Benthem, Jaap van. 1999. Text, Tone and Symbol: Regarding Busnoys's Conception of "In hydraulis" and its Presumed Relationship to Ockeghem's 'Ut heremita solus'. Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music, edited by Paula Higgins, 215-249. Oxford.
Higgins, Paula (ed.) 1999. Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music. Oxford: Oxford University Press.
Lindmayr-Brandl, Andrea. 1999. Resjois toi terre de France / Rex pacificus: An Ockeghem Work Reattributed to Busnoys. Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music, edited by Paula Higgins, 277-94. Oxford: Oxford University Press.
Wegman, Rob C. 1999. Mensural Intertextuality in the Sacred Music of Antoine. Anoine Busnoys. Method, Meaning, and Context in Late Medieval Music, edited by Paula Higgins, 175-214. Oxford.
Higgins, Paula. 1987. Antoine Busnois and Musical Culture in Late Fifteenth-Century France and Burgundy. Ph.D., Princeton University.
Higgins, Paula. 1986. In hydraulis Revisited: New Light on the Career of Antoine Busnois. Journal of the American Musicological Society, 39: 36-86.
Higgins, Paula. 1984. Chansonnier Nivelle de La Chaussée (Bibliothèque nationale, Paris, Rés. Vmc. ms. 57, ca 1460). Geneva.