D-Lr Mus.ant.pract.K.N.144 (4)

Ratsbücherei, Lüneburg, Germany

partbook: c. 1590

Archive Ratsbücherei, Lüneburg, Germany (D-Lr)
Shelfmark Mus.ant.pract.K.N.144 (4)
Image Availability DIAMM does not have images of this source.
Surface Paper
Measurements 165 x 219 mm
Other Identifiers
  • CCM: LuneR 144
Copyists
Relationships
Provenance
  • Lüneburg, Bavaria, Germany
Contents Contains 172 compositions, 141 from 44 composers, 31 are anonymous.
General Description

A Bassus partbook from a set originally of five volumes. Seven repertorial sections in each book ('Prima Pars,' 'Secunda Pars,' etc.). Although the Quintus is missing, most pieces are complete in 4vv or less - only 6 pieces in the Prima Pars and 3 pieces in sections 6-7 are in 5vv. Some pieces composed in rhythmic style of the humanistic ode. There are many concordances with D-B Mus. ms. 40241.

Copied in Lüneburg, as didactic gift for Franciscus von Witzendorff III (b. 1578), by his tutor, Joannes Velbonius of Braunschweig. Dated 1590, but some pieces added subsequently. Owned by members of Witzendorff family until 18th century; probably included in collection of books bequeathed by Hieronymus von Witzendorff to Lüneburg city library in 1711.

DIAMM, 2023
Extent

D. i + 174 + i ff; A. i + 185 + i ff.; T. i + 188 + i ff.; B. 186ff.

DIAMM, 2023
Binding

Original covers of white leather tooled with initials 'F.W.' [= Franciscus Witzendorff], date '1590,' and voice designations.

DIAMM, 2017
Watermark

Resembles Briquet #15948

DIAMM, 2017
Liminary Note

Several Latin poems appear on 'Prima Pars' title page in each book

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Dedication

Dedicatory inscription to Franciscus von Witzendorff III at beginning of D book

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Ruling

Staves generally in red ink, with clefs & mensural signs in green ink

DIAMM, 2017
Foliation

Other numberings: Original ink numbering of pieces in each book (section I: 1-13; II: 1-19; III: 1-13; IV: 1-16; V: 1-16; VI: 1-13; VII: 1-10); modern pencil numbering continues count of pieces from end of original numbering (I: 14-18, 18a-21; II: 20; III: 14-21; IV: 17-19; V: 17-22; VI: 14-43; VII: 11, 11a, 12) and duplicates many original numbers.

DIAMM, 2017
Foliation

Pieces originally numbered; 'Sexta Pars' has original ink pagination, 1-78. New pencil foliation D: 1-149; A: 1-151; T: 1-140; B: 1-145 omits flyleaves and some blank folios.

DIAMM, 2017
Decoration

Small plain initials, titles, original piece numbers, clefs, mensural signs, and closing notes generally in green ink.

DIAMM, 2017
Index

Original indices at beginning of sections I (D and T books), II (D book), and III (D book) list only pieces with original numbers. Original indices at beginning of section VI (T and B books) list pieces in original layer and some later additions, in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 psalm, 1 hymn, 69 motets, 10 Latin/German sacred pieces, 67 German sacred pieces, 12 German secular pieces, 1 textless piece = 161

M. Agricola-7, (Alder/Senfl)-1, Bel-1, Bertram-1, Burck-21, Burck/(Vulpius)-1, Clemens non Papa-5, (Clemens non Papa/Manchicourt)-1, Crecquillon-1, E. Dedekind-2, (Donato)-1, Dressler-5, Eccard-3, Eccard/(Burck)-1, (Figulus)-1, (Fine)-1, (Freundt)-1, Händl-5, Heil-1, Ivo de Vento-3, Lassus-11 + 1?, Lechner-9, (Didier Lupi Second)-1, Maillard-1, (Manchicourt/Sandrin)-1, Morel-1, Palladius-6, Pierre-1, C. Praetorius-5, Regnart-2 + 1?, Reiner-1, Scandello-4, (Schramm)-1, Schröter-1, (Sermisy)-1, (Steurlein)-1, Tollius [Tolpii]-1, (Vulpius)-1, (Walter)-2, (Zirler)-1, anon-44

4 paper partbooks of an original 5 (D-i + 174 + i folios, A-i + 185 + i, T-i + 188 + i, B-186), 165 x 219. New pencil foliation (D: 1-149; A: 1-151; T: 1-140; B: 1-145) omits flyleaves and some blank folios. Seven repertorial sections in each book ("Prima Pars," "Secunda Pars," etc.); "Sexta Pars" has original ink pagination, 1-78. Original ink numbering of pieces in each book (section I: 1-13; II: 1-19; III: 1-13; IV: 1-16; V: 1-16; VI: 1-13; VII: 1-10); modern pencil numbering continues count of pieces from end of original numbering (I: 14-18, l8a-21; II: 20; III: 14-21; IV: 17-19; V: 17-22; VI: 14-43; VII: 11, 11a, 12) and duplicates many original numbers. Original covers of white leather tooled with initials "F.W." [= Franciscus Witzendorff], date "1590," and voice designations. Original indices at beginning of sections I (D and T books), II (D book), and III (D book) list only pieces with original numbers. Original indices at beginning of section VI (T and B books) list pieces in original layer and some later additions, in order of appearance. Copied by Joannes Velbonius of Braunschweig, a household tutor employed by the Witzendorff family of Lüneburg. Staves generally in red or green ink; small plain initials, titles, original piece numbers, clefs, mensural signs, and closing notes generally in green ink. Dedicatory inscription to Franciscus von Witzendorff III at beginning of D book; several Latin poems appear on "Prima Pars" title page in each book. Watermark resembles Briquet #15948. Some pieces composed in rhythmic style of the humanistic ode.

Ca. 1590, with additions during 1590's. Copied in Lüneburg, as didactic gift for Franciscus von Witzendorff III (b. 1578), by his tutor, Joannes Velbonius of Braunschweig. Owned by members of Witzendorff family until 18th century; probably included in collection of books bequeathed by Hieronymus von Witzendorff to Lüneburg city library in 1711.

Vol 4

Composers: Change "Clemens non Papa-5" to "Clemens non Papa-7"; change "(Donato)-1" to "(Donato/Willaert)-1''; change "Scandello-4" to "Scandello-6"; add "(Tritonius)-1"; change "anon-44" to "anon-39."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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Sets

Select a set to see its sources.

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 789. Notes: contents list (partial); concordances (partial).

Beebe, Ellen Scott. 1976. Mode, Structure, and Text Expression in the Motets of Jacobus Clemens non Papa: A Study of Style in Sacred Music. Yale University, Unpublished Ph.D. dissertation. Pages: 87-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen, vol. 6.  Wiesbaden. Pages: 129. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1.  Wiesbaden. Pages: 4. Notes: contents list (partial); concordances (partial).

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 18: 85-150. Pages: 113,120,144. Notes: contents list (partial); concordances (partial).

Hartmann, Karl-Günther. 1960. Die Handschrift KN 144 der Ratsbücherei zu Lüneburg. Die Musikforschung, 13: 1-27,459. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I.  Kassel and Basel. Pages: 827. Notes: mention of MS.

Riedel, Johannes. 1951. Leisen Formulae: Their Polyphonic Settings in the Renaissance and Reformation. University of Southern California, Unpublished Ph.D. dissertation. Pages: 35-6. Notes: physical description (partial); contents list (partial).

Welter, Friedrich. 1950. Katalog der Musikalien der Ratsbücherei Lüneburg.  Lippstadt. Pages: 35-6, passim. Notes: physical description (partial); contents list; incipits (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Liminary Note; Notation Note; Dedication Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description