D-Usch 237 (b)

Münster Bibliothek, Ulm, Germany

partbook: c. 1530-40

Archive Münster Bibliothek, Ulm, Germany (D-Usch)
Shelfmark 237 (b)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 98 x 142 mm
Other Identifiers
  • CCM: UlmS 237
Relationships
External Links
Provenance
  • Bavaria, Germany
Contents 95 pieces from 36 composers
General Description

An Altus partbook from a set of four volumes. Copied by nine scribes. Some pieces have text incipits only. Not all pieces are in all books; in particular there are several 3vv pieces (in D, T, B books only) and 2vv pieces (in D, B books only).

Of central German origin. Early (original?) owner may have been Hainrichus Lobereich, named on first folio of D book. Partbooks given to Marco Albano Lucio (or Rucio) by Albertus Calerus Troianus of Schweinfurt in 1551 (inscriptions at beginning of each partbook; see also StaeMI I, 73). Owned in late 16th and first half of 17th century by Egenolf and Anton von Schermar of Ulm; von Schermar collection later deposited in Münster Bibliothek, Ulm.

DIAMM, 2017
Binding

Original parchment covers

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original ink foliation in each book, with some errors; section of blank folios at end of each book not included by foliation

DIAMM, 2017
Decoration

Some inked calligraphic initials.

DIAMM, 2017
Index

Incomplete original index on ff. [ii-iii'] of T book lists motets only, in order of appearance (some motets not listed)

DIAMM, 2019
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Agnus, 3 Mass Ordinary sections, 2 hymns, 52 motets, 25 French secular pieces (2 without text), 17 Dutch secular pieces, 3 German secular pieces, 3 Italian secular pieces, 1 Latin secular piece, 2 textless pieces = 109

(Appenzeller/Josquin/Vinders)-1, (Arcadelt)-2, (Barbireau/Isaac/ Obrecht)-1, (Brumel)-1 + 1?, (Caen/Lupus/Richafort)-1, (Conseil)-1, (Courtois/Jacotin/Morales)-1, (C. Festa/Gombert)-1, (A. Févin)-1, (Ghiselin)-1, (Gombert)-8, (Gombert/Haugk/Mahu) -1, (Gombert/Mouton/Verdelot)-1, (Gombert/Sermisy)-1, (Hayne van Ghizeghem)-1, (Hellinck/Senfl/Verdelot)-1, (Hesdin/Roquellay)-1, (Isaac)-2, (Jacotin/Sermisy)-1, (Janequin/Ninot 1e Petit/ Willaert)-1, (Jaquet of Mantua)-2, (Jhan of Ferrara)-1, (Josquin) -13, (Josquin/La Rue)-1, (Josquin-anon)-1, (La Rue/Obrecht)-1, (Lafage)-1, (L'Archier)-1, (Lasson/Verdelot)-1, (Le Cocq)-1, (Lupi)-1, (Magdelain)-1, (Moulu)-1, (Piéton)-1, (Pipelare)-2, (Roellrin)-1, Samson-3, (Sermisy)-1, (Verdelot)-1, anon-44

4 paper partbooks (D-124 folios, A-130, T-124, B-125), 98 x 142. Original ink foliation in each book, with some errors; section of blank folios at end of each book not included by foliation. Original parchment covers. Incomplete original index on ff. [ii-iii'] of T book lists motets only, in order of appearance (some motets not listed). Copied by nine scribes. Some inked calligraphic initials. Some pieces have text incipits only.

Ca. 1530-40. Of central German origin. Early (original?) owner may have been Hainrichus Lobereich, named on first folio of D book. Partbooks given to Marco Albano Lucio (or Rucio) by Albertus Calerus Troianus of Schweinfurt in 1551 (inscriptions at beginning of each partbook; see also StaeMI I, 73). Owned in late 16th and first half of 17th century by Egenolf and Anton von Schermar of Ulm; von Schermar collection later deposited in Münster Bibliothek, Ulm.

Vol 4

Composers: Change "(Brumel)-l + 1? " to "(Brumel)-2."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
iii v–vii v [blank pages] - -

[blank pages]

Appears on: iii v–vii v
1–1v Ut Phoebi radiis 25.10 - 1a pars (of 2): Ut Phoebi radiis soror obvia sidera [Josquin]
Appears on: 1–1v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Ut Phoebi radiis soror obvia sidera] 25.10 II: Latius [in numerum canit id quoque]
1v–2 Ut Phoebi radiis 25.10 - 2a pars (of 2): Latius in numerum canit id quoque -
Appears on: 1v–2
Genres: Motet
2v Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena [Josquin]
Appears on: 2v
Genres: Ave Maria, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum 23.6
3 Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas -
Appears on: 3
Genres: Ave Maria, Motet
3v Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est ut dilectus [Ghiselin]
Appears on: 3v
Genres: Motet
Source Attribution: [Ghiselin]
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est ut dilectus
4 Anima mea liquefacta est - 2a pars (of 2): Tulerunt pallium meum -
Appears on: 4
Genres: Motet
4v Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est -
Appears on: 4v
Genres: Motet
5 Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis [Isaac]
Appears on: 5
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea [liquefacta est ut dilectus] II: Invenerunt [me custodes civitatis] III: [Filie Hierusalem nunciate dilecto]
5v Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto -
Appears on: 5v
Genres: Motet
6–6v Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum [Josquin]
Appears on: 6–6v
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater/Ave regina celorum 23.2 II: [Tu que genuisti]/Gaude [virgo] gloriosa
6v–7 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa -
Appears on: 6v–7
Genres: Alma redemptoris mater, BVM, Motet
7–8v [untexted] Anon. Anonymous

[untexted]

Anonymous
Appears on: 7–8v
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
9–9v Vultum tuum 25.14 - 2a pars (of 7): Sancta Dei genitrix virgo semper Maria [Josquin]
Appears on: 9–9v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta dei genitrix virgo semper Maria 25.13 [Pars II of Vultum tuum deprecabuntur omnes]
10–10v Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem [Josquin]
Appears on: 10–10v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: O intemerata virgo que redemptorem 25.14 II: O Maria nullam tam gravam possimus Partes III-IV of Vultum tuum deprecabuntur omnes
11–11v Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus [Josquin]
Appears on: 11–11v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [O] Maria nullam tam gravem possimus 25.14 [Pars IV of Vultum tuum deprecabuntur omnes]
12–12v Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut [Josquin]
Appears on: 12–12v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [M]ente tota tibi supplicamus ut sicut 25.14 [Pars V of Vultum tuum deprecabuntur omnes]
13 Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino [Josquin]
Appears on: 13
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [O]ra pro nobis [virgo] sine termino 25.14 [Pars VI of Vultum tuum deprecabuntur omnes]
13–14 Missus est Gabriel angelus ad Mariam 20.6 [Josquin]
Appears on: 13–14
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [M]issus est Gabriel angelus ad Mariam 20.6
14v Le content est riche en ce monde [Gombert/Sermisy]
Appears on: 14v
Genres: Chanson
Source Attribution: [Gombert/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Le content [est riche en ce monde]
15–15v Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio [Sermisy]
Appears on: 15–15v
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir qui non abiit [in consilio] II: Non sic impii non sic [sed tanquam]
15v–16 Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam -
Appears on: 15v–16
Genres: Motet
16v Mijn herz altijt heeft verlanghen [La Rue/Obrecht]
Appears on: 16v
Genres: Italian secular
Source Attribution: [La Rue/Obrecht]
Voice: [no designation]
Languages: German
Voice Text: Myn hertz [heeft altijt verlanghen]
17–17v En ..... Anon. Anonymous

En .....

Anonymous
Appears on: 17–17v
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: insufficient
Voice Text: En
17v–18 Ich hadd so schoene vrouwe Sampson [= Samson]
Appears on: 17v–18
Genres: Song
Source Attribution: Sampson [= Samson]
Voice: [no designation]
Languages: German
Voice Text: [I]ck hadd so schoene vrudwe
18–18v Myn synn synt myr entzuegen von einer junckfrawen [i] Anon. Anonymous
Appears on: 18–18v
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Myn synn synt myr entzoegen van eyner junckfrawen
18v Helas Anon. Anonymous

Helas

Anonymous
Appears on: 18v
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [H]ellas
19 En non sachant ce qu'il lui fault Anon. Anonymous
Appears on: 19
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [E]n non sachant [ce qu'il luy fault]
19–19v Tant ravi suis Anon. Anonymous

Tant ravi suis

Anonymous
Appears on: 19–19v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Tant ravi suis
19v Je ris et si ay larme a l'oeil 28.18 [Josquin]
Appears on: 19v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: [J]e ris et sy ay la larme [= Je ris et si ay larme a loeil] 28.18
20 Amour si fort Anon. Anonymous

Amour si fort

Anonymous
Appears on: 20
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Amour sy fort
20v–21 Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius [Appenzeller/Josquin/Vinders]
Appears on: 20v–21
Genres: Motet
Source Attribution: [Appenzeller/Josquin/Vinders]
Voice: [no designation]
Languages: Latin
Voice Text: Domini est terra et plenitudo eius 16.12 II: Haec est generatio querentium
21–21v Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium -
Appears on: 21–21v
Genres: Motet
22–22v Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anon. Anonymous
Appears on: 22–22v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [H]omo quidam fecit cenam magnam et misit II: Ite ergo ad exitus viarum
23–23v Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum - Anonymous
Appears on: 23–23v
Genres: Motet
24 Cesse mon oeil de plus la regarder [Pathie]
Appears on: 24
Genres: Chanson
Source Attribution: [Pathie]
Voice: [no designation]
Languages: French
Voice Text: Cesse mon [oeil de plus la regarder]
24v Sans liberte qu'un bon esprit [Magdelain]
Appears on: 24v
Genres: Chanson
Source Attribution: [Magdelain]
Voice: [no designation]
Languages: French
Voice Text: Sans liberte [qu'un bon esprit]
25 Fleur de beaulte chef d'oeuvre de nature [Conseil]
Appears on: 25
Genres: Chanson
Source Attribution: [Conseil]
Voice: [no designation]
Languages: French
Voice Text: Fleur de beaulte [chef d'oeuvre de nature]
25–25v Au fort quand dieu plaira jaray bonne adventure Anon. Anonymous
Appears on: 25–25v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Au fort quant dieu plaira
25v–26 Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae [Jhan of Ferrara]
Appears on: 25v–26
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Ambulans Jhesus iuxta mare Galilee vidit II: At illi continuo relictis retibus
26–26v Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus -
Appears on: 26–26v
Genres: Motet
27–27v Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis [Caen/Lupus/Richafort]
Appears on: 27–27v
Genres: Motet
Source Attribution: [Caen/Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Jerusalem luge et exue te vestibus II: Deduc quasi torrentem lachrimas
27v–28 Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas -
Appears on: 27v–28
Genres: Motet
28–28v Dulcis amica Dei rosa vernans atque decora [Gombert]
Appears on: 28–28v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [D]ulcis amica dei rosa vernans atque decora
28v–30v Qui confidunt in Domino sicut mons Sion II: Benefac Domine bonis et rectis corde Anon. Anonymous
Appears on: 28v–30v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Q]ui confidunt in domino sicut mons Syon II: Benefac domine bonis et rectis corde
30v–31 Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium [Lasson/Verdelot]
Appears on: 30v–31
Genres: Motet
Source Attribution: [Lasson/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: [V]irtute magna reddebant apostoli II: Repleti quidem spiritu sancto
31–31v Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto -
Appears on: 31–31v
Genres: Motet
31v–32 Operarius ebrosius non locum pletabitur Anon. Anonymous
Appears on: 31v–32
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [O]perarius ebrosius non locum pletabitur
32v–33 Spem in alium nunquam habui praeter in te [Jaquet of Mantua]
Appears on: 32v–33
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [S]pem in alium nunquam habui preter in te
33–33v Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino [Gombert]
Appears on: 33–33v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [J]ubilate deo omnis terra servite domino II: Populus eius et oves pascue eius
34–34v Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius -
Appears on: 34–34v
Genres: Motet
34v–35 Fac tibi mortales - 1a pars (of 2): Fac tibi mortales pareant Davidica radix [Gombert]
Appears on: 34v–35
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [F]ac tibi mortales [pareant Davidica radix] II: O clemens geniti [faveas per secula]
35–35v Fac tibi mortales - 2a pars (of 2): O clemens geniti faveas per saecula -
Appears on: 35–35v
Genres: Motet
36–36v Cur quisquam corradat opes jam resque [Gombert/Haugk/Mahu]
Appears on: 36–36v
Genres: Motet
Source Attribution: [Gombert/Haugk/Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: [C]ur quisquam corradat [opes jam resque]
37 Unum cole Deum - 1a pars (of 2): Unum cole Deum nec jures vana per ipsum [Jaquet of Mantua]
Appears on: 37
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: [U]num cole deum nec iures vana per ipsum II: Non sis occisor fur moechus [testis]
37v Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis -
Appears on: 37v
Genres: Motet
38–38v Qui seminant in lachrimis - 1a pars (of 2): Qui seminant in lachrimis in exsultatione [Gombert]
Appears on: 38–38v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [Q]ui seminant in lachrimis [in exsultatione] II: [Qui parce seminant et parce metent]
38v–39 Qui seminant in lachrimis - 2a pars (of 2): Qui parce seminant et parce metent -
Appears on: 38v–39
Genres: Motet
39v–41 Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa [Moulu]
Appears on: 39v–41
Genres: Motet
Source Attribution: [Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: [V]ulnerasti cor meum soror mea/Dulcis amica dei II: Et vox tua dulcis/Dulcis amica dei
41v–43 Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis -
Appears on: 41v–43
Genres: Motet
42v–46 A solis occasum usque ad exortum est II: Huic caelum obsequi est paratum Anon. Anonymous
Appears on: 42v–46
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [A] solis occasum usque ad exortum est II: [H]uic celum obsequi est paratum
46v–48 Precursor Domini venit de quo ipse testatur II: Hic est cuius propheta et plusquam Anon. Anonymous
Appears on: 46v–48
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [P]recursor domini venit de quo ipse testatur II: [H]ic est cuius propheta et plusquam
48v–50 Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem [Lupi]
Appears on: 48v–50
Genres: Motet
Source Attribution: [Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: [V]idi speciosam sicut columbam ascendentem II: Que est ista que processit quasi aurora
49v–51 Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut -
Appears on: 49v–51
Genres: Motet
50v–55 Vidi speciosam sicut columbam ascendentem II: Que est ista que ascendit per desertum Anon. Anonymous
Appears on: 50v–55
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [V]idi speciosam sicut columbam ascendentem II: [Q]ue est ista que ascendit per desertum
54v–56 In te Domine speravi - 1a pars (of 2): In te Domine speravi [Hellinck/Senfl/Verdelot]
Appears on: 54v–56
Genres: Motet, Te Deum
Source Attribution: [Hellinck/Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
56v–58 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 56v–58
Genres: Motet
58–58v Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Gombert/Mouton/Verdelot]
Appears on: 58–58v
Genres: Motet
Source Attribution: [Gombert/Mouton/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: [S]urge Petre et indue te vestimentis tuis II: [A]ngelus domini astitit et lumen
58v–59 Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit -
Appears on: 58v–59
Genres: Motet
59v–60 Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata [C. Festa/Gombert]
Appears on: 59v–60
Genres: Motet
Source Attribution: [C. Festa/Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine quia facta est desolata II: Muro tuo inexpugnabili circumcinge
60v–61 Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge -
Appears on: 60v–61
Genres: Motet
61–62 Angelus Domini descendit de caelo [Le Cocq]
Appears on: 61–62
Genres: Motet
Source Attribution: [Le Cocq]
Voice: [no designation]
Languages: Latin
Voice Text: [A]ngelus domini descendit de celo
62–63 Elegi abiectus esse in domo Dei mei Anon. Anonymous
Appears on: 62–63
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [E]legi abiectus esse in domo dei mei
63–64 Domine pater et Deus vitae meae [Gombert]
Appears on: 63–64
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [D]omine pater et deus vite meae
64–64v Laudem dicite deo nostro omnes sancti [Piéton]
Appears on: 64–64v
Genres: Motet
Source Attribution: [Piéton]
Voice: [no designation]
Languages: Latin
Voice Text: [L]audem dicite deo nostro omnes sancti
64v–65v Ecce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos Anon. Anonymous
Appears on: 64v–65v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [E]cce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos
66–66v Beata mater et innupta - 1a pars (of 4): Beata mater et innupta virgo gloriosa [Gombert]
Appears on: 66–66v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [B]eata mater et innupta virgo gloriosa II: [I]n prole mater in partum virgo III: [S]ub tuum presidium confugimus sancta IV: [S]ub tuam protectionem confugimus ubi
66v–67 Beata mater et innupta - 2a pars (of 4): In prole mater in partum virgo -
Appears on: 66v–67
Genres: Motet
67–67v Beata mater et innupta - 3a pars (of 4): Sub tuum presidium confugimus sancta -
Appears on: 67–67v
Genres: Motet
68–68v Beata mater et innupta - 4a pars (of 4): Sub tuam protectionem confugimus ubi -
Appears on: 68–68v
Genres: Motet
68v–70 Hortus conclusus es Dei genitrix fons [Gombert]
Appears on: 68v–70
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [H]ortus conclusus es dei genitrix fons
70v [blank page] - -

[blank page]

Appears on: 70v
71–72v Salve regina ... Vita dulcedo Anon.
Appears on: 71–72v
Genres: Motet, Salve Regina
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordie] [V]ita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jhesum benedictum fructum ventris IV: O clemens O pia
72v–73v Surgens Jesus Dominus noster stans in medio II: Surrexit Dominus de sepulchro Anon. Anonymous
Appears on: 72v–73v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [S]urgens Jhesus dominus noster stans in medio II: [S]urrexit dominus de sepulchro
74–75 Mon petit coeur helas qui nuit et jour [Gombert]
Appears on: 74–75
Genres: Chanson
Source Attribution: [Gombert]
Voice: [no designation]
Languages: French
Voice Text: Mon petit coeur helas qui nuit et jour
75–76 D'amour me plains et non de vous m'amie [LvArchier]
Appears on: 75–76
Genres: Chanson
Source Attribution: [LvArchier]
Voice: [no designation]
Languages: French
Voice Text: [D]amor me playn et non de vous mamie
76–76v Vous.... [?Nous....] Anon. Anonymous
Appears on: 76–76v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: [V?]ous
76v Canamus et bibamus - Anonymous

Canamus et bibamus

Anonymous
Appears on: 76v
Genres: Song
General Note

Copied in Discantus only; in Altus marked 'vacans' and then crossed through

77 Grace et vertu bonté beaulté noblesse [Hesdin/Roquellay]
Roquellay (?)
Appears on: 77
Genres: Chanson
Source Attribution: [Hesdin/Roquellay]
Voice: [no designation]
Languages: French
Voice Text: Grace et vertu [bonté beaulté noblesse]
77v–78 Acoutrons nous Anon. Anonymous

Acoutrons nous

Anonymous
Appears on: 77v–78
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Acoutronnons
78v–106v [blank staves] - -

[blank staves]

Appears on: 78v–106v
107–107v Si liet'e grata morte da gli occhi [Verdelot]
Appears on: 107–107v
Genres: Italian secular
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Italian
Voice Text: Si liet'e grata morte [da gli occhi]
107v–108 Ragion' e ben ch' alcuna volta io canti [Arcadelt]
Appears on: 107v–108
Genres: Madrigal (Italian)
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Italian
Voice Text: Ragion e ben ch'alcuna volta io canti
108–108v Non ch'io non voglio mai altro pensiero [Arcadelt]
Appears on: 108–108v
Genres: Madrigal (Italian)
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Italian
Voice Text: Non ch'io non voglio mai altro pensiero
109–125v [blank staves] - -

[blank staves]

Appears on: 109–125v
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Berchem, Jacques (ca. 1505–1567)
Caen, Arnold
Conseil, Jean (ca. 1498–1534)
Despres, Josquin (ca. 1450–1521)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Festa, Costanzo (ca. 1485–1545)
Gallus, Joannes
Ghiselin (Verbonnet), Johannes
Gombert, Nicolas (ca. 1495–ca. 1560)
Haugk, Virgilius (ca. 1490–1555)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Isaac, Heinrich (ca. 1450–1517)
Larchier, Jean
Lasson, Mathieu
Le Cocq, Gerard
Lupi, Johannes (ca. 1506–1539)
Magdelain
Mahu, Stephan
Mantua, Jacquet de (1483–1559)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Pathie, Rogier (ca. 1510–ca. 1564)
Pieton, Loyset
Richafort, Jean (ca. 1480–ca. 1550)
Roquellay
Rue, Pierre de la (ca. 1452–1518)
Sampson
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Composition Composers (? Uncertain) Folios / Pages
[untexted] Anonymous 7–8v
A solis occasum usque ad exortum est II: Huic caelum obsequi est paratum Anonymous 42v–46
Acoutrons nous Anonymous 77v–78
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum 6–6v
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa 6v–7
Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae 25v–26
Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus 26–26v
Amour si fort Anonymous 20
Angelus Domini descendit de caelo 61–62
Anima mea liquefacta est - 1a pars (of 2): Anima mea liquefacta est ut dilectus 3v
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est 4v
Anima mea liquefacta est - 2a pars (of 2): Tulerunt pallium meum 4
Anima mea liquefacta est - 2a pars (of 3): Invenerunt me custodes civitatis 5
Anima mea liquefacta est - 3a pars (of 3): Filie Jerusalem nunciate dilecto 5v
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est desolata 59v–60
Aspice Domine - 2a pars (of 2): Muro tuo inexpugnabili circumcinge 60v–61
Au fort quand dieu plaira jaray bonne adventure Anonymous 25–25v
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena 2v
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas 3
Beata mater et innupta - 1a pars (of 4): Beata mater et innupta virgo gloriosa 66–66v
Beata mater et innupta - 2a pars (of 4): In prole mater in partum virgo 66v–67
Beata mater et innupta - 3a pars (of 4): Sub tuum presidium confugimus sancta 67–67v
Beata mater et innupta - 4a pars (of 4): Sub tuam protectionem confugimus ubi 68–68v
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio 15–15v
Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam 15v–16
Canamus et bibamus Anonymous 76v
Cesse mon oeil de plus la regarder 24
Cur quisquam corradat opes jam resque 36–36v
D'amour me plains et non de vous m'amie 75–76
Domine pater et Deus vitae meae 63–64
Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius 20v–21
Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium 21–21v
Dulcis amica Dei rosa vernans atque decora 28–28v
Ecce nunc tempus acceptabile ecce nunc dies II: In omnibus exhibeamus nosmet ipsos Anonymous 64v–65v
Elegi abiectus esse in domo Dei mei Anonymous 62–63
En ..... Anonymous 17–17v
En non sachant ce qu'il lui fault Anonymous 19
Fac tibi mortales - 1a pars (of 2): Fac tibi mortales pareant Davidica radix 34v–35
Fac tibi mortales - 2a pars (of 2): O clemens geniti faveas per saecula 35–35v
Fleur de beaulte chef d'oeuvre de nature 25
Grace et vertu bonté beaulté noblesse
Roquellay (?)
77
Helas Anonymous 18v
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anonymous 22–22v
Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum Anonymous 23–23v
Hortus conclusus es Dei genitrix fons 68v–70
Ich hadd so schoene vrouwe 17v–18
In te Domine speravi - 1a pars (of 2): In te Domine speravi 54v–56
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 56v–58
Je ris et si ay larme a l'oeil 28.18 19v
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis 27–27v
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas 27v–28
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 33–33v
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascue eius 34–34v
Laudem dicite deo nostro omnes sancti 64–64v
Le content est riche en ce monde 14v
Mijn herz altijt heeft verlanghen 16v
Missus est Gabriel angelus ad Mariam 20.6 13–14
Mon petit coeur helas qui nuit et jour 74–75
Myn synn synt myr entzuegen von einer junckfrawen [i] Anonymous 18–18v
Non ch'io non voglio mai altro pensiero 108–108v
Operarius ebrosius non locum pletabitur Anonymous 31v–32
Precursor Domini venit de quo ipse testatur II: Hic est cuius propheta et plusquam Anonymous 46v–48
Qui confidunt in Domino sicut mons Sion II: Benefac Domine bonis et rectis corde Anonymous 28v–30v
Qui seminant in lachrimis - 1a pars (of 2): Qui seminant in lachrimis in exsultatione 38–38v
Qui seminant in lachrimis - 2a pars (of 2): Qui parce seminant et parce metent 38v–39
Ragion' e ben ch' alcuna volta io canti 107v–108
Salve regina ... Vita dulcedo 71–72v
Sans liberte qu'un bon esprit 24v
Si liet'e grata morte da gli occhi 107–107v
Spem in alium nunquam habui praeter in te 32v–33
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 58–58v
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit 58v–59
Surgens Jesus Dominus noster stans in medio II: Surrexit Dominus de sepulchro Anonymous 72v–73v
Tant ravi suis Anonymous 19–19v
Unum cole Deum - 1a pars (of 2): Unum cole Deum nec jures vana per ipsum 37
Unum cole Deum - 2a pars (of 2): Non sis occisor fur moechus testis 37v
Ut Phoebi radiis 25.10 - 1a pars (of 2): Ut Phoebi radiis soror obvia sidera 1–1v
Ut Phoebi radiis 25.10 - 2a pars (of 2): Latius in numerum canit id quoque 1v–2
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem 48v–50
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit sicut 49v–51
Vidi speciosam sicut columbam ascendentem II: Que est ista que ascendit per desertum Anonymous 50v–55
Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium 30v–31
Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto 31–31v
Vous.... [?Nous....] Anonymous 76–76v
Vulnerasti cor meum - 1a pars (of 2): Vulnerasti cor meum soror mea sponsa 39v–41
Vulnerasti cor meum - 2a pars (of 2): Et vox tua dulcis in auribus meis 41v–43
Vultum tuum 25.14 - 2a pars (of 7): Sancta Dei genitrix virgo semper Maria 9–9v
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem 10–10v
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus 11–11v
Vultum tuum 25.14 - 5a pars (of 7): Mente tota tibi supplicamus ut sicut 12–12v
Vultum tuum 25.14 - 6a pars (of 7): Ora pro nobis virgo sine termino 13

Set: 236 (a-d)

Type: Partbooks

No images available

D-Usch 237 (a)

No images available

D-Usch 237 (b)

No images available

D-Usch 237 (c)

No images available

D-Usch 237 (d)

denotes primary source study

Gottwald, Clytus. 1993. Katalog der Musikalien in der Schermar-Bibliothek Ulm. Veröffentlichungen der Stadtbibliothek Ulm.  Wiesbaden: Harrassowitz Verlag.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen.  Wiesbaden. Pages: 77,89-90, 107-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II, 12,76-90. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: II, 181,321-2. Notes: physical description; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xli,32-4,73 III,78. Notes: contents list (partial); concordances (partial); incipits (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I,65ff, passim. Notes: contents list (partial); concordances (partial); discussion; cussion of the MS.

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I,65-7,96,150-1,211,273,319-24. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement.  Amsterdam. Pages: xvii. Notes: contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,372. Notes: physical description; contents list (partial); concordances (partial).

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig.  Copenhagen and Leipzig. Pages: lxxiii, lxxxi-lxxxii. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: XVI.xlv-lx. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: I,xi, xiii III,x,xiii IV,viii,x VI,vi-viii. Notes: physical description (partial); contents list (partial); concordances (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken.  Amsterdam. Pages: I,xv. Notes: contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I,463. Notes: physical description (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XV/XVI,viii. Notes: physical description (partial); contents list (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description