Digital Image Archive of Medieval Music :: Tu qui gregem tuum ducis, opera / Plange, regni res publica! / Apprehende arma et scutum et exurge

Tu qui gregem tuum ducis, opera / Plange, regni res publica! / Apprehende arma et scutum et exurge

Composer	Machaut, Guillaume de (ca. 1300–1377)
Genre	Motet

Appears in

Source	Location	Voices
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg)	281v–282	Voice: [no designation] Clef: c2 Voice Text: Tu qui gregem tuum ducis, opera Voice: [no designation] Clef: c3 Voice Text: Plange, regni res publica! Voice: [no designation] Clef: c5 Voice Text: Apprehende arma et scutum et exurge Voice: [no designation] Clef: c5
F-Pnm Français 1584 (Machaut A)	435v–436	Voice: [no designation] Clef: c2 Voice Text: Tu qui gregem tuum ducis, opera Voice: [no designation] Clef: c3 Voice Text: Plange, regni res publica! Voice: Tenor Clef: c5 Voice Text: Apprehende arma et scutum et exurge Voice: Contratenor Clef: c5
F-Pnm Français 1585 (Machaut B)	279v–280	Voice: [no designation] Clef: c2 Voice Text: TU qui gregem tuum ducis Voice: [no designation] Clef: c3 Voice Text: [P]lange regni respublica Voice: Tenor Clef: c5 Voice Text: TEnor apprehende arma Voice: Contratenor Clef: c5 Voice Text: Contratenor
F-Pnm Français 9221 (Machaut E)	145	Voice: [no designation] Clef: c2 Voice Text: Tu qui gregem tuum ducis Voice: [no designation] Clef: c3 Voice Text: Plange regni republica Voice: Tenor Clef: c5 Voice Text: Tenor Apprehende arma et scutum et exurge Voice: Contratenor Clef: c5
F-Pnm Français 22545-22546 (Machaut F-G)	123v–124	Voice: [no designation] Clef: c2 Voice Text: TV qui gregem tuum ducis Voice: [no designation] Clef: c3 Voice Text: Plange regni respublica Voice: Tenor Clef: c5 Voice Text: Apprehende arma et scutum et exurge Voice: Contratenor Clef: c5

Bibliography

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Markstrom, Kurt. 1989. Machaut and the Wild Beast. Acta Musicologica, 12-39. pp. 27-29, 34-35, 37-38.

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Kühn, Hellmut. 1983. Guillaume de Machaut, Motette Nr. 22. Chormusik und Analyse: Beiträge zur Formanalyse und Interpretation mehrstimmiger Vokalmusik, edited by Hellmut Kühn, 2 vols.Vol.1:29-41;Vol.2:11-16. Mainz: Schott. pp. 1:32; 2:11-16.

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Wernli, Andreas. 1977. La percettibilità delle strutture isoritmiche. Osservazioni sui Motetti di Guillaume de Machaut. Studie musicali, 13-25. pp. 21-23.

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Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Columbia University, PhD Dissertation. pp. 222.

Harrison, Frank Llewellyn (editor). 1968. Motets of French provenance. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 7-12.

Reaney, Gilbert. 1967. Towards a Chronology of Machaut's Musical Works. Musica disciplina, 87-96. pp. 93.

Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 32.

Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 529.

Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 89-90.

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Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:529-30 no.22.