DK-Kk MS Gamle kongelige Samling 1872, 4° (II) [Discantus]

Det Kongelige Bibliotek, Copenhagen, Denmark

partbook: c. 1540s

Archive	Det Kongelige Bibliotek, Copenhagen, Denmark (DK-Kk)
Shelfmark	MS Gamle kongelige Samling 1872, 4° (II) [Discantus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	c. 160 x 200 mm
Other Identifiers	CCM: CopKB 1872
Notations	black void mensural
Copyists	Heyde, Jorgen Music
Relationships	Johann Friedrich I (1503–1554) (dedicatee) Heinrich, Duke of Brunswick (dedicatee) Christian III (1503–1559) (dedicatee) Albert of Prussia (1490–1568) (dedicatee)
External Links	index images
Provenance	Königsberg, Prussia
Contents	Contains 176 compositions, 130 from 52 composers, 46 are anonymous.

General Description

A Discantus partbook from a set originally of eight volumes. Pieces are arranged in sections by number of voices (5-6-7-8+) with blank folios separating sections; pieces were apparently copied into the manuscript at different times. Most pieces have only text incipits, though several are completely untexted; a few pieces are fully-texted in the Bassus book only.

Copied by Jørgen Heyde [= Georg Hayd], a musician at the Danish royal court. Dedicatory canons in IV (ff. 17v ff) to King Christian III of Denmark, Duke Albert of Prussia, Duke Heinrich of Brunswick, Johann Friedrich I, Elector of Saxony; another piece dedicated to Elector Johann Friedrich is in VI (new f. 106). Instruments are specified for some of the pieces.

The manuscript is related to CopKB 1873. Copied for the Danish court in Copenhagen, but repertory has close connections with courts in Saxony and Prussia (CreAC); copied in Königsberg (MülleGMP).

DIAMM, 2026

Binding

Brown leather covers, dated 1541

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original and modern foliation.

DIAMM, 2017

Foliation

page numbering begins at 48 in VI, and at 140 in VII, to match numbering in other volumes

DIAMM, 2026

Index

Several of the books have incomplete original indices in front; general index by Julius Foss (1914), with subsequent pencil additions.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Agnus, 77 motets, 57 German sacred and secular pieces, 11 French secular pieces, 1 Italian secular piece (all of the preceding have text incipits only), 13 pieces entitled "Fuga" (some of which have additional text incipits), 3 textless pieces = 165

Abell-4, Appenzeller [Benedictus]-1, (Barbé/Josquin/Lebrun/Willaert)-1, (Bauldeweyn/Grefinger)-1, (Braetel)-1, (Breitengraser?)-1, (Bruck)-1, Brumel-1, (Caen/Lupus/Richafort)-1, Coclico-3, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Eckel/(Josquin)-1, C. Festa-1, A. Févin -1, Finck-2, Gombert-3, (Greitter)-1, Hack-1, Heugel-2, (Isaac)-1, (Janequin/Verdelot)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-1, S. Jhan(?)-2, Josquin-9, J. Kugelmann-4?, (M. Kugelmann?)-1, P. Kugelmann-1, Mouton-1, (Mouton/Moulu)-1, (Müller)-1, Othmayr-1, (Paminger)-1, (Phinot)-1, Presten-19, Senfl-12, Stoltzer-1, Verdelot-S, (Walter)-9?, (Wannenmacher)-1, Willaert-2, (J. Zacharias)-1, anon-62

7 paper partbooks of an original 8 (I-212 folios, II-210, III-212, IV-196, V-213, VI-154, VII-54), ca. 160 x 200. The first 48 folios are missing in VI; first 140 folios are missing from VII. Pieces were apparently copied into the manuscript at different times; sections of blank folios alternate with copied sections. Original and modern foliation. Brown leather covers, dated 1541. Several of the books have incomplete original indices in front; general index by Julius Foss (1914), with subsequent pencil additions. Scribe: Matthias Krüger? (LogeM). Dedicatory canons in IV (ff. 17'ff) to King Christian III of Denmark, Duke Albert of Prussia, Duke Heinrich of Brunswick, Johann Friedrich I, Elector of Saxony, and the Duchess of Saxony; another piece dedicated to Elector Johann Friedrich is in VI (new f. 106). Instruments are specified for some of the pieces. The manuscript is related to CopKB 1873.

Copying begun in 1541; dates from 1541 to 1543 found in manuscript. Copied for the Danish court in Copenhagen, but repertory has close connections with courts in Saxony and Prussia (CreAC); copied in Königsberg (MülleGMP).

Vol. 4

Contents: 1 Credo, 3 Agnus, 2 hymns, 69 motets, 1 Latin/German sacred piece, 36 German sacred pieces, 5 Latin or Latin/German dedicatory pieces, 21 German secular pieces (1 also has sacred version), 10 French secular pieces, 2 Italian secular pieces, 13 textless pieces with Latin, German, or Italian titles = 163

Composers: Abell-3, (Alamire?)-1, Appenzeller [Benedictus]/(Ducis)-1, (Arcadelt)-1, (Barbé/Josquin/Lebrun/Willaert)-1, (Bauldeweyn/Grefinger)-1, (Braetel)-2, (Bruck)-1, Brumel-1, (Caen/Lupus/Richafort)-1, Coclico-3, (Courtois)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Eckel/(Heintz/Josquin)-1, C. Festa-1, A. Févin-1, Finck-2, Finck/ (Senfl)-1, Gombert-3, (Greitter)-1, Hack-1, Heugel-2, (Isaac)-1, (Janequin-Verdelot)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-1, Josquin-9, (Josquin/ Senfl)-1, J. Kugelmann-4, (M. Kugelmann)-4 + 2?, P. Kugelmann-2, (Moulu/ Mouton)-1, Mouton-1, Othmayr-2, (Paminger)-2, (Phinot)-1, Presten-19, Senfl-13, (Sporer)-1, Stoltzer-1, Tham-2, Verdelot-1, Verdelot/(Phinot/Richafort)-1, Verdelot/( Richafort)-1, (Walter)-8, (Wannenmacher)-1, Willaert-2, (Wolff)-1, (J. Zacharias)-1, anon-47

Physical: Delete "Scribe: Matthias Krüger? (LogeM)." Add: "Copied by Jørgen Heyde [= Georg Hayd], a musician at the Danish royal court." Remove reference to "Duchess of Saxony" three lines from bottom of this paragraph.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
i–iv	index	-	-	-
index Appears on: i–iv
1	Der Tag, der ist so freudenreich	5	[Walter]	Walter, Johann (1496–1570)
Der Tag, der ist so freudenreich Walter, Johann (1496–1570) Appears on: 1 Genres: Chorale, Sacred Song Source Attribution: [Walter] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Der tag der ist zu freyden reÿch
1v–2	La Spagna (= Propter peccata 29.12)	5	[Josquin]	Despres, Josquin (ca. 1450–1521)
La Spagna (= Propter peccata 29.12) Despres, Josquin (ca. 1450–1521) Appears on: 1v–2 Genres: Contrafactum, Dance Source Attribution: [Josquin] Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-o Clef: c2 Voice Text: La spange tantz [= Propter peccata quae peccastis 29.12] - untexted
2v	N'est-ce pas [N'est-ce point] un grand desplaisir 29.17	5	[Josquin]	Despres, Josquin (ca. 1450–1521)
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 Despres, Josquin (ca. 1450–1521) Appears on: 2v Genres: Chanson Source Attribution: [Josquin] Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: Nesse pass ungrand
3	Madonna io son	5	-	Anonymous
Madonna io son Anonymous Appears on: 3 Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: g2 Voice Text: Maduna josum [= Madonna io son?]
3v	Ich stund an einem Morgen / Amica mea [S170 - 5vv]	5	[Finck/Senfl]	Finck, Heinrich (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ich stund an einem Morgen / Amica mea [S170 - 5vv] Finck, Heinrich (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 3v Genres: Motet, Secular Source Attribution: [Finck/Senfl] Number of voices: 5 Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c1 Voice Text: Amica mea
4	Salve regina Salva nos	5	H Finck	Finck, Heinrich
Salve regina Salva nos Finck, Heinrich Appears on: 4 Genres: Motet Source Attribution: H Finck Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Salva nos
4v–5	Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	5	[Josquin]	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Despres, Josquin (ca. 1450–1521) Appears on: 4v–5 Genres: Motet, Stabat Mater Source Attribution: [Josquin] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Stabat mater
5–5v	Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	5	-	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire Despres, Josquin (ca. 1450–1521) Appears on: 5–5v Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: (2p.) Eya mater
6	Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	5	[Caen/Lupus/Richafort]	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?)
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?) Appears on: 6 Genres: Motet Source Attribution: [Caen/Lupus/Richafort] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Hierusalem
6v–7	Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	5	-	Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 6v–7 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Secunda pars [Deduc quasi torrentem lachrymas]
7v–8	In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris)	5	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris) Bruck, Arnold von (ca. 1500–1554) Appears on: 7v–8 Genres: Motet Source Attribution: [Bruck] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Inn civitate Domini
8v–9	Jesaja dem Propheten das geschah	5	[Walter]	Walter, Johann (1496–1570)
Jesaja dem Propheten das geschah Walter, Johann (1496–1570) Appears on: 8v–9 Genres: Motet Source Attribution: [Walter] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Jesia dem prophetten das geschach
9v	Ach unfalls neid belänglich zeit	5	[Wolff]	Wolff, Martin
Ach unfalls neid belänglich zeit Wolff, Martin Appears on: 9v Genres: Song Source Attribution: [Wolff] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ach unfals neytt
9v–10	Von üppiglichen dingen so wil ichs sehen	5	[Greitter]	Greiter, Matthias
Von üppiglichen dingen so wil ichs sehen Greiter, Matthias Appears on: 9v–10 Genres: Song Source Attribution: [Greitter] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Von ÿpickleich dingen
10	Weil ich gross Gunst trag zu der Kunst	5	[Braetel]	Bratel, Ulrich
Weil ich gross Gunst trag zu der Kunst Bratel, Ulrich Appears on: 10 Genres: Song Source Attribution: [Braetel] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Weÿl ich gross gunst trag zu der kunst
10v–11	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils	5	[Janequin/Verdelot]	Janequin, Clement (ca. 1485–ca. 1558)
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils Janequin, Clement (ca. 1485–ca. 1558) Appears on: 10v–11 Genres: Chanson Source Attribution: [Janequin/Verdelot] Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Die schlacht vor Paffia: [Escoutez tous gentilz galloys la victoire]
11v–12	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan	5	-	Janequin, Clement (ca. 1485–ca. 1558)
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan Janequin, Clement (ca. 1485–ca. 1558) Appears on: 11v–12 Genres: Chanson Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Secunda pars [untexted] [Fan fan fan frere le le lan fan]
12v	So ich betracht und acht der alten Gesang	5	[Braetel]	Bratel, Ulrich
So ich betracht und acht der alten Gesang Bratel, Ulrich Appears on: 12v Genres: Song Source Attribution: [Braetel] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: So ich betracht unnd acht der alten gsang
13	Zu schau mein Glück	5	H[ans] Kugl: [= J. Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Zu schau mein Glück Kugelmann, Johann (ca. 1495–1542) Appears on: 13 Genres: Song Source Attribution: H[ans] Kugl: [= J. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Zw schaw Mein gluck
13v	Frolich muss ich singen kein traurigkeit	5	[Sporer]	Sporer, Thomas
Frolich muss ich singen kein traurigkeit Sporer, Thomas Appears on: 13v Genres: Song Source Attribution: [Sporer] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c2 Voice Text: Frolich mus ich singen kein trawrigkeit mer pflegen
14	Ach Maidlein rein ich hab allein	5	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543) Grefinger, Wolfgang (?)
Ach Maidlein rein ich hab allein Senfl, Ludwig (ca. 1486–ca. 1543) Grefinger, Wolfgang (?) Appears on: 14 Genres: Song Source Attribution: [Senfl] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ach Meÿdlein reÿn Concordances Note that the Quintus (also in Copenhagen 1873) is different from that in D-Mu 8° Cod. ms. 328–331; perhaps this one was composed by a member of the Danish Court?
14v	End aller not bringt unns der tod	5	-	Anonymous
End aller not bringt unns der tod Anonymous Appears on: 14v Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: End Aller not bringt unns der tod
15	Nun lob mein Seel den Herren	5	[J. Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Nun lob mein Seel den Herren Kugelmann, Johann (ca. 1495–1542) Appears on: 15 Genres: Chorale, Sacred Song Source Attribution: [J. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Nun Lob mein seel den herrenn
15v	Nun bitten wir den heiligen geist (5vv)	5	[Walter]	Rupsch, Conrad (?) Walter, Johann (1496–1570)
Nun bitten wir den heiligen geist (5vv) Rupsch, Conrad (?) Walter, Johann (1496–1570) Appears on: 15v Genres: Motet, Veni sancte spiritus Source Attribution: [Walter] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Nun bitten wir den heÿligen geÿst
16	Von anfang her hat Gottes Eher reÿchlich	5	[M. Kugelmann?]	Kugelmann, Melchior (–1548) (?)
Von anfang her hat Gottes Eher reÿchlich Kugelmann, Melchior (–1548) (?) Appears on: 16 Genres: Sacred Song Source Attribution: [M. Kugelmann?] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Von anfang her hat gottes Eher
16v–17	Assumpta est Maria (2p. Beata est)	5	-	Anonymous
Assumpta est Maria (2p. Beata est) Anonymous Appears on: 16v–17 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Assumpta est Maria II: Beata Est
17v–18	Tandernack auf dem Rhein lag	5	[Alamire]	Alamire, Petrus (ca. 1470–1536)
Tandernack auf dem Rhein lag Alamire, Petrus (ca. 1470–1536) Appears on: 17v–18 Genres: Song Source Attribution: [Alamire] Number of voices: 5 Voice: [no designation] Languages: none Mensuration: o Clef: c2 Voice Text: Dandernack auff dem Reÿnne
18v	Ach Herr siehe uns gnädig an aus Deinem thron	5	[Presten]	Presten, Jorgen
Ach Herr siehe uns gnädig an aus Deinem thron Presten, Jorgen Appears on: 18v Genres: Sacred Song Source Attribution: [Presten] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: c Clef: c1 Voice Text: Ach Herr sihe unns genedig an
19–19v	Honorabile est inter omnes conjugium (2p. Propterea)	5	-	Anonymous
Honorabile est inter omnes conjugium (2p. Propterea) Anonymous Appears on: 19–19v Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Honorabile est innter omnes II: Propterea
20	Scire voluntatem mihi est prima cura / Ach Gott schaff Deinen Willen	5	-	Anonymous
Scire voluntatem mihi est prima cura / Ach Gott schaff Deinen Willen Anonymous Appears on: 20 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c1 Voice Text: Scire voluntatem
20v	Von menschen her ist nie erhort was guttes	5	[M. Kugelmann?]	Kugelmann, Melchior (–1548) (?)
Von menschen her ist nie erhort was guttes Kugelmann, Melchior (–1548) (?) Appears on: 20v Genres: Song Source Attribution: [M. Kugelmann?] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Von menschen her ist nie erhort
21	O Herr ich klag das ich mein tag so hab	5	[M. Kugelmann?]	Kugelmann, Melchior (–1548) (?)
O Herr ich klag das ich mein tag so hab Kugelmann, Melchior (–1548) (?) Appears on: 21 Genres: Sacred Song Source Attribution: [M. Kugelmann?] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: O Herr ich clag
21v	Von Gott dem Herren haben wir das edle	5	[M. Kugelmann]	Kugelmann, Melchior (–1548)
Von Gott dem Herren haben wir das edle Kugelmann, Melchior (–1548) Appears on: 21v Genres: Sacred Song Source Attribution: [M. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Von Got dem Herren haben wihr
22	Hilf mir mein lieber Herre mein auserwelter	5	[M. Kugelmann]	Kugelmann, Melchior (–1548)
Hilf mir mein lieber Herre mein auserwelter Kugelmann, Melchior (–1548) Appears on: 22 Genres: Sacred Song Source Attribution: [M. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: g2 Voice Text: Hilff mir mein lieber Herre
22v	Commoda res et pulcra / Vertreu Gott allein	5	[Presten]	Presten, Jorgen
Commoda res et pulcra / Vertreu Gott allein Presten, Jorgen Appears on: 22v Genres: Motet Source Attribution: [Presten] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Comoda res et pul[cra]
23	Forma decens mores casti / Alles in Ehren	5	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Forma decens mores casti / Alles in Ehren Willaert, Adrian (ca. 1490–1562) Appears on: 23 Genres: Motet Source Attribution: [Willaert] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Forma decens mores
23v–24	Non somnos requiem / Mein tag mit unrue	5	[Othmayr]	Othmayr, Caspar
Non somnos requiem / Mein tag mit unrue Othmayr, Caspar Appears on: 23v–24 Genres: Motet Source Attribution: [Othmayr] Number of voices: 5 Voice: [no designation] Languages: Latin, Greek Mensuration: cut-c Clef: c1 Voice Text: Non somnos
24v–25	Et nunc ad Dominum / Spes mea in deo	5	-	Anonymous
Et nunc ad Dominum / Spes mea in deo Anonymous Appears on: 24v–25 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et nunc ad dominum
25v–26	Gaudeamus omnes in Domino diem festum	5	-	Anonymous
Gaudeamus omnes in Domino diem festum Anonymous Appears on: 25v–26 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaudeamus
26v	Von Gottes gnad rad und wunderthat	5	[M. Kugelmann]	Kugelmann, Melchior (–1548)
Von Gottes gnad rad und wunderthat Kugelmann, Melchior (–1548) Appears on: 26v Genres: Hymn Source Attribution: [M. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Von Gottes gnad rad und wunderthat
27	Erhalt uns Herr bei Deinem Wort	5	-	Anonymous
Erhalt uns Herr bei Deinem Wort Anonymous Appears on: 27 Genres: Chorale, Sacred Song Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Erhalt unss her bey deinem wort
27	Verleih uns Frieden gnädiglich, Herr Gott	5	-	Anonymous
Verleih uns Frieden gnädiglich, Herr Gott Anonymous Appears on: 27 Genres: Chorale, Sacred Song Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Verley unss friden gnediglich
27v	Vrai Dieu	5	-	Anonymous
Vrai Dieu Anonymous Appears on: 27v Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: Vreÿ Dieu
28	Helas ma dame a quoi tient il que je suis	5	[Hesdin]	Hesdin, Nicolle des Celliers de (–1538)
Helas ma dame a quoi tient il que je suis Hesdin, Nicolle des Celliers de (–1538) Appears on: 28 Genres: Chanson Source Attribution: [Hesdin] Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: Hellas dame [= Helas ma dame] General Note "Ad equales"
28v–29	Quia vidisti me Thoma credidisti	5	[J. Zacharias]	Zacharias, Johannes
Quia vidisti me Thoma credidisti Zacharias, Johannes Appears on: 28v–29 Genres: Motet Source Attribution: [J. Zacharias] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quia vidisti me General Note "Ad equales"
29–29v	Altro non è el mio amor ch'el proprio (2p. Adunqu' il proprio infern'e l'amor mio)	5	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Altro non è el mio amor ch'el proprio (2p. Adunqu' il proprio infern'e l'amor mio) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 29–29v Genres: Madrigal (Italian) Source Attribution: [Verdelot] Number of voices: 5 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: g2 Voice Text: Altro non el mio amor II. Adonque il propr[io]
30	Ale venture (A la venture l'entrepris cuidant gaigner?)	5	-	Anonymous
Ale venture (A la venture l'entrepris cuidant gaigner?) Anonymous Appears on: 30 Genres: Secular Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: g2 Voice Text: Ale venture [= A la venture l'entrepris cuidant gaigner?]
30v–32	Venite exultemus Domino (2p. Hodie si vocem)	5	Adria: P. Co:	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Venite exultemus Domino (2p. Hodie si vocem) Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 30v–32 Genres: Motet Source Attribution: Adria: P. Co: Number of voices: 5 Voice: Altus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Venite exultemus domino II: untexted [Hodie si vocem]
32v	Ich klag mein not O Her mein Got	5	[P. Kugelmann]	Kugelmann, Paul (–1580)
Ich klag mein not O Her mein Got Kugelmann, Paul (–1580) Appears on: 32v Genres: Sacred Song Source Attribution: [P. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ich klag mein not O her mein got
33	Dem ewigen Gott sei Lob und Dank	5	[Hans Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Dem ewigen Gott sei Lob und Dank Kugelmann, Johann (ca. 1495–1542) Appears on: 33 Genres: Motet Source Attribution: [Hans Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Dem ewigen Got seÿ
33v–34	Ut re mi fa sol la	5	-	Anonymous
Ut re mi fa sol la Anonymous Appears on: 33v–34 Genres: Italian secular Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Ut re mi fa sol la
34v–35	Adieu mes amours on m'atent	5	-	Anonymous
Adieu mes amours on m'atent Anonymous Appears on: 34v–35 Genres: Chanson Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c2 Voice Text: Adie mys amoyrs
35v–36	Vivo ego dicit Dominus nolo mortem (2p. Quis scit si convertatur et ignoscat)	5	Ludo: Senphl	Senfl, Ludwig (ca. 1486–ca. 1543)
Vivo ego dicit Dominus nolo mortem (2p. Quis scit si convertatur et ignoscat) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 35v–36 Genres: Motet Source Attribution: Ludo: Senphl Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g2 Voice Text: Vivo ego dicit dominus II: Quis scit si convertatur
36v	Conditor alme siderum aeterna lux	5	Ludo: Senphl	Senfl, Ludwig (ca. 1486–ca. 1543)
Conditor alme siderum aeterna lux Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 36v Genres: Motet Source Attribution: Ludo: Senphl Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Conditor alme
36v–37	Nun last unss Christum bitten	5	H Kugl[man]	Kugelmann, Johann (ca. 1495–1542)
Nun last unss Christum bitten Kugelmann, Johann (ca. 1495–1542) Appears on: 36v–37 Genres: Sacred Song Source Attribution: H Kugl[man] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: g2 Voice Text: Nun last unss Christum bitten
37v–38	Nulla quidem virtus est principe dignior	5	Adrian: Cocl:	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Nulla quidem virtus est principe dignior Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 37v–38 Genres: Motet Source Attribution: Adrian: Cocl: Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Nulla quidem virtus
38v–39	Si bona suscepimus de manu Domini	5	[Verdelot/Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Si bona suscepimus de manu Domini Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 38v–39 Genres: Motet Source Attribution: [Verdelot/Richafort] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Si bona suscepimus
39v–40	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	5	[Festa]	Festa, Costanzo (ca. 1485–1545)
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) Festa, Costanzo (ca. 1485–1545) Appears on: 39v–40 Genres: Motet Source Attribution: [Festa] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Hierusalem Hierusalem
40v–41	Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos	5	[Paminger]	Paminger, Leonhard (1495–1567)
Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos Paminger, Leonhard (1495–1567) Appears on: 40v–41 Genres: Motet Source Attribution: [Paminger] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Si deus pro nobis
41v–42	Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit	5	-	Paminger, Leonhard (1495–1567)
Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit Paminger, Leonhard (1495–1567) Appears on: 41v–42 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: 2a pars : Quis igitur
42v–48v	[blank staves]	-	-	-
[blank staves] Appears on: 42v–48v
49–50	Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi)	6	-	Anonymous
Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi) Anonymous Appears on: 49–50 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Letabundus II: [Sicut sidus radium profert virgo] III: [Neque sidus radio neque virgo] IV: [Cedrus alta Libani] V: Cedrus alta Libani [=Verbum mens altissimi corporari] General Note the final (5a) pars has text incipit Cedrus alta Libani - while in Bassus the 5a has text incipit Verbum e[i]us altissimi General Note the final (5a) pars has text incipit Cedrus alta Libani - while in Bassus the 5a has text incipit Verbum e[i]us altissimi
50	O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis	6	-	Anonymous
O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis Anonymous Appears on: 50 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: [O quam glorifica luce] 4 Hoc largire
50v–51	Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia	6	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia Isaac, Heinrich (ca. 1450–1517) Appears on: 50v–51 Genres: Motet Source Attribution: [Isaac] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Virgo prudentissima
51v–52	Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur	6	-	Isaac, Heinrich (ca. 1450–1517)
Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur Isaac, Heinrich (ca. 1450–1517) Appears on: 51v–52 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: Secunda pars : untexted [Vos Michael Gabriel Raphael]
52v–54	Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 52v–54 Genres: Responsory Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Verbum caro factum est II: Plenum gracia III: In principio erat verbum
55	Glorificamus	6	-	Anonymous
Glorificamus Anonymous Appears on: 55 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Glorificamus General Note f. 54v is numbered 55; the folio immediately following is 56
55–56	Philippe qui videt me alleluia (6vv, M84)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Philippe qui videt me alleluia (6vv, M84) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 55–56 Genres: Alleluia, Motet Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Philippe qui videt me Layout f. 54v is numbered 55; the folio immediately following is 56
56v–57	Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 56v–57 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Trinck lang und klincklang [= Nun kumbt hieher all helft mir einmal]
57	Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit	6	-	Anonymous
Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit Anonymous Appears on: 57 Genres: Chorale, Sacred Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c2 Voice Text: Erbarm dich meÿn O herre gott nach deiner grossn barmherzikeyt
57v–58	Virgo verbo concepit virgo permansit	6	-	Anonymous
Virgo verbo concepit virgo permansit Anonymous Appears on: 57v–58 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Virgo verbo
58	Ich ruff zu dir Herr Jesu Christ	6	-	Anonymous
Ich ruff zu dir Herr Jesu Christ Anonymous Appears on: 58 Genres: Chorale, Sacred Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c2 Voice Text: Ich ruff zu dir Herr Jesu Christ
58v	Veni creator spiritus mentes tuorum	6	Jorgen Presten	Presten, Jorgen
Veni creator spiritus mentes tuorum Presten, Jorgen Appears on: 58v Genres: Veni creator spiritus Source Attribution: Jorgen Presten Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Veni creator
59	Et valde mane una sabbatorum veniunt	6	-	Anonymous
Et valde mane una sabbatorum veniunt Anonymous Appears on: 59 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et valde mane
59v	La rousée du mois de mai m'a gasté (II)	6	[Moulu/Mouton]	Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
La rousée du mois de mai m'a gasté (II) Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 59v Genres: Chanson Source Attribution: [Moulu/Mouton] Number of voices: 6 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: La rouste du moÿs [= La rousée du moys de may]
60	Quem nos merito Periculum ... Inviolata integra	6	-	Anonymous
Quem nos merito Periculum ... Inviolata integra Anonymous Appears on: 60 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Quem nos merito
60v	Ach Gott wem soll ichs klagen das heimliche leiden	6	[Bauldeweyn/Grefinger]	Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?)
Ach Gott wem soll ichs klagen das heimliche leiden Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?) Appears on: 60v Genres: Song Source Attribution: [Bauldeweyn/Grefinger] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ach got wem sol ichs klagen [= En douleur en tristesse]
61–61v	Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina Despres, Josquin (ca. 1450–1521) Appears on: 61–61v Genres: Motet Source Attribution: [Josquin] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Benedicta [es] celorum General Note The 2a pars duo is omitted in this ms.
61v	Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	6	-	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum Despres, Josquin (ca. 1450–1521) Appears on: 61v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c 3 Clef: c1 Voice Text: Secunda pars : untexted [=3p, Nunc mater exora] General Note This pars is copied but then crossed through
62	Verbum Domini manet in aeternam	6	[Walter]	Walter, Johann (1496–1570)
Verbum Domini manet in aeternam Walter, Johann (1496–1570) Appears on: 62 Genres: Motet Source Attribution: [Walter] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Verbum Domini manet inn eternum
62v–63	Beatam me dicent omnes generationes	6	-	Anonymous
Beatam me dicent omnes generationes Anonymous Appears on: 62v–63 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Beatam me dicent
63v	Resonet in laudibus cum jocundis plausibus	6	-	Anonymous
Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 63v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-o 3 Clef: g2 Voice Text: Resonet in Laudibus
63v–64	Wir glauben all an einen Gott [Credo] (I) (4vv)	6	[Walter]	Walter, Johann (1496–1570)
Wir glauben all an einen Gott [Credo] (I) (4vv) Walter, Johann (1496–1570) Appears on: 63v–64 Genres: Chorale, Credo (patrem omnipotentem), Sacred Song Source Attribution: [Walter] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Wir glauben all an einen gott
64v	An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen	6	[Wannenmacher]	Wannenmacher, Johannes (ca. 1485–1551)
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen Wannenmacher, Johannes (ca. 1485–1551) Appears on: 64v Genres: Song Source Attribution: [Wannenmacher] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Du schnode tochter babilon
65	Sustinuit [anima mea in verbo eius?]	6	-	Anonymous
Sustinuit [anima mea in verbo eius?] Anonymous Appears on: 65 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sustinuit [anima mea in verbo eius?]
65v–66	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	6	[Jaquet of Mantua]	Mantua, Jacquet de (1483–1559)
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis Mantua, Jacquet de (1483–1559) Appears on: 65v–66 Genres: Motet Source Attribution: [Jaquet of Mantua] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: c Clef: g2 Voice Text: Surge Petre
66v–67	Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves	6	-	Mantua, Jacquet de (1483–1559)
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves Mantua, Jacquet de (1483–1559) Appears on: 66v–67 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Secunda pars : Si diligis me
67v	Allégez moi douce plaisant brunette 30.2	6	[Barbé/Josquin/Lebrun/ Willaert]	le Brun, Jean (fl. early 16th century) (?) Willaert, Adrian (ca. 1490–1562) (?) Despres, Josquin (ca. 1450–1521) (?) Barbé, Antoine (–1564) (?)
Allégez moi douce plaisant brunette 30.2 le Brun, Jean (fl. early 16th century) (?) Willaert, Adrian (ca. 1490–1562) (?) Despres, Josquin (ca. 1450–1521) (?) Barbé, Antoine (–1564) (?) Appears on: 67v Genres: Chanson Source Attribution: [Barbé/Josquin/Lebrun/ Willaert] Number of voices: 6 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: Alligies moÿ [= Allégez moy douce plaisant brunette] 30.2
67v–68	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 67v–68 Genres: Motet Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Anima mea
68v–68a	Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis	6	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 68v–68a Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: 2a pars : Invenerunt me
68a	Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto	6	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 68a Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: 3a pars : untexted [Filie Hierusalem]
68a_v–70	Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 68a_v–70 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alma redemtoris II: untexted [Tu quae genuisti] III: untexted [Virgo prius]
70v–71	In illo tempore loquente Jesu ad turbas	6	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
In illo tempore loquente Jesu ad turbas Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 70v–71 Genres: Motet Source Attribution: [Gombert] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Inn illo tempore
71v–72	Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Despres, Josquin (ca. 1450–1521) Appears on: 71v–72 Genres: Motet Source Attribution: [Josquin] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Huc me sidereo
72v–73	Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit	6	-	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit Despres, Josquin (ca. 1450–1521) Appears on: 72v–73 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: 2a pars : Felle sittim magni
73	Mit Lust tritt ich in diesen Tanz	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Mit Lust tritt ich in diesen Tanz Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 73 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Mit lust trit ich inn disen tantz
73v	Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 73v Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: Kein Adler inn der welt so s[c]hon General Note "Kein Adler inn der wellt so schönn", in A2 (V): "Kein adler / Ich stund an einem Morg[en]", in D2 (VI): "Kein adler / Es taget vor dem holtze" in indices
74	Quisquis requiem quaeris feminam cave	6	[Othmayr]	Othmayr, Caspar
Quisquis requiem quaeris feminam cave Othmayr, Caspar Appears on: 74 Genres: Motet Source Attribution: [Othmayr] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Mulier Malaherba General Note Mistakenly texted "Kein adler..." but this is then crossed through. At foot of page "Mulier Malahe[r]ba" is added instead.
74v	Ich will mich glucks betragen wol	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich will mich glucks betragen wol Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 74v Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ich will mich glucks betragen wol
74v	Ich klag den tag und alle stund	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich klag den tag und alle stund Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 74v Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: g2 Voice Text: Ich klag denn tag und alle stund
75	[blank staves]	-	-	-
[blank staves] Appears on: 75
75v–76	Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime	6	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Willaert, Adrian (ca. 1490–1562) Appears on: 75v–76 Genres: Motet Source Attribution: [Willaert] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Domine Jhesu Christe
76v–76a	Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes	6	-	Willaert, Adrian (ca. 1490–1562)
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes Willaert, Adrian (ca. 1490–1562) Appears on: 76v–76a Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Secunda pars : O bone Jhesu General Note two folios in a row are numbered '76'
76a_v–77	Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] Despres, Josquin (ca. 1450–1521) Appears on: 76a_v–77 Genres: Chanson, Contrafactum, Motet Source Attribution: [Josquin] Number of voices: 6 Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hec dicit dominus General Note Labelled "Allttus"
77	Wiewohl viel herter Orden sind	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Wiewohl viel herter Orden sind Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 77 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: Altus Languages: German Mensuration: cut-c Clef: c3 Voice Text: Wie wol vil hortter orden General Note labelled "Allttus"
77v–78	Laudate Dominum	6	-	Anonymous
Laudate Dominum Anonymous Appears on: 77v–78 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Laudate
78	Agnus Dei	6	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 78 Genres: Agnus Dei, Mass Ordinary Source Attribution: Brumel Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Agnus dei Brumel General Note c.f. written entirely in longas
78v–80	Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis Despres, Josquin (ca. 1450–1521) Appears on: 78v–80 Genres: Ave Maria, Motet Source Attribution: [Josquin] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Pater noster General Note f. 79 omitted
80v–80a	Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	6	-	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Despres, Josquin (ca. 1450–1521) Appears on: 80v–80a Genres: Ave Maria, Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Secunda pars : untexted [Ave Maria gratia plena]
80a_v–81a	Surge illuminare Jerusalem (2p. Tunc videbis)	6	[Presten]	Presten, Jorgen
Surge illuminare Jerusalem (2p. Tunc videbis) Presten, Jorgen Appears on: 80a_v–81a Genres: Motet Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Surge illuminare II: untexted [Tunc videbis]
81a_v	Allein Gott in der Höh sei Ehr' und Dank	6	-	Anonymous
Allein Gott in der Höh sei Ehr' und Dank Anonymous Appears on: 81a_v Genres: Sacred Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c-dot Clef: c1 Voice Text: Allein Gott inn der hoch
81a_v	Herr Christ der einige Gottes Sonn	6	-	Anonymous
Herr Christ der einige Gottes Sonn Anonymous Appears on: 81a_v Genres: Caccia, Chorale Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c Clef: c1 Voice Text: Herr Christ der ein[i]ge Gottes Sonn
82	O redemptor caeli et terrae	6	-	Anonymous
O redemptor caeli et terrae Anonymous Appears on: 82 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: O redemptor coeli et terrae
82v	Ecce Dominus veniet nolite timere 14.5	6	[Jonckers/Josquin/ Senfl]	Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ecce Dominus veniet nolite timere 14.5 Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 82v Genres: Motet Source Attribution: [Jonckers/Josquin/ Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ecce dominus veniet General Note additional 6th voice added to the usual 5vv -- as also in DK-Kk MS Gamle kongelige Samling 1873, 4°
83	Vater unser im Himmelreich, der du uns alle	6	[Presten]	Presten, Jorgen
Vater unser im Himmelreich, der du uns alle Presten, Jorgen Appears on: 83 Genres: Chorale, Sacred Song Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c Clef: g2 Voice Text: Vater unser im himelreich
83v	Der Gottlose Hauf	6	[Presten]	Presten, Jorgen
Der Gottlose Hauf Presten, Jorgen Appears on: 83v Genres: Motet Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c Clef: c1 Voice Text: Der gotlosse hauff
84	Quae est ista quae progreditur quasi aurora / Assumpta est Maria	6	-	Anonymous
Quae est ista quae progreditur quasi aurora / Assumpta est Maria Anonymous Appears on: 84 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Que est ista que progreditur
84v	Ein Welsch tantz, Sprung	6	-	Anonymous
Ein Welsch tantz, Sprung Anonymous Appears on: 84v Genres: Song Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Welsch tantz
85	Welsch Tanz, Passemezo	6	-	Anonymous
Welsch Tanz, Passemezo Anonymous Appears on: 85 Genres: Dance Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Welsch Tantz, Passemeza
85v–86	Constitues eos principes super omnem terram	6	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Constitues eos principes super omnem terram Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 85v–86 Genres: Motet Source Attribution: [Gombert] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Constitues eos
86v–87	In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio	6	Josquinn	Despres, Josquin (ca. 1450–1521)
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio Despres, Josquin (ca. 1450–1521) Appears on: 86v–87 Genres: Motet Source Attribution: Josquinn Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In illo tempore
87v	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	6	Josquin	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: 87v Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: Preter rerum seriem
87v–88	Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	6	-	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud Despres, Josquin (ca. 1450–1521) Appears on: 87v–88 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: 2a pars : Virtus
88v–90	Sancta Trinitas unus Deus miserere nobis (6vv)	6	[Craen/C. Festa/A. Févin/Josquin/ Morales]-[Bruck]	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)
Sancta Trinitas unus Deus miserere nobis (6vv) Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554) Appears on: 88v–90 Genres: Motet Source Attribution: [Craen/C. Festa/A. Févin/Josquin/ Morales]-[Bruck] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sancta Trinitas unus deus miserere nobis General Note f. 89 omitted Concordances Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10
90v–91	Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino	6	[Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 90v–91 Genres: Motet Source Attribution: [Jhan of Ferrara] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Hodie in Jordane
91v–92	Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus	6	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 91v–92 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: secunda pars : Descendit spiritus sanctus
92v–93	En quam honesta et jucunda res est	6	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
En quam honesta et jucunda res est Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 92v–93 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: En quam honesta
93v–94	Zu hundert tausend all	6	-	Anonymous
Zu hundert tausend all Anonymous Appears on: 93v–94 Genres: Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Zu hundert tausendt mal
94v–95	Mich hat ein herzlieb seer hoch erfreud	6	-	Anonymous
Mich hat ein herzlieb seer hoch erfreud Anonymous Appears on: 94v–95 Genres: Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Mich hat ein herz lieb seer hoch erfreud
95v–96	Benedicamus	6	Paul Kugl:	Kugelmann, Paul (–1580)
Benedicamus Kugelmann, Paul (–1580) Appears on: 95v–96 Genres: Benedicamus Domino, Motet Source Attribution: Paul Kugl: Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Benedicamus
96v–97	Peccavimus tibi quia dereliquimus te	6	[Presten]	Presten, Jorgen
Peccavimus tibi quia dereliquimus te Presten, Jorgen Appears on: 96v–97 Genres: Motet Source Attribution: [Presten] Number of voices: 6 Voice: Secundus Discantus Languages: Latin Mensuration: c Clef: c1 Voice Text: Peccavimus tibi
97v	Gelobet seist Du, Jesu Christ, dass Du Mensch	4	[Walter]	Walter, Johann (1496–1570)
Gelobet seist Du, Jesu Christ, dass Du Mensch Walter, Johann (1496–1570) Appears on: 97v Genres: Chorale, Sacred Song Source Attribution: [Walter] Number of voices: 4 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Gelobet seystu Jesu Christ [dass du mensch]
97v–98	In dulci jubilo nun singet und seid froh	4	[Walter]	Walter, Johann (1496–1570)
In dulci jubilo nun singet und seid froh Walter, Johann (1496–1570) Appears on: 97v–98 Genres: Chorale, Sacred Song Source Attribution: [Walter] Number of voices: 4 Voice: [no designation] Languages: Latin, German Mensuration: o-3 Clef: c1 Voice Text: In dulci jubilo [nun singet und seid froh]
98	In dulci jubilo nun singet und seid froh	6	D Abell	Abell, David (fl. 16th century)
In dulci jubilo nun singet und seid froh Abell, David (fl. 16th century) Appears on: 98 Genres: Motet Source Attribution: D Abell Number of voices: 6 Voice: [no designation] Languages: Latin, German Mensuration: o-3 Clef: c1 Voice Text: untexted
98v–146v	[blank staves]	-	-	-
[blank staves] Appears on: 98v–146v General Note folios unnumbered; there are in fact 5 'extra' unnumbered folios, so that f. 141 ought to have been f. 146...
141	Quare tristis es anima mea	7	-	Anonymous
Quare tristis es anima mea Anonymous Appears on: 141 Genres: Motet Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Quare tristis es anima mea
141v–142	Cent mille regrets me poursuivent	7	-	Anonymous
Cent mille regrets me poursuivent Anonymous Appears on: 141v–142 Genres: Chanson Number of voices: 7 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: Cent mille regretz General Note Canon: "fugat inn supdiapenthe post 2 t[em]p[ora]"
142v–143v	Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te)	7	Jorgen Prestenn	Presten, Jorgen
Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te) Presten, Jorgen Appears on: 142v–143v Genres: Motet Source Attribution: Jorgen Prestenn Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Appropinquet II: untexted [Fiat manus tua] III: untexted [Vivet anima mea]
144v–145	Dies est laetitiae in ortu regali	7	[Presten]	Presten, Jorgen
Dies est laetitiae in ortu regali Presten, Jorgen Appears on: 144v–145 Genres: Motet Source Attribution: [Presten] Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Dies est Leticie
145v–146	Nesciens mater virgo virum peperit	7	TS (=Stoltzer)	Stoltzer, Thomas (ca. 1480–1526)
Nesciens mater virgo virum peperit Stoltzer, Thomas (ca. 1480–1526) Appears on: 145v–146 Genres: Motet Source Attribution: TS (=Stoltzer) Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Nesciens mater
146v–147	Erhalt uns Herr bei Deinem Wort	7	[Presten]	Presten, Jorgen
Erhalt uns Herr bei Deinem Wort Presten, Jorgen Appears on: 146v–147 Genres: Chorale, Sacred Song Source Attribution: [Presten] Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Erhalt uns Herr beÿ deinem worth
147v–149v	Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris)	7	[Walter]	Walter, Johann (1496–1570)
Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris) Walter, Johann (1496–1570) Appears on: 147v–149v Genres: Motet Source Attribution: [Walter] Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Beati immaculati II: Utinam III: Benedicutus es domine IV: Inclina cor meum V: untexted [Eructabunt labia mea] General Note In the (modern) index volume, this piece is mistakenly indexed as two pieces - "Beati immaculati" and "Vivat Johannes" Layout 1a pars was initially copied on f. 144, but then heavily crossed through.
150 [numbered 148]	Christ ist erstanden von der Marter alle	6	Jorgen Presten	Presten, Jorgen
Christ ist erstanden von der Marter alle Presten, Jorgen Appears on: 150 [numbered 148] Genres: Hymn, Motet, Sacred Song Source Attribution: Jorgen Presten Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Christ ist erstanden
150v–151v	Parcere prostratis	7	-	Anonymous
Parcere prostratis Anonymous Appears on: 150v–151v Genres: Motet Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Parcere prostratis
152	Ach Herr, siehe uns gnädig an aus Deinem Thron	7	Jorgen P.	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: 152 Genres: Sacred Song Source Attribution: Jorgen P. Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ach Herr sihe uns gnedig an
152v–153	Der lermen (Lerman)	7	[Heugel]	Heugel, Johannes
Der lermen (Lerman) Heugel, Johannes Appears on: 152v–153 Genres: Secular Source Attribution: [Heugel] Number of voices: 7 Voice: [no designation] Languages: none Mensuration: cut-c 3 Clef: c1 Voice Text: Der lermen
153v	Mich wundert gar hart umb den roten	7	-	Anonymous
Mich wundert gar hart umb den roten Anonymous Appears on: 153v Genres: Song Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Mich wundt [=wundert] gar hart
154–161	[blank staves]	-	-	-
[blank staves] Appears on: 154–161 General Note in fact there is one less blank folio than the page numbering implies (so f. 161 should have been f. 160)
161v	Laudate Dominum omnes gentes laudate eum 17.10	16-ex-4	[Eckel/Heintz/Josquin]	Heintz, Wolff (?) Despres, Josquin (ca. 1450–1521) (?) Eckel, Matthias (?)
Laudate Dominum omnes gentes laudate eum 17.10 Heintz, Wolff (?) Despres, Josquin (ca. 1450–1521) (?) Eckel, Matthias (?) Appears on: 161v Genres: Motet Source Attribution: [Eckel/Heintz/Josquin] Number of voices: 16-ex-4 Voice: [no designation] Languages: Latin Mensuration: c Clef: g2 Voice Text: Laudate dominum omnes gentes General Note Canon: "Fuga in unisono"
162–161v	Gaudent in caelis animae sanctorum	8	[Verdelot/Phinot/Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Phinot, Dominique (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Gaudent in caelis animae sanctorum Richafort, Jean (ca. 1480–ca. 1550) (?) Phinot, Dominique (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 162–161v Genres: Motet Source Attribution: [Verdelot/Phinot/Richafort] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaudent inn celis Layout The end of the piece is copied at the bottom of the preceding page (f. 161v)
162v–163	Nesciens mater virgo virum peperit	8	Jehan Moutonn	Mouton, Jean (ca. 1459–1522)
Nesciens mater virgo virum peperit Mouton, Jean (ca. 1459–1522) Appears on: 162v–163 Genres: Motet Source Attribution: Jehan Moutonn Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Nesciens noster [= Nesciens mater]
163	Sic Deus dilexit mundum ut filium suum	8	-	Anonymous
Sic Deus dilexit mundum ut filium suum Anonymous Appears on: 163 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sic deus Dilexit mundum
163v	Verbum Domini manet in aeternum	8	-	Anonymous
Verbum Domini manet in aeternum Anonymous Appears on: 163v Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Verbum
163v–164	Jesus Christus nostra salus	8	[Finck/anon.]	Finck, Heinrich (?)
Jesus Christus nostra salus Finck, Heinrich (?) Appears on: 163v–164 Genres: Motet Source Attribution: [Finck/anon.] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Jhesus Christus nostra salus
165	Ach Herr, siehe uns gnädig an aus Deinem Thron	8	[Presten]	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: 165 Genres: Sacred Song Source Attribution: [Presten] Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ach Herr sihe unns genedig ann General Note f. 164v is numbered 165, and the folio immediately following is numbered 166
166	Nun bitten wir den Heiligen Geist	8	[Presten]	Presten, Jorgen
Nun bitten wir den Heiligen Geist Presten, Jorgen Appears on: 166 Genres: Veni sancte spiritus Source Attribution: [Presten] Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Nu bitten wir General Note f. 164v is numbered 165, and the folio immediately following is numbered 166
166v	Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv)	8	[Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv) Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 166v Genres: Agnus Dei, Mass Ordinary Source Attribution: [Appenzeller] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Agnus dei General Note Note: in index, this is treated as a two-part piece, taking the attribution to Benedictus as title of the 1a pars, and making Agnus Dei the 2a pars...
167	Qui ne l'aimeroit la belle au corps	8	[Fevin]	Fevin, Antoine de (ca. 1470–ca. 1512)
Qui ne l'aimeroit la belle au corps Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 167 Genres: Chanson Source Attribution: [Fevin] Number of voices: 8 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: Qui ne laÿmeroit General Note canon: "fuga in diatesseron"
167v	O profunditatem divitiarum sapientiae	8	[Paminger]	Paminger, Leonhard (1495–1567)
O profunditatem divitiarum sapientiae Paminger, Leonhard (1495–1567) Appears on: 167v Genres: Motet Source Attribution: [Paminger] Number of voices: 8 Voice: [no designation] Languages: none Voice Text: O profunditatem (Music copied in 7a vox, text incipit only in other books) General Note text incipit only - no music copied
168	Salva nos Domine vigilantes custodi nos	9	S. Tham	Tham, S.
Salva nos Domine vigilantes custodi nos Tham, S. Appears on: 168 Genres: Motet Source Attribution: S. Tham Number of voices: 9 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Salva nos domine Layout 9vv (2vv copied in Tenor book)
168v–169	Mein Augen sind allzeit zu Dir, Herre	12	S. Tham	Tham, S.
Mein Augen sind allzeit zu Dir, Herre Tham, S. Appears on: 168v–169 Genres: Sacred Song Source Attribution: S. Tham Number of voices: 12 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Mein augen sind allzeit zu dir Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Mein augen sind allzeit zu dir Herre Layout 12vv (2vv copied in each of DAT & missing 8a book)
169v–170	Pater noster qui es in caelis (8vv)	8	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Pater noster qui es in caelis (8vv) Arcadelt, Jacques (ca. 1507–1568) Appears on: 169v–170 Genres: Motet, Pater noster Source Attribution: [Arcadelt] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Pater noster
170v–171	Sine nomine II: Nisi	8	-	Anonymous
Sine nomine II: Nisi Anonymous Appears on: 170v–171 Genres: Motet, textless Number of voices: 8 Voice: [no designation] Languages: none Mensuration: o Clef: g2 Voice Text: Sine nomine II: [Textless]
172v–173	Missa Tempore paschali: Agnus Dei II (12vv)	12	N G / Nicolaus Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Missa Tempore paschali: Agnus Dei II (12vv) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 172v–173 Genres: Agnus Dei, Mass Ordinary Source Attribution: N G / Nicolaus Gombert Number of voices: 12 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Agnus dei Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Agnus Et ecce terre motus factus est magnus (c.f. in longae) Layout 12vv (2vv copied in each of DA7B books). This final Agnus includes the Easter antiphon "Et ecce terrae motus" as cantus firmus.
173v–174	Inviolata integra et casta es 24.5 (12vv)	12	[Josquin]	Despres, Josquin (ca. 1450–1521) (?)
Inviolata integra et casta es 24.5 (12vv) Despres, Josquin (ca. 1450–1521) (?) Appears on: 173v–174 Genres: Motet Source Attribution: [Josquin] Number of voices: 12 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Inviolata Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Inviolata Layout 12vv (2vv copied in each of DB67 books)
174v–175v	Missa L'homme armé: Patrem omnipotentem	9	-	Anonymous
Missa L'homme armé: Patrem omnipotentem Anonymous Appears on: 174v–175v Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 9 Voice: [no designation] Languages: Latin Mensuration: o Clef: g2 Voice Text: Patrem Lome arme II. Crucifixus Layout 9vv (2vv copied in 7a book)
176	Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis	8	Jo: Heugl	Heugel, Johannes
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis Heugel, Johannes Appears on: 176 Genres: Motet, Pater noster Source Attribution: Jo: Heugl Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Pater noster
176v	Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis	8	-	Heugel, Johannes
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis Heugel, Johannes Appears on: 176v Genres: Motet, Pater noster Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Panem 2 pars.
176	Christ bet und wach	8	[Presten]	Presten, Jorgen
Christ bet und wach Presten, Jorgen Appears on: 176 Genres: Sacred Song Source Attribution: [Presten] Number of voices: 8 Voice: [no designation] Languages: German Mensuration: c Clef: c1 Voice Text: Christ bet und wach
179	Christ ist erstanden von der Marter alle	8	Jor: Pre: (=Presten)	Presten, Jorgen
Christ ist erstanden von der Marter alle Presten, Jorgen Appears on: 179 Genres: Hymn, Motet, Sacred Song Source Attribution: Jor: Pre: (=Presten) Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Christ ist erstanden von der marter alle Layout 8vv, with 2vv copied in 7a book (presumably omitted from the missing 8a book) Layout f. 178v is numbered 179; the folio immediately following is numbered 180
179–180	Si consurrexistis cum Christo quae sursum	8	Adrian Cocleo	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Si consurrexistis cum Christo quae sursum Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 179–180 Genres: Motet Source Attribution: Adrian Cocleo Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Si consurrexistis Layout f. 178v is numbered 179; the folio immediately following is numbered 180
180v–181	Jam non dicam vos servos sed amicos (8vv)	8	[Phinot]	Phinot, Dominique
Jam non dicam vos servos sed amicos (8vv) Phinot, Dominique Appears on: 180v–181 Genres: Motet Source Attribution: [Phinot] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Jam non dicam vos servos
181v–189	[blank staves]	-	-	-
[blank staves] Appears on: 181v–189 General Note Original page numbering pauses at 181, then resumes at f. 190 [in different ink], with the folios in between unnumbered; but there are in fact 17 blank folios between them (so that the folio numbered 190 ought to be f. 198).
189v	Fuga 5vv	5	Jorgen Pre:	Presten, Jorgen
Fuga 5vv Presten, Jorgen Appears on: 189v Genres: Fuga, Organ piece Source Attribution: Jorgen Pre: Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Fuga
190	Fuga 6vv	6	Jor: Presten	Presten, Jorgen
Fuga 6vv Presten, Jorgen Appears on: 190 Genres: Fuga, Organ piece Source Attribution: Jor: Presten Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Fuga
190v–191	Fuga 5vv	5	Jorgen Presten	Presten, Jorgen
Fuga 5vv Presten, Jorgen Appears on: 190v–191 Genres: Fuga, Organ piece Source Attribution: Jorgen Presten Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4
191v	Fuga	5	M. Matz Hac:	Hack, Matz
Fuga Hack, Matz Appears on: 191v Genres: Fuga, Organ piece Source Attribution: M. Matz Hac: Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Fuga quinque post 4 tempora
192v–193	Fuga	5	-	Anonymous
Fuga Anonymous Appears on: 192v–193 Genres: Fuga, Organ piece Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Fuga
193	Laudate Dominum	8	-	Anonymous
Laudate Dominum Anonymous Appears on: 193 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Laudate Dominum General Note instrumentation "4 zincken 4 pusaun"
193v–194	Fuga	5	-	Anonymous
Fuga Anonymous Appears on: 193v–194 Genres: Fuga, Organ piece Number of voices: 5 Voice: [no designation] Languages: none Mensuration: o Clef: c1 Voice Text: Fuga
194v–195	Toujours leal a ma maitresse tant que au corps	6	[Courtois]	Courtois, Jean (fl. 1530-1545)
Toujours leal a ma maitresse tant que au corps Courtois, Jean (fl. 1530-1545) Appears on: 194v–195 Genres: Chanson Source Attribution: [Courtois] Number of voices: 6 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: Tout ior leal a ma mastresse
195v	Ach Herr siehe uns gnädig an aus Deinem thron	4	-	Anonymous
Ach Herr siehe uns gnädig an aus Deinem thron Anonymous Appears on: 195v Genres: Sacred Song Number of voices: 4 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ach Herr sieh unss gnedig ahnn

Composer	Compositions
Abell, David (16th century)	In dulci jubilo nun singet und seid froh – 98
Alamire, Petrus (ca. 1470-1536)	Tandernack auf dem Rhein lag – 17v–18
Anonymous	Ach Herr siehe uns gnädig an aus Deinem thron – 195v Adieu mes amours on m'atent – 34v–35 Ale venture (A la venture l'entrepris cuidant gaigner?) – 30 Allein Gott in der Höh sei Ehr' und Dank – 81a_v Assumpta est Maria (2p. Beata est) – 16v–17 Beatam me dicent omnes generationes – 62v–63 Cent mille regrets me poursuivent – 141v–142 Ein Welsch tantz, Sprung – 84v End aller not bringt unns der tod – 14v Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit – 57 Erhalt uns Herr bei Deinem Wort – 27 Et nunc ad Dominum / Spes mea in deo – 24v–25 Et valde mane una sabbatorum veniunt – 59 Fuga – 193v–194 Fuga – 192v–193 Gaudeamus omnes in Domino diem festum – 25v–26 Glorificamus – 55 Herr Christ der einige Gottes Sonn – 81a_v Honorabile est inter omnes conjugium (2p. Propterea) – 19–19v Ich ruff zu dir Herr Jesu Christ – 58 Laudate Dominum – 193 Laudate Dominum – 77v–78 Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi) – 49–50 Madonna io son – 3 Mich hat ein herzlieb seer hoch erfreud – 94v–95 Mich wundert gar hart umb den roten – 153v Missa L'homme armé: Patrem omnipotentem – 174v–175v O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis – 50 O redemptor caeli et terrae – 82 Parcere prostratis – 150v–151v Quae est ista quae progreditur quasi aurora / Assumpta est Maria – 84 Quare tristis es anima mea – 141 Quem nos merito Periculum ... Inviolata integra – 60 Resonet in laudibus cum jocundis plausibus – 63v Scire voluntatem mihi est prima cura / Ach Gott schaff Deinen Willen – 20 Sic Deus dilexit mundum ut filium suum – 163 Sine nomine II: Nisi – 170v–171 Sustinuit [anima mea in verbo eius?] – 65 Ut re mi fa sol la – 33v–34 Verbum Domini manet in aeternum – 163v Verleih uns Frieden gnädiglich, Herr Gott – 27 Virgo verbo concepit virgo permansit – 57v–58 Vrai Dieu – 27v Welsch Tanz, Passemezo – 85 Zu hundert tausend all – 93v–94 [No description] – 42v–48v [No description] – 98v–146v [No description] – 181v–189 [No description] – 154–161 [No description] – i–iv [No description] – 75
Appenzeller, Benedictus (ca. 1480-ca. 1558)	Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv) – 166v
Arcadelt, Jacques (ca. 1507-1568)	Pater noster qui es in caelis (8vv) – 169v–170
Barbé, Antoine (-1564)	(?) Allégez moi douce plaisant brunette 30.2 – 67v
Bauldeweyn, Noel (ca. 1480-1529)	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 60v
Bratel, Ulrich	So ich betracht und acht der alten Gesang – 12v Weil ich gross Gunst trag zu der Kunst – 10
Bruck, Arnold von (ca. 1500-1554)	In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris) – 7v–8 Sancta Trinitas unus Deus miserere nobis (6vv) – 88v–90
Brumel, Antoine (ca. 1460-ca. 1513)	Agnus Dei – 78
Caen, Arnold	(?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 6 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 6v–7
Coclico, Adrianus Petit (ca. 1499-ca. 1562)	Nulla quidem virtus est principe dignior – 37v–38 Si consurrexistis cum Christo quae sursum – 179–180 Venite exultemus Domino (2p. Hodie si vocem) – 30v–32
Courtois, Jean (1530-1545)	Toujours leal a ma maitresse tant que au corps – 194v–195
Despres, Josquin (ca. 1450-1521)	(?) Allégez moi douce plaisant brunette 30.2 – 67v Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina – 61–61v Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum – 61v (?) Ecce Dominus veniet nolite timere 14.5 – 82v Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] – 76a_v–77 Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo – 71v–72 Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit – 72v–73 In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio – 86v–87 (?) Inviolata integra et casta es 24.5 (12vv) – 173v–174 La Spagna (= Propter peccata 29.12) – 1v–2 (?) Laudate Dominum omnes gentes laudate eum 17.10 – 161v N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 – 2v Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis – 78v–80 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 80v–80a Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – 87v Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud – 87v–88 Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem – 4v–5 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire – 5–5v
Eckel, Matthias	(?) Laudate Dominum omnes gentes laudate eum 17.10 – 161v
Ferrara, Maistre Jhan of (ca. 1485-1538)	Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino – 90v–91 Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus – 91v–92
Festa, Costanzo (ca. 1485-1545)	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) – 39v–40
Fevin, Antoine de (ca. 1470-ca. 1512)	Qui ne l'aimeroit la belle au corps – 167 Sancta Trinitas unus Deus miserere nobis (6vv) – 88v–90
Finck, Heinrich	(?) Ich stund an einem Morgen / Amica mea [S170 - 5vv] – 3v (?) Jesus Christus nostra salus – 163v–164 Salve regina Salva nos – 4
Gombert, Nicolas (ca. 1495-ca. 1560)	Constitues eos principes super omnem terram – 85v–86 In illo tempore loquente Jesu ad turbas – 70v–71 Missa Tempore paschali: Agnus Dei II (12vv) – 172v–173
Grefinger, Wolfgang	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 60v (?) Ach Maidlein rein ich hab allein – 14
Greiter, Matthias	Von üppiglichen dingen so wil ichs sehen – 9v–10
Hack, Matz	Fuga – 191v
Heintz, Wolff	(?) Laudate Dominum omnes gentes laudate eum 17.10 – 161v
Hellinck, Lupus (ca. 1494-1541)	(?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 6 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 6v–7
Hesdin, Nicolle des Celliers de (-1538)	Helas ma dame a quoi tient il que je suis – 28
Heugel, Johannes	Der lermen (Lerman) – 152v–153 Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis – 176 Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis – 176v
Isaac, Heinrich (ca. 1450-1517)	Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia – 50v–51 Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur – 51v–52
Janequin, Clement (ca. 1485-ca. 1558)	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils – 10v–11 Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan – 11v–12
Jonckers, Maistre Gosse	(?) Ecce Dominus veniet nolite timere 14.5 – 82v
Kugelmann, Johann (ca. 1495-1542)	Dem ewigen Gott sei Lob und Dank – 33 Nun last unss Christum bitten – 36v–37 Nun lob mein Seel den Herren – 15 Zu schau mein Glück – 13
Kugelmann, Melchior (-1548)	Hilf mir mein lieber Herre mein auserwelter – 22 (?) O Herr ich klag das ich mein tag so hab – 21 (?) Von anfang her hat Gottes Eher reÿchlich – 16 Von Gott dem Herren haben wir das edle – 21v Von Gottes gnad rad und wunderthat – 26v (?) Von menschen her ist nie erhort was guttes – 20v
Kugelmann, Paul (-1580)	Benedicamus – 95v–96 Ich klag mein not O Her mein Got – 32v
Mantua, Jacquet de (1483-1559)	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 65v–66 Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves – 66v–67
Moulu, Pierre (ca. 1484-ca. 1550)	(?) La rousée du mois de mai m'a gasté (II) – 59v
Mouton, Jean (ca. 1459-1522)	(?) La rousée du mois de mai m'a gasté (II) – 59v Nesciens mater virgo virum peperit – 162v–163
Othmayr, Caspar	Non somnos requiem / Mein tag mit unrue – 23v–24 Quisquis requiem quaeris feminam cave – 74
Paminger, Leonhard (1495-1567)	O profunditatem divitiarum sapientiae – 167v Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos – 40v–41 Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit – 41v–42
Phinot, Dominique	(?) Gaudent in caelis animae sanctorum – 162–161v Jam non dicam vos servos sed amicos (8vv) – 180v–181
Presten, Jorgen	Ach Herr siehe uns gnädig an aus Deinem thron – 18v Ach Herr, siehe uns gnädig an aus Deinem Thron – 165 Ach Herr, siehe uns gnädig an aus Deinem Thron – 152 Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te) – 142v–143v Christ bet und wach – 176 Christ ist erstanden von der Marter alle – 150 [numbered 148] Christ ist erstanden von der Marter alle – 179 Commoda res et pulcra / Vertreu Gott allein – 22v Der Gottlose Hauf – 83v Dies est laetitiae in ortu regali – 144v–145 Erhalt uns Herr bei Deinem Wort – 146v–147 Fuga 5vv – 189v Fuga 5vv – 190v–191 Fuga 6vv – 190 Nun bitten wir den Heiligen Geist – 166 Peccavimus tibi quia dereliquimus te – 96v–97 Surge illuminare Jerusalem (2p. Tunc videbis) – 80a_v–81a Vater unser im Himmelreich, der du uns alle – 83 Veni creator spiritus mentes tuorum – 58v
Richafort, Jean (ca. 1480-ca. 1550)	(?) Gaudent in caelis animae sanctorum – 162–161v (?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 6 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 6v–7 (?) Si bona suscepimus de manu Domini – 38v–39
Rupsch, Conrad	(?) Nun bitten wir den heiligen geist (5vv) – 15v
Senfl, Ludwig (ca. 1486-ca. 1543)	Ach Maidlein rein ich hab allein – 14 Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius) – 68a_v–70 Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus – 67v–68 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis – 68v–68a Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto – 68a Conditor alme siderum aeterna lux – 36v (?) Ecce Dominus veniet nolite timere 14.5 – 82v (?) En quam honesta et jucunda res est – 92v–93 Ich klag den tag und alle stund – 74v (?) Ich stund an einem Morgen / Amica mea [S170 - 5vv] – 3v Ich will mich glucks betragen wol – 74v Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen – 73v Mit Lust tritt ich in diesen Tanz – 73 Philippe qui videt me alleluia (6vv, M84) – 55–56 Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal) – 56v–57 Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74) – 52v–54 Vivo ego dicit Dominus nolo mortem (2p. Quis scit si convertatur et ignoscat) – 35v–36 Wiewohl viel herter Orden sind – 77
Sporer, Thomas	Frolich muss ich singen kein traurigkeit – 13v
Stoltzer, Thomas (ca. 1480-1526)	Nesciens mater virgo virum peperit – 145v–146
Tham, S.	Mein Augen sind allzeit zu Dir, Herre – 168v–169 Salva nos Domine vigilantes custodi nos – 168
Verdelot, Philippe (ca. 1480-ca. 1532)	Altro non è el mio amor ch'el proprio (2p. Adunqu' il proprio infern'e l'amor mio) – 29–29v (?) Gaudent in caelis animae sanctorum – 162–161v (?) Si bona suscepimus de manu Domini – 38v–39
Walter, Johann (1496-1570)	Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris) – 147v–149v Der Tag, der ist so freudenreich – 1 Gelobet seist Du, Jesu Christ, dass Du Mensch – 97v In dulci jubilo nun singet und seid froh – 97v–98 Jesaja dem Propheten das geschah – 8v–9 Nun bitten wir den heiligen geist (5vv) – 15v Verbum Domini manet in aeternam – 62 Wir glauben all an einen Gott [Credo] (I) (4vv) – 63v–64
Wannenmacher, Johannes (ca. 1485-1551)	An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen – 64v
Willaert, Adrian (ca. 1490-1562)	(?) Allégez moi douce plaisant brunette 30.2 – 67v Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime – 75v–76 Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes – 76v–76a Forma decens mores casti / Alles in Ehren – 23
Wolff, Martin	Ach unfalls neid belänglich zeit – 9v
Zacharias, Johannes	Quia vidisti me Thoma credidisti – 28v–29
le Brun, Jean (early 16th century)	(?) Allégez moi douce plaisant brunette 30.2 – 67v

Composition	Composers (? Uncertain)	Folios / Pages
Ach Gott wem soll ichs klagen das heimliche leiden	Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?)	60v
Ach Herr siehe uns gnädig an aus Deinem thron	Presten, Jorgen	18v
Ach Herr siehe uns gnädig an aus Deinem thron	Anonymous	195v
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	152
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	165
Ach Maidlein rein ich hab allein	Senfl, Ludwig (ca. 1486–ca. 1543) Grefinger, Wolfgang (?)	14
Ach unfalls neid belänglich zeit	Wolff, Martin	9v
Adieu mes amours on m'atent	Anonymous	34v–35
Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	78
Ale venture (A la venture l'entrepris cuidant gaigner?)	Anonymous	30
Allein Gott in der Höh sei Ehr' und Dank	Anonymous	81a_v
Allégez moi douce plaisant brunette 30.2	le Brun, Jean (fl. early 16th century) (?) Willaert, Adrian (ca. 1490–1562) (?) Despres, Josquin (ca. 1450–1521) (?) Barbé, Antoine (–1564) (?)	67v
Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius)	Senfl, Ludwig (ca. 1486–ca. 1543)	68a_v–70
Altro non è el mio amor ch'el proprio (2p. Adunqu' il proprio infern'e l'amor mio)	Verdelot, Philippe (ca. 1480–ca. 1532)	29–29v
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen	Wannenmacher, Johannes (ca. 1485–1551)	64v
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus	Senfl, Ludwig (ca. 1486–ca. 1543)	67v–68
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis	Senfl, Ludwig (ca. 1486–ca. 1543)	68v–68a
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto	Senfl, Ludwig (ca. 1486–ca. 1543)	68a
Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te)	Presten, Jorgen	142v–143v
Assumpta est Maria (2p. Beata est)	Anonymous	16v–17
Beatam me dicent omnes generationes	Anonymous	62v–63
Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris)	Walter, Johann (1496–1570)	147v–149v
Benedicamus	Kugelmann, Paul (–1580)	95v–96
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	Despres, Josquin (ca. 1450–1521)	61–61v
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	Despres, Josquin (ca. 1450–1521)	61v
Cent mille regrets me poursuivent	Anonymous	141v–142
Christ bet und wach	Presten, Jorgen	176
Christ ist erstanden von der Marter alle	Presten, Jorgen	150 [numbered 148]
Christ ist erstanden von der Marter alle	Presten, Jorgen	179
Commoda res et pulcra / Vertreu Gott allein	Presten, Jorgen	22v
Conditor alme siderum aeterna lux	Senfl, Ludwig (ca. 1486–ca. 1543)	36v
Constitues eos principes super omnem terram	Gombert, Nicolas (ca. 1495–ca. 1560)	85v–86
Dem ewigen Gott sei Lob und Dank	Kugelmann, Johann (ca. 1495–1542)	33
Der Gottlose Hauf	Presten, Jorgen	83v
Der lermen (Lerman)	Heugel, Johannes	152v–153
Der Tag, der ist so freudenreich	Walter, Johann (1496–1570)	1
Dies est laetitiae in ortu regali	Presten, Jorgen	144v–145
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime	Willaert, Adrian (ca. 1490–1562)	75v–76
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes	Willaert, Adrian (ca. 1490–1562)	76v–76a
Ecce Dominus veniet nolite timere 14.5	Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	82v
Ein Welsch tantz, Sprung	Anonymous	84v
En quam honesta et jucunda res est	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	92v–93
End aller not bringt unns der tod	Anonymous	14v
Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit	Anonymous	57
Erhalt uns Herr bei Deinem Wort	Anonymous	27
Erhalt uns Herr bei Deinem Wort	Presten, Jorgen	146v–147
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils	Janequin, Clement (ca. 1485–ca. 1558)	10v–11
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan	Janequin, Clement (ca. 1485–ca. 1558)	11v–12
Et nunc ad Dominum / Spes mea in deo	Anonymous	24v–25
Et valde mane una sabbatorum veniunt	Anonymous	59
Forma decens mores casti / Alles in Ehren	Willaert, Adrian (ca. 1490–1562)	23
Frolich muss ich singen kein traurigkeit	Sporer, Thomas	13v
Fuga	Hack, Matz	191v
Fuga	Anonymous	192v–193
Fuga	Anonymous	193v–194
Fuga 5vv	Presten, Jorgen	189v
Fuga 5vv	Presten, Jorgen	190v–191
Fuga 6vv	Presten, Jorgen	190
Gaudeamus omnes in Domino diem festum	Anonymous	25v–26
Gaudent in caelis animae sanctorum	Richafort, Jean (ca. 1480–ca. 1550) (?) Phinot, Dominique (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	162–161v
Gelobet seist Du, Jesu Christ, dass Du Mensch	Walter, Johann (1496–1570)	97v
Glorificamus	Anonymous	55
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	Despres, Josquin (ca. 1450–1521)	76a_v–77
Helas ma dame a quoi tient il que je suis	Hesdin, Nicolle des Celliers de (–1538)	28
Herr Christ der einige Gottes Sonn	Anonymous	81a_v
Hilf mir mein lieber Herre mein auserwelter	Kugelmann, Melchior (–1548)	22
Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino	Ferrara, Maistre Jhan of (ca. 1485–1538)	90v–91
Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus	Ferrara, Maistre Jhan of (ca. 1485–1538)	91v–92
Honorabile est inter omnes conjugium (2p. Propterea)	Anonymous	19–19v
Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Despres, Josquin (ca. 1450–1521)	71v–72
Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit	Despres, Josquin (ca. 1450–1521)	72v–73
Ich klag den tag und alle stund	Senfl, Ludwig (ca. 1486–ca. 1543)	74v
Ich klag mein not O Her mein Got	Kugelmann, Paul (–1580)	32v
Ich ruff zu dir Herr Jesu Christ	Anonymous	58
Ich stund an einem Morgen / Amica mea [S170 - 5vv]	Finck, Heinrich (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	3v
Ich will mich glucks betragen wol	Senfl, Ludwig (ca. 1486–ca. 1543)	74v
In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris)	Bruck, Arnold von (ca. 1500–1554)	7v–8
In dulci jubilo nun singet und seid froh	Walter, Johann (1496–1570)	97v–98
In dulci jubilo nun singet und seid froh	Abell, David (fl. 16th century)	98
In illo tempore loquente Jesu ad turbas	Gombert, Nicolas (ca. 1495–ca. 1560)	70v–71
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio	Despres, Josquin (ca. 1450–1521)	86v–87
Inviolata integra et casta es 24.5 (12vv)	Despres, Josquin (ca. 1450–1521) (?)	173v–174
Jam non dicam vos servos sed amicos (8vv)	Phinot, Dominique	180v–181
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?)	6
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	6v–7
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	Festa, Costanzo (ca. 1485–1545)	39v–40
Jesaja dem Propheten das geschah	Walter, Johann (1496–1570)	8v–9
Jesus Christus nostra salus	Finck, Heinrich (?)	163v–164
Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen	Senfl, Ludwig (ca. 1486–ca. 1543)	73v
La rousée du mois de mai m'a gasté (II)	Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	59v
La Spagna (= Propter peccata 29.12)	Despres, Josquin (ca. 1450–1521)	1v–2
Laudate Dominum	Anonymous	77v–78
Laudate Dominum	Anonymous	193
Laudate Dominum omnes gentes laudate eum 17.10	Heintz, Wolff (?) Despres, Josquin (ca. 1450–1521) (?) Eckel, Matthias (?)	161v
Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi)	Anonymous	49–50
Madonna io son	Anonymous	3
Mein Augen sind allzeit zu Dir, Herre	Tham, S.	168v–169
Mich hat ein herzlieb seer hoch erfreud	Anonymous	94v–95
Mich wundert gar hart umb den roten	Anonymous	153v
Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv)	Appenzeller, Benedictus (ca. 1480–ca. 1558)	166v
Missa L'homme armé: Patrem omnipotentem	Anonymous	174v–175v
Missa Tempore paschali: Agnus Dei II (12vv)	Gombert, Nicolas (ca. 1495–ca. 1560)	172v–173
Mit Lust tritt ich in diesen Tanz	Senfl, Ludwig (ca. 1486–ca. 1543)	73
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17	Despres, Josquin (ca. 1450–1521)	2v
Nesciens mater virgo virum peperit	Stoltzer, Thomas (ca. 1480–1526)	145v–146
Nesciens mater virgo virum peperit	Mouton, Jean (ca. 1459–1522)	162v–163
Non somnos requiem / Mein tag mit unrue	Othmayr, Caspar	23v–24
Nulla quidem virtus est principe dignior	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	37v–38
Nun bitten wir den Heiligen Geist	Presten, Jorgen	166
Nun bitten wir den heiligen geist (5vv)	Rupsch, Conrad (?) Walter, Johann (1496–1570)	15v
Nun last unss Christum bitten	Kugelmann, Johann (ca. 1495–1542)	36v–37
Nun lob mein Seel den Herren	Kugelmann, Johann (ca. 1495–1542)	15
O Herr ich klag das ich mein tag so hab	Kugelmann, Melchior (–1548) (?)	21
O profunditatem divitiarum sapientiae	Paminger, Leonhard (1495–1567)	167v
O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis	Anonymous	50
O redemptor caeli et terrae	Anonymous	82
Parcere prostratis	Anonymous	150v–151v
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis	Heugel, Johannes	176
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis	Heugel, Johannes	176v
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis	Despres, Josquin (ca. 1450–1521)	78v–80
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Despres, Josquin (ca. 1450–1521)	80v–80a
Pater noster qui es in caelis (8vv)	Arcadelt, Jacques (ca. 1507–1568)	169v–170
Peccavimus tibi quia dereliquimus te	Presten, Jorgen	96v–97
Philippe qui videt me alleluia (6vv, M84)	Senfl, Ludwig (ca. 1486–ca. 1543)	55–56
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	87v
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Despres, Josquin (ca. 1450–1521)	87v–88
Quae est ista quae progreditur quasi aurora / Assumpta est Maria	Anonymous	84
Quare tristis es anima mea	Anonymous	141
Quem nos merito Periculum ... Inviolata integra	Anonymous	60
Qui ne l'aimeroit la belle au corps	Fevin, Antoine de (ca. 1470–ca. 1512)	167
Quia vidisti me Thoma credidisti	Zacharias, Johannes	28v–29
Quisquis requiem quaeris feminam cave	Othmayr, Caspar	74
Resonet in laudibus cum jocundis plausibus	Anonymous	63v
Salva nos Domine vigilantes custodi nos	Tham, S.	168
Salve regina Salva nos	Finck, Heinrich	4
Sancta Trinitas unus Deus miserere nobis (6vv)	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)	88v–90
Scire voluntatem mihi est prima cura / Ach Gott schaff Deinen Willen	Anonymous	20
Si bona suscepimus de manu Domini	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	38v–39
Si consurrexistis cum Christo quae sursum	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	179–180
Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos	Paminger, Leonhard (1495–1567)	40v–41
Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit	Paminger, Leonhard (1495–1567)	41v–42
Sic Deus dilexit mundum ut filium suum	Anonymous	163
Sine nomine II: Nisi	Anonymous	170v–171
So ich betracht und acht der alten Gesang	Bratel, Ulrich	12v
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	Despres, Josquin (ca. 1450–1521)	4v–5
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	Despres, Josquin (ca. 1450–1521)	5–5v
Surge illuminare Jerusalem (2p. Tunc videbis)	Presten, Jorgen	80a_v–81a
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	Mantua, Jacquet de (1483–1559)	65v–66
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves	Mantua, Jacquet de (1483–1559)	66v–67
Sustinuit [anima mea in verbo eius?]	Anonymous	65
Tandernack auf dem Rhein lag	Alamire, Petrus (ca. 1470–1536)	17v–18
Toujours leal a ma maitresse tant que au corps	Courtois, Jean (fl. 1530-1545)	194v–195
Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal)	Senfl, Ludwig (ca. 1486–ca. 1543)	56v–57
Ut re mi fa sol la	Anonymous	33v–34
Vater unser im Himmelreich, der du uns alle	Presten, Jorgen	83
Veni creator spiritus mentes tuorum	Presten, Jorgen	58v
Venite exultemus Domino (2p. Hodie si vocem)	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	30v–32
Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74)	Senfl, Ludwig (ca. 1486–ca. 1543)	52v–54
Verbum Domini manet in aeternam	Walter, Johann (1496–1570)	62
Verbum Domini manet in aeternum	Anonymous	163v
Verleih uns Frieden gnädiglich, Herr Gott	Anonymous	27
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia	Isaac, Heinrich (ca. 1450–1517)	50v–51
Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur	Isaac, Heinrich (ca. 1450–1517)	51v–52
Virgo verbo concepit virgo permansit	Anonymous	57v–58
Vivo ego dicit Dominus nolo mortem (2p. Quis scit si convertatur et ignoscat)	Senfl, Ludwig (ca. 1486–ca. 1543)	35v–36
Von anfang her hat Gottes Eher reÿchlich	Kugelmann, Melchior (–1548) (?)	16
Von Gott dem Herren haben wir das edle	Kugelmann, Melchior (–1548)	21v
Von Gottes gnad rad und wunderthat	Kugelmann, Melchior (–1548)	26v
Von menschen her ist nie erhort was guttes	Kugelmann, Melchior (–1548) (?)	20v
Von üppiglichen dingen so wil ichs sehen	Greiter, Matthias	9v–10
Vrai Dieu	Anonymous	27v
Weil ich gross Gunst trag zu der Kunst	Bratel, Ulrich	10
Welsch Tanz, Passemezo	Anonymous	85
Wiewohl viel herter Orden sind	Senfl, Ludwig (ca. 1486–ca. 1543)	77
Wir glauben all an einen Gott [Credo] (I) (4vv)	Walter, Johann (1496–1570)	63v–64
Zu hundert tausend all	Anonymous	93v–94
Zu schau mein Glück	Kugelmann, Johann (ca. 1495–1542)	13

Set: MS Gamle kongelige Samling 1872, 4°

Type: Partbooks

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (I) [Quintus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (II) [Discantus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (III) [Altus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (IV) [Tenor]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (V) [Bassus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (VI) [Sexta]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (VII) [7a vox]

‡ denotes primary source study

Brown, Howard Mayer. 1976. Accidentals and Ornamentation in Sixteenth-Century Intabulations of Josquin's Motets. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 516. Notes: concordances (partial).

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 138. Notes: concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 365, passim. Notes: mention of MS; concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, ix. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 171. Notes: concordances (partial).

Müller-Blattau, Joseph. 1968. Geschichte der Musik in Ost- und Westpreussen. Wolfenbüttel and Zürich. Pages: 29ff, Tafel 1. Notes: mention of MS; facsimile (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 288-9, 312-4. Notes: concordances (partial); incipits (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xiii. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description.

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers. The Hague. Pages: 186-90, 336-56. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXVI, 153,164; LXX.95-6,193,198. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud (editor). 1933-. Dania Sonans. Copenhagen, Leipzig, and Egtved. Pages: IV-VI, passim. Notes: physical description; contents list; concordances (partial); transcription (partial); texts (partial); mention of MS; discussion.

Loge, Eckhard. 1931. Eine Messen- und Motettenhandschrift des Kantors Matthias Krüger aus der Musikbibliothek Herzog Albrechts von Preussen. Königsberger Studien zur Musikwissenschaft, vol. 12. Kassel. Notes: contents list.

Foss, Julius. 1923. Det kgl. Cantoris Stemmeb0ger A.D. 1541. Aarbog for Musik, 24-40. Notes: physical description; contents list; transcription (partial); facsimile (partial).

Hammerich, Angui. 1921. Dansk Musikhistorie indtil ca. 1700. Copenhagen. Pages: 130ff. Notes: physical description.

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Monday, 23 January, 2017

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