| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Motet |
| Appears in |
F-Pnm Français 1584 (Machaut A) (420v—421)
F-Pnm Français 1585 (Machaut B) (264v—265)
F-Pnm Français 1586 (Machaut C) (211v—212)
F-Pnm Français 9221 (Machaut E) (138v—139)
F-Pnm Français 22545-22546 (Machaut F-G) (108v—109)
|
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:495-96 no.7.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. pp. 223.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 13: 197-216. pp. 201, 205, 206, 209-10, 212-13.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. Ph.D. dissertation, University of Hamburg. pp. 140-42.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. PhD Dissertation, Columbia University. pp. 266-67.
Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 5: 438-465. pp. 440, 447, 449.
Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. pp. 3:258 n. 1.
[No Author] 1970. Hoepffner ? pp. 49.
Boogaart, Jaques. 1993. Love's Unstable Balance. Part II: More Balance Problems and the Order of Machaut's Motets. Muziek & Wetenschap, 3: 24-33. pp. 32.
Kittredge, George Lyman. 1915. Guillaume de Machaut and the Book of the Duchess. Publications of the Modern Language Association of America, 30: 1-24. pp. 15-16.
Wimsatt, James I. 1968. Chaucer and the French Love Poets: the Literary Background of the Book of the Duchess. University of North Carolina Studies in Comparative Literature. Chapel Hill: University of North Carolina Press. pp. 159.
Sanders, Ernest (ed.) 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 563 no.287, 559 n.259.
Anderson, Gordon Athol. 1976. Responsory Chants in the Tenors of Some Fourteenth-Century Continental Motets. Journal of the American Musicological Society, 29: 119-127. pp. 124 n.18.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 2:27-29, 3:8.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:130-33.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 78-79.
[No Author] 1984. Analytical Anthology of Music. New York: Knopf. pp. None.
Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 14: 13-27. pp. 26.
Gombosi, Otto Johannes. 1950. Machaut's Messe Notre-Dame. Musical Quarterly, 36: 204ff. pp. 221-22.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:79-80.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 12: 27-58. pp. 32-34.
Günther, Ursula. 1990. Polymetric Rondeaux from Machaut to Dufay: Some Style-Analytical Observations. Studies in Musical Sources and Styles: Essays in Honor of Jan La Rue, edited by Eugene K Wolf and Edward H. Roesner, 75-108. Ann Arbor: A-R Editions. pp. 83-84.
Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten. Munich: Katzbichler. pp. 185-88.
Dobrzanska, Zofia. 1979. Rola tenoru w ksztaltowaniu motetu izorytmicznego. [The role of the tenor in the composition of the isorhythmic motet]. Muzyka, 24/3: 45-75. pp. 65.
Fuller, Sarah. 1990. Modal Tenors and Tonal Orientation in Motets of Guillaume de Machaut. Studies in Medieval Music: Festschrift for Ernest H. Sanders, Current Musicology. edited by Peter M Lefferts and Brian Seirup, 199-245. New York. pp. 223-31.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 495.