DK-Kk MS Gamle kongelige Samling 1872, 4° (VI) [Sexta]

Det Kongelige Bibliotek, Copenhagen, Denmark

partbook: c. 1540s

Archive	Det Kongelige Bibliotek, Copenhagen, Denmark (DK-Kk)
Shelfmark	MS Gamle kongelige Samling 1872, 4° (VI) [Sexta]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	c. 160 x 200 mm
Other Identifiers	CCM: CopKB 1872
Notations	black void mensural
Copyists	Heyde, Jorgen Music
Relationships	Johann Friedrich I (1503–1554) (dedicatee) Heinrich, Duke of Brunswick (dedicatee) Christian III (1503–1559) (dedicatee) Albert of Prussia (1490–1568) (dedicatee)
External Links	images index
Provenance	Königsberg, Prussia
Contents	Contains 112 compositions, 80 from 36 composers, 32 are anonymous.

General Description

A Sextus partbook from a set originally of eight volumes. Pieces are arranged in sections by number of voices (5-6-7-8+) with blank folios separating sections; pieces were apparently copied into the manuscript at different times. Most pieces have only text incipits, though several are completely untexted; a few pieces are fully-texted in the Bassus book only.

Copied by Jørgen Heyde [= Georg Hayd], a musician at the Danish royal court. Dedicatory canons in IV (ff. 17v ff) to King Christian III of Denmark, Duke Albert of Prussia, Duke Heinrich of Brunswick, Johann Friedrich I, Elector of Saxony; another piece dedicated to Elector Johann Friedrich is in VI (new f. 106). Instruments are specified for some of the pieces.

The manuscript is related to CopKB 1873. Copied for the Danish court in Copenhagen, but repertory has close connections with courts in Saxony and Prussia (CreAC); copied in Königsberg (MülleGMP).

DIAMM, 2026

Binding

Brown leather covers, dated 1541

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

page numbering begins at 48 in VI, and at 140 in VII, to match numbering in other volumes

DIAMM, 2026

Foliation

Original and modern foliation.

DIAMM, 2017

Index

Several of the books have incomplete original indices in front; general index by Julius Foss (1914), with subsequent pencil additions.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Agnus, 77 motets, 57 German sacred and secular pieces, 11 French secular pieces, 1 Italian secular piece (all of the preceding have text incipits only), 13 pieces entitled "Fuga" (some of which have additional text incipits), 3 textless pieces = 165

Abell-4, Appenzeller [Benedictus]-1, (Barbé/Josquin/Lebrun/Willaert)-1, (Bauldeweyn/Grefinger)-1, (Braetel)-1, (Breitengraser?)-1, (Bruck)-1, Brumel-1, (Caen/Lupus/Richafort)-1, Coclico-3, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Eckel/(Josquin)-1, C. Festa-1, A. Févin -1, Finck-2, Gombert-3, (Greitter)-1, Hack-1, Heugel-2, (Isaac)-1, (Janequin/Verdelot)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-1, S. Jhan(?)-2, Josquin-9, J. Kugelmann-4?, (M. Kugelmann?)-1, P. Kugelmann-1, Mouton-1, (Mouton/Moulu)-1, (Müller)-1, Othmayr-1, (Paminger)-1, (Phinot)-1, Presten-19, Senfl-12, Stoltzer-1, Verdelot-S, (Walter)-9?, (Wannenmacher)-1, Willaert-2, (J. Zacharias)-1, anon-62

7 paper partbooks of an original 8 (I-212 folios, II-210, III-212, IV-196, V-213, VI-154, VII-54), ca. 160 x 200. The first 48 folios are missing in VI; first 140 folios are missing from VII. Pieces were apparently copied into the manuscript at different times; sections of blank folios alternate with copied sections. Original and modern foliation. Brown leather covers, dated 1541. Several of the books have incomplete original indices in front; general index by Julius Foss (1914), with subsequent pencil additions. Scribe: Matthias Krüger? (LogeM). Dedicatory canons in IV (ff. 17'ff) to King Christian III of Denmark, Duke Albert of Prussia, Duke Heinrich of Brunswick, Johann Friedrich I, Elector of Saxony, and the Duchess of Saxony; another piece dedicated to Elector Johann Friedrich is in VI (new f. 106). Instruments are specified for some of the pieces. The manuscript is related to CopKB 1873.

Copying begun in 1541; dates from 1541 to 1543 found in manuscript. Copied for the Danish court in Copenhagen, but repertory has close connections with courts in Saxony and Prussia (CreAC); copied in Königsberg (MülleGMP).

Vol. 4

Contents: 1 Credo, 3 Agnus, 2 hymns, 69 motets, 1 Latin/German sacred piece, 36 German sacred pieces, 5 Latin or Latin/German dedicatory pieces, 21 German secular pieces (1 also has sacred version), 10 French secular pieces, 2 Italian secular pieces, 13 textless pieces with Latin, German, or Italian titles = 163

Composers: Abell-3, (Alamire?)-1, Appenzeller [Benedictus]/(Ducis)-1, (Arcadelt)-1, (Barbé/Josquin/Lebrun/Willaert)-1, (Bauldeweyn/Grefinger)-1, (Braetel)-2, (Bruck)-1, Brumel-1, (Caen/Lupus/Richafort)-1, Coclico-3, (Courtois)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Eckel/(Heintz/Josquin)-1, C. Festa-1, A. Févin-1, Finck-2, Finck/ (Senfl)-1, Gombert-3, (Greitter)-1, Hack-1, Heugel-2, (Isaac)-1, (Janequin-Verdelot)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-1, Josquin-9, (Josquin/ Senfl)-1, J. Kugelmann-4, (M. Kugelmann)-4 + 2?, P. Kugelmann-2, (Moulu/ Mouton)-1, Mouton-1, Othmayr-2, (Paminger)-2, (Phinot)-1, Presten-19, Senfl-13, (Sporer)-1, Stoltzer-1, Tham-2, Verdelot-1, Verdelot/(Phinot/Richafort)-1, Verdelot/( Richafort)-1, (Walter)-8, (Wannenmacher)-1, Willaert-2, (Wolff)-1, (J. Zacharias)-1, anon-47

Physical: Delete "Scribe: Matthias Krüger? (LogeM)." Add: "Copied by Jørgen Heyde [= Georg Hayd], a musician at the Danish royal court." Remove reference to "Duchess of Saxony" three lines from bottom of this paragraph.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
49–50	Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi)	6	-	Anonymous
Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi) Anonymous Appears on: 49–50 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Letabundus II: [Sicut sidus radium profert virgo] III: [Neque sidus radio neque virgo] IV: [Cedrus alta Libani conformatur] V: [Verbum mens altissimi corporari]
50v	O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis	6	-	Anonymous
O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis Anonymous Appears on: 50v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [O quam glorifica luce] 4 Hoc largire
50v–51	Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia	6	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia Isaac, Heinrich (ca. 1450–1517) Appears on: 50v–51 Genres: Motet Source Attribution: [Isaac] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Virgo prudentissima
51–51v	Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur	6	-	Isaac, Heinrich (ca. 1450–1517)
Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur Isaac, Heinrich (ca. 1450–1517) Appears on: 51–51v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: Secunda pars : untexted [Vos Michael Gabriel Raphael]
52v–55	Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74)	6	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 52v–55 Genres: Responsory Source Attribution: Ludovicus Senfl Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Verbum caro factum est II: Plenum gracia III: In principio erat verbum General Note f. 53v is numbered 54, and the following folio is 55
55	Glorificamus	6	-	Anonymous
Glorificamus Anonymous Appears on: 55 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Glorificamus
55	Philippe qui videt me alleluia (6vv, M84)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Philippe qui videt me alleluia (6vv, M84) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 55 Genres: Alleluia, Motet Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Phillippe qui videt me alleluia
55v–56	Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 55v–56 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Trinck Lang und klinck Lang [= Nun kumbt hieher all helft mir einmal]
56	Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit	6	-	Anonymous
Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit Anonymous Appears on: 56 Genres: Chorale, Sacred Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Erbarm dich meÿn O herre gott
57	Virgo verbo concepit virgo permansit	6	-	Anonymous
Virgo verbo concepit virgo permansit Anonymous Appears on: 57 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Virgo verbo General Note after f. 56 foliation is replaced by pagination until 60, when foliation resumes
57–58	Ich ruff zu dir Herr Jesu Christ	6	-	Anonymous
Ich ruff zu dir Herr Jesu Christ Anonymous Appears on: 57–58 Genres: Chorale, Sacred Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ich ruff zu dir Herr Jhesu Christ General Note after f. 56 foliation is replaced by pagination until 60, when foliation resumes
58	Veni creator spiritus mentes tuorum	6	Jorgen Presten	Presten, Jorgen
Veni creator spiritus mentes tuorum Presten, Jorgen Appears on: 58 Genres: Veni creator spiritus Source Attribution: Jorgen Presten Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Veni creator General Note after f. 56 foliation is replaced by pagination until 60, when foliation resumes
59	Et valde mane una sabbatorum veniunt	6	-	Anonymous
Et valde mane una sabbatorum veniunt Anonymous Appears on: 59 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et valde mane General Note after f. 56 foliation is replaced by pagination until 60, when foliation resumes
60	La rousée du mois de mai m'a gasté (II)	6	[Moulu/Mouton]	Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)
La rousée du mois de mai m'a gasté (II) Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 60 Genres: Chanson Source Attribution: [Moulu/Mouton] Number of voices: 6 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: La rouste Du moÿs [= La rousée du moys de may]
60v–61	Quem nos merito Periculum ... Inviolata integra	6	-	Anonymous
Quem nos merito Periculum ... Inviolata integra Anonymous Appears on: 60v–61 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quem nos merito
61	Ach Gott wem soll ichs klagen das heimliche leiden	6	[Bauldeweyn/Grefinger]	Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?)
Ach Gott wem soll ichs klagen das heimliche leiden Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?) Appears on: 61 Genres: Song Source Attribution: [Bauldeweyn/Grefinger] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach got wem sol ichs klagen [= En douleur en tristesse]
61v–62	Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina Despres, Josquin (ca. 1450–1521) Appears on: 61v–62 Genres: Motet Source Attribution: [Josquin] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Benedicta es celorum General Note The 2a pars duo is omitted in this ms.
62	Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	6	-	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum Despres, Josquin (ca. 1450–1521) Appears on: 62 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c 3 Clef: c4 Voice Text: Secunda pars : untexted [=3p, Nunc mater exora] General Note As in most other books, this pars is copied in full but then crossed through
62v	Verbum Domini manet in aeternam	6	[Walter]	Walter, Johann (1496–1570)
Verbum Domini manet in aeternam Walter, Johann (1496–1570) Appears on: 62v Genres: Motet Source Attribution: [Walter] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Verbum domini Manet inn Eternum General Note "Resolutio ex Tenore"
62v	Beatam me dicent omnes generationes	6	-	Anonymous
Beatam me dicent omnes generationes Anonymous Appears on: 62v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Beatam me dicent omnes gentes
63	Resonet in laudibus cum jocundis plausibus	6	-	Anonymous
Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 63 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-o 3 Clef: c1 Voice Text: Resonet in Laudibus
63v	Wir glauben all an einen Gott [Credo] (I) (4vv)	6	[Walter]	Walter, Johann (1496–1570)
Wir glauben all an einen Gott [Credo] (I) (4vv) Walter, Johann (1496–1570) Appears on: 63v Genres: Chorale, Credo (patrem omnipotentem), Sacred Song Source Attribution: [Walter] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Wir Glauben all an einen gott
64	An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen	6	[Wannenmacher]	Wannenmacher, Johannes (ca. 1485–1551)
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen Wannenmacher, Johannes (ca. 1485–1551) Appears on: 64 Genres: Song Source Attribution: [Wannenmacher] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Du schnöde Tochter babilon
64v–65	Sustinuit [anima mea in verbo eius?]	6	-	Anonymous
Sustinuit [anima mea in verbo eius?] Anonymous Appears on: 64v–65 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sustinuit [anima mea in verbo eius?]
65v–66	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	6	[Jaquet of Mantua]	Mantua, Jacquet de (1483–1559)
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis Mantua, Jacquet de (1483–1559) Appears on: 65v–66 Genres: Motet Source Attribution: [Jaquet of Mantua] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Surge petre Et inndue te vestimentis tuis
66v–67	Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves	6	-	Mantua, Jacquet de (1483–1559)
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves Mantua, Jacquet de (1483–1559) Appears on: 66v–67 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Secunda pars : Si diligis me
67v	Allégez moi douce plaisant brunette 30.2	6	[Barbé/Josquin/Lebrun/ Willaert]	Willaert, Adrian (ca. 1490–1562) (?) Barbé, Antoine (–1564) (?) Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?)
Allégez moi douce plaisant brunette 30.2 Willaert, Adrian (ca. 1490–1562) (?) Barbé, Antoine (–1564) (?) Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Appears on: 67v Genres: Chanson Source Attribution: [Barbé/Josquin/Lebrun/ Willaert] Number of voices: 6 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Alligies moÿ [= Allégez moy douce plaisant brunette] 30.2
67v–68	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 67v–68 Genres: Motet Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Anima mea
68v	Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis	6	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 68v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: 2a pars : untexted [Invenerunt me]
68a	Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto	6	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 68a Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: 3a pars : untexted [Filie Hierusalem]
68a_v–70	Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius)	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 68a_v–70 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Alma Redemptoris II: untexted [Tu quae genuisti] III: untexted [Virgo prius]
70v–71	In illo tempore loquente Jesu ad turbas	6	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
In illo tempore loquente Jesu ad turbas Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 70v–71 Genres: Motet Source Attribution: [Gombert] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In illo tempore
71v–72	Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Despres, Josquin (ca. 1450–1521) Appears on: 71v–72 Genres: Motet Source Attribution: [Josquin] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Huc me sidereo
72v	Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit	6	-	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit Despres, Josquin (ca. 1450–1521) Appears on: 72v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Secunda pars : untexted [Felle sitim]
73	Mit Lust tritt ich in diesen Tanz	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Mit Lust tritt ich in diesen Tanz Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 73 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Mit Lust trit ich an disen tantz
73v	Quisquis requiem quaeris feminam cave	6	[Othmayr]	Othmayr, Caspar
Quisquis requiem quaeris feminam cave Othmayr, Caspar Appears on: 73v Genres: Motet Source Attribution: [Othmayr] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Mulier (c.f.)
73v	Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 73v Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: g2 Voice Text: [Kein adler[ Es taget vor dem feltze General Note "Kein Adler inn der wellt so schönn", in A2 (V): "Kein adler / Ich stund an einem Morg[en]", in D2 (VI): "Kein adler / Es taget vor dem holtze" in indices
74	Ich will mich glucks betragen wol	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich will mich glucks betragen wol Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 74 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ich will mich Glucks betragen wol
74	Ich klag den tag und alle stund	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich klag den tag und alle stund Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 74 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ich klag den tag unnd alle stund
75	Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime	6	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime Willaert, Adrian (ca. 1490–1562) Appears on: 75 Genres: Motet Source Attribution: [Willaert] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [Domine Jhesu] Gaudent in celis General Note after f. 74 foliation is replaced by pagination 75-78 then foliation resumes
76	Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes	6	-	Willaert, Adrian (ca. 1490–1562)
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes Willaert, Adrian (ca. 1490–1562) Appears on: 76 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : ... Gaudent in celis General Note after f. 74 foliation is replaced by pagination 75-78 then foliation resumes
77	Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] Despres, Josquin (ca. 1450–1521) Appears on: 77 Genres: Chanson, Contrafactum, Motet Source Attribution: [Josquin] Number of voices: 6 Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hec Dicit Dominus
77	Wiewohl viel herter Orden sind	6	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Wiewohl viel herter Orden sind Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 77 Genres: Song Source Attribution: [Senfl] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Wie wol vil hortter ordenn seind
78	Laudate Dominum	6	-	Anonymous
Laudate Dominum Anonymous Appears on: 78 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Laudate dominum
78v–79	Agnus Dei	6	Antoni Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 78v–79 Genres: Agnus Dei, Mass Ordinary Source Attribution: Antoni Brumel Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Agnus dei
79v–80	Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis	6	[Josquin]	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis Despres, Josquin (ca. 1450–1521) Appears on: 79v–80 Genres: Ave Maria, Motet Source Attribution: [Josquin] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pater noster
80v–80a	Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	6	-	Despres, Josquin (ca. 1450–1521)
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Despres, Josquin (ca. 1450–1521) Appears on: 80v–80a Genres: Ave Maria, Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : untexted [Ave Maria gratia plena]
80a_v–82	Surge illuminare Jerusalem (2p. Tunc videbis)	6	[Presten]	Presten, Jorgen
Surge illuminare Jerusalem (2p. Tunc videbis) Presten, Jorgen Appears on: 80a_v–82 Genres: Motet Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Surge illuminare Jerusalem II: Tunc vedebis
82v	Allein Gott in der Höh sei Ehr' und Dank	6	-	Anonymous
Allein Gott in der Höh sei Ehr' und Dank Anonymous Appears on: 82v Genres: Sacred Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c-dot Clef: c1 Voice Text: Allein Gott inn der hoch sey ehr
82v	Herr Christ der einige Gottes Sonn	6	-	Anonymous
Herr Christ der einige Gottes Sonn Anonymous Appears on: 82v Genres: Caccia, Chorale Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c Clef: c1 Voice Text: Herr Christ der einig Gottes Son
82a	O redemptor caeli et terrae	6	-	Anonymous
O redemptor caeli et terrae Anonymous Appears on: 82a Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: O redemptor coeli & terrae
82a_v	Ecce Dominus veniet nolite timere 14.5	6	[Jonckers/Josquin/ Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Jonckers, Maistre Gosse (?) Despres, Josquin (ca. 1450–1521) (?)
Ecce Dominus veniet nolite timere 14.5 Senfl, Ludwig (ca. 1486–ca. 1543) (?) Jonckers, Maistre Gosse (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 82a_v Genres: Motet Source Attribution: [Jonckers/Josquin/ Senfl] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ecce Dominus veniet General Note additional 6th voice added to the usual 5vv -- as also in DK-Kk MS Gamle kongelige Samling 1873, 4°
83	Vater unser im Himmelreich, der du uns alle	6	Jorgen Presten	Presten, Jorgen
Vater unser im Himmelreich, der du uns alle Presten, Jorgen Appears on: 83 Genres: Chorale, Sacred Song Source Attribution: Jorgen Presten Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c Clef: g2 Voice Text: Vater unser im himelreich Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 General Note a second voice part, marked "auff pusune", at foot of page apparently belongs to this piece - though the time signature is cut-c not c
83v	Der Gottlose Hauf	6	[Presten]	Presten, Jorgen
Der Gottlose Hauf Presten, Jorgen Appears on: 83v Genres: Motet Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: c Clef: c1 Voice Text: Der gotloss hauff
84	Quae est ista quae progreditur quasi aurora / Assumpta est Maria	6	-	Anonymous
Quae est ista quae progreditur quasi aurora / Assumpta est Maria Anonymous Appears on: 84 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o Clef: g3 Voice Text: Que est ista
84v	Ein Welsch tantz, Sprung	6	-	Anonymous
Ein Welsch tantz, Sprung Anonymous Appears on: 84v Genres: Song Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Welsch tantz, Lamelanza
85	Welsch Tanz, Passemezo	6	-	Anonymous
Welsch Tanz, Passemezo Anonymous Appears on: 85 Genres: Dance Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Welsch Tantz, Passemeza
85v–86	Constitues eos principes super omnem terram	6	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Constitues eos principes super omnem terram Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 85v–86 Genres: Motet Source Attribution: [Gombert] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Constitues eos
86v–87	In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio	6	Josquin	Despres, Josquin (ca. 1450–1521)
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio Despres, Josquin (ca. 1450–1521) Appears on: 86v–87 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In illo tempore
87v–88	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	6	Josquin	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: 87v–88 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c3 Voice Text: Praeter rerum
88v–89	Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	6	-	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud Despres, Josquin (ca. 1450–1521) Appears on: 88v–89 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Virtus
89v–90	Sancta Trinitas unus Deus miserere nobis (6vv)	6	[Craen/C. Festa/A. Févin/Josquin/ Morales]-[Bruck]	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)
Sancta Trinitas unus Deus miserere nobis (6vv) Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554) Appears on: 89v–90 Genres: Motet Source Attribution: [Craen/C. Festa/A. Févin/Josquin/ Morales]-[Bruck] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sancta Trinitas Concordances Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10
90v–91	Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino	6	[Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 90v–91 Genres: Motet Source Attribution: [Jhan of Ferrara] Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hodie in Jordane
91v–92	Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus	6	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 91v–92 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: secunda pars : Descendit spiritus sanctus
92v–93	En quam honesta et jucunda res est	6	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
En quam honesta et jucunda res est Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 92v–93 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: En quam Honesta
93v–94	Zu hundert tausend all	6	-	Anonymous
Zu hundert tausend all Anonymous Appears on: 93v–94 Genres: Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Zu hundert tausent mal
94v–95	Mich hat ein herzlieb seer hoch erfreud	6	-	Anonymous
Mich hat ein herzlieb seer hoch erfreud Anonymous Appears on: 94v–95 Genres: Song Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Mich hat ein herzlieb so hoch erfreuet
95v–96	Benedicamus	6	Paul Kuglman	Kugelmann, Paul (–1580)
Benedicamus Kugelmann, Paul (–1580) Appears on: 95v–96 Genres: Benedicamus Domino, Motet Source Attribution: Paul Kuglman Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Benedicamus
96v–97	Peccavimus tibi quia dereliquimus te	6	[Presten]	Presten, Jorgen
Peccavimus tibi quia dereliquimus te Presten, Jorgen Appears on: 96v–97 Genres: Motet Source Attribution: [Presten] Number of voices: 6 Voice: Discantus Languages: Latin Mensuration: c Clef: c1 Voice Text: Peccavimus tibi
97v	In dulci jubilo nun singet und seid froh	6	[Abell]	Abell, David (fl. 16th century)
In dulci jubilo nun singet und seid froh Abell, David (fl. 16th century) Appears on: 97v Genres: Motet Source Attribution: [Abell] Number of voices: 6 Voice: [no designation] Languages: none Mensuration: o-3 Clef: c1 Voice Text: untexted
98–140v	[blank staves]	-	-	-
[blank staves] Appears on: 98–140v General Note folios unnumbered; there are in fact 10 'extra' unnumbered folios, so that f. 141 ought to have been f. 151...
141	Quare tristis es anima mea	7	-	Anonymous
Quare tristis es anima mea Anonymous Appears on: 141 Genres: Motet Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: ... Et qu[ar]e Cuntur Bas me [sic]
141v–142	Cent mille regrets me poursuivent	7	-	Anonymous
Cent mille regrets me poursuivent Anonymous Appears on: 141v–142 Genres: Chanson Number of voices: 7 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Cent mille regretz General Note Canon: "fuga in diapente"
142v–144	Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te)	7	Jorg: Prestenn	Presten, Jorgen
Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te) Presten, Jorgen Appears on: 142v–144 Genres: Motet Source Attribution: Jorg: Prestenn Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Appropinquet II: untexted [Fiat manus tua] III: untexted [Vivet anima mea]
144v–145	Dies est laetitiae in ortu regali	7	Jorgen Prestenn	Presten, Jorgen
Dies est laetitiae in ortu regali Presten, Jorgen Appears on: 144v–145 Genres: Motet Source Attribution: Jorgen Prestenn Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Dies est leticiae
145v	Nesciens mater virgo virum peperit	7	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Nesciens mater virgo virum peperit Stoltzer, Thomas (ca. 1480–1526) Appears on: 145v Genres: Motet Source Attribution: [Stoltzer] Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Nesciens mater
146–147	Erhalt uns Herr bei Deinem Wort	7	[Presten]	Presten, Jorgen
Erhalt uns Herr bei Deinem Wort Presten, Jorgen Appears on: 146–147 Genres: Chorale, Sacred Song Source Attribution: [Presten] Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Erhalt uns Herr beÿ deinem wort General Note f. 146 is followed by (pages) 147, 148, 150, 151 where foliation resumes
148	Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris)	7	[Walter]	Walter, Johann (1496–1570)
Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris) Walter, Johann (1496–1570) Appears on: 148 Genres: Motet Source Attribution: [Walter] Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vivat vivat vivat Johannes fruburg(?) (c.f.) General Note In the (modern) index volume, this piece is mistakenly indexed as two pieces - "Beati immaculati" and "Vivat Johannes" Layout f. 146 is followed by (pages) 147, 148, 150, 151 where foliation resumes
150	Christ ist erstanden von der Marter alle	6	[Presten]	Presten, Jorgen
Christ ist erstanden von der Marter alle Presten, Jorgen Appears on: 150 Genres: Hymn, Motet, Sacred Song Source Attribution: [Presten] Number of voices: 6 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Christ ist erstanden Layout f. 146 is followed by (pages) 147, 148, 150, 151 where foliation resumes
151–152	Parcere prostratis	7	-	Anonymous
Parcere prostratis Anonymous Appears on: 151–152 Genres: Motet Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Parcere prostratis Layout f. 146 is followed by (pages) 147, 148, 150, 151 where foliation resumes
152	Ach Herr, siehe uns gnädig an aus Deinem Thron	7	Jorgen Pressten	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: 152 Genres: Sacred Song Source Attribution: Jorgen Pressten Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ach Herr sie uns gnedig an
152v–153	Der lermen (Lerman)	7	Hans Huygel	Heugel, Johannes
Der lermen (Lerman) Heugel, Johannes Appears on: 152v–153 Genres: Secular Source Attribution: Hans Huygel Number of voices: 7 Voice: [no designation] Languages: none Mensuration: cut-c 3 Clef: c1 Voice Text: Der Lerman
153v	Mich wundert gar hart umb den roten	7	-	Anonymous
Mich wundert gar hart umb den roten Anonymous Appears on: 153v Genres: Song Number of voices: 7 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Mich wunt [=wundert] gar hart
154–161v	[blank staves]	-	-	-
[blank staves] Appears on: 154–161v General Note There are 2 extra unnumbered folios (so that f. 162 should be f. 164)
162–161v	Gaudent in caelis animae sanctorum	8	[Verdelot/Phinot/Richafort]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Gaudent in caelis animae sanctorum Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 162–161v Genres: Motet Source Attribution: [Verdelot/Phinot/Richafort] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaudent inn celis Layout The end of the piece is copied at the bottom of the preceding page (f. 161v)
162v–163	Nesciens mater virgo virum peperit	8	Johan Moutonn	Mouton, Jean (ca. 1459–1522)
Nesciens mater virgo virum peperit Mouton, Jean (ca. 1459–1522) Appears on: 162v–163 Genres: Motet Source Attribution: Johan Moutonn Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Nessciens noster [= Nesciens mater] General Note "fuga post 2 tempora resolutus"
163	Sic Deus dilexit mundum ut filium suum	8	-	Anonymous
Sic Deus dilexit mundum ut filium suum Anonymous Appears on: 163 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sic deus Dylexit mundum
163v	Verbum Domini manet in aeternum	8	-	Anonymous
Verbum Domini manet in aeternum Anonymous Appears on: 163v Genres: Motet Number of voices: 8 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g3 Voice Text: untexted
163v–164	Jesus Christus nostra salus	8	[Finck/anon.]	Finck, Heinrich (?)
Jesus Christus nostra salus Finck, Heinrich (?) Appears on: 163v–164 Genres: Motet Source Attribution: [Finck/anon.] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Jhesus Christus nostra salus
164	Ach Herr, siehe uns gnädig an aus Deinem Thron	8	[Presten]	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: 164 Genres: Sacred Song Source Attribution: [Presten] Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Ach Herr sihe unnss genedig an
165	Nun bitten wir den Heiligen Geist	8	[Presten]	Presten, Jorgen
Nun bitten wir den Heiligen Geist Presten, Jorgen Appears on: 165 Genres: Veni sancte spiritus Source Attribution: [Presten] Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Nun bittenn wir General Note numbering goes astray here: after f. 164 the pages (not folios) are numbered up to 170, when foliation resumes
166	Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv)	8	[Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv) Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 166 Genres: Agnus Dei, Mass Ordinary Source Attribution: [Appenzeller] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Agnus dei General Note Note: in index, this is treated as a two-part piece, taking the attribution to Benedictus as title of the 1a pars, and making Agnus Dei the 2a pars... General Note after f. 164 the pages (not folios) are numbered up to 170, when foliation resumes
167	Qui ne l'aimeroit la belle au corps	8	[Fevin]	Fevin, Antoine de (ca. 1470–ca. 1512)
Qui ne l'aimeroit la belle au corps Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 167 Genres: Chanson Source Attribution: [Fevin] Number of voices: 8 Voice: [no designation] Languages: French Voice Text: Qui ne laÿmeroit - text incipit only, no music copied General Note numbering goes astray here: after f. 164 folios 164v to 167 are paginated 165-170 instead, then foliation resumes General Note no music copied; canon 'Qui ne laymeroit ex allto'
167–168	O profunditatem divitiarum sapientiae	8	[Paminger]	Paminger, Leonhard (1495–1567)
O profunditatem divitiarum sapientiae Paminger, Leonhard (1495–1567) Appears on: 167–168 Genres: Motet Source Attribution: [Paminger] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: O profunditatem (Music copied in 7a vox, text incipit only in other books)
169	Salva nos Domine vigilantes custodi nos	9	S. Tham	Tham, S.
Salva nos Domine vigilantes custodi nos Tham, S. Appears on: 169 Genres: Motet Source Attribution: S. Tham Number of voices: 9 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Salva nos domine Layout 9vv (2vv copied in Tenor book)
170	Mein Augen sind allzeit zu Dir, Herre	12	S. Tham	Tham, S.
Mein Augen sind allzeit zu Dir, Herre Tham, S. Appears on: 170 Genres: Sacred Song Source Attribution: S. Tham Number of voices: 12 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Mein augen sind allzeit zu dir Layout 12vv (2vv copied in each of DAT & missing 8a book)
170v–171	Pater noster qui es in caelis (8vv)	8	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Pater noster qui es in caelis (8vv) Arcadelt, Jacques (ca. 1507–1568) Appears on: 170v–171 Genres: Motet, Pater noster Source Attribution: [Arcadelt] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Pater noster
172	Sine nomine II: Nisi	8	-	Anonymous
Sine nomine II: Nisi Anonymous Appears on: 172 Genres: Motet, textless Number of voices: 8 Voice: Primus Bassus Languages: none Mensuration: o Clef: c1 Voice Text: Sine nomine II: [Textless] General Note f. 171v is numbered 172, the page immediately following is numbered 173
172–173	Missa Tempore paschali: Agnus Dei II (12vv)	12	Nicolaus Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Missa Tempore paschali: Agnus Dei II (12vv) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 172–173 Genres: Agnus Dei, Mass Ordinary Source Attribution: Nicolaus Gombert Number of voices: 12 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Agnus dei General Note f. 171v is numbered 172, the page immediately following is numbered 173 Layout 12vv (2vv copied in each of DA7B books). This final Agnus includes the Easter antiphon "Et ecce terrae motus" as cantus firmus.
173v–174	Inviolata integra et casta es 24.5 (12vv)	12	[Josquin]	Despres, Josquin (ca. 1450–1521) (?)
Inviolata integra et casta es 24.5 (12vv) Despres, Josquin (ca. 1450–1521) (?) Appears on: 173v–174 Genres: Motet Source Attribution: [Josquin] Number of voices: 12 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Inviolata Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Inviolata integra Layout 12vv (2vv copied in each of DB67 books)
174v–175v	Missa L'homme armé: Patrem omnipotentem	9	-	Anonymous
Missa L'homme armé: Patrem omnipotentem Anonymous Appears on: 174v–175v Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 9 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Patrem Lome arme II: Crucifixus Layout 9vv (2vv copied in 7a book)
176	Christ bet und wach	8	[Presten]	Presten, Jorgen
Christ bet und wach Presten, Jorgen Appears on: 176 Genres: Sacred Song Source Attribution: [Presten] Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Christ bet und wach
176v–177	Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis	8	Jo: Heugll:	Heugel, Johannes
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis Heugel, Johannes Appears on: 176v–177 Genres: Motet, Pater noster Source Attribution: Jo: Heugll: Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: c Clef: g3 Voice Text: Pater noster
177	Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis	8	-	Heugel, Johannes
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis Heugel, Johannes Appears on: 177 Genres: Motet, Pater noster Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g3 Voice Text: 2a pars : Panem nostrum
178	Christ ist erstanden von der Marter alle	8	Jo: P: (=Presten)	Presten, Jorgen
Christ ist erstanden von der Marter alle Presten, Jorgen Appears on: 178 Genres: Hymn, Motet, Sacred Song Source Attribution: Jo: P: (=Presten) Number of voices: 8 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Christ ist erstandenn General Note f. 177v is numbered 178; the folio immediately following is 180 (f. 179 omitted) Layout 8vv, with 2vv copied in 7a book (presumably omitted from the missing 8a book)
178–180	Si consurrexistis cum Christo quae sursum	8	Adriano Petit Colico	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Si consurrexistis cum Christo quae sursum Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 178–180 Genres: Motet Source Attribution: Adriano Petit Colico Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Si consurrexistis General Note f. 177v is numbered 178; the folio immediately following is 180 (f. 179 omitted)
180v–181	Jam non dicam vos servos sed amicos (8vv)	8	[Phinot]	Phinot, Dominique
Jam non dicam vos servos sed amicos (8vv) Phinot, Dominique Appears on: 180v–181 Genres: Motet Source Attribution: [Phinot] Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Jam non dicam
181v–190	[blank staves]	-	-	-
[blank staves] Appears on: 181v–190 General Note Original page numbering pauses at 181, then resumes at f. 190, with the folios in between unnumbered; but there are 7 additional blank folios so that f. 190 should be f. 197
189v	Fuga 5vv	5	Jorgen Presten	Presten, Jorgen
Fuga 5vv Presten, Jorgen Appears on: 189v Genres: Fuga, Organ piece Source Attribution: Jorgen Presten Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4
190v–191	Fuga 6vv Laudate	6	[Abell]	Abell, David (fl. 16th century)
Fuga 6vv Laudate Abell, David (fl. 16th century) Appears on: 190v–191 Genres: Fuga, Organ piece Source Attribution: [Abell] Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4
191	Fuga 6vv	6	Jo: Presten	Presten, Jorgen
Fuga 6vv Presten, Jorgen Appears on: 191 Genres: Fuga, Organ piece Source Attribution: Jo: Presten Number of voices: 6 Voice: [no designation] Mensuration: cut-c Clef: c4 General Note "Fuga in unisono 6 vocum"
191v	Fuga	5	M. Matz Hack	Hack, Matz
Fuga Hack, Matz Appears on: 191v Genres: Fuga, Organ piece Source Attribution: M. Matz Hack Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Fuga General Note "fuga 5 vocum post 4 tempore"
192v	Fuga	5	-	Anonymous
Fuga Anonymous Appears on: 192v Genres: Fuga, Organ piece Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2
193v–194	Fuga	5	-	Anonymous
Fuga Anonymous Appears on: 193v–194 Genres: Fuga, Organ piece Number of voices: 5 Voice: [no designation] Languages: none Mensuration: o Clef: c2
194v–195	Toujours leal a ma maitresse tant que au corps	6	[Courtois]	Courtois, Jean (fl. 1530-1545)
Toujours leal a ma maitresse tant que au corps Courtois, Jean (fl. 1530-1545) Appears on: 194v–195 Genres: Chanson Source Attribution: [Courtois] Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: untexted
195v	Laudate Dominum	8	-	Anonymous
Laudate Dominum Anonymous Appears on: 195v Genres: Motet Number of voices: 8 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: untexted

Composer	Compositions
Abell, David (16th century)	Fuga 6vv Laudate – 190v–191 In dulci jubilo nun singet und seid froh – 97v
Anonymous	Allein Gott in der Höh sei Ehr' und Dank – 82v Beatam me dicent omnes generationes – 62v Cent mille regrets me poursuivent – 141v–142 Ein Welsch tantz, Sprung – 84v Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit – 56 Et valde mane una sabbatorum veniunt – 59 Fuga – 192v Fuga – 193v–194 Glorificamus – 55 Herr Christ der einige Gottes Sonn – 82v Ich ruff zu dir Herr Jesu Christ – 57–58 Laudate Dominum – 78 Laudate Dominum – 195v Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi) – 49–50 Mich hat ein herzlieb seer hoch erfreud – 94v–95 Mich wundert gar hart umb den roten – 153v Missa L'homme armé: Patrem omnipotentem – 174v–175v O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis – 50v O redemptor caeli et terrae – 82a Parcere prostratis – 151–152 Quae est ista quae progreditur quasi aurora / Assumpta est Maria – 84 Quare tristis es anima mea – 141 Quem nos merito Periculum ... Inviolata integra – 60v–61 Resonet in laudibus cum jocundis plausibus – 63 Sic Deus dilexit mundum ut filium suum – 163 Sine nomine II: Nisi – 172 Sustinuit [anima mea in verbo eius?] – 64v–65 Verbum Domini manet in aeternum – 163v Virgo verbo concepit virgo permansit – 57 Welsch Tanz, Passemezo – 85 Zu hundert tausend all – 93v–94 [No description] – 181v–190 [No description] – 154–161v [No description] – 98–140v
Appenzeller, Benedictus (ca. 1480-ca. 1558)	Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv) – 166
Arcadelt, Jacques (ca. 1507-1568)	Pater noster qui es in caelis (8vv) – 170v–171
Barbé, Antoine (-1564)	(?) Allégez moi douce plaisant brunette 30.2 – 67v
Bauldeweyn, Noel (ca. 1480-1529)	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 61
Bruck, Arnold von (ca. 1500-1554)	Sancta Trinitas unus Deus miserere nobis (6vv) – 89v–90
Brumel, Antoine (ca. 1460-ca. 1513)	Agnus Dei – 78v–79
Coclico, Adrianus Petit (ca. 1499-ca. 1562)	Si consurrexistis cum Christo quae sursum – 178–180
Courtois, Jean (1530-1545)	Toujours leal a ma maitresse tant que au corps – 194v–195
Despres, Josquin (ca. 1450-1521)	(?) Allégez moi douce plaisant brunette 30.2 – 67v Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina – 61v–62 Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum – 62 (?) Ecce Dominus veniet nolite timere 14.5 – 82a_v Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] – 77 Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo – 71v–72 Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit – 72v In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio – 86v–87 (?) Inviolata integra et casta es 24.5 (12vv) – 173v–174 Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis – 79v–80 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 80v–80a Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – 87v–88 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud – 88v–89
Ferrara, Maistre Jhan of (ca. 1485-1538)	Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino – 90v–91 Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus – 91v–92
Fevin, Antoine de (ca. 1470-ca. 1512)	Qui ne l'aimeroit la belle au corps – 167 Sancta Trinitas unus Deus miserere nobis (6vv) – 89v–90
Finck, Heinrich	(?) Jesus Christus nostra salus – 163v–164
Gombert, Nicolas (ca. 1495-ca. 1560)	Constitues eos principes super omnem terram – 85v–86 In illo tempore loquente Jesu ad turbas – 70v–71 Missa Tempore paschali: Agnus Dei II (12vv) – 172–173
Grefinger, Wolfgang	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 61
Hack, Matz	Fuga – 191v
Heugel, Johannes	Der lermen (Lerman) – 152v–153 Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis – 176v–177 Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis – 177
Isaac, Heinrich (ca. 1450-1517)	Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia – 50v–51 Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur – 51–51v
Jonckers, Maistre Gosse	(?) Ecce Dominus veniet nolite timere 14.5 – 82a_v
Kugelmann, Paul (-1580)	Benedicamus – 95v–96
Mantua, Jacquet de (1483-1559)	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 65v–66 Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves – 66v–67
Moulu, Pierre (ca. 1484-ca. 1550)	(?) La rousée du mois de mai m'a gasté (II) – 60
Mouton, Jean (ca. 1459-1522)	(?) La rousée du mois de mai m'a gasté (II) – 60 Nesciens mater virgo virum peperit – 162v–163
Othmayr, Caspar	Quisquis requiem quaeris feminam cave – 73v
Paminger, Leonhard (1495-1567)	O profunditatem divitiarum sapientiae – 167–168
Phinot, Dominique	(?) Gaudent in caelis animae sanctorum – 162–161v Jam non dicam vos servos sed amicos (8vv) – 180v–181
Presten, Jorgen	Ach Herr, siehe uns gnädig an aus Deinem Thron – 152 Ach Herr, siehe uns gnädig an aus Deinem Thron – 164 Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te) – 142v–144 Christ bet und wach – 176 Christ ist erstanden von der Marter alle – 178 Christ ist erstanden von der Marter alle – 150 Der Gottlose Hauf – 83v Dies est laetitiae in ortu regali – 144v–145 Erhalt uns Herr bei Deinem Wort – 146–147 Fuga 5vv – 189v Fuga 6vv – 191 Nun bitten wir den Heiligen Geist – 165 Peccavimus tibi quia dereliquimus te – 96v–97 Surge illuminare Jerusalem (2p. Tunc videbis) – 80a_v–82 Vater unser im Himmelreich, der du uns alle – 83 Veni creator spiritus mentes tuorum – 58
Richafort, Jean (ca. 1480-ca. 1550)	(?) Gaudent in caelis animae sanctorum – 162–161v
Senfl, Ludwig (ca. 1486-ca. 1543)	Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius) – 68a_v–70 Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus – 67v–68 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis – 68v Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto – 68a (?) Ecce Dominus veniet nolite timere 14.5 – 82a_v (?) En quam honesta et jucunda res est – 92v–93 Ich klag den tag und alle stund – 74 Ich will mich glucks betragen wol – 74 Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen – 73v Mit Lust tritt ich in diesen Tanz – 73 Philippe qui videt me alleluia (6vv, M84) – 55 Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal) – 55v–56 Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74) – 52v–55 Wiewohl viel herter Orden sind – 77
Stoltzer, Thomas (ca. 1480-1526)	Nesciens mater virgo virum peperit – 145v
Tham, S.	Mein Augen sind allzeit zu Dir, Herre – 170 Salva nos Domine vigilantes custodi nos – 169
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Gaudent in caelis animae sanctorum – 162–161v
Walter, Johann (1496-1570)	Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris) – 148 Verbum Domini manet in aeternam – 62v Wir glauben all an einen Gott [Credo] (I) (4vv) – 63v
Wannenmacher, Johannes (ca. 1485-1551)	An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen – 64
Willaert, Adrian (ca. 1490-1562)	(?) Allégez moi douce plaisant brunette 30.2 – 67v Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime – 75 Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes – 76
le Brun, Jean (early 16th century)	(?) Allégez moi douce plaisant brunette 30.2 – 67v

Composition	Composers (? Uncertain)	Folios / Pages
Ach Gott wem soll ichs klagen das heimliche leiden	Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?)	61
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	152
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	164
Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	78v–79
Allein Gott in der Höh sei Ehr' und Dank	Anonymous	82v
Allégez moi douce plaisant brunette 30.2	Willaert, Adrian (ca. 1490–1562) (?) Barbé, Antoine (–1564) (?) Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?)	67v
Alma redemptoris mater (2p. Tu quae genuisti; 3p. Virgo prius ac posterius)	Senfl, Ludwig (ca. 1486–ca. 1543)	68a_v–70
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen	Wannenmacher, Johannes (ca. 1485–1551)	64
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est ut dilectus	Senfl, Ludwig (ca. 1486–ca. 1543)	67v–68
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis	Senfl, Ludwig (ca. 1486–ca. 1543)	68v
Anima mea liquefacta est - 3a pars (of 3): Filiae Jerusalem nuntiate dilecto	Senfl, Ludwig (ca. 1486–ca. 1543)	68a
Appropinquet deprecatio mea in conspectu (2p. Fiat manus tua ut salvet me; 3p. Vivet anima mea et laudabit te)	Presten, Jorgen	142v–144
Beatam me dicent omnes generationes	Anonymous	62v
Beati immaculati in via / Vivat Johannes dux Saxoniae (2p. Utinam dirigantur viae meae; 3p. Benedictus es Domine doce me; 4p. Inclina cor meum in testimonia tua; 5p. Eructabunt labia mea hymnum cum docueris)	Walter, Johann (1496–1570)	148
Benedicamus	Kugelmann, Paul (–1580)	95v–96
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	Despres, Josquin (ca. 1450–1521)	61v–62
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	Despres, Josquin (ca. 1450–1521)	62
Cent mille regrets me poursuivent	Anonymous	141v–142
Christ bet und wach	Presten, Jorgen	176
Christ ist erstanden von der Marter alle	Presten, Jorgen	150
Christ ist erstanden von der Marter alle	Presten, Jorgen	178
Constitues eos principes super omnem terram	Gombert, Nicolas (ca. 1495–ca. 1560)	85v–86
Der Gottlose Hauf	Presten, Jorgen	83v
Der lermen (Lerman)	Heugel, Johannes	152v–153
Dies est laetitiae in ortu regali	Presten, Jorgen	144v–145
Domine Jesu Christe [B167] - 1a pars (of 2): Domine Jesu Christe amator benignissime	Willaert, Adrian (ca. 1490–1562)	75
Domine Jesu Christe [B167] - 2a pars (of 2): O bone Jesu et dulcis spes	Willaert, Adrian (ca. 1490–1562)	76
Ecce Dominus veniet nolite timere 14.5	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Jonckers, Maistre Gosse (?) Despres, Josquin (ca. 1450–1521) (?)	82a_v
Ein Welsch tantz, Sprung	Anonymous	84v
En quam honesta et jucunda res est	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	92v–93
Erbarm dich mein O Herre Gott nach Deiner grossen Barmherzigkeit	Anonymous	56
Erhalt uns Herr bei Deinem Wort	Presten, Jorgen	146–147
Et valde mane una sabbatorum veniunt	Anonymous	59
Fuga	Hack, Matz	191v
Fuga	Anonymous	192v
Fuga	Anonymous	193v–194
Fuga 5vv	Presten, Jorgen	189v
Fuga 6vv	Presten, Jorgen	191
Fuga 6vv Laudate	Abell, David (fl. 16th century)	190v–191
Gaudent in caelis animae sanctorum	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	162–161v
Glorificamus	Anonymous	55
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6]	Despres, Josquin (ca. 1450–1521)	77
Herr Christ der einige Gottes Sonn	Anonymous	82v
Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino	Ferrara, Maistre Jhan of (ca. 1485–1538)	90v–91
Hodie in Jordane - 2a pars (of 2): Descendit spiritus sanctus	Ferrara, Maistre Jhan of (ca. 1485–1538)	91v–92
Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Despres, Josquin (ca. 1450–1521)	71v–72
Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit	Despres, Josquin (ca. 1450–1521)	72v
Ich klag den tag und alle stund	Senfl, Ludwig (ca. 1486–ca. 1543)	74
Ich ruff zu dir Herr Jesu Christ	Anonymous	57–58
Ich will mich glucks betragen wol	Senfl, Ludwig (ca. 1486–ca. 1543)	74
In dulci jubilo nun singet und seid froh	Abell, David (fl. 16th century)	97v
In illo tempore loquente Jesu ad turbas	Gombert, Nicolas (ca. 1495–ca. 1560)	70v–71
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio	Despres, Josquin (ca. 1450–1521)	86v–87
Inviolata integra et casta es 24.5 (12vv)	Despres, Josquin (ca. 1450–1521) (?)	173v–174
Jam non dicam vos servos sed amicos (8vv)	Phinot, Dominique	180v–181
Jesus Christus nostra salus	Finck, Heinrich (?)	163v–164
Kein Adler in der Welt so schön / Es taget vor dem Walde / Ich stund an einem Morgen	Senfl, Ludwig (ca. 1486–ca. 1543)	73v
La rousée du mois de mai m'a gasté (II)	Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)	60
Laudate Dominum	Anonymous	78
Laudate Dominum	Anonymous	195v
Letabundus (2p. Sicut sidus; 3p. Neque sidus; 4p. Cedrus alta; 5p. Verbum [mens] altissimi)	Anonymous	49–50
Mein Augen sind allzeit zu Dir, Herre	Tham, S.	170
Mich hat ein herzlieb seer hoch erfreud	Anonymous	94v–95
Mich wundert gar hart umb den roten	Anonymous	153v
Missa [Ick had een boelken uutvercoren]: Agnus Dei III (8vv)	Appenzeller, Benedictus (ca. 1480–ca. 1558)	166
Missa L'homme armé: Patrem omnipotentem	Anonymous	174v–175v
Missa Tempore paschali: Agnus Dei II (12vv)	Gombert, Nicolas (ca. 1495–ca. 1560)	172–173
Mit Lust tritt ich in diesen Tanz	Senfl, Ludwig (ca. 1486–ca. 1543)	73
Nesciens mater virgo virum peperit	Stoltzer, Thomas (ca. 1480–1526)	145v
Nesciens mater virgo virum peperit	Mouton, Jean (ca. 1459–1522)	162v–163
Nun bitten wir den Heiligen Geist	Presten, Jorgen	165
O profunditatem divitiarum sapientiae	Paminger, Leonhard (1495–1567)	167–168
O quam glorifica luce coruscas 4 Hoc largire pater luminis omnis	Anonymous	50v
O redemptor caeli et terrae	Anonymous	82a
Parcere prostratis	Anonymous	151–152
Pater noster (8vv) - 1a pars (of 2): Pater noster qui es in caelis	Heugel, Johannes	176v–177
Pater noster (8vv) - 2a pars (of 2): Panem nostrum cotidianum da nobis	Heugel, Johannes	177
Pater noster / Ave Maria 20.9 - 1a pars (of 2): Pater noster qui es in caelis	Despres, Josquin (ca. 1450–1521)	79v–80
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Despres, Josquin (ca. 1450–1521)	80v–80a
Pater noster qui es in caelis (8vv)	Arcadelt, Jacques (ca. 1507–1568)	170v–171
Peccavimus tibi quia dereliquimus te	Presten, Jorgen	96v–97
Philippe qui videt me alleluia (6vv, M84)	Senfl, Ludwig (ca. 1486–ca. 1543)	55
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	87v–88
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Despres, Josquin (ca. 1450–1521)	88v–89
Quae est ista quae progreditur quasi aurora / Assumpta est Maria	Anonymous	84
Quare tristis es anima mea	Anonymous	141
Quem nos merito Periculum ... Inviolata integra	Anonymous	60v–61
Qui ne l'aimeroit la belle au corps	Fevin, Antoine de (ca. 1470–ca. 1512)	167
Quisquis requiem quaeris feminam cave	Othmayr, Caspar	73v
Resonet in laudibus cum jocundis plausibus	Anonymous	63
Salva nos Domine vigilantes custodi nos	Tham, S.	169
Sancta Trinitas unus Deus miserere nobis (6vv)	Fevin, Antoine de (ca. 1470–ca. 1512) Bruck, Arnold von (ca. 1500–1554)	89v–90
Si consurrexistis cum Christo quae sursum	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	178–180
Sic Deus dilexit mundum ut filium suum	Anonymous	163
Sine nomine II: Nisi	Anonymous	172
Surge illuminare Jerusalem (2p. Tunc videbis)	Presten, Jorgen	80a_v–82
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	Mantua, Jacquet de (1483–1559)	65v–66
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves	Mantua, Jacquet de (1483–1559)	66v–67
Sustinuit [anima mea in verbo eius?]	Anonymous	64v–65
Toujours leal a ma maitresse tant que au corps	Courtois, Jean (fl. 1530-1545)	194v–195
Trink lang und klincklang (= Nun kumbt hieher all helft mir einmal)	Senfl, Ludwig (ca. 1486–ca. 1543)	55v–56
Vater unser im Himmelreich, der du uns alle	Presten, Jorgen	83
Veni creator spiritus mentes tuorum	Presten, Jorgen	58
Verbum caro factum est R: Plenum gratia Vs. In principio erat verbum (6vv, P74)	Senfl, Ludwig (ca. 1486–ca. 1543)	52v–55
Verbum Domini manet in aeternam	Walter, Johann (1496–1570)	62v
Verbum Domini manet in aeternum	Anonymous	163v
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia	Isaac, Heinrich (ca. 1450–1517)	50v–51
Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur	Isaac, Heinrich (ca. 1450–1517)	51–51v
Virgo verbo concepit virgo permansit	Anonymous	57
Welsch Tanz, Passemezo	Anonymous	85
Wiewohl viel herter Orden sind	Senfl, Ludwig (ca. 1486–ca. 1543)	77
Wir glauben all an einen Gott [Credo] (I) (4vv)	Walter, Johann (1496–1570)	63v
Zu hundert tausend all	Anonymous	93v–94

Set: MS Gamle kongelige Samling 1872, 4°

Type: Partbooks

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (I) [Quintus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (II) [Discantus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (III) [Altus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (IV) [Tenor]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (V) [Bassus]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (VI) [Sexta]

No images available

DK-Kk MS Gamle kongelige Samling 1872, 4° (VII) [7a vox]

‡ denotes primary source study

Brown, Howard Mayer. 1976. Accidentals and Ornamentation in Sixteenth-Century Intabulations of Josquin's Motets. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 516. Notes: concordances (partial).

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 138. Notes: concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 365, passim. Notes: mention of MS; concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, ix. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 171. Notes: concordances (partial).

Müller-Blattau, Joseph. 1968. Geschichte der Musik in Ost- und Westpreussen. Wolfenbüttel and Zürich. Pages: 29ff, Tafel 1. Notes: mention of MS; facsimile (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 288-9, 312-4. Notes: concordances (partial); incipits (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xiii. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description.

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers. The Hague. Pages: 186-90, 336-56. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXVI, 153,164; LXX.95-6,193,198. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud (editor). 1933-. Dania Sonans. Copenhagen, Leipzig, and Egtved. Pages: IV-VI, passim. Notes: physical description; contents list; concordances (partial); transcription (partial); texts (partial); mention of MS; discussion.

Loge, Eckhard. 1931. Eine Messen- und Motettenhandschrift des Kantors Matthias Krüger aus der Musikbibliothek Herzog Albrechts von Preussen. Königsberger Studien zur Musikwissenschaft, vol. 12. Kassel. Notes: contents list.

Foss, Julius. 1923. Det kgl. Cantoris Stemmeb0ger A.D. 1541. Aarbog for Musik, 24-40. Notes: physical description; contents list; transcription (partial); facsimile (partial).

Hammerich, Angui. 1921. Dansk Musikhistorie indtil ca. 1700. Copenhagen. Pages: 130ff. Notes: physical description.

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Monday, 23 January, 2017

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