J'ai tant mon coeur et mon orgueil creü / Lasse, je suis en aventure / Ego moriar pro te

Composer
Machaut, Guillaume de (ca. 1300–1377)
Genre Motet

Appears in

Source Location Voices
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) 266v–267
Voice: [no designation]
Clef: c1
Voice Text: J'ay tant mon cuer et mon orgueil creü
Voice: [no designation]
Clef: c2
Voice Text: Lasse, je sui en aventure
Voice: [no designation]
Clef: c4
Voice Text: Ego moriar pro te
F-Pnm Français 1584 (Machaut A) 420v–421
Voice: [no designation]
Clef: c1
Voice Text: J'ay tant mon cuer et mon orgueil creü
Voice: [no designation]
Clef: c2
Voice Text: Lasse, je sui en aventure
Voice: [no designation]
Clef: c4
Voice Text: Ego moriar pro te
F-Pnm Français 1585 (Machaut B) 264v–265
Voice: [no designation]
Clef: c1
Voice Text: Iay tant mon cuer et mon orgueil creu
Voice: [no designation]
Clef: c2
Voice Text: Lasse ie suy en auenture
Voice: Tenor
Clef: c4
Voice Text: Ego moriar pro te
F-Pnm Français 1586 (Machaut C) 211v–212
Voice: [no designation]
Clef: c1
Voice Text: Iay tant mon cuer & mon orgueil creu
Voice: [no designation]
Clef: c2
Voice Text: Lasse ie sui en auenture
Voice: Tenor
Clef: c4
Voice Text: Ego moriar pro te
F-Pnm Français 9221 (Machaut E) 138v–139
Voice: [no designation]
Clef: c1
Voice Text: Iay tant mon cuer et mon orgueil creu
Voice: [no designation]
Clef: c2
Voice Text: Lasse ie suy en auenture
Voice: Tenor
Clef: c4
Voice Text: Ego moriar pro te . Tenor
F-Pnm Français 22545-22546 (Machaut F-G) 108v–109
Voice: [no designation]
Clef: c1
Voice Text: IAy tant mon cuer et mon orgueil creu
Voice: [no designation]
Clef: c2
Voice Text: Lasse, je sui en aventure
Voice: Tenor
Clef: c4
Voice Text: Ego moriar pro te

Bibliography

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Günther, Ursula. 1990. Polymetric Rondeaux from Machaut to Dufay: Some Style-Analytical Observations. Studies in Musical Sources and Styles: Essays in Honor of Jan La Rue, edited by Ursula Günther, 75-108. Ann Arbor: A-R Editions. pp. 83-84.

Turek, Ralph (compiler). 1984. Analytical Anthology of Music.  New York: Knopf. pp. .

Dobrzanska, Zofia. 1979. Rola tenoru w ksztaltowaniu motetu izorytmicznego. [The role of the tenor in the composition of the isorhythmic motet]. Muzyka, 45-75. pp. 65.

Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 438-465. pp. 440, 447, 449.

Anderson, Gordon Athol. 1976. Responsory Chants in the Tenors of Some Fourteenth-Century Continental Motets. Journal of the American Musicological Society, 119-127. pp. 124 n.18.

Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten.  Munich: Katzbichler. pp. 185-88.

Sanders, Ernest (editor). 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 563 no.287, 559 n.259.

Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Columbia University, PhD Dissertation. pp. 266-67.

[No Author] 1970. Hoepffner ? pp. 49.

Wimsatt, James I. 1968. Chaucer and the French Love Poets: the Literary Background of the Book of the Duchess. University of North Carolina Studies in Comparative Literature.  Chapel Hill: University of North Carolina Press. pp. 159.

Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 13-27. pp. 26.

Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 32-34.

Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 495.

Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation. pp. 140-42.

Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre. pp. 78-79.

Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 197-216. pp. 201, 205, 206, 209-10, 212-13.

Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:79-80.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:130-33.

Gombosi, Otto Johannes. 1950. Machaut's Messe Notre-Dame. Musical Quarterly, 204ff. pp. 221-22.

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3.  Leipzig: Publikationen älterer Musik. pp. 2:27-29, 3:8.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. pp. 223.

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Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg.  Paris: Champion. pp. 2:495-96 no.7.