I-Bu MS 2216

Biblioteca Universitaria, Bologna, Italy

complete choirbook: 15th century, before 1440

Archive	Biblioteca Universitaria, Bologna, Italy (I-Bu)
Shelfmark	MS 2216
Surface	Paper
Numbering System	None
Measurements	400 x 290 mm
Other Identifiers	RISM: I-Bu2216 RISM: Bu CCM: BolU 2216
Notations	black full mensural black void mensural coloration in black void
Copyists	Martini, Giovanni Battista 'Padre' (1706–1784) Indexer
Relationships	Bologna University Library (owner) Biblioteca dei Canonici Regolari di San Salvatore, (owner) Brescia Cathedral (owner)
External Links	See DIAMM resources for detailed inventory with extensive notes
Provenance	Venezia (Venice), Italy
Contents	106 pieces from 24 composers

General Description

Ff. 1-40 copied in the vicinity of Venice; remaining folios copied in Brescia (see Watermarks). The manuscript remained in Brescia until the mid-18th century, when it was taken to the Biblioteca dei Canonici Regolari di San Salvatore, in Bologna. It was transferred to the Biblioteca Universitaria after 1798.

DIAMM, 2017

Physical Description

shows signs of extensive use.

DIAMM, 2017

Binding

Restored and rebound several times, most recently in 1969; modern covers of white leather over boards.

DIAMM, 2017

Watermark

Ff. 1-40: watermark similar to Briquet #3959-83; remaining folios have watermark similar to Briquet #14871-5, found exclusively in Brescia, 1434-45

DIAMM, 2017

Notation

black full mensural with black void coloration, and some added in black void mensural

DIAMM, 2017

Foliation

1-57

DIAMM, 2017

Foliation

Original ink pagination; modern pencil foliation.

DIAMM, 2017

Decoration

Simple black inked initials, with larger red calligraphic initials marking the beginnings of the four sections of the compositions.

DIAMM, 2017

Index

No original index remains, but there is an 18th-century index by Padre Martini.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM B/IV 5: XVe s. 57ff. (+ 2ff. ajoutés au XVIIIe s. chiffrés a-c et portant la table du ms.) papier, 400 x 290 mm. Pagination ancienne (XVIIIe s.) en ch. arabes en haut des p. et foliotation récente ajoutée en 1969 lors de la dernière restauration du ms. Le fo 96 est blanc, le fo 41 coupé à mi-hauteur. Notation mesurée noire (sauf les nos 23 et 68 en notation mesurée blanche, les nos 1, 79, 80, 81, 83 en notation grégorienne). 10 portées par p. Aux p. 1. 32, 64, 97, initiales rubriquées. Reliure moderne en parchemin blanc.

A la suite de la suppression des congrégations religieuses, ce ms. entra en 1816 à la Biblioteca Universitaria de Bologna, et le P[adre] Martini fit précéder la Table qu'il en dressa au XVIII s. de l'indication suivante que l'on trouve à la p. a du ms. (et aussi aux ff. 59-61 du ms. Mise. H. 83 du Civico Museo Bibliografico musicale de Bologna): «In un Ms. cartaceo Bressiano appresso il P[adre] Rev[erendissi]mo Trombelli Gen[erale] de[i] Canon[ici] Regolari di S. Salvatore si contengono le seguenti compos[izioni] ...» Le ms. proviendrait donc de Brescia où il fut très probablement copié, en partie tout au moins, et où il fut acquis au milieu du XVIIIe s. par le P. Giovanni Crisostomo Trombelli. Le filigrane le plus fréquent indique d'ailleurs un papier de Brescia où la compilation du ms. n'aurait pu avoir lieu, en tout cas, avant l'annexion de cette ville par la République vénitienne en 1426-28 puisque les motets nos 42 et 56 célèbrent le doge de Venise. D'autre part, le motet de Dufay no 40 qui célèbre la paix de Viterbe signée en 1433, et le motet no 60 où l'on peut voir une allusion au siège que Brescia, fidèle à Venise, soutint victorieusement en 1438-40, fournissent aussi des critères de datation. Le répertoire qu'on peut donc dater de 1420 à 1440 environ, a été ordonné par genres en 4 parties par le copiste qui en a marqué les limites avec 4 capitales rubriquées (I-II: parties de messes; III: motets; IV: pièces profanes); mais les adjonctions postérieures ont bouleversé le plan initial, maintenant difficilement reconnaissable. (Pour une reconstitution du ms., cf. Bibliographie II Codice).

Bibliographie

Bologna, Civico museo bibliografico musicale, Ms. Misc. H. 83, f. 59ff (= p. 43); HaberlB I, 85; Lisio (concerne le no 52); Foschini, 813ff; WolfN, 155ff; WolfG, 198ff; LudwigCRW, 618ff; FratiC, 233ff (avec facs. de la p. 71); Primo Congresso, 26 no LII; BesselerS, 136; BesselerTM; Besseler, Bologna, Kodex BU, in MGG; Damilano, 61f; GalloMV; II Codice (avec facs. de tout le ms.); FischerDL (concerne le no 57); Census I, 88; Hamml, 3.

Dans le dépouillement suivant, on a suivi la pagination et la numérotation adoptées par Besseler, la foliotation figurant entre parenthèses.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

31 Mass Ordinary sections, 2 Magnificats, 1 hymn, 19 motets, 11 laude, 12 French secular pieces, 9 Italian secular pieces = 85

Afat-1, (Anglia)-1, Antonio da Cividale-1, (Antonio Romano)-1, Binchois-3, Ciconia-1, Dufay-11, Dunstable-2, Feraguti-3, (Grenon)-1, Grossin-2, A. Lantins-7, H. Lantins-1, (C. Merques)-1, Nicolaus de Capua-1, (Oswald von Wolkenstein)-1, Power-1, Prepositi Brixiensis-1, Reson-7, Vala-5, Zachara da Teramo [Z.]-1, anon-32

ii + 57 + ii paper folios, 400 x 290. The manuscript shows signs of extensive use. Original ink pagination; modern pencil foliation. Restored and rebound several times, most recently in 1969; modern covers of white leather over boards. No original index remains, but there is an 18th-century index by Padre Martini. Black mensural notation with white coloration; several pieces were added in white mensural notation. Simple black inked initials, with larger red calligraphic initials marking the beginnings of the four sections of the compositions.

Before 1440 (first 40 folios); after 1440 (ff. 41-57); after 1450 (pieces added in white notation). Ff. 1-40 copied in the vicinity of Venice (watermark similar to Briquet #3959-83); remaining folios copied in Brescia (watermark similar to Briquet #14871-5, found exclusively in Brescia, 1434-45). The manuscript remained in Brescia until the mid-18th century, when it was taken to the Biblioteca dei Canonici Regolari di San Salvatore, in Bologna. It was transferred to the Biblioteca Universitaria after 1798.

Vol 4

Composers: Change "(C. Merques)-1" to "(N. Merques)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Missa: Introit Gaudeamus omnes	-	Anonymous
Missa: Introit Gaudeamus omnes Anonymous Appears on: 1 Genres: Agnus Dei, Introit, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Introit] Gaudeamus omnes, General Note Plain chant,
1	Missa: Kyrie	-	Anonymous
Missa: Kyrie Anonymous Appears on: 1 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa. Introit] Kyrie General Note Plain chant, LU, p. 25 Item Bibliography [No Author] 1957, R/New York 1961. Liber usualis missae et officii pro dominicis et festis cum cantu Gregoriano. Paris. Pages: 25.
1	Missa: Sanctus	-	Anonymous
Missa: Sanctus Anonymous Appears on: 1 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa. Introit] Sanctus General Note Plain chant, LU, p. 61 Item Bibliography [No Author] 1957, R/New York 1961. Liber usualis missae et officii pro dominicis et festis cum cantu Gregoriano. Paris. Pages: 61.
1	Missa: Agnus Dei	-	Anonymous
Missa: Agnus Dei Anonymous Appears on: 1 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Introit] Agnus dei. General Note Plain chant, p. 61-62 Item Bibliography [No Author] 1957, R/New York 1961. Liber usualis missae et officii pro dominicis et festis cum cantu Gregoriano. Paris. Pages: 61-62.
1v–2	Missa O pulcherrima: Kyrie verbum incarnatum	ARNALDUS [DE LANTINS]	Lantins, Arnold de (–1432)
Missa O pulcherrima: Kyrie verbum incarnatum Lantins, Arnold de (–1432) Appears on: 1v–2 Genres: Kyrie eleison, Mass Ordinary Source Attribution: ARNALDUS [DE LANTINS] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Verbum incarnatum General Note Publ. cf. Bc 15 n° 138, Ox, ff. 63-63v (Arnoldus delantins) Q15, ff. 172v-174 (Arnold de Lantins) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Widaman, Jean. 1988. The Mass Ordinary Settings of Arnold de Lantins: A Case Study in the Transmission of Early Fifteenth-Century Music. Brandeis University, Ph.D. Pages: ii, pp. 111-145. Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. Pages: 1-9 (Ox and BU).
2v–3	Missa O pulcherrima: Et in terra pax [Gloria]	[A. DE LANTINS]*	Lantins, Arnold de (–1432)
Missa O pulcherrima: Et in terra pax [Gloria] Lantins, Arnold de (–1432) Appears on: 2v–3 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [A. DE LANTINS]* Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. Bc 15 n° 139, Ox, ff. 64-64v (Arnold delantins) Q15, ff. 173v-174 Concordances GB-Ob 213 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition.* 2 vols. Lucca: Lim Editrice. Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. Pages: pp. 10-15 (Ox and BU).
3v–4	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 3v–4 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
4	Kyrie Cunctipotens genitor	-	Anonymous
Kyrie Cunctipotens genitor Anonymous Appears on: 4 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Cunctipotens genitor
4v	Et in terra pax [Gloria] 'Micinella'	[ZACHARA DE TERAMO]	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Et in terra pax [Gloria] 'Micinella' Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 4v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [ZACHARA DE TERAMO] Voice: [no designation] Languages: Latin Voice Text: [Gloria Micinella.] Et in terra General Note Publ. cf. Bc 15 n° 17, Atri, recto (incomplete) BolQ1, recto (incomplete) Grot, ff. 4v (incomplete) Lo82959, verso (incomplete) Q15, ff.18v-19 (a4, with extra voice, Zacar in index) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
5	Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster	G. DE FAY	Du Fay, Guillaume (1397–1474)
Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster Du Fay, Guillaume (1397–1474) Appears on: 5 Genres: Kyrie eleison, Mass Ordinary Source Attribution: G. DE FAY Voice: [no designation] Languages: Greek Voice Text: [Missa sine nomine] Kyrie General Note Publ. cf. AOs no 28 [Tr: Salvator noster], Ao, ff. 26v-27 & 49v-50 (G. dufay/Guillermus dufay) Q15, ff. 10v-11r (G. Du fa) Ven, ff. 1v-3
5v	Kyrie eleison	REZON	Reson, Johannes
Kyrie eleison Reson, Johannes Appears on: 5v Genres: Italian secular Source Attribution: REZON Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, II.
6	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 6 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note
6v–7	Et in terra pax [Gloria]	-	Reson, Johannes (?)
Et in terra pax [Gloria] Reson, Johannes (?) Appears on: 6v–7 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note
7v–8	Et in terra pax [Gloria]	FRATER ANTONIUS DE CIVIDATE	Cividale, Antonius de
Et in terra pax [Gloria] Cividale, Antonius de Appears on: 7v–8 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: FRATER ANTONIUS DE CIVIDATE Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, V. Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: (avec facs.).
8–9	Kyrie Laudes nostras. Marie	-	Anonymous
Kyrie Laudes nostras. Marie Anonymous Appears on: 8–9 Genres: Motet Voice: [no designation] Languages: Latin, Greek Voice Text: Kirie Laudes nostras. Marie … General Note [3e Kyrie, n° 15],
8v–9	Et in terra pax [Gloria] (III)	NICOLAUS DE CAPOA [ou BOSQUET]*	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Bosquet, Johannes (–ca. 1406) (?) Capua, Nicolaus de (?)
Et in terra pax [Gloria] (III) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Bosquet, Johannes (–ca. 1406) (?) Capua, Nicolaus de (?) Appears on: 8v–9 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: NICOLAUS DE CAPOA [ou BOSQUET]* Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. Bc 15 n° 83, MuEm, ff. 35v-36 (Bosquet) Q15, 107v-108 (a2, missing Ct and T, att. Zacar in index) Concordances * D-brd-Mbs 3232a Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
8v	Amés amés tous loiaulx amoureus	-	Anonymous
Amés amés tous loiaulx amoureus Anonymous Appears on: 8v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Amés amés tous loiaulx amoureus General Note Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
9v–10	Et in terra pax [Gloria]	DO. VALA	Vala, Dominicus
Et in terra pax [Gloria] Vala, Dominicus Appears on: 9v–10 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: DO. VALA Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
10	Liesse m'a mandé salut	[G. BINCHOIS* ou GROSSIN]	Grossin, Estienne (?) Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?)
Liesse m'a mandé salut Grossin, Estienne (?) Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 10 Genres: Chanson Source Attribution: [G. BINCHOIS* ou GROSSIN] Voice: [no designation] Languages: French Voice Text: Leesse m'a mandé salut … General Note EscA, ff. 15v-16 Ox, f. 79v (Binchois over erased ascription to Du Fay) Tr87, f. 166v (Grossin) Concordances GB-Ob 213 Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460).* Musikalische Denkmäler. Pages: II. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14 / 15 (VII).
10v–11	Patrem omnipotentem [Credo]	-	Vala, Dominicus (?) Firenze, Paolo da (ca. 1355–ca. 1436) (?)
Patrem omnipotentem [Credo] Vala, Dominicus (?) Firenze, Paolo da (ca. 1355–ca. 1436) (?) Appears on: 10v–11 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
11v–12	Patrem omnipotentem [Credo]	FERAGUT	Feragut, Beltrame
Patrem omnipotentem [Credo] Feragut, Beltrame Appears on: 11v–12 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: FERAGUT Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Q15, ff. 46v-48 (a3, with Ct, Feragut).
12v–13	Et in terra pax [Gloria]	DUNSTABLE [ou L. POWER]	Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)
Et in terra pax [Gloria] Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?) Appears on: 12v–13 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: DUNSTABLE [ou L. POWER] Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 195, Ao, ff. 277v-278 Tr90, ff. 143v-145 Tr92, ff. 8v-9 (Leonel) Tr93, ff. 173v-175v & 177 (incomplete)
13	Ave maris stella Sumens illud ave	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Ave maris stella Sumens illud ave Du Fay, Guillaume (1397–1474) Appears on: 13 Genres: Ave maris stella, BVM, Motet Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Ave maris stella General Note no CT, T a faulx bourdon. Publ. cf. Bc 15 n° 304, CS15, ff.42v-43 (with Ct) ModB, ff. 4v-5 (with Ct, Du Fay) MuEm (with the text Sumens ilud ave), f. 81v Q15, 321v (with Ct sine fauxbourdon) Tr92, f. 236v (Missing Iyrics and with different T and Ct, with the designation super ave maris stella dufay sine faulx bourdon) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
13v–14	Et in terra pax [Gloria]	[GROSSIN]	Grossin, Estienne
Et in terra pax [Gloria] Grossin, Estienne Appears on: 13v–14 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [GROSSIN] Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 67, Ao, ff. 76v-77v Q15, ff. 100v-101 (Grossin) Tr87, ff. 2v-3
14v–15	Kyrie 'cunctipotens'	BINCHOYES	Binchois, Gilles (ca. 1400–1460)
Kyrie 'cunctipotens' Binchois, Gilles (ca. 1400–1460) Appears on: 14v–15 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOYES Voice: [no designation] Languages: Latin Voice Text: Ave maris stella General Note MuEm, ff. 149v-150 (Winczois) Tr90, ff. 70v-71 Tr93, ff. 101v-102
15v–16	Sanctus	AFAT	Afat (fl. c1430)
Sanctus Afat (fl. c1430) Appears on: 15v–16 Genres: Italian secular Source Attribution: AFAT Voice: [no designation] Languages: Latin Voice Text: Sanctus Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
15v–16	Magnificat anima mea Dominum [K.219]	-	Anonymous
Magnificat anima mea Dominum [K.219] Anonymous Appears on: 15v–16 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Magnificat General Note Versets imp., Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
16v–17	Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo]	G. DU FAY	Du Fay, Guillaume (1397–1474)
Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo] Du Fay, Guillaume (1397–1474) Appears on: 16v–17 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: G. DU FAY Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine.Credo] Patrem General Note Publ. cf. AOs n° 35-, Ao, ff. 33v-34 & 129v-132 (Du Fay) Q15, 13v-15 (Du Fay) Ven, ff. 22v-25 (a2, without Ct)
17v–19	Missa O pulcherrima: Patrem omnipotentem [Credo]	[A. DE LANTINS]	Lantins, Arnold de (–1432)
Missa O pulcherrima: Patrem omnipotentem [Credo] Lantins, Arnold de (–1432) Appears on: 17v–19 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [A. DE LANTINS] Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. Bc 15 n° 140, MuL, f. 2 Ox, ff. 65-6 (Arnoldus delantins) Q15, ff. 174v-176 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
19	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 19 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria General Note Item Bibliography Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III,
19v–21	Patrem omnipotentem [Credo]	??? Reson???	Reson, Johannes (?)
Patrem omnipotentem [Credo] Reson, Johannes (?) Appears on: 19v–21 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: ??? Reson??? Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Attrib. à Reson dans HammTR,76-t'r =y Item Bibliography Hamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 5-21.
21	Ave preciosa gemma	-	Anonymous
Ave preciosa gemma Anonymous Appears on: 21 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Ave preciosa gema … Voice: [no designation] Languages: Latin Voice Text: Ave preciosa gema … Item Bibliography Cattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 45-75.
21v–22	Sanctus Deus pater cuius presencia	????Reson???	Reson, Johannes (?)
Sanctus Deus pater cuius presencia Reson, Johannes (?) Appears on: 21v–22 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: ????Reson??? Voice: [no designation] Languages: Latin Voice Text: Sanctus Deus pater cujus presencia General Note Attrib. à Reson dans HammTR, Item Bibliography Hamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 5-21.
22	Gaude flore virginali / Gaude flore virginali / Gaude flore virginali	-	Anonymous
Gaude flore virginali / Gaude flore virginali / Gaude flore virginali Anonymous Appears on: 22 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Gaude flore virginali . . virgo mater Christi] General Note Publ. cf. Bc 15 n« 285, Feininger, #2 (Gaude virgo) FP27, ff. 29v-30 (a4, Gaude virgo) Milan49, f. 84v (a2, fifth lower) Q15, f. 309 Ven, f. 127-128 (Gaude virgo, similar but different opening to Ct (BU is more ornate) but missing second section. Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
22v–23	Agnus Dei. Alme pater rex justificans	???Reson???	Reson, Johannes (?)
Agnus Dei. Alme pater rex justificans Reson, Johannes (?) Appears on: 22v–23 Genres: Agnus Dei, Motet Source Attribution: ???Reson??? Voice: [no designation] Languages: Latin Voice Text: Agnus dei. Alme pater rex justificans General Note Attrib. à Reson dans HammTR Item Bibliography Hamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 5-21.
23–22v	Ave verum corpus	???Reson???	Reson, Johannes (?)
Ave verum corpus Reson, Johannes (?) Appears on: 23–22v Genres: Lauda Source Attribution: ???Reson??? Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus … Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus … Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus … General Note Attrib. à Reson dans HammTR Item Bibliography Hamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 5-21. Pages: Attrib. à Reson.
23v–24	Et in terra pax [Gloria]	ARNOLDUS DE LATINIS	Lantins, Arnold de (–1432)
Et in terra pax [Gloria] Lantins, Arnold de (–1432) Appears on: 23v–24 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: ARNOLDUS DE LATINIS Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Q15, ff. 114v-115 (Ar de Lantinis)
24v–26	Patrem omnipotentem [Credo]	[A. DE LANTINS	Lantins, Arnold de (–1432)
Patrem omnipotentem [Credo] Lantins, Arnold de (–1432) Appears on: 24v–26 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [A. DE LANTINS Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem … Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem … Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem … General Note Q15, ff. 115v-117
25v–26	O quam suavis est	-	Anonymous
O quam suavis est Anonymous Appears on: 25v–26 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O quam suavis est Item Bibliography Cattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 45-75.
26v–28	Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella)	G. DU FAY	Du Fay, Guillaume (1397–1474)
Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella) Du Fay, Guillaume (1397–1474) Appears on: 26v–28 Genres: Credo (patrem omnipotentem), Mass Ordinary, Troped Credo Source Attribution: G. DU FAY Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Avec 2d Amen [Tr: Die Maria] Publ. cf. AOs n° 91, Ao, ff. 126v-129 Q15, ff. 37v-40 Ca6, ff. 5v-10 Ca11, ff. 23-27
27v–28	Mercé te chiamo o dolze anima mia	-	Anonymous
Mercé te chiamo o dolze anima mia Anonymous Appears on: 27v–28 Genres: Chanson, Frottola Voice: [no designation] Languages: Italian Voice Text: Mercé te chiamo o dolze anima mia ... Voice: [no designation] Languages: Italian Voice Text: Mercé te chiamo o dolze anima mia ... General Note EscB, f. 82v-83 (a3 and incomplete due to missing leaf) MC871, pp. 348-9 (a3) Item Bibliography Hanen, Martha Knight. 1983. The Chansonnier El Escorial IV.a.24: Commentary and Edition. Musicological Studies. 3 vols. Henryville, Ottawa, and Binningen. Pages: no. 73 (EscB). Luisi, Francesco. 1983. Laudario Giustinianeo. 2 vols. Venice. Pages: p. 236 (BU) and p. 238 (MC871). Haar, James (editor). 1964. Chanson and Madrigal, 1480-1530... a Conference at Isham Memorial Library, September 13-14 1961. Cambridge, Mass. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: 336 (MC871). Rubsamen, Walter H. 1964. From Frottola to Madrigal: The Changing Pattern of Secular Italian Vocal Music. Chanson & Madrigal 1480-1530: Studies in Comparison and Contrast, 51-87 and 172-242. Cambridge, Massachusetts. Pages: p. 172 (BU). Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: 11, no. 48a (BU) and 48b (MC871). Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Ghisi, Federico. 1953. Strambotti e Laude nel Travestimento Spirituale della Poesia Musicale del Quattrocento. Collectanea Historiae Musicae I, 45-78.
28v–29	Supremum est mortalibus bonum II: O sancta pax	G. du FAY	Du Fay, Guillaume (1397–1474)
Supremum est mortalibus bonum II: O sancta pax Du Fay, Guillaume (1397–1474) Appears on: 28v–29 Genres: Motet Source Attribution: G. du FAY Voice: [no designation] Languages: Latin Voice Text: Supremum est mortalibus bonum General Note Publ. cf. Bc 15 n° 168 Pro pace. Pro duobus magnis luminaribus mundi., Cop17, f. 17 (incomplete) ModB, ff. 66v-67 (Du Fay) MuEm, ff. 107v-109 (different text) Q15, ff. 206v-207r (du fay) Tr92, ff. 32v-34 (Du Fay) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
29v–30	Francorum nobilitati	B. FERAGUT	Feragut, Beltrame
Francorum nobilitati Feragut, Beltrame Appears on: 29v–30 Genres: Motet Source Attribution: B. FERAGUT Voice: [no designation] Languages: Latin Voice Text: Francorum nobilitati General Note Ox, ff. 11v-12 (Beltrame Feraguti) Item Bibliography Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society.
30v–31	Christus vincit	Ugo de Latinis	Lantins, Hugo de (fl. 1420-30)
Christus vincit Lantins, Hugo de (fl. 1420-30) Appears on: 30v–31 Genres: Motet Source Attribution: Ugo de Latinis Voice: [no designation] Languages: Latin Voice Text: Christus vincit Christus regnat … Voice: [no designation] Languages: Latin Voice Text: Christus vincit Christus regnat … Voice: [no designation] Languages: Latin Voice Text: Christus vincit Christus regnat … General Note Q15, ff. 218v-219 (O lux et decus Hispanie, Hugo) text here Christus vincit - motet re-worked in Q15 Item Bibliography Gallo, Franco Alberto. 1964. Musiche Veneziane nel Ms. 2216 della Biblioteca Universitaria di Bologna. Quadrivium, 107-16. Pages: tav. 7-10 (BU),facson p. 60.
30v–31	Ave corpus vere natum	-	Feragut, Beltrame (?)
Ave corpus vere natum Feragut, Beltrame (?) Appears on: 30v–31 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Ave corpus vere natum … Voice: [no designation] Languages: Latin Voice Text: Ave corpus vere natum … Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
31v	Ave regina caelorum	-	Lantins, Hugo de (fl. 1420-30) (?)
Ave regina caelorum Lantins, Hugo de (fl. 1420-30) (?) Appears on: 31v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum … Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum …
32–31v	O Thoma didime	DO.VALA	Vala, Dominicus
O Thoma didime Vala, Dominicus Appears on: 32–31v Genres: Motet Source Attribution: DO.VALA Voice: [no designation] Languages: Italian Voice Text: O Toma didime per Christum … Voice: [no designation] Languages: Italian Voice Text: O Toma didime per Christum … Voice: [no designation] Languages: Italian Voice Text: O Toma didime per Christum … General Note Do. Vala Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
32v–33	Alma redemptoris mater II Et stella maris III Virgo prius	G. Du Fay	Du Fay, Guillaume (1397–1474)
Alma redemptoris mater II Et stella maris III Virgo prius Du Fay, Guillaume (1397–1474) Appears on: 32v–33 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: G. Du Fay Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater … Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater … Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater … General Note Publ. cf. Bc 15 n° 224, Q15, ff. 260v-261 Leipzig, ff. 230v-231 (2 copies of Tenor, in different notation) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
33	Ave fuit prima salus	-	Du Fay, Guillaume (1397–1474) (?)
Ave fuit prima salus Du Fay, Guillaume (1397–1474) (?) Appears on: 33 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Ave fuit prima salus … General Note [Autres mss.: +3+5+7+5] Publ. cf. Bc 15 n° 172, Feininger, #8 (a2, missing Cont44444ratenor) MilanY3, ff. 171v-172 (a2, missing Contratenor) Q15, ff. 210v-211 Ven, ff. 108-109v (a2, no Contratenor and variant Tenor) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Foschini, Gaetano F. 1898. La musica all'Eposizione Generale Italiana di Torino 1898. Rivista musicale italiana, 786-836. Pages: p. 814 (Q15).
33v–34	Tota pulchra es amica mea et macula II: Flores apparuerunt	[A. de Lantins]	Lantins, Arnold de (–1432) (?)
Tota pulchra es amica mea et macula II: Flores apparuerunt Lantins, Arnold de (–1432) (?) Appears on: 33v–34 Genres: Motet Source Attribution: [A. de Lantins] Voice: [no designation] Languages: Latin Voice Text: Tota pulcra es amica mea … Voice: [no designation] Languages: Latin Voice Text: Tota pulcra es amica mea … Voice: [no designation] Languages: Latin Voice Text: Tota pulcra es amica mea … General Note Publ. cf. Bc 15 n° 202, MuEm, ff. 136v-138 (Arnoldus de Lantins, with extra Cantus part) Ox, f. 42 (Arnoldus de {la}ntins) Q15, ff. 238v-239 (Ar de Lantinis, with extra Cantus voice) PC, f. 65 (Tenor only, first part only) Stras, f. 16 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
34	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 34 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei ... Voice: [no designation] Languages: Latin Voice Text: Agnus dei ... General Note Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
34v–35	O pulcherrima mulierum	A. de Lantins	Lantins, Arnold de (–1432)
O pulcherrima mulierum Lantins, Arnold de (–1432) Appears on: 34v–35 Genres: Motet Source Attribution: A. de Lantins Voice: [no designation] Languages: Latin Voice Text: O pulcerima mulierum … Voice: [no designation] Languages: Latin Voice Text: O pulcerima mulierum … Voice: [no designation] Languages: Latin Voice Text: O pulcerima mulierum … General Note Publ. cf. Bc 15 n° 178, Ox, f. 80v (Arnoldus de {la}ntins) Q15, 216v-217 (Ar de Lantins) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
35	Ave regina caelorum	-	Anonymous
Ave regina caelorum Anonymous Appears on: 35 Genres: BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
35v–36	Vergine bella	G. Dufay	Du Fay, Guillaume (1397–1474)
Vergine bella Du Fay, Guillaume (1397–1474) Appears on: 35v–36 Genres: Motet Source Attribution: G. Dufay Voice: [no designation] Languages: Latin Voice Text: Vergene bella che de sol vestita … Voice: [no designation] Languages: Latin Voice Text: Vergene bella che de sol vestita … General Note Publ. cf. Bc 15 n° 201. Facs. p. 71, Ox, ff, 133v-134 (Guillermus dufay) Q15, ff. 237v-238 (du fay) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
36v–37	O virum omnimoda veneratione / O lux et decus tranensium / O beate Nicolae supplicum vota suscipe	Jo. Cicho[n]ia	Ciconia, Johannes (ca. 1370–1412)
O virum omnimoda veneratione / O lux et decus tranensium / O beate Nicolae supplicum vota suscipe Ciconia, Johannes (ca. 1370–1412) Appears on: 36v–37 Genres: Motet Source Attribution: Jo. Cicho[n]ia Voice: Secundus Languages: Latin Voice Text: O lux et decus . . . Voice: [no designation] Languages: Latin Voice Text: O virum omnimoda venerazione dignum … Voice: [no designation] Languages: none Voice: Tenor Languages: Latin Voice Text: O beate Nicholae . . . General Note Sup. 2us: O lux et decus . . .T: O beate Nicholae . . .Publ. cf. Bc 15 n° 254, Q15, ff. 284v-285 (Jo ciconie) SienaBC, ff. 25v-26 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
37v–38	O anima C[h]risti sanctifica me	-	Anonymous
O anima C[h]risti sanctifica me Anonymous Appears on: 37v–38 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O anima Christi sanctifica me General Note Item Bibliography Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: with facs.
38–37v	Innicietur regi melos	-	Anonymous
Innicietur regi melos Anonymous Appears on: 38–37v Voice: [no designation] Languages: Latin Voice Text: Innicietur regi melos … Voice: [no designation] Languages: Latin Voice Text: Innicietur regi melos … Voice: [no designation] Languages: Latin Voice Text: Innicietur regi melos …
38v–39	Ducalis sedes inclita/Stirps […] veneti	[ANTONIUS ROMANUS]	Romanus, Antonius (?)
Ducalis sedes inclita/Stirps […] veneti Romanus, Antonius (?) Appears on: 38v–39 Genres: Motet Source Attribution: [ANTONIUS ROMANUS] Voice: Secundus Languages: Latin Voice Text: Stirps [Mocenigo] Veneti … Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Ducatis sedes inclita … General Note Sup. 2us: Stirps [Mocenigo] Veneti … Publ. cf. Bc 15 n° 243. Facs. p. 76 (f. 38v). Q15, ff. 275v-276 (Anthonius Romanus, with extra Contratenor) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Gallo, Franco Alberto. 1964. Musiche Veneziane nel Ms. 2216 della Biblioteca Universitaria di Bologna. Quadrivium, 107-16. Pages: tav. 1-6 (Q15).
39v–40	Ave mater o Maria	-	Anonymous
Ave mater o Maria Anonymous Appears on: 39v–40 Genres: Ave Maria, Lauda Voice: [no designation] Languages: Latin Voice Text: Ave mater o Maria General Note Kras, f. 186v Ven, ff. 28v-29r (a3, ct is unique) WolkB, ff. 44v-45 (a3, missing CII and with considerably more florid discantus) Item Bibliography Feicht, Hieronim (editor). 1963-. Antiquitates Musicae in Polonia. Warsaw & Graz: Polish Scientific Publishers/Akademische Druck- und Verlagsanstalt. Pages: XIV. Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: p. 318 (Ven). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: (IX. O. v. Wolkenstein).
39v–40	Sanctus, admirabilis splendor	-	Anonymous
Sanctus, admirabilis splendor Anonymous Appears on: 39v–40 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Ducalis sedes inclita/Stirps Mocinico General Note Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. Pages: ii, pp. 101-103.
40v	Salve regina mater misericordiae	[J. RESON]	Reson, Johannes (?)
Salve regina mater misericordiae Reson, Johannes (?) Appears on: 40v Genres: BVM, Motet, Salve Regina Source Attribution: [J. RESON] Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Publ. cf. Bc 15 n° 179, Q15, ff. 217v-218 (Jo reson) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
41	Viva San Marco glorioso	-	Anonymous
Viva San Marco glorioso Anonymous Appears on: 41 Genres: Motet, Sacred Song Voice: [no designation] Languages: Italian Voice Text: Viva viva san Marcho glorioso ... General Note T et Ctseul1, Item Bibliography Gallo, Franco Alberto. 1964. Musiche Veneziane nel Ms. 2216 della Biblioteca Universitaria di Bologna. Quadrivium, 107-16. Pages: with facs. (tav. 10-11).
41v–42	Benedicta es caelorum regina	[DE ANGLIA]	Anglia, Robertus de (fl. 1454-74) (?) Power, Leonel (–1445) (?)
Benedicta es caelorum regina Anglia, Robertus de (fl. 1454-74) (?) Power, Leonel (–1445) (?) Appears on: 41v–42 Genres: Motet Source Attribution: [DE ANGLIA] Voice: [no designation] Languages: Latin Voice Text: Benedicta es caelorum regina General Note Mq. le début du Sup. Publ. cf. Bc 15 n" 185, OxL Q15, ff. 221v-222 (de anglia) Tr92, ff. 177v-178 (De Anglia) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
42	Kyrie 'Cunctipotens genitor'	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Kyrie 'Cunctipotens genitor' Du Fay, Guillaume (1397–1474) Appears on: 42 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [Cunctipotens genitor] General Note Publ. cf. AOs n° 20, Ao, f. 22 MuEm, ff. 31v-32 Q15, ff. 157v-158 (du fay) Tr92, f. 27 (dufay) Tr93, ff. 98v-99
42v–43	Quam pulchra es et quam decora	[J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453) (?) Egidius (?)
Quam pulchra es et quam decora Dunstaple, John (ca. 1390–1453) (?) Egidius (?) Appears on: 42v–43 Genres: Motet Source Attribution: [J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es et quam decora General Note Publ. cf. AOs n° 138. Facs.: MB Vili, Ao, ff. 188v-189 (Dunstapell erased and replaced with Egidius) CamPem, p. 7 ModB, ff. 81v-82 (Dunstaple) MuEm, ff. 63v-64 Q15, 313v-314 (Dunstable) Tr92, ff. 110v-111 (name cut off)
43v	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est	LEONEL	Power, Leonel (–1445)
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est Power, Leonel (–1445) Appears on: 43v Genres: Motet Source Attribution: LEONEL Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est General Note Ascr. anonymous, no CT; FM, ff. 32v-34 (with Ct) ModB, ff. 117v-118 (Leonel, with Ct) MuEm, ff. 150v-151 (Leonellus with Ct) Item Bibliography Loyan, Richard K. 1973. The music in the manuscript Florence, Fondo Magliabechiano XIX. 112bis. University of California, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I. Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig.
43v	Anima mea liquefacta est - 2a pars (of 3): Tulerunt pallium meum	-	Power, Leonel (–1445)
Anima mea liquefacta est - 2a pars (of 3): Tulerunt pallium meum Power, Leonel (–1445) Appears on: 43v Genres: Motet
43v	Anima mea liquefacta est - 3a pars (of 3): Quia amore langueo	-	Power, Leonel (–1445)
Anima mea liquefacta est - 3a pars (of 3): Quia amore langueo Power, Leonel (–1445) Appears on: 43v Genres: Motet
44–44v	Sanctus	B. FERAGUT	Feragut, Beltrame
Sanctus Feragut, Beltrame Appears on: 44–44v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: B. FERAGUT Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es et quam decora General Note
44v–45	Imera dat hodierno	GROSSIM	Grossin, Estienne
Imera dat hodierno Grossin, Estienne Appears on: 44v–45 Genres: Motet Source Attribution: GROSSIM Voice: [no designation] Languages: Latin Voice Text: Imera dat hodierno General Note Publ. cf. Bc 15 n° 203, MuEm, ff. 80v-81 Ox, ff. 48v-49 (Grossim de parisius) PC, f. 63v (T only) Q15, 239v-240 (grosin) Tr92, ff. 124v-125 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
45	Con desiderio io vo cercando	-	Grossin, Estienne (?)
Con desiderio io vo cercando Grossin, Estienne (?) Appears on: 45 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Con desiderio io vo cerchando
45v–48	Magnificat primi toni: Anima mea [K.746]	BINCHOYES [ou G. DUFAY]	Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460)
Magnificat primi toni: Anima mea [K.746] Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) Appears on: 45v–48 Genres: BVM, Magnificat, Motet Source Attribution: BINCHOYES [ou G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Imera dat hodierno General Note Tous les versets, SPietro, ff. 196v-198 FM, ff. 13v-15 ModB, 31r-32v (Du Fay) Item Bibliography Loyan, Richard K. 1973. The music in the manuscript Florence, Fondo Magliabechiano XIX. 112bis. University of California, Ph.D. Dissertation.
49	En bianca vesta pellegrina cerva	-	Anonymous
En bianca vesta pellegrina cerva Anonymous Appears on: 49 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: lEn biancha vesta pellegrina cerva . . .
49	Fugir non posso dal tuo dolze volto	-	Ciconia, Johannes (ca. 1370–1412) (?)
Fugir non posso dal tuo dolze volto Ciconia, Johannes (ca. 1370–1412) (?) Appears on: 49 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fugir non posso dal tuo dolze volto … General Note Lucca, ff. 89v-90 PC, fo.63 (T only) Editions: PMFC11, no. 39 (Lucca). Luisi ii, p. 275 (PC).
49v–50	Deduto sei a quel che mai non fusti	-	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Ciconia, Johannes (ca. 1370–1412) (?)
Deduto sei a quel che mai non fusti Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Ciconia, Johannes (ca. 1370–1412) (?) Appears on: 49v–50 Genres: Ballata Voice: [no designation] Languages: Italian Voice Text: Deduto sey a quel che may non fusti . . . General Note Paris4917, ff. 25v-26v (missing CT) Item Bibliography Plamenac, Dragan. 1964. Faventina. Liber amicorum Charles van den Borren, 145ff. Antwerp. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 57.
50v	O bella rosa o perla angelichata	-	Ciconia, Johannes (ca. 1370–1412) (?)
O bella rosa o perla angelichata Ciconia, Johannes (ca. 1370–1412) (?) Appears on: 50v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: O bella rosa o perla angelichata General Note
51	Mercé o morte o vaga anima mia	-	Ciconia, Johannes (ca. 1370–1412) (?)
Mercé o morte o vaga anima mia Ciconia, Johannes (ca. 1370–1412) (?) Appears on: 51 Genres: Ballata Voice: [no designation] Languages: Italian Voice Text: Mercé o morte o vaga anima mia General Note Lucca, f. 52v [13v] (Ciconia, incomplete due to lost page, missing T but with additional Ct) Paris4917 ff. 18v-19 Pist, f. 4v Editions: Ghisi, p. 17 (Pist). Nádas, p. 105 (Lucca). PMFC11, no. 46 (Paris 4917). PMFC24, 39a (Paris 4917) and 39b (BU). Item Bibliography Nadas, John, and Agostino Ziino. 1990. The Lucca Codex. Codice Mancini. Lucca, Archivio di Stato, ms. 184. Perugia, Biblioteca comunale Augusta, ms. 3065. Introductory Study and Facsimile Edition. Ars Nova. Lucca: Libreria musicale italiana. Pages: p. 105 (Lucca). Marrocco, W. Thomas (editor). 1978. Italian Secular Music (VI). Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. Pages: no. 46 (Paris 4917). Ghisi, Federico. 1946-47. Italian Ars-Nova Music: The Perugia and Pistoia fragments of the Lucca musical codex and other unpublished early 15th century sources. Journal of Renaissance and Baroque Music, 173-91. Pages: p. 105 (Lucca).
50v–51	O zentil madona mia	-	Anonymous
O zentil madona mia Anonymous Appears on: 50v–51 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: O zentil madona mia … General Note Edition: GalloBU ii, p. 104. PMFC11, no. 61. Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
51v–52	Invidia nimica	G. DU FAY	Du Fay, Guillaume (1397–1474)
Invidia nimica Du Fay, Guillaume (1397–1474) Appears on: 51v–52 Genres: Italian secular Source Attribution: G. DU FAY Voice: [no designation] Languages: Latin Voice Text: Invidia inimica … General Note Ox, ff. 128v-129 (Guillermus dufay) Pan26, ff. 17v-18 (missing Ct 2) Item Bibliography Duffin, Ross W (editor). 1983. Guillaume Dufay: Chansons: Forty-five Settings in Original Notation from Oxford, Bodleian Library MS Canonici 213. Miami, FL. Pages: p. 60 (Ox). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1/vi, no. 2 (Ox).
52v	Degar dés vous de le cordon	PREPOSITI BRIXIENSIS	Brixiensis, Prepositus
Degar dés vous de le cordon Brixiensis, Prepositus Appears on: 52v Genres: Chanson Source Attribution: PREPOSITI BRIXIENSIS Voice: [no designation] Languages: Latin Voice Text: Degar dés vous de le cordon … General Note Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London.
52v	La belle se siet au piet de la tour	[G. DÜFAY]	Du Fay, Guillaume (1397–1474) (?)
La belle se siet au piet de la tour Du Fay, Guillaume (1397–1474) (?) Appears on: 52v Genres: Chanson Source Attribution: [G. DÜFAY] Voice: [no designation] Languages: French Voice Text: La belle se sit a pi du [sic] la tour … General Note Namur, f. 293 (T only in stroke notation) Ox, f. 31 (with added 2nd voice attributed to Du Fay) PC, f. 61 (T only) Rei 3, ff. 108v-109 Item Bibliography Duffin, Ross W (editor). 1983. Guillaume Dufay: Chansons: Forty-five Settings in Original Notation from Oxford, Bodleian Library MS Canonici 213. Miami, FL. Pages: p. 16 (Ox). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1/vi, no.12 (Ox). Riemann, Hugo. 1906. Hausmusik aus alter Zeit. Intime Gesänge mit Instrumental-Begleitung aus dem 14. bis 15. Jahrh. in ihrer Originalgestalt. Leipzig: Breitkopf & Härtel. Pages: p. 16 (Ox). Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London. Pages: p. 122 (Ox).
53	Pour amour de la rosete	DO. VALA	Vala, Dominicus
Pour amour de la rosete Vala, Dominicus Appears on: 53 Genres: Chanson Source Attribution: DO. VALA Voice: [no designation] Languages: French Voice Text: Pour amour de la rosete … Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
53v	Angelus autem Domini descendit de caelo	-	Anonymous
Angelus autem Domini descendit de caelo Anonymous Appears on: 53v Genres: Troped ite Voice: [no designation] Languages: Latin Voice Text: Angelus autem domini …
53v	Et ecce terremotus	-	Anonymous
Et ecce terremotus Anonymous Appears on: 53v Voice: [no designation] Languages: Latin Voice Text: Et ecce terremotus
53v	Erat autem aspectus	-	Anonymous
Erat autem aspectus Anonymous Appears on: 53v Voice: [no designation] Languages: Latin Voice Text: Erat autem aspectus
53v	Pre timore autem eius	-	Anonymous
Pre timore autem eius Anonymous Appears on: 53v Voice: [no designation] Languages: Latin Voice Text: Pre timore autem eius
53v	Respondens autem angelus	-	Anonymous
Respondens autem angelus Anonymous Appears on: 53v Voice: [no designation] Languages: Latin Voice Text: Respondens autem angelus
53v	Et respicientes viderunt	-	Anonymous
Et respicientes viderunt Anonymous Appears on: 53v Voice: [no designation] Languages: Latin Voice Text: Et respicientes viderunt
54	De transfiguratione Domini nostri Jesu Christi ad laudes et in secundum vesperis. Assumpsit Jesus Petrum et Jacobum	-	Anonymous
De transfiguratione Domini nostri Jesu Christi ad laudes et in secundum vesperis. Assumpsit Jesus Petrum et Jacobum Anonymous Appears on: 54 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: De transfiguratione domini nostri Jesu Christi ad laudes et in secundum vesperis. Assumpsit Yhesus Petrum et Jacobum … General Note Plain chant, Not musically related to modern chant.
54	Resplenduit facies eius	-	Anonymous
Resplenduit facies eius Anonymous Appears on: 54 Voice: [no designation] Languages: Latin Voice Text: Resplenduit facies eius General Note Not musically related to modern chant.
54	Et ecce apparuerunt	-	Anonymous
Et ecce apparuerunt Anonymous Appears on: 54 Voice: [no designation] Languages: Latin Voice Text: Et ecce apparuerunt General Note Not musically related to modern chant.
54	Respondens autem petrus	-	Anonymous
Respondens autem petrus Anonymous Appears on: 54 Voice: [no designation] Languages: Latin Voice Text: Respondens autem petrus General Note Not musically related to modern chant.
54	Adhuc eo loquente	-	Anonymous
Adhuc eo loquente Anonymous Appears on: 54 Voice: [no designation] Languages: Latin Voice Text: Adhuc eo loquente General Note Not musically related to modern chant.
54	Christus natus est nobis	-	Anonymous
Christus natus est nobis Anonymous Appears on: 54 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christus natus est nobis … General Note Plain chant, Not musically related to modern chant.
54–55	Venite exultemus	-	Anonymous
Venite exultemus Anonymous Appears on: 54–55 Voice: [no designation] Languages: Latin Voice Text: Venite exultemus General Note Not musically related to modern chant.
55	Benedicamus Domino = Va tent souspir je t'en supplie	-	Grossin, Estienne (?)
Benedicamus Domino = Va tent souspir je t'en supplie Grossin, Estienne (?) Appears on: 55 Genres: Chanson, Contrafactum, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino General Note Ox, f. 27 (Grossim, with text Va t’ent souspier je t’en supplie) PC, ff. 49v-50 (Text as above) Item Bibliography Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London. Pages: p. 172 (Ox, with facs.).
55	Et audientes disipuli sic ceciderunt	-	Anonymous
Et audientes disipuli sic ceciderunt Anonymous Appears on: 55 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et audientes disipuli [sic] ceciderunt … General Note Plain chant, Not musically related to modern chant.
55v	Belle vueilliés vostre mercy donner	G. DU FAY	Du Fay, Guillaume (1397–1474)
Belle vueilliés vostre mercy donner Du Fay, Guillaume (1397–1474) Appears on: 55v Genres: Chanson, Rondeau Source Attribution: G. DU FAY Voice: [no designation] Languages: French Voice Text: Belle vuillés vostre mercy donner . . . General Note Ox, ff. 118v-119 (G. du{fa}y) PC, fo. 43 (T and Ct only as facing page missing) Item Bibliography Duffin, Ross W (editor). 1983. Guillaume Dufay: Chansons: Forty-five Settings in Original Notation from Oxford, Bodleian Library MS Canonici 213. Miami, FL. Pages: p. 54. (Ox). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1/vi, no. 47 (Ox).
56	A vous me recummant toudis	DO. VALA	Vala, Dominicus
A vous me recummant toudis Vala, Dominicus Appears on: 56 Genres: Chanson Source Attribution: DO. VALA Voice: [no designation] Languages: French Voice Text: A vous me recummant toudis … General Note Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.
55v–56	Gardés vous bien de trop parler	-	Anonymous
Gardés vous bien de trop parler Anonymous Appears on: 55v–56 Genres: Italian secular Voice: [no designation] Languages: French Voice Text: Gardés vous bien de trop parler General Note Mq. le début du TCt: Voluntier ye me garderoye .
56v	Vous soiés la tres bien venue	[C. DE MERQUES]	Merques, Nicolas (?)
Vous soiés la tres bien venue Merques, Nicolas (?) Appears on: 56v Genres: Chanson Source Attribution: [C. DE MERQUES] Voice: [no designation] Languages: French Voice Text: Vous soiés la tres bien venue . . General Note Mq. le Ct, Tr87, f. 133v (C. De marques, with Ct) Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22, (XI / 1), p. 91 (Tr87).
56v	Se je vous ai bien loyaulment aimee	[N. GRENON*]	Grenon, Nicolas (?)
Se je vous ai bien loyaulment aimee Grenon, Nicolas (?) Appears on: 56v Genres: Chanson, Rondeau Source Attribution: [N. GRENON] Voice:* [no designation] Languages: French Voice Text: Se ye vous ay bien loyaument amée . . . General Note Ox, f. 81v (Nicolaus Grenon) Paris4917, f. 4v Rei 3, ff. 92v-93 (Grenon, with Ct) Concordances GB-Ob 213 Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.* London. Pages: p. 7 (Rei). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 37, p. 3 (Rei). Dannemann, E. 1936. Die spatgotische Musiktradition in Frankreich und Burgund vor dem Auftreten Dufays. Collection d'études musicologiques. Leipzig/Strasbourg. Pages: no. VI (Ox).
57	Pour honnorer ma gentille demoiselle	-	Anonymous
Pour honnorer ma gentille demoiselle Anonymous Appears on: 57 Genres: Ballade, Chanson Voice: [no designation] Languages: French Voice Text: Pour honnörer ma gentil damoyselle . . . General Note Paris4917, f. 2v
57	Adieu Adieu, ma douce amie	DO. VALA	Vala, Dominicus
Adieu Adieu, ma douce amie Vala, Dominicus Appears on: 57 Genres: Chanson Source Attribution: DO. VALA Voice: [no designation] Languages: French Voice Text: Adyeu adyeu ma dous amye … General Note Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. Pages: ii, p. 108.
57v	Benedicamus cum trine vocis iubilo	-	Anonymous
Benedicamus cum trine vocis iubilo Anonymous Appears on: 57v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus cum trine vocis General Note T et Ct: Benedicamus domino. Item Bibliography Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. Pages: ii, p. 109.
57v	In natali Domini Vs. Virgo mater peperit	-	Anonymous
In natali Domini Vs. Virgo mater peperit Anonymous Appears on: 57v Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: In natali domini General Note Publ. cf. Bc 15 n° 180 (à 3vx.); Ber190, f. 24r-v (a3, with different C and Ct) Q15, 217v-218 (a4, with CII and Ct) Pavia361, ff. 9v-10 Tr87, f. 219 (a3, with Ct) Trier, ff. 137-137v (a2, uses T but with different lower voice) Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Diederichs, Elisabeth. 1986. Die Anfänge der mehrstimmigen Lauda vom Ende des 14. bis zur Mitte des 15. Jahrhunderts. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 324-329; p. 324 (BU version with Pavia361 annotations. Versions from Q15, Tr87 and Trier are on pp. 325-329). Cattin, Giulio. 1968. Le composizioni musicali del ms. Pavia Aldini 361. L'Ars Nova italiana del Trecento, 1-21. Pages: p. 15 (Pavia361 version). Wolf, Johannes. 1923), second, un-revised edition (Bückeburg und Leipzig: Kistner and Siegel 1927. Musikalische Schrifttafeln für den Unterricht in der Notationskunde. Leipzig. Pages: pl. 58 (Ber190 version, with some rhythmic variants).

Composer	Compositions
Afat (fl. c1430)	Sanctus – 15v–16
Anglia, Robertus de (fl. 1454-74)	(?) Benedicta es caelorum regina – 41v–42
Anonymous	Adhuc eo loquente – 54 Agnus Dei – 34 Amés amés tous loiaulx amoureus – 8v Angelus autem Domini descendit de caelo – 53v Ave mater o Maria – 39v–40 Ave preciosa gemma – 21 Ave regina caelorum – 35 Benedicamus cum trine vocis iubilo – 57v Christus natus est nobis – 54 De transfiguratione Domini nostri Jesu Christi ad laudes et in secundum vesperis. Assumpsit Jesus Petrum et Jacobum – 54 En bianca vesta pellegrina cerva – 49 Erat autem aspectus – 53v Et audientes disipuli sic ceciderunt – 55 Et ecce apparuerunt – 54 Et ecce terremotus – 53v Et in terra pax [Gloria] – 3v–4 Et respicientes viderunt – 53v Gardés vous bien de trop parler – 55v–56 Gaude flore virginali / Gaude flore virginali / Gaude flore virginali – 22 In natali Domini Vs. Virgo mater peperit – 57v Innicietur regi melos – 38–37v Kyrie Cunctipotens genitor – 4 Kyrie Laudes nostras. Marie – 8–9 Magnificat anima mea Dominum [K.219] – 15v–16 Mercé te chiamo o dolze anima mia – 27v–28 Missa: Agnus Dei – 1 Missa: Introit Gaudeamus omnes – 1 Missa: Kyrie – 1 Missa: Sanctus – 1 O anima C[h]risti sanctifica me – 37v–38 O quam suavis est – 25v–26 O zentil madona mia – 50v–51 Pour honnorer ma gentille demoiselle – 57 Pre timore autem eius – 53v Resplenduit facies eius – 54 Respondens autem angelus – 53v Respondens autem petrus – 54 Sanctus – 6 Sanctus, admirabilis splendor – 39v–40 Venite exultemus – 54–55 Verbum caro factum est de virgine Maria – 19 Viva San Marco glorioso – 41
Binchois, Gilles (ca. 1400–1460)	Kyrie 'cunctipotens' – 14v–15 (?) Liesse m'a mandé salut – 10 Magnificat primi toni: Anima mea [K.746] – 45v–48
Bosquet, Johannes (–ca. 1406)	(?) Et in terra pax [Gloria] (III) – 8v–9
Brixiensis, Prepositus	Degar dés vous de le cordon – 52v
Capua, Nicolaus de	(?) Et in terra pax [Gloria] (III) – 8v–9
Ciconia, Johannes (ca. 1370–1412)	(?) Deduto sei a quel che mai non fusti – 49v–50 (?) Fugir non posso dal tuo dolze volto – 49 (?) Mercé o morte o vaga anima mia – 51 (?) O bella rosa o perla angelichata – 50v O virum omnimoda veneratione / O lux et decus tranensium / O beate Nicolae supplicum vota suscipe – 36v–37
Cividale, Antonius de	Et in terra pax [Gloria] – 7v–8
Du Fay, Guillaume (1397–1474)	Alma redemptoris mater II Et stella maris III Virgo prius – 32v–33 (?) Ave fuit prima salus – 33 Ave maris stella Sumens illud ave – 13 Belle vueilliés vostre mercy donner – 55v Invidia nimica – 51v–52 Kyrie 'Cunctipotens genitor' – 42 (?) La belle se siet au piet de la tour – 52v (?) Liesse m'a mandé salut – 10 (?) Magnificat primi toni: Anima mea [K.746] – 45v–48 Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster – 5 Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo] – 16v–17 Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella) – 26v–28 Supremum est mortalibus bonum II: O sancta pax – 28v–29 Vergine bella – 35v–36
Dunstaple, John (ca. 1390–1453)	(?) Et in terra pax [Gloria] – 12v–13 (?) Quam pulchra es et quam decora – 42v–43
Egidius	(?) Quam pulchra es et quam decora – 42v–43
Feragut, Beltrame	(?) Ave corpus vere natum – 30v–31 Francorum nobilitati – 29v–30 Patrem omnipotentem [Credo] – 11v–12 Sanctus – 44–44v
Firenze, Paolo da (ca. 1355–ca. 1436)	(?) Patrem omnipotentem [Credo] – 10v–11
Grenon, Nicolas	(?) Se je vous ai bien loyaulment aimee – 56v
Grossin, Estienne	(?) Benedicamus Domino = Va tent souspir je t'en supplie – 55 (?) Con desiderio io vo cercando – 45 Et in terra pax [Gloria] – 13v–14 Imera dat hodierno – 44v–45 (?) Liesse m'a mandé salut – 10
Lantins, Arnold de (–1432)	Et in terra pax [Gloria] – 23v–24 Missa O pulcherrima: Et in terra pax [Gloria] – 2v–3 Missa O pulcherrima: Kyrie verbum incarnatum – 1v–2 Missa O pulcherrima: Patrem omnipotentem [Credo] – 17v–19 O pulcherrima mulierum – 34v–35 Patrem omnipotentem [Credo] – 24v–26 (?) Tota pulchra es amica mea et macula II: Flores apparuerunt – 33v–34
Lantins, Hugo de (fl. 1420-30)	(?) Ave regina caelorum – 31v Christus vincit – 30v–31
Merques, Nicolas	(?) Vous soiés la tres bien venue – 56v
Power, Leonel (–1445)	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est – 43v Anima mea liquefacta est - 2a pars (of 3): Tulerunt pallium meum – 43v Anima mea liquefacta est - 3a pars (of 3): Quia amore langueo – 43v (?) Benedicta es caelorum regina – 41v–42 (?) Et in terra pax [Gloria] – 12v–13
Reson, Johannes	(?) Agnus Dei. Alme pater rex justificans – 22v–23 (?) Ave verum corpus – 23–22v (?) Et in terra pax [Gloria] – 6v–7 Kyrie eleison – 5v (?) Patrem omnipotentem [Credo] – 19v–21 (?) Salve regina mater misericordiae – 40v (?) Sanctus Deus pater cuius presencia – 21v–22
Romanus, Antonius	(?) Ducalis sedes inclita/Stirps […] veneti – 38v–39
Vala, Dominicus	A vous me recummant toudis – 56 Adieu Adieu, ma douce amie – 57 Et in terra pax [Gloria] – 9v–10 O Thoma didime – 32–31v (?) Patrem omnipotentem [Credo] – 10v–11 Pour amour de la rosete – 53
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	Deduto sei a quel che mai non fusti – 49v–50 Et in terra pax [Gloria] 'Micinella' – 4v (?) Et in terra pax [Gloria] (III) – 8v–9

Composition	Composers (? Uncertain)	Folios / Pages
A vous me recummant toudis	Vala, Dominicus	56
Adhuc eo loquente	Anonymous	54
Adieu Adieu, ma douce amie	Vala, Dominicus	57
Agnus Dei	Anonymous	34
Agnus Dei. Alme pater rex justificans	Reson, Johannes (?)	22v–23
Alma redemptoris mater II Et stella maris III Virgo prius	Du Fay, Guillaume (1397–1474)	32v–33
Amés amés tous loiaulx amoureus	Anonymous	8v
Angelus autem Domini descendit de caelo	Anonymous	53v
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est	Power, Leonel (–1445)	43v
Anima mea liquefacta est - 2a pars (of 3): Tulerunt pallium meum	Power, Leonel (–1445)	43v
Anima mea liquefacta est - 3a pars (of 3): Quia amore langueo	Power, Leonel (–1445)	43v
Ave corpus vere natum	Feragut, Beltrame (?)	30v–31
Ave fuit prima salus	Du Fay, Guillaume (1397–1474) (?)	33
Ave maris stella Sumens illud ave	Du Fay, Guillaume (1397–1474)	13
Ave mater o Maria	Anonymous	39v–40
Ave preciosa gemma	Anonymous	21
Ave regina caelorum	Lantins, Hugo de (fl. 1420-30) (?)	31v
Ave regina caelorum	Anonymous	35
Ave verum corpus	Reson, Johannes (?)	23–22v
Belle vueilliés vostre mercy donner	Du Fay, Guillaume (1397–1474)	55v
Benedicamus cum trine vocis iubilo	Anonymous	57v
Benedicamus Domino = Va tent souspir je t'en supplie	Grossin, Estienne (?)	55
Benedicta es caelorum regina	Anglia, Robertus de (fl. 1454-74) (?) Power, Leonel (–1445) (?)	41v–42
Christus natus est nobis	Anonymous	54
Christus vincit	Lantins, Hugo de (fl. 1420-30)	30v–31
Con desiderio io vo cercando	Grossin, Estienne (?)	45
De transfiguratione Domini nostri Jesu Christi ad laudes et in secundum vesperis. Assumpsit Jesus Petrum et Jacobum	Anonymous	54
Deduto sei a quel che mai non fusti	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Ciconia, Johannes (ca. 1370–1412) (?)	49v–50
Degar dés vous de le cordon	Brixiensis, Prepositus	52v
Ducalis sedes inclita/Stirps […] veneti	Romanus, Antonius (?)	38v–39
En bianca vesta pellegrina cerva	Anonymous	49
Erat autem aspectus	Anonymous	53v
Et audientes disipuli sic ceciderunt	Anonymous	55
Et ecce apparuerunt	Anonymous	54
Et ecce terremotus	Anonymous	53v
Et in terra pax [Gloria]	Anonymous	3v–4
Et in terra pax [Gloria]	Reson, Johannes (?)	6v–7
Et in terra pax [Gloria]	Cividale, Antonius de	7v–8
Et in terra pax [Gloria]	Vala, Dominicus	9v–10
Et in terra pax [Gloria]	Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)	12v–13
Et in terra pax [Gloria]	Grossin, Estienne	13v–14
Et in terra pax [Gloria]	Lantins, Arnold de (–1432)	23v–24
Et in terra pax [Gloria] 'Micinella'	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	4v
Et in terra pax [Gloria] (III)	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Bosquet, Johannes (–ca. 1406) (?) Capua, Nicolaus de (?)	8v–9
Et respicientes viderunt	Anonymous	53v
Francorum nobilitati	Feragut, Beltrame	29v–30
Fugir non posso dal tuo dolze volto	Ciconia, Johannes (ca. 1370–1412) (?)	49
Gardés vous bien de trop parler	Anonymous	55v–56
Gaude flore virginali / Gaude flore virginali / Gaude flore virginali	Anonymous	22
Imera dat hodierno	Grossin, Estienne	44v–45
In natali Domini Vs. Virgo mater peperit	Anonymous	57v
Innicietur regi melos	Anonymous	38–37v
Invidia nimica	Du Fay, Guillaume (1397–1474)	51v–52
Kyrie 'Cunctipotens genitor'	Du Fay, Guillaume (1397–1474)	42
Kyrie 'cunctipotens'	Binchois, Gilles (ca. 1400–1460)	14v–15
Kyrie Cunctipotens genitor	Anonymous	4
Kyrie eleison	Reson, Johannes	5v
Kyrie Laudes nostras. Marie	Anonymous	8–9
La belle se siet au piet de la tour	Du Fay, Guillaume (1397–1474) (?)	52v
Liesse m'a mandé salut	Grossin, Estienne (?) Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?)	10
Magnificat anima mea Dominum [K.219]	Anonymous	15v–16
Magnificat primi toni: Anima mea [K.746]	Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460)	45v–48
Mercé o morte o vaga anima mia	Ciconia, Johannes (ca. 1370–1412) (?)	51
Mercé te chiamo o dolze anima mia	Anonymous	27v–28
Missa O pulcherrima: Et in terra pax [Gloria]	Lantins, Arnold de (–1432)	2v–3
Missa O pulcherrima: Kyrie verbum incarnatum	Lantins, Arnold de (–1432)	1v–2
Missa O pulcherrima: Patrem omnipotentem [Credo]	Lantins, Arnold de (–1432)	17v–19
Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster	Du Fay, Guillaume (1397–1474)	5
Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo]	Du Fay, Guillaume (1397–1474)	16v–17
Missa: Agnus Dei	Anonymous	1
Missa: Introit Gaudeamus omnes	Anonymous	1
Missa: Kyrie	Anonymous	1
Missa: Sanctus	Anonymous	1
O anima C[h]risti sanctifica me	Anonymous	37v–38
O bella rosa o perla angelichata	Ciconia, Johannes (ca. 1370–1412) (?)	50v
O pulcherrima mulierum	Lantins, Arnold de (–1432)	34v–35
O quam suavis est	Anonymous	25v–26
O Thoma didime	Vala, Dominicus	32–31v
O virum omnimoda veneratione / O lux et decus tranensium / O beate Nicolae supplicum vota suscipe	Ciconia, Johannes (ca. 1370–1412)	36v–37
O zentil madona mia	Anonymous	50v–51
Patrem omnipotentem [Credo]	Vala, Dominicus (?) Firenze, Paolo da (ca. 1355–ca. 1436) (?)	10v–11
Patrem omnipotentem [Credo]	Feragut, Beltrame	11v–12
Patrem omnipotentem [Credo]	Reson, Johannes (?)	19v–21
Patrem omnipotentem [Credo]	Lantins, Arnold de (–1432)	24v–26
Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella)	Du Fay, Guillaume (1397–1474)	26v–28
Pour amour de la rosete	Vala, Dominicus	53
Pour honnorer ma gentille demoiselle	Anonymous	57
Pre timore autem eius	Anonymous	53v
Quam pulchra es et quam decora	Dunstaple, John (ca. 1390–1453) (?) Egidius (?)	42v–43
Resplenduit facies eius	Anonymous	54
Respondens autem angelus	Anonymous	53v
Respondens autem petrus	Anonymous	54
Salve regina mater misericordiae	Reson, Johannes (?)	40v
Sanctus	Anonymous	6
Sanctus	Afat (fl. c1430)	15v–16
Sanctus	Feragut, Beltrame	44–44v
Sanctus Deus pater cuius presencia	Reson, Johannes (?)	21v–22
Sanctus, admirabilis splendor	Anonymous	39v–40
Se je vous ai bien loyaulment aimee	Grenon, Nicolas (?)	56v
Supremum est mortalibus bonum II: O sancta pax	Du Fay, Guillaume (1397–1474)	28v–29
Tota pulchra es amica mea et macula II: Flores apparuerunt	Lantins, Arnold de (–1432) (?)	33v–34
Venite exultemus	Anonymous	54–55
Verbum caro factum est de virgine Maria	Anonymous	19
Vergine bella	Du Fay, Guillaume (1397–1474)	35v–36
Viva San Marco glorioso	Anonymous	41
Vous soiés la tres bien venue	Merques, Nicolas (?)	56v

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Corrigan, Ralph Patrick. 2017. The Creation of a Fifteenth-Century Music Book: The Scribe as Producer, Owner and User. Sources of Identity: Makers, Owners, and Users of Music Sources Before 1600, edited by Ralph Patrick Corrigan, 97–132. Turnhout: Brepols.

Corrigan, Ralph Patrick. 2011. The Music Manuscript 2216 in the Bologna University Library: The copying and context of a fifteenth-century choirbook. School of Arts, Histories and Cultures, University of Manchester, PhD.

Bianco, Monica (editor). 2006. Petrarca e il suo tempo. Milano: Skira. Pages: 570-571 nr. X.6. Notes: Scheda descrittiva del ms.

Cattin, Giulio. 2006. "Vergene bella": da Petrarca a Du Fay. Petrarca e il suo tempo, edited by Giulio Cattin, Milano: Skira. Pages: 210-211. Notes: Esame della tipologia lirico-melodica dei brani contenuti nel ms. e più in particolare sul rapporto Petrarca-Du Fay.

Gozzi, Marco. 2005. Zacara nel Codex Mancini: considerazioni sulla notazione e nuove attribuzioni. Zacara da Teramo e il suo tempo, Documenti di storia musicale abruzzese. edited by Marco Gozzi, 135-167. Lucca: Libreria musicale italiana. Pages: 150, 155, 160, 161. Notes: Contiene alcune composizioni profane attribuibili a Zacara.

De Tata, Rita. 2004. Kyrie et alia cum notis musicis. Tesori della Biblioteca Universitaria di Bologna. Codici libri rari e altre meraviglie, edited by Rita De Tata, 102-103. Bologna: Bononia University Press. Pages: 102-103. Notes: Scheda descrittiva, bibliografia e ripr. fotografica delle pp. 32-33, indice.

Bent, Margaret. 2004. Divisi and a versi in early fifteenth-century mass movements. Antonio Zacara da Teramo e il suo tempo, edited by Margaret Bent, 95-137. Lucca: LIM. Pages: 93 n. 5. Notes: Contiene una versione della Micinella di Zacara.

Memelsdorff, Pedro. 2004. ''Vilage": Fortuna e filiazione di un Credo di Zacara. Antonio Zacara de Teramo e il suo tempo, edited by Pedro Memelsdorff, 302-335. Lucca. Pages: 316 n. 59. Notes: Citato a proposito dell'attribuzione di un Gloria con tenor isoritmico.

Zimei, Francesco (editor). 2004. Zacara da Teramo e il suo tempo. Documenti di storia musicale abruzzese. Lucca: Libreria musicale italiana. Pages: XI. Notes: Citato nella bibliografia.

Zimei, Francesco. 2004. Catalogo delle opere di Zacara . Zacara da Teramo e il suo tempo, Documenti di storia musicale abruzzese. edited by Francesco Zimei, 391-419. Lucca: Libreria musicale italiana. Pages: 396, 400, 406, 414, 416. Notes: Contiene varie opere di Zacara.

Bent, Margaret, and Stanley Sadie. 2001. Notation. History of Western Notation. Polyphonic mensural notation. c1260-1500 . The New Grove Dictionary of music and musicians. Vol. 18: Nisard to Palestrina, 129-140. London: Macmillan. Pages: 136 fig. 4. Notes: Riproduzione di particolare della p. 24.

Zanichelli, Giuseppa. 2001. Il sistema illustrativo dei codici: un percorso di studio. Cum picturis ystoriatum. Codici devozionali e liturgici della Biblioteca Palatina, Il giardino delle Esperidi. 31-57. Modena: Il Bulino. Pages: 37-38, 40. Notes: Miniato a Bologna dopo il 1410 dal Maestro delle iniziali di Bruxelles.

Filippi, Stefania. 2000. I tesori della Biblioteca Universitaria di Bologna. Biblioteche oggi, 74-77. Pages: 75. Notes: short description.

Bacchi, Maria Cristina, and Laura Miani. 1998. Vicende del patrimonio librario bolognese: manoscritti e incunaboli della Biblioteca Universitaria di Bologna. Pio VI Braschi e Pio VII Chiaramonti. Due Pontefici cesenati nel bicentenario della Campagna d'Italia. Atti del Convegno internazionale, maggio 1997, 369-475. Bologna: Clueb. Pages: 456 nr. 727. Notes: Citato e descritto nel ms. 4122.

Caraci Vela, Maria, and Anna Cornagliotti (editors). 1998. Un inedito trattato musicale del Medioevo. Vercelli, Biblioteca Agnesiana, cod. 11. La tradizione musicale. Firenze: SISMEL - Edizioni del Galluzzo. Pages: 18 n. 27. Notes: Codice di area padano-veneta redatto fra 1420 e 1440.

Mioli, Piero. 1997. Cappelle e oratori, voci e strumenti musicali. Storia della Chiesa di Bologna. Vol. II, edited by Piero Mioli, 433-460. Bergamo: Bolis. Pages: 437-438. Notes: Di probabile origine bresciana.

Strohm, Reinhard, and Peter Wright. 1996. European cathedral music and the Trent codices. I codici musicali trentini. Nuove scoperte e nuovi orientamenti della ricerca. Atti del Convegno internazionale, Trento, Castello del Buonconsiglio,24 settembre 1994, 15-29. Trento, Provincia autonoma : Servizio per i beni librari e archivistici. Pages: 21. Notes: Presenta caratteri comuni con altri mss. liturgici della prima metà del 1400.

Bent, Margaret. 1995. Lo stile del primo Quattrocento nella coscienza dei contemporanei. Bologna Q 15 come documento della iniziativa editoriale del copista. La critica del testo musicale. Metodi e problemi della filologia musicale, edited by Margaret Bent, Lucca: Libreria musicale italiana. Pages: 112 n. 1, 122 e n. 11, 124. Notes: Confrontato con altri mss.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Di Bacco, Giuliano. 1994. Verso uno "stile internazionale" della musica nelle capelle papali e cardinalizie durante il Grande Scisma (1378-1417): Il caso di Johannes Ciconia da Liège. Collectanea I. Drei Studien von Giuliano Di Bacco, John Nádas, Noel O'Regan, und Adalbert Roth, Capellae Apostolicae Sistinaeque Collectanea Acta Monumenta. edited by Giuliano Di Bacco, 7-74. Vatican City: Biblioteca Apostolica. Pages: 34 n. 64. Notes: Contiene un mottetto in lode di S. Nicola (1 delle 3 versioni conosciute).

Ventura Folli, Irene. 1991. I codici posseduti da Giovanni Grisostomo Trombelli, conservati nella Biblioteca Universitaria di Bologna. Giovanni Grisostomo Trombelli (1697-1784) e i Canonici regolari del SS. Salvatore, edited by Irene Ventura Folli, 211-265. Modena: Mucchi. Pages: 217-218. Notes: Appartenuto a Trombelli. Descrizione e bibliografia.

Ciliberti, Galliano. 1990. Fonti musicali per poeti e scelte poetiche di musicisti a Firenze nel tardo Medioevo. Archivio storico italiano, 767-792. Pages: 772, 791. Notes: Siglato I-BU 2216. Fonte musica Prudenzani.

Nadas, John, and Agostino Ziino. 1990. The Lucca Codex. Codice Mancini. Lucca, Archivio di Stato, ms. 184. Perugia, Biblioteca comunale Augusta, ms. 3065. Introductory Study and Facsimile Edition. Ars Nova. Lucca: Libreria musicale italiana. Pages: 19 n.19, 44 n.79. Notes: Citato per studio in relazione a LU 41-A-Biblioteca Manoscritti 184.

Bacchi, Maria Cristina, and Laura Miani. 1989. I fondi manoscritti e le raccolte di incunaboli e cinquecentine della Biblioteca Universitaria come fonti per la storia della cultura rinascimentale. Schede umanistiche, 7-45. Pages: 19.

Ciliberti, Galliano. 1985. Produzione, consumo e diffusione della musica in Italia nel tardo Medioevo. Perugia: Centro di studi musicali in Umbria. Pages: 25. Notes: Cit. come fonte di componimenti musicali.

Reaney, Gilbert. 1984. Musical and Textual Relationships among Early 15th-century Manuscripts. Gordon Athol Anderson (1929-1981) In Memoriam von seinen Studenten, Freunden und Kollegen, Musicological Studies. 495-504. Henryville, Ottawa, and Binningen. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Della Vedova, Serena, and Daniela Gallingani. 1983. egesto dei manoscritti in lingua francese esistenti presso la Biblioteca Universitaria di Bologna, presentazione di Liano Petroni. Regesto dei manoscritti in lingua francese esistenti in Biblioteche ed Archivi dell'Emilia-Romagna. Bologna: Patron. Pages: 130-131 nr. 130. Notes: Scheda descrittiva.

Cox, Bobby Wayne. 1981. 'Pseudo-Augmentation' in the Manuscript Bologna, Civico Museo Bibliografico Musicale, Q 15 (BL). The Journal of Musicology, 419-48. Pages: 444-7,421,430-1,433. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: XIII,369. Notes: facsimile (partial); transcription (partial).

Finscher, Ludwig. 1979. Zum Verhältnis von Imitationstechnik und Textbehandlung im Zeitalter Josquins. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 57-72. Tutzing. Pages: 46ff.

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I,102ff, 190,336-54. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Marrocco, W. Thomas (editor). 1978. Italian Secular Music (VI). Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. Pages: XI, 170ff, passim; XXIV,153-5, 160-4,206,213-4,222. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Cox, Bobby Wayne. 1977. The Motets of MS Bologna, Civico Museo Bibliografico Musicale, Q 15. North Texas State University, Ph.D. dissertation. Pages: I,26,31,34-9,73, 80-1,183-91,221-4,297-8. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Villa, Claudia. 1977. Brixiensia. Italia medioevale e umanistica, 243-275. Pages: 266-267.

Kemp, Walter H. 1976. The Manuscript Escorial V.III.24. Musica Disciplina, 97-129. Pages: 102-4,116.

Cambon, Elise M. 1975. The Italian and Latin Lauda of the Fifteenth Century. Tulane University, Unpublished Ph.D. dissertation. Pages: 133-7, 171ff. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Fasoli, Gina. 1974. Scritti di storia medievale. edited by Gina Fasoli, Bologna: La Fotocromo Emiliana. Pages: 543 n. 57. Notes: Contiene una redazione latina delle Laudi musicate da Ugo de Latinis per ildoge Francesco Foscari.

Hagopian, Viola L. 1973. Italian Ars Nova Musik: A Bibliographic Guide to Modem Editions and Related Literature. 2nd ed. Berkeley, Los Angeles, and London. Pages: 60.

Pirrotta, Nino. 1973. Su Alcuni Testi Italiani di Composizioni Polifoniche Quattrocentesche. Quadrivium, 133-57. Pages: 138.

Timm, Erika. 1972. Die Überlieferung der Lieder Oswalds von Wolkenstein. Germanische Studien. Lübeck and Hamburg. Pages: 160-1, 164. Notes: physical description; contents list (partial); concordances (partial).

Ghisi, Federico. 1971. Italian Ars-Nova Music in ID., Studi e testi di musica italiana dall'Ars Nova a Carissimi. Miscellanee saggi convegni. 11-52. Bologna: A.M.I.S. Pages: 16, 19 and n. 6, 20. Notes: Contiene alcune ballate presenti in altri codici esaminati nell'articolo Contiene alcune ballate presenti in altri codici esaminati nell'articolo Contiene alcune ballate presenti in altri codici esaminati nell'articolo.

Ghisi, Federico. 1971. trambotti e laude nel travestimento spirituale della poesia musicale del Quattrocento in ID., Studi e testi di musica italiana dall'Ars Nova a Carissimi. Miscellanee saggi convegni. 109-142. Bologna: A.M.I.S. Pages: 113 passim. Notes: Studiato nel quadro del passaggio stilistico della polifonia fra la prima ela seconda metà del QuattrocentStudiato nel quadro del passaggio stilistico della polifonia fra la prima ela seconda metà del Quattrocento.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica. London. Pages: VIII [rev. ed.], xxi, 5-6, 180,183, 197. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Hamm, Charles E (editor). 1969-. Leonel Power: Complete Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxi.

Reaney, Gilbert. 1969. Text Underlay in Early Fifteenth-Century Musical Manuscripts. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 245-51. Pittsburgh. Pages: 246-7.

Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 82-3.

Kenney, Sylvia W. 1966. In Praise of the Lauda. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, 489-99. New York. Pages: 496.

Gallo, Franco Alberto (editor). 1965. Antonii Romani: Opera. Monumenta Veneta Sacra. Bologna. Pages: vii, xv. Notes: contents list (partial); facsimile (partial).

Hamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 5-21.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: 92-4.

Gallo, Franco Alberto. 1964. Musiche Veneziane nel Ms. 2216 della Biblioteca Universitaria di Bologna. Quadrivium, 107-16.

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 61-2; 76, passim.

Pini, Laura. 1960. Per l'edizione critica delle Canzonette di Leonardo Giustinian (Indice e classificazioni dei manoscritti e delle stampe antiche). Atti della Accademia nazionale dei Lincei, 419-543. Pages: 439, Ms. utilizzato per l'edizione ed indicato con la sigla B/2.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: VI, xix, xxxiv VII,xiv,xix-xx,xxii,xxvi,88-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Besseler, Heinrich. 1952. The Manuscript Bologna Biblioteca Universitaria 2216. Musica Disciplina, 39-65. Pages: 39-65. Notes: accurate description of the MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,99-101.

Ghisi, Federico. 1948. A Second Sienese Fragment of Italian Ars Nova. Musica Disciplina, 173-7. Pages: 60 n. 1, 61, 76 n. 3. Notes: Citato come fonte della produzione di Johannies Ciconia.

Wolf, Johannes. 1938. L'Italia e la musica religiosa medievale. Rivista musicale italiana, 269-293. Pages: 293: Nel ms. è nominato Antonio de Civitate.

Korte, Werner F. 1932. Contributi alla storia della musica in Italia, I: La musica nelle città dell'Italia settentrionale dal 1400 al 1425. Rivista musicale italiana, 513–530. Pages: 514, 516, 517, 520, 521 Cit. con la sigla BU. Esame del contenuto in rapporto ad altri mss.

Morpurgo, Salomone. 1929. Le opere volgari a stampa dei secoli XIII e XIV indicate e descritte da F. Zambrini. Supplemento con gli indici generali dei capoversi, dei manoscritti, dei nomi e dei soggetti. Bologna: Zanichelli. Pages: nos 469, 470.

Frati, Lodovico. 1916. Codici musicali della R. Biblioteca Universitaria di Bologna. Rivista Musicale Italiana, 219-42. Pages: 224, 233, 234 e fig., 235-237, 241; Comprato a Brescia da Grisostomo Trombelli.

Frati, Lodovico (editor). 1915. Rimatori bolognesi del Trecento. Bologna: Romagnoli Dall'Acqua. Pages: XII.

Torchi, Luigi. 1906. I Monumenti dell'antica musica francese a Bologna. Rivista Musicale Italiana, 451-505,575-615. Pages: 491 n. 1: Citato come ms. 727 di S. Salvatore.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I,198-210.

Foschini, Gaetano F. 1898. La musica all'Eposizione Generale Italiana di Torino 1898. Rivista musicale italiana, 786-836. Pages: 813-816 : short description of the MS.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: LXXVI, passim.

Frati, Lodovico. 1894. I codici Trombelli della R. Biblioteca Universitaria di Bologna. Rivista delle biblioteche, 65-76. Pages: 74.

Lisio, Giuseppe. 1893. Una stanza del Petrarca musicata dal Du Fay tratta da due codici antichi e le poesie volgari contenute in essi. Bologna.

Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 397-530. Pages: 481-2.

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Jason Stoessel

Monday, 23 October, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Bu MS 2216

Biblioteca Universitaria, Bologna, Italy

complete choirbook: 15th century, before 1440

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