I-MOe MS {alpha}.X.1.11 (Modena B; ModB)

Biblioteca Estense, Modena, Italy

manuscript of polyphony: 15th century

Archive	Biblioteca Estense, Modena, Italy (I-MOe)
Shelfmark	MS {alpha}.X.1.11 (Modena B; ModB)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	412 x 285 mm
Other Identifiers	RISM: ModB RISM: 1-MOe X.1.11 CCM: ModE X.1.11 olim (Former shelfmark): Lat. 471; VI.H.15
Notations	black void mensural
Copyists	? (Sirede), Benoit Text and Music ? Du Fay, Guillaume (1397–1474) Text and Music ? Fede, Johannes Text and Music
Relationships	Este family (owner) court chapel of Leonello d'Este (commissioned/made for)
External Links	images - downloadable pdf images
Provenance	court chapel of Leonello d'Este , Ferrara, Italy
Contents	135 pieces from 16 composers

General Description

Copied by one main scribe, with later additions by four other scribes, one of whom also copied RomeC 2856 (HamMB). Five repertorial sections: (1) hymns; (2) miscellaneous liturgical works; (3) Magnificats; (4) motets by continental composers; (5) motets by English composers. Copied in Ferrara, for use at the court chapel of Leonello d'Este (Marquis of Ferrara 1441-50); later additions during reigns of Borso d'Este (Duke of Ferrara 1450-71) and Ercole I d'Este (Duke of Ferrara 1471-1505). Este family library transferred from Ferrara to Modena in 1598; joined to Modena university library in 1892.

Phelps, and HaarNadas2008, argue that the main scribe is likely to have been 'Benoit', i.e. Benoit Sirede, who has 3 pieces in ModB and who probably knew Du Fay. Reflecting on the largely error-free copies of Du Fay's music in the ms, Phelps has latterly ('Dufay the Scribe?' unpublished) argued that the scribe may have been Du Fay himself; PlanchartD continues to attribute the ms to Benoit, suggesting that his acquaintance with the composer enabled him to obtain the music direct from Du Fay. Phelps, and HaarNadas2008, further speculate that one of the other scribes, who added in French notation a hymn at ff.23v-24 and 6 antiphons at ff51v-53v.- 2 of them by Johannes Fede - could have been Fede himself during the brief time he spent at the Ferrarese court (1445-1446).

DIAMM, 2013

Physical Description

Originally 15 gatherings, each of 10 folios; 11 folios now lost.

DIAMM, 2013

Binding

Covers of brown leather over boards, with inscription 'Choralis Liber' stamped in gold on spine; may date from 19th century, or may be 19th-century restorations of original covers. (Similar covers also found on ModE M.I.2, ModE M.I.11-2, and ModE M.I.13).

DIAMM, 2013

Watermark

One watermark is Briquet #6306; second watermark (three-peaked crown) not in Briquet.

DIAMM, 2013

Notation

black void mensural

DIAMM, 2013

Foliation

1-139, covers and boards

DIAMM, 2013

Foliation

Original ink foliation, i-cxxxvi, begins with second gathering (f. 70 missing; f. 83 mostly torn away, leaving stub; number 100 applied to two consecutive folios; half of f. 136 torn away; ff. 136-139 missing). Modern pencil foliation, 1-139, by Angelo Catelani, librarian of Biblioteca Estense from 1860 to 1866.

DIAMM, 2013

Decoration

Block primary initials in red, blue, and lavender ink, with filigree work; plain secondary initials in black ink, with single red line in each letter; red rubrics

DIAMM, 2013

Index

Original index once occupied 10 unnumbered folios at beginning; seven folios now lost, remaining folios bound in incorrect sequence. Pieces listed in order of appearance, with superius incipit, foliation, and attribution. Modern index (by Catelani) on first flyleaf includes all pieces not listed in extant portion of original index.

DIAMM, 2013

Surface

i paper + 139 parchment + i paper

DIAMM, 2013

RISM Description

RISM

XVe s.; 3 ff. limin n.ch., 136 [= 137] ff. Papier, 412x295 mm. Foliotation ancienne à l'encre en ch. romains ne tenant pas compte des ff. limin, et foliotation moderne au crayon en ch. arabes comprenant tous les ff., toutes les deux au coin supérieur des ff. Dans la foliotation ancienne, mq. f. 70, le f. 100 chiffré 2 fois, les ff. 83 et 136 en grande partie déchirés. Les ff. 30v, 47 r-v, 48, 54v, 80v sont blancs. Notation mesurée blanche. 10 portées par p. Initiales ornées à l'encre rouge et bleue. Aux 3ff. limin. table incompl. contemporaine du ms. et index ajouté au XIXe s. par Angelo Catelani.

Ce ms. a été vraisemblablement copié pour la cour de Ferrare d'où il aurait suivi à Modène la bibliothèque des Este lorsque ceux-ci changèrent de capitale. Outre la pièce de Brebis en l'honneur d'Ercole (no 78), les initiales dans le style des enluminures des mss. liturgiques copiés pour les ducs d'Esté au milieu du XVe s., confirment cette hypothèse. La première mention qu'on ait de ce ms. (sous la cote VI.H. 15) figure dans l'ancien catalogue du fonds musical de la Biblioteca Estense, très probablement rédigé par Angelo Catelani qui y fut bibliothécaire de 1860 à 1866. Le corps principal du ms. qui constituait le ms. primitif, est l'oeuvre d'un seul scribe qui a aussi établi la table (maintenant mutilée par la disparition de 7 ff.). D'autres pièces ont été ensuite intercalées par 4 copistes différents aux ff. laissés vides, la copie entière du ms. s'étalant ainsi entre ca. 1430 et ca. 1460. La majorité des 132 compositions concernent la liturgie des vêpres et le premier copiste les a ordonnées systématiquement (ordre un peu obscurci par les intercalations postérieures) en 5 groupes: 1. Hymnes (f. 1); 2. Pièces liturgiques diverses (f.21); 3. Magnificat (f.31); 4. Motets de compositeurs du Continent (f. 51); 5. Motets de compositeurs anglais (f. 81). La datation proposée ici est confirmée par les deux filigranes apparte-nant à des papiers employés entre 1438 et 1457, et aussi par le choix des compositeurs où dominent Dufay avec 48 pièces (dont 11 unica), Dunstable avec 31 (dont 11 unica), et Binchois avec 13 (dont 8 unica). D'autre part les quelques pièces dont la date est sûre se situent aussi dans la même période: no 66 pour le traité signé entre Berne et Fribourg en 1438; no 67 pour le second séjour de Dufay à Florence, 1435-36; no 69 pour le traité signé le 8 avril 1433 entre l'empereur Sigismund et le pape Eugène IV; no 70 pour la consécration de la coupole de S. Maria del Fiore à Florence le 25 mars 1436; le no 73 pour la naissance d'Antoine de Bourgogne en 1430; le no 78 pour l'accession d'Ercole I d'Esté en 1471 au titre de duc de Ferrare. Enfin la présence de Jean Fédé (dont on trouve ici 2 motets nos 42 et 43), est attestée à Ferrare de juillet 1445 à avril 1446. - 30 motets en majorité de Dunstable, transcrits par W. Barclay Squire en 1892, sont en ms. à Londres, British Library, sous la cote Add. 36490.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Magnificats, 1 Te Deum, 1 psalm, 29 hymns (several with same music but different texts), 91 motets = 131

Benet-2, Benoit-3, Binchois-13, Brebis-1, Dufay-47, Dufay/(Binchois)-1, Dufay/(Dunstable)-1, Dunstable-25, Dunstable/(Binchois)-2, Dunstable/(Forest)-1, Dunstable/(Power)-3, Fedé-2, Forest-4, Grossin-1, Plummer [Polumier]-3, Plummer/(Forest)-1, Power [Leonel]-7, Power/(Dunstable)-1, Pyamour-1, Sandley/(Binchois)-1, J.? Stone [Stove]-2, anon-9

i paper + 139 parchment + i paper folios, 412 x 285. Originally 15 gatherings, each of 10 folios; 11 folios now lost. Original ink foliation, i-cxxxvi, begins with second gathering (f. 70 missing; f. 83 mostly torn away, leaving stub; number 100 applied to two consecutive folios; half of f. 136 torn away; ff. 136-139 missing). Modern pencil foliation, 1-139, by Angelo Catelani, librarian of Biblioteca Estense from 1860 to 1866. Covers of brown leather over boards, with inscription "Choralis Liber" stamped in gold on spine, may date from 19th century, or may be 19th-century restorations of original covers. (Similar covers also found on ModE M.I.2, ModE M.I.11-2, and ModE M.I.13). Original index once occupied 10 unnumbered folios at beginning; seven folios now lost, remaining folios bound in incorrect sequence. Pieces listed in order of appearance, with superius incipit, foliation, and attribution. Modern index (by Catelani) on first flyleaf includes all pieces not listed in extant portion of original index.

Copied by one main scribe, with later additions by four other scribes, one of whom also copied RomeC 2856 (HamMB). Block primary initials in red, blue, and lavender ink, with filigree work; plain secondary initials in black ink, with single red line in each letter; red rubrics. One watermark is Briquet #6306; second watermark (three-peaked crown) not in Briquet. Five repertorial sections: (1) hymns; (2) miscellaneous liturgical works; (3) Magnificats; (4) motets by continental composers; (5) motets by English composers.

Ca. 1448, with additions ca. 1450-60 and ca. 1471-80 (HamMB). Copied in Ferrara, for use at the court chapel of Leonello d'Este (Marquis of Ferrara 1441-50); later additions during reigns of Borso d'Este (Duke of Ferrara 1450-71) and Ercole I d'Este (Duke of Ferrara 1471-1505). Este family library transferred from Ferrara to Modena in 1598; joined to Modena university library in 1892.

Vol 4

Physical: i + 139 + i paper folios.

Date: Ca. 1440-8 (main layer), with additions ca. 1450-60 and ca. 1471-80 (HamMB, LockRF).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–3v	De beata Maria versus (text only)	-	Anonymous
De beata Maria versus (text only) Anonymous Appears on: 1–3v Genres: Virelai Voice: [no designation] Languages: insufficient Voice Text: Original index with incipits
4	Conditor alme siderum	DUFAY	Du Fay, Guillaume (1397–1474)
Conditor alme siderum Du Fay, Guillaume (1397–1474) Appears on: 4 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: COnditor alme siderum Voice: [no designation] Languages: Latin Voice Text: Qui condolens interitu Voice: [no designation] Languages: Latin Voice Text: Tenor General Note 'Sabbato in adventu domini ad vesperas'. CF in S. A faulx bourdon Publ. cf. Bc 15 n° 293 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
4v–5	Christe redemptor omnium . Tu lumen tu splendor (Christmas setting)	DUFAY	Du Fay, Guillaume (1397–1474)
Christe redemptor omnium . Tu lumen tu splendor (Christmas setting) Du Fay, Guillaume (1397–1474) Appears on: 4v–5 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: COntratenor / sine faulx / bourdon Tu lumen / Voice: [no designation] Languages: Latin Voice Text: Criste redemptor omnium Voice: [no designation] Languages: Latin Voice Text: Tu lumen tu splendor patris Voice: [no designation] Languages: Latin Voice Text: Tenor Tu lumen / General Note 'In nativitate domini. Ad vesperas.' CF in S. T a faulx bourdon and CT sine fauxbourdon. Only fauxboudon version in concordances. Publ. cf. Bc 15 n° 295 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
5v–6	A solis ortus cardine (= Hostis Herodes impie)	DUFAY	Du Fay, Guillaume (1397–1474)
A solis ortus cardine (= Hostis Herodes impie) Du Fay, Guillaume (1397–1474) Appears on: 5v–6 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [A solis ortus cardine . . .] Beatus auctor General Note 'Ad laudes' CF in S. Same setting appears with text Ibant magi on 3v-4 of ModB. Publ. cf. AOs n° 161 Concordances [= n° 4] Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
6v–7	Hostis Herodes impie	DUFAY	Du Fay, Guillaume (1397–1474)
Hostis Herodes impie Du Fay, Guillaume (1397–1474) Appears on: 6v–7 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Hosth Herodes impie] Ibant magi General Note 'In epiphania domini ad vesperas' CF in S. Same setting appears with text Beatus auctor on 2v-3 of ModB. Publ. cf. AOs n° 161 Concordances [= n'3] Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
7v–8	Ave maris stella Sumens illud ave	DUFAY	Du Fay, Guillaume (1397–1474)
Ave maris stella Sumens illud ave Du Fay, Guillaume (1397–1474) Appears on: 7v–8 Genres: Ave maris stella, BVM, Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Ave maris stella ]Sumens illud ave General Note 'In festivitatibus gloriose virgine marie'. CF in S. Publ. cf. Bc 15 n° 304 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
8v	Audi benigne conditor Scrutator alme cordium	DUFAY	Du Fay, Guillaume (1397–1474)
Audi benigne conditor Scrutator alme cordium Du Fay, Guillaume (1397–1474) Appears on: 8v Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Audi benigne conditor ... ] Scrutator alme General Note 'In quadragesima'. CF in CT. Publ. cf. MC 871 n° 40 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
9	Aures ad nostras (Respice clemens)	DUFAY	Du Fay, Guillaume (1397–1474)
Aures ad nostras (Respice clemens) Du Fay, Guillaume (1397–1474) Appears on: 9 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Aures ad nostras . . .] Respice clemens General Note 'In diebus dominicis in quadragesima.' CF in S. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 49.
9v–10	Vexilla regis prodeunt	DUFAY	Du Fay, Guillaume (1397–1474)
Vexilla regis prodeunt Du Fay, Guillaume (1397–1474) Appears on: 9v–10 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Vexilla regis . . .] Quo vulneratus General Note Vespers, 1st Sunday of the Passion. CF in S. Publ. cf. MC 871 n" 41 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
10v	Ad cenam agni (3vv)	DUFAY	Du Fay, Guillaume (1397–1474)
Ad cenam agni (3vv) Du Fay, Guillaume (1397–1474) Appears on: 10v Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: COntratenor Ad cenam agni / Voice: [no designation] Languages: Latin Voice Text: AD cenam agni prouidi Voice: [no designation] Languages: Latin Voice Text: TEnor Ad cenam agni / General Note Resurrection of our Lord. CF in S Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 49. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
11	Ad cenam agni (with fauxbourdon)	DUFAY	Du Fay, Guillaume (1397–1474)
Ad cenam agni (with fauxbourdon) Du Fay, Guillaume (1397–1474) Appears on: 11 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Cujus corpus sanctissimum General Note Resurrection of our Lord. CF in S. Even-numbered stanzas of Ad cenam agni. S of f.7v with new T a faulx bourdon Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
11v–12	Jesu nostra redemptio	DUFAY	Du Fay, Guillaume (1397–1474)
Jesu nostra redemptio Du Fay, Guillaume (1397–1474) Appears on: 11v–12 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Jhesu nostra redemptio.....]Que te vincit clementia General Note 'In ascensione domini'. CF in S. Publ. cf. Bc 15 n" 298 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
12v–13	Veni creator spiritus	DUFAY	Du Fay, Guillaume (1397–1474)
Veni creator spiritus Du Fay, Guillaume (1397–1474) Appears on: 12v–13 Genres: Hymn, Veni creator spiritus Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Veni creator..] Qui paraclitus diceris General Note In festo penthecostes. Publ. cf. Bc 15 n° 299 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
13v–14	Pange lingua gloriosi corporis misterium	DUFAY	Du Fay, Guillaume (1397–1474)
Pange lingua gloriosi corporis misterium Du Fay, Guillaume (1397–1474) Appears on: 13v–14 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Pange lingua..) Nobis datus, nobis natus General Note In festo corporis Christi.Publ. cf. Bc 15 n° 302 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
14v–15	O lux beata	DUFAY	Du Fay, Guillaume (1397–1474)
O lux beata Du Fay, Guillaume (1397–1474) Appears on: 14v–15 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: O lux beata trinitas General Note In festo trinitatis.Publ. cf. Bc 15 n° 300 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
14v–15	Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli	-	Anonymous
Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli Anonymous Appears on: 14v–15 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [Tibi Christe splendor patris] Collaudamus vénérantes Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
15v–16	Ut queant Iaxis (Nuntius celso veniens)	DUFAY	Du Fay, Guillaume (1397–1474) (?)
Ut queant Iaxis (Nuntius celso veniens) Du Fay, Guillaume (1397–1474) (?) Appears on: 15v–16 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Ut queant laxis .) Nuntius celso General Note 'In nativitate sancte johannis baptiste' Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 49. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
15v–16	Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli	-	Anonymous
Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli Anonymous Appears on: 15v–16 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tibi Christe splendor patris./Collaudamus vénérantes … Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
16v–17	Aurea luce et decore roseo	DUFAY	Du Fay, Guillaume (1397–1474)
Aurea luce et decore roseo Du Fay, Guillaume (1397–1474) Appears on: 16v–17 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Aurea luce et decore roseo General Note In festo apostolorum Pétri et Pauli.Publ. cf. Bc 15 n° 309 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
17v–18	Urbs beata Jerusalem. Nova veniens e caelo	DUFAY	Du Fay, Guillaume (1397–1474)
Urbs beata Jerusalem. Nova veniens e caelo Du Fay, Guillaume (1397–1474) Appears on: 17v–18 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Urbs beata Hierusalem] Nova veniens de celo General Note In dedicatione ecclesie.Publ. cf. Bc 15 n° 303. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Besseler, Heinrich, and Peter Gülke. 1973. Musik des Mittelalters und der Renaissance. Lfg. 5. Schriftbild der mehrstimmigen Musik. Musikgeschichte in Bildern. Leipzig. Pages: III/5 facs.
18v–19	Christe redemptor omnium/conserva (v/24b)	-	Du Fay, Guillaume (1397–1474)
Christe redemptor omnium/conserva (v/24b) Du Fay, Guillaume (1397–1474) Appears on: 18v–19 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium . . .] Beata quoque agmina … General Note In festo omnium sanctorum. Publ. cf. Bc 15 n° 306 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
19v–20	Lucis creator optime (Qui mane iunctum vesperi)	BENOIT	(Sirede), Benoit
Lucis creator optime (Qui mane iunctum vesperi) (Sirede), Benoit Appears on: 19v–20 Genres: Motet Source Attribution: BENOIT Voice: [no designation] Languages: Latin Voice Text: Qui mane junctum vesperi General Note In diebus dominicis post penthecosten. [Lucis creator optime . . .] Variante avec Ct. «Absque faulx bourdon» Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III. Bukofzer, Manfred F. 1940. Popular Polyphony in the Middle Ages. The Musical Quarterly, 31-49.
20v–21	Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon]	DUFAY	Du Fay, Guillaume (1397–1474)
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] Du Fay, Guillaume (1397–1474) Appears on: 20v–21 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Vos secli justi judices General Note In festo unius apostoli vel plurimorum apostolorum. [Exultet celum.) 2 versions dont 1 avec T: A faulx bourdon. Publ. cf. Bc 15 n° 310 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
21v–22	Sanctorum meritis Hi sunt quos retinens	DUFAY	Du Fay, Guillaume (1397–1474)
Sanctorum meritis Hi sunt quos retinens Du Fay, Guillaume (1397–1474) Appears on: 21v–22 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Sanctorum meritis … ] Hi sunt quos retinens General Note Publ. cf. Bc 15 n° 312In festo plurimorum martirum Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
22v	Deus tuorum militum (Hic nempe mundi gaudia)	DUFAY	Du Fay, Guillaume (1397–1474)
Deus tuorum militum (Hic nempe mundi gaudia) Du Fay, Guillaume (1397–1474) Appears on: 22v Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Hic nempe mundi gaudia General Note In festo unius martiris. [Deus tuorum militum.)T: A faulx bourdon.Publ. cf. Bc 15 n° 311 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
23	Iste confessor (Qui pius prudens)	DUFAY	Du Fay, Guillaume (1397–1474)
Iste confessor (Qui pius prudens) Du Fay, Guillaume (1397–1474) Appears on: 23 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Qui pius prudens humilis General Note In festo unius confessoris. [Iste confessor]T: a faulx bourdon. Publ. cf. Bc 15 n° 313 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
23v	Jesu corona virginum (Qui pascis inter lilia)	DUFAY	Du Fay, Guillaume (1397–1474)
Jesu corona virginum (Qui pascis inter lilia) Du Fay, Guillaume (1397–1474) Appears on: 23v Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Jhesu corona virginum) Qui pascis inter lilia . General Note In festo unius virginis.T: A faulx bourdon.Publ. cf. Bc 15 n° 315 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
23v–24	Proles de caelo (spoliatus egyptiis)	DUFAY	Du Fay, Guillaume (1397–1474)
Proles de caelo (spoliatus egyptiis) Du Fay, Guillaume (1397–1474) Appears on: 23v–24 Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Te deum laudamus General Note De beato Francisco. [Proles de celo prodiit . . .] Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 49.
24v–27	Te Deum laudamus	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Te Deum laudamus Binchois, Gilles (ca. 1400–1460) Appears on: 24v–27 Genres: Liturgical work, Te Deum Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Te deum laudamus General Note Publ. cf. Md 2269 n" 82Te dominum confitemur Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
26v–31v	In exitu Israel de Aegypto domus Jacob	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
In exitu Israel de Aegypto domus Jacob Binchois, Gilles (ca. 1400–1460) Appears on: 26v–31v Genres: Benedicamus Domino Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: In exitu Israel de Aegypto domus Iacob General Note Publ. cf. Fn 112 bis n° 1 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
32	Benedicamus Domino (I)	DUFAY	Du Fay, Guillaume (1397–1474)
Benedicamus Domino (I) Du Fay, Guillaume (1397–1474) Appears on: 32 Genres: Benedicamus Domino, Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino General Note [Deus dicamus gratias] Publ. cf. Bc 15 n° 89 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
32v	Benedicamus Domino (II)	DUFAY	Du Fay, Guillaume (1397–1474)
Benedicamus Domino (II) Du Fay, Guillaume (1397–1474) Appears on: 32v Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino General Note [Deo dicamus gratias] Publ. cf. Bc 15 n° 135 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
32v–33	En gratulemur hodie / Francisci patris emulus	-	Du Fay, Guillaume (1397–1474) (?)
En gratulemur hodie / Francisci patris emulus Du Fay, Guillaume (1397–1474) (?) Appears on: 32v–33 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Francisa patris emulus General Note [En gratulemur hodie] Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: App. II.
34–35v	Magnificat primi toni: Anima mea [K.746]	DUFAY / BINCHOIS	Binchois, Gilles (ca. 1400–1460) Du Fay, Guillaume (1397–1474) (?)
Magnificat primi toni: Anima mea [K.746] Binchois, Gilles (ca. 1400–1460) Du Fay, Guillaume (1397–1474) (?) Appears on: 34–35v Genres: BVM, Magnificat, Motet Source Attribution: DUFAY / BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Primi toni.Tous les versets Et exultavit … Binchois Publ. cf. Bu 2216 n° 68 Double ascription - to both Du Fay & Binchois Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
36v–37v	Magnificat Secundi Toni: Anima mea [K.754]	-	Dunstaple, John (ca. 1390–1453)
Magnificat Secundi Toni: Anima mea [K.754] Dunstaple, John (ca. 1390–1453) Appears on: 36v–37v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Secundi toniTous les versets Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII.
38–39v	Magnificat secundi toni: Anima mea [K.617]	BINCHOIS	Binchois, Gilles (ca. 1400–1460) (?)
Magnificat secundi toni: Anima mea [K.617] Binchois, Gilles (ca. 1400–1460) (?) Appears on: 38–39v Genres: BVM, Canticle, Magnificat Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Secundi toni.Tous les versetsPubl. cf. Fn 112 bis n° 21 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
40–41v	Magnificat sexti toni: Anima mea [K.749]	DUFAY [ou DUNSTABLE* ou G. BINCHOIS]	Du Fay, Guillaume (1397–1474) Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?)
Magnificat sexti toni: Anima mea [K.749] Du Fay, Guillaume (1397–1474) Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 40–41v Genres: BVM, Canticle, Magnificat Source Attribution: DUFAY [ou DUNSTABLE* ou G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Sexti toni.Tous les versetsPubl. cf. Bc 15 n° 162 Concordances D-brd-Mbs 3232a Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition.* 2 vols. Lucca: Lim Editrice.
42–43v	Magnificat octavi toni: Anima mea [K.750]	DUFAY	Du Fay, Guillaume (1397–1474)
Magnificat octavi toni: Anima mea [K.750] Du Fay, Guillaume (1397–1474) Appears on: 42–43v Genres: BVM, Canticle, Magnificat Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Octavi toni. Tous les versets T: A faulx bourdon. Publ. cf. Fn 112 bis n° 23 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
43v–44v	Magnificat octavi toni: Anima mea [K.620]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Magnificat octavi toni: Anima mea [K.620] Binchois, Gilles (ca. 1400–1460) Appears on: 43v–44v Genres: BVM, Canticle, Magnificat Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Octavi toni. Versets pairs Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
45–46	Magnificat tertii toni: Anima mea [K.618]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Magnificat tertii toni: Anima mea [K.618] Binchois, Gilles (ca. 1400–1460) Appears on: 45–46 Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Tercii toniVersets pairs Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
46v–47v	Magnificat quinti toni. Anima mea [K.748]	DUFAY	Du Fay, Guillaume (1397–1474)
Magnificat quinti toni. Anima mea [K.748] Du Fay, Guillaume (1397–1474) Appears on: 46v–47v Genres: BVM, Canticle, Magnificat Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Anima mea General Note Quinti toni.Versets pairs. This version sets the even verses (& v1) to polyphony; the copy in SP B80 sets the odd verses. ModB is the earlier copy; and PlanchartD considers the text underlay in v3 in SP B80 'so clumsy' that polyphony in the even verses must have been Du Fay's intention. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
48–49v	Magnificat tertii toni: Anima mea [K.218]	DUFAY	Anonymous
Magnificat tertii toni: Anima mea [K.218] Anonymous Appears on: 48–49v Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Magnificat anima mea Dominum General Note Versets pairs
51v–52	O lumen ecclesiae doctor veritatis	FÉDÉ	Fede, Johannes
O lumen ecclesiae doctor veritatis Fede, Johannes Appears on: 51v–52 Genres: Motet Source Attribution: FÉDÉ Voice: [no designation] Languages: Latin Voice Text: O lumen ecclesiae doctor veritatis General Note Antiphona de Sancto Dominico. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: II.
52	Magne pater	FÉDÉ	Fede, Johannes
Magne pater Fede, Johannes Appears on: 52 Genres: Motet Source Attribution: FÉDÉ Voice: [no designation] Languages: Latin Voice Text: Magne pater General Note Alia antiphona de sancto DominicoT: A faulx bourdon. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: II.
52v	O gemma martirum	DUFAY	Du Fay, Guillaume (1397–1474)
O gemma martirum Du Fay, Guillaume (1397–1474) Appears on: 52v Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: O gemma martirum General Note [In festo sancti Georgii]. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V (avec facs.).
53	Salve sancte pater	DUFAY	Du Fay, Guillaume (1397–1474)
Salve sancte pater Du Fay, Guillaume (1397–1474) Appears on: 53 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Salve sancte pater General Note [In festo sancti Francisci]. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V (avec facs.).
53v	Sapiente filio pater	DUFAY	Du Fay, Guillaume (1397–1474)
Sapiente filio pater Du Fay, Guillaume (1397–1474) Appears on: 53v Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Sapiente filio pater General Note [In festo sancti Antonii]. T: A faulx bourdon Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V.
53v	Hic vir despiciens	DUFAY	Du Fay, Guillaume (1397–1474)
Hic vir despiciens Du Fay, Guillaume (1397–1474) Appears on: 53v Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Hic vir despiciens General Note T: A faulx bourdon Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V.
54	Virgo Maria non est tibi similis	BENOIT	(Sirede), Benoit
Virgo Maria non est tibi similis (Sirede), Benoit Appears on: 54 Genres: Motet Source Attribution: BENOIT Voice: [no designation] Languages: Latin Voice Text: Virgo Maria non est tibi similis Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.
54	Petrus apostolus et Paulus doctor	DUFAY	Du Fay, Guillaume (1397–1474)
Petrus apostolus et Paulus doctor Du Fay, Guillaume (1397–1474) Appears on: 54 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Petrus apostolus et Paulus doctor General Note T: A faulx bourdon. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V.
54v	Vox de caelo	-	Binchois, Gilles (ca. 1400–1460)
Vox de caelo Binchois, Gilles (ca. 1400–1460) Appears on: 54v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vox de caelo General Note Antiophon for St. Anthony, Hermit and Abbot, patron of Anthony of Bourgogne. Intonation in T. CF? Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
55	Puer qui natus est nobis plus quam propheta	BENOIT	(Sirede), Benoit
Puer qui natus est nobis plus quam propheta (Sirede), Benoit Appears on: 55 Genres: Motet Source Attribution: BENOIT Voice: [no designation] Languages: Latin Voice Text: Puer qui natus est nobis plus quam propheta General Note Antiphon, Magnificat, The Nativity of St. John the Baptist. CF in S. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11,III.
55v	Dixit sanctus Philippus	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Dixit sanctus Philippus Binchois, Gilles (ca. 1400–1460) Appears on: 55v Genres: Motet Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Dixit sanctus Philippus General Note Antiphon for St. Philip, patron saint of the Duke of Burgundy. Intonation in T. CF? Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
56	Sancti Dei omnes	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Sancti Dei omnes Binchois, Gilles (ca. 1400–1460) Appears on: 56 Genres: Motet Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Sancti dei omnes General Note Antiphon for the Feast of All Sainst. Ant. Sar., pl. 569. CF in S. A faulx bourdon Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
56	Da pacem Domine in diebus nostris	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Da pacem Domine in diebus nostris Binchois, Gilles (ca. 1400–1460) Appears on: 56 Genres: Motet Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris General Note Antiphon, for peace. CF in S. A faulx bourdon. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Bukofzer, Manfred F. 1940. Popular Polyphony in the Middle Ages. The Musical Quarterly, 31-49.
56v	Propter nimiam caritatem	DUFAY	Du Fay, Guillaume (1397–1474)
Propter nimiam caritatem Du Fay, Guillaume (1397–1474) Appears on: 56v Genres: Offertory, Proper Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Propter nimiam caritatem General Note Antiphon, Magnificat, The Circumcision of our Lord. CF in S. A faulx bourdon.Publ. cf. Fn 112 bis n" 45 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
57	Felix namque es	BINCHOIS-	Binchois, Gilles (ca. 1400–1460)
Felix namque es Binchois, Gilles (ca. 1400–1460) Appears on: 57 Genres: Offertory, Proper Source Attribution: BINCHOIS- Voice: [no designation] Languages: Latin Voice Text: Felix namque es sacra virgo Maria General Note Offertory, BVM, Intonation in T. Next four notes only of chant in S. Publ. cf. AOs n° 3 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
58	Magi videntes stellam	DUFAY	Du Fay, Guillaume (1397–1474)
Magi videntes stellam Du Fay, Guillaume (1397–1474) Appears on: 58 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Magi videntes stellam General Note Antiphon, Magnificat, The Epiphany of our Lord, CF in S. Publ. cf. Fn 112 n° 46 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
58v	Inter natos mulierum (II)	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Inter natos mulierum (II) Binchois, Gilles (ca. 1400–1460) Appears on: 58v Genres: Motet Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Inter natos mulierum General Note Antiphon, Vespers, The Nativity of St. John the Baptist Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
59	Felix namque es, sacra virgo Maria	-	Anonymous
Felix namque es, sacra virgo Maria Anonymous Appears on: 59 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Felix namque es sacra virgo Maria General Note Offertory, BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
59v–60	Flos florum fons ortorum	DUFAY	Du Fay, Guillaume (1397–1474)
Flos florum fons ortorum Du Fay, Guillaume (1397–1474) Appears on: 59v–60 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Flos florum fons hortorum General Note Motet in honour of the BVM. Publ. cf. Bc 15 n° 234 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
60v–61	Alma redemptoris mater II: Tu que genuisti natura mirante III: Virgo prius	DUFAY	Du Fay, Guillaume (1397–1474)
Alma redemptoris mater II: Tu que genuisti natura mirante III: Virgo prius Du Fay, Guillaume (1397–1474) Appears on: 60v–61 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater (2) General Note Marian antiphon. CF in S. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
61v–62	O beate sebastiane	DUFAY	Du Fay, Guillaume (1397–1474)
O beate sebastiane Du Fay, Guillaume (1397–1474) Appears on: 61v–62 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: O beate Sebastiane General Note Motet in honor of St Sebastian, Martyr. Publ. cf. Bc 15 n" 292 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
62v–63	Ave Regina caelorum (2)	DUFAY	Du Fay, Guillaume (1397–1474)
Ave Regina caelorum (2) Du Fay, Guillaume (1397–1474) Appears on: 62v–63 Genres: BVM, Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note Marian Antiphon. CF in S. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,V.
63v–65	O proles Hispaniae - 1a pars (of 2): O proles Hispaniae	DUFAY	Du Fay, Guillaume (1397–1474)
O proles Hispaniae - 1a pars (of 2): O proles Hispaniae Du Fay, Guillaume (1397–1474) Appears on: 63v–65 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: O proles Hispaniae/O sidus Hispaniae General Note Antiphons in honor of St. Anthony of Padua Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,1.
65v–66	Mirandas parit haec urbs florentina puellas	DUFAY	Du Fay, Guillaume (1397–1474)
Mirandas parit haec urbs florentina puellas Du Fay, Guillaume (1397–1474) Appears on: 65v–66 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Mirandas parit haec urbs florentina puellas General Note Motet in praise of the city of Florence, 1435-36? [= Imperatrix angelorum] Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,1 (avec facs).
66v–67	Magnanimae gentis / Nexus amicitiae	DUFAY	Du Fay, Guillaume (1397–1474)
Magnanimae gentis / Nexus amicitiae Du Fay, Guillaume (1397–1474) Appears on: 66v–67 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Magnanimae gentis/Nexus amicitiae General Note Iso. motet in commemoration of a treaty of alliance signed by the cities of Bern and Fribourg, 1438. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, I.
67v–68	Salve flos tuscae gentis	DUFAY	Du Fay, Guillaume (1397–1474)
Salve flos tuscae gentis Du Fay, Guillaume (1397–1474) Appears on: 67v–68 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Salve flos tuscae gentis General Note Iso. motet in praise of Florence, 1435-36? Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, 2.
68v–69	O gloriose tyro / Divine pastus	DUFAY	Du Fay, Guillaume (1397–1474)
O gloriose tyro / Divine pastus Du Fay, Guillaume (1397–1474) Appears on: 68v–69 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: O gloriose tyro/Divine pastus General Note Iso. motet in honour of St. Theodore. Besseler considers the attribution erroneous (Dufay, I, xxx). Also rejected by de Van (followed by Fallows); accepted as genuine by Allsen, ReidT (using computer-aided analysis), and PlanchartD, noting the apparent links between the scribe and Du Fay himself. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Reid, John W. 1984. Testing for Authenticity in the Works of Dufay. Music Review, 163-178. Pages: 171, 177. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,2 (Op. dub.).
69v–70	Supremum est mortalibus bonum II: O sancta pax	DUFAY	Du Fay, Guillaume (1397–1474)
Supremum est mortalibus bonum II: O sancta pax Du Fay, Guillaume (1397–1474) Appears on: 69v–70 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Supremum est mortalibus bonum General Note Iso. motet, in commemoration of the treaty of 8 Apri 1433 between Emperor Sigismund and Pope Eugene IV. Beginning of Isti sunt due olive, antiphon, LU, p. 1510, quoted by T in the concluding non-isorhythmic section. Passages without tenor a faulx bourdon. Publ. cf. Bc 15 n° 168 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
70v–71v	Nuper rosarum flores	DUFAY	Du Fay, Guillaume (1397–1474)
Nuper rosarum flores Du Fay, Guillaume (1397–1474) Appears on: 70v–71v Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Nuper rosarum flores General Note Iso. motet in celebration of the consecration on 25 March 1346 of the copula of the Cathedral of Florence. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,1. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
72	Salve regina peccatorum	-	Anonymous
Salve regina peccatorum Anonymous Appears on: 72 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina peccatorum General Note Antiphon? Text not that of the Marian antiphon. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
72v–73 missing]	Mater dulcis mater pia	GROSSIN	Grossin, Estienne
Mater dulcis mater pia Grossin, Estienne Appears on: 72v–73 missing] Genres: Motet Source Attribution: GROSSIN Voice: [no designation] Languages: Latin Voice Text: Mater dulcis mater pia General Note Iso. motet. From a rhymed office in honor of the BVM. S only preserved. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11,III.
[073v missing]–74	Nove cantum melodiae - 1a pars (of 2): Nove cantum melodiae	(BINCHOIS)	Binchois, Gilles (ca. 1400–1460)
Nove cantum melodiae - 1a pars (of 2): Nove cantum melodiae Binchois, Gilles (ca. 1400–1460) Appears on: [073v missing]–74 Genres: Motet Source Attribution: (BINCHOIS) Voice: [no designation] Languages: Latin Voice Text: Nove cantum melodiae/Tanti laude germinis General Note Iso. motet in honour of the birth of Antoine de Bourgogne, 1430. Beginning of S and CT I missing. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
[073v missing]–74	Nove cantum melodiae - 2a pars (of 2): Tanti laude germinis	(BINCHOIS)	Binchois, Gilles (ca. 1400–1460)
Nove cantum melodiae - 2a pars (of 2): Tanti laude germinis Binchois, Gilles (ca. 1400–1460) Appears on: [073v missing]–74 Genres: Motet Source Attribution: (BINCHOIS) Voice: [no designation] Languages: Latin Voice Text: Nove cantum melodiae/Tanti laude germinis General Note T: Quid ultra jam eciam moramur . . .Ct: Enixa meritis Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
74v–75	O pia virgo / Sancta fides / Fides nomine	-	Anonymous
O pia virgo / Sancta fides / Fides nomine Anonymous Appears on: 74v–75 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O pia virgo/Sancta fides/Fides nomine General Note Iso motet in honour of St. Faith. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
75v	Ave regina caelorum	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Ave regina caelorum Binchois, Gilles (ca. 1400–1460) Appears on: 75v Genres: BVM, Motet Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note Antiphon, BVM. CF in S first two phrases Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
77	Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae	-	Power, Leonel (–1445)
Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae Power, Leonel (–1445) Appears on: 77 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gloriosae virginis Mariae General Note Antiphon, Vespers, The Nativity of the BVM. Publ. cf. Fn 112 n« 30 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
77v–78	Moribus et genere / Virgo virga / Virgo est	DUFAY	Du Fay, Guillaume (1397–1474)
Moribus et genere / Virgo virga / Virgo est Du Fay, Guillaume (1397–1474) Appears on: 77v–78 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Moribus et genere/Virgo virga/Virgo est General Note Iso. motet in honour of St. John the Evangelist. Composed at Dijon for the Burgundian court in 1446? Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, I.
78v–80	Hercules omni memorandus	BREBIS	Brebis, Johannes (–ca. 1479)
Hercules omni memorandus Brebis, Johannes (–ca. 1479) Appears on: 78v–80 Genres: Motet Source Attribution: BREBIS Voice: [no designation] Languages: Latin Voice Text: Hercules omni memorandus General Note Motet. In honour of the accession of Ercole I, Duke of Ferrara, 1471. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
80v–81	Deus tuorum militum	-	Anonymous
Deus tuorum militum Anonymous Appears on: 80v–81 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Deus tuorum militum General Note Hymn, Vespers, Common of One Martyr out of Paschal Time. CF in T Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
81v–82	Tibi Christe splendor patris collaudamus venerantes	-	Anonymous
Tibi Christe splendor patris collaudamus venerantes Anonymous Appears on: 81v–82 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Specialis virgo/Salve parens General Note Hymn, Vespers, Dedication of the Church of St. Michael. CF in T Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Sparks, Edgar H. 1963. Cantus Firmus in Mass and Motet, 1420-1520. Berkeley and Los Angeles. Pages: p. 207 (partial transcription).
83	Specialis virgo / Salve parens	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Specialis virgo / Salve parens Dunstaple, John (ca. 1390–1453) Appears on: 83 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Specialis virgo/Salve parens General Note Iso. motet in honour of BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL.
83v–84	Quam pulchra es et quam decora	DUNSTAPLE	Egidius (?) Dunstaple, John (ca. 1390–1453) (?)
Quam pulchra es et quam decora Egidius (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 83v–84 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es et quam decora General Note Antiphon, The Purification of the BVM. Publ. cf. AOs n° 138 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
84v–86	Salve regina - 1a pars (of 8): Salve regina mater misericordiae	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Salve regina - 1a pars (of 8): Salve regina mater misericordiae Dunstaple, John (ca. 1390–1453) Appears on: 84v–86 Genres: BVM, Motet, Salve Regina Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Marian antiphon. Ct and T incompl.(most of fol. 83 is torn out) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII (avec facs. des ff.83ff-84). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
86v–87	Gaude virgo Katherina	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Gaude virgo Katherina Dunstaple, John (ca. 1390–1453) Appears on: 86v–87 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Gaude virgo Katherina General Note Sequence, St. Catherine Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
87v–88	Ave regina/Ave mater/Ave mundi spes	Leonel	Dunstaple, John (ca. 1390–1453)
Ave regina/Ave mater/Ave mundi spes Dunstaple, John (ca. 1390–1453) Appears on: 87v–88 Source Attribution: Leonel Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum/Ave mater/Ave mundi General Note Iso. motet in honour of BVM. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
88v–90	Salve regina mater misericordiae	L.Power	Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)
Salve regina mater misericordiae Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?) Appears on: 88v–90 Genres: BVM, Motet, Salve Regina Source Attribution: L.Power Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Marian antiphon. T of the three invocations based on chant.Publ. cf. AOs n° 152 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
90v–91	Albanus roseo rutilat / Quoque ferendus / Albanus Domini	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Albanus roseo rutilat / Quoque ferendus / Albanus Domini Dunstaple, John (ca. 1390–1453) Appears on: 90v–91 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Albanus roseo rutilat/Quoque ferendus/Albanus domini General Note Iso. motet in honour of St. Alban. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
91v–92v	Sancta Dei genitrix	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Sancta Dei genitrix Dunstaple, John (ca. 1390–1453) Appears on: 91v–92v Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Sancta dei genitrix General Note Motet. From a rhymed office, The Feast of All Saints. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
93	Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis)	DUNSTAPLE	Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?)
Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis) Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 93 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Beata mater et innupta General Note Antiophon, BVM. Publ. cf. AOs n- 196 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
93v–94	Salve regina mater mire	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Salve regina mater mire Dunstaple, John (ca. 1390–1453) Appears on: 93v–94 Genres: BVM, Motet, Salve Regina Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Salve regina mater mire General Note Trope of the Marian antiphon Salve regina Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
94v–95	Dies dignus decorari / Demon dolens / Iste confessor	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Dies dignus decorari / Demon dolens / Iste confessor Dunstaple, John (ca. 1390–1453) Appears on: 94v–95 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Dies dignus decorari/Demon dolens/Iste confessor General Note Iso. motet in honour of St. Germanus Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII+. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
95v–96	Quam pulchra es	PIAMOR	Pyamor, John
Quam pulchra es Pyamor, John Appears on: 95v–96 Genres: Motet Source Attribution: PIAMOR Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es General Note Antiphon, The Purification of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music. London. Bukofzer, Manfred F. 1952. Fauxbourdon Revisited. The Musical Quarterly, 22-47. Pages: p. 39 (partial transcription).
96v–97	Alma redemptoris mater	FOREST	Forest
Alma redemptoris mater Forest Appears on: 96v–97 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: FOREST Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater/Anima mea liquefacta est General Note I: Marian antiphon II: Antiphon, The Assumption of the BVM. Publ. cf. AOs n° 147 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
97v–98	Christe sanctorum decus / Tibi Christe	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Christe sanctorum decus / Tibi Christe Dunstaple, John (ca. 1390–1453) Appears on: 97v–98 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Christe sanctorum decus/Tibi Christe/Tibi Christe General Note Iso. motet in honour of St. Michael. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
98v–99	Ascendit Christus super caelos	DUNSTAPLE [ou FOREST*]	Dunstaple, John (ca. 1390–1453)
Ascendit Christus super caelos Dunstaple, John (ca. 1390–1453) Appears on: 98v–99 Genres: Motet Source Attribution: DUNSTAPLE [ou FOREST] Voice:* [no designation] Languages: Latin Voice Text: Ascendit Christus General Note Antiphon, The Assumption of the BVM. Tenor CF: Alma redemptoris mater, Marian antiphon; Ant. Sar., pl. 529 Concordances GB-Lbm 57950 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition.* 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 46,11. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
99v–100	Crux fidelis	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Crux fidelis Dunstaple, John (ca. 1390–1453) Appears on: 99v–100 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Crux fidelis General Note Antiphon, The Adoration of the Holy Cross. CF in CT in three-part sections, CF in S in duet Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
100v–101	Ibo mihi ad montem	LEONEL	Power, Leonel (–1445)
Ibo mihi ad montem Power, Leonel (–1445) Appears on: 100v–101 Genres: Motet Source Attribution: LEONEL Voice: [no designation] Languages: Latin Voice Text: Ibo mihi ad montem General Note Antiphon, The Nativity of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50,1.
101v–102	Tota pulchra es amica mea et macula	FOREST	Forest
Tota pulchra es amica mea et macula Forest Appears on: 101v–102 Genres: Motet Source Attribution: FOREST Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula General Note Antiphon, The Assumption of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
102v	Speciosa facta es	Dunstaple	Dunstaple, John (ca. 1390–1453)
Speciosa facta es Dunstaple, John (ca. 1390–1453) Appears on: 102v Genres: Motet Source Attribution: Dunstaple Voice: [no designation] Languages: Latin Voice Text: Speciosa facta es General Note Antiphon, The Nativity of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music. London. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL);.
103–104	Alma redemptoris mater (IJD22)	DUNSTAPLE [ou LEONEL]	Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)
Alma redemptoris mater (IJD22) Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?) Appears on: 103–104 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: DUNSTAPLE [ou LEONEL] Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note Marian antiphon. Publ. cf. AOs n° 157 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
104v–105	Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	POLUMIER	Plummer, John (ca. 1410–ca. 1484)
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Plummer, John (ca. 1410–ca. 1484) Appears on: 104v–105 Genres: Marian antiphon Source Attribution: POLUMIER Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula General Note Antiphon, The Assumption of the BVM. Publ. cf. Las 238 n° 21 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
104v–105	Tota pulchra es - 2a pars (of 2): Flores apparuerunt	-	Plummer, John (ca. 1410–ca. 1484)
Tota pulchra es - 2a pars (of 2): Flores apparuerunt Plummer, John (ca. 1410–ca. 1484) Appears on: 104v–105 Genres: Motet
105v–106	Ave regina caelorum	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Ave regina caelorum Dunstaple, John (ca. 1390–1453) Appears on: 105v–106 Genres: BVM, Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note Marian antiphon. CF in S. Publ. cf. Fn 112bis n° 26 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
106v–107	Tota pulchra es amica mea et macula	STONE	Stone, [John]
Tota pulchra es amica mea et macula Stone, [John] Appears on: 106v–107 Genres: Motet Source Attribution: STONE Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula General Note Antiphon, The Assumption of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
107v–108	Ibo mihi ad montem	STONE	Stone, [John]
Ibo mihi ad montem Stone, [John] Appears on: 107v–108 Genres: Motet Source Attribution: STONE Voice: [no designation] Languages: Latin Voice Text: Ibo mihi ad montem General Note Antiphon, The Nativity of the BVM. CF in T Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
108v–109	Descendi in ortum meum ut viderem	POLUMIER	Plummer, John (ca. 1410–ca. 1484)
Descendi in ortum meum ut viderem Plummer, John (ca. 1410–ca. 1484) Appears on: 108v–109 Genres: Motet Source Attribution: POLUMIER Voice: [no designation] Languages: Latin Voice Text: Descendi in hortum meum General Note Antiphon, The Assumption of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
109v–111	Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita Dunstaple, John (ca. 1390–1453) Appears on: 109v–111 Genres: Motet, Veni creator spiritus, Veni sancte spiritus Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus/Veni creator General Note Iso. motet. For Pentecost or Whit Sunday. Veni creator also appears paraphrased in S. Publ. cf. AOs n° 194T et Ct: Veni creator spiritus mentes . .A: Veni sancte spiritus et infunde Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
111v–112	Qualis est dilectus meus / O pulcherima mulierum	POLMIER [ou FOREST*]	Plummer, John (ca. 1410–ca. 1484) (?) Forest (?)
Qualis est dilectus meus / O pulcherima mulierum Plummer, John (ca. 1410–ca. 1484) (?) Forest (?) Appears on: 111v–112 Genres: Motet Source Attribution: POLMIER [ou FOREST] Voice:* [no designation] Languages: Latin Voice Text: Qualis est dilectus meus General Note Antiphon, The Assumption of the BVM Concordances GB-Lbm 57950 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition.* 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 46,11.
112v	Salve sancta parens [= Virgo prudentissima]	LEONEL	Power, Leonel (–1445)
Salve sancta parens [= Virgo prudentissima] Power, Leonel (–1445) Appears on: 112v Genres: Motet Source Attribution: LEONEL Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens General Note Antiphon? Text is not that of the Introit, LU, p. 1263 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50,1.
113	Mater ora filium	LEONEL	Power, Leonel (–1445)
Mater ora filium Power, Leonel (–1445) Appears on: 113 Genres: Motet Source Attribution: LEONEL Voice: [no designation] Languages: Latin Voice Text: Mater ora filium General Note Antiphon, BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50,1. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
113v–114	Anima mea liquefacta est	-	Power, Leonel (–1445)
Anima mea liquefacta est Power, Leonel (–1445) Appears on: 113v–114 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est General Note Antiphon, The Assumption of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50,1.
114v–115	Quam pulchra es	LEONEL	Power, Leonel (–1445)
Quam pulchra es Power, Leonel (–1445) Appears on: 114v–115 Genres: Motet Source Attribution: LEONEL Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es General Note Antiphon, The Assumption of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50,1.
115v–116	Gloria sanctorum decus	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Gloria sanctorum decus Dunstaple, John (ca. 1390–1453) Appears on: 115v–116 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Gloria sanctorum decus General Note Sequence, BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
116v–117v	Gaude virgo salutata / Virgo mater	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Gaude virgo salutata / Virgo mater Dunstaple, John (ca. 1390–1453) Appears on: 116v–117v Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Gaude virgo salutata/Gaude virgo/Virgo mater General Note Iso. motet in honour of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
118	Sancta Maria non est tibi similis	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Sancta Maria non est tibi similis Dunstaple, John (ca. 1390–1453) Appears on: 118 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Sancta Maria non est tibi similis General Note Antiphon, Compline, BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
118v–119	Sub tuam protectionem	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Sub tuam protectionem Dunstaple, John (ca. 1390–1453) Appears on: 118v–119 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Sub tuam protectionem General Note Antiphon, BVM. Publ. cf. AOs n« 160 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
119v–120	Salve mater salvatoris vas electum	DUNSTAPLE [ou LEONEL]	Dunstaple, John (ca. 1390–1453)
Salve mater salvatoris vas electum Dunstaple, John (ca. 1390–1453) Appears on: 119v–120 Genres: Motet Source Attribution: DUNSTAPLE [ou LEONEL] Voice: [no designation] Languages: Latin Voice Text: Salve mater salvatoris General Note Sequence, BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50,1 (avec Ct différent);. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL); MBVIII.
120v–121	Anima mea liquefacta est	LEONEL	Power, Leonel (–1445)
Anima mea liquefacta est Power, Leonel (–1445) Appears on: 120v–121 Genres: Motet Source Attribution: LEONEL Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est General Note Antiphon, The Assumption of the BVM. Publ. cf. Bu 2216 n° 64 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
121v–122	Ave regina caelorum	FOREST	Forest
Ave regina caelorum Forest Appears on: 121v–122 Genres: BVM, Motet Source Attribution: FOREST Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note Marian anriphon Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IV, col. 511-512 (partial transcription).
122v–123	O crux gloriosa	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
O crux gloriosa Dunstaple, John (ca. 1390–1453) Appears on: 122v–123 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: O crux gloriosa General Note Combined with O crux splendidor. Antiphons, on the Holy Cross Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
123v–124	Tota pulchra es amica mea et macula	POLUMIER	Plummer, John (ca. 1410–ca. 1484)
Tota pulchra es amica mea et macula Plummer, John (ca. 1410–ca. 1484) Appears on: 123v–124 Genres: Motet Source Attribution: POLUMIER Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula General Note Antiphon, The Assumption of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: 8; Plummer. Stainer, John F. R, Cécie Stainer, and Edward W. B. Nicholson. 1901, 1913. Early Bodleian Music I-II (1901); Early Bodleian Music III.
124v–126	Fulgens jubar / Puerpera pura parens	DUFAY	Du Fay, Guillaume (1397–1474)
Fulgens jubar / Puerpera pura parens Du Fay, Guillaume (1397–1474) Appears on: 124v–126 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Fulgens iubar/Puerpera pura parens General Note Iso. motet, in honour of the BVM Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1,I.
126v–128	Salve scema sanctitatis / Salve salus servulorum / Cantant caeli	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Salve scema sanctitatis / Salve salus servulorum / Cantant caeli Dunstaple, John (ca. 1390–1453) Appears on: 126v–128 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Salve scema sanctitatis/Salve salus servulorum/Cantant caeli General Note Iso. motet, in honour of St. Catherine Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
128v–129	Telus puerperium genuit / Splendida flamigero	JO.BENET	Benet, John (–ca. 1458)
Telus puerperium genuit / Splendida flamigero Benet, John (–ca. 1458) Appears on: 128v–129 Genres: Motet Source Attribution: JO.BENET Voice: [no designation] Languages: Latin Voice Text: Telus puerperium genuit/Splendida flamigero General Note Iso. motet, in honour of St. Alban Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music. London.
129v–130	Gaude martir / Collaudemus venerantes	FOREST	Forest
Gaude martir / Collaudemus venerantes Forest Appears on: 129v–130 Genres: Motet Source Attribution: FOREST Voice: [no designation] Languages: Latin Voice Text: Gaude martir/Collaudemus venerantes General Note Iso. motet, in honour of St. Oswald. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
130v–132	Preco praeeminentiae / Praecursor praemittitur / Inter natos mulierum	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Preco praeeminentiae / Praecursor praemittitur / Inter natos mulierum Dunstaple, John (ca. 1390–1453) Appears on: 130v–132 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Preco praeeminentiae/Praecursor praemittitur/Inter natos mulierum General Note Iso. motet, in honour of St. John the Baptist Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
132v–134	Gaude felix Anna / Gaude mater matris / Anna parens	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Gaude felix Anna / Gaude mater matris / Anna parens Dunstaple, John (ca. 1390–1453) Appears on: 132v–134 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Gaude felix Anna/Gaude mater matris/Anna parens General Note Iso. motet, in honour of St. Anne. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
134v–135	Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita Dunstaple, John (ca. 1390–1453) Appears on: 134v–135 Genres: Motet, Veni creator spiritus, Veni sancte spiritus Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus General Note Iso. motet, for Pentecost of Whit Sunday Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
135v–136	Virgo praefulgens	SANDLEY [ou G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460) (?) Standley
Virgo praefulgens Binchois, Gilles (ca. 1400–1460) (?) Standley Appears on: 135v–136 Genres: Motet Source Attribution: SANDLEY [ou G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: Virgo praefulgens General Note Antiphon? Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Pages: (BINCHOIS). Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: (BINCHOIS).
136v–137	Beata Dei genitrix (2p. Subveni clamantibus 3p. Sola sine exemplo)	DUNSTAPLE [ou G. BINCHOIS]	Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?)
Beata Dei genitrix (2p. Subveni clamantibus 3p. Sola sine exemplo) Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 136v–137 Genres: Motet Source Attribution: DUNSTAPLE [ou G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: Beata dei genitrix Maria General Note Antiphon, The Nativity of the BVM. Publ. cf. AOs n° 121 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
137v–138	Alma redemptoris mater (IJD3) II: Tu que genuisti III: Virgo prius ac posterius	DUNSTAPLE [ou LEONEL]	Dunstaple, John (ca. 1390–1453)
Alma redemptoris mater (IJD3) II: Tu que genuisti III: Virgo prius ac posterius Dunstaple, John (ca. 1390–1453) Appears on: 137v–138 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: DUNSTAPLE [ou LEONEL] Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note Marian antiphon. Publ. cf. AOs n° 137 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
138v–139	Lux fulget ex Anglia	BENET	Benet, John (–ca. 1458)
Lux fulget ex Anglia Benet, John (–ca. 1458) Appears on: 138v–139 Genres: Motet Source Attribution: BENET Voice: [no designation] Languages: Latin Voice Text: Lux fulget ex Anglia General Note Iso. motet, in honour of St. Thomas of Hereford. Bottom half of folio 136 torn out. T and part of CT missing Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
139v	Sancta Maria succurre miseris	Dunstaple	Dunstaple, John (ca. 1390–1453)
Sancta Maria succurre miseris Dunstaple, John (ca. 1390–1453) Appears on: 139v Genres: Motet Source Attribution: Dunstaple Voice: [no designation] Languages: Latin Voice Text: Sancta Maria succurre miseris … General Note Antiphon, The Nativity of the BVM. CT, T an dpart of S missing. Publ. cf. AOs n° 148 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

Composer	Compositions
(Sirede), Benoit	Lucis creator optime (Qui mane iunctum vesperi) – 19v–20 Puer qui natus est nobis plus quam propheta – 55 Virgo Maria non est tibi similis – 54
Anonymous	De beata Maria versus (text only) – 1–3v Deus tuorum militum – 80v–81 Felix namque es, sacra virgo Maria – 59 Magnificat tertii toni: Anima mea [K.218] – 48–49v O pia virgo / Sancta fides / Fides nomine – 74v–75 Salve regina peccatorum – 72 Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli – 14v–15 Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli – 15v–16 Tibi Christe splendor patris collaudamus venerantes – 81v–82
Benet, John (–ca. 1458)	Lux fulget ex Anglia – 138v–139 Telus puerperium genuit / Splendida flamigero – 128v–129
Binchois, Gilles (ca. 1400–1460)	Ave regina caelorum – 75v (?) Beata Dei genitrix (2p. Subveni clamantibus 3p. Sola sine exemplo) – 136v–137 (?) Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis) – 93 Da pacem Domine in diebus nostris – 56 Dixit sanctus Philippus – 55v Felix namque es – 57 In exitu Israel de Aegypto domus Jacob – 26v–31v Inter natos mulierum (II) – 58v Magnificat octavi toni: Anima mea [K.620] – 43v–44v Magnificat primi toni: Anima mea [K.746] – 34–35v (?) Magnificat secundi toni: Anima mea [K.617] – 38–39v (?) Magnificat sexti toni: Anima mea [K.749] – 40–41v Magnificat tertii toni: Anima mea [K.618] – 45–46 Nove cantum melodiae - 1a pars (of 2): Nove cantum melodiae – [073v missing]–74 Nove cantum melodiae - 2a pars (of 2): Tanti laude germinis – [073v missing]–74 Sancti Dei omnes – 56 Te Deum laudamus – 24v–27 (?) Virgo praefulgens – 135v–136 Vox de caelo – 54v
Brebis, Johannes (–ca. 1479)	Hercules omni memorandus – 78v–80
Du Fay, Guillaume (1397–1474)	A solis ortus cardine (= Hostis Herodes impie) – 5v–6 Ad cenam agni (3vv) – 10v Ad cenam agni (with fauxbourdon) – 11 Alma redemptoris mater II: Tu que genuisti natura mirante III: Virgo prius – 60v–61 Audi benigne conditor Scrutator alme cordium – 8v Aurea luce et decore roseo – 16v–17 Aures ad nostras (Respice clemens) – 9 Ave Regina caelorum (2) – 62v–63 Ave maris stella Sumens illud ave – 7v–8 Benedicamus Domino (I) – 32 Benedicamus Domino (II) – 32v Christe redemptor omnium . Tu lumen tu splendor (Christmas setting) – 4v–5 Christe redemptor omnium/conserva (v/24b) – 18v–19 Conditor alme siderum – 4 Deus tuorum militum (Hic nempe mundi gaudia) – 22v (?) En gratulemur hodie / Francisci patris emulus – 32v–33 Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] – 20v–21 Flos florum fons ortorum – 59v–60 Fulgens jubar / Puerpera pura parens – 124v–126 Hic vir despiciens – 53v Hostis Herodes impie – 6v–7 Iste confessor (Qui pius prudens) – 23 Jesu corona virginum (Qui pascis inter lilia) – 23v Jesu nostra redemptio – 11v–12 Magi videntes stellam – 58 Magnanimae gentis / Nexus amicitiae – 66v–67 Magnificat octavi toni: Anima mea [K.750] – 42–43v (?) Magnificat primi toni: Anima mea [K.746] – 34–35v Magnificat quinti toni. Anima mea [K.748] – 46v–47v Magnificat sexti toni: Anima mea [K.749] – 40–41v Mirandas parit haec urbs florentina puellas – 65v–66 Moribus et genere / Virgo virga / Virgo est – 77v–78 Nuper rosarum flores – 70v–71v O beate sebastiane – 61v–62 O gemma martirum – 52v O gloriose tyro / Divine pastus – 68v–69 O lux beata – 14v–15 O proles Hispaniae - 1a pars (of 2): O proles Hispaniae – 63v–65 Pange lingua gloriosi corporis misterium – 13v–14 Petrus apostolus et Paulus doctor – 54 Proles de caelo (spoliatus egyptiis) – 23v–24 Propter nimiam caritatem – 56v Salve flos tuscae gentis – 67v–68 Salve sancte pater – 53 Sanctorum meritis Hi sunt quos retinens – 21v–22 Sapiente filio pater – 53v Supremum est mortalibus bonum II: O sancta pax – 69v–70 Urbs beata Jerusalem. Nova veniens e caelo – 17v–18 (?) Ut queant Iaxis (Nuntius celso veniens) – 15v–16 Veni creator spiritus – 12v–13 Vexilla regis prodeunt – 9v–10
Dunstaple, John (ca. 1390–1453)	Albanus roseo rutilat / Quoque ferendus / Albanus Domini – 90v–91 (?) Alma redemptoris mater (IJD22) – 103–104 Alma redemptoris mater (IJD3) II: Tu que genuisti III: Virgo prius ac posterius – 137v–138 Ascendit Christus super caelos – 98v–99 Ave regina caelorum – 105v–106 Ave regina/Ave mater/Ave mundi spes – 87v–88 Beata Dei genitrix (2p. Subveni clamantibus 3p. Sola sine exemplo) – 136v–137 Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis) – 93 Christe sanctorum decus / Tibi Christe – 97v–98 Crux fidelis – 99v–100 Dies dignus decorari / Demon dolens / Iste confessor – 94v–95 Gaude felix Anna / Gaude mater matris / Anna parens – 132v–134 Gaude virgo Katherina – 86v–87 Gaude virgo salutata / Virgo mater – 116v–117v Gloria sanctorum decus – 115v–116 Magnificat Secundi Toni: Anima mea [K.754] – 36v–37v (?) Magnificat sexti toni: Anima mea [K.749] – 40–41v O crux gloriosa – 122v–123 Preco praeeminentiae / Praecursor praemittitur / Inter natos mulierum – 130v–132 (?) Quam pulchra es et quam decora – 83v–84 Salve mater salvatoris vas electum – 119v–120 Salve regina - 1a pars (of 8): Salve regina mater misericordiae – 84v–86 Salve regina mater mire – 93v–94 (?) Salve regina mater misericordiae – 88v–90 Salve scema sanctitatis / Salve salus servulorum / Cantant caeli – 126v–128 Sancta Dei genitrix – 91v–92v Sancta Maria non est tibi similis – 118 Sancta Maria succurre miseris – 139v Specialis virgo / Salve parens – 83 Speciosa facta es – 102v Sub tuam protectionem – 118v–119 Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita – 109v–111 Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita – 134v–135
Egidius	(?) Quam pulchra es et quam decora – 83v–84
Fede, Johannes	Magne pater – 52 O lumen ecclesiae doctor veritatis – 51v–52
Forest	Alma redemptoris mater – 96v–97 Ave regina caelorum – 121v–122 Gaude martir / Collaudemus venerantes – 129v–130 (?) Qualis est dilectus meus / O pulcherima mulierum – 111v–112 Tota pulchra es amica mea et macula – 101v–102
Grossin, Estienne	Mater dulcis mater pia – 72v–73 missing]
Plummer, John (ca. 1410–ca. 1484)	Descendi in ortum meum ut viderem – 108v–109 (?) Qualis est dilectus meus / O pulcherima mulierum – 111v–112 Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula – 104v–105 Tota pulchra es - 2a pars (of 2): Flores apparuerunt – 104v–105 Tota pulchra es amica mea et macula – 123v–124
Power, Leonel (–1445)	(?) Alma redemptoris mater (IJD22) – 103–104 Anima mea liquefacta est – 120v–121 Anima mea liquefacta est – 113v–114 Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae – 77 Ibo mihi ad montem – 100v–101 Mater ora filium – 113 Quam pulchra es – 114v–115 (?) Salve regina mater misericordiae – 88v–90 Salve sancta parens [= Virgo prudentissima] – 112v
Pyamor, John	Quam pulchra es – 95v–96
Standley	Virgo praefulgens – 135v–136
Stone, [John]	Ibo mihi ad montem – 107v–108 Tota pulchra es amica mea et macula – 106v–107

Composition	Composers (? Uncertain)	Folios / Pages
A solis ortus cardine (= Hostis Herodes impie)	Du Fay, Guillaume (1397–1474)	5v–6
Ad cenam agni (3vv)	Du Fay, Guillaume (1397–1474)	10v
Ad cenam agni (with fauxbourdon)	Du Fay, Guillaume (1397–1474)	11
Albanus roseo rutilat / Quoque ferendus / Albanus Domini	Dunstaple, John (ca. 1390–1453)	90v–91
Alma redemptoris mater	Forest	96v–97
Alma redemptoris mater (IJD22)	Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)	103–104
Alma redemptoris mater (IJD3) II: Tu que genuisti III: Virgo prius ac posterius	Dunstaple, John (ca. 1390–1453)	137v–138
Alma redemptoris mater II: Tu que genuisti natura mirante III: Virgo prius	Du Fay, Guillaume (1397–1474)	60v–61
Anima mea liquefacta est	Power, Leonel (–1445)	113v–114
Anima mea liquefacta est	Power, Leonel (–1445)	120v–121
Ascendit Christus super caelos	Dunstaple, John (ca. 1390–1453)	98v–99
Audi benigne conditor Scrutator alme cordium	Du Fay, Guillaume (1397–1474)	8v
Aurea luce et decore roseo	Du Fay, Guillaume (1397–1474)	16v–17
Aures ad nostras (Respice clemens)	Du Fay, Guillaume (1397–1474)	9
Ave maris stella Sumens illud ave	Du Fay, Guillaume (1397–1474)	7v–8
Ave regina caelorum	Binchois, Gilles (ca. 1400–1460)	75v
Ave regina caelorum	Dunstaple, John (ca. 1390–1453)	105v–106
Ave regina caelorum	Forest	121v–122
Ave Regina caelorum (2)	Du Fay, Guillaume (1397–1474)	62v–63
Ave regina/Ave mater/Ave mundi spes	Dunstaple, John (ca. 1390–1453)	87v–88
Beata Dei genitrix (2p. Subveni clamantibus 3p. Sola sine exemplo)	Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?)	136v–137
Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis)	Dunstaple, John (ca. 1390–1453) Binchois, Gilles (ca. 1400–1460) (?)	93
Benedicamus Domino (I)	Du Fay, Guillaume (1397–1474)	32
Benedicamus Domino (II)	Du Fay, Guillaume (1397–1474)	32v
Christe redemptor omnium . Tu lumen tu splendor (Christmas setting)	Du Fay, Guillaume (1397–1474)	4v–5
Christe redemptor omnium/conserva (v/24b)	Du Fay, Guillaume (1397–1474)	18v–19
Christe sanctorum decus / Tibi Christe	Dunstaple, John (ca. 1390–1453)	97v–98
Conditor alme siderum	Du Fay, Guillaume (1397–1474)	4
Crux fidelis	Dunstaple, John (ca. 1390–1453)	99v–100
Da pacem Domine in diebus nostris	Binchois, Gilles (ca. 1400–1460)	56
De beata Maria versus (text only)	Anonymous	1–3v
Descendi in ortum meum ut viderem	Plummer, John (ca. 1410–ca. 1484)	108v–109
Deus tuorum militum	Anonymous	80v–81
Deus tuorum militum (Hic nempe mundi gaudia)	Du Fay, Guillaume (1397–1474)	22v
Dies dignus decorari / Demon dolens / Iste confessor	Dunstaple, John (ca. 1390–1453)	94v–95
Dixit sanctus Philippus	Binchois, Gilles (ca. 1400–1460)	55v
En gratulemur hodie / Francisci patris emulus	Du Fay, Guillaume (1397–1474) (?)	32v–33
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon]	Du Fay, Guillaume (1397–1474)	20v–21
Felix namque es	Binchois, Gilles (ca. 1400–1460)	57
Felix namque es, sacra virgo Maria	Anonymous	59
Flos florum fons ortorum	Du Fay, Guillaume (1397–1474)	59v–60
Fulgens jubar / Puerpera pura parens	Du Fay, Guillaume (1397–1474)	124v–126
Gaude felix Anna / Gaude mater matris / Anna parens	Dunstaple, John (ca. 1390–1453)	132v–134
Gaude martir / Collaudemus venerantes	Forest	129v–130
Gaude virgo Katherina	Dunstaple, John (ca. 1390–1453)	86v–87
Gaude virgo salutata / Virgo mater	Dunstaple, John (ca. 1390–1453)	116v–117v
Gloria sanctorum decus	Dunstaple, John (ca. 1390–1453)	115v–116
Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae	Power, Leonel (–1445)	77
Hercules omni memorandus	Brebis, Johannes (–ca. 1479)	78v–80
Hic vir despiciens	Du Fay, Guillaume (1397–1474)	53v
Hostis Herodes impie	Du Fay, Guillaume (1397–1474)	6v–7
Ibo mihi ad montem	Power, Leonel (–1445)	100v–101
Ibo mihi ad montem	Stone, [John]	107v–108
In exitu Israel de Aegypto domus Jacob	Binchois, Gilles (ca. 1400–1460)	26v–31v
Inter natos mulierum (II)	Binchois, Gilles (ca. 1400–1460)	58v
Iste confessor (Qui pius prudens)	Du Fay, Guillaume (1397–1474)	23
Jesu corona virginum (Qui pascis inter lilia)	Du Fay, Guillaume (1397–1474)	23v
Jesu nostra redemptio	Du Fay, Guillaume (1397–1474)	11v–12
Lucis creator optime (Qui mane iunctum vesperi)	(Sirede), Benoit	19v–20
Lux fulget ex Anglia	Benet, John (–ca. 1458)	138v–139
Magi videntes stellam	Du Fay, Guillaume (1397–1474)	58
Magnanimae gentis / Nexus amicitiae	Du Fay, Guillaume (1397–1474)	66v–67
Magne pater	Fede, Johannes	52
Magnificat octavi toni: Anima mea [K.620]	Binchois, Gilles (ca. 1400–1460)	43v–44v
Magnificat octavi toni: Anima mea [K.750]	Du Fay, Guillaume (1397–1474)	42–43v
Magnificat primi toni: Anima mea [K.746]	Binchois, Gilles (ca. 1400–1460) Du Fay, Guillaume (1397–1474) (?)	34–35v
Magnificat quinti toni. Anima mea [K.748]	Du Fay, Guillaume (1397–1474)	46v–47v
Magnificat secundi toni: Anima mea [K.617]	Binchois, Gilles (ca. 1400–1460) (?)	38–39v
Magnificat Secundi Toni: Anima mea [K.754]	Dunstaple, John (ca. 1390–1453)	36v–37v
Magnificat sexti toni: Anima mea [K.749]	Du Fay, Guillaume (1397–1474) Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?)	40–41v
Magnificat tertii toni: Anima mea [K.218]	Anonymous	48–49v
Magnificat tertii toni: Anima mea [K.618]	Binchois, Gilles (ca. 1400–1460)	45–46
Mater dulcis mater pia	Grossin, Estienne	72v–73 missing]
Mater ora filium	Power, Leonel (–1445)	113
Mirandas parit haec urbs florentina puellas	Du Fay, Guillaume (1397–1474)	65v–66
Moribus et genere / Virgo virga / Virgo est	Du Fay, Guillaume (1397–1474)	77v–78
Nove cantum melodiae - 1a pars (of 2): Nove cantum melodiae	Binchois, Gilles (ca. 1400–1460)	[073v missing]–74
Nove cantum melodiae - 2a pars (of 2): Tanti laude germinis	Binchois, Gilles (ca. 1400–1460)	[073v missing]–74
Nuper rosarum flores	Du Fay, Guillaume (1397–1474)	70v–71v
O beate sebastiane	Du Fay, Guillaume (1397–1474)	61v–62
O crux gloriosa	Dunstaple, John (ca. 1390–1453)	122v–123
O gemma martirum	Du Fay, Guillaume (1397–1474)	52v
O gloriose tyro / Divine pastus	Du Fay, Guillaume (1397–1474)	68v–69
O lumen ecclesiae doctor veritatis	Fede, Johannes	51v–52
O lux beata	Du Fay, Guillaume (1397–1474)	14v–15
O pia virgo / Sancta fides / Fides nomine	Anonymous	74v–75
O proles Hispaniae - 1a pars (of 2): O proles Hispaniae	Du Fay, Guillaume (1397–1474)	63v–65
Pange lingua gloriosi corporis misterium	Du Fay, Guillaume (1397–1474)	13v–14
Petrus apostolus et Paulus doctor	Du Fay, Guillaume (1397–1474)	54
Preco praeeminentiae / Praecursor praemittitur / Inter natos mulierum	Dunstaple, John (ca. 1390–1453)	130v–132
Proles de caelo (spoliatus egyptiis)	Du Fay, Guillaume (1397–1474)	23v–24
Propter nimiam caritatem	Du Fay, Guillaume (1397–1474)	56v
Puer qui natus est nobis plus quam propheta	(Sirede), Benoit	55
Qualis est dilectus meus / O pulcherima mulierum	Plummer, John (ca. 1410–ca. 1484) (?) Forest (?)	111v–112
Quam pulchra es	Pyamor, John	95v–96
Quam pulchra es	Power, Leonel (–1445)	114v–115
Quam pulchra es et quam decora	Egidius (?) Dunstaple, John (ca. 1390–1453) (?)	83v–84
Salve flos tuscae gentis	Du Fay, Guillaume (1397–1474)	67v–68
Salve mater salvatoris vas electum	Dunstaple, John (ca. 1390–1453)	119v–120
Salve regina - 1a pars (of 8): Salve regina mater misericordiae	Dunstaple, John (ca. 1390–1453)	84v–86
Salve regina mater mire	Dunstaple, John (ca. 1390–1453)	93v–94
Salve regina mater misericordiae	Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)	88v–90
Salve regina peccatorum	Anonymous	72
Salve sancta parens [= Virgo prudentissima]	Power, Leonel (–1445)	112v
Salve sancte pater	Du Fay, Guillaume (1397–1474)	53
Salve scema sanctitatis / Salve salus servulorum / Cantant caeli	Dunstaple, John (ca. 1390–1453)	126v–128
Sancta Dei genitrix	Dunstaple, John (ca. 1390–1453)	91v–92v
Sancta Maria non est tibi similis	Dunstaple, John (ca. 1390–1453)	118
Sancta Maria succurre miseris	Dunstaple, John (ca. 1390–1453)	139v
Sancti Dei omnes	Binchois, Gilles (ca. 1400–1460)	56
Sanctorum meritis Hi sunt quos retinens	Du Fay, Guillaume (1397–1474)	21v–22
Sapiente filio pater	Du Fay, Guillaume (1397–1474)	53v
Specialis virgo / Salve parens	Dunstaple, John (ca. 1390–1453)	83
Speciosa facta es	Dunstaple, John (ca. 1390–1453)	102v
Sub tuam protectionem	Dunstaple, John (ca. 1390–1453)	118v–119
Supremum est mortalibus bonum II: O sancta pax	Du Fay, Guillaume (1397–1474)	69v–70
Te Deum laudamus	Binchois, Gilles (ca. 1400–1460)	24v–27
Telus puerperium genuit / Splendida flamigero	Benet, John (–ca. 1458)	128v–129
Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli	Anonymous	14v–15
Tibi Christe splendor Patris / Collaudamus venerantes omnes caeli	Anonymous	15v–16
Tibi Christe splendor patris collaudamus venerantes	Anonymous	81v–82
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	Plummer, John (ca. 1410–ca. 1484)	104v–105
Tota pulchra es - 2a pars (of 2): Flores apparuerunt	Plummer, John (ca. 1410–ca. 1484)	104v–105
Tota pulchra es amica mea et macula	Forest	101v–102
Tota pulchra es amica mea et macula	Stone, [John]	106v–107
Tota pulchra es amica mea et macula	Plummer, John (ca. 1410–ca. 1484)	123v–124
Urbs beata Jerusalem. Nova veniens e caelo	Du Fay, Guillaume (1397–1474)	17v–18
Ut queant Iaxis (Nuntius celso veniens)	Du Fay, Guillaume (1397–1474) (?)	15v–16
Veni creator spiritus	Du Fay, Guillaume (1397–1474)	12v–13
Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita	Dunstaple, John (ca. 1390–1453)	109v–111
Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita	Dunstaple, John (ca. 1390–1453)	134v–135
Vexilla regis prodeunt	Du Fay, Guillaume (1397–1474)	9v–10
Virgo Maria non est tibi similis	(Sirede), Benoit	54
Virgo praefulgens	Binchois, Gilles (ca. 1400–1460) (?) Standley	135v–136
Vox de caelo	Binchois, Gilles (ca. 1400–1460)	54v

Set: copyist

Type: Copyist or Scribal Concordance

I-MOe MS {alpha}.X.1.11 (Modena B; ModB)

No images available

I-Rc MS 2856 (Casanatense chansonnier)

‡ denotes primary source study

Phelps, Michael. 2008, September. A Repertory in Exile: Pope Eugene IV and the MS Modena, Biblioteca Estense Universitaria, α. X.1.11. Department of Music New York University, PhD.

Haar, James, and John Nadas. 2008. The Medici, the Signoria, the Pope: Sacred Polyphony in Florence, 1432–1448. Recercare, 25-93.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Lockwood, Lewis Henry. 1984. Music in Renaissance Ferrara 1400-1505: The Creation of a Musical Center in the Fifteenth Century. Cambridge, Massachusetts. Pages: 51-63,160,231-2. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Trowell, Brian, and Andrew B Wathey. 1982. John Benet's Lux fulget ex Anglia- O Pater pietatis- Salve Thoma. St Thomas Cantilupe, Bishop of Hereford: Essays in his Honour, edited by Brian Trowell and Andrew B Wathey, 159-180.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: VIII,842; XVII,599,670.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 172-173.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology.

Trowell, Brian. 1978-79. Proportion in the Music of Dunstable. Proceedings of the Royal Musical Association, 100-41. Notes: contents list (partial); mention of MS; discussion.

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I,102ff,178-80,335-54, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Cox, Bobby Wayne. 1977. The Motets of MS Bologna, Civico Museo Bibliografico Musicale, Q 15. North Texas State University, Ph.D. dissertation. Pages: I, 34-9, 166-70, 286-9, 295-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lockwood, Lewis Henry. 1976. Dufay and Ferrara. Papers read at the Dufay Quincentenary Conference, Brooklyn College, December 6-7, 1974, 1-25. Brooklyn. Notes: physical description; mention of MS; discussion.

Burstyn, Shai. 1972. Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. Columbia University, Unpublished Ph.D. dissertation. Pages: 273,276-84,296-309,403-5, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Ann Besser Scott. 1972. A Study and Inventory of the Manuscript Modena, Biblioteca Estense, a.X.I.11 (ModB). Musica Disciplina, 101-43. Notes: physical description; contents list; concordances; mention of MS; discussion.

Scott, Ann Besser. 1972. English Music in Modena, Biblioteca Estense, a. X. 1.11 and Other Italian Manuscripts. Musica Disciplina, 145-60. Notes: physical description; mention of MS; discussion.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica. London. Pages: VIII [rev. ed.], xxiii,189ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Hamm, Charles E (editor). 1969-. Leonel Power: Complete Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xxi-xxv,19-21, 23-5,28-33,36-8,43-61. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Bent, Margaret, and Andrew Hughes (editors). 1969. The Old Hall Manuscript. Corpus Mensurabilis Musicae. 3 vols. Pages: II, 77-9; III, 26-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Scott, Ann Besser. 1969. Coherence and Calculated Chaos: A Study of the English Composers of Modena, Biblioteca Estense, a.X. 1,11 (lat. 471). University of Chicago, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; transcription (partial); mention of MS; discussion.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 15-20,25-9,40-1,213ff,540,passim. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 159-78, passim. Notes: physical description (partial); contents list; concordances; transcription (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 148-9. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: I,ii-iii,82-7,93; II,23ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 166ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lerner, Edward R. 1964. The Polyphonic Magnificat in 15th-century Italy. The Musical Quarterly, 44-58. Pages: 47-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Kulleseid, Eleanor Ransom. 1962. The Sacred Music of Gilles Binchois. Columbia University, Unpublished Master's thesis. Pages: 118ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Trumble, Ernest. 1959. Fauxbourdon: An Historical Survey. Musicological Studies. Brooklyn. Pages: 39-40, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: III,xvi,xxiii, xxvii.58-9,102-5. Notes: contents list (partial); transcription (partial).

Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: III, 151,192ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Bukofzer, Manfred F. 1954. John Dunstable: A Quincentenary Report. The Musical Quarterly, 29-49. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik. Leipzig. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1345; 111,907-8,1893-4; VI,1020-1. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, V, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 193-4. Notes: mention of MS; facsimile (partial).

Bukofzer, Manfred F. 1940. Popular Polyphony in the Middle Ages. The Musical Quarterly, 31-49. Pages: 46-8.

Bukofzer, Manfred F. 1938-39. John Dunstable and the Music of His Time. Proceedings of the Royal Musical Association, 19-43. Pages: 35-6, frontispiece.

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XIX,4; XLIX,3-4, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 172,236ff, passim. Notes: physical description (partial); contents list (partial); concordances (partial).

Lodi, Pio. 1917. Catalogo delle Opere Musicali teoriche e pratiche ... Città di Modena R. Biblioteca Estense. Bollettino dell'Associazione dei Musicologi Italiani. Parma. Pages: 15-7.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 454. Notes: physical description (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XIV/XV, 29; LIII, LXXVI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description