D-Lr Mus.ant.pract.K.N.144 (3)

Ratsbücherei, Lüneburg, Germany

partbook: c. 1590

Archive	Ratsbücherei, Lüneburg, Germany (D-Lr)
Shelfmark	Mus.ant.pract.K.N.144 (3)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Measurements	165 x 219 mm
Other Identifiers	CCM: LuneR 144
Copyists	Velbonius, Joannes Music
Relationships	Witzendorff, Franciscus (dedicatee) Velbonius, Joannes (dedicator) Witzendorff, Hieronymus von (owner)
External Authorities	RISM Online (sources/453012100)
Provenance	Lüneburg, Bavaria, Germany
Contents	Contains 164 compositions, 135 from 45 composers, 29 are anonymous.

General Description

A Tenor partbook from a set originally of five volumes. Seven repertorial sections in each book ('Prima Pars,' 'Secunda Pars,' etc.). Although the Quintus is missing, most pieces are complete in 4vv or less - only 6 pieces in the Prima Pars and 3 pieces in sections 6-7 are in 5vv. Some pieces composed in rhythmic style of the humanistic ode. There are many concordances with D-B Mus. ms. 40241.

Copied in Lüneburg, as didactic gift for Franciscus von Witzendorff III (b. 1578), by his tutor, Joannes Velbonius of Braunschweig. Dated 1590, but some pieces added subsequently. Owned by members of Witzendorff family until 18th century; probably included in collection of books bequeathed by Hieronymus von Witzendorff to Lüneburg city library in 1711.

DIAMM, 2023

Extent

D. i + 174 + i ff; A. i + 185 + i ff.; T. i + 188 + i ff.; B. 186ff.

DIAMM, 2023

Binding

Original covers of white leather tooled with initials 'F.W.' [= Franciscus Witzendorff], date '1590,' and voice designations.

DIAMM, 2017

Watermark

Resembles Briquet #15948

DIAMM, 2017

Liminary Note

Several Latin poems appear on 'Prima Pars' title page in each book

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Dedication

Dedicatory inscription to Franciscus von Witzendorff III at beginning of D book

DIAMM, 2017

Ruling

Staves generally in red ink, with clefs & mensural signs in green ink

DIAMM, 2017

Foliation

Pieces originally numbered; 'Sexta Pars' has original ink pagination, 1-78. New pencil foliation D: 1-149; A: 1-151; T: 1-140; B: 1-145 omits flyleaves and some blank folios.

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces in each book (section I: 1-13; II: 1-19; III: 1-13; IV: 1-16; V: 1-16; VI: 1-13; VII: 1-10); modern pencil numbering continues count of pieces from end of original numbering (I: 14-18, 18a-21; II: 20; III: 14-21; IV: 17-19; V: 17-22; VI: 14-43; VII: 11, 11a, 12) and duplicates many original numbers.

DIAMM, 2017

Decoration

Small plain initials, titles, original piece numbers, clefs, mensural signs, and closing notes generally in green ink.

DIAMM, 2017

Index

Original indices at beginning of sections I (D and T books), II (D book), and III (D book) list only pieces with original numbers. Original indices at beginning of section VI (T and B books) list pieces in original layer and some later additions, in order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 psalm, 1 hymn, 69 motets, 10 Latin/German sacred pieces, 67 German sacred pieces, 12 German secular pieces, 1 textless piece = 161

M. Agricola-7, (Alder/Senfl)-1, Bel-1, Bertram-1, Burck-21, Burck/(Vulpius)-1, Clemens non Papa-5, (Clemens non Papa/Manchicourt)-1, Crecquillon-1, E. Dedekind-2, (Donato)-1, Dressler-5, Eccard-3, Eccard/(Burck)-1, (Figulus)-1, (Fine)-1, (Freundt)-1, Händl-5, Heil-1, Ivo de Vento-3, Lassus-11 + 1?, Lechner-9, (Didier Lupi Second)-1, Maillard-1, (Manchicourt/Sandrin)-1, Morel-1, Palladius-6, Pierre-1, C. Praetorius-5, Regnart-2 + 1?, Reiner-1, Scandello-4, (Schramm)-1, Schröter-1, (Sermisy)-1, (Steurlein)-1, Tollius [Tolpii]-1, (Vulpius)-1, (Walter)-2, (Zirler)-1, anon-44

4 paper partbooks of an original 5 (D-i + 174 + i folios, A-i + 185 + i, T-i + 188 + i, B-186), 165 x 219. New pencil foliation (D: 1-149; A: 1-151; T: 1-140; B: 1-145) omits flyleaves and some blank folios. Seven repertorial sections in each book ("Prima Pars," "Secunda Pars," etc.); "Sexta Pars" has original ink pagination, 1-78. Original ink numbering of pieces in each book (section I: 1-13; II: 1-19; III: 1-13; IV: 1-16; V: 1-16; VI: 1-13; VII: 1-10); modern pencil numbering continues count of pieces from end of original numbering (I: 14-18, l8a-21; II: 20; III: 14-21; IV: 17-19; V: 17-22; VI: 14-43; VII: 11, 11a, 12) and duplicates many original numbers. Original covers of white leather tooled with initials "F.W." [= Franciscus Witzendorff], date "1590," and voice designations. Original indices at beginning of sections I (D and T books), II (D book), and III (D book) list only pieces with original numbers. Original indices at beginning of section VI (T and B books) list pieces in original layer and some later additions, in order of appearance. Copied by Joannes Velbonius of Braunschweig, a household tutor employed by the Witzendorff family of Lüneburg. Staves generally in red or green ink; small plain initials, titles, original piece numbers, clefs, mensural signs, and closing notes generally in green ink. Dedicatory inscription to Franciscus von Witzendorff III at beginning of D book; several Latin poems appear on "Prima Pars" title page in each book. Watermark resembles Briquet #15948. Some pieces composed in rhythmic style of the humanistic ode.

Ca. 1590, with additions during 1590's. Copied in Lüneburg, as didactic gift for Franciscus von Witzendorff III (b. 1578), by his tutor, Joannes Velbonius of Braunschweig. Owned by members of Witzendorff family until 18th century; probably included in collection of books bequeathed by Hieronymus von Witzendorff to Lüneburg city library in 1711.

Vol 4

Composers: Change "Clemens non Papa-5" to "Clemens non Papa-7"; change "(Donato)-1" to "(Donato/Willaert)-1''; change "Scandello-4" to "Scandello-6"; add "(Tritonius)-1"; change "anon-44" to "anon-39."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2	Domine Jesu Christe respicere digneris	Clemens NP	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Domine Jesu Christe respicere digneris Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 1–2 Genres: Motet Source Attribution: Clemens NP Number of voices: 4
2–3	In me transierunt irae tuae et terrores	Maillart	Maillard, Jean (fl. c1538–1570)
In me transierunt irae tuae et terrores Maillard, Jean (fl. c1538–1570) Appears on: 2–3 Genres: Motet Source Attribution: Maillart Number of voices: 4
3–5	Timor et tremor venit in Ninivem civitatem	Clemens NP	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Timor et tremor venit in Ninivem civitatem Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 3–5 Genres: Motet Source Attribution: Clemens NP Number of voices: 4
5–6	In principio erat verbum - 2a pars (of 3): Fuit homo missus	Orlandi	Lassus, Orlande de (ca. 1532–1594)
In principio erat verbum - 2a pars (of 3): Fuit homo missus Lassus, Orlande de (ca. 1532–1594) Appears on: 5–6 Genres: Motet Source Attribution: Orlandi Number of voices: 4 General Note Only the 2a pars is copied
6–6v	Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus	Clemens NP	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 6–6v Genres: Motet Source Attribution: Clemens NP Number of voices: 4
7–7v	Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 7–7v Genres: Motet Number of voices: 4 General Note It is not clear from Hartmann & RISM-online whether the 2a pars is copied.
7v–8v	Factum est silentium in caelo dum draco	Ivo de Vento	Vento, Ivo de
Factum est silentium in caelo dum draco Vento, Ivo de Appears on: 7v–8v Genres: Motet Source Attribution: Ivo de Vento Number of voices: 4
8v–9v	Laudate Dominum in sanctis eius (4vv)	Jacobus Hendel	Handl (Gallus), Jacobus (1550–1591)
Laudate Dominum in sanctis eius (4vv) Handl (Gallus), Jacobus (1550–1591) Appears on: 8v–9v Genres: Motet Source Attribution: Jacobus Hendel Number of voices: 4
9v–10v	Tota pulchra es amica mea et macula	Cle: Morel	Morel, Clement
Tota pulchra es amica mea et macula Morel, Clement Appears on: 9v–10v Genres: Motet Source Attribution: Cle: Morel Number of voices: 4
10v–11v	Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus	Berthe: le Bel	Le Bel, Barthelemy
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus Le Bel, Barthelemy Appears on: 10v–11v Genres: Motet Source Attribution: Berthe: le Bel Number of voices: 4
11v–12v	Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit	-	Le Bel, Barthelemy
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit Le Bel, Barthelemy Appears on: 11v–12v Genres: Motet Number of voices: 4
12v–13v	Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?) Appears on: 12v–13v Genres: Motet Number of voices: 4
13v–14v	Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?) Appears on: 13v–14v Genres: Motet Number of voices: 4
14v–15v	Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum	T. Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 14v–15v Genres: Motet Source Attribution: T. Crequillon Number of voices: 4
15v–16v	Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 15v–16v Genres: Motet Number of voices: 4 General Note it is not clear from Hartmann (or RISM-online) whether the 2a pars is copied
16v–18	Beati omnes qui timent Dominum	Davidis Palladii	Palladius, David
Beati omnes qui timent Dominum Palladius, David Appears on: 16v–18 Genres: Motet Source Attribution: Davidis Palladii Number of voices: 4
18–19v	Nisi Dominus aedificaverit	Davidis Palladii	Palladius, David
Nisi Dominus aedificaverit Palladius, David Appears on: 18–19v Genres: Motet Source Attribution: Davidis Palladii Number of voices: 4
19v–20v	Omnia quae fecisti nobis Domine in vero	Orlandi	Lassus, Orlande de (ca. 1532–1594)
Omnia quae fecisti nobis Domine in vero Lassus, Orlande de (ca. 1532–1594) Appears on: 19v–20v Genres: Motet Source Attribution: Orlandi Number of voices: 4 of 5
20v–21v	In me transierunt irae tuae	Orland:	Lassus, Orlande de (ca. 1532–1594)
In me transierunt irae tuae Lassus, Orlande de (ca. 1532–1594) Appears on: 20v–21v Genres: Motet Source Attribution: Orland: Number of voices: 4 of 5
21v–22	Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper	Eiusdem (= Lassus)	Lassus, Orlande de (ca. 1532–1594)
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper Lassus, Orlande de (ca. 1532–1594) Appears on: 21v–22 Genres: Motet Source Attribution: Eiusdem (= Lassus) Number of voices: 4 of 5
22v–23	Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea	-	Lassus, Orlande de (ca. 1532–1594)
Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea Lassus, Orlande de (ca. 1532–1594) Appears on: 22v–23 Genres: Motet Number of voices: 4 of 5
23–23v	Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius	Orland:	Lassus, Orlande de (ca. 1532–1594)
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius Lassus, Orlande de (ca. 1532–1594) Appears on: 23–23v Genres: Motet Source Attribution: Orland: Number of voices: 4 of 5
23v–24	Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius	-	Lassus, Orlande de (ca. 1532–1594)
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius Lassus, Orlande de (ca. 1532–1594) Appears on: 23v–24 Genres: Motet Number of voices: 4 of 5
24v–25	Angelus ad pastores ait annuntio vobis	-	Lassus, Orlande de (ca. 1532–1594)
Angelus ad pastores ait annuntio vobis Lassus, Orlande de (ca. 1532–1594) Appears on: 24v–25 Genres: Motet Number of voices: 4 of 5
25v–26	Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum	Orland:	Lassus, Orlande de (ca. 1532–1594)
Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum Lassus, Orlande de (ca. 1532–1594) Appears on: 25v–26 Genres: Motet Source Attribution: Orland: Number of voices: 3 General Note 3a pars only, copied as a tricinium
26v–27	Geh deinen Weg auf rechtem Steg	-	Lange, Gregor (ca. 1540–1587) (?) Lassus, Orlande de (ca. 1532–1594) (?) Meiland, Jacob (1542–1577) (?)
Geh deinen Weg auf rechtem Steg Lange, Gregor (ca. 1540–1587) (?) Lassus, Orlande de (ca. 1532–1594) (?) Meiland, Jacob (1542–1577) (?) Appears on: 26v–27 Genres: Motet Number of voices: 4 of 5 General Note anonymous here, the piece is attributed to Lassus in Liegnitz 36 (Lublin N-3792 – N-3795) & Berlin 40210; also anon in 3 prints & Sammlung Bohn 15. For concordances and notes on the various attributions, see ZieglerS 2003
27–27v	Freut euch ihr Christen, freut euch von Herzen sehr	-	Anonymous
Freut euch ihr Christen, freut euch von Herzen sehr Anonymous Appears on: 27–27v Genres: Motet Number of voices: 4 Concordances RISM 1570-4: 5 (Eber, Etliche Geistliche vnd liebliche Gesenge I); RISM 1591-2:5 (Fuhrmann, Canilenae Latinae et Germanicae)
27v	Ehre sei Gott in der Hohe	-	Anonymous
Ehre sei Gott in der Hohe Anonymous Appears on: 27v Genres: Doxology Number of voices: 4 General Note Ehre sei Gott' : Identified as an 'Appendix' to the previous piece in the Altus book, and in Bassus 'sequens adiungatur' ("the following piece is added on") this doxology is not transmitted with the printed versions of 'Freut euch'; it is also scored for a different group of voices.
28–28v	Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem	C.N.P.	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 28–28v Genres: Motet Source Attribution: C.N.P. Number of voices: 4
29–29v	Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 29–29v Genres: Motet Number of voices: 4
31	Rector potens verax Deus [Veni creator spiritus]	Martin …..	Agricola, Martin (ca. 1486–1556)
Rector potens verax Deus [Veni creator spiritus] Agricola, Martin (ca. 1486–1556) Appears on: 31 Genres: Hymn Source Attribution: Martin ….. Number of voices: 4
31v	Summam quae doceant salutis [Vitam quae faciunt]	Martini Agricolae	Agricola, Martin (ca. 1486–1556)
Summam quae doceant salutis [Vitam quae faciunt] Agricola, Martin (ca. 1486–1556) Appears on: 31v Genres: Hymn Source Attribution: Martini Agricolae Number of voices: 4
32	Tu verus in verbis Deus [Iam lucis orto sidere]	Martini Agricolae	Agricola, Martin (ca. 1486–1556)
Tu verus in verbis Deus [Iam lucis orto sidere] Agricola, Martin (ca. 1486–1556) Appears on: 32 Genres: Hymn Source Attribution: Martini Agricolae Number of voices: 4
32v	Aufer immensam Deus aufer iram	-	Anonymous
Aufer immensam Deus aufer iram Anonymous Appears on: 32v Genres: Motet Number of voices: 4
32v–33	Nocte surgentes vigilemus omnes	Martini Agricolae	Agricola, Martin (ca. 1486–1556)
Nocte surgentes vigilemus omnes Agricola, Martin (ca. 1486–1556) Appears on: 32v–33 Genres: Motet Source Attribution: Martini Agricolae Number of voices: 4
33v	Qui super celsum resides Olympum (= Iam satis terris)	-	Tritonius, Petrus
Qui super celsum resides Olympum (= Iam satis terris) Tritonius, Petrus Appears on: 33v Genres: Motet Number of voices: 4
34	A Deo scirem nisi me creatum	Joachimi à Burck civis Mulhusini	Burck, Joachim à (1546–1610)
A Deo scirem nisi me creatum Burck, Joachim à (1546–1610) Appears on: 34 Genres: Motet Source Attribution: Joachimi à Burck civis Mulhusini Number of voices: 4 General Note at beginning: Sequuntur aliquot Odae Ludovici Helmboldi Mulhusini, suavib[us] harmoniis ornatae studio Joachimi à Burck civis Mulhusini. Concordances RISM A/I: B 4962, no.1
34v	Curarum nihil invenitur expers	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Curarum nihil invenitur expers Burck, Joachim à (1546–1610) Appears on: 34v Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.3
35	Proh summe contemplata universi	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Proh summe contemplata universi Burck, Joachim à (1546–1610) Appears on: 35 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.6
35v	Quid toties animam	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Quid toties animam Burck, Joachim à (1546–1610) Appears on: 35v Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.20
36–36v	Beatus ille quisquis est ut Enos	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Beatus ille quisquis est ut Enos Burck, Joachim à (1546–1610) Appears on: 36–36v Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.10
37–37v	Sabbati colendi Deus autor est	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Sabbati colendi Deus autor est Burck, Joachim à (1546–1610) Appears on: 37–37v Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.5
37v–38	Quantus homunicionis	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Quantus homunicionis Burck, Joachim à (1546–1610) Appears on: 37v–38 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.12
38v–39	Quam delicatuli sumus	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Quam delicatuli sumus Burck, Joachim à (1546–1610) Appears on: 38v–39 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.17
39v–40	Prudentes oculos habe	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Prudentes oculos habe Burck, Joachim à (1546–1610) Appears on: 39v–40 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.9
40–40v	Ter decem, ter et trecentos vixit Adamus annos	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Ter decem, ter et trecentos vixit Adamus annos Burck, Joachim à (1546–1610) Appears on: 40–40v Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.8
41	Quid speciosa veste superbis?	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Quid speciosa veste superbis? Burck, Joachim à (1546–1610) Appears on: 41 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.7
41v–42	Quam mirabilis est	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Quam mirabilis est Burck, Joachim à (1546–1610) Appears on: 41v–42 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.13
42v–43	Vini potente Noa victus haustu	[Joachim à Burck]	Burck, Joachim à (1546–1610)
Vini potente Noa victus haustu Burck, Joachim à (1546–1610) Appears on: 42v–43 Genres: Motet Source Attribution: [Joachim à Burck] Number of voices: 4 Concordances RISM A/I: B 4962, no.14
43v–44	Dilexi quoniam exaudiet Dominus vocem	-	Anonymous
Dilexi quoniam exaudiet Dominus vocem Anonymous Appears on: 43v–44 Genres: Psalm Number of voices: 4
46–46v	Dulcis memoria et suavis recordatio (= Doulce memoire)	('Clemens Marotus' text author)	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Manchicourt, Pierre de (?)
Dulcis memoria et suavis recordatio (= Doulce memoire) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Manchicourt, Pierre de (?) Appears on: 46–46v Genres: Motet Source Attribution: ('Clemens Marotus' text author) Number of voices: 4
46v–47	Susanna se videns rapi stuprandam fraude (= Susanne un jour)	-	Lupi (II), Didier
Susanna se videns rapi stuprandam fraude (= Susanne un jour) Lupi (II), Didier Appears on: 46v–47 Genres: Motet Number of voices: 4
47	Cantate Domino (= Sta notte)	Antonii Scandelli	Scandello, Antonio
Cantate Domino (= Sta notte) Scandello, Antonio Appears on: 47 Genres: Contrafactum, Motet Source Attribution: Antonii Scandelli Number of voices: 4
47v–48	O caeli o terrae o maris (= S'io canto)	Antonii Scandelli	Scandello, Antonio
O caeli o terrae o maris (= S'io canto) Scandello, Antonio Appears on: 47v–48 Genres: Contrafactum, Motet Source Attribution: Antonii Scandelli Number of voices: 4
48–48v	Cum sit omnipotens rector Olympi (= Madonna mia pieta)	-	Lassus, Orlande de (ca. 1532–1594)
Cum sit omnipotens rector Olympi (= Madonna mia pieta) Lassus, Orlande de (ca. 1532–1594) Appears on: 48–48v Genres: Contrafactum, Motet Number of voices: 4
48v–49	Cum ignoremus Domini	-	Anonymous
Cum ignoremus Domini Anonymous Appears on: 48v–49 Genres: Motet Number of voices: 4
49–49v	Vere Deus qui pater es dilecti filii (= C'est a grand tort)	-	Baston, Josquin (fl. 1542–63)
Vere Deus qui pater es dilecti filii (= C'est a grand tort) Baston, Josquin (fl. 1542–63) Appears on: 49–49v Genres: Contrafactum, Motet Number of voices: 4
49v–50	Jerusalem quae occidis	-	Anonymous
Jerusalem quae occidis Anonymous Appears on: 49v–50 Genres: Motet Number of voices: 3
50v–51	Quaerite primum regnum Dei	-	Anonymous
Quaerite primum regnum Dei Anonymous Appears on: 50v–51 Genres: Motet Number of voices: 4
51–51v	Lob sei dir Herr gesungen in Ewigkeit -- Veni novena turba psaltriarum (= O dolce vita)	-	Donato, Baldassare (ca. 1529–1603)
Lob sei dir Herr gesungen in Ewigkeit -- Veni novena turba psaltriarum (= O dolce vita) Donato, Baldassare (ca. 1529–1603) Appears on: 51–51v Genres: Contrafactum, Motet Number of voices: 4 Concordances concordance "Veni novena turba" in RISM B/I 1580-7, no.23
52–52v	Dulce commercium	-	Schroeter, Leonhard
Dulce commercium Schroeter, Leonhard Appears on: 52–52v Genres: Motet Number of voices: 4 Concordances concordance in RISM A/I: S 2229 (= RISM B/I 1576-2), no.8
53	Laudate Dominum omnes gentes	-	Anonymous
Laudate Dominum omnes gentes Anonymous Appears on: 53 Genres: Psalm Number of voices: 4
53v–54	In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum	-	Anonymous
In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum Anonymous Appears on: 53v–54 Genres: Psalm Number of voices: 4
54v	O lux beata trinitas	-	Anonymous
O lux beata trinitas Anonymous Appears on: 54v Genres: Hymn Number of voices: 4
55	Benedicta sit - 2a pars (of 2): Laudate Dominum omnes gentes	Joan: Tolpius(!)	Tollius, Joannes
Benedicta sit - 2a pars (of 2): Laudate Dominum omnes gentes Tollius, Joannes Appears on: 55 Genres: Motet Source Attribution: Joan: Tolpius(!) Number of voices: 3 General Note "Fuga 3. Vocum. Secundus Discantus in eodem post medium tempus. Bassus in subdiapason post mediam pausam per contrarium motum." Concordances Only this 2a pars is copied; the whole motet is printed in RISM A/I: T 913 (Jan Tollius, Moduli trium vocum, 1597)
55v	Penitential psalms 5vv - 2. Beati quorum remissae sunt: (excerpt) Dixi confitebor adversum me	-	Lassus, Orlande de (ca. 1532–1594)
Penitential psalms 5vv - 2. Beati quorum remissae sunt: (excerpt) Dixi confitebor adversum me Lassus, Orlande de (ca. 1532–1594) Appears on: 55v Genres: Motet Number of voices: 4 General Note 6th section of the penitential psalm, extracted as a tricinium
57–58	Allein nach dir Herr Jesu Christ (= Si pur ti guardo)	-	Willaert, Adrian (ca. 1490–1562) (?) Donato, Baldassare (ca. 1529–1603)
Allein nach dir Herr Jesu Christ (= Si pur ti guardo) Willaert, Adrian (ca. 1490–1562) (?) Donato, Baldassare (ca. 1529–1603) Appears on: 57–58 Genres: Contrafactum, Hymn Number of voices: 4
58–58v	Mein Trost und Hülf' ist Gott allein	-	Dressler, Gallus
Mein Trost und Hülf' ist Gott allein Dressler, Gallus Appears on: 58–58v Genres: Motet Number of voices: 4
59–59v	Wer in der Welt recht leben will	Davidis Palladii	Palladius, David
Wer in der Welt recht leben will Palladius, David Appears on: 59–59v Genres: Motet Source Attribution: Davidis Palladii Number of voices: 4
59v–60	Auf dich allein du treuer Gott	-	Burck, Joachim à (1546–1610)
Auf dich allein du treuer Gott Burck, Joachim à (1546–1610) Appears on: 59v–60 Genres: Motet Number of voices: 4
60v–61	Bewahr mich Herr und sei nicht fern	-	Zirler, Stephan (ca. 1518–1568)
Bewahr mich Herr und sei nicht fern Zirler, Stephan (ca. 1518–1568) Appears on: 60v–61 Genres: Sacred Song Number of voices: 4
61v–62	Der Herr ist mein Hirte	David: Palladii	Palladius, David
Der Herr ist mein Hirte Palladius, David Appears on: 61v–62 Genres: Motet Source Attribution: David: Palladii Number of voices: 4
62–63	Da Jacob das Kleid ansah mit großem Schmerzen	-	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Da Jacob das Kleid ansah mit großem Schmerzen Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 62–63 Genres: Motet Number of voices: 4
63–63v	Christe du Lamm Gottes	Davidis Palladii	Palladius, David
Christe du Lamm Gottes Palladius, David Appears on: 63–63v Genres: Motet Source Attribution: Davidis Palladii Number of voices: 4
64–64v	Ach Herr in deine Hande	-	Dressler, Gallus
Ach Herr in deine Hande Dressler, Gallus Appears on: 64–64v Genres: Motet Number of voices: 4
65–65v	Lasset die Kindlein zu mir kommen	Leonardus Scröterus (sic)	Schroeter, Leonhard
Lasset die Kindlein zu mir kommen Schroeter, Leonhard Appears on: 65–65v Genres: Motet Source Attribution: Leonardus Scröterus (sic) Number of voices: 4
65v–66	Gott ist mein licht und mein seligkeit	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Gott ist mein licht und mein seligkeit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 65v–66 Genres: Motet Number of voices: 4 General Note modern pencil attribution "M.Praetorius?"; like much of the music in this part of the book, the piece appeared anonymously in his 'Musae Sioniae' bk 7
66v	Wer Gott vertraut hat wohl gebaut	-	Magdeburg, Joachim (?)
Wer Gott vertraut hat wohl gebaut Magdeburg, Joachim (?) Appears on: 66v Genres: Motet Number of voices: 4
67–67v	Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir	Galli Dresleri	Dressler, Gallus
Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir Dressler, Gallus Appears on: 67–67v Genres: Motet Source Attribution: Galli Dresleri Number of voices: 4
67v–68	Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf	-	Dressler, Gallus
Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf Dressler, Gallus Appears on: 67v–68 Genres: Motet Number of voices: 4
68–68v	Betruebet sehr bin ich von Herzen (= Bon jour mon coeur)	Orlandi	Lassus, Orlande de (ca. 1532–1594)
Betruebet sehr bin ich von Herzen (= Bon jour mon coeur) Lassus, Orlande de (ca. 1532–1594) Appears on: 68–68v Genres: Contrafactum, Motet Source Attribution: Orlandi Number of voices: 4
68v–69	Nach Gsund' und Freud' - 1a pars (of 3): Nach Gsund' und Freud' steht mein Begier	Leonardi Lechneri	Lechner, Leonhard
Nach Gsund' und Freud' - 1a pars (of 3): Nach Gsund' und Freud' steht mein Begier Lechner, Leonhard Appears on: 68v–69 Genres: Motet Source Attribution: Leonardi Lechneri Number of voices: 4
69v–70	Nach Gsund' und Freud' - 2a pars (of 3): Erbarm' dich mein	-	Lechner, Leonhard
Nach Gsund' und Freud' - 2a pars (of 3): Erbarm' dich mein Lechner, Leonhard Appears on: 69v–70 Genres: Motet Number of voices: 4
70–70v	Nach Gsund' und Freud' - 3a pars (of 3): O Herr mein Gott	-	Lechner, Leonhard
Nach Gsund' und Freud' - 3a pars (of 3): O Herr mein Gott Lechner, Leonhard Appears on: 70–70v Genres: Motet Number of voices: 4
70v–71	Auf dich trau ich mein Herr und Gott	-	Scandello, Antonio
Auf dich trau ich mein Herr und Gott Scandello, Antonio Appears on: 70v–71 Genres: Hymn Number of voices: 4
71v	O Herre Gott - 1a pars (of 3): O Herre Gott in meiner noth ruff ich	Jacobi Hendl	Handl (Gallus), Jacobus (1550–1591)
O Herre Gott - 1a pars (of 3): O Herre Gott in meiner noth ruff ich Handl (Gallus), Jacobus (1550–1591) Appears on: 71v Genres: Motet Source Attribution: Jacobi Hendl Number of voices: 4
72	O Herre Gott - 2a pars (of 3): O Jesu Christ gestorben bist	-	Handl (Gallus), Jacobus (1550–1591)
O Herre Gott - 2a pars (of 3): O Jesu Christ gestorben bist Handl (Gallus), Jacobus (1550–1591) Appears on: 72 Genres: Motet Number of voices: 4
72v	O Herre Gott - 3a pars (of 3): O heiliger Geist ein gröster heist	-	Handl (Gallus), Jacobus (1550–1591)
O Herre Gott - 3a pars (of 3): O heiliger Geist ein gröster heist Handl (Gallus), Jacobus (1550–1591) Appears on: 72v Genres: Motet Number of voices: 4
73–73v	Wer Gott vertraut zu aller Stund	-	Schramm, Melchior
Wer Gott vertraut zu aller Stund Schramm, Melchior Appears on: 73–73v Genres: Motet Number of voices: 4
73v–74	Gott der Vater wohn uns bei	-	Anonymous
Gott der Vater wohn uns bei Anonymous Appears on: 73v–74 Genres: Motet Number of voices: 4
75	Danket dem Herrn denn er ist freundlich (= Vitam quae faciunt)	-	Tritonius, Petrus
Danket dem Herrn denn er ist freundlich (= Vitam quae faciunt) Tritonius, Petrus Appears on: 75 Genres: Contrafactum, Motet Number of voices: 4 Concordances also anon in RISM A/I: T 1251 with text "Vitam quae faciunt"
75v–76	Was mein Gott will das g'scheh allzeit (= Il me suffit)	-	Sermisy, Claudin de (ca. 1490–1562)
Was mein Gott will das g'scheh allzeit (= Il me suffit) Sermisy, Claudin de (ca. 1490–1562) Appears on: 75v–76 Genres: Contrafactum, Motet Number of voices: 4
76v–77	Nun lasst uns Gott dem Herren	-	Musculus [or Meusel], Balthasar
Nun lasst uns Gott dem Herren Musculus [or Meusel], Balthasar Appears on: 76v–77 Genres: Chorale Number of voices: 4 Concordances printed in RISM B/I: 1597-7 published by Musculus; & perhaps composed by him
77v–78	Lobet den Herren, den er ist sehr freundlich	-	Scandello, Antonio
Lobet den Herren, den er ist sehr freundlich Scandello, Antonio Appears on: 77v–78 Genres: Lied, Sacred Song Number of voices: 4
78v–79	Herzlich lieb hab ich dich o herr	-	Musculus [or Meusel], Balthasar
Herzlich lieb hab ich dich o herr Musculus [or Meusel], Balthasar Appears on: 78v–79 Genres: Chorale Number of voices: 4 Concordances printed in RISM B/I: 1597-7 published by Musculus; & perhaps composed by him
79v–80	Mei'm lieben Gott ergeb' ich mich	-	Anonymous
Mei'm lieben Gott ergeb' ich mich Anonymous Appears on: 79v–80 Genres: Motet Number of voices: 4
80v–81	Allein zu dir Herr Jesu Christ (= Le jaune et bleu)	-	Anonymous
Allein zu dir Herr Jesu Christ (= Le jaune et bleu) Anonymous Appears on: 80v–81 Genres: Contrafactum, Motet Number of voices: 4 Concordances French chanson printed in RISM B/I: 1528-7
81v–82	Von Gott will ich nicht lassen	-	Anonymous
Von Gott will ich nicht lassen Anonymous Appears on: 81v–82 Genres: Motet Number of voices: 4
82v–83	Patientiam muss ich han und lieget mir nicht viel daran	-	Anonymous
Patientiam muss ich han und lieget mir nicht viel daran Anonymous Appears on: 82v–83 Genres: Lied Number of voices: 4 General Note with text "Patientiam muß ich han und soll nicht viel liegen daran" in Das deutsche Kirchenlied
83v–84	Wenn wir in höchsten nothen sein	-	Scandello, Antonio
Wenn wir in höchsten nothen sein Scandello, Antonio Appears on: 83v–84 Genres: Hymn Number of voices: 4
84–84v	Hats Gott versehn wer will uns wehrn	-	Musculus [or Meusel], Balthasar
Hats Gott versehn wer will uns wehrn Musculus [or Meusel], Balthasar Appears on: 84–84v Genres: Chorale Number of voices: 4 Concordances printed in RISM B/I: 1597-7 published by Musculus; & perhaps composed by him (note-values here are halved vs the print)
84v–85	Herr Gott du bist von Ewigkeit	-	Burck, Joachim à (1546–1610)
Herr Gott du bist von Ewigkeit Burck, Joachim à (1546–1610) Appears on: 84v–85 Genres: Motet Number of voices: 4
85v–86	Warumb betriebstu dich mein herz	-	Magdeburg, Joachim
Warumb betriebstu dich mein herz Magdeburg, Joachim Appears on: 85v–86 Genres: Song Number of voices: 4
86v	Ach Satan wie oft krankest du	-	Anonymous
Ach Satan wie oft krankest du Anonymous Appears on: 86v Genres: Motet Number of voices: 4
87	Bei deinem Wort erhalt uns Herr	-	Anonymous
Bei deinem Wort erhalt uns Herr Anonymous Appears on: 87 Genres: Motet Number of voices: 4
87v–88	Gelobet und gepreiset ei Gott Vater und Sohn (= Jungfrau eur wanckelmut)	-	Regnart, Jacob (ca. 1540–1599)
Gelobet und gepreiset ei Gott Vater und Sohn (= Jungfrau eur wanckelmut) Regnart, Jacob (ca. 1540–1599) Appears on: 87v–88 Genres: Contrafactum, Motet Number of voices: 3
87v–88	So wahr ich leb spricht Gott der Herr	-	Regnart, Jacob (ca. 1540–1599) (?)
So wahr ich leb spricht Gott der Herr Regnart, Jacob (ca. 1540–1599) (?) Appears on: 87v–88 Genres: Motet Number of voices: 3
88v–89	Christe qui lux es, et dies / Christe der du bist Tag und Licht	-	Anonymous
Christe qui lux es, et dies / Christe der du bist Tag und Licht Anonymous Appears on: 88v–89 Genres: Hymn Number of voices: 4
89v–90	Da Jesus an dem Kreuze stund	Christopho: Praetori:	Praetorius, Christoph
Da Jesus an dem Kreuze stund Praetorius, Christoph Appears on: 89v–90 Genres: Motet Source Attribution: Christopho: Praetori: Number of voices: 4
90v–91v	Patris sapientia veritas divina / Christus der uns selig macht	Euricius Dedeki:	Dedekind, Euricius
Patris sapientia veritas divina / Christus der uns selig macht Dedekind, Euricius Appears on: 90v–91v Genres: Motet Source Attribution: Euricius Dedeki: Number of voices: 4
91v–92	Danket dem Herren denn er ist sehr freundlich	Lech:	Lechner, Leonhard
Danket dem Herren denn er ist sehr freundlich Lechner, Leonhard Appears on: 91v–92 Genres: Motet Source Attribution: Lech: Number of voices: 4
94	Veni redemptor gentium ostende partum	Martinus Agricola	Agricola, Martin (ca. 1486–1556)
Veni redemptor gentium ostende partum Agricola, Martin (ca. 1486–1556) Appears on: 94 Genres: Hymn Source Attribution: Martinus Agricola Number of voices: 4
94v	A solis ortu cardine	Martini Agricolae	Agricola, Martin (ca. 1486–1556)
A solis ortu cardine Agricola, Martin (ca. 1486–1556) Appears on: 94v Genres: Hymn Source Attribution: Martini Agricolae Number of voices: 4
95	Von Himmel kam der Engel Schar	David Palladius	Palladius, David
Von Himmel kam der Engel Schar Palladius, David Appears on: 95 Genres: Motet Source Attribution: David Palladius Number of voices: 4
95v–97	Christum wir sollen loben schon	-	Anonymous
Christum wir sollen loben schon Anonymous Appears on: 95v–97 Genres: Motet Number of voices: 4
97v–98	Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem	-	Figulus, Wolfgang (ca. 1525–1589)
Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem Figulus, Wolfgang (ca. 1525–1589) Appears on: 97v–98 Genres: Hymn Number of voices: 4
98v–99	Gelobet seist Du, Jesu Christ, dass Du Mensch	-	Walter, Johann (1496–1570)
Gelobet seist Du, Jesu Christ, dass Du Mensch Walter, Johann (1496–1570) Appears on: 98v–99 Genres: Chorale, Sacred Song Number of voices: 4
99v–100	Allein Gott in der Höhe sei Ehr	-	Anonymous
Allein Gott in der Höhe sei Ehr Anonymous Appears on: 99v–100 Genres: Motet Number of voices: 4 General Note modern ascription in pencil (wrongly) to Leonhard Schröter
100v–101	In dulci jubilo	-	Anonymous
In dulci jubilo Anonymous Appears on: 100v–101 Genres: Hymn Number of voices: 4
101v–102	Herr Christ der einig Gottes Sohn	-	Walter, Johann (1496–1570)
Herr Christ der einig Gottes Sohn Walter, Johann (1496–1570) Appears on: 101v–102 Genres: Chorale, Sacred Song Number of voices: 4
102–103	Das alte Jahr vergangen ist, wir danken dir	-	Fine, Arnoldus de
Das alte Jahr vergangen ist, wir danken dir Fine, Arnoldus de Appears on: 102–103 Genres: Motet, Sacred Song Number of voices: 4
103v	Fortiter elapsum - 1a pars (of 2): Fortiter elapsum texit	Christiani praetorii	Praetorius, Christian
Fortiter elapsum - 1a pars (of 2): Fortiter elapsum texit Praetorius, Christian Appears on: 103v Genres: Motet Source Attribution: Christiani praetorii Number of voices: 4
104	Fortiter elapsum - 2a pars (of 2): Avertitque favens	-	Praetorius, Christian
Fortiter elapsum - 2a pars (of 2): Avertitque favens Praetorius, Christian Appears on: 104 Genres: Motet Number of voices: 4
104v	Rex regum - 1a pars (of 2): Rex regum Dominus dominorum	Christiani praetorii	Praetorius, Christian
Rex regum - 1a pars (of 2): Rex regum Dominus dominorum Praetorius, Christian Appears on: 104v Genres: Motet Source Attribution: Christiani praetorii Number of voices: 4
105	Rex regum - 2a pars (of 2): Huic pateant urbes	-	Praetorius, Christian
Rex regum - 2a pars (of 2): Huic pateant urbes Praetorius, Christian Appears on: 105 Genres: Motet Number of voices: 4
105v	Jetzt sprosst herfür aus Davids Stämmelein (4vv)	-	Freundt, Cornelius (1535–1591)
Jetzt sprosst herfür aus Davids Stämmelein (4vv) Freundt, Cornelius (1535–1591) Appears on: 105v Genres: Sacred Song Number of voices: 4
106v–107	Nun komm der Heiden Heiland	Autore M. Joh. Heil F. R. L L. ad D. Thom:	Heil, Joh[ann]
Nun komm der Heiden Heiland Heil, Joh[ann] Appears on: 106v–107 Genres: Hymn Source Attribution: Autore M. Joh. Heil F. R. L L. ad D. Thom: Number of voices: 4
107v–108	Das alte Jahr vergangen ist	-	Steurlein, Johannes
Das alte Jahr vergangen ist Steurlein, Johannes Appears on: 107v–108 Genres: Motet Number of voices: 4
[-]	Uber's Gebirg Maria geht	-	Eccard, Johannes (1553–1611)
Uber's Gebirg Maria geht Eccard, Johannes (1553–1611) Appears on: [-] Genres: Motet
109v–110	Der Zacharias ganz verstummt	-	Burck, Joachim à (1546–1610)
Der Zacharias ganz verstummt Burck, Joachim à (1546–1610) Appears on: 109v–110 Genres: Motet Number of voices: 4
110v–111	Der Heiland offenbaret	-	Burck, Joachim à (1546–1610)
Der Heiland offenbaret Burck, Joachim à (1546–1610) Appears on: 110v–111 Genres: Motet Number of voices: 4
111v–112	Der heiligen Dreifaltigkeit Fest	Joach: à Burck	Burck, Joachim à (1546–1610)
Der heiligen Dreifaltigkeit Fest Burck, Joachim à (1546–1610) Appears on: 111v–112 Genres: Motet Source Attribution: Joach: à Burck Number of voices: 4
112v–113	Der Heilig Geist vom Himmel kam	Joh: Eccardi Mulhusini	Eccard, Johannes (1553–1611)
Der Heilig Geist vom Himmel kam Eccard, Johannes (1553–1611) Appears on: 112v–113 Genres: Motet Source Attribution: Joh: Eccardi Mulhusini Number of voices: 4
113v	Ecce quomodo - 1a pars (of 2): Ecce quomodo moritur justus et nemo percipit	Jacobi Hendl	Handl (Gallus), Jacobus (1550–1591)
Ecce quomodo - 1a pars (of 2): Ecce quomodo moritur justus et nemo percipit Handl (Gallus), Jacobus (1550–1591) Appears on: 113v Genres: Motet Source Attribution: Jacobi Hendl Number of voices: 4
114	Ecce quomodo - 2a pars (of 2): In pace factus est locus eius	-	Handl (Gallus), Jacobus (1550–1591)
Ecce quomodo - 2a pars (of 2): In pace factus est locus eius Handl (Gallus), Jacobus (1550–1591) Appears on: 114 Genres: Motet Number of voices: 4
114v–115	Herr Jesu Christ wahr'r Mensch und Gott	-	Anonymous
Herr Jesu Christ wahr'r Mensch und Gott Anonymous Appears on: 114v–115 Genres: Motet Number of voices: 4
115v–116	Ich weiss, dass mein Erlöser lebt	Joach: a Burgk	Burck, Joachim à (1546–1610)
Ich weiss, dass mein Erlöser lebt Burck, Joachim à (1546–1610) Appears on: 115v–116 Genres: Hymn Source Attribution: Joach: a Burgk Number of voices: 4 General Note "Epitaphium hertzogk Johann Wilhelms zu Sachsenn &c unter S. F. D. Namen begriffen" i.e. the initial letters of the verses make an acrostic of his name
116v–117	Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ	Christophori Praetorii	Praetorius, Christoph
Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ Praetorius, Christoph Appears on: 116v–117 Genres: Motet Source Attribution: Christophori Praetorii Number of voices: 4 of 5
116v–117	Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ	-	Anonymous
Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ Anonymous Appears on: 116v–117 Genres: Motet Number of voices: 4 of 5 General Note (this & preceding both use the same text copy, written under this music)
117v–118	Ach wir armen Sunder	compositum per Joannem Bertramum, Cantorem Lunaeburg:	Bertram, Johann
Ach wir armen Sunder Bertram, Johann Appears on: 117v–118 Genres: Motet Source Attribution: compositum per Joannem Bertramum, Cantorem Lunaeburg: Number of voices: 4
118v	O Lamm Gottes unschuldig	-	Anonymous
O Lamm Gottes unschuldig Anonymous Appears on: 118v Genres: Motet Number of voices: 4
119	O Christ der du bist vom Tod auferstanden	Joachim à Burgk	Burck, Joachim à (1546–1610)
O Christ der du bist vom Tod auferstanden Burck, Joachim à (1546–1610) Appears on: 119 Genres: Motet Source Attribution: Joachim à Burgk Number of voices: 4
119v–120	Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ	-	Anonymous
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ Anonymous Appears on: 119v–120 Genres: Motet Number of voices: 4
120v	Jesus Christus unser Heiland	Euri: Dedekin:	Dedekind, Euricius
Jesus Christus unser Heiland Dedekind, Euricius Appears on: 120v Genres: Hymn Source Attribution: Euri: Dedekin: Number of voices: 4 General Note in D+B books a bicinium setting is printed before this, from "Psalmodia, hoc est Cantica Sacra", Nuremberg 1553, edited by Lucas Lossius, p.295; this piece uses the tenor melody of the Lossius piece as its Discantus; only the first 5 notes of it are (re-)written in the Discantus
121–121v	Ich bin die aufferstehung und das leben	-	Dressler, Gallus
Ich bin die aufferstehung und das leben Dressler, Gallus Appears on: 121–121v Genres: Motet Number of voices: 4
121v–122v	Congratulamini mihi omnes qui diligitis	Clemens NP	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Congratulamini mihi omnes qui diligitis Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 121v–122v Genres: Motet Source Attribution: Clemens NP Number of voices: 4
123–124	Tulerunt Dominum meum et nescio ubi	Jean Pierre	Pierre, Jean
Tulerunt Dominum meum et nescio ubi Pierre, Jean Appears on: 123–124 Genres: Motet Source Attribution: Jean Pierre Number of voices: 4
124–124v	Vespera nunc [jam] venit nobiscum Christo maneto	-	Dressler, Gallus
Vespera nunc [jam] venit nobiscum Christo maneto Dressler, Gallus Appears on: 124–124v Genres: Motet Number of voices: 4
125v–126	Ascendit Christus hodie / Gefahren ist der heil'ge Christ	-	Anonymous
Ascendit Christus hodie / Gefahren ist der heil'ge Christ Anonymous Appears on: 125v–126 Genres: Motet Number of voices: 4
126v–127	Spiritus sancti gloria / Des heil'gen Geistes reiche Gnad	-	Anonymous
Spiritus sancti gloria / Des heil'gen Geistes reiche Gnad Anonymous Appears on: 126v–127 Genres: Motet Number of voices: 4
127v	Veni maxime spiritus	Martinus Agricola	Agricola, Martin (ca. 1486–1556)
Veni maxime spiritus Agricola, Martin (ca. 1486–1556) Appears on: 127v Genres: Motet Source Attribution: Martinus Agricola Number of voices: 4
127v	Veni maxime spiritus	-	Anonymous
Veni maxime spiritus Anonymous Appears on: 127v Genres: Motet Number of voices: 4 General Note Another setting of the text, following the Agricola version
128	Quando Christus ascenderat / Da Christus aufgefahren war	Christophori Praetorii	Praetorius, Christoph
Quando Christus ascenderat / Da Christus aufgefahren war Praetorius, Christoph Appears on: 128 Genres: Motet Source Attribution: Christophori Praetorii Number of voices: 4
128v–129	Viri Galilaei quid aspicitis in caelum	-	Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Viri Galilaei quid aspicitis in caelum Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 128v–129 Genres: Motet Number of voices: 4
129v–130	Zu dieser oesterlichen Zeit lasst fahren alle Traurigkeit	Joh: Eccardi Mulhusini	Eccard, Johannes (1553–1611)
Zu dieser oesterlichen Zeit lasst fahren alle Traurigkeit Eccard, Johannes (1553–1611) Appears on: 129v–130 Genres: Motet Source Attribution: Joh: Eccardi Mulhusini Number of voices: 4
130v–131	Der Heiland ist erhoehet	-	Burck, Joachim à (1546–1610)
Der Heiland ist erhoehet Burck, Joachim à (1546–1610) Appears on: 130v–131 Genres: Motet Number of voices: 4
131v–132	Gen Himmel fahrt der Herre Christ	Joh: Eccardi	Eccard, Johannes (1553–1611)
Gen Himmel fahrt der Herre Christ Eccard, Johannes (1553–1611) Appears on: 131v–132 Genres: Motet Source Attribution: Joh: Eccardi Number of voices: 4
132v	Der Heiland hoch erhaben	-	Burck, Joachim à (1546–1610)
Der Heiland hoch erhaben Burck, Joachim à (1546–1610) Appears on: 132v Genres: Motet Number of voices: 4
134v–135	Ach du edler Rebensaft wie wünsch' ich mir so oft	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Ach du edler Rebensaft wie wünsch' ich mir so oft Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 134v–135 Genres: Lied Number of voices: 4 General Note attributed to Clemens in D-Z Mu 1348-1420 (with slightly different text)
135v	Musica Klang lieblicher Gsang	Leonardi Lechneri	Lechner, Leonhard
Musica Klang lieblicher Gsang Lechner, Leonhard Appears on: 135v Genres: Lied Source Attribution: Leonardi Lechneri Number of voices: 4 Concordances Lechner 'Dreistimmige deutsche Lieder I', 1576, no.17
136–136v	Vinum quae pars verstehst du das	Ivonis de Vento	Vento, Ivo de
Vinum quae pars verstehst du das Vento, Ivo de Appears on: 136–136v Genres: Lied Source Attribution: Ivonis de Vento Number of voices: 4
137–137v	Mancher der spricht im Maien	Ivonis de Vento	Vento, Ivo de
Mancher der spricht im Maien Vento, Ivo de Appears on: 137–137v Genres: Lied Source Attribution: Ivonis de Vento Number of voices: 4
138–138v	Ich weiss mir ein festes gebautes haus	Ant: Scandell:	Scandello, Antonio
Ich weiss mir ein festes gebautes haus Scandello, Antonio Appears on: 138–138v Genres: Song Source Attribution: Ant: Scandell: Number of voices: 4 of 5
139v–140v	Ein treues Herz in Ehren	-	Anonymous
Ein treues Herz in Ehren Anonymous Appears on: 139v–140v Genres: Lied Number of voices: 4 General Note D+B text incipit only, A+T untexted

Composer	Compositions
Agricola, Martin (ca. 1486-1556)	A solis ortu cardine – 94v Nocte surgentes vigilemus omnes – 32v–33 Rector potens verax Deus [Veni creator spiritus] – 31 Summam quae doceant salutis [Vitam quae faciunt] – 31v Tu verus in verbis Deus [Iam lucis orto sidere] – 32 Veni maxime spiritus – 127v Veni redemptor gentium ostende partum – 94
Alder, Cosmas (1500-1550)	Da Jacob das Kleid ansah mit großem Schmerzen – 62–63
Anonymous	Ach Satan wie oft krankest du – 86v Allein Gott in der Höhe sei Ehr – 99v–100 Allein zu dir Herr Jesu Christ (= Le jaune et bleu) – 80v–81 Ascendit Christus hodie / Gefahren ist der heil'ge Christ – 125v–126 Aufer immensam Deus aufer iram – 32v Bei deinem Wort erhalt uns Herr – 87 Christe qui lux es, et dies / Christe der du bist Tag und Licht – 88v–89 Christum wir sollen loben schon – 95v–97 Cum ignoremus Domini – 48v–49 Dilexi quoniam exaudiet Dominus vocem – 43v–44 Ehre sei Gott in der Hohe – 27v Ein treues Herz in Ehren – 139v–140v Freut euch ihr Christen, freut euch von Herzen sehr – 27–27v Gott der Vater wohn uns bei – 73v–74 Herr Jesu Christ wahr'r Mensch und Gott – 114v–115 In dulci jubilo – 100v–101 In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum – 53v–54 Jerusalem quae occidis – 49v–50 Laudate Dominum omnes gentes – 53 Mei'm lieben Gott ergeb' ich mich – 79v–80 O Lamm Gottes unschuldig – 118v O lux beata trinitas – 54v Patientiam muss ich han und lieget mir nicht viel daran – 82v–83 Quaerite primum regnum Dei – 50v–51 Spiritus sancti gloria / Des heil'gen Geistes reiche Gnad – 126v–127 Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ – 116v–117 Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ – 119v–120 Veni maxime spiritus – 127v Von Gott will ich nicht lassen – 81v–82
Baston, Josquin (1542–63)	Vere Deus qui pater es dilecti filii (= C'est a grand tort) – 49–49v
Bertram, Johann	Ach wir armen Sunder – 117v–118
Burck, Joachim à (1546-1610)	A Deo scirem nisi me creatum – 34 Auf dich allein du treuer Gott – 59v–60 Beatus ille quisquis est ut Enos – 36–36v Curarum nihil invenitur expers – 34v Der Heiland hoch erhaben – 132v Der Heiland ist erhoehet – 130v–131 Der Heiland offenbaret – 110v–111 Der Zacharias ganz verstummt – 109v–110 Der heiligen Dreifaltigkeit Fest – 111v–112 Herr Gott du bist von Ewigkeit – 84v–85 Ich weiss, dass mein Erlöser lebt – 115v–116 O Christ der du bist vom Tod auferstanden – 119 Proh summe contemplata universi – 35 Prudentes oculos habe – 39v–40 Quam delicatuli sumus – 38v–39 Quam mirabilis est – 41v–42 Quantus homunicionis – 37v–38 Quid speciosa veste superbis? – 41 Quid toties animam – 35v Sabbati colendi Deus autor est – 37–37v Ter decem, ter et trecentos vixit Adamus annos – 40–40v Vini potente Noa victus haustu – 42v–43
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	(?) Ach du edler Rebensaft wie wünsch' ich mir so oft – 134v–135 Congratulamini mihi omnes qui diligitis – 121v–122v Domine Jesu Christe respicere digneris – 1–2 Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus – 6–6v Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco – 7–7v Gott ist mein licht und mein seligkeit – 65v–66 Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem – 28–28v Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt – 29–29v (?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 12v–13v (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 13v–14v Timor et tremor venit in Ninivem civitatem – 3–5
Crecquillon, Thomas (ca. 1505-ca. 1557)	Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum – 14v–15v Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis – 15v–16v (?) Viri Galilaei quid aspicitis in caelum – 128v–129
Dedekind, Euricius	Jesus Christus unser Heiland – 120v Patris sapientia veritas divina / Christus der uns selig macht – 90v–91v
Donato, Baldassare (ca. 1529-1603)	Allein nach dir Herr Jesu Christ (= Si pur ti guardo) – 57–58 Lob sei dir Herr gesungen in Ewigkeit -- Veni novena turba psaltriarum (= O dolce vita) – 51–51v
Dressler, Gallus	Ach Herr in deine Hande – 64–64v Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir – 67–67v Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf – 67v–68 Ich bin die aufferstehung und das leben – 121–121v Mein Trost und Hülf' ist Gott allein – 58–58v Vespera nunc [jam] venit nobiscum Christo maneto – 124–124v
Eccard, Johannes (1553-1611)	Der Heilig Geist vom Himmel kam – 112v–113 Gen Himmel fahrt der Herre Christ – 131v–132 Uber's Gebirg Maria geht – [-] Zu dieser oesterlichen Zeit lasst fahren alle Traurigkeit – 129v–130
Figulus, Wolfgang (ca. 1525-1589)	Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem – 97v–98
Fine, Arnoldus de	Das alte Jahr vergangen ist, wir danken dir – 102–103
Freundt, Cornelius (1535-1591)	Jetzt sprosst herfür aus Davids Stämmelein (4vv) – 105v
Handl (Gallus), Jacobus (1550-1591)	Ecce quomodo - 1a pars (of 2): Ecce quomodo moritur justus et nemo percipit – 113v Ecce quomodo - 2a pars (of 2): In pace factus est locus eius – 114 Laudate Dominum in sanctis eius (4vv) – 8v–9v O Herre Gott - 1a pars (of 3): O Herre Gott in meiner noth ruff ich – 71v O Herre Gott - 2a pars (of 3): O Jesu Christ gestorben bist – 72 O Herre Gott - 3a pars (of 3): O heiliger Geist ein gröster heist – 72v
Heil, Joh[ann]	Nun komm der Heiden Heiland – 106v–107
Lange, Gregor (ca. 1540-1587)	(?) Geh deinen Weg auf rechtem Steg – 26v–27
Lassus, Orlande de (ca. 1532-1594)	Angelus ad pastores ait annuntio vobis – 24v–25 Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper – 21v–22 Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea – 22v–23 Betruebet sehr bin ich von Herzen (= Bon jour mon coeur) – 68–68v Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius – 23–23v Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius – 23v–24 Cum sit omnipotens rector Olympi (= Madonna mia pieta) – 48–48v (?) Geh deinen Weg auf rechtem Steg – 26v–27 In me transierunt irae tuae – 20v–21v In principio erat verbum - 2a pars (of 3): Fuit homo missus – 5–6 Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum – 25v–26 Omnia quae fecisti nobis Domine in vero – 19v–20v Penitential psalms 5vv - 2. Beati quorum remissae sunt: (excerpt) Dixi confitebor adversum me – 55v
Le Bel, Barthelemy	Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus – 10v–11v Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit – 11v–12v
Lechner, Leonhard	Danket dem Herren denn er ist sehr freundlich – 91v–92 Musica Klang lieblicher Gsang – 135v Nach Gsund' und Freud' - 1a pars (of 3): Nach Gsund' und Freud' steht mein Begier – 68v–69 Nach Gsund' und Freud' - 2a pars (of 3): Erbarm' dich mein – 69v–70 Nach Gsund' und Freud' - 3a pars (of 3): O Herr mein Gott – 70–70v
Lupi (II), Didier	Susanna se videns rapi stuprandam fraude (= Susanne un jour) – 46v–47
Magdeburg, Joachim	Warumb betriebstu dich mein herz – 85v–86 (?) Wer Gott vertraut hat wohl gebaut – 66v
Maillard, Jean (c1538–1570)	In me transierunt irae tuae et terrores – 2–3
Manchicourt, Pierre de	(?) Dulcis memoria et suavis recordatio (= Doulce memoire) – 46–46v (?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 12v–13v (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 13v–14v
Meiland, Jacob (1542-1577)	(?) Geh deinen Weg auf rechtem Steg – 26v–27
Morel, Clement	Tota pulchra es amica mea et macula – 9v–10v
Musculus [or Meusel], Balthasar	Hats Gott versehn wer will uns wehrn – 84–84v Herzlich lieb hab ich dich o herr – 78v–79 Nun lasst uns Gott dem Herren – 76v–77
Palladius, David	Beati omnes qui timent Dominum – 16v–18 Christe du Lamm Gottes – 63–63v Der Herr ist mein Hirte – 61v–62 Nisi Dominus aedificaverit – 18–19v Von Himmel kam der Engel Schar – 95 Wer in der Welt recht leben will – 59–59v
Pierre, Jean	Tulerunt Dominum meum et nescio ubi – 123–124
Praetorius, Christian	Fortiter elapsum - 1a pars (of 2): Fortiter elapsum texit – 103v Fortiter elapsum - 2a pars (of 2): Avertitque favens – 104 Rex regum - 1a pars (of 2): Rex regum Dominus dominorum – 104v Rex regum - 2a pars (of 2): Huic pateant urbes – 105
Praetorius, Christoph	Da Jesus an dem Kreuze stund – 89v–90 Quando Christus ascenderat / Da Christus aufgefahren war – 128 Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ – 116v–117
Regnart, Jacob (ca. 1540-1599)	Gelobet und gepreiset ei Gott Vater und Sohn (= Jungfrau eur wanckelmut) – 87v–88 (?) So wahr ich leb spricht Gott der Herr – 87v–88
Sandrin, Pierre (ca. 1490-ca. 1560)	(?) Dulcis memoria et suavis recordatio (= Doulce memoire) – 46–46v
Scandello, Antonio	Auf dich trau ich mein Herr und Gott – 70v–71 Cantate Domino (= Sta notte) – 47 Ich weiss mir ein festes gebautes haus – 138–138v Lobet den Herren, den er ist sehr freundlich – 77v–78 O caeli o terrae o maris (= S'io canto) – 47v–48 Wenn wir in höchsten nothen sein – 83v–84
Schramm, Melchior	Wer Gott vertraut zu aller Stund – 73–73v
Schroeter, Leonhard	Dulce commercium – 52–52v Lasset die Kindlein zu mir kommen – 65–65v
Senfl, Ludwig (ca. 1486-ca. 1543)	(?) Da Jacob das Kleid ansah mit großem Schmerzen – 62–63
Sermisy, Claudin de (ca. 1490-1562)	Was mein Gott will das g'scheh allzeit (= Il me suffit) – 75v–76
Steurlein, Johannes	Das alte Jahr vergangen ist – 107v–108
Tollius, Joannes	Benedicta sit - 2a pars (of 2): Laudate Dominum omnes gentes – 55
Tritonius, Petrus	Danket dem Herrn denn er ist freundlich (= Vitam quae faciunt) – 75 Qui super celsum resides Olympum (= Iam satis terris) – 33v
Vento, Ivo de	Factum est silentium in caelo dum draco – 7v–8v Mancher der spricht im Maien – 137–137v Vinum quae pars verstehst du das – 136–136v
Walter, Johann (1496-1570)	Gelobet seist Du, Jesu Christ, dass Du Mensch – 98v–99 Herr Christ der einig Gottes Sohn – 101v–102
Willaert, Adrian (ca. 1490-1562)	(?) Allein nach dir Herr Jesu Christ (= Si pur ti guardo) – 57–58
Zirler, Stephan (ca. 1518-1568)	Bewahr mich Herr und sei nicht fern – 60v–61

Composition	Composers (? Uncertain)	Folios / Pages
A Deo scirem nisi me creatum	Burck, Joachim à (1546–1610)	34
A solis ortu cardine	Agricola, Martin (ca. 1486–1556)	94v
Ach du edler Rebensaft wie wünsch' ich mir so oft	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	134v–135
Ach Herr in deine Hande	Dressler, Gallus	64–64v
Ach Satan wie oft krankest du	Anonymous	86v
Ach wir armen Sunder	Bertram, Johann	117v–118
Allein Gott in der Höhe sei Ehr	Anonymous	99v–100
Allein nach dir Herr Jesu Christ (= Si pur ti guardo)	Willaert, Adrian (ca. 1490–1562) (?) Donato, Baldassare (ca. 1529–1603)	57–58
Allein zu dir Herr Jesu Christ (= Le jaune et bleu)	Anonymous	80v–81
Angelus ad pastores ait annuntio vobis	Lassus, Orlande de (ca. 1532–1594)	24v–25
Ascendit Christus hodie / Gefahren ist der heil'ge Christ	Anonymous	125v–126
Auf dich allein du treuer Gott	Burck, Joachim à (1546–1610)	59v–60
Auf dich trau ich mein Herr und Gott	Scandello, Antonio	70v–71
Aufer immensam Deus aufer iram	Anonymous	32v
Beati omnes qui timent Dominum	Palladius, David	16v–18
Beatus ille quisquis est ut Enos	Burck, Joachim à (1546–1610)	36–36v
Bei deinem Wort erhalt uns Herr	Anonymous	87
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper	Lassus, Orlande de (ca. 1532–1594)	21v–22
Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea	Lassus, Orlande de (ca. 1532–1594)	22v–23
Benedicta sit - 2a pars (of 2): Laudate Dominum omnes gentes	Tollius, Joannes	55
Betruebet sehr bin ich von Herzen (= Bon jour mon coeur)	Lassus, Orlande de (ca. 1532–1594)	68–68v
Bewahr mich Herr und sei nicht fern	Zirler, Stephan (ca. 1518–1568)	60v–61
Cantate Domino (= Sta notte)	Scandello, Antonio	47
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus et sanguis meus	Le Bel, Barthelemy	10v–11v
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit	Le Bel, Barthelemy	11v–12v
Christe du Lamm Gottes	Palladius, David	63–63v
Christe qui lux es, et dies / Christe der du bist Tag und Licht	Anonymous	88v–89
Christum wir sollen loben schon	Anonymous	95v–97
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius	Lassus, Orlande de (ca. 1532–1594)	23–23v
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius	Lassus, Orlande de (ca. 1532–1594)	23v–24
Congratulamini mihi omnes qui diligitis	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	121v–122v
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum	Crecquillon, Thomas (ca. 1505–ca. 1557)	14v–15v
Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis	Crecquillon, Thomas (ca. 1505–ca. 1557)	15v–16v
Cum ignoremus Domini	Anonymous	48v–49
Cum sit omnipotens rector Olympi (= Madonna mia pieta)	Lassus, Orlande de (ca. 1532–1594)	48–48v
Curarum nihil invenitur expers	Burck, Joachim à (1546–1610)	34v
Da Jacob das Kleid ansah mit großem Schmerzen	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	62–63
Da Jesus an dem Kreuze stund	Praetorius, Christoph	89v–90
Danket dem Herren denn er ist sehr freundlich	Lechner, Leonhard	91v–92
Danket dem Herrn denn er ist freundlich (= Vitam quae faciunt)	Tritonius, Petrus	75
Das alte Jahr vergangen ist	Steurlein, Johannes	107v–108
Das alte Jahr vergangen ist, wir danken dir	Fine, Arnoldus de	102–103
Der Heiland hoch erhaben	Burck, Joachim à (1546–1610)	132v
Der Heiland ist erhoehet	Burck, Joachim à (1546–1610)	130v–131
Der Heiland offenbaret	Burck, Joachim à (1546–1610)	110v–111
Der Heilig Geist vom Himmel kam	Eccard, Johannes (1553–1611)	112v–113
Der heiligen Dreifaltigkeit Fest	Burck, Joachim à (1546–1610)	111v–112
Der Herr ist mein Hirte	Palladius, David	61v–62
Der Zacharias ganz verstummt	Burck, Joachim à (1546–1610)	109v–110
Dilexi quoniam exaudiet Dominus vocem	Anonymous	43v–44
Domine Jesu Christe respicere digneris	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	1–2
Dulce commercium	Schroeter, Leonhard	52–52v
Dulcis memoria et suavis recordatio (= Doulce memoire)	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Manchicourt, Pierre de (?)	46–46v
Dum proeliaretur - 1a pars (of 2): Dum proeliaretur Michael archangelus	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	6–6v
Dum proeliaretur - 2a pars (of 2): Dum committeret bellum draco	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	7–7v
Ecce quomodo - 1a pars (of 2): Ecce quomodo moritur justus et nemo percipit	Handl (Gallus), Jacobus (1550–1591)	113v
Ecce quomodo - 2a pars (of 2): In pace factus est locus eius	Handl (Gallus), Jacobus (1550–1591)	114
Ehre sei Gott in der Hohe	Anonymous	27v
Ein treues Herz in Ehren	Anonymous	139v–140v
Factum est silentium in caelo dum draco	Vento, Ivo de	7v–8v
Fortiter elapsum - 1a pars (of 2): Fortiter elapsum texit	Praetorius, Christian	103v
Fortiter elapsum - 2a pars (of 2): Avertitque favens	Praetorius, Christian	104
Freut euch ihr Christen, freut euch von Herzen sehr	Anonymous	27–27v
Furchte dich nicht - 1a pars (of 2): Fürchte dich nicht ich bin mit dir	Dressler, Gallus	67–67v
Furchte dich nicht - 2a pars (of 2): Ich stärke dich ich helfe dir auf	Dressler, Gallus	67v–68
Geh deinen Weg auf rechtem Steg	Lange, Gregor (ca. 1540–1587) (?) Lassus, Orlande de (ca. 1532–1594) (?) Meiland, Jacob (1542–1577) (?)	26v–27
Gelobet seist Du, Jesu Christ, dass Du Mensch	Walter, Johann (1496–1570)	98v–99
Gelobet und gepreiset ei Gott Vater und Sohn (= Jungfrau eur wanckelmut)	Regnart, Jacob (ca. 1540–1599)	87v–88
Gen Himmel fahrt der Herre Christ	Eccard, Johannes (1553–1611)	131v–132
Gott der Vater wohn uns bei	Anonymous	73v–74
Gott ist mein licht und mein seligkeit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	65v–66
Hats Gott versehn wer will uns wehrn	Musculus [or Meusel], Balthasar	84–84v
Herr Christ der einig Gottes Sohn	Walter, Johann (1496–1570)	101v–102
Herr Gott du bist von Ewigkeit	Burck, Joachim à (1546–1610)	84v–85
Herr Jesu Christ wahr'r Mensch und Gott	Anonymous	114v–115
Herzlich lieb hab ich dich o herr	Musculus [or Meusel], Balthasar	78v–79
Ich bin die aufferstehung und das leben	Dressler, Gallus	121–121v
Ich weiss mir ein festes gebautes haus	Scandello, Antonio	138–138v
Ich weiss, dass mein Erlöser lebt	Burck, Joachim à (1546–1610)	115v–116
In dulci jubilo	Anonymous	100v–101
In me transierunt irae tuae	Lassus, Orlande de (ca. 1532–1594)	20v–21v
In me transierunt irae tuae et terrores	Maillard, Jean (fl. c1538–1570)	2–3
In principio erat verbum - 2a pars (of 3): Fuit homo missus	Lassus, Orlande de (ca. 1532–1594)	5–6
In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum	Anonymous	53v–54
Jerusalem quae occidis	Anonymous	49v–50
Jesus Christus unser Heiland	Dedekind, Euricius	120v
Jetzt sprosst herfür aus Davids Stämmelein (4vv)	Freundt, Cornelius (1535–1591)	105v
Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	28–28v
Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	29–29v
Lasset die Kindlein zu mir kommen	Schroeter, Leonhard	65–65v
Laudate Dominum in sanctis eius (4vv)	Handl (Gallus), Jacobus (1550–1591)	8v–9v
Laudate Dominum omnes gentes	Anonymous	53
Lob sei dir Herr gesungen in Ewigkeit -- Veni novena turba psaltriarum (= O dolce vita)	Donato, Baldassare (ca. 1529–1603)	51–51v
Lobet den Herren, den er ist sehr freundlich	Scandello, Antonio	77v–78
Mancher der spricht im Maien	Vento, Ivo de	137–137v
Mei'm lieben Gott ergeb' ich mich	Anonymous	79v–80
Mein Trost und Hülf' ist Gott allein	Dressler, Gallus	58–58v
Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum	Lassus, Orlande de (ca. 1532–1594)	25v–26
Musica Klang lieblicher Gsang	Lechner, Leonhard	135v
Nach Gsund' und Freud' - 1a pars (of 3): Nach Gsund' und Freud' steht mein Begier	Lechner, Leonhard	68v–69
Nach Gsund' und Freud' - 2a pars (of 3): Erbarm' dich mein	Lechner, Leonhard	69v–70
Nach Gsund' und Freud' - 3a pars (of 3): O Herr mein Gott	Lechner, Leonhard	70–70v
Nisi Dominus aedificaverit	Palladius, David	18–19v
Nocte surgentes vigilemus omnes	Agricola, Martin (ca. 1486–1556)	32v–33
Nun komm der Heiden Heiland	Heil, Joh[ann]	106v–107
Nun lasst uns Gott dem Herren	Musculus [or Meusel], Balthasar	76v–77
O caeli o terrae o maris (= S'io canto)	Scandello, Antonio	47v–48
O Christ der du bist vom Tod auferstanden	Burck, Joachim à (1546–1610)	119
O Herre Gott - 1a pars (of 3): O Herre Gott in meiner noth ruff ich	Handl (Gallus), Jacobus (1550–1591)	71v
O Herre Gott - 2a pars (of 3): O Jesu Christ gestorben bist	Handl (Gallus), Jacobus (1550–1591)	72
O Herre Gott - 3a pars (of 3): O heiliger Geist ein gröster heist	Handl (Gallus), Jacobus (1550–1591)	72v
O Lamm Gottes unschuldig	Anonymous	118v
O lux beata trinitas	Anonymous	54v
Omnia quae fecisti nobis Domine in vero	Lassus, Orlande de (ca. 1532–1594)	19v–20v
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)	12v–13v
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)	13v–14v
Patientiam muss ich han und lieget mir nicht viel daran	Anonymous	82v–83
Patris sapientia veritas divina / Christus der uns selig macht	Dedekind, Euricius	90v–91v
Penitential psalms 5vv - 2. Beati quorum remissae sunt: (excerpt) Dixi confitebor adversum me	Lassus, Orlande de (ca. 1532–1594)	55v
Proh summe contemplata universi	Burck, Joachim à (1546–1610)	35
Prudentes oculos habe	Burck, Joachim à (1546–1610)	39v–40
Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem	Figulus, Wolfgang (ca. 1525–1589)	97v–98
Quaerite primum regnum Dei	Anonymous	50v–51
Quam delicatuli sumus	Burck, Joachim à (1546–1610)	38v–39
Quam mirabilis est	Burck, Joachim à (1546–1610)	41v–42
Quando Christus ascenderat / Da Christus aufgefahren war	Praetorius, Christoph	128
Quantus homunicionis	Burck, Joachim à (1546–1610)	37v–38
Qui super celsum resides Olympum (= Iam satis terris)	Tritonius, Petrus	33v
Quid speciosa veste superbis?	Burck, Joachim à (1546–1610)	41
Quid toties animam	Burck, Joachim à (1546–1610)	35v
Rector potens verax Deus [Veni creator spiritus]	Agricola, Martin (ca. 1486–1556)	31
Rex regum - 1a pars (of 2): Rex regum Dominus dominorum	Praetorius, Christian	104v
Rex regum - 2a pars (of 2): Huic pateant urbes	Praetorius, Christian	105
Sabbati colendi Deus autor est	Burck, Joachim à (1546–1610)	37–37v
So wahr ich leb spricht Gott der Herr	Regnart, Jacob (ca. 1540–1599) (?)	87v–88
Spiritus sancti gloria / Des heil'gen Geistes reiche Gnad	Anonymous	126v–127
Summam quae doceant salutis [Vitam quae faciunt]	Agricola, Martin (ca. 1486–1556)	31v
Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ	Praetorius, Christoph	116v–117
Surrexit Christus Dominus / Erstanden ist Herr Jesu Christ	Anonymous	116v–117
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ	Anonymous	119v–120
Susanna se videns rapi stuprandam fraude (= Susanne un jour)	Lupi (II), Didier	46v–47
Ter decem, ter et trecentos vixit Adamus annos	Burck, Joachim à (1546–1610)	40–40v
Timor et tremor venit in Ninivem civitatem	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	3–5
Tota pulchra es amica mea et macula	Morel, Clement	9v–10v
Tu verus in verbis Deus [Iam lucis orto sidere]	Agricola, Martin (ca. 1486–1556)	32
Tulerunt Dominum meum et nescio ubi	Pierre, Jean	123–124
Uber's Gebirg Maria geht	Eccard, Johannes (1553–1611)	[-]
Veni maxime spiritus	Agricola, Martin (ca. 1486–1556)	127v
Veni maxime spiritus	Anonymous	127v
Veni redemptor gentium ostende partum	Agricola, Martin (ca. 1486–1556)	94
Vere Deus qui pater es dilecti filii (= C'est a grand tort)	Baston, Josquin (fl. 1542–63)	49–49v
Vespera nunc [jam] venit nobiscum Christo maneto	Dressler, Gallus	124–124v
Vini potente Noa victus haustu	Burck, Joachim à (1546–1610)	42v–43
Vinum quae pars verstehst du das	Vento, Ivo de	136–136v
Viri Galilaei quid aspicitis in caelum	Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	128v–129
Von Gott will ich nicht lassen	Anonymous	81v–82
Von Himmel kam der Engel Schar	Palladius, David	95
Warumb betriebstu dich mein herz	Magdeburg, Joachim	85v–86
Was mein Gott will das g'scheh allzeit (= Il me suffit)	Sermisy, Claudin de (ca. 1490–1562)	75v–76
Wenn wir in höchsten nothen sein	Scandello, Antonio	83v–84
Wer Gott vertraut hat wohl gebaut	Magdeburg, Joachim (?)	66v
Wer Gott vertraut zu aller Stund	Schramm, Melchior	73–73v
Wer in der Welt recht leben will	Palladius, David	59–59v
Zu dieser oesterlichen Zeit lasst fahren alle Traurigkeit	Eccard, Johannes (1553–1611)	129v–130

Set: Mus. ant. pract. K.N. 144 (1-4)

Type: Partbooks

No images available

D-Lr Mus.ant.pract.K.N.144 (1)

No images available

D-Lr Mus.ant.pract.K.N.144 (2)

No images available

D-Lr Mus.ant.pract.K.N.144 (3)

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D-Lr Mus.ant.pract.K.N.144 (4)

‡ denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 789. Notes: contents list (partial); concordances (partial).

Beebe, Ellen Scott. 1976. Mode, Structure, and Text Expression in the Motets of Jacobus Clemens non Papa: A Study of Style in Sacred Music. Yale University, Unpublished Ph.D. dissertation. Pages: 87-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen, vol. 6. Wiesbaden. Pages: 129. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 4. Notes: contents list (partial); concordances (partial).

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 18: 85-150. Pages: 113,120,144. Notes: contents list (partial); concordances (partial).

Hartmann, Karl-Günther. 1960. Die Handschrift KN 144 der Ratsbücherei zu Lüneburg. Die Musikforschung, 13: 1-27,459. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I. Kassel and Basel. Pages: 827. Notes: mention of MS.

Riedel, Johannes. 1951. Leisen Formulae: Their Polyphonic Settings in the Renaissance and Reformation. University of Southern California, Unpublished Ph.D. dissertation. Pages: 35-6. Notes: physical description (partial); contents list (partial).

Welter, Friedrich. 1950. Katalog der Musikalien der Ratsbücherei Lüneburg. Lippstadt. Pages: 35-6, passim. Notes: physical description (partial); contents list; incipits (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description