DK-Kk MS Gamle kongelige Samling 1872, 4° [I]

Det Kongelige Bibliotek, Copenhagen (København), Denmark

partbook: c. 1540s

Archive	Det Kongelige Bibliotek, Copenhagen (København), Denmark (DK-Kk)
Shelfmark	MS Gamle kongelige Samling 1872, 4° [I]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	c. 160 x 200 mm
Other Identifiers	CCM: CopKB 1872
Notations	black void mensural
Copyists	Heyde, Jorgen Music ? Krüger, Matthias Music
Relationships	Albert of Prussia (1490–1568) (dedicatee) Christian III (1503–1559) (dedicatee) Heinrich (dedicatee) Johann Friedrich I (1503–1554) (dedicatee) ? Duchess of Saxony (dedicatee)
External Links	images index
Provenance	Royal Danish court , Copenhagen (København), Denmark
Contents	163 pieces from 53 composers

General Description

A partbook from a set originally of eight volumes. Pieces were apparently copied into the manuscript at different times; sections of blank folios alternate with copied sections. Copied by Jørgen Heyde [= Georg Hayd], a musician at the Danish royal court. Dedicatory canons in IV (ff. 17'ff) to King Christian III of Denmark, Duke Albert of Prussia, Duke Heinrich of Brunswick, Johann Friedrich I, Elector of Saxony; another piece dedicated to Elector Johann Friedrich is in VI (new f. 106). Instruments are specified for some of the pieces. The manuscript is related to CopKB 1873. Copied for the Danish court in Copenhagen, but repertory has close connections with courts in Saxony and Prussia (CreAC); copied in Königsberg (MülleGMP).

DIAMM, 2017

Physical Description

first 48 folios are missing in VI; first 140 folios are missing from VII

DIAMM, 2017

Binding

Brown leather covers, dated 1541

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original and modern foliation.

DIAMM, 2017

Index

Several of the books have incomplete original indices in front; general index by Julius Foss (1914), with subsequent pencil additions.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Agnus, 77 motets, 57 German sacred and secular pieces, 11 French secular pieces, 1 Italian secular piece (all of the preceding have text incipits only), 13 pieces entitled "Fuga" (some of which have additional text incipits), 3 textless pieces = 165

Abell-4, Appenzeller [Benedictus]-1, (Barbé/Josquin/Lebrun/Willaert)-1, (Bauldeweyn/Grefinger)-1, (Braetel)-1, (Breitengraser?)-1, (Bruck)-1, Brumel-1, (Caen/Lupus/Richafort)-1, Coclico-3, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Eckel/(Josquin)-1, C. Festa-1, A. Févin -1, Finck-2, Gombert-3, (Greitter)-1, Hack-1, Heugel-2, (Isaac)-1, (Janequin/Verdelot)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-1, S. Jhan(?)-2, Josquin-9, J. Kugelmann-4?, (M. Kugelmann?)-1, P. Kugelmann-1, Mouton-1, (Mouton/Moulu)-1, (Müller)-1, Othmayr-1, (Paminger)-1, (Phinot)-1, Presten-19, Senfl-12, Stoltzer-1, Verdelot-S, (Walter)-9?, (Wannenmacher)-1, Willaert-2, (J. Zacharias)-1, anon-62

7 paper partbooks of an original 8 (I-212 folios, II-210, III-212, IV-196, V-213, VI-154, VII-54), ca. 160 x 200. The first 48 folios are missing in VI; first 140 folios are missing from VII. Pieces were apparently copied into the manuscript at different times; sections of blank folios alternate with copied sections. Original and modern foliation. Brown leather covers, dated 1541. Several of the books have incomplete original indices in front; general index by Julius Foss (1914), with subsequent pencil additions. Scribe: Matthias Krüger? (LogeM). Dedicatory canons in IV (ff. 17'ff) to King Christian III of Denmark, Duke Albert of Prussia, Duke Heinrich of Brunswick, Johann Friedrich I, Elector of Saxony, and the Duchess of Saxony; another piece dedicated to Elector Johann Friedrich is in VI (new f. 106). Instruments are specified for some of the pieces. The manuscript is related to CopKB 1873.

Copying begun in 1541; dates from 1541 to 1543 found in manuscript. Copied for the Danish court in Copenhagen, but repertory has close connections with courts in Saxony and Prussia (CreAC); copied in Königsberg (MülleGMP).

Vol. 4

Contents: 1 Credo, 3 Agnus, 2 hymns, 69 motets, 1 Latin/German sacred piece, 36 German sacred pieces, 5 Latin or Latin/German dedicatory pieces, 21 German secular pieces (1 also has sacred version), 10 French secular pieces, 2 Italian secular pieces, 13 textless pieces with Latin, German, or Italian titles = 163

Composers: Abell-3, (Alamire?)-1, Appenzeller [Benedictus]/(Ducis)-1, (Arcadelt)-1, (Barbé/Josquin/Lebrun/Willaert)-1, (Bauldeweyn/Grefinger)-1, (Braetel)-2, (Bruck)-1, Brumel-1, (Caen/Lupus/Richafort)-1, Coclico-3, (Courtois)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Eckel/(Heintz/Josquin)-1, C. Festa-1, A. Févin-1, Finck-2, Finck/ (Senfl)-1, Gombert-3, (Greitter)-1, Hack-1, Heugel-2, (Isaac)-1, (Janequin-Verdelot)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-1, Josquin-9, (Josquin/ Senfl)-1, J. Kugelmann-4, (M. Kugelmann)-4 + 2?, P. Kugelmann-2, (Moulu/ Mouton)-1, Mouton-1, Othmayr-2, (Paminger)-2, (Phinot)-1, Presten-19, Senfl-13, (Sporer)-1, Stoltzer-1, Tham-2, Verdelot-1, Verdelot/(Phinot/Richafort)-1, Verdelot/( Richafort)-1, (Walter)-8, (Wannenmacher)-1, Willaert-2, (Wolff)-1, (J. Zacharias)-1, anon-47

Physical: Delete "Scribe: Matthias Krüger? (LogeM)." Add: "Copied by Jørgen Heyde [= Georg Hayd], a musician at the Danish royal court." Remove reference to "Duchess of Saxony" three lines from bottom of this paragraph.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
5	Der Tag, der ist so freudenreich	[Walter]	Walter, Johann (1496–1570)
Der Tag, der ist so freudenreich Walter, Johann (1496–1570) Appears on: 5 Genres: Chorale, Sacred Song Source Attribution: [Walter] Voice: [no designation] Languages: German Voice Text: Der tag der ist zu freyden reÿch aller
5v–6	Propter peccata quae peccastis ante Deum (= La Spagna) 29.12	[Josquin]	Despres, Josquin (ca. 1450–1521)
Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 Despres, Josquin (ca. 1450–1521) Appears on: 5v–6 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: none Voice Text: Laspange tantz [= Propter peccata quae peccastis] 29.12
6v	N'est-ce pas [N'est-ce point] un grand desplaisir 29.17	[Josquin]	Despres, Josquin (ca. 1450–1521)
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 Despres, Josquin (ca. 1450–1521) Appears on: 6v Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Nesse pass ungrand deplausier [= N'esse pas ung grant desplaisir] 29.17
7	Madonna io son	Anon.	Anonymous
Madonna io son Anonymous Appears on: 7 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Maduna josum [= Madonna io son?]
7v	Ich stund an einem Morgen / Amica mea [S170 - 5vv]	H. Finck/[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Finck, Heinrich (?)
Ich stund an einem Morgen / Amica mea [S170 - 5vv] Senfl, Ludwig (ca. 1486–ca. 1543) (?) Finck, Heinrich (?) Appears on: 7v Genres: Motet, Secular Source Attribution: H. Finck/[Senfl] Voice: [no designation] Languages: German Voice Text: Ich stund an einan morgen/Amica mea
8	Salve regina misericordiae [7 partes]	Henricus Fincke	Finck, Heinrich
Salve regina misericordiae [7 partes] Finck, Heinrich Appears on: 8 Genres: Motet, Salve Regina Source Attribution: Henricus Fincke Voice: [no designation] Languages: Latin Voice Text: Salva nos
8v–9v	Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire)	[Josquin]	Despres, Josquin (ca. 1450–1521)
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) Despres, Josquin (ca. 1450–1521) Appears on: 8v–9v Genres: Motet, Stabat Mater Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa iuxta crucem 25.9 II: Eya mater [fons amoris me sentire]
10–11	Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas)	[Caen/Lupus/Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?) Hellinck, Lupus (ca. 1494–1541) (?)
Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 10–11 Genres: Motet Source Attribution: [Caen/Lupus/Richafort] Voice: [no designation] Languages: Latin Voice Text: Hierusalem [luge et exue te vestibus] II: Dicit(!) [= Deduc quasi torrentem lachrymas]
11v–12	In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris)	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris) Bruck, Arnold von (ca. 1500–1554) Appears on: 11v–12 Genres: Motet Source Attribution: [Bruck] Voice: [no designation] Languages: Latin Voice Text: Inn civitate domini [ibi sonant jugiter]
12v–13	Jesaja dem Propheten das geschah	[Walter]	Walter, Johann (1496–1570)
Jesaja dem Propheten das geschah Walter, Johann (1496–1570) Appears on: 12v–13 Genres: Motet Source Attribution: [Walter] Voice: [no designation] Languages: German Voice Text: Jesia dem prophetten das geschach
13v	Ach unfalls neÿtt [neid] belänglich zeit	[Wolff]	Wolff, Martin
Ach unfalls neÿtt [neid] belänglich zeit Wolff, Martin Appears on: 13v Genres: Song Source Attribution: [Wolff] Voice: [no designation] Languages: German Voice Text: Ach unfals neÿtt [belänglich zeit]
13v–14	Von üppiglichen dingen so wil ichs sehen	[Greitter]	Greiter, Matthias
Von üppiglichen dingen so wil ichs sehen Greiter, Matthias Appears on: 13v–14 Genres: Song Source Attribution: [Greitter] Voice: [no designation] Languages: German Voice Text: Von ÿpickleÿch dingen so wol wirs heben
14	Weil ich gross Gunst trag zu der Kunst	[Braetel]	Bratel, Ulrich
Weil ich gross Gunst trag zu der Kunst Bratel, Ulrich Appears on: 14 Genres: Song Source Attribution: [Braetel] Voice: [no designation] Languages: German Voice Text: Weÿl ich gross gunst trag zu der kunst
14v–16	Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan)	[Janequin-Verdelot]	Janequin, Clement (ca. 1485–ca. 1558)
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) Janequin, Clement (ca. 1485–ca. 1558) Appears on: 14v–16 Genres: Chanson Source Attribution: [Janequin-Verdelot] Voice: [no designation] Languages: French, German Voice Text: Die schlacht vor Paffia: [Escoutez tous gentilz galloys la victoire] II: [Fan fan fan frere le le lan fan]
16v	So ich betracht und acht der alten Gesang	[Braetel]	Bratel, Ulrich
So ich betracht und acht der alten Gesang Bratel, Ulrich Appears on: 16v Genres: Song Source Attribution: [Braetel] Voice: [no designation] Languages: German Voice Text: So ich betracht unnd acht der alten gsang
17	Zu schau mein Glück	HKuglman [= J. Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Zu schau mein Glück Kugelmann, Johann (ca. 1495–1542) Appears on: 17 Genres: Song Source Attribution: HKuglman [= J. Kugelmann] Voice: [no designation] Languages: German Voice Text: Zw schaw mein gluck
17v	Frolich muss ich singen kein traurigkeit	[Sporer]	Sporer, Thomas
Frolich muss ich singen kein traurigkeit Sporer, Thomas Appears on: 17v Genres: Song Source Attribution: [Sporer] Voice: [no designation] Languages: German Voice Text: Frolich mus ich singen kein trawrigkeit
18	Ach Maidlein rein ich hab allein	[Senfl]	Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543)
Ach Maidlein rein ich hab allein Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 18 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Ach meÿdlein reÿn mich dier allein
18v	End aller not bringt unns der tod	Anon.	Anonymous
End aller not bringt unns der tod Anonymous Appears on: 18v Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: End aller not bringt unns der tod
19	Nun lob mein Seel den Herren	[J. Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Nun lob mein Seel den Herren Kugelmann, Johann (ca. 1495–1542) Appears on: 19 Genres: Chorale, Sacred Song Source Attribution: [J. Kugelmann] Voice: [no designation] Languages: German Voice Text: Nun lob mein Seel den Herrenn
19v	Nun bitten wir den heiligen geist (5vv)	[Walter]	Walter, Johann (1496–1570) Rupsch, Conrad (?)
Nun bitten wir den heiligen geist (5vv) Walter, Johann (1496–1570) Rupsch, Conrad (?) Appears on: 19v Genres: Motet, Veni sancte spiritus Source Attribution: [Walter] Voice: [no designation] Languages: German Voice Text: Nun bitten wir den heÿligen geÿst
20	Von anfang her hat Gottes Eher reÿchlich	[M. Kugelmann?]	Kugelmann, Melchior (–1548) (?)
Von anfang her hat Gottes Eher reÿchlich Kugelmann, Melchior (–1548) (?) Appears on: 20 Genres: Sacred Song Source Attribution: [M. Kugelmann?] Voice: [no designation] Languages: German Voice Text: Von anfang her hat Gottes Eher reÿchlich
20v–21	Assumpta est Maria in caelum gaudent II: Beata est virgo Maria Dei genitrix?	Anon.	Anonymous
Assumpta est Maria in caelum gaudent II: Beata est virgo Maria Dei genitrix? Anonymous Appears on: 20v–21 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Assumpta est Maria [in caelum gaudent] II: Beata est [virgo Maria dei genitrix?]
21v–22	Tandernack uf dem Rhein lag	[Alamire]	Alamire, Petrus (ca. 1470–1536)
Tandernack uf dem Rhein lag Alamire, Petrus (ca. 1470–1536) Appears on: 21v–22 Genres: Song Source Attribution: [Alamire] Voice: [no designation] Languages: German Voice Text: Dandernack auff dem Reÿnne
22v	Ach Herr siehe uns gnädig an aus Deinem thron	Jo: P: [= Presten]	Palestrina, Giovanni Pierluigi da (1525–1594)
Ach Herr siehe uns gnädig an aus Deinem thron Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 22v Genres: Sacred Song Source Attribution: Jo: P: [= Presten] Voice: [no designation] Languages: German Voice Text: Ach Herr sihe unns genedig an
23–23v	Honorabile est inter omnes conjugium II: Propterea	Anon.	Anonymous
Honorabile est inter omnes conjugium II: Propterea Anonymous Appears on: 23–23v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Honorabile est inter omnes [conjugium] II: Propterea
24	Scire voluntatem michi est prima cura / Ach Gott schaff Deinen Willen	Anon.	Anonymous
Scire voluntatem michi est prima cura / Ach Gott schaff Deinen Willen Anonymous Appears on: 24 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Scire voluntatem michi est prima cura/Ach Got schaff deinen willenn
24v	Von menschen her ist nie erhort was guttes	[M. Kugelmann?]	Kugelmann, Melchior (–1548) (?)
Von menschen her ist nie erhort was guttes Kugelmann, Melchior (–1548) (?) Appears on: 24v Genres: Song Source Attribution: [M. Kugelmann?] Voice: [no designation] Languages: German Voice Text: Von menschen her ist nie erhort was guttes
25	O Herr ich clag das ich mein tag so hab	[M. Kugelmann?]	Kugelmann, Melchior (–1548) (?)
O Herr ich clag das ich mein tag so hab Kugelmann, Melchior (–1548) (?) Appears on: 25 Genres: Sacred Song Source Attribution: [M. Kugelmann?] Voice: [no designation] Languages: German Voice Text: O Herr ich clag das ich mein tag so hab
25v	Von Gott dem Herren haben wir das edle	[M. Kugelmann]	Kugelmann, Melchior (–1548)
Von Gott dem Herren haben wir das edle Kugelmann, Melchior (–1548) Appears on: 25v Genres: Sacred Song Source Attribution: [M. Kugelmann] Voice: [no designation] Languages: German Voice Text: Von Got dem Herren haben wihr [das edle]
26	Hilf mir mein lieber Herre mein auserwelter	[M. Kugelmann]	Kugelmann, Melchior (–1548)
Hilf mir mein lieber Herre mein auserwelter Kugelmann, Melchior (–1548) Appears on: 26 Genres: Sacred Song Source Attribution: [M. Kugelmann] Voice: [no designation] Languages: German Voice Text: Hilff mir mein lieber Herre mein auserwelter
26v	Commoda res et pulcra / Vertreu Gott allein	Giorgio P. [= Presten]	Presten, Jorgen
Commoda res et pulcra / Vertreu Gott allein Presten, Jorgen Appears on: 26v Genres: Motet Source Attribution: Giorgio P. [= Presten] Voice: [no designation] Languages: Latin, German Voice Text: Commoda res et pulcra/Vertrew Got allein
27	Forma decens mores casti / Alles in Ehren	Adrianus Willart	Willaert, Adrian (ca. 1490–1562)
Forma decens mores casti / Alles in Ehren Willaert, Adrian (ca. 1490–1562) Appears on: 27 Genres: Motet Source Attribution: Adrianus Willart Voice: [no designation] Languages: Latin, German Voice Text: Forma decens mores casti/All[e]s in Ehrenn
27v–28	Non somnos requiem / Mein tag mit unrue	Gasparo Otmaÿro	Othmayr, Caspar
Non somnos requiem / Mein tag mit unrue Othmayr, Caspar Appears on: 27v–28 Genres: Motet Source Attribution: Gasparo Otmaÿro Voice: [no designation] Languages: German Voice Text: Non somnos requiem/Mein tag mit unrue
28v–29	Et nunc ad Dominum / Spes mea in deo	Anon.	Anonymous
Et nunc ad Dominum / Spes mea in deo Anonymous Appears on: 28v–29 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et nunc ad dominum/Spes mea in deo
29v–30	Gaudeamus omnes in Domino diem festum	Anon.	Anonymous
Gaudeamus omnes in Domino diem festum Anonymous Appears on: 29v–30 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gaudeamus [omnes in domino diem festum]
30v	Von Gottes gnad rad und wunderthat	[M. Kugelmann]	Kugelmann, Melchior (–1548)
Von Gottes gnad rad und wunderthat Kugelmann, Melchior (–1548) Appears on: 30v Genres: Sacred Song Source Attribution: [M. Kugelmann] Voice: [no designation] Languages: German Voice Text: Von Gottes gnad rad und wunderthat
31	Erhalt uns Herr bei Deinem Wort	Anon.	Anonymous
Erhalt uns Herr bei Deinem Wort Anonymous Appears on: 31 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Erhalt uns Herr beÿ deinem wort
31	Verleih uns Frieden gnädiglich, Herr Gott	Anon.	Anonymous
Verleih uns Frieden gnädiglich, Herr Gott Anonymous Appears on: 31 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Verley uns friden gnedigklich [Herr Gott]
31v	Vrai Dieu	Anon.	Anonymous
Vrai Dieu Anonymous Appears on: 31v Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Vreÿ dieu
32	Hellas ma dame a quoy tient il que je suiss	[Hesdin]	Hesdin, Nicolle des Celliers de (–1538)
Hellas ma dame a quoy tient il que je suiss Hesdin, Nicolle des Celliers de (–1538) Appears on: 32 Genres: Chanson Source Attribution: [Hesdin] Voice: [no designation] Languages: French Voice Text: Hellas dame [= Hellas ma dame a quoy tient il que je suys]
32v–33	Quia vidisti me Thoma credidisti	[J. Zacharias]	Zacharias, Johannes
Quia vidisti me Thoma credidisti Zacharias, Johannes Appears on: 32v–33 Genres: Motet Source Attribution: [J. Zacharias] Voice: [no designation] Languages: Latin Voice Text: Quia vidisti me [Thoma credisti]
33–33v	Altro non è el mio amor ch'el proprio	Verdelot	Verdelot, Philippe (ca. 1480–ca. 1532)
Altro non è el mio amor ch'el proprio Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 33–33v Genres: Madrigal (Italian) Source Attribution: Verdelot Voice: [no designation] Languages: Italian Voice Text: Altro non [è] el mio amor [ch'el proprio]
34	Ale venture = A la venture l'entrepris cuidant gaigner?	Anon.	Anonymous
Ale venture = A la venture l'entrepris cuidant gaigner? Anonymous Appears on: 34 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ale venture [= A la venture l'entrepris cuidant gaigner?]
34v–36	Venite exultemus Domino jubilemus deo II: Hodie si vocem eius audieritis	Adrianus Petit Coclico	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Venite exultemus Domino jubilemus deo II: Hodie si vocem eius audieritis Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 34v–36 Genres: Motet Source Attribution: Adrianus Petit Coclico Voice: [no designation] Languages: Latin Voice Text: Venite exultemus domino [jubilemus deo] II: Hodie si vocem [eius audieritis]
36v	Ich klag mein not O Her mein Got	[P. Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Ich klag mein not O Her mein Got Kugelmann, Johann (ca. 1495–1542) Appears on: 36v Genres: Sacred Song Source Attribution: [P. Kugelmann] Voice: [no designation] Languages: German Voice Text: Ich klag mein not O Her mein Got
37	Dem ewigen Gott sei Lob und Dank	[H. Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Dem ewigen Gott sei Lob und Dank Kugelmann, Johann (ca. 1495–1542) Appears on: 37 Genres: Motet Source Attribution: [H. Kugelmann] Voice: [no designation] Languages: German Voice Text: Dem ewigen Got seÿ lob und danck
37v–38	Ut re mi fa sol la	Anon.	Anonymous
Ut re mi fa sol la Anonymous Appears on: 37v–38 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Solfegge Voice Text: Ut re mi fa sol la
38v–39	Adieu mes amours on m'atent	Anon.	Anonymous
Adieu mes amours on m'atent Anonymous Appears on: 38v–39 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Adie mes amors [on m'atent?]
39v–40	Vivo ego dicit Dominus nolo mortem II: Quis scit si convertatur et ignoscat	Ludo: Senphl [= Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Vivo ego dicit Dominus nolo mortem II: Quis scit si convertatur et ignoscat Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 39v–40 Genres: Motet Source Attribution: Ludo: Senphl [= Senfl] Voice: [no designation] Languages: Latin Voice Text: Vivo ego dicit dominus nolo mortem II: Quis scit si convertatur et ignoscat
40v	Conditor alme siderum aeterna lux	Ludo: Senphl	Senfl, Ludwig (ca. 1486–ca. 1543)
Conditor alme siderum aeterna lux Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 40v Genres: Motet Source Attribution: Ludo: Senphl Voice: [no designation] Languages: Latin Voice Text: Conditor alme sÿderum eterna lux
40v–41	Nun last unss Christum bitten	HKuglman [= J. Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Nun last unss Christum bitten Kugelmann, Johann (ca. 1495–1542) Appears on: 40v–41 Genres: Sacred Song Source Attribution: HKuglman [= J. Kugelmann] Voice: [no designation] Languages: German Voice Text: Nun last unss Christum bitten
41v–42	Nulla quidem virtus est principe dignior	Adrian: Coccleus [= Coclico]	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Nulla quidem virtus est principe dignior Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 41v–42 Genres: Motet Source Attribution: Adrian: Coccleus [= Coclico] Voice: [no designation] Languages: Latin Voice Text: Nulla quidem virtus est principe dignior
42v–43	Si bona suscepimus de manu Domini	Verdelot/[Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Si bona suscepimus de manu Domini Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 42v–43 Genres: Motet Source Attribution: Verdelot/[Richafort] Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus de manu domini
43–44	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	Constantinus Festa	Festa, Costanzo (ca. 1485–1545)
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) Festa, Costanzo (ca. 1485–1545) Appears on: 43–44 Genres: Motet Source Attribution: Constantinus Festa Voice: [no designation] Languages: Latin Voice Text: Hierusalem que occidis prophetas et lapidas [= Florentia tempus est penitentie]
44v–46	Si Deus pro nobis quis contra nos (2p. Quis igitur nos separabit a dilectione)	[Paminger]	Paminger, Leonhard (1495–1567)
Si Deus pro nobis quis contra nos (2p. Quis igitur nos separabit a dilectione) Paminger, Leonhard (1495–1567) Appears on: 44v–46 Genres: Motet Source Attribution: [Paminger] Voice: [no designation] Languages: Latin Voice Text: Si deus pro nobis quis contra nos II: Quis igitur nos separabit a dilectione
53–54	Letabundus exultet fidelis chorus alleluia II: Sicut sidus radium profert virgo III: Neque sidus radio neque virgo IV: Cedrus alta Libani conformatur V: Verbum mens altissimi corporari	Anon.	Anonymous
Letabundus exultet fidelis chorus alleluia II: Sicut sidus radium profert virgo III: Neque sidus radio neque virgo IV: Cedrus alta Libani conformatur V: Verbum mens altissimi corporari Anonymous Appears on: 53–54 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Letabundus [exultet fidelis chorus alleluia] II: [Sicut sidus radium profert virgo] III: [Neque sidus radio neque virgo] IV: Cedrus alta Libani [conformatur] V: Verbum [mens] altissimi [corporari]
54	O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis	Anon.	Anonymous
O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis Anonymous Appears on: 54 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [O quam glorifica luce coruscas] 4 Hoc largire [pater luminis omnis]
54v–56	Virgo prudentissima (2p. Vos Michael Gabriel Raphael)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Virgo prudentissima (2p. Vos Michael Gabriel Raphael) Isaac, Heinrich (ca. 1450–1517) Appears on: 54v–56 Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Virgo prudentissima [quae pia gaudia] II: [Vos Michael Gabriel Raphael]
56v–58	Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74)	Ludowicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 56v–58 Genres: Responsory Source Attribution: Ludowicus Senfl Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est [et habitavit] II: Plenum gracia [et veritate] III: In principio erat verbum [et verbum]
58v	Glorificamus	Anon.	Anonymous
Glorificamus Anonymous Appears on: 58v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Glorificamus
58v–59	Philippe qui videt me alleluia (6vv, M84)	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Philippe qui videt me alleluia (6vv, M84) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 58v–59 Genres: Alleluia, Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Philippe qui videt me alleluia
59v–60	Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal)	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 59v–60 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Trinck lang und klincklang [= Nun kumbt hieher all helft mir einmal]
60	Erbarm dich meÿn O Herre Gott nach Deiner	Anon.	Anonymous
Erbarm dich meÿn O Herre Gott nach Deiner Anonymous Appears on: 60 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Erbarm dich meÿn O Herre Got nach deiner
60v–61	Virgo verbo concepit virgo permansit	Anon.	Anonymous
Virgo verbo concepit virgo permansit Anonymous Appears on: 60v–61 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Virgo verbo [concepit virgo permansit]
61	Ich ruff zu dir Herr Jesu Christ	Anon.	Anonymous
Ich ruff zu dir Herr Jesu Christ Anonymous Appears on: 61 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ich ruff zu dir Herr Jhesu Christ
61v	Veni creator spiritus mentes tuorum	Jorgen Presten	Presten, Jorgen
Veni creator spiritus mentes tuorum Presten, Jorgen Appears on: 61v Genres: Veni creator spiritus Source Attribution: Jorgen Presten Voice: [no designation] Languages: Latin Voice Text: Veni creator [spiritus mentes tuorum]
62	Et valde mane una sabbatorum veniunt	Anon.	Anonymous
Et valde mane una sabbatorum veniunt Anonymous Appears on: 62 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et valde mane [una sabbatorum veniunt]
62v	La rousée du mois de mai m'a gasté (II)	[Moulu/Mouton]	Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)
La rousée du mois de mai m'a gasté (II) Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 62v Genres: Chanson Source Attribution: [Moulu/Mouton] Voice: [no designation] Languages: French Voice Text: La rouste du moÿs [= La rousée du moys de may m'a gasté]
63	Quem nos merito Periculum ... Inviolata integra	Anon.	Anonymous
Quem nos merito Periculum ... Inviolata integra Anonymous Appears on: 63 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Quem nos merito Periculum ... Inviolata integra
63v	Ach Gott wem soll ichs klagen das heimliche leiden	[Bauldeweyn/Grefinger]	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)
Ach Gott wem soll ichs klagen das heimliche leiden Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Appears on: 63v Genres: Song Source Attribution: [Bauldeweyn/Grefinger] Voice: [no designation] Languages: German Voice Text: Ach Got wem sol ichs klagen das heimlich leÿden [= En douleur en tristesse]
64–64v	Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum)	[Josquin]	Despres, Josquin (ca. 1450–1521)
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) Despres, Josquin (ca. 1450–1521) Appears on: 64–64v Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Benedicta es celorum [regina et mundi] 23.13 II: [Per illud ave prolatum] (Pars II not present in this source) III: Nunc mater exora natum
65	Verbum Domini manet in aeternam	[Walter]	Walter, Johann (1496–1570)
Verbum Domini manet in aeternam Walter, Johann (1496–1570) Appears on: 65 Genres: Motet Source Attribution: [Walter] Voice: [no designation] Languages: Latin Voice Text: Verbum domini manet inn eternum
65v–66	Beatam me dicent omnes generationes	Anon.	Anonymous
Beatam me dicent omnes generationes Anonymous Appears on: 65v–66 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Beatam me dicent omnes [generationes]
66v	Resonet in laudibus cum jocundis plausibus	Anon.	Anonymous
Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 66v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Resonet in laudibus [cum jocundis plausibus]
66v–67	Wir glauben all an einen Gott [Credo] (I) (4vv)	[Walter]	Walter, Johann (1496–1570)
Wir glauben all an einen Gott [Credo] (I) (4vv) Walter, Johann (1496–1570) Appears on: 66v–67 Genres: Chorale, Credo (patrem omnipotentem), Sacred Song Source Attribution: [Walter] Voice: [no designation] Languages: German Voice Text: Wir glauben all an einen Gott
67v	An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen	[Wannenmacher]	Wannenmacher, Johannes (ca. 1485–1551)
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen Wannenmacher, Johannes (ca. 1485–1551) Appears on: 67v Genres: Song Source Attribution: [Wannenmacher] Voice: [no designation] Languages: German Voice Text: Du schnode tochter Babilon [zerbrochen] [Pars V of An Wasserflüssen Babylon]
68	Sustinuit anima mea in verbo eius?	Anon.	Anonymous
Sustinuit anima mea in verbo eius? Anonymous Appears on: 68 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sustinuit [anima mea in verbo eius?]
68v–70	Surge Petre et indue te vestimentis tuis (2p. Si diligis me Symon Petre pasce oves)	[Jaquet of Mantua]	Mantua, Jacquet de (1483–1559)
Surge Petre et indue te vestimentis tuis (2p. Si diligis me Symon Petre pasce oves) Mantua, Jacquet de (1483–1559) Appears on: 68v–70 Genres: Motet Source Attribution: [Jaquet of Mantua] Voice: [no designation] Languages: Latin Voice Text: Surge Petre et inndue te vestimentis tuis II: Si diligis me [Simon Petre pasce oves]
70v	Allégez moi douce plaisant brunette 30.2	[Barbé/Josquin/Lebrun/ Willaert]	Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Willaert, Adrian (ca. 1490–1562) (?) Barbé, Antoine (–1564) (?)
Allégez moi douce plaisant brunette 30.2 Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Willaert, Adrian (ca. 1490–1562) (?) Barbé, Antoine (–1564) (?) Appears on: 70v Genres: Chanson Source Attribution: [Barbé/Josquin/Lebrun/ Willaert] Voice: [no designation] Languages: French Voice Text: Alligies moÿ [= Allégez moy douce plaisant brunette] 30.2
70v–72	Anima mea liquefacta est ut dilectus II: Invenerunt me custodes civitatis III: Filiae Jerusalem nunctiate dilecto	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Anima mea liquefacta est ut dilectus II: Invenerunt me custodes civitatis III: Filiae Jerusalem nunctiate dilecto Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 70v–72 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Anima mea [liquefacta est ut dilectus] II: Invenerunt me custodes civitate III: Filie Hierusalem [nuntiate dilecto]
72v–74	Alma redemptoris mater	L. Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Alma redemptoris mater Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 72v–74 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: L. Senfl Voice: [no designation] Languages: Latin Voice Text: Allma redemtoris [mater quae pervia caeli] II: [Tu quae genuisti natura mirante] III: [Virgo prius ac posterius Gabrielis]
74v–75	In illo tempore loquente Jesu ad turbas	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
In illo tempore loquente Jesu ad turbas Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 74v–75 Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: Inn illo tempore [loquente Jesu ad turbas]
75v–77	Huc me sidereo 21.5 (2p. Felle sitim)	[Josquin]	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 (2p. Felle sitim) Despres, Josquin (ca. 1450–1521) Appears on: 75v–77 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Huc me siderio [descendere jussit Olympo] 21.5 II: Felle sittim magni [regis satiavit]
77	Mit Lust tritt ich in diesen Tanz	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Mit Lust tritt ich in diesen Tanz Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 77 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Mit lust trit ich inn disen tantz
77v	Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 77v Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Kein Adler inn der wellt so schonn General Note "Kein Adler inn der wellt so schönn", in A2 (V): "Kein adler / Ich stund an einem Morg[en]", in D2 (VI): "Kein adler / Es taget vor dem holtze" in indices
78	Quisquis requiem quaeris feminam cave	[Othmayr]	Othmayr, Caspar
Quisquis requiem quaeris feminam cave Othmayr, Caspar Appears on: 78 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Voice Text: Quis[quis requiem quaeris feminam cave]/ Mulier/Mala herba
78v	Ich will mich glucks betragen wol	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich will mich glucks betragen wol Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 78v Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Ich will mich glucks betragen wol
78v	Ich klag den tag und alle stund	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich klag den tag und alle stund Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 78v Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Ich klag denn tag und alle stund
79v–81	Domine Jesu Christe amator benignissime (2p. O bone Jesu et dulcis spes animae) [B167]	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Domine Jesu Christe amator benignissime (2p. O bone Jesu et dulcis spes animae) [B167] Willaert, Adrian (ca. 1490–1562) Appears on: 79v–81 Genres: Motet Source Attribution: [Willaert] Voice: [no designation] Languages: Latin Voice Text: Domine Jhesu Christe amator benignissime II: O bone Jhesu Christe et dulcis spes
81v–82	Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	[Josquin]	Despres, Josquin (ca. 1450–1521)
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] Despres, Josquin (ca. 1450–1521) Appears on: 81v–82 Genres: Chanson, Contrafactum, Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Hec dicit dominus [de manu mortis] 30.6 [= Videte omnes populi, Nimphes nappés néridriades driades]
82	Wiewohl viel herter Orden sind	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Wiewohl viel herter Orden sind Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 82 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Wie wol vil hortter orden seind
82v–83	Laudate Dominum	Anon.	Anonymous
Laudate Dominum Anonymous Appears on: 82v–83 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudate dominum
83v–85	Pater noster (2p. Ave Maria) 20.9	Josquin	Despres, Josquin (ca. 1450–1521)
Pater noster (2p. Ave Maria) 20.9 Despres, Josquin (ca. 1450–1521) Appears on: 83v–85 Genres: Ave Maria, Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Pater noster [qui es in caelis] 20.9 II: [Ave Maria gratia plena dominus tecum]
85v–87	Surge illuminare Jerusalem (8vv) (2p. Et ambulabunt gentes in lumine)	Jo: Presten	Palestrina, Giovanni Pierluigi da (1525–1594)
Surge illuminare Jerusalem (8vv) (2p. Et ambulabunt gentes in lumine) Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 85v–87 Genres: Motet Source Attribution: Jo: Presten Voice: [no designation] Languages: Latin Voice Text: Surge illuminare Jerusalem [quia venit] II: Tunc vedebis [et afflues mirabitur]
87v	Allein Gott in der Höh sei Ehr' und Dank	Anon.	Anonymous
Allein Gott in der Höh sei Ehr' und Dank Anonymous Appears on: 87v Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Allein Gott inn der hoch seÿ Ehr
87v	Herr Christ der einige Gottes Sonn	Anon.	Anonymous
Herr Christ der einige Gottes Sonn Anonymous Appears on: 87v Genres: Caccia, Chorale Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Herr Christ der ein[i]ge Gottes Sonn
88	O redemptor caeli et terrae	Anon.	Anonymous
O redemptor caeli et terrae Anonymous Appears on: 88 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O redemptor coeli et terrae
88v	Ecce Dominus veniet nolite timere 14.5	[Jonckers/Josquin/ Senfl]	Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Despres, Josquin (ca. 1450–1521) (?)
Ecce Dominus veniet nolite timere 14.5 Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 88v Genres: Motet Source Attribution: [Jonckers/Josquin/ Senfl] Voice: [no designation] Languages: Latin Voice Text: Ecce dominus veniet [nolite timere] 14.5 General Note additioonal 6th voice added to the usual 5vv -- as also in DK-Kk MS Gamle kongelige Samling 1873, 4°
89	Vater unser im Himmelreich, der du uns alle	Jorgen Presten	Presten, Jorgen
Vater unser im Himmelreich, der du uns alle Presten, Jorgen Appears on: 89 Genres: Chorale, Sacred Song Source Attribution: Jorgen Presten Voice: [no designation] Languages: German Voice Text: Vater unser im himelreich [der du uns alle]
89v	Der Gottlose Hauf	Jorgen Presten	Presten, Jorgen
Der Gottlose Hauf Presten, Jorgen Appears on: 89v Genres: Motet Source Attribution: Jorgen Presten Voice: [no designation] Languages: German Voice Text: Der gotlosse hauff
90	Que est ista que progreditur quasi aurora / Assumpta est Maria	Anon.	Anonymous
Que est ista que progreditur quasi aurora / Assumpta est Maria Anonymous Appears on: 90 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Que est ista que progreditur [quasi aurora]/ Assumpta est [Maria]
90v	Ein Welsch tantz, Sprung	Anon.	Anonymous
Ein Welsch tantz, Sprung Anonymous Appears on: 90v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Ein Welsch tantz, Sprung
91	Passemezo, Sprung	Anon.	Anonymous
Passemezo, Sprung Anonymous Appears on: 91 Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Passemezo, Sprung
91v–92	Constitues eos principes super omnem terram	Comprecht [= Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Constitues eos principes super omnem terram Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 91v–92 Genres: Motet Source Attribution: Comprecht [= Gombert] Voice: [no designation] Languages: Latin Voice Text: Constitues eos [principes super omnem]
92v–93	In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio	Josquin	Despres, Josquin (ca. 1450–1521)
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio Despres, Josquin (ca. 1450–1521) Appears on: 92v–93 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: In illo tempore stetit Jesus [in medio] 19.5
93v–94	Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus)	Josquin De Pres	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) Despres, Josquin (ca. 1450–1521) Appears on: 93v–94 Genres: Motet Source Attribution: Josquin De Pres Voice: [no designation] Languages: Latin Voice Text: Praeter rerum seriem [parit deum] 24.12 II: Virtus sancti spiritus [opus]
94v–95	Sancta Trinitas unus Deus miserere nobis (6vv)	[Craen/C. Festa/A. Févin/Josquin/ Morales]-[Bruck]	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)
Sancta Trinitas unus Deus miserere nobis (6vv) Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554) Appears on: 94v–95 Genres: Motet Source Attribution: [Craen/C. Festa/A. Févin/Josquin/ Morales]-[Bruck] Voice: [no designation] Languages: Latin Voice Text: Sancta trinitas unus deus miserere 26.12 General Note Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10
95v–97	Hodie in Jordane baptizato Domino aperti II: Descendit spiritus sanctus corporali	[Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Hodie in Jordane baptizato Domino aperti II: Descendit spiritus sanctus corporali Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 95v–97 Genres: Motet Source Attribution: [Jhan of Ferrara] Voice: [no designation] Languages: Latin Voice Text: Hodie in Jordane baptizato domino aperti II: Descendit spiritus sanctus corporali
97v–98	En quam honesta et jucunda res est	Anon.	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
En quam honesta et jucunda res est Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 97v–98 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Enquam honesta [et iucunda res est]
98v–99	Zu hundert tausend all	Anon.	Anonymous
Zu hundert tausend all Anonymous Appears on: 98v–99 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Zu hundert tausendt mal
99v–100	Mich hat ein herzlieb seer hoch erfreud	Anon.	Anonymous
Mich hat ein herzlieb seer hoch erfreud Anonymous Appears on: 99v–100 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Mich hat ein hertzlieb seer hoch erfreud
100v–101	Benedicamus	Paul Kuglman	Kugelmann, Paul (–1580)
Benedicamus Kugelmann, Paul (–1580) Appears on: 100v–101 Genres: Benedicamus Domino, Motet Source Attribution: Paul Kuglman Voice: [no designation] Languages: Latin Voice Text: Benedicamus
101v–102	Peccavimus tibi quia dereliquimus te	Jorg: Presten	Presten, Jorgen
Peccavimus tibi quia dereliquimus te Presten, Jorgen Appears on: 101v–102 Genres: Motet Source Attribution: Jorg: Presten Voice: [no designation] Languages: Latin Voice Text: Peccavimus tibi quia dereliquimus te
102v	Gelobet seist Du, Jesu Christ, dass Du Mensch	[Walter]	Walter, Johann (1496–1570)
Gelobet seist Du, Jesu Christ, dass Du Mensch Walter, Johann (1496–1570) Appears on: 102v Genres: Chorale, Sacred Song Source Attribution: [Walter] Voice: [no designation] Languages: German Voice Text: Gelobet seystu Jesu Christ [dass du mensch]
102v–103	In dulci jubilo nun singet und seid froh	[Walter]	Walter, Johann (1496–1570)
In dulci jubilo nun singet und seid froh Walter, Johann (1496–1570) Appears on: 102v–103 Genres: Chorale, Sacred Song Source Attribution: [Walter] Voice: [no designation] Languages: Latin, German Voice Text: In dulci jubilo [nun singet und seid froh]
103	In dulci jubilo nun singet und seid froh	Davit Aebell	Abell, David (fl. 16th century)
In dulci jubilo nun singet und seid froh Abell, David (fl. 16th century) Appears on: 103 Genres: Motet Source Attribution: Davit Aebell Voice: [no designation] Languages: Latin, German Voice Text: In [dulci jubilo nun singet und seid froh]
152	Quare tristis es anima mea	Anon.	Anonymous
Quare tristis es anima mea Anonymous Appears on: 152 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Quare tristis es anima mea
152v–153	Cent mille regrets me poursuivent	Anon.	Anonymous
Cent mille regrets me poursuivent Anonymous Appears on: 152v–153 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Cent mille regretz [me poursuivent]
153v–154v	Appropinquet deprecatio mea in conspectu II: Fiat manus tua ut salvet me III: Vivet anima mea et laudabit te	Jorgen Prestenn	Presten, Jorgen
Appropinquet deprecatio mea in conspectu II: Fiat manus tua ut salvet me III: Vivet anima mea et laudabit te Presten, Jorgen Appears on: 153v–154v Genres: Motet Source Attribution: Jorgen Prestenn Voice: [no designation] Languages: Latin Voice Text: Appropinquet [deprecatio mea in conspectu] II: Fiat manus tua ut salvet me III: Vivet anima mea [et laudabit te]
155v–156	Dies est laetitiae in ortu regali	Jorgen Prestenn	Presten, Jorgen
Dies est laetitiae in ortu regali Presten, Jorgen Appears on: 155v–156 Genres: Motet Source Attribution: Jorgen Prestenn Voice: [no designation] Languages: Latin Voice Text: Dies est leticie [in ortu regali]
156v–157	Nesciens mater virgo virum peperit	Tomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526)
Nesciens mater virgo virum peperit Stoltzer, Thomas (ca. 1480–1526) Appears on: 156v–157 Genres: Motet Source Attribution: Tomas Stoltzer Voice: [no designation] Languages: Latin Voice Text: Nesciens mater [virgo virum peperit]
157v–158	Erhalt uns Herr bei Deinem Wort	Jorgen Presten	Presten, Jorgen
Erhalt uns Herr bei Deinem Wort Presten, Jorgen Appears on: 157v–158 Genres: Chorale, Sacred Song Source Attribution: Jorgen Presten Voice: [no designation] Languages: German Voice Text: Erhalt uns Herr beÿ deinem wortt
158v–160v	Beati immaculati in via qui ambulant 2 Utinam dirigantur viae meae 3 Benedictus es Domine doce me 4 Inclina cor meum in testimonia tua 5 Eructabunt labia mea hymnum cum docueris	[Walter]	Walter, Johann (1496–1570)
Beati immaculati in via qui ambulant 2 Utinam dirigantur viae meae 3 Benedictus es Domine doce me 4 Inclina cor meum in testimonia tua 5 Eructabunt labia mea hymnum cum docueris Walter, Johann (1496–1570) Appears on: 158v–160v Genres: Psalm Source Attribution: [Walter] Voice: [no designation] Languages: Latin Voice Text: Beati immaculati [in via qui ambulant] II: Utinam dirigantur [viae meae] III: Benedictus es domine [doce me] IV: Inclina cor meum [in testimonia tua] V: [Eructabunt labia mea hymnum]
161	Christ ist erstanden von der Marter alle	Jorgen Presten	Presten, Jorgen
Christ ist erstanden von der Marter alle Presten, Jorgen Appears on: 161 Genres: Hymn, Motet, Sacred Song Source Attribution: Jorgen Presten Voice: [no designation] Languages: German, Greek Voice Text: Christ ist erstanden [von der marter alle]
161v–162v	Parcere prostratis	Anon.	Anonymous
Parcere prostratis Anonymous Appears on: 161v–162v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Parcere prostratis
163	Ach Herr, siehe uns gnädig an aus Deinem Thron	Jorgen Pressten	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: 163 Genres: Sacred Song Source Attribution: Jorgen Pressten Voice: [no designation] Languages: German Voice Text: Ach Herr sihe uns gnedig an
163v–164	Der lermen (Lerman)	Johan Heugel	Heugel, Johannes
Der lermen (Lerman) Heugel, Johannes Appears on: 163v–164 Genres: Secular Source Attribution: Johan Heugel Voice: [no designation] Languages: German Voice Text: Der lermen
164v	Mich wundert gar hart umb den roten	Anon.	Anonymous
Mich wundert gar hart umb den roten Anonymous Appears on: 164v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Mich wund[er]t gar hartt [umb den roten]
171v	Laudate Dominum omnes gentes laudate eum 17.10	Matthias Ecell/[Heintz/ Josquin]	Despres, Josquin (ca. 1450–1521) (?) Heintz, Wolff (?) Eckel, Matthias (?)
Laudate Dominum omnes gentes laudate eum 17.10 Despres, Josquin (ca. 1450–1521) (?) Heintz, Wolff (?) Eckel, Matthias (?) Appears on: 171v Genres: Motet Source Attribution: Matthias Ecell/[Heintz/ Josquin] Voice: [no designation] Languages: Latin Voice Text: Laudate dominum omnes gentes 17.10
171v–172	Gaudent in caelis animae sanctorum	Phillippus Verdelot/ [Phinot/Richafort]	Phinot, Dominique (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Gaudent in caelis animae sanctorum Phinot, Dominique (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 171v–172 Genres: Motet Source Attribution: Phillippus Verdelot/ [Phinot/Richafort] Voice: [no designation] Languages: Latin Voice Text: Gaudent inn celis [animae sanctorum]
172v–173	Nesciens mater virgo virum peperit	Johan Mouton	Mouton, Jean (ca. 1459–1522)
Nesciens mater virgo virum peperit Mouton, Jean (ca. 1459–1522) Appears on: 172v–173 Genres: Motet Source Attribution: Johan Mouton Voice: [no designation] Languages: Latin Voice Text: Nesciens noster [= Nesciens mater virgo virum peperit]
173	Sic Deus dilexit mundum ut filium suum	Anon.	Anonymous
Sic Deus dilexit mundum ut filium suum Anonymous Appears on: 173 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sic deus dilexit mundum [ut filium suum]
173v	Verbum Domini manet in aeternum	Anon.	Anonymous
Verbum Domini manet in aeternum Anonymous Appears on: 173v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Verbum [domini manet in aeternum]
173v–174	Jesus Christus nostra salus	[Finck-anon.]	Finck, Heinrich (?)
Jesus Christus nostra salus Finck, Heinrich (?) Appears on: 173v–174 Genres: Motet Source Attribution: [Finck-anon.] Voice: [no designation] Languages: Latin Voice Text: Jhesus Christus nostra salus
174v	Ach Herr, siehe uns gnädig an aus Deinem Thron	Jorgen Prestenn	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: 174v Genres: Sacred Song Source Attribution: Jorgen Prestenn Voice: [no designation] Languages: German Voice Text: Ach Herr sihe unns genedig ann
175	Nun bitten wir den Heiligen Geist	Jorgen Presten	Presten, Jorgen
Nun bitten wir den Heiligen Geist Presten, Jorgen Appears on: 175 Genres: Veni sancte spiritus Source Attribution: Jorgen Presten Voice: [no designation] Languages: German Voice Text: Nu bittenn wier denn heÿligen geyst
175v	Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv)	Benedictus [Appenzeller]/[Ducis]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv) Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 175v Genres: Agnus Dei, Mass Ordinary Source Attribution: Benedictus [Appenzeller]/[Ducis] Voice: [no designation] Languages: Latin Voice Text: Agnus dei [qui tollis peccata]
176	Qui ne laÿmeroit la belle au corps	Anthonius Fevÿn	Fevin, Antoine de (ca. 1470–ca. 1512)
Qui ne laÿmeroit la belle au corps Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 176 Genres: Chanson Source Attribution: Anthonius Fevÿn Voice: [no designation] Languages: French Voice Text: Qui ne laÿmeroit [la belle au corps]
176v	O profunditatem divitiarum sapientiae Music copied on ff. 24v-25 of 7 book, text incipit only in other books	[Paminger]	Paminger, Leonhard (1495–1567)
O profunditatem divitiarum sapientiae Music copied on ff. 24v-25 of 7 book, text incipit only in other books Paminger, Leonhard (1495–1567) Appears on: 176v Genres: Motet Source Attribution: [Paminger] Voice: [no designation] Languages: Latin Voice Text: O profunditatem [divitiarum sapientiae] (Music copied on ff. 24v-25 of 7 book, text incipit only in other books)
177	Salva nos Domine vigilantes custodi nos	S. Tham	Tham, S.
Salva nos Domine vigilantes custodi nos Tham, S. Appears on: 177 Genres: Motet Source Attribution: S. Tham Voice: [no designation] Languages: Latin Voice Text: Salva nos domine vigilantes [custodi nos]
177v–178	Mein Augen sind allzeit zu Dir, Herre	S. Tham	Tham, S.
Mein Augen sind allzeit zu Dir, Herre Tham, S. Appears on: 177v–178 Genres: Sacred Song Source Attribution: S. Tham Voice: [no designation] Languages: German Voice Text: Mein augen sind alltzeit zu dir Herre
178v–179	Pater noster qui es in caelis (8vv)	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Pater noster qui es in caelis (8vv) Arcadelt, Jacques (ca. 1507–1568) Appears on: 178v–179 Genres: Motet, Pater noster Source Attribution: [Arcadelt] Voice: [no designation] Languages: Latin Voice Text: Pater noster [qui es in caelis]
179v–180	Sine nomine II: untexted	Anon.	Anonymous
Sine nomine II: untexted Anonymous Appears on: 179v–180 Genres: Motet, textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Sine nomine II: Textless
180v–181	Missa Tempore paschali: Agnus Dei	Nicolaus Gombret [= Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Missa Tempore paschali: Agnus Dei Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 180v–181 Genres: Agnus Dei, Mass Ordinary Source Attribution: Nicolaus Gombret [= Gombert] Voice: [no designation] Languages: Latin Voice Text: Agnus dei [qui tollis peccata] [from Missa Tempore paschali]
181v–182	Inviolata integra et casta es Maria 24.4 (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria)	[Josquin]	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta es Maria 24.4 (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria) Despres, Josquin (ca. 1450–1521) Appears on: 181v–182 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Inviolata integra [et casta es Maria] 24.5
182v–183v	Missa L'homme armé: Patrem omnipotentem	Anon.	Anonymous
Missa L'homme armé: Patrem omnipotentem Anonymous Appears on: 182v–183v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Credo] Lome arme: Patrem [omnipotentem]
184–184v	Pater noster qui es in caelis (2p.Panem nostrum cotidianum da nobis) (8vv)	Johan Heugl	Heugel, Johannes
Pater noster qui es in caelis (2p.Panem nostrum cotidianum da nobis) (8vv) Heugel, Johannes Appears on: 184–184v Genres: Motet Source Attribution: Johan Heugl Voice: [no designation] Languages: Latin Voice Text: Pater noster [qui es in caelis] II: Panem nostrum quotidiannum [da nobis]
185	Christ bet und wach	Jor: Presten	Presten, Jorgen
Christ bet und wach Presten, Jorgen Appears on: 185 Genres: Sacred Song Source Attribution: Jor: Presten Voice: [no designation] Languages: German Voice Text: Christ bet und wach
185v	Christ ist erstanden von der Marter alle	Jorg: Presten	Presten, Jorgen
Christ ist erstanden von der Marter alle Presten, Jorgen Appears on: 185v Genres: Hymn, Motet, Sacred Song Source Attribution: Jorg: Presten Voice: [no designation] Languages: German, Greek Voice Text: Christ ist erstandenn von der marter alle
185v–186	Si consurrexistis cum Christo quae sursum	Adriano Petit Coclico	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Si consurrexistis cum Christo quae sursum Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 185v–186 Genres: Motet Source Attribution: Adriano Petit Coclico Voice: [no designation] Languages: Latin Voice Text: Si consurrexistis [cum Christo quae sursum]
186v–187	Jam non dicam vos servos sed amicos (8vv)	[Phinot]	Phinot, Dominique
Jam non dicam vos servos sed amicos (8vv) Phinot, Dominique Appears on: 186v–187 Genres: Motet Source Attribution: [Phinot] Voice: [no designation] Languages: Latin Voice Text: Jam non dicam vos servos sed amicos
204v	Fuga	Jorgen Presten	Presten, Jorgen
Fuga Presten, Jorgen Appears on: 204v Genres: Fuga, Organ piece Source Attribution: Jorgen Presten Voice: [no designation] Languages: none Voice Text: Fuga
205	Fuga	Jorgen Presten	Presten, Jorgen
Fuga Presten, Jorgen Appears on: 205 Genres: Fuga, Organ piece Source Attribution: Jorgen Presten Voice: [no designation] Languages: none Voice Text: Fuga
205v–206	Fuga	Jorgen Presten	Presten, Jorgen
Fuga Presten, Jorgen Appears on: 205v–206 Genres: Fuga, Organ piece Source Attribution: Jorgen Presten Voice: [no designation] Languages: none Voice Text: Fuga
206v	Fuga	M. Matz Hack	Hack, Matz
Fuga Hack, Matz Appears on: 206v Genres: Fuga, Organ piece Source Attribution: M. Matz Hack Voice: [no designation] Languages: none Voice Text: Fuga
207v–208	Fuga	Anon.	Anonymous
Fuga Anonymous Appears on: 207v–208 Genres: Fuga, Organ piece Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Fuga
208	Laudate Dominum	Anon.	Anonymous
Laudate Dominum Anonymous Appears on: 208 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudate dominum
208v–209	Fuga	Anon.	Anonymous
Fuga Anonymous Appears on: 208v–209 Genres: Fuga, Organ piece Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Fuga
209v–210	Toujours leal a ma maitresse tant que au corps	[Courtois]	Courtois, Jean (fl. 1530-1545)
Toujours leal a ma maitresse tant que au corps Courtois, Jean (fl. 1530-1545) Appears on: 209v–210 Genres: Chanson Source Attribution: [Courtois] Voice: [no designation] Languages: French Voice Text: Tout iour lcal a ma masstresse [= Tout jour leal a ma maistresse]
210v	Ach Herr siehe uns gnädig an aus Deinem thron	Anon.	Anonymous
Ach Herr siehe uns gnädig an aus Deinem thron Anonymous Appears on: 210v Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ach Herr sieh unss genedig ahnn
A 204v	Fuga	D. Abell	Abell, David (fl. 16th century)
Fuga Abell, David (fl. 16th century) Appears on: A 204v Genres: Fuga, Organ piece Source Attribution: D. Abell Voice: [no designation] Languages: none Voice Text: Fuga
A 205	Fuga	D. Abell	Abell, David (fl. 16th century)
Fuga Abell, David (fl. 16th century) Appears on: A 205 Genres: Fuga, Organ piece Source Attribution: D. Abell Voice: [no designation] Languages: none Voice Text: Fuga

Composer	Compositions
Abell, David (fl. 16th century)	Fuga – A 205 Fuga – A 204v In dulci jubilo nun singet und seid froh – 103
Alamire, Petrus (ca. 1470–1536)	Tandernack uf dem Rhein lag – 21v–22
Anonymous	Ach Herr siehe uns gnädig an aus Deinem thron – 210v Adieu mes amours on m'atent – 38v–39 Ale venture = A la venture l'entrepris cuidant gaigner? – 34 Allein Gott in der Höh sei Ehr' und Dank – 87v Assumpta est Maria in caelum gaudent II: Beata est virgo Maria Dei genitrix? – 20v–21 Beatam me dicent omnes generationes – 65v–66 Cent mille regrets me poursuivent – 152v–153 Ein Welsch tantz, Sprung – 90v End aller not bringt unns der tod – 18v Erbarm dich meÿn O Herre Gott nach Deiner – 60 Erhalt uns Herr bei Deinem Wort – 31 Et nunc ad Dominum / Spes mea in deo – 28v–29 Et valde mane una sabbatorum veniunt – 62 Fuga – 208v–209 Fuga – 207v–208 Gaudeamus omnes in Domino diem festum – 29v–30 Glorificamus – 58v Herr Christ der einige Gottes Sonn – 87v Honorabile est inter omnes conjugium II: Propterea – 23–23v Ich ruff zu dir Herr Jesu Christ – 61 Laudate Dominum – 208 Laudate Dominum – 82v–83 Letabundus exultet fidelis chorus alleluia II: Sicut sidus radium profert virgo III: Neque sidus radio neque virgo IV: Cedrus alta Libani conformatur V: Verbum mens altissimi corporari – 53–54 Madonna io son – 7 Mich hat ein herzlieb seer hoch erfreud – 99v–100 Mich wundert gar hart umb den roten – 164v Missa L'homme armé: Patrem omnipotentem – 182v–183v O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis – 54 O redemptor caeli et terrae – 88 Parcere prostratis – 161v–162v Passemezo, Sprung – 91 Quare tristis es anima mea – 152 Que est ista que progreditur quasi aurora / Assumpta est Maria – 90 Quem nos merito Periculum ... Inviolata integra – 63 Resonet in laudibus cum jocundis plausibus – 66v Scire voluntatem michi est prima cura / Ach Gott schaff Deinen Willen – 24 Sic Deus dilexit mundum ut filium suum – 173 Sine nomine II: untexted – 179v–180 Sustinuit anima mea in verbo eius? – 68 Ut re mi fa sol la – 37v–38 Verbum Domini manet in aeternum – 173v Verleih uns Frieden gnädiglich, Herr Gott – 31 Virgo verbo concepit virgo permansit – 60v–61 Vrai Dieu – 31v Zu hundert tausend all – 98v–99
Appenzeller, Benedictus (ca. 1480–ca. 1558)	Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv) – 175v
Arcadelt, Jacques (ca. 1507–1568)	Pater noster qui es in caelis (8vv) – 178v–179
Barbé, Antoine (–1564)	(?) Allégez moi douce plaisant brunette 30.2 – 70v
Bauldeweyn, Noel (ca. 1480–1529)	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 63v
Bratel, Ulrich	So ich betracht und acht der alten Gesang – 16v Weil ich gross Gunst trag zu der Kunst – 14
Bruck, Arnold von (ca. 1500–1554)	In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris) – 11v–12 Sancta Trinitas unus Deus miserere nobis (6vv) – 94v–95
Caen, Arnold	(?) Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) – 10–11
Coclico, Adrianus Petit (ca. 1499–ca. 1562)	Nulla quidem virtus est principe dignior – 41v–42 Si consurrexistis cum Christo quae sursum – 185v–186 Venite exultemus Domino jubilemus deo II: Hodie si vocem eius audieritis – 34v–36
Courtois, Jean (fl. 1530-1545)	Toujours leal a ma maitresse tant que au corps – 209v–210
Despres, Josquin (ca. 1450–1521)	(?) Allégez moi douce plaisant brunette 30.2 – 70v Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) – 64–64v (?) Ecce Dominus veniet nolite timere 14.5 – 88v Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] – 81v–82 Huc me sidereo 21.5 (2p. Felle sitim) – 75v–77 In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio – 92v–93 Inviolata integra et casta es Maria 24.4 (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria) – 181v–182 (?) Laudate Dominum omnes gentes laudate eum 17.10 – 171v N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 – 6v Pater noster (2p. Ave Maria) 20.9 – 83v–85 Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) – 93v–94 Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 – 5v–6 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) – 8v–9v
Eckel, Matthias	(?) Laudate Dominum omnes gentes laudate eum 17.10 – 171v
Ferrara, Maistre Jhan of (ca. 1485–1538)	Hodie in Jordane baptizato Domino aperti II: Descendit spiritus sanctus corporali – 95v–97
Festa, Costanzo (ca. 1485–1545)	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) – 43–44
Fevin, Antoine de (ca. 1470–ca. 1512)	Qui ne laÿmeroit la belle au corps – 176 Sancta Trinitas unus Deus miserere nobis (6vv) – 94v–95
Finck, Heinrich	(?) Ich stund an einem Morgen / Amica mea [S170 - 5vv] – 7v (?) Jesus Christus nostra salus – 173v–174 Salve regina misericordiae [7 partes] – 8
Gombert, Nicolas (ca. 1495–ca. 1560)	Constitues eos principes super omnem terram – 91v–92 In illo tempore loquente Jesu ad turbas – 74v–75 Missa Tempore paschali: Agnus Dei – 180v–181
Grefinger, Wolfgang	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 63v (?) Ach Maidlein rein ich hab allein – 18
Greiter, Matthias	Von üppiglichen dingen so wil ichs sehen – 13v–14
Hack, Matz	Fuga – 206v
Heintz, Wolff	(?) Laudate Dominum omnes gentes laudate eum 17.10 – 171v
Hellinck, Lupus (ca. 1494–1541)	(?) Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) – 10–11
Hesdin, Nicolle des Celliers de (–1538)	Hellas ma dame a quoy tient il que je suiss – 32
Heugel, Johannes	Der lermen (Lerman) – 163v–164 Pater noster qui es in caelis (2p.Panem nostrum cotidianum da nobis) (8vv) – 184–184v
Isaac, Heinrich (ca. 1450–1517)	Virgo prudentissima (2p. Vos Michael Gabriel Raphael) – 54v–56
Janequin, Clement (ca. 1485–ca. 1558)	Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) – 14v–16
Jonckers, Maistre Gosse	(?) Ecce Dominus veniet nolite timere 14.5 – 88v
Kugelmann, Johann (ca. 1495–1542)	Dem ewigen Gott sei Lob und Dank – 37 Ich klag mein not O Her mein Got – 36v Nun last unss Christum bitten – 40v–41 Nun lob mein Seel den Herren – 19 Zu schau mein Glück – 17
Kugelmann, Melchior (–1548)	Hilf mir mein lieber Herre mein auserwelter – 26 (?) O Herr ich clag das ich mein tag so hab – 25 Von Gott dem Herren haben wir das edle – 25v Von Gottes gnad rad und wunderthat – 30v (?) Von anfang her hat Gottes Eher reÿchlich – 20 (?) Von menschen her ist nie erhort was guttes – 24v
Kugelmann, Paul (–1580)	Benedicamus – 100v–101
Mantua, Jacquet de (1483–1559)	Surge Petre et indue te vestimentis tuis (2p. Si diligis me Symon Petre pasce oves) – 68v–70
Moulu, Pierre (ca. 1484–ca. 1550)	(?) La rousée du mois de mai m'a gasté (II) – 62v
Mouton, Jean (ca. 1459–1522)	(?) La rousée du mois de mai m'a gasté (II) – 62v Nesciens mater virgo virum peperit – 172v–173
Othmayr, Caspar	Non somnos requiem / Mein tag mit unrue – 27v–28 Quisquis requiem quaeris feminam cave – 78
Palestrina, Giovanni Pierluigi da (1525–1594)	Ach Herr siehe uns gnädig an aus Deinem thron – 22v Surge illuminare Jerusalem (8vv) (2p. Et ambulabunt gentes in lumine) – 85v–87
Paminger, Leonhard (1495–1567)	O profunditatem divitiarum sapientiae Music copied on ff. 24v-25 of 7 book, text incipit only in other books – 176v Si Deus pro nobis quis contra nos (2p. Quis igitur nos separabit a dilectione) – 44v–46
Phinot, Dominique	(?) Gaudent in caelis animae sanctorum – 171v–172 Jam non dicam vos servos sed amicos (8vv) – 186v–187
Presten, Jorgen	Ach Herr, siehe uns gnädig an aus Deinem Thron – 174v Ach Herr, siehe uns gnädig an aus Deinem Thron – 163 Appropinquet deprecatio mea in conspectu II: Fiat manus tua ut salvet me III: Vivet anima mea et laudabit te – 153v–154v Christ bet und wach – 185 Christ ist erstanden von der Marter alle – 185v Christ ist erstanden von der Marter alle – 161 Commoda res et pulcra / Vertreu Gott allein – 26v Der Gottlose Hauf – 89v Dies est laetitiae in ortu regali – 155v–156 Erhalt uns Herr bei Deinem Wort – 157v–158 Fuga – 205 Fuga – 204v Fuga – 205v–206 Nun bitten wir den Heiligen Geist – 175 Peccavimus tibi quia dereliquimus te – 101v–102 Vater unser im Himmelreich, der du uns alle – 89 Veni creator spiritus mentes tuorum – 61v
Richafort, Jean (ca. 1480–ca. 1550)	(?) Gaudent in caelis animae sanctorum – 171v–172 (?) Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) – 10–11 (?) Si bona suscepimus de manu Domini – 42v–43
Rupsch, Conrad	(?) Nun bitten wir den heiligen geist (5vv) – 19v
Senfl, Ludwig (ca. 1486–ca. 1543)	Ach Maidlein rein ich hab allein – 18 Alma redemptoris mater – 72v–74 Anima mea liquefacta est ut dilectus II: Invenerunt me custodes civitatis III: Filiae Jerusalem nunctiate dilecto – 70v–72 Conditor alme siderum aeterna lux – 40v (?) Ecce Dominus veniet nolite timere 14.5 – 88v (?) En quam honesta et jucunda res est – 97v–98 Ich klag den tag und alle stund – 78v (?) Ich stund an einem Morgen / Amica mea [S170 - 5vv] – 7v Ich will mich glucks betragen wol – 78v Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen – 77v Mit Lust tritt ich in diesen Tanz – 77 Philippe qui videt me alleluia (6vv, M84) – 58v–59 Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal) – 59v–60 Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74) – 56v–58 Vivo ego dicit Dominus nolo mortem II: Quis scit si convertatur et ignoscat – 39v–40 Wiewohl viel herter Orden sind – 82
Sporer, Thomas	Frolich muss ich singen kein traurigkeit – 17v
Stoltzer, Thomas (ca. 1480–1526)	Nesciens mater virgo virum peperit – 156v–157
Tham, S.	Mein Augen sind allzeit zu Dir, Herre – 177v–178 Salva nos Domine vigilantes custodi nos – 177
Verdelot, Philippe (ca. 1480–ca. 1532)	Altro non è el mio amor ch'el proprio – 33–33v (?) Gaudent in caelis animae sanctorum – 171v–172 (?) Si bona suscepimus de manu Domini – 42v–43
Walter, Johann (1496–1570)	Beati immaculati in via qui ambulant 2 Utinam dirigantur viae meae 3 Benedictus es Domine doce me 4 Inclina cor meum in testimonia tua 5 Eructabunt labia mea hymnum cum docueris – 158v–160v Der Tag, der ist so freudenreich – 5 Gelobet seist Du, Jesu Christ, dass Du Mensch – 102v In dulci jubilo nun singet und seid froh – 102v–103 Jesaja dem Propheten das geschah – 12v–13 Nun bitten wir den heiligen geist (5vv) – 19v Verbum Domini manet in aeternam – 65 Wir glauben all an einen Gott [Credo] (I) (4vv) – 66v–67
Wannenmacher, Johannes (ca. 1485–1551)	An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen – 67v
Willaert, Adrian (ca. 1490–1562)	(?) Allégez moi douce plaisant brunette 30.2 – 70v Domine Jesu Christe amator benignissime (2p. O bone Jesu et dulcis spes animae) [B167] – 79v–81 Forma decens mores casti / Alles in Ehren – 27
Wolff, Martin	Ach unfalls neÿtt [neid] belänglich zeit – 13v
Zacharias, Johannes	Quia vidisti me Thoma credidisti – 32v–33
le Brun, Jean (fl. early 16th century)	(?) Allégez moi douce plaisant brunette 30.2 – 70v

Composition	Composers (? Uncertain)	Folios / Pages
Ach Gott wem soll ichs klagen das heimliche leiden	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)	63v
Ach Herr siehe uns gnädig an aus Deinem thron	Palestrina, Giovanni Pierluigi da (1525–1594)	22v
Ach Herr siehe uns gnädig an aus Deinem thron	Anonymous	210v
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	163
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	174v
Ach Maidlein rein ich hab allein	Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543)	18
Ach unfalls neÿtt [neid] belänglich zeit	Wolff, Martin	13v
Adieu mes amours on m'atent	Anonymous	38v–39
Ale venture = A la venture l'entrepris cuidant gaigner?	Anonymous	34
Allein Gott in der Höh sei Ehr' und Dank	Anonymous	87v
Allégez moi douce plaisant brunette 30.2	Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Willaert, Adrian (ca. 1490–1562) (?) Barbé, Antoine (–1564) (?)	70v
Alma redemptoris mater	Senfl, Ludwig (ca. 1486–ca. 1543)	72v–74
Altro non è el mio amor ch'el proprio	Verdelot, Philippe (ca. 1480–ca. 1532)	33–33v
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen	Wannenmacher, Johannes (ca. 1485–1551)	67v
Anima mea liquefacta est ut dilectus II: Invenerunt me custodes civitatis III: Filiae Jerusalem nunctiate dilecto	Senfl, Ludwig (ca. 1486–ca. 1543)	70v–72
Appropinquet deprecatio mea in conspectu II: Fiat manus tua ut salvet me III: Vivet anima mea et laudabit te	Presten, Jorgen	153v–154v
Assumpta est Maria in caelum gaudent II: Beata est virgo Maria Dei genitrix?	Anonymous	20v–21
Beatam me dicent omnes generationes	Anonymous	65v–66
Beati immaculati in via qui ambulant 2 Utinam dirigantur viae meae 3 Benedictus es Domine doce me 4 Inclina cor meum in testimonia tua 5 Eructabunt labia mea hymnum cum docueris	Walter, Johann (1496–1570)	158v–160v
Benedicamus	Kugelmann, Paul (–1580)	100v–101
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum)	Despres, Josquin (ca. 1450–1521)	64–64v
Cent mille regrets me poursuivent	Anonymous	152v–153
Christ bet und wach	Presten, Jorgen	185
Christ ist erstanden von der Marter alle	Presten, Jorgen	161
Christ ist erstanden von der Marter alle	Presten, Jorgen	185v
Commoda res et pulcra / Vertreu Gott allein	Presten, Jorgen	26v
Conditor alme siderum aeterna lux	Senfl, Ludwig (ca. 1486–ca. 1543)	40v
Constitues eos principes super omnem terram	Gombert, Nicolas (ca. 1495–ca. 1560)	91v–92
Dem ewigen Gott sei Lob und Dank	Kugelmann, Johann (ca. 1495–1542)	37
Der Gottlose Hauf	Presten, Jorgen	89v
Der lermen (Lerman)	Heugel, Johannes	163v–164
Der Tag, der ist so freudenreich	Walter, Johann (1496–1570)	5
Dies est laetitiae in ortu regali	Presten, Jorgen	155v–156
Domine Jesu Christe amator benignissime (2p. O bone Jesu et dulcis spes animae) [B167]	Willaert, Adrian (ca. 1490–1562)	79v–81
Ecce Dominus veniet nolite timere 14.5	Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Despres, Josquin (ca. 1450–1521) (?)	88v
Ein Welsch tantz, Sprung	Anonymous	90v
En quam honesta et jucunda res est	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	97v–98
End aller not bringt unns der tod	Anonymous	18v
Erbarm dich meÿn O Herre Gott nach Deiner	Anonymous	60
Erhalt uns Herr bei Deinem Wort	Anonymous	31
Erhalt uns Herr bei Deinem Wort	Presten, Jorgen	157v–158
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan)	Janequin, Clement (ca. 1485–ca. 1558)	14v–16
Et nunc ad Dominum / Spes mea in deo	Anonymous	28v–29
Et valde mane una sabbatorum veniunt	Anonymous	62
Forma decens mores casti / Alles in Ehren	Willaert, Adrian (ca. 1490–1562)	27
Frolich muss ich singen kein traurigkeit	Sporer, Thomas	17v
Fuga	Presten, Jorgen	204v
Fuga	Presten, Jorgen	205
Fuga	Presten, Jorgen	205v–206
Fuga	Hack, Matz	206v
Fuga	Anonymous	207v–208
Fuga	Anonymous	208v–209
Fuga	Abell, David (fl. 16th century)	A 204v
Fuga	Abell, David (fl. 16th century)	A 205
Gaudeamus omnes in Domino diem festum	Anonymous	29v–30
Gaudent in caelis animae sanctorum	Phinot, Dominique (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	171v–172
Gelobet seist Du, Jesu Christ, dass Du Mensch	Walter, Johann (1496–1570)	102v
Glorificamus	Anonymous	58v
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	Despres, Josquin (ca. 1450–1521)	81v–82
Hellas ma dame a quoy tient il que je suiss	Hesdin, Nicolle des Celliers de (–1538)	32
Herr Christ der einige Gottes Sonn	Anonymous	87v
Hilf mir mein lieber Herre mein auserwelter	Kugelmann, Melchior (–1548)	26
Hodie in Jordane baptizato Domino aperti II: Descendit spiritus sanctus corporali	Ferrara, Maistre Jhan of (ca. 1485–1538)	95v–97
Honorabile est inter omnes conjugium II: Propterea	Anonymous	23–23v
Huc me sidereo 21.5 (2p. Felle sitim)	Despres, Josquin (ca. 1450–1521)	75v–77
Ich klag den tag und alle stund	Senfl, Ludwig (ca. 1486–ca. 1543)	78v
Ich klag mein not O Her mein Got	Kugelmann, Johann (ca. 1495–1542)	36v
Ich ruff zu dir Herr Jesu Christ	Anonymous	61
Ich stund an einem Morgen / Amica mea [S170 - 5vv]	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Finck, Heinrich (?)	7v
Ich will mich glucks betragen wol	Senfl, Ludwig (ca. 1486–ca. 1543)	78v
In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris)	Bruck, Arnold von (ca. 1500–1554)	11v–12
In dulci jubilo nun singet und seid froh	Walter, Johann (1496–1570)	102v–103
In dulci jubilo nun singet und seid froh	Abell, David (fl. 16th century)	103
In illo tempore loquente Jesu ad turbas	Gombert, Nicolas (ca. 1495–ca. 1560)	74v–75
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio	Despres, Josquin (ca. 1450–1521)	92v–93
Inviolata integra et casta es Maria 24.4 (2p. Nostra ut pura pectora sint; 3p. O benigna O regina O Maria)	Despres, Josquin (ca. 1450–1521)	181v–182
Jam non dicam vos servos sed amicos (8vv)	Phinot, Dominique	186v–187
Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas)	Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?) Hellinck, Lupus (ca. 1494–1541) (?)	10–11
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	Festa, Costanzo (ca. 1485–1545)	43–44
Jesaja dem Propheten das geschah	Walter, Johann (1496–1570)	12v–13
Jesus Christus nostra salus	Finck, Heinrich (?)	173v–174
Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen	Senfl, Ludwig (ca. 1486–ca. 1543)	77v
La rousée du mois de mai m'a gasté (II)	Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)	62v
Laudate Dominum	Anonymous	82v–83
Laudate Dominum	Anonymous	208
Laudate Dominum omnes gentes laudate eum 17.10	Despres, Josquin (ca. 1450–1521) (?) Heintz, Wolff (?) Eckel, Matthias (?)	171v
Letabundus exultet fidelis chorus alleluia II: Sicut sidus radium profert virgo III: Neque sidus radio neque virgo IV: Cedrus alta Libani conformatur V: Verbum mens altissimi corporari	Anonymous	53–54
Madonna io son	Anonymous	7
Mein Augen sind allzeit zu Dir, Herre	Tham, S.	177v–178
Mich hat ein herzlieb seer hoch erfreud	Anonymous	99v–100
Mich wundert gar hart umb den roten	Anonymous	164v
Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv)	Appenzeller, Benedictus (ca. 1480–ca. 1558)	175v
Missa L'homme armé: Patrem omnipotentem	Anonymous	182v–183v
Missa Tempore paschali: Agnus Dei	Gombert, Nicolas (ca. 1495–ca. 1560)	180v–181
Mit Lust tritt ich in diesen Tanz	Senfl, Ludwig (ca. 1486–ca. 1543)	77
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17	Despres, Josquin (ca. 1450–1521)	6v
Nesciens mater virgo virum peperit	Stoltzer, Thomas (ca. 1480–1526)	156v–157
Nesciens mater virgo virum peperit	Mouton, Jean (ca. 1459–1522)	172v–173
Non somnos requiem / Mein tag mit unrue	Othmayr, Caspar	27v–28
Nulla quidem virtus est principe dignior	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	41v–42
Nun bitten wir den Heiligen Geist	Presten, Jorgen	175
Nun bitten wir den heiligen geist (5vv)	Walter, Johann (1496–1570) Rupsch, Conrad (?)	19v
Nun last unss Christum bitten	Kugelmann, Johann (ca. 1495–1542)	40v–41
Nun lob mein Seel den Herren	Kugelmann, Johann (ca. 1495–1542)	19
O Herr ich clag das ich mein tag so hab	Kugelmann, Melchior (–1548) (?)	25
O profunditatem divitiarum sapientiae Music copied on ff. 24v-25 of 7 book, text incipit only in other books	Paminger, Leonhard (1495–1567)	176v
O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis	Anonymous	54
O redemptor caeli et terrae	Anonymous	88
Parcere prostratis	Anonymous	161v–162v
Passemezo, Sprung	Anonymous	91
Pater noster (2p. Ave Maria) 20.9	Despres, Josquin (ca. 1450–1521)	83v–85
Pater noster qui es in caelis (2p.Panem nostrum cotidianum da nobis) (8vv)	Heugel, Johannes	184–184v
Pater noster qui es in caelis (8vv)	Arcadelt, Jacques (ca. 1507–1568)	178v–179
Peccavimus tibi quia dereliquimus te	Presten, Jorgen	101v–102
Philippe qui videt me alleluia (6vv, M84)	Senfl, Ludwig (ca. 1486–ca. 1543)	58v–59
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus)	Despres, Josquin (ca. 1450–1521)	93v–94
Propter peccata quae peccastis ante Deum (= La Spagna) 29.12	Despres, Josquin (ca. 1450–1521)	5v–6
Quare tristis es anima mea	Anonymous	152
Que est ista que progreditur quasi aurora / Assumpta est Maria	Anonymous	90
Quem nos merito Periculum ... Inviolata integra	Anonymous	63
Qui ne laÿmeroit la belle au corps	Fevin, Antoine de (ca. 1470–ca. 1512)	176
Quia vidisti me Thoma credidisti	Zacharias, Johannes	32v–33
Quisquis requiem quaeris feminam cave	Othmayr, Caspar	78
Resonet in laudibus cum jocundis plausibus	Anonymous	66v
Salva nos Domine vigilantes custodi nos	Tham, S.	177
Salve regina misericordiae [7 partes]	Finck, Heinrich	8
Sancta Trinitas unus Deus miserere nobis (6vv)	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)	94v–95
Scire voluntatem michi est prima cura / Ach Gott schaff Deinen Willen	Anonymous	24
Si bona suscepimus de manu Domini	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	42v–43
Si consurrexistis cum Christo quae sursum	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	185v–186
Si Deus pro nobis quis contra nos (2p. Quis igitur nos separabit a dilectione)	Paminger, Leonhard (1495–1567)	44v–46
Sic Deus dilexit mundum ut filium suum	Anonymous	173
Sine nomine II: untexted	Anonymous	179v–180
So ich betracht und acht der alten Gesang	Bratel, Ulrich	16v
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire)	Despres, Josquin (ca. 1450–1521)	8v–9v
Surge illuminare Jerusalem (8vv) (2p. Et ambulabunt gentes in lumine)	Palestrina, Giovanni Pierluigi da (1525–1594)	85v–87
Surge Petre et indue te vestimentis tuis (2p. Si diligis me Symon Petre pasce oves)	Mantua, Jacquet de (1483–1559)	68v–70
Sustinuit anima mea in verbo eius?	Anonymous	68
Tandernack uf dem Rhein lag	Alamire, Petrus (ca. 1470–1536)	21v–22
Toujours leal a ma maitresse tant que au corps	Courtois, Jean (fl. 1530-1545)	209v–210
Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal)	Senfl, Ludwig (ca. 1486–ca. 1543)	59v–60
Ut re mi fa sol la	Anonymous	37v–38
Vater unser im Himmelreich, der du uns alle	Presten, Jorgen	89
Veni creator spiritus mentes tuorum	Presten, Jorgen	61v
Venite exultemus Domino jubilemus deo II: Hodie si vocem eius audieritis	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	34v–36
Verbum caro factum est (2p. Plenum gratia; 3p. In principio erat verbum) (6vv, P74)	Senfl, Ludwig (ca. 1486–ca. 1543)	56v–58
Verbum Domini manet in aeternam	Walter, Johann (1496–1570)	65
Verbum Domini manet in aeternum	Anonymous	173v
Verleih uns Frieden gnädiglich, Herr Gott	Anonymous	31
Virgo prudentissima (2p. Vos Michael Gabriel Raphael)	Isaac, Heinrich (ca. 1450–1517)	54v–56
Virgo verbo concepit virgo permansit	Anonymous	60v–61
Vivo ego dicit Dominus nolo mortem II: Quis scit si convertatur et ignoscat	Senfl, Ludwig (ca. 1486–ca. 1543)	39v–40
Von anfang her hat Gottes Eher reÿchlich	Kugelmann, Melchior (–1548) (?)	20
Von Gott dem Herren haben wir das edle	Kugelmann, Melchior (–1548)	25v
Von Gottes gnad rad und wunderthat	Kugelmann, Melchior (–1548)	30v
Von menschen her ist nie erhort was guttes	Kugelmann, Melchior (–1548) (?)	24v
Von üppiglichen dingen so wil ichs sehen	Greiter, Matthias	13v–14
Vrai Dieu	Anonymous	31v
Weil ich gross Gunst trag zu der Kunst	Bratel, Ulrich	14
Wiewohl viel herter Orden sind	Senfl, Ludwig (ca. 1486–ca. 1543)	82
Wir glauben all an einen Gott [Credo] (I) (4vv)	Walter, Johann (1496–1570)	66v–67
Zu hundert tausend all	Anonymous	98v–99
Zu schau mein Glück	Kugelmann, Johann (ca. 1495–1542)	17

Set: MS Gamle kongelige Samling 1872, 4°

Type: Partbooks

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° [I]

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DK-Kk MS Gamle kongelige Samling 1872, 4° [II]

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DK-Kk MS Gamle kongelige Samling 1872, 4° [III]

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DK-Kk MS Gamle kongelige Samling 1872, 4° [IV]

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DK-Kk MS Gamle kongelige Samling 1872, 4° [V]

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DK-Kk MS Gamle kongelige Samling 1872, 4° [VI]

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DK-Kk MS Gamle kongelige Samling 1872, 4° [VII]

‡ denotes primary source study

Brown, Howard Mayer. 1976. Accidentals and Ornamentation in Sixteenth-Century Intabulations of Josquin's Motets. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 516. Notes: concordances (partial).

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 138. Notes: concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 365, passim. Notes: mention of MS; concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, ix. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music. Chicago. Pages: III, 171. Notes: concordances (partial).

Müller-Blattau, Joseph. 1968. Geschichte der Musik in Ost- und Westpreussen. Wolfenbüttel and Zürich. Pages: 29ff, Tafel 1. Notes: mention of MS; facsimile (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 288-9, 312-4. Notes: concordances (partial); incipits (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xiii. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description.

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers. The Hague. Pages: 186-90, 336-56. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXVI, 153,164; LXX.95-6,193,198. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud (editor). 1933-. Dania Sonans. Copenhagen, Leipzig, and Egtved. Pages: IV-VI, passim. Notes: physical description; contents list; concordances (partial); transcription (partial); texts (partial); mention of MS; discussion.

Loge, Eckhard. 1931. Eine Messen- und Motettenhandschrift des Kantors Matthias Krüger aus der Musikbibliothek Herzog Albrechts von Preussen. Königsberger Studien zur Musikwissenschaft. Kassel. Notes: contents list.

Foss, Julius. 1923. Det kgl. Cantoris Stemmeb0ger A.D. 1541. Aarbog for Musik, 24-40. Notes: physical description; contents list; transcription (partial); facsimile (partial).

Hammerich, Angui. 1921. Dansk Musikhistorie indtil ca. 1700. Copenhagen. Pages: 130ff. Notes: physical description.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description