DK-Kk MS Gamle kongelige Samling 1872, 4° (IV) [Tenor]

Det Kongelige Bibliotek, Copenhagen, Denmark

partbook: c. 1540s

Archive	Det Kongelige Bibliotek, Copenhagen, Denmark (DK-Kk)
Shelfmark	MS Gamle kongelige Samling 1872, 4° (IV) [Tenor]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	c. 160 x 200 mm
Other Identifiers	CCM: CopKB 1872
Notations	black void mensural
Copyists	Heyde, Jorgen Music
Relationships	Johann Friedrich I (1503–1554) (dedicatee) Heinrich, Duke of Brunswick (dedicatee) Christian III (1503–1559) (dedicatee) Albert of Prussia (1490–1568) (dedicatee)
External Links	images index
Provenance	Königsberg, Prussia
Contents	Contains 178 compositions, 132 from 52 composers, 46 are anonymous.

General Description

A Tenor partbook from a set originally of eight volumes. Pieces are arranged in sections by number of voices (5-6-7-8+) with blank folios separating sections; pieces were apparently copied into the manuscript at different times. Most pieces have only text incipits, though several are completely untexted; a few pieces are fully-texted in the Bassus book only.

Copied by Jørgen Heyde [= Georg Hayd], a musician at the Danish royal court. Dedicatory canons in IV (ff. 17v ff) to King Christian III of Denmark, Duke Albert of Prussia, Duke Heinrich of Brunswick, Johann Friedrich I, Elector of Saxony; another piece dedicated to Elector Johann Friedrich is in VI (new f. 106). Instruments are specified for some of the pieces.

The manuscript is related to CopKB 1873. Copied for the Danish court in Copenhagen, but repertory has close connections with courts in Saxony and Prussia (CreAC); copied in Königsberg (MülleGMP).

DIAMM, 2026

Binding

Brown leather covers, dated 1541

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original and modern foliation.

DIAMM, 2017

Foliation

page numbering begins at 48 in VI, and at 140 in VII, to match numbering in other volumes

DIAMM, 2026

Index

Several of the books have incomplete original indices in front; general index by Julius Foss (1914), with subsequent pencil additions.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Agnus, 77 motets, 57 German sacred and secular pieces, 11 French secular pieces, 1 Italian secular piece (all of the preceding have text incipits only), 13 pieces entitled "Fuga" (some of which have additional text incipits), 3 textless pieces = 165

Abell-4, Appenzeller [Benedictus]-1, (Barbé/Josquin/Lebrun/Willaert)-1, (Bauldeweyn/Grefinger)-1, (Braetel)-1, (Breitengraser?)-1, (Bruck)-1, Brumel-1, (Caen/Lupus/Richafort)-1, Coclico-3, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Eckel/(Josquin)-1, C. Festa-1, A. Févin -1, Finck-2, Gombert-3, (Greitter)-1, Hack-1, Heugel-2, (Isaac)-1, (Janequin/Verdelot)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-1, S. Jhan(?)-2, Josquin-9, J. Kugelmann-4?, (M. Kugelmann?)-1, P. Kugelmann-1, Mouton-1, (Mouton/Moulu)-1, (Müller)-1, Othmayr-1, (Paminger)-1, (Phinot)-1, Presten-19, Senfl-12, Stoltzer-1, Verdelot-S, (Walter)-9?, (Wannenmacher)-1, Willaert-2, (J. Zacharias)-1, anon-62

7 paper partbooks of an original 8 (I-212 folios, II-210, III-212, IV-196, V-213, VI-154, VII-54), ca. 160 x 200. The first 48 folios are missing in VI; first 140 folios are missing from VII. Pieces were apparently copied into the manuscript at different times; sections of blank folios alternate with copied sections. Original and modern foliation. Brown leather covers, dated 1541. Several of the books have incomplete original indices in front; general index by Julius Foss (1914), with subsequent pencil additions. Scribe: Matthias Krüger? (LogeM). Dedicatory canons in IV (ff. 17'ff) to King Christian III of Denmark, Duke Albert of Prussia, Duke Heinrich of Brunswick, Johann Friedrich I, Elector of Saxony, and the Duchess of Saxony; another piece dedicated to Elector Johann Friedrich is in VI (new f. 106). Instruments are specified for some of the pieces. The manuscript is related to CopKB 1873.

Copying begun in 1541; dates from 1541 to 1543 found in manuscript. Copied for the Danish court in Copenhagen, but repertory has close connections with courts in Saxony and Prussia (CreAC); copied in Königsberg (MülleGMP).

Vol. 4

Contents: 1 Credo, 3 Agnus, 2 hymns, 69 motets, 1 Latin/German sacred piece, 36 German sacred pieces, 5 Latin or Latin/German dedicatory pieces, 21 German secular pieces (1 also has sacred version), 10 French secular pieces, 2 Italian secular pieces, 13 textless pieces with Latin, German, or Italian titles = 163

Composers: Abell-3, (Alamire?)-1, Appenzeller [Benedictus]/(Ducis)-1, (Arcadelt)-1, (Barbé/Josquin/Lebrun/Willaert)-1, (Bauldeweyn/Grefinger)-1, (Braetel)-2, (Bruck)-1, Brumel-1, (Caen/Lupus/Richafort)-1, Coclico-3, (Courtois)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Eckel/(Heintz/Josquin)-1, C. Festa-1, A. Févin-1, Finck-2, Finck/ (Senfl)-1, Gombert-3, (Greitter)-1, Hack-1, Heugel-2, (Isaac)-1, (Janequin-Verdelot)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-1, Josquin-9, (Josquin/ Senfl)-1, J. Kugelmann-4, (M. Kugelmann)-4 + 2?, P. Kugelmann-2, (Moulu/ Mouton)-1, Mouton-1, Othmayr-2, (Paminger)-2, (Phinot)-1, Presten-19, Senfl-13, (Sporer)-1, Stoltzer-1, Tham-2, Verdelot-1, Verdelot/(Phinot/Richafort)-1, Verdelot/( Richafort)-1, (Walter)-8, (Wannenmacher)-1, Willaert-2, (Wolff)-1, (J. Zacharias)-1, anon-47

Physical: Delete "Scribe: Matthias Krüger? (LogeM)." Add: "Copied by Jørgen Heyde [= Georg Hayd], a musician at the Danish royal court." Remove reference to "Duchess of Saxony" three lines from bottom of this paragraph.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
inisde front cover–v	index	-	-	-
index Appears on: inisde front cover–v
1	Der Tag, der ist so freudenreich	5	[Walter]	Walter, Johann (1496–1570)
Der Tag, der ist so freudenreich Walter, Johann (1496–1570) Appears on: 1 Genres: Chorale, Sacred Song Source Attribution: [Walter] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Der tag der ist zu freyden reÿch aller Creaturen
1v–2	La Spagna (= Propter peccata 29.12)	5	[Josquin]	Despres, Josquin (ca. 1450–1521)
La Spagna (= Propter peccata 29.12) Despres, Josquin (ca. 1450–1521) Appears on: 1v–2 Genres: Contrafactum, Dance Source Attribution: [Josquin] Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-o Clef: c4 Voice Text: La spange tantz [= Propter peccata quae peccastis 29.12] - untexted
2v	N'est-ce pas [N'est-ce point] un grand desplaisir 29.17	5	[Josquin]	Despres, Josquin (ca. 1450–1521)
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 Despres, Josquin (ca. 1450–1521) Appears on: 2v Genres: Chanson Source Attribution: [Josquin] Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Nesse passe ungrand deplausier [= N'esse pas ung grant desplaisir 29.17]
3	Madonna io son	5	-	Anonymous
Madonna io son Anonymous Appears on: 3 Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Maduna josum [= Madonna io son?]
3v	Ich stund an einem Morgen / Amica mea [S170 - 5vv]	5	H. Finck/[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Finck, Heinrich (?)
Ich stund an einem Morgen / Amica mea [S170 - 5vv] Senfl, Ludwig (ca. 1486–ca. 1543) (?) Finck, Heinrich (?) Appears on: 3v Genres: Motet, Secular Source Attribution: H. Finck/[Senfl] Number of voices: 5 Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c4 Voice Text: Amica mea / Ich stund an einam morgen
3v	Salve regina Salva nos	5	H. Finck	Finck, Heinrich
Salve regina Salva nos Finck, Heinrich Appears on: 3v Genres: Motet Source Attribution: H. Finck Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Salva nos General Note f. 4 is omitted
5	Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	5	[Josquin]	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Despres, Josquin (ca. 1450–1521) Appears on: 5 Genres: Motet, Stabat Mater Source Attribution: [Josquin] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Stabat mater dolorosa iuxta Crucem lachrymosa
5	Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	5	-	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire Despres, Josquin (ca. 1450–1521) Appears on: 5 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Eya Mater
5v	Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	5	[Caen/Lupus/Richafort]	Caen, Arnold (?) Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis Caen, Arnold (?) Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 5v Genres: Motet Source Attribution: [Caen/Lupus/Richafort] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hierusalem
5v–6	Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	5	-	Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?)
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?) Appears on: 5v–6 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Diditc ('Dicit' amended towards 'Deduc') [= Deduc quasi torrentem lachrymas]
6v–7	In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris)	5	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris) Bruck, Arnold von (ca. 1500–1554) Appears on: 6v–7 Genres: Motet Source Attribution: [Bruck] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Inn civitate domini
7v–9	Jesaja dem Propheten das geschah	5	[Walter]	Walter, Johann (1496–1570)
Jesaja dem Propheten das geschah Walter, Johann (1496–1570) Appears on: 7v–9 Genres: Motet Source Attribution: [Walter] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Jesia dem prophetten das geschach General Note f. 8 omitted
9	Ach unfalls neid belänglich zeit	5	[Wolff]	Wolff, Martin
Ach unfalls neid belänglich zeit Wolff, Martin Appears on: 9 Genres: Song Source Attribution: [Wolff] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach unfals neytt
9v	Von üppiglichen dingen so wil ichs sehen	5	[Greitter]	Greiter, Matthias
Von üppiglichen dingen so wil ichs sehen Greiter, Matthias Appears on: 9v Genres: Song Source Attribution: [Greitter] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Von ÿpickleÿch dingen so wirs seh an
9v–10	Weil ich gross Gunst trag zu der Kunst	5	[Braetel]	Bratel, Ulrich
Weil ich gross Gunst trag zu der Kunst Bratel, Ulrich Appears on: 9v–10 Genres: Song Source Attribution: [Braetel] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Weÿl ich gross gunst
10	So ich betracht und acht der alten Gesang	5	[Braetel]	Bratel, Ulrich
So ich betracht und acht der alten Gesang Bratel, Ulrich Appears on: 10 Genres: Song Source Attribution: [Braetel] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: So ich betracht unnd acht der allten gsang
11	Zu schau mein Glück	5	H[ans] Kuglman [= J. Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Zu schau mein Glück Kugelmann, Johann (ca. 1495–1542) Appears on: 11 Genres: Song Source Attribution: H[ans] Kuglman [= J. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Zw schaw Mein gluck Layout f. 10v is numbered 11; the folio immediately following is f. 12
11–12	Frolich muss ich singen kein traurigkeit	5	[Sporer]	Sporer, Thomas
Frolich muss ich singen kein traurigkeit Sporer, Thomas Appears on: 11–12 Genres: Song Source Attribution: [Sporer] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Frolich mus ich singen kein trawrigkeyt mer haben Layout f. 10v is numbered 11; the folio immediately following is f. 12
12	Ach Maidlein rein ich hab allein	5	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543) Grefinger, Wolfgang (?)
Ach Maidlein rein ich hab allein Senfl, Ludwig (ca. 1486–ca. 1543) Grefinger, Wolfgang (?) Appears on: 12 Genres: Song Source Attribution: [Senfl] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach meÿdlein reÿn Mich dier allein erheben Concordances Note that the Quintus (also in Copenhagen 1873) is different from that in D-Mu 8° Cod. ms. 328–331; perhaps this one was composed by a member of the Danish Court?
12v	End aller not bringt unns der tod	5	-	Anonymous
End aller not bringt unns der tod Anonymous Appears on: 12v Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ennd Aller not bringt uns der tod
12v–13	Nun lob mein Seel den Herren	5	[J. Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Nun lob mein Seel den Herren Kugelmann, Johann (ca. 1495–1542) Appears on: 12v–13 Genres: Chorale, Sacred Song Source Attribution: [J. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c5 Voice Text: Nun Lob Mein seel den herrenn
13	Nun bitten wir den heiligen geist (5vv)	5	[Walter]	Walter, Johann (1496–1570) Rupsch, Conrad (?)
Nun bitten wir den heiligen geist (5vv) Walter, Johann (1496–1570) Rupsch, Conrad (?) Appears on: 13 Genres: Motet, Veni sancte spiritus Source Attribution: [Walter] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Nun bitten wir den heÿligen gaÿst
13v	Von anfang her hat Gottes Eher reÿchlich	5	[M. Kugelmann?]	Kugelmann, Melchior (–1548) (?)
Von anfang her hat Gottes Eher reÿchlich Kugelmann, Melchior (–1548) (?) Appears on: 13v Genres: Sacred Song Source Attribution: [M. Kugelmann?] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Von anfang her hat gottes Eher reychlich
14	Tandernack auf dem Rhein lag	5	[Alamire]	Alamire, Petrus (ca. 1470–1536)
Tandernack auf dem Rhein lag Alamire, Petrus (ca. 1470–1536) Appears on: 14 Genres: Song Source Attribution: [Alamire] Number of voices: 5 Voice: [no designation] Languages: none Mensuration: o Clef: c4 Voice Text: Dandernack auff dem reine
14v–15	Honorabile est inter omnes conjugium (2p. Propterea)	5	-	Anonymous
Honorabile est inter omnes conjugium (2p. Propterea) Anonymous Appears on: 14v–15 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c3 Voice Text: Honorabile est inter omnes II: Propterea Layout f. 15v is numbered 16; and the folio immediately- following is numbered f. 17
17v	Scire voluntatem mihi est prima cura / Ach Gott schaff Deinen Willen	5	-	Anonymous
Scire voluntatem mihi est prima cura / Ach Gott schaff Deinen Willen Anonymous Appears on: 17v Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c3 Voice Text: Ach got schaff deinen willenn
18	Von menschen her ist nie erhort was guttes	5	[M. Kugelmann?]	Kugelmann, Melchior (–1548) (?)
Von menschen her ist nie erhort was guttes Kugelmann, Melchior (–1548) (?) Appears on: 18 Genres: Song Source Attribution: [M. Kugelmann?] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Von menschen her ist nie erhort, was guttes sey
18v	O Herr ich klag das ich mein tag so hab	5	[M. Kugelmann?]	Kugelmann, Melchior (–1548) (?)
O Herr ich klag das ich mein tag so hab Kugelmann, Melchior (–1548) (?) Appears on: 18v Genres: Sacred Song Source Attribution: [M. Kugelmann?] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: O Herr ich clag das ich mein tag so hab vorzert
19	Von Gott dem Herren haben wir das edle	5	[M. Kugelmann]	Kugelmann, Melchior (–1548)
Von Gott dem Herren haben wir das edle Kugelmann, Melchior (–1548) Appears on: 19 Genres: Sacred Song Source Attribution: [M. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Von Got dem Herren haben wihr
19v	Hilf mir mein lieber Herre mein auserwelter	5	[M. Kugelmann]	Kugelmann, Melchior (–1548)
Hilf mir mein lieber Herre mein auserwelter Kugelmann, Melchior (–1548) Appears on: 19v Genres: Sacred Song Source Attribution: [M. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Hilff mir mein Lieber Herre mein auserweiter hort
19v–20	Commoda res et pulcra / Vertreu Gott allein	5	[Presten]	Presten, Jorgen
Commoda res et pulcra / Vertreu Gott allein Presten, Jorgen Appears on: 19v–20 Genres: Motet Source Attribution: [Presten] Number of voices: 5 Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c3 Voice Text: [Comoda res] Vertrew got allein Voice: [no designation] Languages: German Clef: c3 Voice Text: Vertrau got allein [multiple mensurations for c.f. : c - cut-c - c - backward-c] Layout 2nd voice on f. 20, the cantus firmus, has words instead of notes positioned on the stave, with canon: "Sillaba brevis esto" ("let each syllable be a breve") and multiple mensurations
20v	Forma decens mores casti / Alles in Ehren	5	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Forma decens mores casti / Alles in Ehren Willaert, Adrian (ca. 1490–1562) Appears on: 20v Genres: Motet Source Attribution: [Willaert] Number of voices: 5 Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c4 Voice Text: Ale inn Ehrenn (c.f.)
21	Non somnos requiem / Mein tag mit unrue	5	[Othmayr]	Othmayr, Caspar
Non somnos requiem / Mein tag mit unrue Othmayr, Caspar Appears on: 21 Genres: Motet Source Attribution: [Othmayr] Number of voices: 5 Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c3 Voice Text: Mein tag mit unrue (c.f.)
21v	Et nunc ad Dominum / Spes mea in deo	5	-	Anonymous
Et nunc ad Dominum / Spes mea in deo Anonymous Appears on: 21v Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Spes mea in Deo (c.f.)
22	Gaudeamus omnes in Domino diem festum	5	-	Anonymous
Gaudeamus omnes in Domino diem festum Anonymous Appears on: 22 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaudeamus (c.f.) General Note Canon: "Prima progressio simplex est / Secunda vero primam [duplicat] / Tertia autem secundam [duplicat] / Quarta demum(?) tertiam [duplicat]" i.e the written notes progressively double in value. The 'resolutio' is written underneath.
22v	Von Gottes gnad rad und wunderthat	5	[M. Kugelmann]	Kugelmann, Melchior (–1548)
Von Gottes gnad rad und wunderthat Kugelmann, Melchior (–1548) Appears on: 22v Genres: Hymn Source Attribution: [M. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Von Gottes gnad rad und wunderthat
23	Erhalt uns Herr bei Deinem Wort	5	-	Anonymous
Erhalt uns Herr bei Deinem Wort Anonymous Appears on: 23 Genres: Chorale, Sacred Song Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Erhalt unss her
23	Verleih uns Frieden gnädiglich, Herr Gott	5	-	Anonymous
Verleih uns Frieden gnädiglich, Herr Gott Anonymous Appears on: 23 Genres: Chorale, Sacred Song Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Verleih uns frieden
23v–24	Vrai Dieu	5	-	Anonymous
Vrai Dieu Anonymous Appears on: 23v–24 Genres: Sacred Song Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Vraÿ Dieu
24	Helas ma dame a quoi tient il que je suis	5	[Hesdin]	Hesdin, Nicolle des Celliers de (–1538)
Helas ma dame a quoi tient il que je suis Hesdin, Nicolle des Celliers de (–1538) Appears on: 24 Genres: Chanson Source Attribution: [Hesdin] Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Hellas dama [= Helas ma dame] General Note "Ad equales"
24v	Quia vidisti me Thoma credidisti	5	[J. Zacharias]	Zacharias, Johannes
Quia vidisti me Thoma credidisti Zacharias, Johannes Appears on: 24v Genres: Motet Source Attribution: [J. Zacharias] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quia vidisti me General Note "Ade Quales" (ad equales)
24v–25	Altro non è el mio amor ch'el proprio (2p. Adunqu' il proprio infern'e l'amor mio)	5	Verdelot	Verdelot, Philippe (ca. 1480–ca. 1532)
Altro non è el mio amor ch'el proprio (2p. Adunqu' il proprio infern'e l'amor mio) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 24v–25 Genres: Madrigal (Italian) Source Attribution: Verdelot Number of voices: 5 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Altro non el mio amor II. Adonque il proprio innferno
25v	Ale venture (A la venture l'entrepris cuidant gaigner?)	5	-	Anonymous
Ale venture (A la venture l'entrepris cuidant gaigner?) Anonymous Appears on: 25v Genres: Secular Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Ale venture [= A la venture l'entrepris cuidant gaigner?]
26v–28	Venite exultemus Domino (2p. Hodie si vocem)	5	Adrian Petit Cocleo	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Venite exultemus Domino (2p. Hodie si vocem) Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 26v–28 Genres: Motet Source Attribution: Adrian Petit Cocleo Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Venite Exultemus Domino II: untexted [Hodie si vocem]
28v	Ich klag mein not O Her mein Got	5	[P. Kugelmann]	Kugelmann, Paul (–1580)
Ich klag mein not O Her mein Got Kugelmann, Paul (–1580) Appears on: 28v Genres: Sacred Song Source Attribution: [P. Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ich klag mein Not O her mein got General Note at top "INTERIM"
29	Dem ewigen Gott sei Lob und Dank	5	[Hans Kugelmann]	Kugelmann, Johann (ca. 1495–1542)
Dem ewigen Gott sei Lob und Dank Kugelmann, Johann (ca. 1495–1542) Appears on: 29 Genres: Motet Source Attribution: [Hans Kugelmann] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Dem Ewigen got seÿ lob und danck
29v	Ut re mi fa sol la	5	-	Anonymous
Ut re mi fa sol la Anonymous Appears on: 29v Genres: Italian secular Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Ut re mi fa sol la (c.f., note values shortening from maximae to longae to breves)
29v–30	Adieu mes amours on m'atent	5	-	Anonymous
Adieu mes amours on m'atent Anonymous Appears on: 29v–30 Genres: Chanson Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Adie mis amors
30v–31	Vivo ego dicit Dominus nolo mortem (2p. Quis scit si convertatur et ignoscat)	5	Lud: Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Vivo ego dicit Dominus nolo mortem (2p. Quis scit si convertatur et ignoscat) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 30v–31 Genres: Motet Source Attribution: Lud: Senfl Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Vivo ego Dicit dominus II: Quis scit si convertatur
31	Conditor alme siderum aeterna lux	5	Ludo: Senphl	Senfl, Ludwig (ca. 1486–ca. 1543)
Conditor alme siderum aeterna lux Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 31 Genres: Motet Source Attribution: Ludo: Senphl Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice Text: Conditor alme sÿderum
31v–32	Nun last unss Christum bitten	5	H Kugl[man] - Ludo: Senphl	Kugelmann, Johann (ca. 1495–1542)
Nun last unss Christum bitten Kugelmann, Johann (ca. 1495–1542) Appears on: 31v–32 Genres: Sacred Song Source Attribution: H Kugl[man] - Ludo: Senphl Number of voices: 5 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Nun Last uns Christum bitten
32v–33	Nulla quidem virtus est principe dignior	5	Adrian Cocle:	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Nulla quidem virtus est principe dignior Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 32v–33 Genres: Motet Source Attribution: Adrian Cocle: Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Nulla quidem virtus
33v–34	Si bona suscepimus de manu Domini	5	[Verdelot/Richafort]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Si bona suscepimus de manu Domini Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 33v–34 Genres: Motet Source Attribution: [Verdelot/Richafort] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Si bona suscepimus
34v	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	5	[Festa]	Festa, Costanzo (ca. 1485–1545)
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) Festa, Costanzo (ca. 1485–1545) Appears on: 34v Genres: Motet Source Attribution: [Festa] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [Hierusalem] Agite poenitentiam
35v–36	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils	5	[Janequin/Verdelot]	Janequin, Clement (ca. 1485–ca. 1558)
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils Janequin, Clement (ca. 1485–ca. 1558) Appears on: 35v–36 Genres: Chanson Source Attribution: [Janequin/Verdelot] Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Die schlacht vor Pafia: [Escoutez tous gentilz galloys la victoire]
36v–37	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan	5	-	Janequin, Clement (ca. 1485–ca. 1558)
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan Janequin, Clement (ca. 1485–ca. 1558) Appears on: 36v–37 Genres: Chanson Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: 2a pars von Der schlacht Paffia [Fan fan fan frere le le lan fan]
38	Assumpta est Maria (2p. Beata est)	5	-	Anonymous
Assumpta est Maria (2p. Beata est) Anonymous Appears on: 38 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Assumpta est maria II: Beata est Layout f. 37v is numbered 38; and the folio immediately following is f. 39
39	Ach Herr siehe uns gnädig an aus Deinem thron	5	[Presten]	Presten, Jorgen
Ach Herr siehe uns gnädig an aus Deinem thron Presten, Jorgen Appears on: 39 Genres: Sacred Song Source Attribution: [Presten] Number of voices: 5 Voice: [no designation] Languages: German Mensuration: c Clef: c3 Voice Text: Ach Herr sihe unns genedig an auff deinen tron
39v–40	Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos	5	[Paminger]	Paminger, Leonhard (1495–1567)
Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos Paminger, Leonhard (1495–1567) Appears on: 39v–40 Genres: Motet Source Attribution: [Paminger] Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Si deus pro nobis
40v–41	Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit	5	-	Paminger, Leonhard (1495–1567)
Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit Paminger, Leonhard (1495–1567) Appears on: 40v–41 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Quis igitur
41v–48v	[blank pages]	-	-	-
[blank pages] Appears on: 41v–48v General Note there are only 4 blnak pages so f. 49 ought to be f. 46
49–50	Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi)	6	-	Anonymous
Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi) Anonymous Appears on: 49–50 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Letabundus II: [Sicut sidus radium] III: [Neque sidus radio] IV: [Cedrus alta Libani] V: [Verbum mens altissimi]
50v	O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis	6	-	Anonymous
O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis Anonymous Appears on: 50v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [O quam glorifica luce] 4 Hoc largire
50v–51	Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia	6	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia Isaac, Heinrich (ca. 1450–1517) Appears on: 50v–51 Genres: Motet Source Attribution: [Isaac] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Virgo prudentissima
51–51v	Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur	6	-	Isaac, Heinrich (ca. 1450–1517)
Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur Isaac, Heinrich (ca. 1450–1517) Appears on: 51–51v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Secunda pars : untexted [Vos Michael Gabriel Raphael]
51v–53	Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 51v–53 Genres: Responsory Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Verbum caro factum est II: Plenum gracia III: In principio erat verbum
53	Glorificamus	6	-	Anonymous
Glorificamus Anonymous Appears on: 53 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Glorificamus
53v	Philippe qui videt me alleluia (6vv, M84)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Philippe qui videt me alleluia (6vv, M84) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 53v Genres: Alleluia, Motet Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Philippe qui videt me alleluia
53v–54	Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 53v–54 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Trinck lang und klinck Lang [= Nun kumbt hieher all helft mir einmal]
55	Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit	6	-	Anonymous
Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit Anonymous Appears on: 55 Genres: Chorale, Sacred Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Erbarm dich meÿn O herre got nach deiner grossen barmherzigkeit General Note f. 54v is numbered 55, and the folio immediately following is f. 56
55–56	Virgo verbo concepit virgo permansit	6	-	Anonymous
Virgo verbo concepit virgo permansit Anonymous Appears on: 55–56 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Virgo verbo General Note f. 54v is numbered 55, and the folio immediately following is f. 56
56	Ich ruff zu dir Herr Jesu Christ	6	-	Anonymous
Ich ruff zu dir Herr Jesu Christ Anonymous Appears on: 56 Genres: Chorale, Sacred Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ich ruff zu dir Herr Jhesu Christ
56v	Veni creator spiritus mentes tuorum	6	Jorgen Presten	Presten, Jorgen
Veni creator spiritus mentes tuorum Presten, Jorgen Appears on: 56v Genres: Veni creator spiritus Source Attribution: Jorgen Presten Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Veni creator
56v–57	Et valde mane una sabbatorum veniunt	6	-	Anonymous
Et valde mane una sabbatorum veniunt Anonymous Appears on: 56v–57 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et valde mane
57v	La rousée du mois de mai m'a gasté (II)	6	[Moulu/Mouton]	Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
La rousée du mois de mai m'a gasté (II) Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 57v Genres: Chanson Source Attribution: [Moulu/Mouton] Number of voices: 6 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: La Rouste du moÿs [= La rousée du moys de may]
58	Quem nos merito Periculum ... Inviolata integra	6	-	Anonymous
Quem nos merito Periculum ... Inviolata integra Anonymous Appears on: 58 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [Quem nos] Inviolata integra (c.f.)
58v	Ach Gott wem soll ichs klagen das heimliche leiden	6	[Bauldeweyn/Grefinger]	Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?)
Ach Gott wem soll ichs klagen das heimliche leiden Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?) Appears on: 58v Genres: Song Source Attribution: [Bauldeweyn/Grefinger] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach got wem sol ichs klagen [= En douleur en tristesse]
58v–59v	Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina Despres, Josquin (ca. 1450–1521) Appears on: 58v–59v Genres: Motet Source Attribution: [Josquin] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Benedicta es celorum General Note The 2a pars duo is omitted in this ms.
59v	Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	6	-	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum Despres, Josquin (ca. 1450–1521) Appears on: 59v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c 3 Clef: c3 Voice Text: Secunda pars : untexted [=3p, Nunc mater exora] General Note this pars is crossed through
61	Verbum Domini manet in aeternam	6	[Walter]	Walter, Johann (1496–1570)
Verbum Domini manet in aeternam Walter, Johann (1496–1570) Appears on: 61 Genres: Motet Source Attribution: [Walter] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Verbum Domini manet inn Eternum General Note f. 60 is omitted; and f. 61-63 are paginated not foliated (as 61-65). Foliation begins again at 65
61	Beatam me dicent omnes generationes	6	-	Anonymous
Beatam me dicent omnes generationes Anonymous Appears on: 61 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Beatam me dicent
62	Resonet in laudibus cum jocundis plausibus	6	-	Anonymous
Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 62 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-o 3 Clef: c3 Voice Text: untexted
62–63	Wir glauben all an einen Gott [Credo] (I) (4vv)	6	[Walter]	Walter, Johann (1496–1570)
Wir glauben all an einen Gott [Credo] (I) (4vv) Walter, Johann (1496–1570) Appears on: 62–63 Genres: Chorale, Credo (patrem omnipotentem), Sacred Song Source Attribution: [Walter] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Wir glauben all an einen gott
64	An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen	6	[Wannenmacher]	Wannenmacher, Johannes (ca. 1485–1551)
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen Wannenmacher, Johannes (ca. 1485–1551) Appears on: 64 Genres: Song Source Attribution: [Wannenmacher] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Du schnode Tochter Bebilon
65	Sustinuit [anima mea in verbo eius?]	6	-	Anonymous
Sustinuit [anima mea in verbo eius?] Anonymous Appears on: 65 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sustinuit [anima mea in verbo eius?]
65v–66	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	6	[Jaquet of Mantua]	Mantua, Jacquet de (1483–1559)
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis Mantua, Jacquet de (1483–1559) Appears on: 65v–66 Genres: Motet Source Attribution: [Jaquet of Mantua] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Surge Petre
66v–67	Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves	6	-	Mantua, Jacquet de (1483–1559)
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves Mantua, Jacquet de (1483–1559) Appears on: 66v–67 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Si Diligis me
67v	Allégez moi douce plaisant brunette 30.2	6	[Barbé/Josquin/Lebrun/ Willaert]	Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Willaert, Adrian (ca. 1490–1562) (?) Barbé, Antoine (–1564) (?)
Allégez moi douce plaisant brunette 30.2 Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Willaert, Adrian (ca. 1490–1562) (?) Barbé, Antoine (–1564) (?) Appears on: 67v Genres: Chanson Source Attribution: [Barbé/Josquin/Lebrun/ Willaert] Number of voices: 6 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Alligies moÿ [= Allégez moy douce plaisant brunette] 30.2
67v–68	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 67v–68 Genres: Motet Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Anima mea
68	Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis	6	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 68 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : [untexted]
68v	Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto	6	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 68v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: 3a pars : untexted [Filie Hierusalem]
68v–70	Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 68v–70 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Alma redemtoris II: untexted [Tu quae genuisti] III: Virgo prius (c.f.)
70v–71	In illo tempore loquente Jesu ad turbas	6	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
In illo tempore loquente Jesu ad turbas Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 70v–71 Genres: Motet Source Attribution: [Gombert] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Inn illo tempore
71v	Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Despres, Josquin (ca. 1450–1521) Appears on: 71v Genres: Motet Source Attribution: [Josquin] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Huc me sidero [sic] (c.f.)
71v–72	Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit	6	-	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit Despres, Josquin (ca. 1450–1521) Appears on: 71v–72 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : untexted [Felle sitim]
72v	Mit Lust tritt ich in diesen Tanz	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Mit Lust tritt ich in diesen Tanz Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 72v Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Mit Lust trit [ich] inn disen tantz
73	Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 73 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Kein Adler inn der wellt so schon General Note "Kein Adler inn der wellt so schönn", in A2 (V): "Kein adler / Ich stund an einem Morg[en]", in D2 (VI): "Kein adler / Es taget vor dem holtze" in indices
73v	Quisquis requiem quaeris feminam cave	6	[Othmayr]	Othmayr, Caspar
Quisquis requiem quaeris feminam cave Othmayr, Caspar Appears on: 73v Genres: Motet Source Attribution: [Othmayr] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quisiquis mulier maloherba [sic]
74	Ich will mich glucks betragen wol	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich will mich glucks betragen wol Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 74 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ich wil mich Glucks betragen woll
74	Ich klag den tag und alle stund	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich klag den tag und alle stund Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 74 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ich klag den tag und alle stund
74v–75	Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime	6	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Willaert, Adrian (ca. 1490–1562) Appears on: 74v–75 Genres: Motet Source Attribution: [Willaert] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine Jhesu Christe
75v–76	Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes	6	-	Willaert, Adrian (ca. 1490–1562)
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes Willaert, Adrian (ca. 1490–1562) Appears on: 75v–76 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : O bone Jhesu
76v	Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] Despres, Josquin (ca. 1450–1521) Appears on: 76v Genres: Chanson, Contrafactum, Motet Source Attribution: [Josquin] Number of voices: 6 Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hec dicit dominus
77	Wiewohl viel herter Orden sind	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Wiewohl viel herter Orden sind Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 77 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: Discantus Languages: German Mensuration: cut-c Clef: c4 Voice Text: Wie wol vil hortter ordenn sind
77v–78	Laudate Dominum	6	-	Anonymous
Laudate Dominum Anonymous Appears on: 77v–78 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Laudate
78v–79	Agnus Dei	6	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 78v–79 Genres: Agnus Dei, Mass Ordinary Source Attribution: Brumel Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus dey
79v–80	Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis Despres, Josquin (ca. 1450–1521) Appears on: 79v–80 Genres: Ave Maria, Motet Source Attribution: [Josquin] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pater noster
80	Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	6	-	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Despres, Josquin (ca. 1450–1521) Appears on: 80 Genres: Ave Maria, Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: 2a pars : untexted [Ave Maria gratia plena]
80v–81	Surge illuminare Jerusalem (2p. Tunc videbis)	6	[Presten]	Presten, Jorgen
Surge illuminare Jerusalem (2p. Tunc videbis) Presten, Jorgen Appears on: 80v–81 Genres: Motet Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c3 Voice Text: Surge illuminare Jerusalem II: Tunc vedebis Voice: [no designation] Languages: Latin Mensuration: c Clef: c3 Voice Text: [untexted] II. Tunc vedebis General Note 2 voices copied, the second headed 'Resolutio'
81v	Allein Gott in der Höh sei Ehr' und Dank	6	-	Anonymous
Allein Gott in der Höh sei Ehr' und Dank Anonymous Appears on: 81v Genres: Sacred Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c-dot Clef: c3 Voice Text: Allein Gott inn der hoch General Note 2 mensurations at beginning: cut-c (crossed through) and c-dot
81v	Herr Christ der einige Gottes Sonn	6	-	Anonymous
Herr Christ der einige Gottes Sonn Anonymous Appears on: 81v Genres: Caccia, Chorale Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c Clef: c3 Voice Text: Herr Christ der einig gottes son
82	O redemptor caeli et terrae	6	-	Anonymous
O redemptor caeli et terrae Anonymous Appears on: 82 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O redemptor coeli et terrae
82v	Ecce Dominus veniet nolite timere 14.5	6	[Jonckers/Josquin/ Senfl]	Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ecce Dominus veniet nolite timere 14.5 Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 82v Genres: Motet Source Attribution: [Jonckers/Josquin/ Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ecce dominus veniet General Note additional 6th voice added to the usual 5vv -- as also in DK-Kk MS Gamle kongelige Samling 1873, 4°
82v–83	Vater unser im Himmelreich, der du uns alle	6	[Presten]	Presten, Jorgen
Vater unser im Himmelreich, der du uns alle Presten, Jorgen Appears on: 82v–83 Genres: Chorale, Sacred Song Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c Clef: c4 Voice Text: Vater unser im himelreich
83	Der Gottlose Hauf	6	[Presten]	Presten, Jorgen
Der Gottlose Hauf Presten, Jorgen Appears on: 83 Genres: Motet Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c Clef: c4 Voice Text: Der gotlose hauff
83v	Quae est ista quae progreditur quasi aurora / Assumpta est Maria	6	-	Anonymous
Quae est ista quae progreditur quasi aurora / Assumpta est Maria Anonymous Appears on: 83v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: [Que est ista] Assumpta est
83v–84	Ein Welsch tantz, Sprung	6	-	Anonymous
Ein Welsch tantz, Sprung Anonymous Appears on: 83v–84 Genres: Song Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Welsch tantz, Lamelanza - Sprung General Note f. 83v is numbered 85, though the next folio is numbered 84; the one after is f. 86, omitting 85!
84	Welsch Tanz, Passemezo	6	-	Anonymous
Welsch Tanz, Passemezo Anonymous Appears on: 84 Genres: Dance Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Passemesse - Sprung
84v–86	Constitues eos principes super omnem terram	6	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Constitues eos principes super omnem terram Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 84v–86 Genres: Motet Source Attribution: [Gombert] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Constitues eos General Note f. 85 is omitted (although f.83v is numbered 85)
87	In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio	6	Josquinn	Despres, Josquin (ca. 1450–1521)
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio Despres, Josquin (ca. 1450–1521) Appears on: 87 Genres: Motet Source Attribution: Josquinn Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: In illo tempore General Note f. 86v is numbered 87; the folio immediately following is f. 88
88	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: 88 Genres: Motet Source Attribution: [Josquin] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Preter rerum
88v–89	Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	6	-	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud Despres, Josquin (ca. 1450–1521) Appears on: 88v–89 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Virtus sancti spiritus
89v–90	Sancta Trinitas unus Deus miserere nobis (6vv)	6	[Craen/C. Festa/A. Févin/Josquin/ Morales]-[Bruck]	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)
Sancta Trinitas unus Deus miserere nobis (6vv) Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554) Appears on: 89v–90 Genres: Motet Source Attribution: [Craen/C. Festa/A. Févin/Josquin/ Morales]-[Bruck] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sancta Trinitas Concordances Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10
90v–91	Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino	6	[Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 90v–91 Genres: Motet Source Attribution: [Jhan of Ferrara] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hodie in Jordane
91v–92	Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus	6	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 91v–92 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: secunda pars : Descendit spiritus sanctus
92v–93	En quam honesta et jucunda res est	6	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
En quam honesta et jucunda res est Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 92v–93 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: En quam honesta
93v–94	Zu hundert tausend all	6	-	Anonymous
Zu hundert tausend all Anonymous Appears on: 93v–94 Genres: Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Zu hundert tausent mal
94v	Mich hat ein herzlieb seer hoch erfreud	6	-	Anonymous
Mich hat ein herzlieb seer hoch erfreud Anonymous Appears on: 94v Genres: Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Mich hat ein herz lieb hoch erfreud
95v–96	Benedicamus	6	Paul Kuglman	Kugelmann, Paul (–1580)
Benedicamus Kugelmann, Paul (–1580) Appears on: 95v–96 Genres: Benedicamus Domino, Motet Source Attribution: Paul Kuglman Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Benedicamus
96v–97	Peccavimus tibi quia dereliquimus te	6	[Presten]	Presten, Jorgen
Peccavimus tibi quia dereliquimus te Presten, Jorgen Appears on: 96v–97 Genres: Motet Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: c Clef: c3 Voice Text: Peccavimus tibi
97v	Gelobet seist Du, Jesu Christ, dass Du Mensch	4	[Walter]	Walter, Johann (1496–1570)
Gelobet seist Du, Jesu Christ, dass Du Mensch Walter, Johann (1496–1570) Appears on: 97v Genres: Chorale, Sacred Song Source Attribution: [Walter] Number of voices: 4 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Gelobet seystu Jesu Christ
97v–98	In dulci jubilo nun singet und seid froh	4	[Walter]	Walter, Johann (1496–1570)
In dulci jubilo nun singet und seid froh Walter, Johann (1496–1570) Appears on: 97v–98 Genres: Chorale, Sacred Song Source Attribution: [Walter] Number of voices: 4 Voice: [no designation] Languages: Latin, German Mensuration: o-3 Clef: c4 Voice Text: In dulci jubilo
98v	In dulci jubilo nun singet und seid froh	6	[Abell]	Abell, David (fl. 16th century)
In dulci jubilo nun singet und seid froh Abell, David (fl. 16th century) Appears on: 98v Genres: Motet Source Attribution: [Abell] Number of voices: 6 Voice: [no designation] Languages: none Mensuration: o-3 Clef: c4 Voice Text: untexted
99–140v	[blank staves]	-	-	-
[blank staves] Appears on: 99–140v General Note folios unnumbered; there are in fact 5 'extra' unnumbered folios, so that f. 141 ought to have been f. 146...
141	Quare tristis es anima mea	7	-	Anonymous
Quare tristis es anima mea Anonymous Appears on: 141 Genres: Motet Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: ... Et que cunturbas me [sic]
141v–142	Cent mille regrets me poursuivent	7	-	Anonymous
Cent mille regrets me poursuivent Anonymous Appears on: 141v–142 Genres: Chanson Number of voices: 7 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Cent mille regretz General Note "Tacet" under the last few notes
142v–143	Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te)	7	Jorgen Prestenn	Presten, Jorgen
Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te) Presten, Jorgen Appears on: 142v–143 Genres: Motet Source Attribution: Jorgen Prestenn Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice Text: Appropinquet II: untexted [Fiat manus tua] III: untexted [Vivet anima mea] General Note The blank page f. 143v is numbered 145; the next folio is 144, which is followed by 146 (145 omitted)
144	Dies est laetitiae in ortu regali	7	[Presten]	Presten, Jorgen
Dies est laetitiae in ortu regali Presten, Jorgen Appears on: 144 Genres: Motet Source Attribution: [Presten] Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Dies est Leticie General Note The blank page f. 143v is numbered 145; the next folio is 144, which is followed by 146 (145 omitted)
144v–146	Nesciens mater virgo virum peperit	7	T. Stoltzer	Stoltzer, Thomas (ca. 1480–1526)
Nesciens mater virgo virum peperit Stoltzer, Thomas (ca. 1480–1526) Appears on: 144v–146 Genres: Motet Source Attribution: T. Stoltzer Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Nesciens mater General Note The blank page f. 143v is numbered 145; the next folio is 144, which is followed by 146 (145 omitted)
147–148	Erhalt uns Herr bei Deinem Wort	7	[Presten]	Presten, Jorgen
Erhalt uns Herr bei Deinem Wort Presten, Jorgen Appears on: 147–148 Genres: Chorale, Sacred Song Source Attribution: [Presten] Number of voices: 7 Voice: [no designation] Languages: German Mensuration: c Clef: c3 Voice Text: Erhalt uns Her beÿ deinem wort General Note f. 146v is numbered 147, and the page immediately following is numbered 148.
148–150	Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris)	7	[Walter]	Walter, Johann (1496–1570)
Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris) Walter, Johann (1496–1570) Appears on: 148–150 Genres: Motet Source Attribution: [Walter] Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Beati immaculati II: Utinam dirigantur III: untexted [Benedictus es] IV: untexted [Inclina cor meum] V: untexted [Eructabunt labia mea] General Note In the (modern) index volume, this piece is mistakenly indexed as two pieces - "Beati immaculati" and "Vivat Johannes" Layout the verso of f. 149 is numbered 151; and the folio immediately following is f. 152
150v	Christ ist erstanden von der Marter alle	6	[Presten]	Presten, Jorgen
Christ ist erstanden von der Marter alle Presten, Jorgen Appears on: 150v Genres: Hymn, Motet, Sacred Song Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Christ ist erstanden
151v–152	Parcere prostratis	7	-	Anonymous
Parcere prostratis Anonymous Appears on: 151v–152 Genres: Motet Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Parcere prostratis
152v	Ach Herr, siehe uns gnädig an aus Deinem Thron	7	Jorgen P.	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: 152v Genres: Sacred Song Source Attribution: Jorgen P. Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ach Herr sihe uns genedig ann
153	Der lermen (Lerman)	7	[Heugel]	Heugel, Johannes
Der lermen (Lerman) Heugel, Johannes Appears on: 153 Genres: Secular Source Attribution: [Heugel] Number of voices: 7 Voice: [no designation] Languages: none Mensuration: cut-c 3 Clef: c4 Voice Text: untexted
153v	Mich wundert gar hart umb den roten	7	-	Anonymous
Mich wundert gar hart umb den roten Anonymous Appears on: 153v Genres: Song Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Mich wunt [=wundert] gar hart
154–161	[blank staves]	-	-	-
[blank staves] Appears on: 154–161
161v	Laudate Dominum omnes gentes laudate eum 17.10	16-ex-4	Matthias Ecell/[Heintz/ Josquin]	Eckel, Matthias (?) Despres, Josquin (ca. 1450–1521) (?) Heintz, Wolff (?)
Laudate Dominum omnes gentes laudate eum 17.10 Eckel, Matthias (?) Despres, Josquin (ca. 1450–1521) (?) Heintz, Wolff (?) Appears on: 161v Genres: Motet Source Attribution: Matthias Ecell/[Heintz/ Josquin] Number of voices: 16-ex-4 Voice: [no designation] Languages: Latin Mensuration: c Clef: c4 Voice Text: Laudate dominum omnes gentes General Note Canon: "fuga in Unisono"
162–161v	Gaudent in caelis animae sanctorum	8	[Verdelot/Phinot/Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?)
Gaudent in caelis animae sanctorum Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?) Appears on: 162–161v Genres: Motet Source Attribution: [Verdelot/Phinot/Richafort] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaudent inn celys Layout The end of the piece is copied at the bottom of the preceding page (f. 161v)
162v	Nesciens mater virgo virum peperit	8	Johan Mothan (=Mouton)	Mouton, Jean (ca. 1459–1522)
Nesciens mater virgo virum peperit Mouton, Jean (ca. 1459–1522) Appears on: 162v Genres: Motet Source Attribution: Johan Mothan (=Mouton) Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Nessciens noster [= Nesciens mater]
163	Sic Deus dilexit mundum ut filium suum	8	-	Anonymous
Sic Deus dilexit mundum ut filium suum Anonymous Appears on: 163 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sic deus dilexit mundum
163	Verbum Domini manet in aeternum	8	-	Anonymous
Verbum Domini manet in aeternum Anonymous Appears on: 163 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Verbum
163v	Jesus Christus nostra salus	8	[Finck/anon.]	Finck, Heinrich (?)
Jesus Christus nostra salus Finck, Heinrich (?) Appears on: 163v Genres: Motet Source Attribution: [Finck/anon.] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Jhesus Christus nostra salus
164	Ach Herr, siehe uns gnädig an aus Deinem Thron	8	[Presten]	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: 164 Genres: Sacred Song Source Attribution: [Presten] Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach Herr sihe unns genedig an General Note numbering goes astray here: the pages (not folios) are numbered 164-168, where foliation resumes
165	Nun bitten wir den Heiligen Geist	8	Jorgen Presten	Presten, Jorgen
Nun bitten wir den Heiligen Geist Presten, Jorgen Appears on: 165 Genres: Veni sancte spiritus Source Attribution: Jorgen Presten Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Nun bitten wirr
166	Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv)	8	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv) Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 166 Genres: Agnus Dei, Mass Ordinary Source Attribution: Benedictus [Appenzeller] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Angnus dei General Note Note: in index, this is treated as a two-part piece, taking the attribution to Benedictus as title of the 1a pars, and making Agnus Dei the 2a pars...
167	Qui ne l'aimeroit la belle au corps	8	Anthonius Fevÿn	Fevin, Antoine de (ca. 1470–ca. 1512)
Qui ne l'aimeroit la belle au corps Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 167 Genres: Chanson Source Attribution: Anthonius Fevÿn Number of voices: 8 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Qui ne laÿmeroit General Note no music copied; headed 'Resolutio' as this part is in canon.
167–168	O profunditatem divitiarum sapientiae	8	[Paminger]	Paminger, Leonhard (1495–1567)
O profunditatem divitiarum sapientiae Paminger, Leonhard (1495–1567) Appears on: 167–168 Genres: Motet Source Attribution: [Paminger] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: O profunditatem (Music copied in 7a vox, text incipit only in other books)
168v–169	Salva nos Domine vigilantes custodi nos	9	S. Tham	Tham, S.
Salva nos Domine vigilantes custodi nos Tham, S. Appears on: 168v–169 Genres: Motet Source Attribution: S. Tham Number of voices: 9 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Salva nos domine Voice: 9a vox Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Salva nos domine Layout 9vv (2vv copied in Tenor book)
170–171	Mein Augen sind allzeit zu Dir, Herre	12	S. Tham	Tham, S.
Mein Augen sind allzeit zu Dir, Herre Tham, S. Appears on: 170–171 Genres: Sacred Song Source Attribution: S. Tham Number of voices: 12 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Mein augen sind allzeit zu dir Voice: [no designation] Languages: German Mensuration: cut-c Clef: f3 Voice Text: Mein augen sind allzeit zu dir General Note f. 169v is numbered 170; the folio immeidately following is numbered 171; these 2 voices therefore face each other on one opening Layout 12vv (2vv copied in each of DAT & missing 8a book)
171v–172	Pater noster qui es in caelis (8vv)	8	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Pater noster qui es in caelis (8vv) Arcadelt, Jacques (ca. 1507–1568) Appears on: 171v–172 Genres: Motet, Pater noster Source Attribution: [Arcadelt] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pater noster
172	Sine nomine II: Nisi	8	-	Anonymous
Sine nomine II: Nisi Anonymous Appears on: 172 Genres: Motet, textless Number of voices: 8 Voice: [no designation] Languages: none Mensuration: o Clef: c3 Voice Text: Sine nomine II: [Textless]
172v–173	Missa Tempore paschali: Agnus Dei II (12vv)	12	N G (= Gombert)	Gombert, Nicolas (ca. 1495–ca. 1560)
Missa Tempore paschali: Agnus Dei II (12vv) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 172v–173 Genres: Agnus Dei, Mass Ordinary Source Attribution: N G (= Gombert) Number of voices: 12 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus dei qui tollis peccata General Note f. 172v is numbered 173, the page immediately following is numbered 174 Layout 12vv (2vv copied in each of DA7B books). This final Agnus includes the Easter antiphon "Et ecce terrae motus" as cantus firmus.
173	Inviolata integra et casta es 24.5 (12vv)	12	[Josquin]	Despres, Josquin (ca. 1450–1521) (?)
Inviolata integra et casta es 24.5 (12vv) Despres, Josquin (ca. 1450–1521) (?) Appears on: 173 Genres: Motet Source Attribution: [Josquin] Number of voices: 12 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Inviolata Layout 12vv (2vv copied in each of DB67 books)
173v–175v	Missa L'homme armé: Patrem omnipotentem	9	-	Anonymous
Missa L'homme armé: Patrem omnipotentem Anonymous Appears on: 173v–175v Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 9 Voice: [no designation] Languages: Latin Mensuration: o Clef: f3 Voice Text: Patrem Lome arme II: Crucifixus General Note f. 174 omitted Layout 9vv (2vv copied in 7a book)
176	Christ bet und wach	8	[Presten]	Presten, Jorgen
Christ bet und wach Presten, Jorgen Appears on: 176 Genres: Sacred Song Source Attribution: [Presten] Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Christ bet und wach
176v	Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis	8	Johan Heugll	Heugel, Johannes
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis Heugel, Johannes Appears on: 176v Genres: Motet, Pater noster Source Attribution: Johan Heugll Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: c Clef: c4 Voice Text: Pater noster
176v–177	Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis	8	-	Heugel, Johannes
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis Heugel, Johannes Appears on: 176v–177 Genres: Motet, Pater noster Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: 2a pars : Panem nostrum quotidianum
178	Christ ist erstanden von der Marter alle	8	Jor: Pre: (=Presten)	Presten, Jorgen
Christ ist erstanden von der Marter alle Presten, Jorgen Appears on: 178 Genres: Hymn, Motet, Sacred Song Source Attribution: Jor: Pre: (=Presten) Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Christ ist erstanden General Note f. 177v is numbered 178; the folio immeidately following is f. 180 (179 is omitted) Layout 8vv, with 2vv copied in 7a book (presumably omitted from the missing 8a book)
180–180v	Si consurrexistis cum Christo quae sursum	8	Adrian Petit Coelico	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Si consurrexistis cum Christo quae sursum Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 180–180v Genres: Motet Source Attribution: Adrian Petit Coelico Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Si consurrexistis
181v–182	Jam non dicam vos servos sed amicos (8vv)	8	[Phinot]	Phinot, Dominique
Jam non dicam vos servos sed amicos (8vv) Phinot, Dominique Appears on: 181v–182 Genres: Motet Source Attribution: [Phinot] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Jam non dicam
182v–189	[blank staves]	-	-	-
[blank staves] Appears on: 182v–189 General Note Original page numbering pauses at 181, then resumes at f. 189v, with the folios in between unnumbered; but there are in fact 12 extra blank folios between them (so that f.190 should actually be f. 202)
189v	Fuga 6vv Laudate	6	D. Abell	Abell, David (fl. 16th century)
Fuga 6vv Laudate Abell, David (fl. 16th century) Appears on: 189v Genres: Fuga, Organ piece Source Attribution: D. Abell Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: fuga
190	Fuga	6	D. Abell	Abell, David (fl. 16th century)
Fuga Abell, David (fl. 16th century) Appears on: 190 Genres: Fuga, Organ piece Source Attribution: D. Abell Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: fuga
190v	Fuga 5vv	5	Jo: P: (=Presten)	Presten, Jorgen
Fuga 5vv Presten, Jorgen Appears on: 190v Genres: Fuga, Organ piece Source Attribution: Jo: P: (=Presten) Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Fuga
191	Fuga 6vv	6	Jorgen Pre:	Presten, Jorgen
Fuga 6vv Presten, Jorgen Appears on: 191 Genres: Fuga, Organ piece Source Attribution: Jorgen Pre: Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: fuga
191v–192	Fuga	5	-	Anonymous
Fuga Anonymous Appears on: 191v–192 Genres: Fuga, Organ piece Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1
192	Laudate Dominum	8	-	Anonymous
Laudate Dominum Anonymous Appears on: 192 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Laudate dominum
192v	Fuga 5vv	5	[Presten]	Presten, Jorgen
Fuga 5vv Presten, Jorgen Appears on: 192v Genres: Fuga, Organ piece Source Attribution: [Presten] Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4
192v–193	Fuga	5	[Hack]	Hack, Matz
Fuga Hack, Matz Appears on: 192v–193 Genres: Fuga, Organ piece Source Attribution: [Hack] Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4
193v–194	Fuga	5	-	Anonymous
Fuga Anonymous Appears on: 193v–194 Genres: Fuga, Organ piece Number of voices: 5 Voice: [no designation] Languages: none Mensuration: o Clef: c4
194v–195	Toujours leal a ma maitresse tant que au corps	6	[Courtois]	Courtois, Jean (fl. 1530-1545)
Toujours leal a ma maitresse tant que au corps Courtois, Jean (fl. 1530-1545) Appears on: 194v–195 Genres: Chanson Source Attribution: [Courtois] Number of voices: 6 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Tout ior real
195v	Ach Herr siehe uns gnädig an aus Deinem thron	4	-	Anonymous
Ach Herr siehe uns gnädig an aus Deinem thron Anonymous Appears on: 195v Genres: Sacred Song Number of voices: 4 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ach Herr sihe uns gnedig ahn

Composer	Compositions
Abell, David (16th century)	Fuga – 190 Fuga 6vv Laudate – 189v In dulci jubilo nun singet und seid froh – 98v
Alamire, Petrus (ca. 1470-1536)	Tandernack auf dem Rhein lag – 14
Anonymous	Ach Herr siehe uns gnädig an aus Deinem thron – 195v Adieu mes amours on m'atent – 29v–30 Ale venture (A la venture l'entrepris cuidant gaigner?) – 25v Allein Gott in der Höh sei Ehr' und Dank – 81v Assumpta est Maria (2p. Beata est) – 38 Beatam me dicent omnes generationes – 61 Cent mille regrets me poursuivent – 141v–142 Ein Welsch tantz, Sprung – 83v–84 End aller not bringt unns der tod – 12v Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit – 55 Erhalt uns Herr bei Deinem Wort – 23 Et nunc ad Dominum / Spes mea in deo – 21v Et valde mane una sabbatorum veniunt – 56v–57 Fuga – 191v–192 Fuga – 193v–194 Gaudeamus omnes in Domino diem festum – 22 Glorificamus – 53 Herr Christ der einige Gottes Sonn – 81v Honorabile est inter omnes conjugium (2p. Propterea) – 14v–15 Ich ruff zu dir Herr Jesu Christ – 56 Laudate Dominum – 77v–78 Laudate Dominum – 192 Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi) – 49–50 Madonna io son – 3 Mich hat ein herzlieb seer hoch erfreud – 94v Mich wundert gar hart umb den roten – 153v Missa L'homme armé: Patrem omnipotentem – 173v–175v O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis – 50v O redemptor caeli et terrae – 82 Parcere prostratis – 151v–152 Quae est ista quae progreditur quasi aurora / Assumpta est Maria – 83v Quare tristis es anima mea – 141 Quem nos merito Periculum ... Inviolata integra – 58 Resonet in laudibus cum jocundis plausibus – 62 Scire voluntatem mihi est prima cura / Ach Gott schaff Deinen Willen – 17v Sic Deus dilexit mundum ut filium suum – 163 Sine nomine II: Nisi – 172 Sustinuit [anima mea in verbo eius?] – 65 Ut re mi fa sol la – 29v Verbum Domini manet in aeternum – 163 Verleih uns Frieden gnädiglich, Herr Gott – 23 Virgo verbo concepit virgo permansit – 55–56 Vrai Dieu – 23v–24 Welsch Tanz, Passemezo – 84 Zu hundert tausend all – 93v–94 [No description] – 154–161 [No description] – 182v–189 [No description] – inisde front cover–v [No description] – 99–140v [No description] – 41v–48v
Appenzeller, Benedictus (ca. 1480-ca. 1558)	Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv) – 166
Arcadelt, Jacques (ca. 1507-1568)	Pater noster qui es in caelis (8vv) – 171v–172
Barbé, Antoine (-1564)	(?) Allégez moi douce plaisant brunette 30.2 – 67v
Bauldeweyn, Noel (ca. 1480-1529)	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 58v
Bratel, Ulrich	So ich betracht und acht der alten Gesang – 10 Weil ich gross Gunst trag zu der Kunst – 9v–10
Bruck, Arnold von (ca. 1500-1554)	In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris) – 6v–7 Sancta Trinitas unus Deus miserere nobis (6vv) – 89v–90
Brumel, Antoine (ca. 1460-ca. 1513)	Agnus Dei – 78v–79
Caen, Arnold	(?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 5v (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 5v–6
Coclico, Adrianus Petit (ca. 1499-ca. 1562)	Nulla quidem virtus est principe dignior – 32v–33 Si consurrexistis cum Christo quae sursum – 180–180v Venite exultemus Domino (2p. Hodie si vocem) – 26v–28
Courtois, Jean (1530-1545)	Toujours leal a ma maitresse tant que au corps – 194v–195
Despres, Josquin (ca. 1450-1521)	(?) Allégez moi douce plaisant brunette 30.2 – 67v Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina – 58v–59v Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum – 59v (?) Ecce Dominus veniet nolite timere 14.5 – 82v Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] – 76v Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo – 71v Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit – 71v–72 In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio – 87 (?) Inviolata integra et casta es 24.5 (12vv) – 173 La Spagna (= Propter peccata 29.12) – 1v–2 (?) Laudate Dominum omnes gentes laudate eum 17.10 – 161v N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 – 2v Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis – 79v–80 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 80 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – 88 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud – 88v–89 Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem – 5 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire – 5
Eckel, Matthias	(?) Laudate Dominum omnes gentes laudate eum 17.10 – 161v
Ferrara, Maistre Jhan of (ca. 1485-1538)	Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino – 90v–91 Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus – 91v–92
Festa, Costanzo (ca. 1485-1545)	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) – 34v
Fevin, Antoine de (ca. 1470-ca. 1512)	Qui ne l'aimeroit la belle au corps – 167 Sancta Trinitas unus Deus miserere nobis (6vv) – 89v–90
Finck, Heinrich	(?) Ich stund an einem Morgen / Amica mea [S170 - 5vv] – 3v (?) Jesus Christus nostra salus – 163v Salve regina Salva nos – 3v
Gombert, Nicolas (ca. 1495-ca. 1560)	Constitues eos principes super omnem terram – 84v–86 In illo tempore loquente Jesu ad turbas – 70v–71 Missa Tempore paschali: Agnus Dei II (12vv) – 172v–173
Grefinger, Wolfgang	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 58v (?) Ach Maidlein rein ich hab allein – 12
Greiter, Matthias	Von üppiglichen dingen so wil ichs sehen – 9v
Hack, Matz	Fuga – 192v–193
Heintz, Wolff	(?) Laudate Dominum omnes gentes laudate eum 17.10 – 161v
Hellinck, Lupus (ca. 1494-1541)	(?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 5v (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 5v–6
Hesdin, Nicolle des Celliers de (-1538)	Helas ma dame a quoi tient il que je suis – 24
Heugel, Johannes	Der lermen (Lerman) – 153 Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis – 176v Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis – 176v–177
Isaac, Heinrich (ca. 1450-1517)	Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia – 50v–51 Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur – 51–51v
Janequin, Clement (ca. 1485-ca. 1558)	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils – 35v–36 Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan – 36v–37
Jonckers, Maistre Gosse	(?) Ecce Dominus veniet nolite timere 14.5 – 82v
Kugelmann, Johann (ca. 1495-1542)	Dem ewigen Gott sei Lob und Dank – 29 Nun last unss Christum bitten – 31v–32 Nun lob mein Seel den Herren – 12v–13 Zu schau mein Glück – 11
Kugelmann, Melchior (-1548)	Hilf mir mein lieber Herre mein auserwelter – 19v (?) O Herr ich klag das ich mein tag so hab – 18v (?) Von anfang her hat Gottes Eher reÿchlich – 13v Von Gott dem Herren haben wir das edle – 19 Von Gottes gnad rad und wunderthat – 22v (?) Von menschen her ist nie erhort was guttes – 18
Kugelmann, Paul (-1580)	Benedicamus – 95v–96 Ich klag mein not O Her mein Got – 28v
Mantua, Jacquet de (1483-1559)	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 65v–66 Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves – 66v–67
Moulu, Pierre (ca. 1484-ca. 1550)	(?) La rousée du mois de mai m'a gasté (II) – 57v
Mouton, Jean (ca. 1459-1522)	(?) La rousée du mois de mai m'a gasté (II) – 57v Nesciens mater virgo virum peperit – 162v
Othmayr, Caspar	Non somnos requiem / Mein tag mit unrue – 21 Quisquis requiem quaeris feminam cave – 73v
Paminger, Leonhard (1495-1567)	O profunditatem divitiarum sapientiae – 167–168 Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos – 39v–40 Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit – 40v–41
Phinot, Dominique	(?) Gaudent in caelis animae sanctorum – 162–161v Jam non dicam vos servos sed amicos (8vv) – 181v–182
Presten, Jorgen	Ach Herr siehe uns gnädig an aus Deinem thron – 39 Ach Herr, siehe uns gnädig an aus Deinem Thron – 152v Ach Herr, siehe uns gnädig an aus Deinem Thron – 164 Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te) – 142v–143 Christ bet und wach – 176 Christ ist erstanden von der Marter alle – 150v Christ ist erstanden von der Marter alle – 178 Commoda res et pulcra / Vertreu Gott allein – 19v–20 Der Gottlose Hauf – 83 Dies est laetitiae in ortu regali – 144 Erhalt uns Herr bei Deinem Wort – 147–148 Fuga 5vv – 192v Fuga 5vv – 190v Fuga 6vv – 191 Nun bitten wir den Heiligen Geist – 165 Peccavimus tibi quia dereliquimus te – 96v–97 Surge illuminare Jerusalem (2p. Tunc videbis) – 80v–81 Vater unser im Himmelreich, der du uns alle – 82v–83 Veni creator spiritus mentes tuorum – 56v
Richafort, Jean (ca. 1480-ca. 1550)	(?) Gaudent in caelis animae sanctorum – 162–161v (?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 5v (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 5v–6 (?) Si bona suscepimus de manu Domini – 33v–34
Rupsch, Conrad	(?) Nun bitten wir den heiligen geist (5vv) – 13
Senfl, Ludwig (ca. 1486-ca. 1543)	Ach Maidlein rein ich hab allein – 12 Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius) – 68v–70 Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus – 67v–68 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis – 68 Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto – 68v Conditor alme siderum aeterna lux – 31 (?) Ecce Dominus veniet nolite timere 14.5 – 82v (?) En quam honesta et jucunda res est – 92v–93 Ich klag den tag und alle stund – 74 (?) Ich stund an einem Morgen / Amica mea [S170 - 5vv] – 3v Ich will mich glucks betragen wol – 74 Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen – 73 Mit Lust tritt ich in diesen Tanz – 72v Philippe qui videt me alleluia (6vv, M84) – 53v Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal) – 53v–54 Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74) – 51v–53 Vivo ego dicit Dominus nolo mortem (2p. Quis scit si convertatur et ignoscat) – 30v–31 Wiewohl viel herter Orden sind – 77
Sporer, Thomas	Frolich muss ich singen kein traurigkeit – 11–12
Stoltzer, Thomas (ca. 1480-1526)	Nesciens mater virgo virum peperit – 144v–146
Tham, S.	Mein Augen sind allzeit zu Dir, Herre – 170–171 Salva nos Domine vigilantes custodi nos – 168v–169
Verdelot, Philippe (ca. 1480-ca. 1532)	Altro non è el mio amor ch'el proprio (2p. Adunqu' il proprio infern'e l'amor mio) – 24v–25 (?) Gaudent in caelis animae sanctorum – 162–161v (?) Si bona suscepimus de manu Domini – 33v–34
Walter, Johann (1496-1570)	Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris) – 148–150 Der Tag, der ist so freudenreich – 1 Gelobet seist Du, Jesu Christ, dass Du Mensch – 97v In dulci jubilo nun singet und seid froh – 97v–98 Jesaja dem Propheten das geschah – 7v–9 Nun bitten wir den heiligen geist (5vv) – 13 Verbum Domini manet in aeternam – 61 Wir glauben all an einen Gott [Credo] (I) (4vv) – 62–63
Wannenmacher, Johannes (ca. 1485-1551)	An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen – 64
Willaert, Adrian (ca. 1490-1562)	(?) Allégez moi douce plaisant brunette 30.2 – 67v Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime – 74v–75 Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes – 75v–76 Forma decens mores casti / Alles in Ehren – 20v
Wolff, Martin	Ach unfalls neid belänglich zeit – 9
Zacharias, Johannes	Quia vidisti me Thoma credidisti – 24v
le Brun, Jean (early 16th century)	(?) Allégez moi douce plaisant brunette 30.2 – 67v

Composition	Composers (? Uncertain)	Folios / Pages
Ach Gott wem soll ichs klagen das heimliche leiden	Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?)	58v
Ach Herr siehe uns gnädig an aus Deinem thron	Presten, Jorgen	39
Ach Herr siehe uns gnädig an aus Deinem thron	Anonymous	195v
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	152v
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	164
Ach Maidlein rein ich hab allein	Senfl, Ludwig (ca. 1486–ca. 1543) Grefinger, Wolfgang (?)	12
Ach unfalls neid belänglich zeit	Wolff, Martin	9
Adieu mes amours on m'atent	Anonymous	29v–30
Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	78v–79
Ale venture (A la venture l'entrepris cuidant gaigner?)	Anonymous	25v
Allein Gott in der Höh sei Ehr' und Dank	Anonymous	81v
Allégez moi douce plaisant brunette 30.2	Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Willaert, Adrian (ca. 1490–1562) (?) Barbé, Antoine (–1564) (?)	67v
Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius)	Senfl, Ludwig (ca. 1486–ca. 1543)	68v–70
Altro non è el mio amor ch'el proprio (2p. Adunqu' il proprio infern'e l'amor mio)	Verdelot, Philippe (ca. 1480–ca. 1532)	24v–25
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen	Wannenmacher, Johannes (ca. 1485–1551)	64
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus	Senfl, Ludwig (ca. 1486–ca. 1543)	67v–68
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis	Senfl, Ludwig (ca. 1486–ca. 1543)	68
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto	Senfl, Ludwig (ca. 1486–ca. 1543)	68v
Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te)	Presten, Jorgen	142v–143
Assumpta est Maria (2p. Beata est)	Anonymous	38
Beatam me dicent omnes generationes	Anonymous	61
Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris)	Walter, Johann (1496–1570)	148–150
Benedicamus	Kugelmann, Paul (–1580)	95v–96
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	Despres, Josquin (ca. 1450–1521)	58v–59v
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	Despres, Josquin (ca. 1450–1521)	59v
Cent mille regrets me poursuivent	Anonymous	141v–142
Christ bet und wach	Presten, Jorgen	176
Christ ist erstanden von der Marter alle	Presten, Jorgen	150v
Christ ist erstanden von der Marter alle	Presten, Jorgen	178
Commoda res et pulcra / Vertreu Gott allein	Presten, Jorgen	19v–20
Conditor alme siderum aeterna lux	Senfl, Ludwig (ca. 1486–ca. 1543)	31
Constitues eos principes super omnem terram	Gombert, Nicolas (ca. 1495–ca. 1560)	84v–86
Dem ewigen Gott sei Lob und Dank	Kugelmann, Johann (ca. 1495–1542)	29
Der Gottlose Hauf	Presten, Jorgen	83
Der lermen (Lerman)	Heugel, Johannes	153
Der Tag, der ist so freudenreich	Walter, Johann (1496–1570)	1
Dies est laetitiae in ortu regali	Presten, Jorgen	144
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime	Willaert, Adrian (ca. 1490–1562)	74v–75
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes	Willaert, Adrian (ca. 1490–1562)	75v–76
Ecce Dominus veniet nolite timere 14.5	Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	82v
Ein Welsch tantz, Sprung	Anonymous	83v–84
En quam honesta et jucunda res est	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	92v–93
End aller not bringt unns der tod	Anonymous	12v
Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit	Anonymous	55
Erhalt uns Herr bei Deinem Wort	Anonymous	23
Erhalt uns Herr bei Deinem Wort	Presten, Jorgen	147–148
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils	Janequin, Clement (ca. 1485–ca. 1558)	35v–36
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan	Janequin, Clement (ca. 1485–ca. 1558)	36v–37
Et nunc ad Dominum / Spes mea in deo	Anonymous	21v
Et valde mane una sabbatorum veniunt	Anonymous	56v–57
Forma decens mores casti / Alles in Ehren	Willaert, Adrian (ca. 1490–1562)	20v
Frolich muss ich singen kein traurigkeit	Sporer, Thomas	11–12
Fuga	Abell, David (fl. 16th century)	190
Fuga	Anonymous	191v–192
Fuga	Hack, Matz	192v–193
Fuga	Anonymous	193v–194
Fuga 5vv	Presten, Jorgen	190v
Fuga 5vv	Presten, Jorgen	192v
Fuga 6vv	Presten, Jorgen	191
Fuga 6vv Laudate	Abell, David (fl. 16th century)	189v
Gaudeamus omnes in Domino diem festum	Anonymous	22
Gaudent in caelis animae sanctorum	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?)	162–161v
Gelobet seist Du, Jesu Christ, dass Du Mensch	Walter, Johann (1496–1570)	97v
Glorificamus	Anonymous	53
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	Despres, Josquin (ca. 1450–1521)	76v
Helas ma dame a quoi tient il que je suis	Hesdin, Nicolle des Celliers de (–1538)	24
Herr Christ der einige Gottes Sonn	Anonymous	81v
Hilf mir mein lieber Herre mein auserwelter	Kugelmann, Melchior (–1548)	19v
Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino	Ferrara, Maistre Jhan of (ca. 1485–1538)	90v–91
Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus	Ferrara, Maistre Jhan of (ca. 1485–1538)	91v–92
Honorabile est inter omnes conjugium (2p. Propterea)	Anonymous	14v–15
Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Despres, Josquin (ca. 1450–1521)	71v
Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit	Despres, Josquin (ca. 1450–1521)	71v–72
Ich klag den tag und alle stund	Senfl, Ludwig (ca. 1486–ca. 1543)	74
Ich klag mein not O Her mein Got	Kugelmann, Paul (–1580)	28v
Ich ruff zu dir Herr Jesu Christ	Anonymous	56
Ich stund an einem Morgen / Amica mea [S170 - 5vv]	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Finck, Heinrich (?)	3v
Ich will mich glucks betragen wol	Senfl, Ludwig (ca. 1486–ca. 1543)	74
In civitate Domini ibi sonant jugiter (2p. Quia dixisti nolo mortem peccatoris)	Bruck, Arnold von (ca. 1500–1554)	6v–7
In dulci jubilo nun singet und seid froh	Walter, Johann (1496–1570)	97v–98
In dulci jubilo nun singet und seid froh	Abell, David (fl. 16th century)	98v
In illo tempore loquente Jesu ad turbas	Gombert, Nicolas (ca. 1495–ca. 1560)	70v–71
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio	Despres, Josquin (ca. 1450–1521)	87
Inviolata integra et casta es 24.5 (12vv)	Despres, Josquin (ca. 1450–1521) (?)	173
Jam non dicam vos servos sed amicos (8vv)	Phinot, Dominique	181v–182
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	Caen, Arnold (?) Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	5v
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?) Caen, Arnold (?)	5v–6
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	Festa, Costanzo (ca. 1485–1545)	34v
Jesaja dem Propheten das geschah	Walter, Johann (1496–1570)	7v–9
Jesus Christus nostra salus	Finck, Heinrich (?)	163v
Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen	Senfl, Ludwig (ca. 1486–ca. 1543)	73
La rousée du mois de mai m'a gasté (II)	Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	57v
La Spagna (= Propter peccata 29.12)	Despres, Josquin (ca. 1450–1521)	1v–2
Laudate Dominum	Anonymous	77v–78
Laudate Dominum	Anonymous	192
Laudate Dominum omnes gentes laudate eum 17.10	Eckel, Matthias (?) Despres, Josquin (ca. 1450–1521) (?) Heintz, Wolff (?)	161v
Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi)	Anonymous	49–50
Madonna io son	Anonymous	3
Mein Augen sind allzeit zu Dir, Herre	Tham, S.	170–171
Mich hat ein herzlieb seer hoch erfreud	Anonymous	94v
Mich wundert gar hart umb den roten	Anonymous	153v
Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv)	Appenzeller, Benedictus (ca. 1480–ca. 1558)	166
Missa L'homme armé: Patrem omnipotentem	Anonymous	173v–175v
Missa Tempore paschali: Agnus Dei II (12vv)	Gombert, Nicolas (ca. 1495–ca. 1560)	172v–173
Mit Lust tritt ich in diesen Tanz	Senfl, Ludwig (ca. 1486–ca. 1543)	72v
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17	Despres, Josquin (ca. 1450–1521)	2v
Nesciens mater virgo virum peperit	Stoltzer, Thomas (ca. 1480–1526)	144v–146
Nesciens mater virgo virum peperit	Mouton, Jean (ca. 1459–1522)	162v
Non somnos requiem / Mein tag mit unrue	Othmayr, Caspar	21
Nulla quidem virtus est principe dignior	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	32v–33
Nun bitten wir den Heiligen Geist	Presten, Jorgen	165
Nun bitten wir den heiligen geist (5vv)	Walter, Johann (1496–1570) Rupsch, Conrad (?)	13
Nun last unss Christum bitten	Kugelmann, Johann (ca. 1495–1542)	31v–32
Nun lob mein Seel den Herren	Kugelmann, Johann (ca. 1495–1542)	12v–13
O Herr ich klag das ich mein tag so hab	Kugelmann, Melchior (–1548) (?)	18v
O profunditatem divitiarum sapientiae	Paminger, Leonhard (1495–1567)	167–168
O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis	Anonymous	50v
O redemptor caeli et terrae	Anonymous	82
Parcere prostratis	Anonymous	151v–152
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis	Heugel, Johannes	176v
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis	Heugel, Johannes	176v–177
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis	Despres, Josquin (ca. 1450–1521)	79v–80
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Despres, Josquin (ca. 1450–1521)	80
Pater noster qui es in caelis (8vv)	Arcadelt, Jacques (ca. 1507–1568)	171v–172
Peccavimus tibi quia dereliquimus te	Presten, Jorgen	96v–97
Philippe qui videt me alleluia (6vv, M84)	Senfl, Ludwig (ca. 1486–ca. 1543)	53v
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	88
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Despres, Josquin (ca. 1450–1521)	88v–89
Quae est ista quae progreditur quasi aurora / Assumpta est Maria	Anonymous	83v
Quare tristis es anima mea	Anonymous	141
Quem nos merito Periculum ... Inviolata integra	Anonymous	58
Qui ne l'aimeroit la belle au corps	Fevin, Antoine de (ca. 1470–ca. 1512)	167
Quia vidisti me Thoma credidisti	Zacharias, Johannes	24v
Quisquis requiem quaeris feminam cave	Othmayr, Caspar	73v
Resonet in laudibus cum jocundis plausibus	Anonymous	62
Salva nos Domine vigilantes custodi nos	Tham, S.	168v–169
Salve regina Salva nos	Finck, Heinrich	3v
Sancta Trinitas unus Deus miserere nobis (6vv)	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)	89v–90
Scire voluntatem mihi est prima cura / Ach Gott schaff Deinen Willen	Anonymous	17v
Si bona suscepimus de manu Domini	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	33v–34
Si consurrexistis cum Christo quae sursum	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	180–180v
Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos	Paminger, Leonhard (1495–1567)	39v–40
Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit	Paminger, Leonhard (1495–1567)	40v–41
Sic Deus dilexit mundum ut filium suum	Anonymous	163
Sine nomine II: Nisi	Anonymous	172
So ich betracht und acht der alten Gesang	Bratel, Ulrich	10
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	Despres, Josquin (ca. 1450–1521)	5
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	Despres, Josquin (ca. 1450–1521)	5
Surge illuminare Jerusalem (2p. Tunc videbis)	Presten, Jorgen	80v–81
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	Mantua, Jacquet de (1483–1559)	65v–66
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves	Mantua, Jacquet de (1483–1559)	66v–67
Sustinuit [anima mea in verbo eius?]	Anonymous	65
Tandernack auf dem Rhein lag	Alamire, Petrus (ca. 1470–1536)	14
Toujours leal a ma maitresse tant que au corps	Courtois, Jean (fl. 1530-1545)	194v–195
Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal)	Senfl, Ludwig (ca. 1486–ca. 1543)	53v–54
Ut re mi fa sol la	Anonymous	29v
Vater unser im Himmelreich, der du uns alle	Presten, Jorgen	82v–83
Veni creator spiritus mentes tuorum	Presten, Jorgen	56v
Venite exultemus Domino (2p. Hodie si vocem)	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	26v–28
Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74)	Senfl, Ludwig (ca. 1486–ca. 1543)	51v–53
Verbum Domini manet in aeternam	Walter, Johann (1496–1570)	61
Verbum Domini manet in aeternum	Anonymous	163
Verleih uns Frieden gnädiglich, Herr Gott	Anonymous	23
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia	Isaac, Heinrich (ca. 1450–1517)	50v–51
Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur	Isaac, Heinrich (ca. 1450–1517)	51–51v
Virgo verbo concepit virgo permansit	Anonymous	55–56
Vivo ego dicit Dominus nolo mortem (2p. Quis scit si convertatur et ignoscat)	Senfl, Ludwig (ca. 1486–ca. 1543)	30v–31
Von anfang her hat Gottes Eher reÿchlich	Kugelmann, Melchior (–1548) (?)	13v
Von Gott dem Herren haben wir das edle	Kugelmann, Melchior (–1548)	19
Von Gottes gnad rad und wunderthat	Kugelmann, Melchior (–1548)	22v
Von menschen her ist nie erhort was guttes	Kugelmann, Melchior (–1548) (?)	18
Von üppiglichen dingen so wil ichs sehen	Greiter, Matthias	9v
Vrai Dieu	Anonymous	23v–24
Weil ich gross Gunst trag zu der Kunst	Bratel, Ulrich	9v–10
Welsch Tanz, Passemezo	Anonymous	84
Wiewohl viel herter Orden sind	Senfl, Ludwig (ca. 1486–ca. 1543)	77
Wir glauben all an einen Gott [Credo] (I) (4vv)	Walter, Johann (1496–1570)	62–63
Zu hundert tausend all	Anonymous	93v–94
Zu schau mein Glück	Kugelmann, Johann (ca. 1495–1542)	11

Set: MS Gamle kongelige Samling 1872, 4°

Type: Partbooks

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (I) [Quintus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (II) [Discantus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (III) [Altus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (IV) [Tenor]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (V) [Bassus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (VI) [Sexta]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (VII) [7a vox]

‡ denotes primary source study

Brown, Howard Mayer. 1976. Accidentals and Ornamentation in Sixteenth-Century Intabulations of Josquin's Motets. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 516. Notes: concordances (partial).

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 138. Notes: concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 365, passim. Notes: mention of MS; concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, ix. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 171. Notes: concordances (partial).

Müller-Blattau, Joseph. 1968. Geschichte der Musik in Ost- und Westpreussen. Wolfenbüttel and Zürich. Pages: 29ff, Tafel 1. Notes: mention of MS; facsimile (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 288-9, 312-4. Notes: concordances (partial); incipits (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xiii. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description.

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers. The Hague. Pages: 186-90, 336-56. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXVI, 153,164; LXX.95-6,193,198. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud (editor). 1933-. Dania Sonans. Copenhagen, Leipzig, and Egtved. Pages: IV-VI, passim. Notes: physical description; contents list; concordances (partial); transcription (partial); texts (partial); mention of MS; discussion.

Loge, Eckhard. 1931. Eine Messen- und Motettenhandschrift des Kantors Matthias Krüger aus der Musikbibliothek Herzog Albrechts von Preussen. Königsberger Studien zur Musikwissenschaft, vol. 12. Kassel. Notes: contents list.

Foss, Julius. 1923. Det kgl. Cantoris Stemmeb0ger A.D. 1541. Aarbog for Musik, 24-40. Notes: physical description; contents list; transcription (partial); facsimile (partial).

Hammerich, Angui. 1921. Dansk Musikhistorie indtil ca. 1700. Copenhagen. Pages: 130ff. Notes: physical description.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note