris, suivies de plusieurs eclaircissemens sur l'histoire de France. Paris: Durand. pp. 432.
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:529-30 no.22.
Kühn, Hellmut. 1983. Guillaume de Machaut, Motette Nr. 22. Chormusik und Analyse: Beiträge zur Formanalyse und Interpretation mehrstimmiger Vokalmusik, edited by Heinrich Poos, 2 vols.Vol.1:29-41;Vol.2:11-16. Mainz: Schott. pp. 1:32; 2:11-16.
Markstrom, Kurt. 1989. Machaut and the Wild Beast. Acta Musicologica, 61: 12-39. pp. 27-29, 34-35, 37-38.
Reaney, Gilbert. 1967. Towards a Chronology of Machaut's Musical Works. Musica disciplina, 21: 87-96. pp. 93.
Leech-Wilkinson, Daniel. 1989. Compositional Techniques in the Four-Part Isorhythmic Motets of Philippe de Vitry and his Contemporaries. 2 vols. New York: Garland. pp. 1:105-7, 1:119-28, 1:135-6, 138-41, 149-51, 1:165, 2:71-73, 2:77-79, critical notes 1989: 1:245.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 13: 197-216. pp. 201.
Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 5: 438-465. pp. 440, 443-44.
Anderson, Gordon Athol. 1976. Responsory Chants in the Tenors of Some Fourteenth-Century Continental Motets. Journal of the American Musicological Society, 29: 119-127. pp. 122, 126.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 3:79-81.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. PhD Dissertation, Columbia University. pp. 222.
Ficker, Rudolf von. 1929. Polyphonic Music of the Gothic Period. Musical Quaterly, 15: 483-505. pp. 502-5.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:22-25.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 89-90.
Schneider, Màrius. 1931. Die Ars nova des XIV. Jahrhunderts in Frankreich und Italien. Potsdam: Hayn's Erben, and Wolfenbüttel and Berlin: Kallmeyer. pp. ex.4.
Gombosi, Otto Johannes. 1950. Machaut's Messe Notre-Dame. Musical Quarterly, 36: 204ff. pp. 222.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:107-8.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 12: 27-58. pp. 32.
Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten. Munich: Katzbichler. pp. 91-92, 138-44.
Pelinski, Ramòn A. 1975. Zusammenklang und Aufbau in den Motetten Machauts. Musikforschung, 28: 62-71. pp. 70.
Wernli, Andreas. 1977. La percettibilità delle strutture isoritmiche. Osservazioni sui Motetti di Guillaume de Machaut. Studie musicali, 6: 13-25. pp. 21-23.
Leech-Wilkinson, Daniel. 1982-83. Related motets from fourteenth-century France. Proceedings of the Royal Musical Association, 109: 1-22. pp. 3-4, 18 n.31.
Newes, Virginia Ervin. 1987. Fuga and Related Contrapuntal Procedures in European Polyphony ca. 1350-ca. 1420. PhD Dissertation, Brandeis University. pp. 205-10.
Harrison, Frank Llewellyn (ed.) 1968. Motets of French provenance. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 7-12.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 529.