| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Motet |
| Appears in |
F-Pnm Français 1584 (Machaut A) (427v—428)
F-Pnm Français 1585 (Machaut B) (273v—274)
F-Pnm Français 1586 (Machaut C) (218v—219)
F-Pnm Français 22545-22546 (Machaut F-G) (115v—116)
|
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:509-510 no.14.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. pp. 224.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 13: 197-216. pp. 208, 201.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. PhD Dissertation, Columbia University. pp. 256.
Lühmann, Rose. 1978. Versdeklamation bei Guillaume de Machaut. PhD Dissertation, Ludwig-Maximilians-Universität Munich. pp. 161-62, 168.
Patch, Howard Rollin. 1927. The Goddess Fortuna in Mediaeval Literature. Cambridge, Mass.: Harvard University Press. pp. 94 n.1.
Huot, Sylvia. 1994. Patience in Adversity: The Courtly Lover and Job in Machaut's Motets 2 and 3. Medium Aevum, 63: 222-238. pp. 223.
Woodrow Hassel Jr., James. 1982. Middle French Proverbs, Sentences and Proverbial Phrases. Subsidia Mediaevalia. Toronto: Pontifical Institute of Mediaeval Studies. pp. D37.
Burstyn, Shai. 1976. Power's Anima Mea and Binchois' De Plus en Plus: A Study in Musical Relationships. Musica Disciplina, 30: 55-72. pp. 71.
Sanders, Ernest (ed.) 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 563 n.287.
Anderson, Gordon Athol. 1976. Responsory Chants in the Tenors of Some Fourteenth-Century Continental Motets. Journal of the American Musicological Society, 29: 119-127. pp. 122.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 3:52-54.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:154-56.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 83-84.
Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 14: 13-27. pp. 25.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:90-92.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 509.
Schrade, Leo (ed.) 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 154-156.