Bone pastor Guillerme, pectus quidem / Bone pastor, qui pastores ceteros vincis

Composer
Machaut, Guillaume de (ca. 1300–1377)
Genre Motet

Appears in

Source Location Voices
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) 277v–278
Voice: [no designation]
Clef: c1
Voice Text: Bone pastor Guillerme, pectus quidem
Voice: [no designation]
Clef: c2
Voice Text: Bone pastor qui pastores ceteros vincis
Voice: [no designation]
Clef: c4
Voice Text: Bone pastor
F-Pnm Français 1584 (Machaut A) 431v–432
Voice: [no designation]
Clef: c1
Voice Text: Bone pastor Guillerme, pectus quidem
Voice: [no designation]
Clef: c2
Voice Text: Bone pastor qui pastores ceteros vincis
Voice: Tenor
Clef: c4
Voice Text: Bone pastor
F-Pnm Français 1585 (Machaut B) 275v–276
Voice: Tenor
Clef: c4
Voice Text: Bone pastor
Voice: [no designation]
Clef: c1
Voice Text: Bone pastor guillerme
Voice: [no designation]
Clef: c2
Voice Text: Bone pastor qui pastores
F-Pnm Français 1586 (Machaut C) 222v–223
Voice: Tenor
Clef: c4
Voice Text: Bone pastor
Voice: [no designation]
Clef: c1
Voice Text: Bone pastor guillerme
Voice: [no designation]
Clef: c2
Voice Text: Bone pastor qui pastores
F-Pnm Français 9221 (Machaut E) 144v
Voice: [no designation]
Clef: c1
Voice Text: Bone pastor guillerme
Voice: [no designation]
Clef: c2
Voice Text: Bone pastor qui pastores
Voice: Tenor
Clef: c4
Voice Text: Bone pastor Tenor
F-Pnm Français 22545-22546 (Machaut F-G) 119v–120
Voice: [no designation]
Clef: c1
Voice Text: Bone pastor guillerme
Voice: [no designation]
Clef: c2
Voice Text: Bone pastor qui pastores ceteros vincis
Voice: Tenor
Clef: c4
Voice Text: Bone pastor

Bibliography

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Fuller, Sarah. 1990. Modal Tenors and Tonal Orientation in Motets of Guillaume de Machaut. Studies in Medieval Music: Festschrift for Ernest H. Sanders, Current Musicology. edited by Sarah Fuller, 199-245. New York. pp. 202-3.

Schindler, Allan W (editor). 1987. The European Musical Heritage 800-1750.  New York: Knopf. pp. 104-109.

Fuller, Sarah. 1986. On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections. Journal of Music Theory, 35-70. pp. 47-55, 61-62, 68 no.38 nn.25, 37, 39, 46.

Bent, Margaret. 1984. Text Setting in Sacred Music of the Early 15th Century: Evidence and Implications. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten. edited by Margaret Bent, 291-326. Kassel: Bärenreiter. pp. .

Wennerstrom, Mary H (editor). 1983. Anthology of Musical Structure and Style.  Englewood Cliffs, N.J.: Prentice Hall. pp. 13-18.

Leech-Wilkinson, Daniel. 1982-83. Related motets from fourteenth-century France. Proceedings of the Royal Musical Association, 1-22. pp. 4, 7, 14, 15 n.4.

Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 438-465. pp. 442,444, 446,449, 451, .

Wernli, Andreas. 1977. La percettibilità delle strutture isoritmiche. Osservazioni sui Motetti di Guillaume de Machaut. Studie musicali, 13-25. pp. 19-21.

Pelinski, Ramòn A. 1975. Zusammenklang und Aufbau in den Motetten Machauts. Musikforschung, 62-71. pp. 69-70.

Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten.  Munich: Katzbichler. pp. 131-137.

Bank, Johannes Antonius. 1972. Tactus, Tempo and Notation in Mensural Music from the 13th to the 17th Century.  Amsterdam: Annie Bank. pp. 38 ex.11, 39, 43.

Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Columbia University, PhD Dissertation. pp. 255.

Dömling, Wolfgang. 1970. Die mehrstimmigen Balladen, Rondeaux und Virelais von Guillaume de Machaut. Untersuchungen zum musikalischen Satz. Münchner Veröffentlichungen zur Musikgeschichte.  Tutzing: Schneider. pp. 68-69.

Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 34.

Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 518.

Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre. pp. 86-87.

Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 197-216. pp. 201, 205-9 , 211-12exx.5 and 6.

Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:62, 2:98-101.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:4-7.

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3.  Leipzig: Publikationen älterer Musik. pp. 3:65-67.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. pp. 222.

Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg.  Paris: Champion. pp. 2:518-20 no.18.