F-Pn Rés. Vmc ms. 57 (Nivelle de la Chaussée Chansonnier)

Bibliothèque nationale de France, Département de la Musique, Paris, France

manuscript of polyphony: Late 1460's or early 1470's

Archive	Bibliothèque nationale de France, Département de la Musique, Paris, France (F-Pn)
Shelfmark	Rés. Vmc ms. 57 (Nivelle de la Chaussée Chansonnier)
Image Availability	The images on this record are linked using IIIF.
Surface	Parchment
Numbering System	Foliation
Measurements	180 x 125 mm
Other Identifiers	CCM: ParisBN 57
Notations	black void mensural
Relationships	Bourges Cathedral (owner) Gueri, Jo (owner) Petit, Francoys (mentioned in liminary text) Brossemonoye, Aqua (mentioned in liminary text) Boenon, Gillet (mentioned in liminary text) Bernar, Jaques (mentioned in liminary text) Lelun, Simon (mentioned in liminary text) Rossynol, Francoys (mentioned in liminary text) Ribie, Michau (mentioned in liminary text) Nivelle de la Chaussee, Pierre-Claude (1692–1754) (mentioned in liminary text) Thibault, Genevieve (1902–1975) (owner)
External Links	images IIIF Manifest
Provenance	Loire Valley, France
Contents	Contains 66 compositions, 43 from 17 composers, 23 are anonymous.

General Description

Copied by one main scribe (ff. ii'-lxxii') and three additional scribes (ff. i'-ii + 73'-78, 78'-79, 79'-80, respectively). Repertorial connections with DijBM 517 (36 concordances), CopKB 291, WashLC L25, and WolfA 287. Several pieces copied by main scribe and subsequently erased are not included in count of pieces and composer list. Copied in France; probably decorated in Tours (PerkMC). Apparently early owners named in inscriptions on f. i: 'Hic liber discantus mea interest. Jo. Cineris De palacio Bire' and 'Francois Bornand.' Other names scribbled on f. 80': 'Francoys Petit,' 'Aqua Brossemonoye,' 'Jaques Bernar Simon,' 'Gillet Boenon,' 'Francoys Rossynol,' 'Michau.' Later owned by the French litterateur Pierre-Claude Nivelle de la Chaussée (1692-1754). Purchased at Sotheby's sale in 1939 by the musicologist Geneviève Thibault, Comtesse de Chambure (1902-75); passed to Bibliothèque Nationale after the latter's death.

DIAMM, 2017

Binding

Rebound in new covers of black leather.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Late 1460's or early 1470's (PerkMC)

DIAMM, 2017

Foliation

Original foliation, i-lxxii (ff. iv, v, viii now missing) + modern foliation, 73-80.

DIAMM, 2017

Decoration

Illuminated initials and floral borders in red, blue, and gold, some decorated with grotesques.

DIAMM, 2017

Surface

Parchment

DIAMM, 2017

DIAMM Note

Inventory supplied by Jane Alden, 2011

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

63 French secular pieces (several incomplete)

(A. Agricola?)-1, (A. Agricola/Fresneau)-1, Barbingant-1, (Barbingant/Fedé)-1, Binchois/(Dufay)-1, Binchois/(Frye)-1, Boubert -1, Busnois-10, (Convert)-1, Delahaye-7, Dufay-3, Fedé-1, (Michelet)-1, (Molinet)-1, (Morton)-1, Ockeghem-3, Ockeghem/(Barbingant)-1, Ockeghem/(Busnois)-1, (Pullois)-1, anon-25

77 parchment folios, 180 x 125. Original foliation, i-lxxii (ff. iv, v, viii now missing) + modern foliation, 73-80. Rebound in new covers of black leather. No index. Copied by one main scribe (ff. ii'-lxxii') and three additional scribes (ff. i'-ii + 73'-78, 78'-79, 79'-80, respectively). Illuminated initials and floral borders in red, blue, and gold, some decorated with grotesques. Repertorial connections with DijBM 517 (36 concordances), CopKB 291, WashLC L25, and WolfA 287. Several pieces copied by main scribe and subsequently erased are not included in count of pieces and composer list above.

Late 1460's or early 1470's (PerkMC). Copied in France; probably decorated in Tours (PerkMC). Apparently early owners named in inscriptions on f. i: "Hic liber discantus mea interest. Jo. Cineris De palacio Bire" and "Francois Bornand." Other names scribbled on f. 80': "Francoys Petit," "Aqua Brossemonoye," "Jaques Bernar Simon," "Gillet Boenon," "Francoys Rossynol," "Michau." Later owned by the French litterateur Pierre-Claude Nivelle de la Chaussée (1692-1754). Purchased at Sotheby's sale in 1939 by the musicologist Geneviève Thibault, Comtesse de Chambure (1902-75); passed to Bibliothèque Nationale after the latter's death.

Vol 4

Composers: Change "Busnois-10" to "Busnois-9, Busnois/(Isaac)-1"; change "Fedé-l" to "Fedé-2"; change "Ockeghem-3" to "Ockeghem-4"; change "anon-25" to "anon-23."

Date/provenance: Ca. 1460-5 (HigginsC), with additions to ca. 1500 (GutiérrW). Copied in France, probably in Loire Valley region (HigginsC). Inscription "de palacio bit" on f. i suggests presence of manuscript at ducal palace in Bourges [= Bituricensis]. Ex libris of early (original?) owner on f. i: "Hic liber discantus mea interest Jo. Gueri . . ." Other names scribbled on f. 80': "Francoys Petit," "Aqua Brossemonoye," "Gillet Boenon," "Jaques Bernar," "Simon Lelun," "Francoys Rossynol," "Michau Ribie." Possibly owned by the French litterateur Pierre-Claude Nivelle de la Chaussée (1692-1754). Purchased at Sotheby's sale in 1939 by the musicologist Geneviève Thibault, Comtesse de Chambure (1902-75); passed to Bibliothèque Nationale in 1979.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1v–2	N'aray je jamais mieux que j'ai	3	-	Morton, Robert
N'aray je jamais mieux que j'ai Morton, Robert Appears on: 1v–2 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: N'aray je jamais
2v–4	Ma plus amée	3	-	Anonymous
Ma plus amée Anonymous Appears on: 2v–4 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Ma plus amée
4v–6	Fors seulement l'attente que je meure = Frayres y dexedes me	3	-	Ockeghem, Jean de (ca. 1410–1497)
Fors seulement l'attente que je meure = Frayres y dexedes me Ockeghem, Jean de (ca. 1410–1497) Appears on: 4v–6 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Fors seulement
6v–7	Quant ce viendra = Gaude mater misericordiae	3	-	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492)
Quant ce viendra = Gaude mater misericordiae Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) Appears on: 6v–7 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Quant ce vendra
7v–9	Se je demeure	4	-	Anonymous
Se je demeure Anonymous Appears on: 7v–9 Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Se je demeure
9v–10	Pour le mal	3	-	Anonymous
Pour le mal Anonymous Appears on: 9v–10 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Pour le mal
10v–11	Pour les biens	3	-	Anonymous
Pour les biens Anonymous Appears on: 10v–11 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Pour les biens
11v–12	Se vous me voules	3	-	Anonymous
Se vous me voules Anonymous Appears on: 11v–12 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Se vous me voules
12v–13	Quant de mon cuer	3	-	Anonymous
Quant de mon cuer Anonymous Appears on: 12v–13 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Quant de mon cuer
13v–15	S'il vous plaist bien	3	-	Anonymous
S'il vous plaist bien Anonymous Appears on: 13v–15 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: S'il vous plaist bien
15v–16	Puisque vous estez	3	-	Du Fay, Guillaume (1397–1474)
Puisque vous estez Du Fay, Guillaume (1397–1474) Appears on: 15v–16 Genres: Chanson, Rondeau Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Puisque vous estez
16v–17	Puisqu'a vous servir	3	-	Anonymous
Puisqu'a vous servir Anonymous Appears on: 16v–17 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Puisqu'a vous servir
17v–18	Le tres des plus	3	-	Anonymous
Le tres des plus Anonymous Appears on: 17v–18 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Le tres des plus
18v–19	Quant vous me ferez plus de bien	3	-	Busnoys, Antoine (ca. 1430–1492)
Quant vous me ferez plus de bien Busnoys, Antoine (ca. 1430–1492) Appears on: 18v–19 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Quant vous me ferez
19v–20	Se ung peu desperance avoye	3	-	Pullois, Johannes
Se ung peu desperance avoye Pullois, Johannes Appears on: 19v–20 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Se ung peu d'esperance
20v–21	Flora, Flora	3	-	Anonymous
Flora, Flora Anonymous Appears on: 20v–21 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Flora, Flora
21v–22	A quoi tient il	3	-	Anonymous
A quoi tient il Anonymous Appears on: 21v–22 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: A quoy tient il
22v–23	Querez ailleurs	3	-	Anonymous
Querez ailleurs Anonymous Appears on: 22v–23 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Querez ailleurs
23v–24	Pour avenir	3	-	Anonymous
Pour avenir Anonymous Appears on: 23v–24 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Pour avenir
24v–25	L'homme banny de sa plaisance	3	-	Fede, Johannes (?) Barbingant, Pierre (fl. c1445-60) (?)
L'homme banny de sa plaisance Fede, Johannes (?) Barbingant, Pierre (fl. c1445-60) (?) Appears on: 24v–25 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: L'omme banny
25v–26	La fiance	3	-	Anonymous
La fiance Anonymous Appears on: 25v–26 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: La fiance
26v–27	Tout a par moi	3	-	Binchois, Gilles (ca. 1400–1460) (?) Frye, Walter (–ca. 1475) (?)
Tout a par moi Binchois, Gilles (ca. 1400–1460) (?) Frye, Walter (–ca. 1475) (?) Appears on: 26v–27 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Tout a par moy
27v–29	Laissez Dangier	3	-	Busnoys, Antoine (ca. 1430–1492)
Laissez Dangier Busnoys, Antoine (ca. 1430–1492) Appears on: 27v–29 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Lessez Dangier
29v–30	Puisqu'aultrement	3	-	Delahaye, Jean
Puisqu'aultrement Delahaye, Jean Appears on: 29v–30 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Puis qu'aultrement
30v–31	Pour les regretz	3	-	Delahaye, Jean
Pour les regretz Delahaye, Jean Appears on: 30v–31 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Pour les regretz
31v–32	Puisqu'il convient que le depart se face	3	-	Delahaye, Jean
Puisqu'il convient que le depart se face Delahaye, Jean Appears on: 31v–32 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Puis qu'il convient
32v–33	Comment suis-je de vostre coeur	3	-	Delahaye, Jean
Comment suis-je de vostre coeur Delahaye, Jean Appears on: 32v–33 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Comment suis je
33v–35	C'est vous en qui	3	-	Busnoys, Antoine (ca. 1430–1492)
C'est vous en qui Busnoys, Antoine (ca. 1430–1492) Appears on: 33v–35 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: C'est vous en qui
35v–37	Soudainement mon coeur a pris	3	-	Busnoys, Antoine (ca. 1430–1492)
Soudainement mon coeur a pris Busnoys, Antoine (ca. 1430–1492) Appears on: 35v–37 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Soudainement
37v–38	Est-il merci de quoy	3	-	Busnoys, Antoine (ca. 1430–1492)
Est-il merci de quoy Busnoys, Antoine (ca. 1430–1492) Appears on: 37v–38 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Est-il mercy
38v–39	D'une belle jeune fille / Coquille bobille	4	-	Anonymous
D'une belle jeune fille / Coquille bobille Anonymous Appears on: 38v–39 Number of voices: 4 Voice: [no designation] Languages: French Voice Text: D'une belle jeune fille/Coquille bobille
39v–40	O Dieu d'Amours	4	-	Delahaye, Jean
O Dieu d'Amours Delahaye, Jean Appears on: 39v–40 Number of voices: 4 Voice: [no designation] Languages: French Voice Text: O Dieu d'Amours
40v–41	Ma damoiselle	3	-	Busnoys, Antoine (ca. 1430–1492)
Ma damoiselle Busnoys, Antoine (ca. 1430–1492) Appears on: 40v–41 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Ma damoiselle
41v–42	C'est bien malheur	3	-	Busnoys, Antoine (ca. 1430–1492)
C'est bien malheur Busnoys, Antoine (ca. 1430–1492) Appears on: 41v–42 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: C'est bien malheur
42v–44	Non posso più tenere = Chargé de deul	3	-	Anonymous
Non posso più tenere = Chargé de deul Anonymous Appears on: 42v–44 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Chargé de dueil
44v–46	En tous les lieux	4	-	Busnoys, Antoine (ca. 1430–1492)
En tous les lieux Busnoys, Antoine (ca. 1430–1492) Appears on: 44v–46 Number of voices: 4 Voice: [no designation] Languages: French Voice Text: En tous les lieux
46v–48	Par Dieu, Madame	3	-	Anonymous
Par Dieu, Madame Anonymous Appears on: 46v–48 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Par dieu madame
48v–49	Tout a sa dame	3	-	Fede, Johannes
Tout a sa dame Fede, Johannes Appears on: 48v–49 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: (Tout a sa dame)
49v–51	A la longue j'ai bien	3	-	Fede, Johannes
A la longue j'ai bien Fede, Johannes Appears on: 49v–51 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: (A la longue j'ay bien)
51v–52	Je ne vis oncques la pareille de vous	3	-	Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?)
Je ne vis oncques la pareille de vous Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 51v–52 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Je ne vis oncques
52v–54	Ma bouche rit et ma pensée pleure	3	-	Ockeghem, Jean de (ca. 1410–1497)
Ma bouche rit et ma pensée pleure Ockeghem, Jean de (ca. 1410–1497) Appears on: 52v–54 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Ma bouche rit
54v–55	Le corps s'en va	3	-	Busnoys, Antoine (ca. 1430–1492)
Le corps s'en va Busnoys, Antoine (ca. 1430–1492) Appears on: 54v–55 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Le corps s'en va
55v–56	Petite camusette à la mort m'avez mis / S'elle m'aimera	4	-	Ockeghem, Jean de (ca. 1410–1497)
Petite camusette à la mort m'avez mis / S'elle m'aimera Ockeghem, Jean de (ca. 1410–1497) Appears on: 55v–56 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: French Voice Text: S'elle m'amera/Petite camusette
56v–58	Tant fut gentement	3	-	Ockeghem, Jean de (ca. 1410–1497)
Tant fut gentement Ockeghem, Jean de (ca. 1410–1497) Appears on: 56v–58 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Tant fuz gentement
58v–59	Vous marchez du bout du pied marionette	4	-	Isaac, Heinrich (ca. 1450–1517) (?) Busnoys, Antoine (ca. 1430–1492) (?)
Vous marchez du bout du pied marionette Isaac, Heinrich (ca. 1450–1517) (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 58v–59 Genres: Chanson Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Vous marchez/Marionette
59v–60	Pour entretenir mes amours	3	-	Busnoys, Antoine (ca. 1430–1492)
Pour entretenir mes amours Busnoys, Antoine (ca. 1430–1492) Appears on: 59v–60 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Pour entretenir
60v–61	Les douleurs dont me sens	4	-	Du Fay, Guillaume (1397–1474)
Les douleurs dont me sens Du Fay, Guillaume (1397–1474) Appears on: 60v–61 Genres: Chanson, Rondeau Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Les doleurs General Note 3 voices notated, a second Cantus is derived from the first by a canon, interpreted by PlanchartD as a mensuration canon: "Ad secundum perfecte". The song also has the lowest notes Du Fay writes -- like the mensuration canon a reflection of his meeting Ockeghem (PlanchartD)
61v–62	Jamais si bien	3	-	Anonymous
Jamais si bien Anonymous Appears on: 61v–62 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Jamais si bien
62v–63	Mon coeur a demi se depart	3	-	Anonymous
Mon coeur a demi se depart Anonymous Appears on: 62v–63 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Mon cueur a demy
63v–64	L'homme enragé	3	-	Boubert
L'homme enragé Boubert Appears on: 63v–64 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: L'omme enragé
64v–65	Ma plus mignonne	3	-	Du Fay, Guillaume (1397–1474)
Ma plus mignonne Du Fay, Guillaume (1397–1474) Appears on: 64v–65 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Ma plus mignonne
65v–66	Tout au long / Il n'est / Jeannette	4	-	Delahaye, Jean
Tout au long / Il n'est / Jeannette Delahaye, Jean Appears on: 65v–66 Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Tout au long/Il n'est/Jennette
66v–67	D'un aultre aimer mon coeur s'abesseroit	3	-	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?)
D'un aultre aimer mon coeur s'abesseroit Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 66v–67 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: D'ung autre amer
67v–68	Mort j'appelle	3	-	Delahaye, Jean
Mort j'appelle Delahaye, Jean Appears on: 67v–68 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Mort j'apelle
68v–69	Esperant que mon bien viendra	3	-	Barbingant, Pierre (fl. c1445-60)
Esperant que mon bien viendra Barbingant, Pierre (fl. c1445-60) Appears on: 68v–69 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Esperant que
69v–70	Au travail suis	3	-	Barbingant, Pierre (fl. c1445-60) (?) Ockeghem, Jean de (ca. 1410–1497) (?)
Au travail suis Barbingant, Pierre (fl. c1445-60) (?) Ockeghem, Jean de (ca. 1410–1497) (?) Appears on: 69v–70 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Au travail suis
70v–71	En tout honneur	3	-	Anonymous
En tout honneur Anonymous Appears on: 70v–71 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: En tout honneur
71v–71	J'ai pris amours	3	-	Anonymous
J'ai pris amours Anonymous Appears on: 71v–71 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: J'ay pris amours
72v	Mon cuer et moy	3	-	Fede, Johannes
Mon cuer et moy Fede, Johannes Appears on: 72v Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Mon cuer et moy
73v–74	Tant est mignonne ma pensee est cointe	3	-	Anonymous
Tant est mignonne ma pensee est cointe Anonymous Appears on: 73v–74 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Tant est mignonne
74v–75	J'ars du desir = Mon pere	3	-	Agricola, Alexander (ca. 1445–1506) (?)
J'ars du desir = Mon pere Agricola, Alexander (ca. 1445–1506) (?) Appears on: 74v–75 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: J'ars de desir
75v–76	Plus voy mon mignon	3	-	Anonymous
Plus voy mon mignon Anonymous Appears on: 75v–76 Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Plus voy mon mignon
76v–77	Se mieulx ne vient, d'amours peu me contente	3	-	Convert, P
Se mieulx ne vient, d'amours peu me contente Convert, P Appears on: 76v–77 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Se mieulx ne vient
77v–78	S'il advient que mon deul me tue	3	-	Michelet
S'il advient que mon deul me tue Michelet Appears on: 77v–78 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: S'il advient
78v–79	Tart ara mon coeur sa plaisance	4	-	Molinet, Jehan
Tart ara mon coeur sa plaisance Molinet, Jehan Appears on: 78v–79 Genres: Chanson Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Tart aura mon cuer Concordances Bassus part is completely different from Bassus in other 4vv settings
79v–80	Ha qu'il m'ennuie et que je ne treuve	3	-	Agricola, Alexander (ca. 1445–1506) (?) Fresneau, Jehan
Ha qu'il m'ennuie et que je ne treuve Agricola, Alexander (ca. 1445–1506) (?) Fresneau, Jehan Appears on: 79v–80 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Ha qu'il m'enuye

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	(?) Ha qu'il m'ennuie et que je ne treuve – 79v–80 (?) J'ars du desir = Mon pere – 74v–75
Anonymous	A quoi tient il – 21v–22 D'une belle jeune fille / Coquille bobille – 38v–39 En tout honneur – 70v–71 Flora, Flora – 20v–21 J'ai pris amours – 71v–71 Jamais si bien – 61v–62 La fiance – 25v–26 Le tres des plus – 17v–18 Ma plus amée – 2v–4 Mon coeur a demi se depart – 62v–63 Non posso più tenere = Chargé de deul – 42v–44 Par Dieu, Madame – 46v–48 Plus voy mon mignon – 75v–76 Pour avenir – 23v–24 Pour le mal – 9v–10 Pour les biens – 10v–11 Puisqu'a vous servir – 16v–17 Quant de mon cuer – 12v–13 Querez ailleurs – 22v–23 S'il vous plaist bien – 13v–15 Se je demeure – 7v–9 Se vous me voules – 11v–12 Tant est mignonne ma pensee est cointe – 73v–74
Barbingant, Pierre (c1445-60)	(?) Au travail suis – 69v–70 Esperant que mon bien viendra – 68v–69 (?) L'homme banny de sa plaisance – 24v–25
Binchois, Gilles (ca. 1400-1460)	(?) Je ne vis oncques la pareille de vous – 51v–52 (?) Tout a par moi – 26v–27
Boubert	L'homme enragé – 63v–64
Busnoys, Antoine (ca. 1430-1492)	C'est bien malheur – 41v–42 C'est vous en qui – 33v–35 (?) D'un aultre aimer mon coeur s'abesseroit – 66v–67 En tous les lieux – 44v–46 Est-il merci de quoy – 37v–38 Laissez Dangier – 27v–29 Le corps s'en va – 54v–55 Ma damoiselle – 40v–41 Pour entretenir mes amours – 59v–60 Quant ce viendra = Gaude mater misericordiae – 6v–7 Quant vous me ferez plus de bien – 18v–19 Soudainement mon coeur a pris – 35v–37 (?) Vous marchez du bout du pied marionette – 58v–59
Convert, P	Se mieulx ne vient, d'amours peu me contente – 76v–77
Delahaye, Jean	Comment suis-je de vostre coeur – 32v–33 Mort j'appelle – 67v–68 O Dieu d'Amours – 39v–40 Pour les regretz – 30v–31 Puisqu'aultrement – 29v–30 Puisqu'il convient que le depart se face – 31v–32 Tout au long / Il n'est / Jeannette – 65v–66
Du Fay, Guillaume (1397-1474)	(?) Je ne vis oncques la pareille de vous – 51v–52 Les douleurs dont me sens – 60v–61 Ma plus mignonne – 64v–65 Puisque vous estez – 15v–16
Fede, Johannes	A la longue j'ai bien – 49v–51 (?) L'homme banny de sa plaisance – 24v–25 Mon cuer et moy – 72v Tout a sa dame – 48v–49
Fresneau, Jehan	Ha qu'il m'ennuie et que je ne treuve – 79v–80
Frye, Walter (-ca. 1475)	(?) Tout a par moi – 26v–27
Isaac, Heinrich (ca. 1450-1517)	(?) Vous marchez du bout du pied marionette – 58v–59
Michelet	S'il advient que mon deul me tue – 77v–78
Molinet, Jehan	Tart ara mon coeur sa plaisance – 78v–79
Morton, Robert	N'aray je jamais mieux que j'ai – 1v–2
Ockeghem, Jean de (ca. 1410-1497)	(?) Au travail suis – 69v–70 (?) D'un aultre aimer mon coeur s'abesseroit – 66v–67 Fors seulement l'attente que je meure = Frayres y dexedes me – 4v–6 Ma bouche rit et ma pensée pleure – 52v–54 Petite camusette à la mort m'avez mis / S'elle m'aimera – 55v–56 (?) Quant ce viendra = Gaude mater misericordiae – 6v–7 Tant fut gentement – 56v–58
Pullois, Johannes	Se ung peu desperance avoye – 19v–20

Composition	Composers (? Uncertain)	Folios / Pages
A la longue j'ai bien	Fede, Johannes	49v–51
A quoi tient il	Anonymous	21v–22
Au travail suis	Barbingant, Pierre (fl. c1445-60) (?) Ockeghem, Jean de (ca. 1410–1497) (?)	69v–70
C'est bien malheur	Busnoys, Antoine (ca. 1430–1492)	41v–42
C'est vous en qui	Busnoys, Antoine (ca. 1430–1492)	33v–35
Comment suis-je de vostre coeur	Delahaye, Jean	32v–33
D'un aultre aimer mon coeur s'abesseroit	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?)	66v–67
D'une belle jeune fille / Coquille bobille	Anonymous	38v–39
En tous les lieux	Busnoys, Antoine (ca. 1430–1492)	44v–46
En tout honneur	Anonymous	70v–71
Esperant que mon bien viendra	Barbingant, Pierre (fl. c1445-60)	68v–69
Est-il merci de quoy	Busnoys, Antoine (ca. 1430–1492)	37v–38
Flora, Flora	Anonymous	20v–21
Fors seulement l'attente que je meure = Frayres y dexedes me	Ockeghem, Jean de (ca. 1410–1497)	4v–6
Ha qu'il m'ennuie et que je ne treuve	Agricola, Alexander (ca. 1445–1506) (?) Fresneau, Jehan	79v–80
J'ai pris amours	Anonymous	71v–71
J'ars du desir = Mon pere	Agricola, Alexander (ca. 1445–1506) (?)	74v–75
Jamais si bien	Anonymous	61v–62
Je ne vis oncques la pareille de vous	Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?)	51v–52
L'homme banny de sa plaisance	Fede, Johannes (?) Barbingant, Pierre (fl. c1445-60) (?)	24v–25
L'homme enragé	Boubert	63v–64
La fiance	Anonymous	25v–26
Laissez Dangier	Busnoys, Antoine (ca. 1430–1492)	27v–29
Le corps s'en va	Busnoys, Antoine (ca. 1430–1492)	54v–55
Le tres des plus	Anonymous	17v–18
Les douleurs dont me sens	Du Fay, Guillaume (1397–1474)	60v–61
Ma bouche rit et ma pensée pleure	Ockeghem, Jean de (ca. 1410–1497)	52v–54
Ma damoiselle	Busnoys, Antoine (ca. 1430–1492)	40v–41
Ma plus amée	Anonymous	2v–4
Ma plus mignonne	Du Fay, Guillaume (1397–1474)	64v–65
Mon coeur a demi se depart	Anonymous	62v–63
Mon cuer et moy	Fede, Johannes	72v
Mort j'appelle	Delahaye, Jean	67v–68
N'aray je jamais mieux que j'ai	Morton, Robert	1v–2
Non posso più tenere = Chargé de deul	Anonymous	42v–44
O Dieu d'Amours	Delahaye, Jean	39v–40
Par Dieu, Madame	Anonymous	46v–48
Petite camusette à la mort m'avez mis / S'elle m'aimera	Ockeghem, Jean de (ca. 1410–1497)	55v–56
Plus voy mon mignon	Anonymous	75v–76
Pour avenir	Anonymous	23v–24
Pour entretenir mes amours	Busnoys, Antoine (ca. 1430–1492)	59v–60
Pour le mal	Anonymous	9v–10
Pour les biens	Anonymous	10v–11
Pour les regretz	Delahaye, Jean	30v–31
Puisqu'a vous servir	Anonymous	16v–17
Puisqu'aultrement	Delahaye, Jean	29v–30
Puisqu'il convient que le depart se face	Delahaye, Jean	31v–32
Puisque vous estez	Du Fay, Guillaume (1397–1474)	15v–16
Quant ce viendra = Gaude mater misericordiae	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492)	6v–7
Quant de mon cuer	Anonymous	12v–13
Quant vous me ferez plus de bien	Busnoys, Antoine (ca. 1430–1492)	18v–19
Querez ailleurs	Anonymous	22v–23
S'il advient que mon deul me tue	Michelet	77v–78
S'il vous plaist bien	Anonymous	13v–15
Se je demeure	Anonymous	7v–9
Se mieulx ne vient, d'amours peu me contente	Convert, P	76v–77
Se ung peu desperance avoye	Pullois, Johannes	19v–20
Se vous me voules	Anonymous	11v–12
Soudainement mon coeur a pris	Busnoys, Antoine (ca. 1430–1492)	35v–37
Tant est mignonne ma pensee est cointe	Anonymous	73v–74
Tant fut gentement	Ockeghem, Jean de (ca. 1410–1497)	56v–58
Tart ara mon coeur sa plaisance	Molinet, Jehan	78v–79
Tout a par moi	Binchois, Gilles (ca. 1400–1460) (?) Frye, Walter (–ca. 1475) (?)	26v–27
Tout a sa dame	Fede, Johannes	48v–49
Tout au long / Il n'est / Jeannette	Delahaye, Jean	65v–66
Vous marchez du bout du pied marionette	Isaac, Heinrich (ca. 1450–1517) (?) Busnoys, Antoine (ca. 1430–1492) (?)	58v–59

These images are from an external IIIF service and are not hosted by DIAMM.

Images © Bibliothèque Nationale, Paris

Set: Loire Valley Chansonniers

Type: Linked by Origin or Contents

No images available

B-AF MS 1 (Leuven chansonnier)

No images available

D-Bkk MS 78.C.28 (Margherita Castellani's songbook, Niccolini chansonnier)

No images available

D-W Cod. Guelf. 287 Extrav. (Wolfenbüttel Chansonnier)

No images available

DK-Kk MS Thott 291, 8° (Copenhagen Chansonnier)

No images available

F-Dm MS 517 (Dijon Chansonnier)

No images available

F-Pn Rés. Vmc ms. 57 (Nivelle de la Chaussée Chansonnier)

No images available

US-Wc M2.1.L25 Case (Chansonnier Laborde)

‡ denotes primary source study

Alden, Jane. 2011. Songs, Scribes, and Society; The History and Reception of the Loire Valley Chansonniers. New York: OUP.

Goldberg, Clemens. 2001. Werk, Quelle, Analyse, Chansonnier Nivelle de la Chaussée. Quellenstudium und musikalische Analyse. Festschirft Martin Just, 1-22. Würzburg.

Gutiérrez-Denhoff, Martella. 1985. Der Wolfenbütteler Chansonnier Wolfenbüttel, Herzog August Bibliothek Codex Guelf. 287 Extrav.: Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises. Wolfenbütteler Forschungen, vol. 29. Wiesbaden. Pages: 81-8,98ff,293-4,301ff, passim. Notes: physical description; contents list; concordances (partial); discussion.

Higgins, Paula. 1984. Chansonnier Nivelle de La Chaussée (Bibliothèque nationale, Paris, Rés. Vmc. ms. 57, ca 1460). Geneva. Notes: physical description; contents list; concordances (partial); facsimile; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance, vol. 2. New York. Pages: xxiii-xxvi, 77-85. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I, 15; II, 171-2, 198ff, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies, vol. 27. Brooklyn. Pages: I, 164-6, 192-5, 216-7, 268. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Thibault, Geneviève. 1964-77. Le Chansonnier Nivelle de la Chaussée. Annales Musicologiques, 7: 11-6. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, lxxxiv-lxxxvii, 116-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 367. Notes: physical description; contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: X, 801; Facsimile edition, with introduction by Paula Higgins, in preparation. Notes: physical description; mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, iii, xviii-xix, lx, lxii, 94-8. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); texts (partial).

[No Author] 1939. Catalogue of Printed Books, Illuminated Manuscripts etc. which will be sold by auction by Messrs. Sotheby. London, 1939 [March 7]. Pages: 49-50. Notes: physical description (partial); contents list; facsimile (partial).

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Pages: i. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

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François-Pierre Goy

Monday, 2 March, 2020

Shelfmark corrected to Rés. Vmc ms. 57

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description