Helas, pour quoy virent onques my oueil / Credo Corde mesto cantando conqueror / Libera me
Composer | |
---|---|
Genre | Motet |
Appears in
Source | Location | Voices |
---|---|---|
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) | 271v–272 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Helas, pour quoy virent onques mi oueil
Voice:
[no designation]
Clef:
c2
Voice Text:
Corde mesto cantando conqueror
Voice:
[no designation]
Clef:
f3
Voice Text:
Libera me
|
F-Pnm Français 1584 (Machaut A) | 425v–426 |
Voice:
[no designation]
Clef:
c2
Voice Text:
Corde mesto cantando conqueror
Voice:
Tenor
Clef:
f3
Voice Text:
Libera me
Voice:
[no designation]
Clef:
c3
Voice Text:
Helas, pour quoy virent onques mi oueil
|
F-Pnm Français 1585 (Machaut B) | 269v–270 |
Voice:
[no designation]
Clef:
c3
Voice Text:
HElas pour quoy virent onques mi oueil
Voice:
[no designation]
Clef:
c2
Voice Text:
Credo mesto
Voice:
Tenor
Clef:
f3
Voice Text:
Libera me
|
F-Pnm Français 1586 (Machaut C) | 216v–217 |
Voice:
[no designation]
Clef:
c2
Voice Text:
Corde mesto
Voice:
Tenor
Clef:
f3
Voice Text:
Libera me
Voice:
[no designation]
Clef:
c3
Voice Text:
HElas pour quoy uirent onques mi oeil
|
F-Pnm Français 9221 (Machaut E) | 141v–142 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Helas, pour quoy virent onques my oueil
Voice:
[no designation]
Clef:
c2
Voice Text:
(Credo) [Corde] mesto cantando conqueror
Voice:
Tenor
Clef:
f3
Voice Text:
Libera me
|
F-Pnm Français 22545-22546 (Machaut F-G) | 113v–114 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Helas, pour quoy virent onques mi oueil
Voice:
[no designation]
Clef:
c2
Voice Text:
COrde mesto
Voice:
Tenor
Clef:
f3
Voice Text:
Libera me
|
Bibliography
Huot, Sylvia. 1994. Patience in Adversity: The Courtly Lover and Job in Machaut's Motets 2 and 3. Medium Aevum, 222-238. pp. 233-35, 237-38.
Leech-Wilkinson, Daniel. 1989. Compositional Techniques in the Four-Part Isorhythmic Motets of Philippe de Vitry and his Contemporaries. 2 vols. New York: Garland. pp. 1:110 n.15.
Sanders, Ernest. 1980. Isorythm. The New Grove Dictionary of Music and Musicians , 351-354. pp. 352.
Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 438-465. pp. 440.
Anderson, Gordon Athol. 1976. Responsory Chants in the Tenors of Some Fourteenth-Century Continental Motets. Journal of the American Musicological Society, 119-127. pp. 122,126.
Sanders, Ernest (editor). 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 558 no. 257.
Dömling, Wolfgang. 1970. Die mehrstimmigen Balladen, Rondeaux und Virelais von Guillaume de Machaut. Untersuchungen zum musikalischen Satz. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing: Schneider. pp. 15.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 505, 507.
Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 82-83.
Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 147-150.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 197-216. pp. 201-2.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:87-89.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:147-150.
Patch, Howard Rollin. 1927. The Goddess Fortuna in Mediaeval Literature. Cambridge, Mass.: Harvard University Press. pp. 81.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 3:44-49.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. pp. 223.
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:505-6 no.12.