Recovered from book bindings. Once part of same original manuscript as CambriU 5963, CanberN 4052/2/1, OxfBDON b.31-2, ff. 27a-28 of OxfBU 192, and ff. 89-92 of OxfM 267. Copied by a single scribe. Of English origin; possibly copied for chapel of King Henry VI (BentP).
GB-Cu Add. 4435 (Part of Royal Choirbook)
University Library, Cambridge, England
choirbook fragment: 15th century: c 1400
| Archive | University Library, Cambridge, England (GB-Cu) |
|---|---|
| Shelfmark | Add. 4435 (Part of Royal Choirbook) |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | a: 120 x 108; b: 142 x 136; c: 178 x 63; d: 268 x 40 mm |
| Other Identifiers |
|
| Notations |
|
| Provenance |
|
| Contents | Contains 3 compositions, 3 are anonymous. |
General Description
Notation
black/red mensural
Ruling
red staves
Foliation
16a, b, c, d recto + verso
Foliation
No original foliation remains; modern foliation, 12a-12d ('12' amended to '16' by later inscription on first folio).
Decoration
Black inked Gothic initials with floral tracery.
Surface
Parchment
RISM Description
RISM B/IV 2: Four parchment fragments meas. respectively 120 x 108, 142 x 136, 178 x 63 and 268 x 40 mm. Except for strip d, all the fragments seem to be top left-hand corners with ornamented black initials from a motet manuscript in Ars Nova notation with red coloration dating from c. 1400. The incipits given are those which are clearly the beginning of a polyphonic voice. Fol. a has 3 five-line staves, f. b has 4 and f. c a few notes on 5.5 staves. Fol. b verso refers to Edwardus, and so may be connected with the Confessor in item 3. The recto of strip d ends with the words "Jhesu dulcis", while the verso contains a T.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
6 motets (all fragmentary)
Anonymous
4 fragmentary parchment folios, 120 x 108, 142 x 136, 176 x 63, and 268 x 40, respectively, recovered from book bindings. Once part of same original manuscript as CambriU 5963, CanberN 4052/2/1, OxfBDON b.31-2, ff. 27a-28 of OxfBU 192, and ff. 89-92 of OxfM 267. No original foliation remains; modern foliation, 12a-12d ("12" amended to "16" by later inscription on first folio). Black mensural notation on red staves, with red coloration. Copied by a single scribe. Black inked Gothic initials with floral tracery.
Ca. 1420-30 (BentL). Of English origin; possibly copied for chapel of King Henry VI (BentP). [see also CambriU 5963, CanberN 4052/2/1, OxfBDON b.31-2, OxfBU 192, OxfM 267]
d verso
The inventory could not be loaded.
Sets
Royal Choirbook
Fragments of a whole · 8 sources
‡ denotes primary source study
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Bent, Margaret. 1984. The Progeny of Old Hall: More Leaves from a Royal English Choirbook. Gordon Athol Anderson (1929-1981) in Memoriam, Musicological Studies, vol. 49. 2 vols.1-54. Henryville, Ottawa, and Binningen: Institute of Mediaeval Music.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.
Bent, Margaret. 1972. A Lost English Choirbook of the Fifteenth Century. International Musicological Society: Report of the Eleventh Congress, 257-62.
Bent, Margaret. 1968. New and Little-Known Fragments of English Medieval Polyphony. Journal of the American Musicological Society, 21: 137-56.
Hughes, Andrew. 1963. English Sacred Music (Excluding Carols) in Insular Sources, 1400-C.1450. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 65, 142; II, 31-2; III, 263-6.
Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 44: 1-18. Pages: 6.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description