DK-Kk MS Thott 291, 8° (Copenhagen Chansonnier)

Det Kongelige Bibliotek, Copenhagen (København), Denmark

manuscript of polyphony: c. 1469-73

Archive	Det Kongelige Bibliotek, Copenhagen (København), Denmark (DK-Kk)
Shelfmark	MS Thott 291, 8° (Copenhagen Chansonnier)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	Foliation
Measurements	170 x 120 mm
Other Identifiers	CCM: CopKB 291
Notations	black void mensural
Copyists	scribal concordance [62] Text and Music scribal concordance [98], illuminator of initials Illuminator
Relationships	Cornuaille, Johannes de (–1531) (owner) Hue, Guillaume (–1522) (owner) Crec, Olivarius de (–1582) (owner) Thott, Otto (1703–1785) (owner) Moulin, Jean du (–1563) (owner)
External Links	descriptions of MSS (mostly in icelandic) with links to images gradually added images
Provenance	court of the Dukes of Burgundy ? Dijon, France
Contents	39 pieces from 15 composers

General Description

The main scribe also copied most of DijBM 517 and portions of WashLC L25; the Sermisy piece and the falsobordoni pieces are later additions, in different hands. Repertorial connections with DijBM 517, WolfA 287, and WashLC L25. Copied at the court of the Dukes of Burgundy at Dijon (JepK), or possibly in France (DijBM 517). In the 16th century, the manuscript was owned by Guillaume Hue (d. 1522), and later by Jean du Moulin (d. 1563), canon and cantor at Sens Cathedral. Moulin gave the manuscript as a gift to Olivarius le Crec (d. 1582), abbot of a Cistercian monastery (later disbanded) at what is now Jouy le Châtel (Dept. Seine-et-Marne). The manuscript was still in France in 1736, but may have been in England later in the 18th century. It was eventually acquired by Count Otto Thott (1703-85), Danish minister of state and an ardent book collector. After Thott's death, his collection went to the Royal Library in Copenhagen.

DIAMM, 2017

Physical Description

Originally seven fascicles, each of four bifolia; some folios are now missing.

DIAMM, 2017

Binding

Covers of velvet on wood.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

New foliation, 1-47.

DIAMM, 2017

Decoration

Fanciful decorated initials, identical to those in WolfA 287.

DIAMM, 2017

Surface

parchment

DIAMM, 2017

DIAMM Note

Inventory supplied by Jane Alden, 2011

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

34 French secular pieces (1 is a later addition), 1 set of falsobordoni pieces (a later addition) = 35

(Basiron)-1, (Busnois)-5, (Convert)-3, (Delahaye)-2, (Hayne van Ghizeghem)-1, (Michelet)-1, (Molinet)-1, (Morton)-2, (Ockeghem)-1, (Ockeghem/Busnois)-1, (Prioris)-1, (Sermisy)-1, (Symonet le Breton)-1, anon-14

49 parchment folios, 170 x 120. Originally seven fascicles, each of four bifolia; some folios are now missing. New foliation, 1-47. Covers of velvet on wood. No index. The main scribe also copied most of DijBM 517 and portions of WashLC L25; the Sermisy piece and the falsobordoni pieces are later additions, in different hands. Fanciful decorated initials, identical to those in WolfA 287. Repertorial connections with DijBM 517, WolfA 287, and WashLC L25.

Ca. 1470-80 (JepK). Copied at the court of the Dukes of Burgundy at Dijon (JepK), or possibly in France (see DijBM 517). In the 16th century, the manuscript was owned by Guillaume Hue (d. 1522), and later by Jean du Moulin (d. 1563), canon and cantor at Sens Cathedral. Moulin gave the manuscript as a gift to Olivarius le Crec (d. 1582), abbot of a Cistercian monastery (later disbanded) at what is now Jouy le Châtel (Dept. Seine-et-Marne). The manuscript was still in France in 1736, but may have been in England later in the 18th century. It was eventually acquired by Count Otto Thott (1703-85), Danish minister of state and an ardent book collector. After Thott's death, his collection went to the Royal Library in Copenhagen.

Vol. 4

Physical: 49 parchment folios, 170 x 120. Several original folios now missing. Modern foliation, 1-47, on upper right rectos (excludes first two folios). Original covers of purple velvet over boards. No index. Copied by one main scribe, who also wrote most of DijBM 517 (JepK); second scribe wrote ff. 40'-41; third scribe added psalm tone formulas on ff. 41'-45'. Illuminated initials in gold, red, blue, yellow, and green incorporate fanciful representations of human figures, grotesque faces, animals, etc.; similar initials also appear in WolfA 287.

Date/provenance: Ca. 1469-73, with additions in 16th century (GutiérrW). Copied in France, possibly in Loire Valley region (GutiérrW); copied in Burgundy, perhaps at Dijon (JepK, based on assumption of scribal concordance with DijBM 517, and latter's Burgundian provenance).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
v–1r	Comment suis-je de vostre coeur	-	Delahaye, Jean
Comment suis-je de vostre coeur Delahaye, Jean Appears on: v–1r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Comment suige de vostre cueur
1v–2r	Pour changier l'air ne pour fouir les lieux	-	Convert, P (?) Couvert (?)
Pour changier l'air ne pour fouir les lieux Convert, P (?) Couvert (?) Appears on: 1v–2r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Pour changier l'air ne pour fouir les lieux
2v–3r	N'aray je jamais mieux que j'ai	-	Morton, Robert
N'aray je jamais mieux que j'ai Morton, Robert Appears on: 2v–3r Genres: Chanson Voice: [no designation] Languages: French Voice Text: N'araige jamais mieulx que j'ay
3v–4r	Ma plus, ma mignonne, m'amie	-	Convert, P (?) Boubert (?)
Ma plus, ma mignonne, m'amie Convert, P (?) Boubert (?) Appears on: 3v–4r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ma plus, ma mignonne, m'amye
4v–5r	De tous biens plaine est ma maîtresse	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 4v–5r Genres: Chanson Voice: [no designation] Languages: French Voice Text: De tous biens plaine est ma maistresse
5v–6r	Puisqu'il convient que le depart se face	-	Delahaye, Jean
Puisqu'il convient que le depart se face Delahaye, Jean Appears on: 5v–6r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Puis qu'il convient que le depart se face
6v–7r	Se mieulx ne vient, d'amours peu me contente	-	Convert, P
Se mieulx ne vient, d'amours peu me contente Convert, P Appears on: 6v–7r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Se mieulx ne vient, d'amours peu me contente
7v–9r	Tart ara mon coeur sa plaisance	-	Molinet, Jehan
Tart ara mon coeur sa plaisance Molinet, Jehan Appears on: 7v–9r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tart ara mon cueur sa plaisance
9v–11r	Nul ne l'a telle, sa maistresse	-	Basiron, Philippe (ca. 1449–1491)
Nul ne l'a telle, sa maistresse Basiron, Philippe (ca. 1449–1491) Appears on: 9v–11r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Nul ne l'a tele, sa maistresse
11v–13r	M'a vostre coeur mis en oubli	-	Busnoys, Antoine (ca. 1430–1492)
M'a vostre coeur mis en oubli Busnoys, Antoine (ca. 1430–1492) Appears on: 11v–13r Genres: Chanson Voice: [no designation] Languages: French Voice Text: M'a vostre cueur mis en oubli
13v–14r	Riant regard, acompli en doulceur	-	Anonymous
Riant regard, acompli en doulceur Anonymous Appears on: 13v–14r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Riant regard, acompli en doulceur
14v–15r	Seulement une fois le jour	-	Anonymous
Seulement une fois le jour Anonymous Appears on: 14v–15r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Seulement une fois le jour
15v–17r	Ma plus qu'assez et tant bruiante	-	Busnoys, Antoine (ca. 1430–1492)
Ma plus qu'assez et tant bruiante Busnoys, Antoine (ca. 1430–1492) Appears on: 15v–17r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ma plus qu'assez et tant bruiante
17v–19r	Garison scay / Je suis mire	-	Anonymous
Garison scay / Je suis mire Anonymous Appears on: 17v–19r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Garison scay / Je suis mire
19v–20r	Je ne requier que vostre bien vueillance	-	Anonymous
Je ne requier que vostre bien vueillance Anonymous Appears on: 19v–20r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je ne requier que vostre bien vueillance
20v–21r	Puisque honneste vie la pare	-	Anonymous
Puisque honneste vie la pare Anonymous Appears on: 20v–21r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Puisque honneste vie la pare
21v–23r	Le joly tetin de ma dame	-	Anonymous
Le joly tetin de ma dame Anonymous Appears on: 21v–23r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Le joly tetin de ma dame
23v–24r	Mon coeur et moi d'une alliance	-	Prioris, Johannes (Denis, Dionisius) (–1515) (?)
Mon coeur et moi d'une alliance Prioris, Johannes (Denis, Dionisius) (–1515) (?) Appears on: 23v–24r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon cueur et moi d'une alliance
24v	Tant est mignonne ma pensee est cointe	-	Anonymous
Tant est mignonne ma pensee est cointe Anonymous Appears on: 24v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tant est mignone ma pensee
25r	Le souvenir de vous me tue mon seul bien	-	Morton, Robert
Le souvenir de vous me tue mon seul bien Morton, Robert Appears on: 25r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Le souvenir[de vous my tue]
25v–26v	Ostez la moi de mon oreille	-	Anonymous
Ostez la moi de mon oreille Anonymous Appears on: 25v–26v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ostez la moy de mon oreille (incomplete)
27r	La plus mignonne de mon coeur	-	Anonymous
La plus mignonne de mon coeur Anonymous Appears on: 27r Genres: Chanson Voice: [no designation] Languages: French Voice Text: La plus [mignonne de mon cueur]
27v–29r	Soudainement mon coeur a pris	-	Busnoys, Antoine (ca. 1430–1492)
Soudainement mon coeur a pris Busnoys, Antoine (ca. 1430–1492) Appears on: 27v–29r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Soudainement mon cueur a pris
29v–30r	Quant vous me ferez plus de bien	-	Busnoys, Antoine (ca. 1430–1492)
Quant vous me ferez plus de bien Busnoys, Antoine (ca. 1430–1492) Appears on: 29v–30r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Quant vous me ferez plus de bien
30v	Je le prens sur ma conscience	-	Anonymous
Je le prens sur ma conscience Anonymous Appears on: 30v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je le prens sur ma conscience
31r	S'il advient que mon deul me tue	-	Michelet
S'il advient que mon deul me tue Michelet Appears on: 31r Genres: Chanson Voice: [no designation] Languages: French Voice Text: S'il advient [que mon deul me tue]
31v–32r	Mon tout, mon souvenir, m'amye	-	Anonymous
Mon tout, mon souvenir, m'amye Anonymous Appears on: 31v–32r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon tout, mon souvenir, m'amye (1)
32v–33r	D'un aultre aimer mon coeur s'abesseroit	-	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?)
D'un aultre aimer mon coeur s'abesseroit Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 32v–33r Genres: Chanson Voice: [no designation] Languages: French Voice Text: D'un autre amer mon cueur s'abesseroit
33v–35r	La plus bruiant, celle qui toutes passe	-	Anonymous
La plus bruiant, celle qui toutes passe Anonymous Appears on: 33v–35r Genres: Chanson Voice: [no designation] Languages: French Voice Text: La plus bruiant, celle qui toutes passe
35v–36r	Sur mon ame m'amie	-	Anonymous
Sur mon ame m'amie Anonymous Appears on: 35v–36r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Sur mon ame, m'amye
36v–37r	Nul ne s'i frocte a ma maistresse	-	Breton, Simon le
Nul ne s'i frocte a ma maistresse Breton, Simon le Appears on: 36v–37r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Nul ne s'i frocte a ma maistresse
37v–39r	Jaqueline si attende	-	Busnoys, Antoine (ca. 1430–1492)
Jaqueline si attende Busnoys, Antoine (ca. 1430–1492) Appears on: 37v–39r Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ja que lui ne s'i actende
39v	Prenez sur moi vostre exemple amoureux	-	Ockeghem, Jean de (ca. 1410–1497)
Prenez sur moi vostre exemple amoureux Ockeghem, Jean de (ca. 1410–1497) Appears on: 39v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Prenez sur moi vostre exemple amoureux
40v–41r	J'attens secours de ma seule pensée	-	Sermisy, Claudin de (ca. 1490–1562)
J'attens secours de ma seule pensée Sermisy, Claudin de (ca. 1490–1562) Appears on: 40v–41r Genres: Chanson Voice: [no designation] Languages: French Voice Text: J'actens secours de ma seulle pensee (Later addition, 1515-20)
41v–42	Psalm tones	-	Anonymous
Psalm tones Anonymous Appears on: 41v–42 Voice: [no designation] Languages: none Voice Text: Psalm tones
42v–43	Psalm tones	-	Anonymous
Psalm tones Anonymous Appears on: 42v–43 Voice: [no designation] Languages: none Voice Text: Psalm tones
43v–44	Psalm tones	-	Anonymous
Psalm tones Anonymous Appears on: 43v–44 Voice: [no designation] Languages: none Voice Text: Psalm tones
44v–45	Litany	-	Anonymous
Litany Anonymous Appears on: 44v–45 Voice: [no designation] Languages: Latin Voice Text: Litany
45v	De profundis clamavi ad te Domine	-	Anonymous
De profundis clamavi ad te Domine Anonymous Appears on: 45v Voice: [no designation] Languages: Latin Voice Text: De profundis

Composer	Compositions
Anonymous	De profundis clamavi ad te Domine – 45v Garison scay / Je suis mire – 17v–19r Je le prens sur ma conscience – 30v Je ne requier que vostre bien vueillance – 19v–20r La plus bruiant, celle qui toutes passe – 33v–35r La plus mignonne de mon coeur – 27r Le joly tetin de ma dame – 21v–23r Litany – 44v–45 Mon tout, mon souvenir, m'amye – 31v–32r Ostez la moi de mon oreille – 25v–26v Psalm tones – 41v–42 Psalm tones – 43v–44 Psalm tones – 42v–43 Puisque honneste vie la pare – 20v–21r Riant regard, acompli en doulceur – 13v–14r Seulement une fois le jour – 14v–15r Sur mon ame m'amie – 35v–36r Tant est mignonne ma pensee est cointe – 24v
Basiron, Philippe (ca. 1449–1491)	Nul ne l'a telle, sa maistresse – 9v–11r
Boubert	(?) Ma plus, ma mignonne, m'amie – 3v–4r
Breton, Simon le	Nul ne s'i frocte a ma maistresse – 36v–37r
Busnoys, Antoine (ca. 1430–1492)	(?) D'un aultre aimer mon coeur s'abesseroit – 32v–33r Jaqueline si attende – 37v–39r M'a vostre coeur mis en oubli – 11v–13r Ma plus qu'assez et tant bruiante – 15v–17r Quant vous me ferez plus de bien – 29v–30r Soudainement mon coeur a pris – 27v–29r
Convert, P	(?) Ma plus, ma mignonne, m'amie – 3v–4r (?) Pour changier l'air ne pour fouir les lieux – 1v–2r Se mieulx ne vient, d'amours peu me contente – 6v–7r
Couvert	(?) Pour changier l'air ne pour fouir les lieux – 1v–2r
Delahaye, Jean	Comment suis-je de vostre coeur – v–1r Puisqu'il convient que le depart se face – 5v–6r
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	De tous biens plaine est ma maîtresse – 4v–5r
Michelet	S'il advient que mon deul me tue – 31r
Molinet, Jehan	Tart ara mon coeur sa plaisance – 7v–9r
Morton, Robert	Le souvenir de vous me tue mon seul bien – 25r N'aray je jamais mieux que j'ai – 2v–3r
Ockeghem, Jean de (ca. 1410–1497)	(?) D'un aultre aimer mon coeur s'abesseroit – 32v–33r Prenez sur moi vostre exemple amoureux – 39v
Prioris, Johannes (Denis, Dionisius) (–1515)	(?) Mon coeur et moi d'une alliance – 23v–24r
Sermisy, Claudin de (ca. 1490–1562)	J'attens secours de ma seule pensée – 40v–41r

Composition	Composers (? Uncertain)	Folios / Pages
Comment suis-je de vostre coeur	Delahaye, Jean	v–1r
D'un aultre aimer mon coeur s'abesseroit	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?)	32v–33r
De profundis clamavi ad te Domine	Anonymous	45v
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	4v–5r
Garison scay / Je suis mire	Anonymous	17v–19r
J'attens secours de ma seule pensée	Sermisy, Claudin de (ca. 1490–1562)	40v–41r
Jaqueline si attende	Busnoys, Antoine (ca. 1430–1492)	37v–39r
Je le prens sur ma conscience	Anonymous	30v
Je ne requier que vostre bien vueillance	Anonymous	19v–20r
La plus bruiant, celle qui toutes passe	Anonymous	33v–35r
La plus mignonne de mon coeur	Anonymous	27r
Le joly tetin de ma dame	Anonymous	21v–23r
Le souvenir de vous me tue mon seul bien	Morton, Robert	25r
Litany	Anonymous	44v–45
M'a vostre coeur mis en oubli	Busnoys, Antoine (ca. 1430–1492)	11v–13r
Ma plus qu'assez et tant bruiante	Busnoys, Antoine (ca. 1430–1492)	15v–17r
Ma plus, ma mignonne, m'amie	Convert, P (?) Boubert (?)	3v–4r
Mon coeur et moi d'une alliance	Prioris, Johannes (Denis, Dionisius) (–1515) (?)	23v–24r
Mon tout, mon souvenir, m'amye	Anonymous	31v–32r
N'aray je jamais mieux que j'ai	Morton, Robert	2v–3r
Nul ne l'a telle, sa maistresse	Basiron, Philippe (ca. 1449–1491)	9v–11r
Nul ne s'i frocte a ma maistresse	Breton, Simon le	36v–37r
Ostez la moi de mon oreille	Anonymous	25v–26v
Pour changier l'air ne pour fouir les lieux	Convert, P (?) Couvert (?)	1v–2r
Prenez sur moi vostre exemple amoureux	Ockeghem, Jean de (ca. 1410–1497)	39v
Psalm tones	Anonymous	41v–42
Psalm tones	Anonymous	42v–43
Psalm tones	Anonymous	43v–44
Puisqu'il convient que le depart se face	Delahaye, Jean	5v–6r
Puisque honneste vie la pare	Anonymous	20v–21r
Quant vous me ferez plus de bien	Busnoys, Antoine (ca. 1430–1492)	29v–30r
Riant regard, acompli en doulceur	Anonymous	13v–14r
S'il advient que mon deul me tue	Michelet	31r
Se mieulx ne vient, d'amours peu me contente	Convert, P	6v–7r
Seulement une fois le jour	Anonymous	14v–15r
Soudainement mon coeur a pris	Busnoys, Antoine (ca. 1430–1492)	27v–29r
Sur mon ame m'amie	Anonymous	35v–36r
Tant est mignonne ma pensee est cointe	Anonymous	24v
Tart ara mon coeur sa plaisance	Molinet, Jehan	7v–9r

Set: Loire Valley Chansonniers

Type: Linked by Origin or Contents

No images available

B-AF MS 1 (Leuven chansonnier)

No images available

D-Bkk MS 78.C.28 (Margherita Castellani's songbook, Niccolini chansonnier)

No images available

D-W Cod. Guelf. 287 Extrav. (Wolfenbüttel Chansonnier)

No images available

DK-Kk MS Thott 291, 8° (Copenhagen Chansonnier)

No images available

F-Dm MS 517 (Dijon Chansonnier)

No images available

F-Pn Rés. Vmc ms. 57 (Nivelle de la Chaussée Chansonnier)

No images available

US-Wc M2.1.L25 Case (Chansonnier Laborde)

‡ denotes primary source study

Alden, Jane. 2011. Songs, Scribes, and Society; The History and Reception of the Loire Valley Chansonniers. New York: OUP.

Gutiérrez-Denhoff, Martella. 1985. Der Wolfenbütteler Chansonnier Wolfenbüttel, Herzog August Bibliothek Codex Guelf. 287 Extrav.: Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises. Wolfenbütteler Forschungen. Wiesbaden. Pages: 94-128,299,301ff, passim. Notes: physical description; contents list; concordances (partial); discussion.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 143,184-5, 282,298. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Brown, Howard Mayer. 1983. A 'New' Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report. Musica Disciplina, 171-233. Pages: 200-2. Notes: contents list (partial); concordances (partial).

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance. New York. Pages: xxiii-xxvi, 70-85. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hortschansky, Klaus. 1981. Notationsgewohnheiten in den burgundischen Chansonniers des 15. Jahrhunderts. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 9-22. Munich. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II,7,154-6,182-3,239-40,280-1,321-2. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Gore, Glenn Leon. 1978. The Works of Philippe Basiron (Philippon?): Transcription and Commentary. West Virginia University, Unpublished Ph.D. dissertation. Pages: I,20-1,101-4; II,xv. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii-xviii,xxii,xxxvii-xxxviii. Notes: mention of MS; contents list (partial); concordances (partial).

Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation. Pages: 46, passim. Notes: physical description; mention of MS; discussion.

Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 105-87. Pages: 139-61. Notes: concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IX, 1829-30. Notes: facsimile (partial).

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 108. Notes: concordances (partial).

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Notes: physical description; contents list; concordances; texts; facsimile (partial).

Droz, Eugénie, Geneviève Thibault, and Y Rokseth (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris. Notes: concordances (partial); transcription (partial); facsimile (partial).

Thibault, Geneviève, and Eugénie Droz. 1927. Le Chansonnier de la Bibliothèque Royale de Copenhague. Revue de Musicologie, 12-35. Notes: physical description; contents list; transcription (partial); facsimile (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description