DK-Kk MS Gamle kongelige Samling 1872, 4° (VII) [7a vox]

Det Kongelige Bibliotek, Copenhagen, Denmark

partbook: c. 1540s

Archive	Det Kongelige Bibliotek, Copenhagen, Denmark (DK-Kk)
Shelfmark	MS Gamle kongelige Samling 1872, 4° (VII) [7a vox]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	c. 160 x 200 mm
Other Identifiers	CCM: CopKB 1872
Notations	black void mensural
Copyists	Heyde, Jorgen Music
Relationships	Johann Friedrich I (1503–1554) (dedicatee) Heinrich, Duke of Brunswick (dedicatee) Christian III (1503–1559) (dedicatee) Albert of Prussia (1490–1568) (dedicatee)
External Links	images index
Provenance	Königsberg, Prussia
Contents	Contains 34 compositions, 24 from 17 composers, 10 are anonymous.

General Description

A Septima vox partbook from a set originally of eight volumes. Pieces are arranged in sections by number of voices (5-6-7-8+) with blank folios separating sections; pieces were apparently copied into the manuscript at different times. Most pieces have only text incipits, though several are completely untexted; a few pieces are fully-texted in the Bassus book only.

Copied by Jørgen Heyde [= Georg Hayd], a musician at the Danish royal court. Dedicatory canons in IV (ff. 17v ff) to King Christian III of Denmark, Duke Albert of Prussia, Duke Heinrich of Brunswick, Johann Friedrich I, Elector of Saxony; another piece dedicated to Elector Johann Friedrich is in VI (new f. 106). Instruments are specified for some of the pieces.

The manuscript is related to CopKB 1873. Copied for the Danish court in Copenhagen, but repertory has close connections with courts in Saxony and Prussia (CreAC); copied in Königsberg (MülleGMP).

DIAMM, 2026

Binding

Brown leather covers, dated 1541

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original and modern foliation.

DIAMM, 2017

Foliation

page numbering begins at 48 in VI, and at 140 in VII, to match numbering in other volumes

DIAMM, 2026

Index

Several of the books have incomplete original indices in front; general index by Julius Foss (1914), with subsequent pencil additions.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Agnus, 77 motets, 57 German sacred and secular pieces, 11 French secular pieces, 1 Italian secular piece (all of the preceding have text incipits only), 13 pieces entitled "Fuga" (some of which have additional text incipits), 3 textless pieces = 165

Abell-4, Appenzeller [Benedictus]-1, (Barbé/Josquin/Lebrun/Willaert)-1, (Bauldeweyn/Grefinger)-1, (Braetel)-1, (Breitengraser?)-1, (Bruck)-1, Brumel-1, (Caen/Lupus/Richafort)-1, Coclico-3, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Eckel/(Josquin)-1, C. Festa-1, A. Févin -1, Finck-2, Gombert-3, (Greitter)-1, Hack-1, Heugel-2, (Isaac)-1, (Janequin/Verdelot)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-1, S. Jhan(?)-2, Josquin-9, J. Kugelmann-4?, (M. Kugelmann?)-1, P. Kugelmann-1, Mouton-1, (Mouton/Moulu)-1, (Müller)-1, Othmayr-1, (Paminger)-1, (Phinot)-1, Presten-19, Senfl-12, Stoltzer-1, Verdelot-S, (Walter)-9?, (Wannenmacher)-1, Willaert-2, (J. Zacharias)-1, anon-62

7 paper partbooks of an original 8 (I-212 folios, II-210, III-212, IV-196, V-213, VI-154, VII-54), ca. 160 x 200. The first 48 folios are missing in VI; first 140 folios are missing from VII. Pieces were apparently copied into the manuscript at different times; sections of blank folios alternate with copied sections. Original and modern foliation. Brown leather covers, dated 1541. Several of the books have incomplete original indices in front; general index by Julius Foss (1914), with subsequent pencil additions. Scribe: Matthias Krüger? (LogeM). Dedicatory canons in IV (ff. 17'ff) to King Christian III of Denmark, Duke Albert of Prussia, Duke Heinrich of Brunswick, Johann Friedrich I, Elector of Saxony, and the Duchess of Saxony; another piece dedicated to Elector Johann Friedrich is in VI (new f. 106). Instruments are specified for some of the pieces. The manuscript is related to CopKB 1873.

Copying begun in 1541; dates from 1541 to 1543 found in manuscript. Copied for the Danish court in Copenhagen, but repertory has close connections with courts in Saxony and Prussia (CreAC); copied in Königsberg (MülleGMP).

Vol. 4

Contents: 1 Credo, 3 Agnus, 2 hymns, 69 motets, 1 Latin/German sacred piece, 36 German sacred pieces, 5 Latin or Latin/German dedicatory pieces, 21 German secular pieces (1 also has sacred version), 10 French secular pieces, 2 Italian secular pieces, 13 textless pieces with Latin, German, or Italian titles = 163

Composers: Abell-3, (Alamire?)-1, Appenzeller [Benedictus]/(Ducis)-1, (Arcadelt)-1, (Barbé/Josquin/Lebrun/Willaert)-1, (Bauldeweyn/Grefinger)-1, (Braetel)-2, (Bruck)-1, Brumel-1, (Caen/Lupus/Richafort)-1, Coclico-3, (Courtois)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Eckel/(Heintz/Josquin)-1, C. Festa-1, A. Févin-1, Finck-2, Finck/ (Senfl)-1, Gombert-3, (Greitter)-1, Hack-1, Heugel-2, (Isaac)-1, (Janequin-Verdelot)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-1, Josquin-9, (Josquin/ Senfl)-1, J. Kugelmann-4, (M. Kugelmann)-4 + 2?, P. Kugelmann-2, (Moulu/ Mouton)-1, Mouton-1, Othmayr-2, (Paminger)-2, (Phinot)-1, Presten-19, Senfl-13, (Sporer)-1, Stoltzer-1, Tham-2, Verdelot-1, Verdelot/(Phinot/Richafort)-1, Verdelot/( Richafort)-1, (Walter)-8, (Wannenmacher)-1, Willaert-2, (Wolff)-1, (J. Zacharias)-1, anon-47

Physical: Delete "Scribe: Matthias Krüger? (LogeM)." Add: "Copied by Jørgen Heyde [= Georg Hayd], a musician at the Danish royal court." Remove reference to "Duchess of Saxony" three lines from bottom of this paragraph.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
141	Quare tristis es anima mea	7	-	Anonymous
Quare tristis es anima mea Anonymous Appears on: 141 Genres: Motet Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quare tristis es anima mea
141v–142	Cent mille regrets me poursuivent	7	-	Anonymous
Cent mille regrets me poursuivent Anonymous Appears on: 141v–142 Genres: Chanson Number of voices: 7 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Cent mille regretz
142v–143v	Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te)	7	Jorgen Prestenn	Presten, Jorgen
Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te) Presten, Jorgen Appears on: 142v–143v Genres: Motet Source Attribution: Jorgen Prestenn Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Appropinquet II: untexted [Fiat manus tua] III: untexted [Vivet anima mea]
144v–145	Dies est laetitiae in ortu regali	7	Jorgen Prestenn	Presten, Jorgen
Dies est laetitiae in ortu regali Presten, Jorgen Appears on: 144v–145 Genres: Motet Source Attribution: Jorgen Prestenn Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dies est Leticie
145v–146	Nesciens mater virgo virum peperit	7	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Nesciens mater virgo virum peperit Stoltzer, Thomas (ca. 1480–1526) Appears on: 145v–146 Genres: Motet Source Attribution: [Stoltzer] Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Nesciens mater
146v–147	Erhalt uns Herr bei Deinem Wort	7	[Presten]	Presten, Jorgen
Erhalt uns Herr bei Deinem Wort Presten, Jorgen Appears on: 146v–147 Genres: Chorale, Sacred Song Source Attribution: [Presten] Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Erhalt unns Herr beÿ deinem wort
147v–149	Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris)	7	[Walter]	Walter, Johann (1496–1570)
Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris) Walter, Johann (1496–1570) Appears on: 147v–149 Genres: Motet Source Attribution: [Walter] Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Beati immaculati II: untexted [Utinam dirigantur] III: untexted [Benedictus es] IV: untexted [Inclina cor meum] V: untexted [Eructabunt labia mea] General Note In the (modern) index volume, this piece is mistakenly indexed as two pieces - "Beati immaculati" and "Vivat Johannes" Layout the verso of f. 149 is numbered 151; and the folio immediately following is f. 152
152	Ach Herr, siehe uns gnädig an aus Deinem Thron	7	Jorgen P:	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: 152 Genres: Sacred Song Source Attribution: Jorgen P: Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach Herr sihe uns gnedig an General Note f. 149-151 omitted; the verso of f. 149 is numbered 152 and the folio immediately following is f. 153
153	Der lermen (Lerman)	7	Johan Huygel	Heugel, Johannes
Der lermen (Lerman) Heugel, Johannes Appears on: 153 Genres: Secular Source Attribution: Johan Huygel Number of voices: 7 Voice: [no designation] Languages: none Mensuration: cut-c 3 Clef: c4 Voice Text: Der Lermen
153v	Mich wundert gar hart umb den roten	7	-	Anonymous
Mich wundert gar hart umb den roten Anonymous Appears on: 153v Genres: Song Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Mich wunt [=wundert] gar hart
154–161v	[blank staves]	-	-	-
[blank staves] Appears on: 154–161v General Note there are 2 additional blank (unnumbered) leaves, so that f.162 should be f. 164
162–161v	Gaudent in caelis animae sanctorum	8	[Verdelot/Phinot/Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?)
Gaudent in caelis animae sanctorum Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?) Appears on: 162–161v Genres: Motet Source Attribution: [Verdelot/Phinot/Richafort] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaudent inn celis Layout The end of the piece is copied at the bottom of the preceding page (f. 161v)
162v–163	Nesciens mater virgo virum peperit	8	Johan Moutonn	Mouton, Jean (ca. 1459–1522)
Nesciens mater virgo virum peperit Mouton, Jean (ca. 1459–1522) Appears on: 162v–163 Genres: Motet Source Attribution: Johan Moutonn Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Nessciens noster [= Nesciens mater]
163	Sic Deus dilexit mundum ut filium suum	8	-	Anonymous
Sic Deus dilexit mundum ut filium suum Anonymous Appears on: 163 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Sic deus Dilexit mundum
163v	Verbum Domini manet in aeternum	8	-	Anonymous
Verbum Domini manet in aeternum Anonymous Appears on: 163v Genres: Motet Number of voices: 8 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: untexted
163v–164	Jesus Christus nostra salus	8	[Finck/anon.]	Finck, Heinrich (?)
Jesus Christus nostra salus Finck, Heinrich (?) Appears on: 163v–164 Genres: Motet Source Attribution: [Finck/anon.] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Jhesus Christus nostra salus
164v	Ach Herr, siehe uns gnädig an aus Deinem Thron	8	[Presten]	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: 164v Genres: Sacred Song Source Attribution: [Presten] Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ach Herr sihe unns genedig ann
165	Nun bitten wir den Heiligen Geist	8	Jorg: P:	Presten, Jorgen
Nun bitten wir den Heiligen Geist Presten, Jorgen Appears on: 165 Genres: Veni sancte spiritus Source Attribution: Jorg: P: Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Nun Bitten wir denn heÿligen gaÿst General Note numbering goes astray here: after f. 164v the pages (not folios) are numbered up to 167, then after 167v, 168-170 are paginated, after which foliation resumes
166	Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv)	8	[Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv) Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 166 Genres: Agnus Dei, Mass Ordinary Source Attribution: [Appenzeller] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Agnus dei General Note Note: in index, this is treated as a two-part piece, taking the attribution to Benedictus as title of the 1a pars, and making Agnus Dei the 2a pars... General Note after f. 164 the pages (not folios) are numbered up to 167, then after 167v, 168-170 are paginated, after which foliation resumes
167	Qui ne l'aimeroit la belle au corps	8	[Fevin]	Fevin, Antoine de (ca. 1470–ca. 1512)
Qui ne l'aimeroit la belle au corps Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 167 Genres: Chanson Source Attribution: [Fevin] Number of voices: 8 Voice: [no designation] Languages: French Voice Text: Qui ne laÿmeroit - text incipit only, no music copied General Note after f. 164 the pages (not folios) are numbered up to 167, then after 167v, 168-170 are paginated, after which foliation resumes General Note no music copied
167v–168	O profunditatem divitiarum sapientiae	8	[Paminger]	Paminger, Leonhard (1495–1567)
O profunditatem divitiarum sapientiae Paminger, Leonhard (1495–1567) Appears on: 167v–168 Genres: Motet Source Attribution: [Paminger] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: c Clef: f3 Voice Text: O profunditatem (Music copied in 7a vox, text incipit only in other books) General Note after f. 164 the pages (not folios) are numbered up to 167, then after 167v, 168-170 are paginated, after which foliation resumes General Note "fuga in unisono"
169–170	Salva nos Domine vigilantes custodi nos	9	S. Tham	Tham, S.
Salva nos Domine vigilantes custodi nos Tham, S. Appears on: 169–170 Genres: Motet Source Attribution: S. Tham Number of voices: 9 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Salva nos domine General Note after f. 164 the pages (not folios) are numbered up to 167, then after 167v, 168-170 are paginated, after which foliation resumes Layout 9vv (2vv copied in Tenor book)
170	Mein Augen sind allzeit zu Dir, Herre	12	S. Tham	Tham, S.
Mein Augen sind allzeit zu Dir, Herre Tham, S. Appears on: 170 Genres: Sacred Song Source Attribution: S. Tham Number of voices: 12 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Mein augen sind allzeit zu dir General Note after f. 164 the pages (not folios) are numbered up to 167, then after 167v, 168-170 are paginated, after which foliation resumes Layout 12vv (2vv copied in each of DAT & missing 8a book)
170v–171	Pater noster qui es in caelis (8vv)	8	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Pater noster qui es in caelis (8vv) Arcadelt, Jacques (ca. 1507–1568) Appears on: 170v–171 Genres: Motet, Pater noster Source Attribution: [Arcadelt] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pater noster
171v–172	Sine nomine II: Nisi	8	-	Anonymous
Sine nomine II: Nisi Anonymous Appears on: 171v–172 Genres: Motet, textless Number of voices: 8 Voice: Primus Bassus Languages: none Mensuration: o Clef: c4 Voice Text: Sine nomine II: [Textless]
172v–173	Missa Tempore paschali: Agnus Dei II (12vv)	12	Nicolaus Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Missa Tempore paschali: Agnus Dei II (12vv) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 172v–173 Genres: Agnus Dei, Mass Ordinary Source Attribution: Nicolaus Gombert Number of voices: 12 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus dei 12 vocum Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Agnus dei 12 vocum General Note f. 172v is numbered 173, the page immediately following is numbered 174 Layout 12vv (2vv copied in each of DA7B books). This final Agnus includes the Easter antiphon "Et ecce terrae motus" as cantus firmus.
173v–174	Inviolata integra et casta es 24.5 (12vv)	12	[Josquin]	Despres, Josquin (ca. 1450–1521) (?)
Inviolata integra et casta es 24.5 (12vv) Despres, Josquin (ca. 1450–1521) (?) Appears on: 173v–174 Genres: Motet Source Attribution: [Josquin] Number of voices: 12 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Inviolata Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Inviolata integra Layout 12vv (2vv copied in each of DB7 books, and presumably the missing 8a book)
174v–176	Missa L'homme armé: Patrem omnipotentem	9	-	Anonymous
Missa L'homme armé: Patrem omnipotentem Anonymous Appears on: 174v–176 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 9 Voice: Secundus Discantus Languages: Latin Mensuration: cut-o Clef: g2 Voice Text: Patrem Lome arme II: Crucifixus Voice: Secundus Altus Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Patrem Lome arme II: Crucifixus General Note f. 175 is followed by f. 175a, then f. 176 Layout 9vv (2vv copied in 7a book, across each opening)
176v	Christ bet und wach	8	[Presten]	Presten, Jorgen
Christ bet und wach Presten, Jorgen Appears on: 176v Genres: Sacred Song Source Attribution: [Presten] Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Christ bet und wach
177–177a	Parcere prostratis	7	-	Anonymous
Parcere prostratis Anonymous Appears on: 177–177a Genres: Motet Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Parcere prostratis
177a_v	Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis	8	Johan Heugl:	Heugel, Johannes
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis Heugel, Johannes Appears on: 177a_v Genres: Motet, Pater noster Source Attribution: Johan Heugl: Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: c Clef: c3 Voice Text: Pater noster
178	Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis	8	-	Heugel, Johannes
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis Heugel, Johannes Appears on: 178 Genres: Motet, Pater noster Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: (2p.) untexted [Panem nostrum]
178v–179	Christ ist erstanden von der Marter alle	8	Jor: Presten	Presten, Jorgen
Christ ist erstanden von der Marter alle Presten, Jorgen Appears on: 178v–179 Genres: Hymn, Motet, Sacred Song Source Attribution: Jor: Presten Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Christ ist erstanden Voice: Tertius discantus Languages: German Mensuration: cut-c Clef: c1 Voice Text: Christ ist erstanden Layout 8vv, with 2vv copied in 7a book (presumably omitted from the missing 8a book)
179v–180	Si consurrexistis cum Christo quae sursum	8	Adriano Petit Colico	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Si consurrexistis cum Christo quae sursum Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 179v–180 Genres: Motet Source Attribution: Adriano Petit Colico Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Si consurrexistis
180v–181	Jam non dicam vos servos sed amicos (8vv)	8	[Phinot]	Phinot, Dominique
Jam non dicam vos servos sed amicos (8vv) Phinot, Dominique Appears on: 180v–181 Genres: Motet Source Attribution: [Phinot] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Jam non dicam
181v–190	[blank staves]	-	-	-
[blank staves] Appears on: 181v–190 General Note Original page numbering pauses at 181, then resumes at f. 190, with the folios in between unnumbered; but there are 6 extra blank folios between so that f. 190 should have been f. 196
190v	Laudate Dominum	8	-	Anonymous
Laudate Dominum Anonymous Appears on: 190v Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Laudate Dominum 8 vocum General Note instrumentation "Mit iiii pussaun und iiii zincken"

Composer	Compositions
Anonymous	Cent mille regrets me poursuivent – 141v–142 Laudate Dominum – 190v Mich wundert gar hart umb den roten – 153v Missa L'homme armé: Patrem omnipotentem – 174v–176 Parcere prostratis – 177–177a Quare tristis es anima mea – 141 Sic Deus dilexit mundum ut filium suum – 163 Sine nomine II: Nisi – 171v–172 Verbum Domini manet in aeternum – 163v [No description] – 154–161v [No description] – 181v–190
Appenzeller, Benedictus (ca. 1480-ca. 1558)	Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv) – 166
Arcadelt, Jacques (ca. 1507-1568)	Pater noster qui es in caelis (8vv) – 170v–171
Coclico, Adrianus Petit (ca. 1499-ca. 1562)	Si consurrexistis cum Christo quae sursum – 179v–180
Despres, Josquin (ca. 1450-1521)	(?) Inviolata integra et casta es 24.5 (12vv) – 173v–174
Fevin, Antoine de (ca. 1470-ca. 1512)	Qui ne l'aimeroit la belle au corps – 167
Finck, Heinrich	(?) Jesus Christus nostra salus – 163v–164
Gombert, Nicolas (ca. 1495-ca. 1560)	Missa Tempore paschali: Agnus Dei II (12vv) – 172v–173
Heugel, Johannes	Der lermen (Lerman) – 153 Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis – 177a_v Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis – 178
Mouton, Jean (ca. 1459-1522)	Nesciens mater virgo virum peperit – 162v–163
Paminger, Leonhard (1495-1567)	O profunditatem divitiarum sapientiae – 167v–168
Phinot, Dominique	(?) Gaudent in caelis animae sanctorum – 162–161v Jam non dicam vos servos sed amicos (8vv) – 180v–181
Presten, Jorgen	Ach Herr, siehe uns gnädig an aus Deinem Thron – 152 Ach Herr, siehe uns gnädig an aus Deinem Thron – 164v Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te) – 142v–143v Christ bet und wach – 176v Christ ist erstanden von der Marter alle – 178v–179 Dies est laetitiae in ortu regali – 144v–145 Erhalt uns Herr bei Deinem Wort – 146v–147 Nun bitten wir den Heiligen Geist – 165
Richafort, Jean (ca. 1480-ca. 1550)	(?) Gaudent in caelis animae sanctorum – 162–161v
Stoltzer, Thomas (ca. 1480-1526)	Nesciens mater virgo virum peperit – 145v–146
Tham, S.	Mein Augen sind allzeit zu Dir, Herre – 170 Salva nos Domine vigilantes custodi nos – 169–170
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Gaudent in caelis animae sanctorum – 162–161v
Walter, Johann (1496-1570)	Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris) – 147v–149

Composition	Composers (? Uncertain)	Folios / Pages
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	152
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	164v
Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te)	Presten, Jorgen	142v–143v
Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris)	Walter, Johann (1496–1570)	147v–149
Cent mille regrets me poursuivent	Anonymous	141v–142
Christ bet und wach	Presten, Jorgen	176v
Christ ist erstanden von der Marter alle	Presten, Jorgen	178v–179
Der lermen (Lerman)	Heugel, Johannes	153
Dies est laetitiae in ortu regali	Presten, Jorgen	144v–145
Erhalt uns Herr bei Deinem Wort	Presten, Jorgen	146v–147
Gaudent in caelis animae sanctorum	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?)	162–161v
Inviolata integra et casta es 24.5 (12vv)	Despres, Josquin (ca. 1450–1521) (?)	173v–174
Jam non dicam vos servos sed amicos (8vv)	Phinot, Dominique	180v–181
Jesus Christus nostra salus	Finck, Heinrich (?)	163v–164
Laudate Dominum	Anonymous	190v
Mein Augen sind allzeit zu Dir, Herre	Tham, S.	170
Mich wundert gar hart umb den roten	Anonymous	153v
Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv)	Appenzeller, Benedictus (ca. 1480–ca. 1558)	166
Missa L'homme armé: Patrem omnipotentem	Anonymous	174v–176
Missa Tempore paschali: Agnus Dei II (12vv)	Gombert, Nicolas (ca. 1495–ca. 1560)	172v–173
Nesciens mater virgo virum peperit	Stoltzer, Thomas (ca. 1480–1526)	145v–146
Nesciens mater virgo virum peperit	Mouton, Jean (ca. 1459–1522)	162v–163
Nun bitten wir den Heiligen Geist	Presten, Jorgen	165
O profunditatem divitiarum sapientiae	Paminger, Leonhard (1495–1567)	167v–168
Parcere prostratis	Anonymous	177–177a
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis	Heugel, Johannes	177a_v
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis	Heugel, Johannes	178
Pater noster qui es in caelis (8vv)	Arcadelt, Jacques (ca. 1507–1568)	170v–171
Quare tristis es anima mea	Anonymous	141
Qui ne l'aimeroit la belle au corps	Fevin, Antoine de (ca. 1470–ca. 1512)	167
Salva nos Domine vigilantes custodi nos	Tham, S.	169–170
Si consurrexistis cum Christo quae sursum	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	179v–180
Sic Deus dilexit mundum ut filium suum	Anonymous	163
Sine nomine II: Nisi	Anonymous	171v–172
Verbum Domini manet in aeternum	Anonymous	163v

Set: MS Gamle kongelige Samling 1872, 4°

Type: Partbooks

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (I) [Quintus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (II) [Discantus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (III) [Altus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (IV) [Tenor]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (V) [Bassus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (VI) [Sexta]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (VII) [7a vox]

‡ denotes primary source study

Brown, Howard Mayer. 1976. Accidentals and Ornamentation in Sixteenth-Century Intabulations of Josquin's Motets. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 516. Notes: concordances (partial).

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 138. Notes: concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 365, passim. Notes: mention of MS; concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, ix. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 171. Notes: concordances (partial).

Müller-Blattau, Joseph. 1968. Geschichte der Musik in Ost- und Westpreussen. Wolfenbüttel and Zürich. Pages: 29ff, Tafel 1. Notes: mention of MS; facsimile (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 288-9, 312-4. Notes: concordances (partial); incipits (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xiii. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description.

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers. The Hague. Pages: 186-90, 336-56. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXVI, 153,164; LXX.95-6,193,198. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud (editor). 1933-. Dania Sonans. Copenhagen, Leipzig, and Egtved. Pages: IV-VI, passim. Notes: physical description; contents list; concordances (partial); transcription (partial); texts (partial); mention of MS; discussion.

Loge, Eckhard. 1931. Eine Messen- und Motettenhandschrift des Kantors Matthias Krüger aus der Musikbibliothek Herzog Albrechts von Preussen. Königsberger Studien zur Musikwissenschaft, vol. 12. Kassel. Notes: contents list.

Foss, Julius. 1923. Det kgl. Cantoris Stemmeb0ger A.D. 1541. Aarbog for Musik, 24-40. Notes: physical description; contents list; transcription (partial); facsimile (partial).

Hammerich, Angui. 1921. Dansk Musikhistorie indtil ca. 1700. Copenhagen. Pages: 130ff. Notes: physical description.

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Monday, 23 January, 2017

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