CH-Bu F X 18

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: c. 1550-66 (date 1560 on f. 50 of T book)

Archive Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark F X 18
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 76 x 105 mm
Other Identifiers
  • CCM: BasU F.X.17-20
Copyists
Relationships
External Links
Provenance
  • Basel, Southern Germany or Austria
Contents 87 pieces from 34 composers
General Description

An Altus partbook from a set of four volumes. Copied by two scribes (#3-53 and #54-88, respectively); second scribe probably Jacob Hagenbach (see below), who also wrote most of BasU F.IX.59-62 and manuscript additions in BasU F.IX.63 and BasU kk.IV. 19-22 (KmetzH). First layer probably of south German or Austrian origin; second layer copied in Basel (KmetzH). Owned (and partly compiled) by Jacob Hagenbach (1533-ca. 1566), a Basel goldsmith. Later passed to Hagenbach's grandson, Johann Jakob Hagenbach. Acquired by present library from latter's estate in 1649.

DIAMM, 2017
Binding

Original covers of brown tooled leather on boards

DIAMM, 2017
Watermark

resembles Briquet #1009

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 7 (first scribe) and 10 (second scribe).

DIAMM, 2017
Foliation

New pencil foliation, excludes some blank folios

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 3-88 (first two pieces now missing; #32 applied to two consecutive pieces).

DIAMM, 2017
Decoration

No decorative initials; some text incipits underlined in red.

DIAMM, 2017
Index

Original index on ff. 56-71' of the Tenor book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few inconsistencies).

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 motets, 15 French secular pieces, 61 German secular pieces, 5 Italian secular pieces, 1 Latin/Italian secular piece (some of the preceding have text incipits only) = 86

(Arcadelt)-2, (Boyvin)-1, (Brack)-1, Cesar-1, (Clemens non Papa/Janequin)-1, (Eytelwein)-1, (Finck)-3, (Forster)-1, (Grefinger)-1, (Hofhaimer)-5, (Isaac)-1, (Josquin)-2, (Malchinger)-1, (Sandrin/Manchicourt)-1, (Schönfelder)-1, (Senfl)-3, (Senfl/Othmayr)-1, (Sermisy)-7, (Sermisy/Jacotin)-1, (Wolff)-1, anon-50

4 paper partbooks (D-88 folios, A-i + 92, T-91, B-91), 76 x 105. The following folios are blank, or have blank staves only: D-29, 53'-88'; A-49'-92'; T-1-1', 30, 55'-74', 91-91'; B-29, 53'-91'. New pencil foliation; original numbering of pieces (first two pieces missing in all books). Original covers of brown tooled leather on boards. Original index on ff. 56-71' of the T. Two scribes; one also appears in BasU F.IX.59-62 (RichKM). Some text incipits are underlined in red.

After 1550 (RichKM).

Vol 4

2 motets, 1 chanson spirituelle, 1 Latin/Italian secular piece (with Latin incipit only in this source), 61 German secular pieces, 16 French secular pieces, 3 Italian secular pieces, 1 Latin secular piece, 2 textless pieces = 87

(Adam von Fulda)-1, (Arcadelt)-3, (Baston/Clemens non Papa/ Janequin/Pathie?)-1, (Boyvin/Crecquillon)-1, (Brack)-1, (Brück)-1, Cesar-1, (Conseil)-1, (Eytelwein)-1, (Finck)-2, (Finck/Haiden-heimer)-1, (Forster)-1, (Gombert/Sermisy)-1, (Grefinger)-1, (Grefinger/Senfl)-2, (Hofhaimer)-5, (Isaac)-1, (Jacotin/Sermisy)-1, (Janequin)-1, (Josquin)-2, (La Rue/Sermisy)-1, (Didier Lupi Second)-1, ( Malchinger/ Senfl)-1, (Manchicourt/Sandrin)-1, (Mouton/Sermisy)-1, (Othmayr)-9, (Othmayr/Senfl)-2, (Schön-felder)-1, (Senfl)-6 + l?,(Sermisy)-5, (Stoltzer)-1,(Stoltzer/Wolff) -1, anon-27

4 paper partbooks (D-88 folios, A-i + 92, T-91, B-91), 76 x 105. Modern pencil foliation in each book excludes some blank folios. Original numbering of pieces, 3-88 (first two pieces now missing; #32 applied to two consecutive pieces). Blank folios, or blank staves only— D: 29, 53'-88'; A: 49'-92'; T: 1-1', 30, 55'-74', 91-91'; B: 3, 29, 53'-91'. Original covers of brown tooled leather over printed wastepaper. Original index at end of T book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few inconsistencies).

Copied by two scribes (#3-53 and #54-88, respectively); second scribe probably Jacob Hagenbach (see below), who also wrote most of BasU F.IX.59-62 and manuscript additions in BasU F.IX.63 and BasU kk.IV. 19-22 (KmetzH). Staff height 7 (first scribe) and 10 (second scribe). No decorative initials; some text incipits underlined in red. Watermark generally resembles Briquet #1009 (KmetzH). Répertorial relationships with BasU F.IX.59-62.

Ca. 1550-66 (date 1560 on f. 50 of T book). First layer probably of south German or Austrian origin; second layer copied in Basel (KmetzH). Owned (and partly compiled) by Jacob Hagenbach (1533-ca. 1566), a Basel goldsmith. Later passed to Hagenbach's grandson, Johann Jakob Hagenbach. Acquired by present library from latter's estate in 1649.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 Mein selbs bin ich nit gwallttig [Senfl]
Appears on: 2
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mein selbs bin ich nit gwallttig
2v Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant [Sermisy]
Appears on: 2v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Danque vivere [= Tant que vivray en aage florissant]
3 Die schlacht Anon. Anonymous

Die schlacht

Anonymous
Appears on: 3
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Die schlacht
3v–4 Ein Padoaner Anon. Anonymous

Ein Padoaner

Anonymous
Appears on: 3v–4
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ain Padoaner
4v C'est a grant tort que moi povrette endure [Sermisy]
Appears on: 4v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Cesta grandt do [= C'est a grant tort que moy povrette endure]
5 Au pres de vous secretement demeure [Jacotin/Sermisy]
Appears on: 5
Genres: Chanson
Source Attribution: [Jacotin/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Ampre [= Aupres de vous secretement demeure]
5v Languir me fais sans t'avoir offensé [Mouton/Sermisy]
Appears on: 5v
Genres: Chanson
Source Attribution: [Mouton/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Languir [me fais sans t'avoir offensé]
6 Traditora Anon. Anonymous

Traditora

Anonymous
Appears on: 6
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: insufficient
Voice Text: Traditora
6v Patientiam muss ich han [S263] [Senfl]
Appears on: 6v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Pacientia [muss ich han wol kan]
7 Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) [Senfl]
Appears on: 7
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mein vleisz und mühe [ich nie hab]
7v Tröstlicher lieb stets ich mich üb' [Hofhaimer]
Appears on: 7v
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Tröstlicher lieb [stets ich mich yeb]
8 Zart schöne Frau gedenk und schau Anon. Anonymous
Appears on: 8
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Zart schöne frau [gedenck und schaw]
8v D'ou [dont] vient cela belle je vous supply [Sermisy]
Appears on: 8v
Genres: Italian secular
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Dont vientzela [= Dont vient cela belle je vous supply]
9 So wunsch ich ihr eine gute nacht [Stoltzer/Wolff]
Appears on: 9
Genres: Song
Source Attribution: [Stoltzer/Wolff]
Voice: [no designation]
Languages: German
Voice Text: So wünsch ich ir ein guete nacht
9v Kehr weder Glück mit Freuden und jag Unfall Anon. Anonymous
Appears on: 9v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ker wider gluckh mit freidn [und iag]
10 Der unfal reit mich gantz und gar Anon. Anonymous
Appears on: 10
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der unfal reit mich gantz und gar
10v Mach ich ungluck nicht widerstan [Senfl]
Appears on: 10v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mag ich ungluckh nit widerstan [doch]
11 Ich reu und klag dass ich mein tag [Brack]
Appears on: 11
Genres: Song
Source Attribution: [Brack]
Voice: [no designation]
Languages: German
Voice Text: Ich rew und clag [das ich mein tag]
11v Mille regrets de vous abandonner 28.24 [Josquin]
Appears on: 11v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Mille regres [de vous abandonner] 28.24
12 Ich clag den tag und alle stund [Stoltzer]
Appears on: 12
Genres: Song
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: German
Voice Text: Ich clag den tag [und alle stund]
12v Der Ludl und der Jansl sigel [Finck/Haidenheimer]
Appears on: 12v
Genres: Song
Source Attribution: [Finck/Haidenheimer]
Voice: [no designation]
Languages: German
Voice Text: Der Ludl und der Jansl [sigel]
13 Wohl kommt der Mai [S349] [Grefinger/Senfl]
Appears on: 13
Genres: Lied
Source Attribution: [Grefinger/Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wol khumbt der May [mit mancherley]
13v Nach Willen Dein mich dir allein in treuen [Hofhaimer]
Appears on: 13v
Genres: Sacred Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Nach willen dein [mich dir allein]
14 Was wird es doch des wunders noch [S329 - 4vv/7vv] [Senfl]
Appears on: 14
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Was wirdt es doch draus werdn [= Was wird es doch des wunders noch]
14v Nie noch nimmer so ruwt mein gemuet Anon. Anonymous
Appears on: 14v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Nie noch nimmer [so ruwt mein gemuet]
15 Mein herziges A und höchster hort Anon. Anonymous
Appears on: 15
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Mein ainigs A. [= Mein hertziges A. und höchster hort]
15v So trincken wir alle disen wein mit [Bruck]
Appears on: 15v
Genres: Song
Source Attribution: [Bruck]
Voice: [no designation]
Languages: German
Voice Text: So trinckhen wir alle [disen wein]
16 Von edler art ein frewlein zart bist [Othmayr]
Appears on: 16
Genres: Quodlibet
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: German
Voice Text: Von edler art [ein frewlein zart bist]
16v Ich soll und muesz ein bulen han [Othmayr/Senfl]
Appears on: 16v
Genres: Song
Source Attribution: [Othmayr/Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ich soll und muesz ein bulen han
17 Geduld solt han auf gottes ban wilt [Othmayr]
Appears on: 17
Genres: Song
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: German
Voice Text: Geduld solt han [auf gottes ban wilt]
17v O werder mund von dir ist wundt [Othmayr]
Appears on: 17v
Genres: Song
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: German
Voice Text: O werder mund [von dir ist wundt]
18 Mit Lust tät ich ausreiten [Othmayr/Senfl]
Appears on: 18
Genres: Lied
Source Attribution: [Othmayr/Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mit lust thet ich ausreittn [reyten]
18v Paur Paur was tregst im sackhe nichts [Othmayr]
Appears on: 18v
Genres: Song
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: German
Voice Text: Paur Paur was tregst im sackhe [nichts]
19 Ich armer boss bin gantz verwirt [Othmayr]
Appears on: 19
Genres: Song
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: German
Voice Text: Ich armer poss [bin ganz verirt]
19v Ich armer boss bin gantz verwirt [Othmayr]
Appears on: 19v
Genres: Song
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: German
Voice Text: Ich armer poss [bin ganz verirt]
20 Ursach tut viel wer's glauben will [Othmayr]
Appears on: 20
Genres: Song
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: German
Voice Text: Ursach thuet vill [wers glauben will]
20v Es ist ein schee gefallen [Othmayr]
Appears on: 20v
Genres: Song
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: German
Voice Text: Es ist ein schee gefallen
21–20v Ich weis mir ein feins brauns meidelein [Othmayr]
Appears on: 21–20v
Genres: Song
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: German
Voice Text: Ich weis mir ein feins brauns meidelein
21v O hocste frucht Anon. Anonymous

O hocste frucht

Anonymous
Appears on: 21v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: O hocste frucht
22 Holtzsalige fraw Dein stoltzer leib Anon. Anonymous
Appears on: 22
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Holtzsalige fraw dein stoltzer leib
22v Nach dir ist all mein sach gericht Anon. Anonymous
Appears on: 22v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Nach dir ist all mein sach gericht
23 Bewar dich Gott mein khaiserin Anon. Anonymous
Appears on: 23
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Bewar dich Gott mein khaiserin
23v–24 Ich brin und far dahin Gott wais mein sin Anon. Anonymous
Appears on: 23v–24
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ich brin und far dahin Gott wais mein sin
24v Wach auf mein hochster hort des wächters wort [Finck]
Appears on: 24v
Genres: Song
Source Attribution: [Finck]
Voice: [no designation]
Languages: German
Voice Text: Wach auf mein hochster hort [des wächters wort]
25 Ich stand an einem Morgen heimlich [Finck]
Appears on: 25
Genres: Song
Source Attribution: [Finck]
Voice: [no designation]
Languages: German
Voice Text: Ich stund an ainem morgen [heimlich]
25v Ein fröhlich Wesen hab ich erlesen Anon. Anonymous
Appears on: 25v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ein frolich wesen [hab ich erlesen]
26 Ein fröhlich Wesen hab ich erlesen Anon. Anonymous
Appears on: 26
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ein frolich wesen [hab ich erlesen]
26v–27 Die Sclacht (= Escoutez tous gentilz galloys) [Janequin]
Appears on: 26v–27
Genres: Song
Source Attribution: [Janequin]
Voice: [no designation]
Languages: French, German
Voice Text: Die Sclacht [= Escoutez tous gentilz galloys la victoire du noble roy]
27v–28 Ach hilf mich leid und sehnlich klag [Adam von Fulda]
Appears on: 27v–28
Genres: Song
Source Attribution: [Adam von Fulda]
Voice: [no designation]
Languages: German
Voice Text: Ach hilff mich lait [und senlich klag]
28v Mein einigs A. ich Dein beleib und mich [Hofhaimer]
Appears on: 28v
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Mein ainigs A. [ich dein beleib]
29 Ergib mich der die artlich kunst mit gunst Anon. Anonymous
Appears on: 29
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Eer gib ich dir [= Ergib mich der die artlich kunst mit gunst]
29v Le corps s'en va et le coeur vous demeure [Conseil]
Appears on: 29v
Genres: Chanson, Secular
Source Attribution: [Conseil]
Voice: [no designation]
Languages: French
Voice Text: Lecorpor seiva [= Le corps s'en va et le coeur vous demeure]
30v–31 Doulce memoire en plaisir consommée [Manchicourt/Sandrin]
Appears on: 30v–31
Genres: Chanson
Source Attribution: [Manchicourt/Sandrin]
Voice: [no designation]
Languages: French
Voice Text: Dulce memore [= Doulce memoire en plaisir consommée]
31v–32 Das Mÿ (unidentified) Anon. Anonymous
Appears on: 31v–32
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Das Mÿ [unidentified]
32v–33 Le content est riche en ce monde [Gombert/Sermisy]
Appears on: 32v–33
Genres: Chanson
Source Attribution: [Gombert/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Le contant [= Le content est riche en ce monde]
33v Ich schwing mein horn ins jammerthal [Senfl]
Appears on: 33v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ich schwing min horn [ins jammertal]
34 Si j'ai pour vous mon avoir despendu [Sermisy]
Appears on: 34
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Se jay pour vous [= Si j'ay pour vous mon avoir despendu]
34v Benedicite et ea quaesumus sumpturi Ceser [= Cesar?]
Appears on: 34v
Genres: Motet
Source Attribution: Ceser [= Cesar?]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicite [et ea quaesumus sumpturi]
35 Laus Deo pax vivis et requies Anon. Anonymous
Appears on: 35
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laus deo [pax vivis et requies]
35v–36 Susanne un jour d'amour solicitée par deux viellards [Didier Lupi Second]
Appears on: 35v–36
Genres: Chanson
Source Attribution: [Didier Lupi Second]
Voice: [no designation]
Languages: French
Voice Text: Sussanne [un jour d'amour solicitée par deux viellards]
36v Mein herz hat sich mit lieb [Senfl?]
Appears on: 36v
Genres: Lied
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Min hertz hat sich mit lieb verpflicht
37 Der Hund mir vor dem licht umgaht Anon.
Appears on: 37
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der hunt mir vor dem liecht umb gat
37v Von edler Art, auch rein und zart bist du [Schönfelder]
Appears on: 37v
Genres: Song
Source Attribution: [Schönfelder]
Voice: [no designation]
Languages: German
Voice Text: Von edler arth [auch rein und zart]
38 Wann ich gedenck Anon. Anonymous

Wann ich gedenck

Anonymous
Appears on: 38
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Wann ich gedenck
38v Nun hab ich all mein tag gehört Anon. Anonymous
Appears on: 38v
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Nun hab ich all min tag gehört
39 Vil freud ernert mich zu aller stund [Eytelwein]
Appears on: 39
Genres: Secular
Source Attribution: [Eytelwein]
Voice: [no designation]
Languages: German
Voice Text: Vil freud ernert mich [zu aller stund]
39v–40 In te Domine speravi non confundar 28.18 [Josquin]
Appears on: 39v–40
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi [per trovar] 28.17
40 Ein Mädlin sagt mir früntlich zu [Malchinger/Senfl]
Appears on: 40
Genres: Song
Source Attribution: [Malchinger/Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ein medlin sagt mir früntlich zu
40v Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) [Isaac]
Appears on: 40v
Genres: Contrafactum, Kyrie eleison, Mass Ordinary, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Isbruck ich mues dich lassen
41 Jouissance vous donnerai, mon ami [La Rue/Sermisy]
Appears on: 41
Genres: Chanson
Source Attribution: [La Rue/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Joisantz [= Joyssance vous donneray mon amy]
41v Cupido hat ihm jetzt erdacht ein Elend Anon. Anonymous
Appears on: 41v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Cupido [hat im yetz erdacht ein ellend]
42 Ach lieb mit leid wie hast Dein B'scheid [Hofhaimer]
Appears on: 42
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Ach lieb mit leid [wie hast dein bscheid]
42v–43 Zucht Ehr und Lob ihr wohnet bei [Hofhaimer]
Appears on: 42v–43
Genres: Secular
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Zucht er und lob [ir wonet bey]
43v–44 Ein wechter guet in seiner hut Anon. Anonymous
Appears on: 43v–44
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ein wechter guet [in seiner hut]
44v Ach Maidlein rein ich hab allein [Grefinger/Senfl]
Appears on: 44v
Genres: Song
Source Attribution: [Grefinger/Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ach medle rein [= Ach meydlein rein ich hab allein]
45 Jetz scheiden bringt mir schwer und macht Anon. Anonymous
Appears on: 45
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Jetz scheiden bringt mir schwer
45v–46 Il est jour dit l'alouette allons jouer [Sermisy]
Appears on: 45v–46
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Ill es jour [dit l'Alouette allons jouer]
46v Ern werd uff erdt von tugend schön Anon. Anonymous
Appears on: 46v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ern werd uff erdt [von tugend schön]
47 Ich stell leicht ab von solcher hab [Grefinger]
Appears on: 47
Genres: Song
Source Attribution: [Grefinger]
Voice: [no designation]
Languages: German
Voice Text: Ich stöll licht ab von sollicher hab
47v–48 Gravi pene in amor si provan molte [Arcadelt]
Appears on: 47v–48
Genres: Italian secular, Madrigal (Italian)
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Italian
Voice Text: Gravi pene in amor [si provan molte]
48v–49 Ingiustissima amor perchè si raro [Arcadelt]
Appears on: 48v–49
Genres: Secular
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Italian
Voice Text: In giustissimus amor [= Ingiustissima amor perchè si raro]
49v–50 Vergangen ist mir glück und heill [Forster]
Appears on: 49v–50
Genres: Song
Source Attribution: [Forster]
Voice: [no designation]
Languages: German
Voice Text: Vergangen ist mir Glück und heÿl
50v–51 Zum zwire zum zware der vogel ist Anon. Anonymous
Appears on: 50v–51
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Zum zwire zum zware [der vogel ist]
51v–52 Je cherche autant amour et le desire [Boyvin/Crequillon]
Appears on: 51v–52
Genres: Chanson
Source Attribution: [Boyvin/Crequillon]
Voice: [no designation]
Languages: French
Voice Text: Je cerche autant amour [et le desire]
52v–53 Je prens en gre le dure mort (4vv) [Baston/Clemens non Papa/Janequin/Pathie?]
Appears on: 52v–53
Genres: Motet
Source Attribution: [Baston/Clemens non Papa/Janequin/Pathie?]
Voice: [no designation]
Languages: French
Voice Text: Je prens [en gré la dure mort]
53v–54 Vitam que faciunt beatiorem jucundissime [Arcadelt]
Appears on: 53v–54
Genres: Motet
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Latin
Voice Text: Vitamque [= Vitam que faciunt beatiorem jucundissime]
54v–55 Ces facheux sots qui mesdisent d'aymer Anon. Anonymous
Appears on: 54v–55
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Ces fascheux sotz [qui mesdisent d'aymer]
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Baston, Josquin (fl. 1542–63)
Boyvin, Jacques
Brack, Georg
Bruck, Arnold von (ca. 1500–1554)
Cesar, Georgius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conseil, Jean (ca. 1498–1534)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Eytelwein, Heinrich
Finck, Heinrich
Forster, Georg (ca. 1510–1568)
Gombert, Nicolas (ca. 1495–ca. 1560)
Grefinger, Wolfgang
Heidenhamer, Ludwig
Hofhaimer, Paul
Isaac, Heinrich (ca. 1450–1517)
Janequin, Clement (ca. 1485–ca. 1558)
Lupi (II), Didier
Malchinger
Manchicourt, Pierre de
Mouton, Jean (ca. 1459–1522)
Othmayr, Caspar
Pathie, Rogier (ca. 1510–ca. 1564)
Rore, Cipriano de (ca. 1515–1565)
Sandrin, Pierre (ca. 1490–ca. 1560)
Schönfelder, Jörg
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Wolff, Martin
von Fulda, Adam (ca. 1445–1505)
Composition Composers (? Uncertain) Folios / Pages
Ach hilf mich leid und sehnlich klag 27v–28
Ach lieb mit leid wie hast Dein B'scheid 42
Ach Maidlein rein ich hab allein 44v
Au pres de vous secretement demeure 5
Benedicite et ea quaesumus sumpturi 34v
Bewar dich Gott mein khaiserin Anonymous 23
C'est a grant tort que moi povrette endure 4v
Ces facheux sots qui mesdisent d'aymer Anonymous 54v–55
Cupido hat ihm jetzt erdacht ein Elend Anonymous 41v
D'ou [dont] vient cela belle je vous supply 8v
Das Mÿ (unidentified) Anonymous 31v–32
Der Hund mir vor dem licht umgaht 37
Der Ludl und der Jansl sigel 12v
Der unfal reit mich gantz und gar Anonymous 10
Die schlacht Anonymous 3
Die Sclacht (= Escoutez tous gentilz galloys) 26v–27
Doulce memoire en plaisir consommée 30v–31
Ein fröhlich Wesen hab ich erlesen Anonymous 25v
Ein fröhlich Wesen hab ich erlesen Anonymous 26
Ein Mädlin sagt mir früntlich zu 40
Ein Padoaner Anonymous 3v–4
Ein wechter guet in seiner hut Anonymous 43v–44
Ergib mich der die artlich kunst mit gunst Anonymous 29
Ern werd uff erdt von tugend schön Anonymous 46v
Es ist ein schee gefallen 20v
Geduld solt han auf gottes ban wilt 17
Gravi pene in amor si provan molte 47v–48
Holtzsalige fraw Dein stoltzer leib Anonymous 22
Ich armer boss bin gantz verwirt 19
Ich armer boss bin gantz verwirt 19v
Ich brin und far dahin Gott wais mein sin Anonymous 23v–24
Ich clag den tag und alle stund 12
Ich reu und klag dass ich mein tag 11
Ich schwing mein horn ins jammerthal 33v
Ich soll und muesz ein bulen han 16v
Ich stand an einem Morgen heimlich 25
Ich stell leicht ab von solcher hab 47
Ich weis mir ein feins brauns meidelein 21–20v
Il est jour dit l'alouette allons jouer 45v–46
In te Domine speravi non confundar 28.18 39v–40
Ingiustissima amor perchè si raro 48v–49
Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) 40v
Je cherche autant amour et le desire 51v–52
Je prens en gre le dure mort (4vv) 52v–53
Jetz scheiden bringt mir schwer und macht Anonymous 45
Jouissance vous donnerai, mon ami 41
Kehr weder Glück mit Freuden und jag Unfall Anonymous 9v
Languir me fais sans t'avoir offensé 5v
Laus Deo pax vivis et requies Anonymous 35
Le content est riche en ce monde 32v–33
Le corps s'en va et le coeur vous demeure 29v
Mach ich ungluck nicht widerstan 10v
Mein einigs A. ich Dein beleib und mich 28v
Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) 7
Mein herz hat sich mit lieb 36v
Mein herziges A und höchster hort Anonymous 15
Mein selbs bin ich nit gwallttig 2
Mille regrets de vous abandonner 28.24 11v
Mit Lust tät ich ausreiten 18
Nach dir ist all mein sach gericht Anonymous 22v
Nach Willen Dein mich dir allein in treuen 13v
Nie noch nimmer so ruwt mein gemuet Anonymous 14v
Nun hab ich all mein tag gehört Anonymous 38v
O hocste frucht Anonymous 21v
O werder mund von dir ist wundt 17v
Patientiam muss ich han [S263] 6v
Paur Paur was tregst im sackhe nichts 18v
Si j'ai pour vous mon avoir despendu 34
So trincken wir alle disen wein mit 15v
So wunsch ich ihr eine gute nacht 9
Susanne un jour d'amour solicitée par deux viellards 35v–36
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant 2v
Traditora Anonymous 6
Tröstlicher lieb stets ich mich üb' 7v
Ursach tut viel wer's glauben will 20
Vergangen ist mir glück und heill 49v–50
Vil freud ernert mich zu aller stund 39
Vitam que faciunt beatiorem jucundissime 53v–54
Von edler art ein frewlein zart bist 16
Von edler Art, auch rein und zart bist du 37v
Wach auf mein hochster hort des wächters wort 24v
Wann ich gedenck Anonymous 38
Was wird es doch des wunders noch [S329 - 4vv/7vv] 14
Wohl kommt der Mai [S349] 13
Zart schöne Frau gedenk und schau Anonymous 8
Zucht Ehr und Lob ihr wohnet bei 42v–43
Zum zwire zum zware der vogel ist Anonymous 50v–51

Set: MS F.X.17-20

Type: Partbooks

No images available

CH-Bu F X 17

No images available

CH-Bu F X 18

No images available

CH-Bu F X 19

No images available

CH-Bu F X 20

denotes primary source study

Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung.  Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II, 7, passim [with in-correct information: #74 in BasU F.X. 17-20 is Hofhaimer's "Zucht er und lob," not Senfl's "Ihr Zucht und lob"]. Notes: physical description (partial); contents list (partial); concordances (partial).

Allaire, Gaston Georges, and Isabelle Anne-Marie Cazeaux (editors). 1970. Claudin de Sermisy: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xvi-xx,xxii IV,ix,xiii-xiv. Notes: contents list (partial); concordances (partial).

Bernstein, Lawrence F. 1969. The Cantus-Firmus Chansons of Tylman Susato. Journal of the American Musicological Society, 197-240. Pages: 204-6. Notes: concordances (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 8. Notes: physical description; contents list; incipitsst of contents (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 231. Notes: concordances (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 184 [source of Stoltzer's "Ich klag den tag" erroneously identified as BasU F.X. 1-4 piece actually in BasU F.X. 17-20]. Notes: contents list (partial); concordances (partial).

Hartmann, Karl-Günther. 1960. Die Handschrift KN 144 der Ratsbücherei zu Lüneburg. Die Musikforschung, 1-27,459. Pages: 10. Notes: contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 348. Notes: physical description (partial).

Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk.  Kassel and Basel. Pages: 130-l. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV.141, 147-9,152,154 LXX, 192,204-6. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken.  Amsterdam. Pages: III, x. Notes: physical description.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 445. Notes: mention of MS.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 170. Notes: physical description.

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, . Pages: 69-75. Notes: contents list; concordances (partial); incipits (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description