Maugré mon coeur, contre mon sentement / De ma doulour confortés doulcement / Quia amore langueo
| Composer | |
|---|---|
| Genre | Motet |
Appears in
| Source | Location | Voices |
|---|---|---|
| US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) | 273v–274 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Maugré mon cuer, contre mon sentement
Voice:
[no designation]
Clef:
c3
Voice Text:
De ma dolour confortés doucement
Voice:
[no designation]
Clef:
c4
Voice Text:
Quia amore langueo
|
| F-Pnm Français 1584 (Machaut A) | 427v–428 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Maugré mon cuer, contre mon sentement
Voice:
[no designation]
Clef:
c3
Voice Text:
De ma dolour confortés doucement
Voice:
Tenor
Clef:
c4
Voice Text:
Quia amore langueo
|
| F-Pnm Français 1585 (Machaut B) | 273v–274 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Maugre mon cuer contre mon sentement
Voice:
[no designation]
Clef:
c3
Voice Text:
SE ma doulour confortes doucement
Voice:
Tenor
Clef:
c4
Voice Text:
Quia amore langueo
|
| F-Pnm Français 1586 (Machaut C) | 218v–219 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Maugré mon cuer, contre mon sentement
Voice:
[no designation]
Clef:
c3
Voice Text:
De ma dolour confortés doucement
Voice:
Tenor
Clef:
c4
Voice Text:
Quia amore langueo
|
| F-Pnm Français 9221 (Machaut E) | 143 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Maugre mon cuer contre mon sentement
Voice:
[no designation]
Clef:
c3
Voice Text:
Se ma doulour confortes doulcement
Voice:
Tenor
Clef:
c4
Voice Text:
Quia amore langueo . Tenor
|
| F-Pnm Français 22545-22546 (Machaut F-G) | 115v–116 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Maugre mon cuer contre mon sentement
Voice:
[no designation]
Clef:
c3
Voice Text:
DE ma doulour confortes doucement
Voice:
Tenor
Clef:
c4
Voice Text:
Quia amore langueo
|
| F-Pnm NAF 23190 (Trémoille) | iv |
Voice:
[no designation]
Voice Text:
de ma dolour
Voice:
[no designation]
Voice Text:
[lost]
Voice:
[no designation]
Voice Text:
[lost]
|
Bibliography
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Lühmann, Rose. 1978. Versdeklamation bei Guillaume de Machaut. Ludwig-Maximilians-Universität Munich, PhD Dissertation. pp. 161-62, 168.
Anderson, Gordon Athol. 1976. Responsory Chants in the Tenors of Some Fourteenth-Century Continental Motets. Journal of the American Musicological Society, 119-127. pp. 122.
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Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 13-27. pp. 25.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 509.
Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 83-84.
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Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 197-216. pp. 208, 201.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:90-92.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:154-56.
Patch, Howard Rollin. 1927. The Goddess Fortuna in Mediaeval Literature. Cambridge, Mass.: Harvard University Press. pp. 94 n.1.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 3:52-54.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. pp. 224.
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:509-510 no.14.