Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1 | Missa: Introit Gaudeamus omnes | - | Anonymous |
Missa: Introit Gaudeamus omnesAnonymous
Appears on:
1
Genres:
Agnus Dei, Introit, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Missa. Introit] Gaudeamus omnes,
General NotePlain chant, |
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1 | Missa: Kyrie | - | Anonymous |
Missa: KyrieAnonymous
Appears on:
1
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
[Missa. Introit] Kyrie
General NotePlain chant, LU, p. 25 Item Bibliography[No Author] 1957, R/New York 1961. Liber usualis missae et officii pro dominicis et festis cum cantu Gregoriano. Paris. Pages: 25. |
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1 | Missa: Sanctus | - | Anonymous |
Missa: SanctusAnonymous
Appears on:
1
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Missa. Introit] Sanctus
General NotePlain chant, LU, p. 61 Item Bibliography[No Author] 1957, R/New York 1961. Liber usualis missae et officii pro dominicis et festis cum cantu Gregoriano. Paris. Pages: 61. |
|||
1 | Missa: Agnus Dei | - | Anonymous |
Missa: Agnus DeiAnonymous
Appears on:
1
Genres:
Agnus Dei, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Missa. Introit] Agnus dei.
General NotePlain chant, p. 61-62 Item Bibliography[No Author] 1957, R/New York 1961. Liber usualis missae et officii pro dominicis et festis cum cantu Gregoriano. Paris. Pages: 61-62. |
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1v–2 | Missa O pulcherrima: Kyrie verbum incarnatum | ARNALDUS [DE LANTINS] | |
Appears on:
1v–2
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
ARNALDUS [DE LANTINS]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie Verbum incarnatum
General NotePubl. cf. Bc 15 n° 138, Ox, ff. 63-63v (Arnoldus delantins) Q15, ff. 172v-174 (Arnold de Lantins) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Widaman, Jean. 1988. The Mass Ordinary Settings of Arnold de Lantins: A Case Study in the Transmission of Early Fifteenth-Century Music. Brandeis University, Ph.D. Pages: ii, pp. 111-145. Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. Pages: 1-9 (Ox and BU). |
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2v–3 | Missa O pulcherrima: Et in terra pax [Gloria] | [A. DE LANTINS]* | |
Appears on:
2v–3
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
[A. DE LANTINS]*
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria] Et in terra
General NotePubl. cf. Bc 15 n° 139, Ox, ff. 64-64v (Arnold delantins) Q15, ff. 173v-174 Concordances*GB-Ob 213 Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. Pages: pp. 10-15 (Ox and BU). |
|||
3v–4 | Et in terra pax [Gloria] | - | Anonymous |
Et in terra pax [Gloria]Anonymous
Appears on:
3v–4
Genres:
Italian secular
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria] Et in terra
|
|||
4 | Kyrie Cunctipotens genitor | - | Anonymous |
Kyrie Cunctipotens genitorAnonymous
Appears on:
4
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie Cunctipotens genitor
|
|||
4v | Et in terra pax [Gloria] 'Micinella' | [ZACHARA DE TERAMO] | |
Appears on:
4v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
[ZACHARA DE TERAMO]
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria Micinella.] Et in terra
General NotePubl. cf. Bc 15 n° 17, Atri, recto (incomplete) BolQ1, recto (incomplete) Grot, ff. 4v (incomplete) Lo82959, verso (incomplete) Q15, ff.18v-19 (a4, with extra voice, Zacar in index) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
5 | Missa sine nomine (Resvelliés vous): Kyrie eleison [Tro] Salvator noster | G. DE FAY | |
Appears on:
5
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
G. DE FAY
Voice:
[no designation]
Languages:
Greek
Voice Text:
[Missa sine nomine] Kyrie
General NotePubl. cf. AOs no 28 [Tr: Salvator noster], Ao, ff. 26v-27 & 49v-50 (G. dufay/Guillermus dufay) Q15, ff. 10v-11r (G. Du fa) Ven, ff. 1v-3 |
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5v | Kyrie eleison | REZON | |
Appears on:
5v
Genres:
Italian secular
Source Attribution:
REZON
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie
General Note
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, II. |
|||
6 | Sanctus | - | Anonymous |
SanctusAnonymous
Appears on:
6
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sanctus
General Note
|
|||
6v–7 | Et in terra pax [Gloria] | - |
Reson, Johannes
(?)
|
Appears on:
6v–7
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria] Et in terra
General Note
|
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7v–8 | Et in terra pax [Gloria] | FRATER ANTONIUS DE CIVIDATE | |
Appears on:
7v–8
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
FRATER ANTONIUS DE CIVIDATE
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria] Et in terra
General Note
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, V. Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: (avec facs.). |
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8–9 | Kyrie Laudes nostras. Marie | - | Anonymous |
Kyrie Laudes nostras. MarieAnonymous
Appears on:
8–9
Genres:
Motet
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kirie Laudes nostras. Marie …
General Note[3e Kyrie, n° 15], |
|||
8v–9 | Et in terra pax [Gloria] (III) | NICOLAUS DE CAPOA [ou BOSQUET]* | |
Appears on:
8v–9
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
NICOLAUS DE CAPOA [ou BOSQUET]*
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria] Et in terra
General NotePubl. cf. Bc 15 n° 83, MuEm, ff. 35v-36 (Bosquet) Q15, 107v-108 (a2, missing Ct and T, att. Zacar in index) Concordances* D-brd-Mbs 3232a Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
8v | Amés amés tous loiaulx amoureus | - | Anonymous |
Amés amés tous loiaulx amoureusAnonymous
Appears on:
8v
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Amés amés tous loiaulx amoureus
General Note
Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
|||
9v–10 | Et in terra pax [Gloria] | DO. VALA | |
Appears on:
9v–10
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
DO. VALA
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria] Et in terra
General Note
Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
|||
10 | Liesse m'a mandé salut | [G. BINCHOIS* ou GROSSIN] | |
Appears on:
10
Genres:
Chanson
Source Attribution:
[G. BINCHOIS* ou GROSSIN]
Voice:
[no designation]
Languages:
French
Voice Text:
Leesse m'a mandé salut …
General NoteEscA, ff. 15v-16 Ox, f. 79v (Binchois over erased ascription to Du Fay) Tr87, f. 166v (Grossin) Concordances*GB-Ob 213 Item BibliographyRehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14 / 15 (VII). |
|||
10v–11 | Patrem omnipotentem [Credo] | - |
Vala, Dominicus
(?)
|
Appears on:
10v–11
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Credo] Patrem
|
|||
11v–12 | Patrem omnipotentem [Credo] | FERAGUT | |
Appears on:
11v–12
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
FERAGUT
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Credo] Patrem
General NoteQ15, ff. 46v-48 (a3, with Ct, Feragut). |
|||
12v–13 | Et in terra pax [Gloria] | DUNSTABLE [ou L. POWER] | |
Appears on:
12v–13
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
DUNSTABLE [ou L. POWER]
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria] Et in terra
General NotePubl. cf. AOs n° 195, Ao, ff. 277v-278 Tr90, ff. 143v-145 Tr92, ff. 8v-9 (Leonel) Tr93, ff. 173v-175v & 177 (incomplete) |
|||
13 | Ave maris stella Sumens illud ave | [G. DUFAY] | |
Appears on:
13
Genres:
Ave maris stella, BVM, Motet
Source Attribution:
[G. DUFAY]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave maris stella
General Noteno CT, T a faulx bourdon. Publ. cf. Bc 15 n° 304, CS15, ff.42v-43 (with Ct) ModB, ff. 4v-5 (with Ct, Du Fay) MuEm (with the text Sumens ilud ave), f. 81v Q15, 321v (with Ct sine fauxbourdon) Tr92, f. 236v (Missing Iyrics and with different T and Ct, with the designation super ave maris stella dufay sine faulx bourdon) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
13v–14 | Et in terra pax [Gloria] | [GROSSIN] | |
Appears on:
13v–14
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
[GROSSIN]
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria] Et in terra
General NotePubl. cf. AOs n° 67, Ao, ff. 76v-77v Q15, ff. 100v-101 (Grossin) Tr87, ff. 2v-3 |
|||
14v–15 | Kyrie 'cunctipotens' | BINCHOYES | |
Appears on:
14v–15
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
BINCHOYES
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave maris stella
General NoteMuEm, ff. 149v-150 (Winczois) Tr90, ff. 70v-71 Tr93, ff. 101v-102 |
|||
15v–16 | Sanctus | AFAT | |
Appears on:
15v–16
Genres:
Italian secular
Source Attribution:
AFAT
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sanctus
Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
|||
15v–16 | Magnificat anima mea Dominum [K.219] | - | Anonymous |
Magnificat anima mea Dominum [K.219]Anonymous
Appears on:
15v–16
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Magnificat
General NoteVersets imp., Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
|||
16v–17 | Missa sine nomine (Resvelliés vous): Patrem omnipotentem [Credo] | G. DU FAY | |
Appears on:
16v–17
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
G. DU FAY
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Missa Sine nomine.Credo] Patrem
General NotePubl. cf. AOs n° 35-, Ao, ff. 33v-34 & 129v-132 (Du Fay) Q15, 13v-15 (Du Fay) Ven, ff. 22v-25 (a2, without Ct) |
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17v–19 | Missa O pulcherrima: Patrem omnipotentem [Credo] | [A. DE LANTINS] | |
Appears on:
17v–19
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
[A. DE LANTINS]
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Credo] Patrem
General NotePubl. cf. Bc 15 n° 140, MuL, f. 2 Ox, ff. 65-6 (Arnoldus delantins) Q15, ff. 174v-176 Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
19 | Verbum caro factum est de virgine Maria | - | Anonymous |
Verbum caro factum est de virgine MariaAnonymous
Appears on:
19
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Verbum caro factum est de virgine Maria
General Note
Item BibliographyDamilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, |
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19v–21 | Patrem omnipotentem [Credo] | ??? Reson??? |
Reson, Johannes
(?)
|
Appears on:
19v–21
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
??? Reson???
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Credo] Patrem
General NoteAttrib. à Reson dans HammTR,76-t'r =y Item BibliographyHamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 5-21. |
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21 | Ave preciosa gemma | - | Anonymous |
Ave preciosa gemmaAnonymous
Appears on:
21
Genres:
Lauda
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave preciosa gema …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave preciosa gema …
Item BibliographyCattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 45-75. |
|||
21v–22 | Sanctus Deus pater cuius presencia | ????Reson??? |
Reson, Johannes
(?)
|
Appears on:
21v–22
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
????Reson???
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sanctus Deus pater cujus presencia
General NoteAttrib. à Reson dans HammTR, Item BibliographyHamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 5-21. |
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22 | Gaude flore virginali / Gaude flore virginali / Gaude flore virginali | - | Anonymous |
Appears on:
22
Genres:
Lauda
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gaude flore virginali . . virgo mater Christi]
General NotePubl. cf. Bc 15 n« 285, Feininger, #2 (Gaude virgo) FP27, ff. 29v-30 (a4, Gaude virgo) Milan49, f. 84v (a2, fifth lower) Q15, f. 309 Ven, f. 127-128 (Gaude virgo, similar but different opening to Ct (BU is more ornate) but missing second section. Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
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22v–23 | Agnus Dei. Alme pater rex justificans | ???Reson??? |
Reson, Johannes
(?)
|
Appears on:
22v–23
Genres:
Agnus Dei, Motet
Source Attribution:
???Reson???
Voice:
[no designation]
Languages:
Latin
Voice Text:
Agnus dei. Alme pater rex justificans
General NoteAttrib. à Reson dans HammTR Item BibliographyHamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 5-21. |
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23–22v | Ave verum corpus | ???Reson??? |
Reson, Johannes
(?)
|
Appears on:
23–22v
Genres:
Lauda
Source Attribution:
???Reson???
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave verum corpus …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave verum corpus …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave verum corpus …
General NoteAttrib. à Reson dans HammTR Item BibliographyHamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 5-21. Pages: Attrib. à Reson. |
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23v–24 | Et in terra pax [Gloria] | ARNOLDUS DE LATINIS | |
Appears on:
23v–24
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
ARNOLDUS DE LATINIS
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Gloria] Et in terra
General NoteQ15, ff. 114v-115 (Ar de Lantinis) |
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24v–26 | Patrem omnipotentem [Credo] | [A. DE LANTINS | |
Appears on:
24v–26
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
[A. DE LANTINS
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Credo] Patrem …
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Credo] Patrem …
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Credo] Patrem …
General NoteQ15, ff. 115v-117 |
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25v–26 | O quam suavis est | - | Anonymous |
O quam suavis estAnonymous
Appears on:
25v–26
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
O quam suavis est
Item BibliographyCattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 45-75. |
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26v–28 | Patrem omnipotentem [Credo] (iv/4) (Amen tropes Dic Maria, La vilanella) | G. DU FAY | |
Appears on:
26v–28
Genres:
Credo (patrem omnipotentem), Mass Ordinary, Troped Credo
Source Attribution:
G. DU FAY
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Credo] Patrem
General NoteAvec 2d Amen [Tr: Die Maria] Publ. cf. AOs n° 91, Ao, ff. 126v-129 Q15, ff. 37v-40 Ca6, ff. 5v-10 Ca11, ff. 23-27 |
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27v–28 | Mercé te chiamo o dolze anima mia | - | Anonymous |
Mercé te chiamo o dolze anima miaAnonymous
Appears on:
27v–28
Genres:
Chanson, Frottola
Voice:
[no designation]
Languages:
Italian
Voice Text:
Mercé te chiamo o dolze anima mia ...
Voice:
[no designation]
Languages:
Italian
Voice Text:
Mercé te chiamo o dolze anima mia ...
General NoteEscB, f. 82v-83 (a3 and incomplete due to missing leaf) MC871, pp. 348-9 (a3) Item BibliographyHanen, Martha Knight. 1983. The Chansonnier El Escorial IV.a.24: Commentary and Edition. Musicological Studies. 3 vols. Henryville, Ottawa, and Binningen. Pages: no. 73 (EscB). Luisi, Francesco. 1983. Laudario Giustinianeo. 2 vols. Venice. Pages: p. 236 (BU) and p. 238 (MC871). Haar, James (editor). 1964. Chanson and Madrigal, 1480-1530... a Conference at Isham Memorial Library, September 13-14 1961. Cambridge, Mass. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: 336 (MC871). Rubsamen, Walter H. 1964. From Frottola to Madrigal: The Changing Pattern of Secular Italian Vocal Music. Chanson & Madrigal 1480-1530: Studies in Comparison and Contrast, 51-87 and 172-242. Cambridge, Massachusetts. Pages: p. 172 (BU). Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: 11, no. 48a (BU) and 48b (MC871). Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Ghisi, Federico. 1953. Strambotti e Laude nel Travestimento Spirituale della Poesia Musicale del Quattrocento. Collectanea Historiae Musicae I, 45-78. |
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28v–29 | Supremum est mortalibus bonum II: O sancta pax | G. du FAY | |
Appears on:
28v–29
Genres:
Motet
Source Attribution:
G. du FAY
Voice:
[no designation]
Languages:
Latin
Voice Text:
Supremum est mortalibus bonum
General NotePubl. cf. Bc 15 n° 168 Pro pace. Pro duobus magnis luminaribus mundi., Cop17, f. 17 (incomplete) ModB, ff. 66v-67 (Du Fay) MuEm, ff. 107v-109 (different text) Q15, ff. 206v-207r (du fay) Tr92, ff. 32v-34 (Du Fay) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
29v–30 | Francorum nobilitati | B. FERAGUT | |
Appears on:
29v–30
Genres:
Motet
Source Attribution:
B. FERAGUT
Voice:
[no designation]
Languages:
Latin
Voice Text:
Francorum nobilitati
General NoteOx, ff. 11v-12 (Beltrame Feraguti) Item BibliographyBorren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. |
|||
30v–31 | Christus vincit | Ugo de Latinis | |
Appears on:
30v–31
Genres:
Motet
Source Attribution:
Ugo de Latinis
Voice:
[no designation]
Languages:
Latin
Voice Text:
Christus vincit Christus regnat …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Christus vincit Christus regnat …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Christus vincit Christus regnat …
General NoteQ15, ff. 218v-219 (O lux et decus Hispanie, Hugo) text here Christus vincit - motet re-worked in Q15 Item BibliographyGallo, Franco Alberto. 1964. Musiche Veneziane nel Ms. 2216 della Biblioteca Universitaria di Bologna. Quadrivium, 107-16. Pages: tav. 7-10 (BU),facson p. 60. |
|||
30v–31 | Ave corpus vere natum | - | |
Appears on:
30v–31
Genres:
Lauda
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave corpus vere natum …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave corpus vere natum …
Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
|||
31v | Ave regina caelorum | - | |
Appears on:
31v
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave regina celorum …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave regina celorum …
|
|||
32–31v | O Thoma didime | DO.VALA | |
Appears on:
32–31v
Genres:
Motet
Source Attribution:
DO.VALA
Voice:
[no designation]
Languages:
Italian
Voice Text:
O Toma didime per Christum …
Voice:
[no designation]
Languages:
Italian
Voice Text:
O Toma didime per Christum …
Voice:
[no designation]
Languages:
Italian
Voice Text:
O Toma didime per Christum …
General NoteDo. Vala Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
|||
32v–33 | Alma redemptoris mater II Et stella maris III Virgo prius | G. Du Fay | |
Appears on:
32v–33
Genres:
Alma redemptoris mater, BVM, Motet
Source Attribution:
G. Du Fay
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alma redemptoris mater …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alma redemptoris mater …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alma redemptoris mater …
General NotePubl. cf. Bc 15 n° 224, Q15, ff. 260v-261 Leipzig, ff. 230v-231 (2 copies of Tenor, in different notation) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
33 | Ave fuit prima salus | - | |
Appears on:
33
Genres:
Lauda
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave fuit prima salus …
General Note[Autres mss.: +3+5+7+5] Publ. cf. Bc 15 n° 172, Feininger, #8 (a2, missing Cont44444ratenor) MilanY3, ff. 171v-172 (a2, missing Contratenor) Q15, ff. 210v-211 Ven, ff. 108-109v (a2, no Contratenor and variant Tenor) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Foschini, Gaetano F. 1898. La musica all'Eposizione Generale Italiana di Torino 1898. Rivista musicale italiana, 786-836. Pages: p. 814 (Q15). |
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33v–34 | Tota pulchra es amica mea et macula II: Flores apparuerunt | [A. de Lantins] | |
Appears on:
33v–34
Genres:
Motet
Source Attribution:
[A. de Lantins]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tota pulcra es amica mea …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tota pulcra es amica mea …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tota pulcra es amica mea …
General NotePubl. cf. Bc 15 n° 202, MuEm, ff. 136v-138 (Arnoldus de Lantins, with extra Cantus part) Ox, f. 42 (Arnoldus de {la}ntins) Q15, ff. 238v-239 (Ar de Lantinis, with extra Cantus voice) PC, f. 65 (Tenor only, first part only) Stras, f. 16 Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
34 | Agnus Dei | - | Anonymous |
Agnus DeiAnonymous
Appears on:
34
Genres:
Agnus Dei, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Agnus dei ...
Voice:
[no designation]
Languages:
Latin
Voice Text:
Agnus dei ...
General Note
Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
|||
34v–35 | O pulcherrima mulierum | A. de Lantins | |
Appears on:
34v–35
Genres:
Motet
Source Attribution:
A. de Lantins
Voice:
[no designation]
Languages:
Latin
Voice Text:
O pulcerima mulierum …
Voice:
[no designation]
Languages:
Latin
Voice Text:
O pulcerima mulierum …
Voice:
[no designation]
Languages:
Latin
Voice Text:
O pulcerima mulierum …
General NotePubl. cf. Bc 15 n° 178, Ox, f. 80v (Arnoldus de {la}ntins) Q15, 216v-217 (Ar de Lantins) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
35 | Ave regina caelorum | - | Anonymous |
Ave regina caelorumAnonymous
Appears on:
35
Genres:
BVM, Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave regina caelorum
General Note
Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
|||
35v–36 | Vergine bella | G. Dufay | |
Appears on:
35v–36
Genres:
Motet
Source Attribution:
G. Dufay
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vergene bella che de sol vestita …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Vergene bella che de sol vestita …
General NotePubl. cf. Bc 15 n° 201. Facs. p. 71, Ox, ff, 133v-134 (Guillermus dufay) Q15, ff. 237v-238 (du fay) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
36v–37 | O virum omnimoda veneratione / O lux et decus tranensium / O beate Nicolae supplicum vota suscipe | Jo. Cicho[n]ia | |
Appears on:
36v–37
Genres:
Motet
Source Attribution:
Jo. Cicho[n]ia
Voice:
Secundus
Languages:
Latin
Voice Text:
O lux et decus . . .
Voice:
[no designation]
Languages:
Latin
Voice Text:
O virum omnimoda venerazione dignum …
Voice:
[no designation]
Languages:
none
Voice:
Tenor
Languages:
Latin
Voice Text:
O beate Nicholae . . .
General NoteSup. 2us: O lux et decus . . .T: O beate Nicholae . . .Publ. cf. Bc 15 n° 254, Q15, ff. 284v-285 (Jo ciconie) SienaBC, ff. 25v-26 Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
37v–38 | O anima C[h]risti sanctifica me | - | Anonymous |
O anima C[h]risti sanctifica meAnonymous
Appears on:
37v–38
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
O anima Christi sanctifica me
General Note
Item BibliographyWolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: with facs. |
|||
38–37v | Innicietur regi melos | - | Anonymous |
Innicietur regi melosAnonymous
Appears on:
38–37v
Voice:
[no designation]
Languages:
Latin
Voice Text:
Innicietur regi melos …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Innicietur regi melos …
Voice:
[no designation]
Languages:
Latin
Voice Text:
Innicietur regi melos …
|
|||
38v–39 | Ducalis sedes inclita/Stirps […] veneti | [ANTONIUS ROMANUS] | |
Appears on:
38v–39
Genres:
Motet
Source Attribution:
[ANTONIUS ROMANUS]
Voice:
Secundus
Languages:
Latin
Voice Text:
Stirps [Mocenigo] Veneti …
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ducatis sedes inclita …
General NoteSup. 2us: Stirps [Mocenigo] Veneti … Publ. cf. Bc 15 n° 243. Facs. p. 76 (f. 38v). Q15, ff. 275v-276 (Anthonius Romanus, with extra Contratenor) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Gallo, Franco Alberto. 1964. Musiche Veneziane nel Ms. 2216 della Biblioteca Universitaria di Bologna. Quadrivium, 107-16. Pages: tav. 1-6 (Q15). |
|||
39v–40 | Ave mater o Maria | - | Anonymous |
Ave mater o MariaAnonymous
Appears on:
39v–40
Genres:
Ave Maria, Lauda
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave mater o Maria
General NoteKras, f. 186v Ven, ff. 28v-29r (a3, ct is unique) WolkB, ff. 44v-45 (a3, missing CII and with considerably more florid discantus) Item BibliographyFeicht, Hieronim (editor). 1963-. Antiquitates Musicae in Polonia. Warsaw & Graz: Polish Scientific Publishers/Akademische Druck- und Verlagsanstalt. Pages: XIV. Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: p. 318 (Ven). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: (IX. O. v. Wolkenstein). |
|||
39v–40 | Sanctus, admirabilis splendor | - | Anonymous |
Sanctus, admirabilis splendorAnonymous
Appears on:
39v–40
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ducalis sedes inclita/Stirps Mocinico
General Note
Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. Pages: ii, pp. 101-103. |
|||
40v | Salve regina mater misericordiae | [J. RESON] |
Reson, Johannes
(?)
|
Appears on:
40v
Genres:
BVM, Motet, Salve Regina
Source Attribution:
[J. RESON]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina
General NotePubl. cf. Bc 15 n° 179, Q15, ff. 217v-218 (Jo reson) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
41 | Viva San Marco glorioso | - | Anonymous |
Viva San Marco gloriosoAnonymous
Appears on:
41
Genres:
Motet, Sacred Song
Voice:
[no designation]
Languages:
Italian
Voice Text:
Viva viva san Marcho glorioso ...
General NoteT et Ctseul1, Item BibliographyGallo, Franco Alberto. 1964. Musiche Veneziane nel Ms. 2216 della Biblioteca Universitaria di Bologna. Quadrivium, 107-16. Pages: with facs. (tav. 10-11). |
|||
41v–42 | Benedicta es caelorum regina | [DE ANGLIA] | |
Appears on:
41v–42
Genres:
Motet
Source Attribution:
[DE ANGLIA]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicta es caelorum regina
General NoteMq. le début du Sup. Publ. cf. Bc 15 n" 185, OxL Q15, ff. 221v-222 (de anglia) Tr92, ff. 177v-178 (De Anglia) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
42 | Kyrie 'Cunctipotens genitor' | [G. DUFAY] | |
Appears on:
42
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
[G. DUFAY]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie [Cunctipotens genitor]
General NotePubl. cf. AOs n° 20, Ao, f. 22 MuEm, ff. 31v-32 Q15, ff. 157v-158 (du fay) Tr92, f. 27 (dufay) Tr93, ff. 98v-99 |
|||
42v–43 | Quam pulchra es et quam decora | [J. DUNSTABLE] |
Egidius
(?)
|
Appears on:
42v–43
Genres:
Motet
Source Attribution:
[J. DUNSTABLE]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quam pulchra es et quam decora
General NotePubl. cf. AOs n° 138. Facs.: MB Vili, Ao, ff. 188v-189 (Dunstapell erased and replaced with Egidius) CamPem, p. 7 ModB, ff. 81v-82 (Dunstaple) MuEm, ff. 63v-64 Q15, 313v-314 (Dunstable) Tr92, ff. 110v-111 (name cut off) |
|||
43v | Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est | LEONEL | |
Appears on:
43v
Genres:
Motet
Source Attribution:
LEONEL
Voice:
[no designation]
Languages:
Latin
Voice Text:
Anima mea liquefacta est
General NoteAscr. anonymous, no CT; FM, ff. 32v-34 (with Ct) ModB, ff. 117v-118 (Leonel, with Ct) MuEm, ff. 150v-151 (Leonellus with Ct) Item BibliographyLoyan, Richard K. 1973. The music in the manuscript Florence, Fondo Magliabechiano XIX. 112bis. University of California, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I. Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. |
|||
43v | Anima mea liquefacta est - 2a pars (of 3): Tulerunt pallium meum | - | |
Appears on:
43v
Genres:
Motet
|
|||
43v | Anima mea liquefacta est - 3a pars (of 3): Quia amore langueo | - | |
Appears on:
43v
Genres:
Motet
|
|||
44–44v | Sanctus | B. FERAGUT | |
Appears on:
44–44v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
B. FERAGUT
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quam pulchra es et quam decora
General Note
|
|||
44v–45 | Imera dat hodierno | GROSSIM | |
Appears on:
44v–45
Genres:
Motet
Source Attribution:
GROSSIM
Voice:
[no designation]
Languages:
Latin
Voice Text:
Imera dat hodierno
General NotePubl. cf. Bc 15 n° 203, MuEm, ff. 80v-81 Ox, ff. 48v-49 (Grossim de parisius) PC, f. 63v (T only) Q15, 239v-240 (grosin) Tr92, ff. 124v-125 Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. |
|||
45 | Con desiderio io vo cercando | - | |
Appears on:
45
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Con desiderio io vo cerchando
|
|||
45v–48 | Magnificat primi toni: Anima mea [K.746] | BINCHOYES [ou G. DUFAY] | |
Appears on:
45v–48
Genres:
BVM, Magnificat, Motet
Source Attribution:
BINCHOYES [ou G. DUFAY]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Imera dat hodierno
General NoteTous les versets, SPietro, ff. 196v-198 FM, ff. 13v-15 ModB, 31r-32v (Du Fay) Item BibliographyLoyan, Richard K. 1973. The music in the manuscript Florence, Fondo Magliabechiano XIX. 112bis. University of California, Ph.D. Dissertation. |
|||
49 | En bianca vesta pellegrina cerva | - | Anonymous |
En bianca vesta pellegrina cervaAnonymous
Appears on:
49
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
lEn biancha vesta pellegrina cerva . . .
|
|||
49 | Fugir non posso dal tuo dolze volto | - | |
Appears on:
49
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Fugir non posso dal tuo dolze volto …
General NoteLucca, ff. 89v-90 PC, fo.63 (T only) Editions: PMFC11, no. 39 (Lucca). Luisi ii, p. 275 (PC). |
|||
49v–50 | Deduto sei a quel che mai non fusti | - | |
Appears on:
49v–50
Genres:
Ballata
Voice:
[no designation]
Languages:
Italian
Voice Text:
Deduto sey a quel che may non fusti . . .
General NoteParis4917, ff. 25v-26v (missing CT) Item BibliographyPlamenac, Dragan. 1964. Faventina. Liber amicorum Charles van den Borren, 145ff. Antwerp. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 57. |
|||
50v | O bella rosa o perla angelichata | - | |
Appears on:
50v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
O bella rosa o perla angelichata
General Note
|
|||
51 | Mercé o morte o vaga anima mia | - | |
Appears on:
51
Genres:
Ballata
Voice:
[no designation]
Languages:
Italian
Voice Text:
Mercé o morte o vaga anima mia
General NoteLucca, f. 52v [13v] (Ciconia, incomplete due to lost page, missing T but with additional Ct) Paris4917 ff. 18v-19 Pist, f. 4v Editions: Ghisi, p. 17 (Pist). Nádas, p. 105 (Lucca). PMFC11, no. 46 (Paris 4917). PMFC24, 39a (Paris 4917) and 39b (BU). Item BibliographyNadas, John, and Agostino Ziino. 1990. The Lucca Codex. Codice Mancini. Lucca, Archivio di Stato, ms. 184. Perugia, Biblioteca comunale Augusta, ms. 3065. Introductory Study and Facsimile Edition. Ars Nova. Lucca: Libreria musicale italiana. Pages: p. 105 (Lucca). Marrocco, W. Thomas (editor). 1978. Italian Secular Music (VI). Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. Pages: no. 46 (Paris 4917). Ghisi, Federico. 1946-47. Italian Ars-Nova Music: The Perugia and Pistoia fragments of the Lucca musical codex and other unpublished early 15th century sources. Journal of Renaissance and Baroque Music, 173-91. Pages: p. 105 (Lucca). |
|||
50v–51 | O zentil madona mia | - | Anonymous |
O zentil madona miaAnonymous
Appears on:
50v–51
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
O zentil madona mia …
General NoteEdition: GalloBU ii, p. 104. PMFC11, no. 61. Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
|||
51v–52 | Invidia nimica | G. DU FAY | |
Appears on:
51v–52
Genres:
Italian secular
Source Attribution:
G. DU FAY
Voice:
[no designation]
Languages:
Latin
Voice Text:
Invidia inimica …
General NoteOx, ff. 128v-129 (Guillermus dufay) Pan26, ff. 17v-18 (missing Ct 2) Item BibliographyDuffin, Ross W (editor). 1983. Guillaume Dufay: Chansons: Forty-five Settings in Original Notation from Oxford, Bodleian Library MS Canonici 213. Miami, FL. Pages: p. 60 (Ox). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1/vi, no. 2 (Ox). |
|||
52v | Degar dés vous de le cordon | PREPOSITI BRIXIENSIS | |
Appears on:
52v
Genres:
Chanson
Source Attribution:
PREPOSITI BRIXIENSIS
Voice:
[no designation]
Languages:
Latin
Voice Text:
Degar dés vous de le cordon …
General Note
Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London. |
|||
52v | La belle se siet au piet de la tour | [G. DÜFAY] | |
Appears on:
52v
Genres:
Chanson
Source Attribution:
[G. DÜFAY]
Voice:
[no designation]
Languages:
French
Voice Text:
La belle se sit a pi du [sic] la tour …
General NoteNamur, f. 293 (T only in stroke notation) Ox, f. 31 (with added 2nd voice attributed to Du Fay) PC, f. 61 (T only) Rei 3, ff. 108v-109 Item BibliographyDuffin, Ross W (editor). 1983. Guillaume Dufay: Chansons: Forty-five Settings in Original Notation from Oxford, Bodleian Library MS Canonici 213. Miami, FL. Pages: p. 16 (Ox). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1/vi, no.12 (Ox). Riemann, Hugo. 1906. Hausmusik aus alter Zeit. Intime Gesänge mit Instrumental-Begleitung aus dem 14. bis 15. Jahrh. in ihrer Originalgestalt. Leipzig: Breitkopf & Härtel. Pages: p. 16 (Ox). Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London. Pages: p. 122 (Ox). |
|||
53 | Pour amour de la rosete | DO. VALA | |
Appears on:
53
Genres:
Chanson
Source Attribution:
DO. VALA
Voice:
[no designation]
Languages:
French
Voice Text:
Pour amour de la rosete …
Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
|||
53v | Angelus autem Domini descendit de caelo | - | Anonymous |
Angelus autem Domini descendit de caeloAnonymous
Appears on:
53v
Genres:
Troped ite
Voice:
[no designation]
Languages:
Latin
Voice Text:
Angelus autem domini …
|
|||
53v | Et ecce terremotus | - | Anonymous |
Et ecce terremotusAnonymous
Appears on:
53v
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et ecce terremotus
|
|||
53v | Erat autem aspectus | - | Anonymous |
Erat autem aspectusAnonymous
Appears on:
53v
Voice:
[no designation]
Languages:
Latin
Voice Text:
Erat autem aspectus
|
|||
53v | Pre timore autem eius | - | Anonymous |
Pre timore autem eiusAnonymous
Appears on:
53v
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pre timore autem eius
|
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53v | Respondens autem angelus | - | Anonymous |
Respondens autem angelusAnonymous
Appears on:
53v
Voice:
[no designation]
Languages:
Latin
Voice Text:
Respondens autem angelus
|
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53v | Et respicientes viderunt | - | Anonymous |
Et respicientes videruntAnonymous
Appears on:
53v
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et respicientes viderunt
|
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54 | De transfiguratione Domini nostri Jesu Christi ad laudes et in secundum vesperis. Assumpsit Jesus Petrum et Jacobum | - | Anonymous |
Appears on:
54
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
De transfiguratione domini nostri Jesu Christi ad laudes et in secundum vesperis. Assumpsit Yhesus Petrum et Jacobum …
General NotePlain chant, Not musically related to modern chant. |
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54 | Resplenduit facies eius | - | Anonymous |
Resplenduit facies eiusAnonymous
Appears on:
54
Voice:
[no designation]
Languages:
Latin
Voice Text:
Resplenduit facies eius
General NoteNot musically related to modern chant. |
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54 | Et ecce apparuerunt | - | Anonymous |
Et ecce apparueruntAnonymous
Appears on:
54
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et ecce apparuerunt
General NoteNot musically related to modern chant. |
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54 | Respondens autem petrus | - | Anonymous |
Respondens autem petrusAnonymous
Appears on:
54
Voice:
[no designation]
Languages:
Latin
Voice Text:
Respondens autem petrus
General NoteNot musically related to modern chant. |
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54 | Adhuc eo loquente | - | Anonymous |
Adhuc eo loquenteAnonymous
Appears on:
54
Voice:
[no designation]
Languages:
Latin
Voice Text:
Adhuc eo loquente
General NoteNot musically related to modern chant. |
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54 | Christus natus est nobis | - | Anonymous |
Christus natus est nobisAnonymous
Appears on:
54
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Christus natus est nobis …
General NotePlain chant, Not musically related to modern chant. |
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54–55 | Venite exultemus | - | Anonymous |
Venite exultemusAnonymous
Appears on:
54–55
Voice:
[no designation]
Languages:
Latin
Voice Text:
Venite exultemus
General NoteNot musically related to modern chant. |
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55 | Benedicamus Domino = Va tent souspir je t'en supplie | - | |
Appears on:
55
Genres:
Chanson, Contrafactum, Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicamus domino
General NoteOx, f. 27 (Grossim, with text Va t’ent souspier je t’en supplie) PC, ff. 49v-50 (Text as above) Item BibliographyStainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London. Pages: p. 172 (Ox, with facs.). |
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55 | Et audientes disipuli sic ceciderunt | - | Anonymous |
Et audientes disipuli sic cecideruntAnonymous
Appears on:
55
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et audientes disipuli [sic] ceciderunt …
General NotePlain chant, Not musically related to modern chant. |
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55v | Belle vueilliés vostre mercy donner | G. DU FAY | |
Appears on:
55v
Genres:
Chanson, Rondeau
Source Attribution:
G. DU FAY
Voice:
[no designation]
Languages:
French
Voice Text:
Belle vuillés vostre mercy donner . . .
General NoteOx, ff. 118v-119 (G. du{fa}y) PC, fo. 43 (T and Ct only as facing page missing) Item BibliographyDuffin, Ross W (editor). 1983. Guillaume Dufay: Chansons: Forty-five Settings in Original Notation from Oxford, Bodleian Library MS Canonici 213. Miami, FL. Pages: p. 54. (Ox). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1/vi, no. 47 (Ox). |
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56 | A vous me recummant toudis | DO. VALA | |
Appears on:
56
Genres:
Chanson
Source Attribution:
DO. VALA
Voice:
[no designation]
Languages:
French
Voice Text:
A vous me recummant toudis …
General Note
Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. |
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55v–56 | Gardés vous bien de trop parler | - | Anonymous |
Gardés vous bien de trop parlerAnonymous
Appears on:
55v–56
Genres:
Italian secular
Voice:
[no designation]
Languages:
French
Voice Text:
Gardés vous bien de trop parler
General NoteMq. le début du TCt: Voluntier ye me garderoye . |
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56v | Vous soiés la tres bien venue | [C. DE MERQUES] |
Merques, Nicolas
(?)
|
Appears on:
56v
Genres:
Chanson
Source Attribution:
[C. DE MERQUES]
Voice:
[no designation]
Languages:
French
Voice Text:
Vous soiés la tres bien venue . .
General NoteMq. le Ct, Tr87, f. 133v (C. De marques, with Ct) Item BibliographyAdler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22, (XI / 1), p. 91 (Tr87). |
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56v | Se je vous ai bien loyaulment aimee | [N. GRENON*] |
Grenon, Nicolas
(?)
|
Appears on:
56v
Genres:
Chanson, Rondeau
Source Attribution:
[N. GRENON*]
Voice:
[no designation]
Languages:
French
Voice Text:
Se ye vous ay bien loyaument amée . . .
General NoteOx, f. 81v (Nicolaus Grenon) Paris4917, f. 4v Rei 3, ff. 92v-93 (Grenon, with Ct) Concordances*GB-Ob 213 Item BibliographyMarrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Pages: p. 7 (Rei). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 37, p. 3 (Rei). Dannemann, E. 1936. Die spatgotische Musiktradition in Frankreich und Burgund vor dem Auftreten Dufays. Collection d'études musicologiques. Leipzig/Strasbourg. Pages: no. VI (Ox). |
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57 | Pour honnorer ma gentille demoiselle | - | Anonymous |
Pour honnorer ma gentille demoiselleAnonymous
Appears on:
57
Genres:
Ballade, Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
Pour honnörer ma gentil damoyselle . . .
General NoteParis4917, f. 2v |
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57 | Adieu Adieu, ma douce amie | DO. VALA | |
Appears on:
57
Genres:
Chanson
Source Attribution:
DO. VALA
Voice:
[no designation]
Languages:
French
Voice Text:
Adyeu adyeu ma dous amye …
General Note
Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. Pages: ii, p. 108. |
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57v | Benedicamus cum trine vocis iubilo | - | Anonymous |
Benedicamus cum trine vocis iubiloAnonymous
Appears on:
57v
Genres:
Benedicamus Domino, Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicamus cum trine vocis
General NoteT et Ct: Benedicamus domino. Item BibliographyGallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. Pages: ii, p. 109. |
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57v | In natali Domini Vs. Virgo mater peperit | - | Anonymous |
In natali Domini Vs. Virgo mater peperitAnonymous
Appears on:
57v
Genres:
Lauda
Voice:
[no designation]
Languages:
Latin
Voice Text:
In natali domini
General NotePubl. cf. Bc 15 n° 180 (à 3vx.); Ber190, f. 24r-v (a3, with different C and Ct) Q15, 217v-218 (a4, with CII and Ct) Pavia361, ff. 9v-10 Tr87, f. 219 (a3, with Ct) Trier, ff. 137-137v (a2, uses T but with different lower voice) Item BibliographyBent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice. Diederichs, Elisabeth. 1986. Die Anfänge der mehrstimmigen Lauda vom Ende des 14. bis zur Mitte des 15. Jahrhunderts. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 324-329; p. 324 (BU version with Pavia361 annotations. Versions from Q15, Tr87 and Trier are on pp. 325-329). Cattin, Giulio. 1968. Le composizioni musicali del ms. Pavia Aldini 361. L'Ars Nova italiana del Trecento, 1-21. Pages: p. 15 (Pavia361 version). Wolf, Johannes. 1923), second, un-revised edition (Bückeburg und Leipzig: Kistner and Siegel 1927. Musikalische Schrifttafeln für den Unterricht in der Notationskunde. Leipzig. Pages: pl. 58 (Ber190 version, with some rhythmic variants). |